Category Archives: Book Reviews

I have quite a few books on Pipes and tobaccos. In this section of the blog I will review the books i have read and reread on this topic. If you have some that you have read and wish to share them this is the place ot put them.

A Book Review – Tobacco Leaves by Bewlay (Second Edition – 1892)

Review by Steve Laug

I don’t remember where I picked this book up but it is an old timer with the Second Edition coming out in 1892. It is called Tobacco Leaves by Bewlay. Under that it is stamped Entd at Stationers Hall. The title on the cover of the book is stamped in gold around a pair of tobacco leaves. The book was printed and distributed by Bewlay and Company – makers of fine tobacco pipes and accessories.

From the Preface I dray the following paragraphs:

“The universal use of Tobacco in some form or other all the world over, and the interest which devotees of the weed take in everything related to it, have suggested the literary whiffs now offered from the entertainments of our numerous supporters and the public generally.

The smoker is a contemplative man, and we venture to hope that he may find food for reflection in the Tobacco Leaves which are here unrolled for his perusal.

Among smokers, a sort of Freemasonry exists; and not only does their harmless indulgence constitute a fraternal bond between them  which levels social distinctions, but it has educed a mystic symbolism that has found expression in very many effusions of which the following is an example:-

 “Of lordly men, how humbling is the type,

A fleeting shadow, a tobacco pipe!

His mind the fire, his frame the tube of clay,

His breath the smoke so idly puffed away,

His food the herb that fills the hollow bowl,

Death is the stopper, ashes end the whole.”

While in the following pages an endeavor is made to the principal sources of supply whence the best growths of tobacco are obtained, we would specially direct attention to what is said respecting the importation by us of Indian and Burmah Cheroots and Cigars. Our agents write, that “the natives take great pains in their manufacture (especially in Burmah), to turn out a well-made Cigard and Cheroot, very different in appearance to the rough-looking Lunkah formerly sent.” The excellence of these Cigars and Cheroots has resulted in a large and growing demand since we first introduced them. – Bewlay & Co. 49. Strand.

Because of the breadth of material in the small, less than 100 page book I decided to divided it by the chapters that Bewlay divided it into and make comments in each section by Chapter division.

The book begins immediately after the Preface with a chapter on smoking and whether or not is beneficial of harmful. The chapter is entitled: Chapter 1 – Pages 7-18 Is Smoking Beneficial or Pernicious? In the chapter various historical arguments are made for both sides of the argument – yea or nay. Of course it moves forward to a strong defense of the beneficial nature of the moderate use of tobacco. It is sprinkles with quotes in defense of the use of tobacco and the serious benefits to those who use it! From there the book turns to exactly what I would expect in the second chapter.

This chapter marshals famous devotees of tobacco and what they say about their use of the “weed”. Chapter 2 – Pages 19-28  is entitled:  Eminent Devotees of the Weed. It cites various proponents from all over the continent on their use of tobacco and what they have found that it does for them. There are some poems and odes to the beauty of tobacco that are also included in this chapter. These figures include political, scientific, medical and literary figures. It is a great read and pretty normal for this kind of booklet from this time period.

From there the book turns to talk about Tobacco itself instead of defending it. Chapter 3 – Pages 29-31 Tobacco as a Prophylactic covers some interesting information. I quote the opening paragraph as it captures the focus of the chapter.

Tobacco smoking has long been regarded as a warder off or prophylactic of catching disease, and is strongly believed in both by soldiers and sailors, and many other classes. Army surgeons consider smoking gives confidence to many soldiers, and this confidence they regard as a very important factor on the outbreak of an epidemic such as cholera – pg 29.

From there the chapter turns to it use in gardening for killing blight in a greenhouse and as a germicide. Its use is also noted by doctors who have seen its value in the medical and dental professions. It is a short chapter but fascinating in its old time medical information.

