Tag Archives: Dr. Grabow pipes

A Dr Grabow Grand Duke Prince

I received an email from Kevin in Australia asking if he could share some of his work with us on rebornpipes. This Dr. Grabow restoration and photos not only tell the story of the pipe but also give some information on Kevin. Thanks Kevin and welcome to rebornpipes!

Story and photos by Kevin Pallett — Australia.

I have a few favourite pipe shapes, one of them being the Prince. There are a few variations on that theme but for me the standard shape will always take the prize. A friend of mine who is also a pipe maker was selling a bunch of estate pipes that he purchased from Ebay (The American Ebay. We live in Australia) and was looking to sell some of them. He sent me a few pics of what he had and one of them was a Dr Grabow Prince. A Grand Duke in particular. It was in bad shape with the ubiquitous bite marks and chocked up bowl. The end of the stem was horrible and how anyone would put it in their mouth was beyond me. After deciding how I was going to start on this Grand Duke, I put Vaseline on the little blue spade on the stem and put the stem into a diluted bleach bath and let it do its thing. While that was going on, I turned my attention to the stummel. It was in a bad way. Not the worst I have seen but pretty funky and in need of some de caking. Believe it or not I soaked the whole stummel in alcohol for almost 6 hours. The cake was like glass when I tried to ream it and the harder I tried the harder it got. After being soaked the cake practically fell out as I used a small picking tool to remove it. I then sanded the inside of the bowl back with a few different grades of sandpaper and then sanded the outside of the stummel to the bare briar. I was happy with the way it looked and there were no major divots to replace and it looked even better when I sanded the top of the bowl flat. A lot of the grime on top of the rim came off in the alcohol and made it easier to sand it back to the way it should look. Whoever owned it would, by the look of it bang the rim on something hard to remove old tobacco but never cleaned it out thoroughly. No cracks either, always a good sign.This was followed with a salt and alcohol treatment. Then onto the stem again. It had what look like saliva stains on the end of it. Like it had sat in someone’s mouth for hours, hence the chew marks I would guess.  After it came out of the bleach Bath, I started to clean and reshape the air hole. Although it was more of a small rectangle, and once I started to file it out, I found that it was still full of all the original swarf (or filings). It took a bit of mucking around but eventually a small bundle of vulcanite filing came out. I now knew why I couldn’t get a pipe cleaner through it, so I don’t know how the owner ever smoked it properly, or if they cleaned it out at all. It’s always nice to work with vulcanite. I know that acrylic is durable and harder to mark with teeth, but vulcanite is so easy to file, sand, buff and generally work with.

The inside of the stem was quite gross and took a lot of pipe cleaners to eventually come out clean. Perhaps these were the first pipe cleaners to go through it. As a youngster and teenager, back in the 1960’s and early to mid-1970’s, I can clearly remember the older men (Grandfather, uncles and my Dad’s friends) smoking pipes that looked like they’d been used to build a house. And if they weren’t constantly dropping out of their shirt pocket when not being used, they were hooked into the belt loop of their trousers. Thinking back now pipes didn’t have quite the collectable want or care factor back then. They were just a replaceable method of enjoying tobacco. So why would you bother going to the extreme of cleaning them on a regular basis. I first began enjoying pipe smoking as a late teen and I have to say I had the one pipe for years (a Dr Plumb full bent billiard) although I was pretty meticulous when it came to keeping it functional.

Anyway, I continued making the air hole more to my liking. You can see in the accompanying photo what I mean.  I find this shape opening makes it easier to keep clean, get a pipe cleaner through and I think it just looks and feels better. After that I put some drops of CA glue into the chew marks and filed them down. Wet and dry paper got the surface back to smooth and I buffed the surface with micro mesh pads. I love using these little pads. The tenon on these Grabow stems is a metal arrangement to house the Grabow filters which I’ve not used as they are not readily available if at all in Australia and not worth the effort of ordering. Just a little information on tobacco in Australia. For pipe smokers down here, it is not an easy hobby to pursue. 50 grams of any tobacco is $100 and higher and there is no such thing as tobacconists anymore. We have tobacco shops, but they are more like a bank of lockable cupboards. It’s illegal to display anything that might imply that the contents contain a tobacco product and the packaging itself is covered in pictures of photo shopped diseased body parts. All very charming. It’s illegal to order any tobacco product from overseas. If it’s intercepted by boarder control, it is confiscated and apparently destroyed. It’s illegal to grow your own tobacco. So, I guess you’d have to think that the authorities are trying to tell us something.

So, back to the point. I didn’t have anything left to do to the stem until I used the buffing wheels. Back to the stummel.

As I mentioned above, the stummel was in good order on the outside so I started on it with the micro mesh pads. By the time I got through all the grits it had a nice lustre to it. I did discover a few small fills, but I wasn’t going to worry about them. And by the time I’d buffed it you couldn’t really see them. I was really pleased with the way it came together and it is now one of my favourite pipes to smoke. It’s light to use and the bowl isn’t so big that you can’t fill it to the top. Which I do. It’s not a fussy pipe, it’s happy with any tobacco. I find it’s great for Burley flakes in particular. I hope you enjoyed my small account of this particular pipe. Thanks for reading if you did. Ciao, Kevin.

The Filthiest Pipe I’ve Ever Seen

Blog by Robert M. Boughton
Copyright © Reborn Pipes and the Author except as cited

You can’t judge a book by its binding.
— From the journal American Speech, 1944

The Dr. Grabow easy bent smooth billiard I came by in a foolish case of mistaken identity on eBay looked normal enough on the outside, other than an apparent crack that wasn’t visible in any of the seller’s few photos.  The zigzag flaw extended from the top front of the bowl almost halfway down, which of course was not a good sign in a pipe when the intent was to sell it – and I definitely did not want to keep it for my own collection.  The dubious pipe came as part of a lot with two others of its ilk; an old Karl Erik box; two very nice choice sleeves – one that was also for a Karl Erik and the other for a Butz-Choquin – and two Revelation Smoking Mixture tins of indeterminate age.  Venturing a guess, I’d say they’re no newer than the pipes.

My haul, minus the Dr. G, Yello-Bole and MedicoMy impression from the poor photos provided online was that one of the pipes must have been a Butz-Choquin.  You see, the only descriptions of the pipes given in the listing were that they were “vintage,” and you guessed it, I fell for the deliberate obfuscation, and Buy Now to boot.  As the only measure of self-defense I can muster, at least I only paid about $10, with shipping included.  They turned out to be this Dr. Grabow and two Yello-Boles, one a Spartan.  The Spartan did clean up purty compared to how it was.The Dr. G. is six inches long but otherwise very small.  The height is 1.5” and the inner bowl diameter is ⅝” x 1”  As a rule, unless the particular pipe is very old or has some other special attribute, I shy away from this name and Medicos and the like, although I’ve found almost anything will sell to someone who is a fan of a given brand.  In fact, just last week at my monthly pipe meeting I sold the Spartan with a stem logo of a yellow Y in a circle to a friend who happens to be my best customer.

The friend has accumulated some great pipes from me – such as a late 1930s Kaywoodie Super Grain and a Ropp last month – and an amazing collection of antiques including a few KB&B beauties, but he admits to having a weakness for vintage Yello-Boles.  I estimated the Spartan dated to the 1960s, and my friend somehow traced it on his cell phone to 1966.  That’s what I call a Yello-Bole devotee.

At any rate, the Dr. G. billiard remained quarantined in a box for more than a year with others that are so tragic I’m sure I’ll end up using them as examples of pipes never to buy.  In short, only when it was the last pipe I had to work on did I gather the gumption to go for it.

But as I already noted, all outward appearances showed nothing I couldn’t handle without too much effort, including the odd zigzag on the bowl.  The inside turned out to be a different matter altogether, one for the books as far as I’m concerned.


I wanted to get the pipe in a basic clean order before tackling the crack.  Starting with the light rim char and cake in the chamber, I used super fine “0000” steel wool on the rim to begin and a pen knife around the walls of the chamber that was too small to insert a reamer – meaning the one size I have.  Then I sanded the rim with 1000-grit paper and the chamber using a pinkie and 150- and 220-grit papers. I cleaned off the old blackness from the shank opening with the same steel wool and wiped down the entire stummel with purified water on a paper towel.Now the crack I mentioned is apparent.  Knowing it wouldn’t get rid of the crack, I sanded the outside of the wood with 1000-grit paper to remove the other small but pervasive blemishes. With the pipe more or less spiffed up, I could see the crack was hairline, so to speak, not penetrating the bowl in any visible way.  That was a relief as I knew I could make it go away altogether with sanding.  I tried 150-grit paper, and that looked like the end of the ostensible crack.  I followed up with 320-, 400-, 600- and 1000-grit papers.A full micro mesh progression left the briar looking absolutely fabulous, or abfab, as British interior designers like to gush about wood.  To be serious, though, which I often try not to be, knowing it drives some readers nuts but keeps me sane, the micro mesh step – if I had to choose just one from all of the routine tasks in a pipe restoration – is my favorite.  Seeing the resilience of wood, or briar anyway, that allows it to bounce back from ruin is to me what sunshine was to John Denver.  Well, not exactly, but you get the idea. The front shot above, I’m sorry to say, doesn’t show how pale most of that side was even after micro meshing.  Suffice it to say, a spot stain was necessary with Lincoln brown leather dye.  I took a little more joy in staining and flaming it. Looks like everything is going great, doesn’t it?  That’s rhetorical.  Only after thinking I was almost finished did I commence the part that turned into a singular horror the like of which I never before experienced.  Without exaggerating at all, I admit I was sure I had found a pipe that could not be cleared of all impurities, no way, no how.  I’m sure this sounds like more of my melodramatic foolery, but for once I am being as serious as I get.  I suspect I may have some kind of world record, if people registered such statistics, but no doubt Steve, if perhaps no one else, has a worse story or stories to tell.  I’d love to hear them!

To wit, I found myself at the point of having to deal with the inside of the billiard.  Nothing prepared me for the almost human resistance and downright orneriness I encountered, not to mention the smoking implement’s physical manifestation of the common human psychological condition of filthiness.