Chapter 4 – Pages 32-41 Some Facts About Tobacco moves to giving a general overview of the history of tobacco and the nature and use of tobaccos of various regions and countries. It also overviews the various tobaccos from the United States which are by far the greater proportion of the unmanufactured tobaccos imported into the United Kingdom – Shag, Returns, Bird’s Eye, Maryland, Canaster or K’naster. The chapter ends with a witty poem about tobaccos.

Chapter 5 – Pages 42-47 The Adulteration of Tobacco and Cigars. This chapter is not what I expected from the title. It is actually about flavoring or topping tobacco and snuff with such things as molasses, sugar, aloes, liquorice, gum, catechu, oil and lampblack, alum, tannic acitd and iron, logwood, and such leaves as rhubarb, chicory, cabbage, burdock and coltsfoot. It is an interesting read about this in all forms of tobacco products including cigarettes and cigars. It makes me wonder what they would have written about in our day!

Chapter 6 – Pages 48-57 On Pipes gives a short overview of the history and types of pipes that have been and are available. It covers clay, meerschaum and briar pipes quite well and has some great quotable lines such as: “The best kind of pipe to use is a perfectly clean pipe, composed of an absorbing material, like briar, clay or meerschaum, with a long stem, which can suck up the oily matter before it reaches the mouth….”  The chapter ends with some great older poems about the pipe.

Chapter 7 – Pages 58-66 Remarks on Havannah, Indian, Burmah, Flor de Dindigul and Flor de Java Cigars and Cheroots covers by region cigars and cheroots that are sold by Bewlay and Company. Great historical read by region.

Chapter 8 – Pages 67-77 Cigarettes, like the previous chapter covers this method of using tobacco. There is a great quote that heads the chapter that I cite below:

“The man who smokes thinks like a sage and acts like a Samaritan.” – Bulwer Lytton

Chapter 9 – Pages 78-93 a Catalogue of Bewlay & Co. Limited. As the title suggests these large section of the book is a catalogue of products. Each product has a description and there are often etchings of the product itself – such as pipes.

This is a great little book well worth the read. It is a journey into the past with a great sense of what the world was like at this time in the history of England. If like me you enjoy Bewlay pipes in your collection it is all the more reason to keep an eye for this book.


A Review of “Rattray’s Booklet on Tobacco Blending: A Disquisition for the Connoisseur,” and the Original Text

Review by Robert M. Boughton

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Photos © the Author except as noted

“Look at almost any painting.  Three-quarters of the can vas is covered by the background.  Tradition is the background of our life.  Take away the background, and you have spoilt the painting.”
— Charles Rattray (1880-1964), quoted in “Up in Smoke,” article by Russell Kirk, Chicago Sunday Tribune, December 9, 1956A FOREWORD FOR MODERN TOBACCO CONNOISSEURS

Charles Rattray

Had I not chanced upon one of Gregory L. Pease’s always informative and entertaining essays in a browser search for better information about Charles Rattray, the late great Scottish tobacco blender, than the scads of teasing, contradictory bits and pieces that clutter the so-called Information Superhighway, I might never have learned about the “Disquisition.”  I was working on a review of Rattray’s Jocks Mixture, determined to dig up some real dirt about the blend and the methods of the man whose name was on the tall orange tin.  Just when I thought I had wasted almost an hour making frequent refinements to the search terms, up popped Mr. Pease’s listing at the top of the page, with the wholly irrelevant seeming title “Those Pesky Non-Polar Molecules.”  Doubtful but intrigued, I scanned the URL’s blurb that ended with the incomplete sentence, “In fact, Charles Rattray, in his ‘Disquisition….”  Stifling some very ugly words even though I would have been the only human to hear them, but with the presence of mind to consider the sensibilities of my cat, Tiger Lily, I jabbed the blue link.

Speed reading the piece, the gist of which was fine and dandy but all about the different ways to preserve tobacco and maybe even improve its taste, blah-blah-blah, I came across the sentence I was gasping to find.  As I read, I stopped breathing altogether.  Here are the only words in the entire essay, which I saved to my Favorites because I gathered enough to know I would enjoy the real subject more at a later date (as I did), that began my quest anew: “In fact, Charles Rattray, in his ‘Disquisition for the Pipe Smoker,’ wrote that the last bowl from his tins would be the best.”