The pictures that follow, showing the pre-cleaning, retort and aftermath of all that, with nine pipe cleaners, a nylon bristle cleaner, two cotton plugs and a wasted (in the colloquial sense) candle, don’t approximate the work and time already expended on cleaning and sanitizing the inner passageways of the pipe.  I included the Tupperware with spent alcohol as a clue to how much I boiled through the guts of the thing, with the wholly unsatisfying and unacceptable final Pyrex tube as dark as every other, but it still isn’t sufficient to understand my frustration, so I’ll tell you.  I had already used up 13 tubes of alcohol, getting nowhere.I knew I could use any number of pipe cleaners dipped in alcohol on the shank and it would do no good.  And so I started again, with a fresh retort (and candle and two more cotton plugs).  After nine more tubes boiled through the pipe – that’s a total of 22 – I at last achieved a clear enough result that didn’t get darker after three trips through the bowels of the Grabow.I don’t know, maybe this isn’t so unusual.  Or maybe I need a better retort system, as I’ve been looking forward to buying, something like the first one below, probably self-made by my friend Chuck Richards, or even the other I found online.

Hand-held laboratory-style retort system made by tbus6906, eBay, and an actual lab setup from best collection999 at eBay

And now for the stem, starting as it appeared when I got it and after the various phases of smoothing and buffing. And here is the finished pipe, the stem machine buffed with red and white Tripoli and the stummel with White Diamond and Carnauba. That’s a Medico filter in the stem, BTW, because it’s all I have and it fits!  Besides, whoever buys the Grabow will probably toss it.

This was an unusual restore for me for a couple of reasons. One, I set out thinking the big deal was going to be fixing a bad crack, and two, the real problem ended up being hidden within.  My previous record for the number of Pyrex tubes of alcohol I had to run through a pipe was nine, for a pipe I haven’t blogged yet.  I thought that was bad until I was faced with the harsh reality of this dainty little Grabow!  It’s the right size for most women (no sexism intended but I’ll probably get flack for that), but only a man could have smoked a pipe for possibly 40 years without ever really cleaning it.  Maybe that will get me off the hook with any female smokers who read this.

Oh, yes, a note about Revelation Pipe Mixture.  Never having heard of it and suspecting it’s out of production, I found I was correct about the latter part.  It was blended by House of Windsor, which still makes about 20 mixes, mostly aromatics, in the U.S.  Revelation was a coarse-cut (based on the photo I found, despite the description as ribbon cut) American blend of bright flake and red flake Virginias, cube cut burley, Kentucky, latakia, perique and “citrus/misc.”  It seems to have been somewhat popular given a 3.1 out of 4 rating at TobaccoReviews.com.  Legend says this was Albert Einstein’s go-to mix, so it couldn’t be all that bad.  It seems a reincarnation of this tobacco is being made in bulk form and true ribbon cut, from the same ingredients.  The link to the source is below for anyone interested.  Revelation was made by Philip Morris Co. Ltd. Inc. and distributed by Continental Tobacco Co.  I guess the tins are pretty old because companies aren’t named like that anymore.


Resurrecting a Tired and Worn 1937 Dr. Grabow Special 4914 Apple

Blog by Steve Laug

The next pipe on my restoration table is an interesting older pipe that appears to be made out of walnut or some other hard wood. It was tired and worn looking with the remnants of what appeared to be an oxblood stain in the wood. The stamping was dirty and worn but readable nonetheless. On the left side the pipe is stamped Dr. Grabow over Special and on the right side it is stamped with the shape number 4914 near the shank stem junction. That is followed by Pre-Smoked over Reg. US Pat. Off. The rim top was dirty and had some tar ground into it. The bowl had a light cake in it and there was a small nick on the inner right edge of the bowl. It had a hard rubber vulcanite stem with the white Linkman style propeller inset on the top of the stem. The rubber was quite hard and did not show signs of oxidation. There were tooth marks on the top and underside of the stem at the button. I took some photos of the pipe before I started my cleanup. I took some close up photos of the rim top and bowl to show its condition. The tar spots are on the surface. The nick is visible on the right side of the bowl. I also took photos of the stem to show the bite marks and wear on the stem.I took a photo of the stamping on both sides of the shank to show the condition. Interestingly once I cleaned the shank up and removed the stain the stamping was very readable.I looked up information on the Dr. Grabow Special 4914 pipe on Pipedia to see if I could identify the time period that the pipe came from. I had a hunch that it came out during the war years due to the alternative wood that had been used in its manufacture in place of the normal briar (https://pipedia.org/wiki/Dr._Grabow_Models_(Series,Line)_Names_Through_the_Years). Here is what I found out:

SPECIAL (or Special Italian Briar) post-1937, begins with 43, 49, maybe no number at all; DOLLAR DR. GRABOW 1937 or previous, may not be marked as such, begins with 43, 44, 49 Series 43 = Natural Finish (DG), c1937. Series 44 = Dark Finish (DG), c1937. Series 49 = Walnut Finish (DG), c1937.

Thus I knew that the pipe came out post 1937. I still had not confirmed the date of the pipe other than knowing that it was made after 1937. I did some more digging on Pipedia and found the following information that also helped pin down the date (https://pipedia.org/wiki/Dr._Grabow).

The production of the pipes started in 1930/31. In 1937 Linkman began calling his pipes “Pre-Smoked”. An ad dating from 1946 celebrates it as “America’s Most Wanted Pipes” and the text announced that each Dr. Grabow was broken in on the Linkman’s Automatic Smoking Machine with fine Edgeworth tobacco, reducing the need for the new owner to spend time breaking in his pipe. In 1949 the official name read Dr. Grabow Pipe Company Inc. with seat at W. Fullerton Avenue 1150, Chicago 14, Illinois. (Thus the Linkman factory.) Series: Special, De Luxe, Supreme, Tru’ Grain, Select Grain.

That helped to pin down when the first Pre-Smoked Pipes came out on the market. I have included a couple of advertisements from the 1940s on the Pre-Smoked pipes. The advertisements were on Pipedia courtesy of Doug Valitchka. I found a similar pipe for sale on eBay (https://picclick.co.uk/Lovely-Vintage-Dr-Grabow-Special-4914-Smokers-Pipe-372388011756.html). It could very well be a twin of the pipe that I am working on. It is also made from an alternative wood, rather than briar.

I started my restoration on the pipe by wiping down the bowl with acetone on a cotton pad to remove the remnants of the oxblood finish. I took photos of the bowl after the cleanup. I sanded the bowl with 220 grit sandpaper to remove the remaining stain. I sanded the rim top to remove the stain and tars there. I worked over the inner edge of the rim with 220 grit sandpaper to remove the damaged area on the right side. It did not take too much work to remove it. I polished the rim and bowl with micromesh sanding pads – wet sanding with 1200-2400 grit pads. The bowl began to have a rich shine.When I sanded the bowl a small red putty fill showed up on the back right side of the bowl. It was slightly pitted. I filled in the pits with clear super glue to remove the damage. I sanded it with 220 grit sandpaper and then with a 1200 grit micromesh pad.I polished the bowl with red Tripoli on the buffing wheel to smooth out the wood. I heated it and stained it with the “red” tan aniline stain. I flamed it with a lighter and repeated the process until the finish had good coverage. I also gave the bowl a coat of Danish Oil with Cherry stain to highlight the grain. I cleaned out the internals in the stem and the bowl with pipe cleaners, cotton swabs and alcohol. The shank was dirty and the debris and grime that came out made fit of the stem in the shank much tighter.I set the bowl aside and worked on the stem. I sanded the surface of the stem with 220 grit sandpaper to remove the tooth chatter and the lighter tooth marks. I cleaned it up a soft cotton pad to remove the debris. I filled in the deeper tooth marks with clear super glue to repair them. I set the stem aside to let the repairs cure. I sanded the hardened repairs with 220 grit sandpaper to blend them into the surface of the vulcanite.I polished stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down with Obsidian Oil after each pad. When I had finished polishing with the last pad, I gave it a final coat of Obsidian Oil and set it aside to dry. This small war era Dr. Grabow Pre-smoked apple is a unique alternative wood pipe. It has interesting swirled grain around the bowl and cross grain across the shank. The grain really is interesting. The rim top looks much better. The vulcanite stem is high quality and shined up well. I buffed the bowl and the stem with Blue Diamond polish to raise the shine on the briar and the vulcanite. I was careful to not buff the stamping and damage it. I gave the bowl and stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The rich oxblood stain allows the grain to really stand out while hiding the fill in the bowl side of this little pipe and it works well with the rich black of the vulcanite stem. The dimensions of the pipe are: Length: 5 1/4 inches, Height: 1 1/2 inches, Outside Diameter: 1 inch, Diameter of the chamber: ¾ of an inch. This little Linkman’s Grabow apple fits nicely in the hand and makes a great pocket pipe. Thanks for walking through the restoration with me.

Transforming a Dr. Grabow “Omega”

Blog by Paresh Deshpande

“Mirror, mirror on the wall, who is the prettiest of them all?” asked this “Omega”, looking deeply into my eyes!!!!! How I wish I could have promptly replied that it was “YOU”…. but I could not get myself to say so!!!!! It was then that I decided to work on this pipe and make an attempt at its transformation.

This bent billiards has “OMEGA” stamped on the left side of the shank over “DR. GRABOW” in block capital letters while on the right side it is stamped “IMPORTED BRIAR”. A nickel ferrule adorns the end of the shank and is devoid of any stampings. An “ACE OF SPADES” on the left side breaks the monotonous black of the stem. I searched pipedia.com for information about the brand and try to place the period when this model was introduced by Dr. Grabow. The site has very detailed information about the brand and various models and is a highly recommended read. I have extracted only the relevant portions here:-

Dr. Grabow pipes are the quintessential American brand. Made with care in the Blue Ridge Mountains of North Carolina, this 60-year-old line of inexpensive tobacco pipes is a favorite among new pipe smokers for its consistency and good taste. The famous smoking pipe brand gets its name from the owner Dr Grabow, a general physician who lived in Chicago.