And so, typing the given title for another search, I saw there were 1,950 entries, the top three being other links to the same article by Mr. Pease, followed by everything from pipe smoking in Middle Earth to a disquisition on the evils of using tobacco.  Well, I can tell you, I had just about had it.  But being relentless, I added “rattray” before the same title, and although the possibilities were a touch fewer at 1,139, well down the first page I felt a glimmer of hope in the description of a site called “Welcome to the Pipe Tobacco Aging, Storage, and Cellaring FAQ!”  Maybe the exclamation point stopped me enough to spy, among various sentence fragments separated by more damned ellipsis marks, one with Rattray’s in bold and another being “Disquisition for the Connoisseur.”  Clicking on this link to verify that Mr. Rattray was indeed the author of said Disquisition, I had to exercise a level of patience that is atypical to my normal threshold, and forced myself to venture 47 pages – or halfway down my scroll bar – into the bowels of the collection of documents, on the subject with the exclamatory heading noted above, before I came across yet another Mr. Pease quote, this one referring to Rattray’s “Disquisition for the Connoisseur.”  Why, in the name of all that’s holy, I beseeched myself, had I not just Googled that whole term in the first place?  At any rate, there is a purpose to all of this verbiage.

Mindful of not being the only tobacco pipe aficionado to have read the famous and extraordinary discourse by Mr. Rattray, founder of the famed House of Rattray, I am certain of the high probability that still many more like-minded pipe folks out there remain oblivious to its existence.   The sole reasons for such a detailed description of the blocks I encountered while hunting for a bona fide version of the work are to demonstrate the sometimes arduous task of locating the exact document one knows exists somewhere, even with search terms one would have every right to believe are sufficient, and to make the fruit of this personal crusade available with fewer trials to others who also seek accurate details of Mr. Rattray’s lifework, including his own published wisdom.  The Disquisition that follows my foreword is essential reading toward that end.  The clear opinions in this opening commentary are my own.

Steve Laug is, as am I, an acknowledged enthusiast of the habitual conditions called Pipe Acquisition Disorder (P.A.D.), Tobacco Acquisition Disorder (T.A.D.) and Pipe Tobacciana Acquisition Disorder (PTAD) – which I propose henceforth be referenced in combined form as Pipe, Tobacco and Tobacciana Acquisition Disorder, or PTTAD for those of us who are self-diagnosed or in denial.  As such (with an emphasis on PTAD, under which category I suppose the Disquisition falls), Steve published the same copy in 2012, calling the booklet a catalog and adding only a brief opening comment recommending it to readers.  The full name of the 30-page tract is somewhat misleading given the use of the prepositional phrase “on Tobacco Blending” followed by the subtitle “A Disquisition for the Connoisseur.”  The two parts combined suggest far more particulars of the contents of the Rattray’s mixtures, meaning the nine available when the Disquisition was written, than the blender’s seminal publication reveals.  Even so, the work remains a fascinating insight into the personality and philosophy of its author as much from its disclosures as its omissions.  Some of these show apparent deliberation while others tend perhaps toward the subconscious.  By the way, as of today, more than 40 Rattray’s blends have been released.

My frustration locating an online copy of the great work, even after the attempts already described and one more that pulled up a boggling number of references in tobacco discussions, articles and commentaries, turned out to be the result of my own failure, which I concede in advance was a bit stupid, to add the single word “online” after the second part of the Disquisition’s name.  In frustration, and with my tail between my legs, I dispatched a message to Mr. Pease, an eminent blender of fine pipe tobaccos in his own right, soliciting his aid.   His quick and thoughtful response led to the copy included here in its entirety, and by example to links of many others.  A quick but excited first reading set my mind abuzz with perceptions garnered from the primary source of this review that for the most part I did not find echoed anywhere else in my research.