Made in America since the 1930’s, Dr. Grabow tobacco pipes were named after “the good doctor” to help polish the smudged image of smoking a pipe to newly tobacco-leery American public. The line of pipes bearing Dr. Grabow’s name have become one of the best known pipe brands in North America.

The Dr Grabow pipes first began with Louis B Linkman of the M.Linkman and Co of Chicago. The trademark “Dr Grabow” itself actually begun at about 1932 and had the US patent number 1.896,800.

The birth of the Dr Grabow smoking pipe is simple enough. It started off when Dr Grabow himself and his acquaintance Dr Linkman regularly visited the local pharmacist at Brown’s Drug Store in Lincoln Park Chicago.

Dr Linkman was on the lookout for a doctor’s name to Christian an innovative line of pipes in order to mellow out the smoking apparel’s smoggy image. He asked Dr Grabow to allow him to use his name to which he agreed and the name has stuck since then. Linkman continued to manufacture his Dr Grabow pipes until 1953. 

The earliest of these exclusive pipes were stamped both with Linkman’s and Dr Grabow. They included a propeller emblem that was white in color at the top of the mouthpiece.

In 1944 the white propeller emblem was replaced with a white spade, a move that heralded the introduction of Linkman’s new Dr Grabow pipes. All of the newer entries included most of the earlier favorites as well as “TRU-GRAIN” and “SELECT”. Later models of Dr Grabow pipes were described as Imported Briar.

I further searched pipedia.com and found detailed and comprehensive information on the various lines and models of Dr. Grabow through the years and was able to date this Omega to 1975. Here is the link; https://pipedia.org/wiki/Dr._Grabow_Models_(Series,Line)_Names_Through_the_Years


The first thing that struck me like a jolt was the reddish brown/ very dark reddish purple, OMG!!!! I cannot even describe the color of the stain on this pipe; it was that unappealing to the eye to say the least. It just surprises me as to why my grand old man even bought it, if he had indeed bought it. You just feel like turning away from it. To add to its color woes, the stummel is covered in dust and grime of storage from all these years. The stummel has Custombilt like rustication emanating from the joint where the shank and stummel meet and move away from the bottom towards the rim top. Within this rustication we have very fine thin lines. The raised portion of these rustication have the same reddish brown coloration while within these rustication, it has dark color. The shank is plain and devoid of any rustication. There appears to be some kind of coat covering the entire stummel. All said and done, this coloration has to go!!!!! How am I going to do it, I really do not know, but IT HAS TO GO!!!!!! The chamber is lightly caked and has overflow of lava on the rim top. This will have to be cleaned and sanded down if the rim top surface is damaged underneath the overflowing lava. The inner and outer edge has minor dents and dings.The stem appears to be ebonite and has a plastic feel to it. The stem is a copy of the famed Peterson’s P-Lip button with the difference in the bore being dead center on the end of the button as opposed to being on the top surface. It has extensive damage to the upper and lower surface of the lip. It is peppered with tooth chatter and has one deep bite mark each on both the surfaces. This will have to be addressed.The mortise is relatively clean and air flows freely through the airway in the pipe and shank.The nickel ferrule has lost its shine and shows minor spots of corrosion. I think it will polish up nicely.THE PROCESS

I had made a promise to this pipe that I shall make it “the prettiest of them all…” (Well, actually it was like “TRY” really) and thus the first and most logical start point was to address the color of the stummel. To make this pipe attractive, I felt that I should attempt to do the following:-

(a) Highlight the rustications.

(b) Get some shine on the stummel.

(c) Attempt to reveal the grains on the smooth shank.

(d) Highlight the contrast between the raised portions of the rustication with that of within the rustication.

Having identified what needs to be done, I turned my attention to how it could be done. SWOT analysis dictated that I needed to adopt processes which did not require any stains or coatings of lacquer as I did not have any. Also since I do not have any mechanical equipment, I had to adopt simpler and manual techniques. I decided that the best and easiest course of action for me would be to get rid of the original stain.

I started by reaming the chamber with a Kleen Reem pipe reamer and fabricated knife. I removed the complete cake from the chamber. I further sanded down the walls of the chamber with a 220 grit sand paper to smooth the walls and took the cake back down to the bare briar. I gently scraped out the little overflow of lava from the rim top. I also cleaned out the mortise and the shank with cue tips and pipe cleaners dipped in alcohol.Once the chamber was cleaned, I turned my attention to the stummel and tried to get rid of the lacquer coating. I started by wet sanding with a 1500 grit micromesh pad and soon realized that it would not work. I tried sanding with 800 grit sand paper without any success. Soon I found myself sanding the stummel with 150 grit sand paper. The lacquer was very difficult to get rid off and after a considerable time, I was finally able to completely remove the lacquer coating. Believe you me, my fingers had started to hurt and sitting at the table for 3-4 hours at a stretch caused cramps in my back. But the end result was pleasing.

Then began the arduous and time consuming process of sanding the stummel with micromesh pads. I proceeded to sand the stummel with micromesh pads, going through wet sanding with 1500-2400 pads and dry sanding with 3200- 12000 grit pads. I was very pleased with the way the stummel had turned out. I decided that I liked this finish and after further cleaning and polishing, the stummel would look just beautiful. Once I was through with micromesh pads, I cleaned the stummel with undiluted Murphy’s oil soap and tooth brush. I paid special attention to the deep areas of the rustication, thoroughly cleaning it with the brush. I dried the bowl with cotton cloth and paper towels.I rubbed “Before and After Restoration balm” in to the stummel with fingers deep into the rustications and let it rest for a few minutes before I buffed it with a horse hair brush. Finally, I polished the stummel with a soft cotton cloth and muscle power!!!! I also polished the nickel ferrule with a jeweler’s cloth. Luckily, the corrosion was superficial and polished up nicely. Turning my attention to the badly damaged stem, I start by cleaning it with cotton pads dipped in isopropyl alcohol. I flamed the stem surface with a Bic lighter to raise the tooth chatter. The deeper tooth chatter and bite marks were filled with clear CA superglue. Thereafter began the time consuming process of curing, sanding with flat head needle file, 220 grit sand paper and finally by micromesh pads. In all, I had to repeat the fill and sand procedure thrice before resorting to final polish using micromesh pads. I also cleaned out the internals of the stem with pipe cleaners dipped in alcohol. To finish the pipe, I rubbed a small quantity of Halcyon wax II on to the stummel and gave it a nice polish. The pipe now does look stunning. I love the way the pipe has turned out and I can proudly reply back to this Omega “IT’S YOU!!!!!!” The finished pipe is shown below.

New Life for a Damaged Meerschaum-lined Dr. Grabow

Blog by Steve Laug

Not too long ago I sent a meerschaum lined pipe to Jim. He received it and sent me a note saying that he had sent two pipes to me to have a look at and refurbish. The first of them was a Bullnose shaped pot. I already restored and posted the write up of the restoration of the pipe on the blog (https://rebornpipes.com/2018/05/13/breathing-new-life-into-a-london-royal-bullmoose-pot/). The second was an interesting quarter bent Dublin that had a meerschaum lining. The pipe is stamped on the top of the shank Meerschaum-lined over Dr. Grabow and on the underside of the shank it is stamped Imported Briar. It had some nice grain on the sides of the bowl and shank. It had an oval shank. The rim top had some damage on it and the meerschaum lined bowl was heavily caked and the rim top had an overflow of lava. There were also pin holes and nicks in the rim top. The stem was lightly oxidized and there was tooth chatter on the top and the underside of the stem near the button. The top edge of the button and the bottom edge of the button also had tooth wear. The underside of the stem was stamped ITALY. The pipe that Jim sent to me was in rough shape. He said that when he received it he was turning it over in his hands and dropped it. When it hit the ground the bowl fractured on the underside along the length of the bowl and shank. There were multiple cracks. There was also a crack on the back left side of the bowl that extended from the edge of the rim to the bend in the shank. The cracks on the side of the bowl flowed through some of the large putty fills on the left rear of the bowl. There were also fills running the front of the bowl from top to bottom. The internals were dirty but it looked like the meerschaum lining was undamaged under the thick cake. I took close up photos of the rim top and the stem to show the general condition of the bowl and stem surfaces. The close up of the rim top shows the dents and caking on the lining of the bowl. There is a thick cake in the bowl and lava overflow on the top surface. The stem was in decent condition. There was some tooth chatter on the top and underside near the button. Fortunately there were no deep tooth marks in the vulcanite.I carefully reamed the meerschaum lined bowl with a Savinelli Fitsall Pipe Knife to scrape back all of the cake. I worked on the bowl lining and also the top edge of the bowl. I wrapped some 220 grit sandpaper around a Sharpie Pen and sanded the inside walls of the bowl and the rim edge.I dampened a cotton pad and scrubbed off the rim top and the meerschaum lining in the bowl. I was able to remove most of the build up and tars on the rim and bowl. I cleaned out the internals of the shank and the mortise with cotton swabs, pipe cleaners and alcohol until the interior was clean.I rubbed the bowl down with Before & After Restoration Balm to clean, rejuvenate and enliven the briar. I buffed it with a clean cotton towel to polish it. Under the grime the cracks in the bowl and shank bottom and on the side of the bowl became very visible. I took photos of the cracks on the bottom and side of the bowl. The crack on the bottom looks like a long crack but in reality it was a series of shorter cracks. The crack on the left side of the bowl flows from the rim top through two separate fills.I cleaned out the cracks with alcohol and cotton swabs to clean out the debris. I drilled small micro drill holes at the end of each crack to try to stop the spread of the crack. I filled in the cracks with clear super glue and pressed them together and let the glue dry. I sanded the repaired areas smooth to blend them into the surface of the briar around them. I used a walnut stain pen to colour the sanded areas around the repairs.I refilled some of the damaged fills on the shank/bowl junction and sanded them smooth. I touched those up with a stain pen. I stained the bowl with a light brown aniline stain to blend in the repairs and the rest of the stain on the pipe. I flamed it with a Bic lighter and repeated the process of staining and flaming it. I applied the stain to the top of the bowl with a cotton swab to avoid staining the meerschaum lining on the rim top. I wiped down the bowl with alcohol on a cotton pad to smooth out the stain on the bowl surface. It did a good job of blending into the repaired cracks on the left side of the bowl and the underside of the bowl and shank. I polished the briar with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. The photos that follow show the progress. I used a Maple stain pen to touch up the repairs one more time. I scrubbed the bowl with Before and After Restoration Balm. I rubbed it into the surface of the briar to enliven, clean and protect the briar. Buffing the balm also evened out the stain on the rim top and the repairs. I buffed the bowl with a cotton cloth to polish the briar. I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to remove the oxidation on the surface of the vulcanite. I sanded out the tooth chatter and also sanded the tooth marks on both sides.I polished the stem with micromesh sanding pads – wet sanding the stem with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. The photos show the increasing shine on the stem. I finished by polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and hand buffed it with a soft cloth. This Meerschaum-lined Dr. Grabow Dublin turned out really well with a mix of interesting grain underneath the grime and the damaged finish. The grain really is really nice and the repaired cracks look cosmetically much better. The rim top looks much better. It should have a long life ahead of it and provide a good smoke. The vulcanite stem is high quality and shined up well. I buffed the bowl and the stem with Blue Diamond polish to raise the shine on the briar and the vulcanite. I was careful to not buff the stamping and damage it. I gave the bowl and stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The rich light brown stain allows the grain to really stand out on this little pipe and it works well with the rich black of the vulcanite stem. I will be sending it back to Jim in a few days. I will pack it up with his first pipe and get it in the mail to him. I know that he is looking forward to enjoying a bowl in it. Thanks for walking through the restoration with me.

Paresh’s Grandfather’s Pipe #3 – A Dr. Grabow Starfire

Blog by Steve Laug

I have repaired pipes for Paresh in India over the past four months and not long ago he sent me seven of his Grandfather’s pipes to restore. It is an interesting assortment of older pipes that come from the period of 1937-1950s. His Grandfather worked for the Indian Railroad many years and was a pipeman. Paresh is also a pipeman and recently found out that his Grandfather smoked a pipe as well. The third of the pipes is an older Dr. Grabow Starfire Adjustomatic Tomahawk #21. It is stamped on the right side of the shank Starfire over Dr. Grabow. From what I can find out the pipe was part of the Continental X-Series that came in 12 unique shapes that were originally released in 1959. When the Continentals were first put into production they may have been available only by coupon in the Westbrook, Emperor and Sculptura lines, but they were available in the regular production–non coupon lines such as Viscount, Starfire and Eldorado. The coupon pipes were given XO shape numbers while the regular production lines (meaning sold in retail stores) were given standard shape numbers. The XO numbers were never stamped on the pipes, but the regular production pipes will sometimes have a stamped shape number. This particular pipe that I am working on for Paresh is a Starfire line pipe. I have included the following shape chart to help identify the pipe. It is the third pipe down in the column on the right side – shape #21. (Quoted from the late Ed James, a man who knew a lot about Grabow pipes and who is dearly missed by those of us who knew and enjoyed his company.  http://pipesmagazine.com/forums/topic/3-year-journey-complete-set-of-continental-x-series-pic-heavy.) I took the following photos of the pipe before I stated to work on it. It was probably one of the dirtiest of the pipes that Paresh’s wife Abha sent me – even then it was not that dirty because she had removed much of the cake bowl and the grime in the wire rustication.  The rim top has lava that has overflowed from the bowl and filled in the wire rustication. It is quite thick and hard. It will need to be scraped off when I started the cleaning. I am not sure what the inside edge of the rim looks like at this point because of the lava overflow. The outer edge of the bowl looks pretty good with a little wear on the front edge and back right side. The bowl still the remnants of cake left behind that I will need to take care of. I also took a close up photos of both sides of the stem. The stem significantly overclocked to the right giving the pipe an odd look. You can see the tooth chatter and calcification on the top and underside of the stem just in front of the button. It appears that the stem must have had a softee bit that was later cut off and left behind the debris.I always enjoy getting some background information on the pipeman whose pipes I am restoring when I am working estate pipes from the family members. If you have followed rebornpipes for a while you have read a few of these summaries from estates like Kathy’s Dad, Barry’s Dad and Farida’s Dad. Each of them did a great job summarizing their fathers’ estates. Since the next group of seven pipes that I will be working came to from India and belonged to the Grandfather of Paresh, I asked him to write a short tribute to his Grandfather. What follows is his writeup.

Respected Sir,

Now that the first batch of my Grandfather’s pipes has reached you, I would like to share my memories of him with you, the aim being to provide you with an insight to his personality, the era in which he lived, and a brief history associated with the pipes that I have inherited from him.

My Grandfather, Ananta (named after an exotic seasonal white flower having lovely fragrance), was born in a small coastal town of Konkan region of Maharashtra, India, in 1918. These were very turbulent times when India’s freedom struggle against British rule was gathering momentum and the atmosphere was charged with “Quit India Movement”. Having completed his graduation from Bombay, he joined Railways in 1937. This also marked the beginning of his journey into the world of pipe smoking!!!!!

Having seen his potential, in 1945, he was sponsored by the Government to visit England, for gaining further experience and expertise in his profession. This was a period when India’s Independence was round the corner and efforts were being made to train Indians for various administrative appointments in future Independent India. He returned back to India after a year, in 1946 and with him came some pipes that he had purchased in England. I believe a few of his Petes, Barlings, Charatans and GBDs are from this visit.

In 1947, when the British finally left India for good, my Grandfather was gifted pipes by his British peers, subordinates and Superior Officers as a parting gift. He stayed in touch with a few of them over all these years, even visiting them in 1959-60. Some of his later era Charatans and Barlings and Petes are from this trip. He quit smoking in early 1970s (before I was even born!!!!) and his pipes were packed up. There were a number of pipes which were used as TINDER for lighting fires (CAN’T BELIEVE IT…… I have not overcome my grief of this loss till date!!!!!) due to ignorance!!!!!!

My Grandfather was a very strict disciplinarian and temperamental (I did not know this as he was neither when dealing with me as I am the youngest of all his grandchildren!!!!!! He was always the most understanding and loving person in my life). I later learned that in his office, he was not to be disturbed when his pipe was lit, as he would be in his thinking/ contemplating mode while it was just the opposite as he lit his pipe in the evening while at home, when he would be at his relaxed best!!!!.

The interesting part is that neither of us knew that we each smoked a pipe until after his demise in Jan 2018!!!! In our culture, to this day, smoking or alcohol consumption is socially never talked about (mute acceptance!!!). It was during his last rites that absent mindedly I lighted my pipe and looking into the flickering flames of his funeral pyre, remembered and recollected all the wonderful memories and talks that we had shared. No one said a word to me about my lighting up a pipe!!!!!! Immediately thereafter, I rejoined my duty station. A few days later, my wife, Abha, received a box from my Uncle with a note that said “Grandfather would have loved Paresh to have these”. This box contained a collection of his fountain pens and 8-10 of his pipes (since then as my folks are winding up his belongings, I have received 2-3 packets and a large number of pipes, some in decent condition and some in unspeakable state). Abha immediately messaged me with pictures of these pipes and pens. I had been collecting and restoring (no major repairs, though) fountain pens since long and immediately recognized some of them as highly collectibles, however, pipes were a totally different ball game! I was inexperienced with no knowledge/ information regarding various brands/ pipe makers, shapes and materials. I knew nothing about the value of these pipes, nothing about pipe restorations, nothing about caring for them; I mean zero knowledge about collecting pipes. I smoked some real cheap Chinese pipes which were readily and unfortunately, the only ones, available in India and some inexpensive pipes from eBay India!!!!! Also regular pipe cleaning, pipe rotation, pipe cleaners and such things were unknown to me.

Thus, to know more about the REAL pipes, I embarked upon the journey of exploring finer nuances of pipe brands/ makers, their history and watching “How to videos” on packing a pipe, cleaning, repairing and caring for ones pipes. I found it extremely interesting and satisfying. It was while meandering through this confusing quagmire of pipe world that I came across rebornpipes.com website and eventually established contact with you, Mr Steve, who has since been my mentor, guide and GURU, making this journey a wonderful and satisfying experience.

Sir, there is one more thing that I need to thank you for and that is when you asked me to write a brief about my grandfather and his pipes, I realized how little I knew about him, in fact, knew nothing, as I was not even aware that he was a “pipeman” as no one in my family ever spoke about it being taboo subject and since he had quit a long time before I was even born!!!! This led me to ask the elders in my family, questions on the subject and came to know the above details. I cannot thank you enough for prodding me to get to know my grandfather and his pipes a lot better. Sir, these pipes of his, with your help and guidance, will remain with me forever in mint condition……

Thanks Paresh for this great descriptive take of your Grandfather. It really gives me a sense of the pipes that you have sent me and what they meant to him. It is obvious from the variety of pipes that you sent and the overall condition that he knew how to choose good quality pipes and obviously enjoyed smoking them throughout most of his life.

Paresh’s wife Abha cleaned the pipes before she sent them to me here in Canada and did an amazing job cleaning them up. She reamed the bowls, cleaned the rims and scrubbed the exterior of the pipes and the stems with Murphy’s Oil Soap and cleaned off the buildup on the stems. She had removed much of the cake on this pipe and done a great job cleaning the exterior of the bowl. The lava on the rim top was very hard and thick so she left that behind so as not to damage the top edge. The stamping on the right side of the shank was very readable. The stem was oxidized on both sides of the stem and had quite a bit of tooth chatter and calcification on both.

Since the stem was an adjustomatic according to what I had read I decided to work on the alignment before working on the rest of the pipe. I removed the stem and heated the metal tenon and stinger to loosen the tars and oils that had hardened on it. Once it was heated I turned the stem into the mortise and adjusted it by turning it clockwise until all was aligned.I let the heat dissipate from the stem and then removed it from the shank and started my work on the bowl itself. I cleaned up the cake in the bowl with a Savinelli Fitsall Pipe Knife and took the rest of the cake off until I had bare briar walls. I wanted to check out the condition of the interior of the bowl. It looked very good once it was cleaned off. There was no checking or cracking on the bowl walls. There was no sign of burn out inside. I scraped the rim top with the sharp edge of the Savinelli Knife and took off the thick lava that was there. I used a brass bristle wire brush to clean out the cake from the wire rustication on the surface. You can see the thick chunks of lava that came off the rim top on the white sheet of paper.I scrubbed the exterior of the bowl and shank with Murphy’s Oil Soap and a tooth brush to clean out the debris I left behind from the rim clean up. I also used the brass bristle brush with the soap to work over the rustication on the rim top. I rinsed it in running water and dried it off with a cloth. I restained the rim top with a Walnut stain pen to match the colour of the rest of the bowl. I touched up random spots on the shank and bowl sides where the finish was worn or nicked.I cleaned out the mortise and the airway in the shank with pipe cleaners, cotton swabs and alcohol. It took a lot of scraping and scrubbing to remove all of the thick tars and oils that had accumulated around the Grabow spoon stinger.I worked Before & After Restoration Balm deep into the briar to clean, enliven and protect it. I worked it into the finish with my fingertips. I worked it into the rim and shank end. I set it aside for a few minutes to let the balm work. I wiped it off and buffed it with a soft cloth to polish it. The briar really began to have a deep shine. I took some photos of the bowl at this point to mark the progress in the restoration. The bowl is really beginning to look good and the pipe is waxed I think it will really have a rich glow to wire rusticated finish.  I set the bowl aside and worked on the stem. I used a brass bristle wire brush to clean off the spoon stinger enough that I could remove it and clean out the rest of the stem. I cleaned up the stinger and the airway in the stem with pipe cleaners, cotton swabs and alcohol until they were clean. I would buff the metal with the buffing wheel to take off the rest of the staining later. I sanded out the tooth chatter and the calcification on both sides of the stem at the button with 220 grit sand paper.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit sanding pads and dry sanding with 3200-12000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I finished polishing the stem with Before & After Pipe Stem Polish both Fine and Extra Fine to remove the last of the scratches. I gave it a final coat of Obsidian Oil and set it aside to dry. With the stem polished I put it back on the pipe and lightly buffed the bowl and more heavily buffed the stem with Blue Diamond. I gave the bowl several coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. I have four more of Paresh’s Grandfather’s pipes to finish and then I will pack them up and send across the sea to India where he can carry on the legacy. I know that he is looking forward to having them in hand and enjoying a bowl of his favourite tobacco in memory of his Grandfather. Thanks for walking through the restoration with me as I worked this pipe over.


Craig’s Pipes #4 – Restoring a Dr. Grabow Starfire 39

Blog by Steve Laug

In my previous 3 blogs on Craig’s pipes I spoke of the five pipes that I am working on for him. In this blog I am taking on the fourth of his pipes – one of my favourite Dr. Grabow shapes – Starfire 39. It was another one with a cake in the bowl that was thick and hard. Once more I am going to include what Craig wrote me about his pipes. I have included it in the previous three blogs but I think it adds context to the bunch.

I was recently given a bag of pipes…literally, a BAG of 20 or so pipes that are 50+yrs in age and VERY used. I was wondering if you would have time to either Skype or FaceTime with me, and go through what I have in order to determine which are worth sending to you to have them refurbished. If you would be so kind, I’d really appreciate it.

We met on FaceTime and he pulled out a grocery bag with no rhyme or reason to it. It was filled with a jumble of no name or low-end drug store pipes. The only pipes that stood out for me were an old WDC Campaign pipe and a Grabow Starfire. He had several others that he liked. But we excluded all but five of the pipes. The amount of work necessary to bring them back was not worth the price. These are the five that we chose to work on. As I finish them, I will include the link to the blog covering that pipe.

– A No Name Meerschaum that looked interesting – https://rebornpipes.com/2018/01/31/is-it-a-meerschaum-looks-like-one-feels-like-one-but/
– A leather clad billiard marked R20 and bearing a shield – https://rebornpipes.com/2018/02/01/rejuvenating-a-leather-clad-billiard/
– A Wally Frank Bulldog marked Natural Unvarnished lacking a stem https://rebornpipes.com/2018/02/02/craigs-pipes-3-restemming-and-restoring-a-wally-frank-natural-bulldog/
– A Dr. Grabow Starfire 39 that had great grain
– A WDC Campaign underslung pipe

After our conversation, he packed up the pipes and threw the rest of the pipes in a separate bag for me to scavenge parts. The box did not take too long to get to Vancouver and when it did I opened the box and had a look. Here are pics of what I saw – there were two bags inside. One bag held the discards for the scrap pile and the other held the five pipes he wanted restored. The fourth pipe was the pickaxe shaped Dr. Grabow on the upper left of the above photo, just below the meerschaum. The briar was very dirty with lots of grime and residue that had hardened on the surface of the bowl around the front and right side of the bowl.  It was hard to tell what the rim top was like because of the lava overflow from the bowl up and over the scooped rim. The outer edges had some nicks at the front of the bowl. The inner edge looked pretty rough but I could not tell if it was just the lava or actually damage to the briar. There appeared to be some darkening on the rim but it may also be thin tars and oils. The bowl had a thick cake in it and remnants of tobacco. The shank is stamped on the left side Starfire over Dr. Grabow. On the right side it is stamped with the shape number 39 at the shank stem junction and next to that it reads Imported Briar over Adjustomatic over Pat.2461905. The patent is for the Adjustomatic apparatus in the stem. The stem was in pretty decent condition with some scratches on the top and underside at the button and a light oxidation. I took the following photos of the pipe before I started cleaning it up. I took close up photos of the bowl and rim top as well as the stem. The rim top had been beaten on a hard surface to knock out the dottle and there were some nicks along the outer edge of the bowl, particularly on the front edge. There was a lot of overflow on the rim, particularly heavy on the back side. The stem had some minor tooth chatter on both sides near the button and scratching on the surface. There were some small nicks on the top side of the stem. It was lightly oxidized and it was slightly overturned to the right. The Dr. Grabow metal “spear” stinger was missing. The pipe was very dirty.I looked up the brand and the line on Pipedia to see what I could find out about it. I have often wondered about how Grabow came up with the names like Regal, Eldorado, Starfire etc. The article solved that mystery for me so I have included that portion for easy reference. The link is:(https://pipedia.org/wiki/Dr._Grabow_Models_(Series,Line)_Names_Through_the_Years).

Before I get started in this section here is a great piece of trivia that I learned from a devoted and caring Dr. Grabow employee recently. You have probably wondered, as I have, just where these names originated or what inspired them. Maybe you have even guessed the connection, but I sure didn’t! When this employee mentioned this to me, he brought it up like a riddle: “THINK CARS!” Now, see if you came up with what I did:

Eldorado — Cadillac

Viscount — Dodge (Car built by Chrysler Corporation of Canada Ltd, for Canadian Markets only ca1959.)

Starfire — Oldsmobile (The original Oldsmobile Ninety-Eight Starfire, named after the Lockheed F9413 Starfire fighter jet, was first introduced as a show car in 1953 at GM’s Motorama along with the Buick Skylark and the Cadillac Eldorado.)

Regal — Buick

Savoy — Plymouth (by the way, my friend at Dr. Grabow didn’t say, but there was also a Plymouth BELVEDERE!)

Riviera — Buick, I think first produced for model year 1963, which would have made it known in 1962. The pipe name precedes that, but maybe I missed something.

Lark – Studebaker

All of these cars had roots or beginnings in the 1950s and early 1960s I believe, and perhaps I should do a little more research along those lines to get more accurate facts. If anyone finds better info, just let me know. I never thought of a “car” connection, but had looked at some sort of Royalty thing, what with the DUKEs, VISCOUNT, ROYALTON AND SAVOY, etc. I haven’t checked to see if they were also car names or not.

The article also included the following information on the date of the line. It stated that the STARFIRE (c1956) — First appears in a magazine ad for $3.50 as early as December 1956. “E” selection of briar was used on both the Starfire and Westbrook.

I also wanted to refresh my memory on the Patent information for the Adjustomatic stem and found a page from a catalogue in the same Pipedia article. I have included that page below. The description of the patented system and the cutaway picture are helpful in understanding how the system works.Armed with a refreshed memory I was eager to dive into the restoration of the Starfire. It really was a beautiful piece of briar and I could not wait to see the finished pipe. I started by removing the stem. I found that not only was the stinger apparatus missing but it had actually broken off in the tenon itself. I knew from past experience that the stinger were threaded and unscrewed from the tenon. In this case the upper part of the spade stinger had been twisted off leaving the stem clogged and useless. There was no airflow in the stem at all as the broken stinger cut off all air. I used a piece of wire to pry the edges of the broken stinger to the middle of the tenon, thinking I might be able to use some needle nose pliers to twist it out. But that did not work. It was time to resort to more intrusive measures. I set up my cordless drill and a small drill bit and drilled the tenon. I was careful to keep the bit in the centre of the tenon so as to not damage the threads should I want to put a new stinger in place. It was not too long before the broken stinger end came out on the drill bit. I blew air through the stem and was happy that it was clear and unimpeded.I used a piece of 000 steel wool to clean off the debris from the threads and body of the metal tenon. I cleaned the airway in the stem, shank and mortise with pipe cleaners, cotton swabs and alcohol. I scrubbed those areas out until the pipe cleaners and swabs came out clean.The stem was slightly overturned so I worked it back and forth until it lined up. That is the purpose of the Adjustomatic system. I took photos of the pipe with the stem in place and aligned. I reamed the bowl with a PipNet reamer starting with the smallest cutting head and working my way up to the second cutting head as it was the same diameter as the bowl. I reamed it back to bare briar. I cleaned up the remnants with a Savinelli Fitsall Pipe Knife. I carefully sanded the scooped rim top with 220 grit sandpaper to remove the thick lava coat and to minimize the damage on the front outer edge of the bowl.I polished the bowl and rim with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the bowl down after each pad with acetone to clean off the sanding dust. The photos show the progress of the polishing. I decided to do this before the deep cleaning with Before & After Restoration Balm this time. I decided to leave the rim unstained as the polishing had blended the colours with the bowl really well. Instead I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the finish, enliven and protect the wood. I worked the balm into the rim top to polish the cleaned up area. I let it sit for a few minutes and then buffed it with a cotton cloth. The grain in the wood came alive and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside in my rack and worked on the stem. I started by sanding it with 220 grit sandpaper to remove the light oxidation, tooth chatter and nicks in the surface.I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks from the reshaping work. I wet sanded it with 1500-2400 grit pads and dry sanded it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the last micromesh pad I gave it a final coat of oil and let it dry.

With the stem polished I put it back on the pipe and buffed the entire pipe with Blue Diamond polish on the buffing wheel. I buffed it with the polishing compound until it was shiny. I gave the entire pipe several coats of carnauba wax and buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfibre cloth to deepen the shine. The stem and the bowl polished up pretty nicely. The finished pipe is shown in the photos below. This is the fourth of Craig’s five pipes. Once I finish the last of the pipes I will pack them up and get them out to him. I am looking forward to hearing what he will think once he has them in hand. Thanks for walking through these restorations with me. Once again I can’t help thinking that the pipeman who gave Craig these pipes would be happy that they are back in service and that Craig is carrying on the pipeman’s trust with them. Cheers.

Breathing Life into a Dr. Grabow Omega Bent Billiard

Blog by Steve Laug

I have always liked the look of the Dr. Grabow Omega pipes. I have worked on quite a few over the years and have found them well made. The briar is a mixed grain pattern usually but the look of the classic shape and the feel in the hand is quite nice. The style of the stem mimics the Peterson P-Lip but up close it is very different. The airway exits not on the top of the button as in a P-Lip but out the end as in a standard fish tail stem. This old timer was no exception so when Jeff sent it I was interested in what it would look like after his cleanup. The bowl was structurally sound but the finish was worn and tired looking with a lot of scratches all around the sides and bottom of the bowl. The bowl had a thick cake that had flowed over the top. The rim was coated in lava and it was beat up. It had a lot of small holes in it like it had been knocked out on concrete and the outer front edge of the bowl was roughened and rounded over. The inner edge of the bowl looked like it was undamaged. The nickel ferrule was oxidized and scratched. The stem had some tooth marks on the top and underside near the button and was oxidized. Jeff took photos of the pipe to show its condition before he started his cleanup work. The next photo shows the cake in the bowl and the condition of the lava overflow on the rim top. You can see that it is quite thick. You can also see the rough condition of the outer edge of the bowl.Jeff took several photos of the bowl from various angles to show the general condition of the finish. There were scratches and nicks but none of them look too deep in the briar. The finish also appears to be very dirty and the varnish coat that is usually present seems worn and tired looking on the sides and bottom of the bowl. The next two photos not only show the stamping on the shank but also the buildup of tars and grime around the edges of the ferrule. It is almost as if the shank was weeping under the ferrule. The stamping is worn but readable. It is stamped OMEGA over Dr. Grabow on the left side of the shank and on the right Imported Briar.When Jeff took the pipe apart it appeared that the seller had put a newer Grabow Paper Filter in the shank of the pipe to make the pipe appear to have been cleaned. The next three photos show the condition of the tenon end of the stem and the filter. The oxidation on the stem is also visible in the photos below. The stem was scratched and worn but the Grabow Spade logo was in good condition on the left side of the shank. The top and underside of the stem had some deep tooth marks around the button and the sharp edge of the top of the button was quite worn and damaged.I did some searching to find out a bit of history about the Omega. I found that it was first released around 1975 and was a copy of a well pipe imported from Italy. It has continued to be offered for sale in their catalogues.

Jeff did a thorough cleanup on the bowl and stem. He reamed the bowl back to bare briar with a PipNet pipe reamer and cleaned up the remnants with a Savinelli Fitsall reamer. He cleaned the internals with alcohol, pipe cleaners and cotton swabs – scrubbing out the mortise as it was very dirty. He scrubbed the exterior of the pipe with Murphy’s Oil soap and a tooth brush and was able to remove all of the tars and oils built up on the briar. He was able to remove all of the tars and lava on the rim top and left it looking very clean. The damage on the rim top and outer edge was clean and visible. He soaked the stem in an Oxyclean bath to raise the oxidation to the surface of the vulcanite. When it arrived I took some photos of it to show how it looked before I did the restoration.  Jeff was able to remove the thick lava coat from the rim and revealed what I thought would be underneath the thick coat. The rim top was speckled with tiny dents and marks and the outer edge was damaged all the way around the bowl. There was a little damage on the inner edge on the right side of the bowl.The Oxyclean soak had really raised the oxidation to the surface. The stem was clean but heavily oxidized when it arrived.Because the was so oxidized after the soak in Oxyclean, I put it in a bath of Before & After Pipe Stem Deoxidizer to soak overnight and work on the vulcanite oxidation. In the morning I removed the stem from the deoxidizer and wiped off the excess deoxidizer from the surface of the stem with a paper towel. I cleaned out the airway in the stem with pipe cleaners and alcohol to remove any remnants of the bath from that part of the stem. The photos below show the stem after the soak and rub down. The oxidation looked much more manageable and what remained would be easily dealt with. The tooth chatter on the top and underside of the stem is hard to see in the photos, but it is present.I sanded the stem with 220 grit sandpaper to remove the tooth chatter and minimize the tooth marks on both sides of the stem. I reshaped the button with the sandpaper and a needle file. I sanded the rest of the stem to break up the remaining oxidation.I polished out the sanding scratches and marks in the vulcanite with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-4000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I buffed the stem with Blue Diamond on the buffing wheel being careful around the spade logo insert as they can easily be damaged. I brought it back to the table and sanded it with the final three 6000-12000 grit pads. After the final pad I gave it a final coat of oil and set it aside to dry. The outer edge of the rim was damaged all around the bowl but the worst damage was on the front edge. You can see the roughness of the rim edge in the next photo. With the small pin prick holes on the rim top and the damage on the inner edge of the right side of the bowl I decided to top the bowl. I top a pipe on a topping board with 220 grit sandpaper and work the bowl over the sandpaper holding the rim flat against the topping board and working the bowl to evenly sand the bowl top smooth and remove the damage. Once the rim edges were almost smooth I used a folded piece of sandpaper to smooth out the outer edge of the bowl all the way around the bowl. I polished the rim top with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the rim down after each pad with a damp cotton pad. When I finished the polishing I wiped it down a final time. I blended some light and medium brown stain from a stain pen to restain the rim top and edges to match the colour of the rest of the bowl. The blend works well in trying to get this particular shade of brown. I hand buffed the stain to polish it and blend the colours together.I rubbed the bowl down with Before & After Restoration Balm to deep clean the smooth finish, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl with Blue Diamond on the wheel to polish it. It really began to have a deep shine in the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I decided to leave the small nicks in the bowl surface as marks of character rather than damage the original finish by sanding them all out. I cleaned and polished the nickel ferrule with micromesh sanding pads. I was careful in sanding the nickel in that the dust from the metal can discolour the briar and make more work. I was happy with the finished end cap. I buffed the briar on the wheel with Blue Diamond to polish it more. I was careful around the already light stamping. I hand buffed the bowl and ferrule with a microfiber cloth and took photos of the bowl at this point. I put the stem back on the bowl and worked the pipe over on the buffing wheel using Blue Diamond to polish the bowl and shank. I buffed the stem to raise the gloss on the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The dark to medium brown stain on the billiard shaped bowl works well with the polished nickel ferrule and the rich black of the vulcanite stem. This old Omega pipe has some interesting grain and has lots of life in it to add your own story to the ongoing saga of the briar. The dimensions of the pipe are: Length: 6 inches, Height: 1 3/4 inches, Diameter of the bowl: 1 1/4 inches, Diameter of the chamber: 5/8 inches. I will be adding this one to the rebornpipes store shortly if you are interested in adding it to your collection. It will make a fine addition to the rack. If you are interested email me at slaug@uniserve.com or send me a message on Facebook. Thanks for looking.


Jen’s Trove No. 8 – Restore & Upgrade of a Dr. Grabow Omega Smooth Billiard

Blog by Dal Stanton

I begin the restoration of the final pipe in Jen’s Trove before she leaves Bulgaria and returns to the US.  As I have posted eight times before this (I just figured out that I mis-numbered her pipes – two number 5s!), these pipes have been culled from my “Help Me!” basket and boxes to give as gifts to the men in her family.  I have been pleased to restore these pipes for Jen, especially because she knows each pipe she acquires benefits the Daughters of Bulgaria, help women and girls who have been sexually exploited and trafficked.  Thank you, Jen!

Her final pipe is a Dr. Grabow Omega Smooth Billiard – Dr. Grabow’s humbler version of a Peterson System pipe or the WDC Wellington.  Similarities include the Military stem with a P-Lip, and band.  The Omega is a smart looking pipe.  The eBay seller had a good selection and I rolled the Dr. Grabow Omega with four other pipes.  One of these was a GBD Americana Made in England which I restored (See this link at The Pipe Steward) and has become a regular friend in my rotation.  The restored Americana follows and then the seller’s picture of the Dr. Grabow Omega. The Lewis B. Linkman Co. started in 1892 (Pipedia).  Yet, the name, Dr. Grabow, was used for the first time in 1930 or 1931.  Since this is my first Dr. Grabow to restore, I find the story of the ‘Dr. Grabow’ name interesting because the Doctor is a real doctor!  From Pipedia’s article on the history of Dr. Grabow (and photo courtesy of Doug Valitchka):

Dr. Paul E. Grabow was a general physician in Chicago, located at 2348 N. Seminary Ave. Some doors north at No. 2400 was the drug store owned by Mr. Brown, a personal friend of Dr. Grabow. Grabow and Brown, both fond of fly-fishing, would often sit together in the early evening hours in a back room of the drug shop talking to one another and enjoying their pipes. Before long, they were joined by Mr. Linkman, owner of M. Linkman & Co., a large pipe factory located one block west on W. Fullerton Ave., at the corner of Racine Ave. These three gentlemen shared common interests and became fast friends.

During one of their evening get-togethers in 1930, Linkman mentioned he would introduce a new type of pipe soon that exhibited what he felt were fine improvements that greatly improved the pipe smoking experience. He was still looking for a good name and believed his pipes would sell better if they bore the name of a physician. (1) Linkman asked his friend Dr. Grabow if he would permit him to use his name. The good doctor felt flattered by the idea a pipe should be designated for him and consented. A formal agreement was not made, nor were there any contracts signed or royalties paid to Dr. Grabow for the use of his name; it was, according to one of Dr. Paul Grabow’s sons, Milford, a “friendly understanding” and Linkman expressed his thanks by sending Dr. Grabow numerous pipes throughout Dr. Grabow’s lifetime. (see The Legend of Dr. Grabow). Also interesting of note are the various instances where Dr. Paul Grabow stated that he developed, or helped develop, the Dr. Grabow brand of pipes. This was a tactic used to convince people that a pipe developed, endorsed, and used by a medical physician would be ‘more healthful’ than a pipe that was not developed by someone in the medical community.

Dr. Grabow pipes have been known as inexpensive, quality smokers – the ‘Drug Store’ variety.  The Dr. Grabow Omega line started production in the 1970s (LINK) coming in a smooth and blasted finishes.

I take additional pictures of the Omega on my work table to fill the gaps.  The nomenclature is stamped on the shank sides – OMEGA [over] DR. GRABOW on the left.  The right is stamped, IMPORTED BRIAR.  The Military mount stem has the classic Dr. Grabow Club card suit mark.  Overall, the Omega is in good shape.  The fire chamber has very little carbon cake.  The stummel surface and rim are clean.  The P-Lip stem has chatter especially on the lover button area and the stem shows no oxidation.  The biggest problem that I see on this Dr. Grabow is the finish.  I don’t like it.  These two comments on a Pipes Magazine Forum discussion about Dr. Grabow Omegas’, cost, quality and appeal, capture my thoughts regarding positives and negative:

Positives: An Omega was the first briar pipe that I ever owned. It still gets regular use and like Brewshooter, I have no complaints with it. Bowl size is a little bit smaller than I like, but it makes for a nice quick smoke, and the military mount makes it really easy to clean. I have Savinellis that I have easily paid four times more for, and sure, they smoke a little bit better, but in terms of a good smoking instrument, the Omega will do you well as long as it is smoked properly and maintained properly.

Negative: One thing I noticed about my Omega is that it had a heavy varnish or clear coat. I sanded it and gave it a nice wax. It seems to breathe a little better now and I like seeing more of the grain. I also gave the band a bit of a brushed look with some fine grain sandpaper. It’s a nice little pipe for that quick smoke.

I remember when I first saw the Dr. Grabow Omega sitting in my palm after it arrived in the mail.  My first thought was, ‘Nice pipe if it didn’t have that candy apple finish.’  Even then, I knew when this pipe came to my work table, I would be removing the finish – it may be an acrylic finish and they often are bears to remove.  I’m hopeful that the acrylic finish doesn’t hide a lot of surprises.  So, with a better understanding of the Dr. Grabow Omega, Imported Briar before me, I begin its upgrade by putting the military mount stem in the OxiClean bath.  Even though I don’t detect oxidation, I want to be sure that what is there will be raised and revealed. The very light carbon cake in the bowl is addressed with the Savinelli Pipe Knife.  After putting down paper towel for a quick clean up, I ream the cake and follow by sanding the bowl with 240 grit paper wrapped around a Sharpie Pen for better leverage.  I then wipe the bowl using a cotton pad wetted with isopropyl 95% to remove the residue carbon dust.  The pictures show the progress. Even though I think it will be unsuccessful, I first try to remove the acrylic finish using cotton pads wetted with acetone.  Was I surprised.  The finish peels off immediately with the acetone.  What I thought was acrylic is more like a jell that thickens with the acetone and gums up on the surface.  It also has a reddish color to it.  I use several cotton pads because they gum up quickly with the red goo coming off the surface.  While I remove the red top layer of finish, after working on the stummel with the acetone, it still is darker than I expected if all the finish had been removed.  I also am now able to see more fills – one larger area in the back of the bowl, over the shank.  That will need some attention.  I take some pictures of the progress and fills.  I decide to let the stummel soak in an acetone bath to remove more of the old finish.  While the stummel soaks in the acetone bath, I fish the Military mount stem out of the OxiClean bath and take a picture.  While there is not much in the way of oxidation showing on the stem, the OxiClean had the effect of bringing out small speckling on the surface.  I use 600 grit paper and wet sand the surface of the stem.  I follow with a rigorous buffing with 0000 grade steel wool.  The 600 grit paper and steel wool were sufficient to work out all the tooth chatter.  I then use pipe cleaners and cotton swabs wetted with alcohol for the filter bay, and to clean the internals of the stem.  Very little was needed to finish the job. Now it’s time to fish the stummel out of the acetone bath.  The finish is removed and I’m looking at the natural briar and it does have a darker hue.  I use a sharp dental probe to test the fills I see variously around the stummel.  I see a few very small fills and most seem strong.  On a few, and on the large fill that I referenced before on the back side of the bowl, above the shank, the fill has a crevasse next to it.  Before working on the stummel fills, I first use a medium grade sanding sponge followed by a light grade sanding sponge to remove the surface blemishes on the stummel.  I like using the sanding sponges because they are gentler than regular sanding paper and soft – conforming to the nooks and crannies of the curves of the stummel.  I also do a ‘sponge topping’ to clean up the rim.  One of the things I want to do to upgrade this Dr. Grabow Omega is to work on the rim.  To me, the flat-top, sharp cut of the rim is detracting. I will introduce an internal bevel and a very gentle external bevel on the rim lip to soften the lines.  As I have said in several other restorations, I believe a beveled rim classes up the pipe.  I use a coarse 120 grit rolled piece of sanding paper to cut the initial bevel, and then following with 240 then 600.  The final picture below shows the addition of the external bevel which is less obtrusive.  I use only the 240 grit paper followed by the 600 grit paper to fashion this bevel.  I do the external bevel like this as more of an accent to the rim – softening the lines.  I really like the grain movement on the rim – upgrading Dr. Grabow Omega! After the sponge sanding, almost all of the pitting and nicks are removed from the briar surface.  At this juncture, only the large fill on the back of the stummel needs attention.  I take a close-up to show the fill.  I use Hot Stuff Special ‘T’ CA glue to fill the crevasse running along this fill. I drip a bit of glue on a toothpick and run the drop to the point to strategically place the glue.  Afterward, I spray the CA glue with an accelerator to shorten the curing time.  In a few minutes, I use a flat needle file to file the mounded CA glue down close to the briar surface.  I then use 240 grit and 600 grit paper to bring it down flush with the briar surface and blend.  Finally, I use the medium and light grade sanding sponges to finish the blending.  The pictures show the progress. With the patch sanded down, I’m ready to utilize micromesh pads on the bowl to bring out the grain of the briar.  I begin by wet sanding using micromesh pads 1500 to 2400. I follow by dry sanding with pads 3200 to 4000 and then 6000 to 12000.  Oh my, oh my.  I love to watch the grain emerge through the micromesh cycles.  This Dr. Grabow is looking good for a drug store pipe! Standing back a bit and looking at the Dr. Grabow Omega again, I reunite the unfinished smooth Billiard stummel with unfinished Military Mount stem to assess where things are and get a sense about which way this Omega wants to go in his upgrade. I’m drawn to the black, darker hues of the natural briar.  The currents of the briar’s grain flow remind me of a storm with bird’s eye swirls and flamed currents unleashed in the wind.  The stummel heel has an almost solid dark plane with a spurt of grain reaching out.  This Dr. Grabow’s newly revealed grain has some personality – no doubt! This grain pattern reminds me of a restoration I did with a very large pipe, A Desirable Reject London Made, where for the first time I used black dye as part of the staining mixture.  The results were surprising to me by pulling out almost a copper kettle hue – attractive.  Here is a picture of that project.For the upgrade of this Dr. Grabow Omega, I decide in favor of the same approach mixing 2/3s-parts Fiebing’s Dark Brown Leather Dye with 1/3-part Fiebing’s Black Leather Dye with the lightening option available by wiping down the bowl with alcohol later.  I set up my staining station and take a picture to show the setup and tools.  What I didn’t show are the latex gloves I’ve started wearing to keep my hands from being colored!  After inserting a fashioned cork in the shank as a handle, I warm the stummel with the hot air gun to open the briar grain for better reception of the dye.  Then, using a folded over pipe cleaner, I liberally apply the dye mixture to the stummel to have 100% coverage.  While the dye is wet on the stummel, I fire it using a lit candle and the alcohol in the aniline dye immediately burns off, setting the pigment.  After a few minutes of cooling, I repeat the process above and then set the stummel aside to rest.  The pictures show the staining process. With the stummel resting, I take the stem and wet sand with micromesh pads 1500 to 2400.  I follow by dry sanding with pads 3200 to 4000, then 6000 to 12000.  After each cycle, I apply Obsidian Oil to the stem to revitalize the vulcanite.  The stem looks good!  I put the stem aside to dry. This point of the process is like a kid getting up on Christmas morning!  With the stained, fired, crusted bowl in hand, I mount the felt buffing wheel in the Dremel, set the speed at the slowest speed (20%) and use the Dremel’s adjustment wrench to purge the wheel of old compound and to soften it.  Using Tripoli compound, I ‘unwrap’ the stummel with the felt buffing wheel.  When I finish with the Tripoli, I wet a cotton pad with alcohol and wipe down the stummel.  I do this to lighten it a bit and to blend the dye.  Then, with the cotton cloth buffing wheel mounted to the Dremel, and turning up the speed to 40%, I apply Blue Diamond compound to the stummel and use it to buff up the nickel planted band.  While the Blue Diamond buffing wheel is mounted, I also use it on the stem to buff.  The pictures show the progress with the compounds. Well, it was going so well until it wasn’t!  My wife arrived home with KFC Chicken for supper that we ate on the ‘Man Cave’ balcony of our 10th floor flat.  Yes, we have Colonel Sanders in Bulgaria. After finishing the chicken which was ‘finger licking good’ I was anxious to show my wife the progress on the Dr. Grabow.  You can guess.  On the balcony, perhaps because of the ‘finger licking good’ chicken was still a bit on my fingers, the Dr. Grabow literally took off and launched from my hand and hit the floor.  With inspection, the dent on the rim was evident… oh my.  Oh well….  I remembered in the back of my mind, I think I read it on an Al Jones’ post, about using a wet towel super-heated with the help of an iron, can help expand dented wood as it heats and absorbs the moisture.  Wood is more like a sponge.  I used my wife’s iron and gave it a go.  Believe it or not, it worked well.  Before and after pictures are #1 and #3.  The briar had dulled where the iron was applied so again I use the buffing wheel with Blue Diamond to restore the sheen with the rest of the stummel. Disaster averted.  Thanks, Al!  I buff the stummel with a clean cotton cloth to remove compound residue.  I mount the Dremel with a cotton cloth buffing wheel and apply carnauba wax to stem and stummel.  Following a few coats of wax, I give the entire pipe a hand buff with a microfiber cloth.

This Dr. Grabow Omega was an unremarkable ‘Drug Store’ pipe.  Now, he’s enjoys an upgrade – he has cuff links now!  The grain hidden underneath the original finish is not unremarkable!  I’m pleased that all this Omega needed was a little TLC.  Jen will give this pipe to one of the men in her family.  ALL the gifts she has given benefit our work here in Bulgaria with the Daughters of Bulgaria – helping women and girls who have been trafficked and sexually exploited.  This Dr. Grabow is the last pipe in Jen’s Trove.  Thanks, Jen!  Check out The Pipe Steward to find out more about why I do what I do.  Thanks for joining me!

Cleaning up a Dr. Grabow Westbrook 44

Blog by Steve Laug

Not long ago I received and email from Dave, a reader of the blog, asking about a couple of pipes that he had picked up. I have included his email below. He gives his assessment regarding the pipes and what he wanted done. He had also done a bit of research on the Dr. Grabow pipe for me. I really like this kind of information.

Steve… I have recently been gifted 2 estate pipes that I would love to have reincarnated by your hands. I am not sure of the cost and wanted to speak with you first. One because I have never shipped anything to Canada and I am not sure if there would be any issues. Two, I also wanted to get an estimate of cost before going forward. The 2 pipes in question are not in bad shape, just have some age, cake and minimal wear; one is a Whitehall rusticated with saddle stem and the other a Pear shaped Dr. Grabow Westbrook. The Dr. Grabow from what I can find is a special R J Reynolds model which has the orange spade on the side of the stem. I have attached some images with this email so that you have some idea of how they look. If you need additional images please let me know. Thank you for your time and consideration.
Regards, Dave The first that I chose to work on was the Dr. Grabow Westbrook Pear Shaped pipe. The pear shape came in both a slim pear (#74) and a medium pear (#44). The chart below is taken from https://pipedia.org/wiki/File:1960sDrGrabowFlyer5.jpg. It shows the shape of the pipe I was working on. I believe that I am working on a shape 44, Medium Pear.I examined the shank with a lens and I could see that the left side of the shank was stamped Westbrook over Dr. Grabow. The right side of the shank was stamped Imported Briar over PAT. The number that follows the PAT. stamp is illegible. It is very faint. From this I can extrapolate that the pipe is an early version of the Dr. Grabow Westbrook line. It came out in the early 1960s. https://pipedia.org/wiki/Dr._Grabow

I found an article on Pipedia about the RJ Reynolds pipes and when and how they were offered through pipe coupons. I have included the majority of the article as well as the link.


R.J. Reynolds Tobacco Company had two other pipe tobaccos which were George Washington and Carter Hall that shared a good hunk of the pipe tobacco market left over from Prince Albert and Sir Walter Raleigh. Thus sets the stage for a coupon to be placed in each package or can of these tobacco products. The pipes presented to the American public were the very finest mass produced pipes ever created by man, or in all probability will ever be created by man. Pipes were presented with either a metal filter or a paper filter. The highest quality pipes were presented with only a metal filter. The Westbrook model came either in a rustic or matte finish and had metal filters along with the Berwyck that presented the same choice with paper filters. These pipes could be purchased only by mailing five coupons and three dollars to Sparta, North Carolina. The classic of the series was a natural grain Emperor with only the metal filters and its cost was five dollars and required twenty five coupons. About half way through the duration of the offer the Sculptura was introduced as demand was high for a quality sandblast grain pipe. So, R. J. Reynolds Tobacco Company set out to produce the perfect sandblast grain pipe and boasted that no finer sandblast pipe had ever been produced by man nor ever would be produced by man than its Sculptura that could only be purchased by collecting five coupons and sending that along with four dollars to Sparta, North Carolina.

Each order that was filled for every pipe ordered throughout America came in a neat box with a full set of literature including a shape chart that actually gave a pipe smoker an immediate choice to choose from far greater than any pipe store or other outlet that America has ever seen or probably will ever see.

This mail order offer that began sometimes in the early 1950’s would end in 1987 when R. J. Reynolds Tobacco Company sold its tobacco products to John Middleton, Inc. At that time it was announced that this mail order offer was the longest running mail order offer in duration of time of any mail order offer of any product on the American market. Thus, an era ended eighteen years ago or so and as each year turns over these pipes become less available and thus more valuable.

The argument about a good smoking pipe so prevalent today among pipe smokers is not applicable to these pipes for the simple reason that they all smoke good and they all smoke just alike with no discernable differentiation that any one pipe is any better or worse than any of the others. These pipes came from the top twenty percent of Briar obtainable and were constructed with the quality control standards of a Zippo lighter. The only difference was in the shape and this was presented in a very large number of choices. The Dr. Grabow pipe is clearly stamped as such, but was never ever retailed. It was admitted by all that these pipes were superior to the retail Dr. Grabow pipe. Those with the metal filter are no longer obtainable from any source. Those with the paper filter, although similar to the present Dr. Grabow, is of a superior quality. Since those with the paper filter were not nearly so popular as the metal filter in those old days it is rather difficult to find one these days. There will not be many days until those with the metal filter are gone forever never to be replaced and it is likely that anyone who possesses such a pipe has a very valuable piece of Briar or to become such in not very many years. One other point, also like a Zippo, these pipes are virtually indestructible…

I took some photos of the pipe when it arrived. Overall impressions of the pipe were good. The briar was a beautifully grained piece; the stamping was faint on the left side of the shank and not readable on the right. The bowl had a light cake with overflow and darkening on the crowned rim. The stem was oxidized and appeared to have been clipped off. The new button was thin and the slot was sloppy. Work would need to be done with that end of the stem. I took a close up photo of the rim top and bowl to show the overall condition. It was in great shape for a pipe this age. It had been pretty well cared for over the years. I also took photos of the stem to show the thinness of the button. I am pretty certain it was reshaped somewhere along the way. The stinger apparatus was different from other Grabows that I have worked on. It was pressure fit into the threaded tenon and was a tube rather that the shovel stinger I was expecting.I scrubbed the top of the rim with a cotton pad and saliva to try to remove the buildup and darkening that was there. It actually worked very well. I sanded it with 1500 grit micromesh to further smooth things out. I reamed the bowl with a Savinelli Fitsall Pipe Knife and took the cake back to bare briar.I built up the button top and bottom with black super glue. I did not need to build it up too much so I decided to just use the glue and not add charcoal powder. I set the repaired stem aside to let the glue cure.I sanded the bowl with 1500-6000 grit micromesh sanding pads and wiped it down with a damp cotton pad to remove the sanding dust. The photos below show the bowl after sanding it with 1500-2400 grit pads. I scrubbed out the shank and the metal mortise with alcohol, pipe cleaners and cotton swabs until they came out clean. The interior of the shank was really dirty. Many pipe cleaners and cotton swabs later the shank was clean and the metal mortise was shiny.In the past I have used a Cherry Danish Oil Stain that matches the colour of these older Grabow Westbrook pipes really well. It is the kind of stain that you rub on, let sit and rub off. Since the finish on the Westbrook smooth pipes was smooth, once the stain was dry I would rub it down to a matte gloss look.I hand rubbed the finish once it had been sitting for a short time. The photos below show what the bowl looked like after it had been rubbed down. The grain really stands out now – showing a combination of birdseye and cross grain. I love the look of the briar on this old pipe. Once the repair had dried I reshaped the button with needle files. I worked on the slot with needle files. The third photo shows what the slot looked like at this point. I will need to smooth it out but it is looking better.I sanded down the file marks and the oxidation on the stem with 220 grit sandpaper. I folded a piece of 220 grit sandpaper and worked on the slot to smooth out the file marks. I sanded the flat end of the button. I cleaned out the airway in the stem with a pipe cleaner and alcohol. I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I carefully buffed the stem with red Tripoli between the 2400-3200 grit pads. I finished with the pads. I rubbed the stem down with Obsidian Oil after each set of three pads. I gave it a final rubdown with oil and set it aside to dry. After I saw the oxidation still showing in the above photo I buffed the stem again with red Tripoli. I started the sanding process over and sanded the stem with the earlier micromesh sanding pads. I buffed it with Blue Diamond on the buffing pad.I worked some more on the stem to get out the hard to remove oxidation. It took time but I think it is gone for the most part. I polished the end of the stem with micromesh sanding pads to smooth out some of the scratches. The stem looks much better. I buffed the bowl and stem with Blue Diamond, carefully avoiding the Dr. Grabow spade logo so as not to damage it. I gave the bowl and stem multiple coats of carnauba wax to protect it. I buffed it with a clean buffing pad to raise the shine and by hand with a microfibre cloth to deepen the shine. I took the following photos of the finished pipe. It is truly a beautiful piece of briar – hard to believe it is a coupon pipe it is such nice wood. The pipe is ready to go back to Dave. Now I have to finish up the second pipe he sent to me. Thanks for looking.