Unlike some facsimiles, the PDF to which I was guided includes curious handwritten notes on the title page and one other.  Having exhausted every means of deciphering the words, which I considered might or might not be in English, and even consulting online Scottish alphabet and cursive handwriting sources, I made an unconditional surrender as to the words on the title page.  Regarding those on page 22, I ventured a guess that I thought was grasping.  In the end of this particular pursuit, I reached out for Steve’s almost encyclopedic opinion.  Two mornings ago, just in time to begin the final revisions to this review (or so I thought), I was rewarded with his agreement, in the latter of two responses via email, that the second note seems to be “write re shipping.”  But Steve’s initial response, appearing in my inbox below the other and concerning the title page, astounded me.  He interpreted it as a name, “Sh q. Jensen.”  Smiling and nodding in silence, almost laughing out loud, I revisited the title page and could only concur – with one suggested amendment: building upon Steve’s astute conclusion, the notion that Sh might be an abbreviation taken from some book owners’ proprietary need to write or in other more OCD examples stamp words to the effect of “From the library of (insert name),” I reasoned that Sh could be an abbreviation for “shelf,” as in “From the shelf of Q. Jensen.”  With a final search for words and acronyms involving the two letters in question, I confirmed the wild guess at the fifth Web link in my list of sources.

Nevertheless, the original year of the Disquisition’s distribution remains a mystery, but be assured I will not give up trying to find a definitive determination.  For now, I can report with certainty that the booklet was issued much later than I had believed, considering the extended quote on page 2, replete with the type of romantic nostalgia popular to many Scots of great and lesser renown, and most often encountered in the bawdy singing heard in pubs of that proud and sentimental country that forms roughly the northern half of Great Britain.  Attributed to a certain gentleman whose prose leaves no doubt he was a Scotsman with literary aspirations, by the name of B.A. Forbes, the essay, titled “Snuff – and the ‘Forty-Five’,” appeared in Chambers’s Journal of Popular Literature, Science, and Arts in August 1936.  For the edification of anyone familiar with or interested in this magazine, it was published under that name in London from 1854-1956 as the continuation of its predecessor, Chambers’s Edinburgh Journal (1832-1853, published in Edinburgh).

For a glimpse at Rattray’s nationalistic pride and his personality in general, and tobacco blending philosophy in particular, the primary source of which I have already hinted, of course, is Rattray’s Booklet on Tobacco Blending: A Disquisition for the Connoisseur.  Again, there are frequent mentions of “Rattray’s Disquisition” or just “the Disquisition,” the latter reminiscent of rare classical music masterpieces, for example Johan Pachelbel’s Canon in D Major for strings, with its alternating melancholy and somewhat more upbeat parts, being referred to as “the Canon”; J.S. Bach’s Toccata and Fugue in D Minor for organ, called “the Fugue,” and Tomaso Albinoni’s Adagio in G Minor for strings and organ, a work of a profound  sense of impending doom that builds into an almost harrowing conclusion, known as “the Adagio.”

The Disquisition is divided into eight parts: an informal preface; the foreword proper; a synopsis of the five elements of creating what the master blender and author called the House of Rattray’s “adherence to the true unhurried craftsmanship, the secret of our success;” six blends specifically identified as Scottish Mixtures, showing their domestic prices; “Cabinet,” or sampler pack choices with their prices; three All-Virginian Mixtures giving the same pricing; Export Prices for the pipe tobaccos, and, described last but with effusive pomp, Rattray’s Hand Made Cigarette (the Golden Leaf of Old Virginia), the reason “why we have one cigarette and one only,” again with domestic and Export Prices depending on the quantity ordered.  All prices are stated in shillings and pence.  For example, the lowest domestic price per ¼ lb. tin of Red Rapparee and Black Mallory is shown as 9/2, or nine shillings two pence.

Every pipester, as Mr. Pease sometimes calls us, whether he coined the term or not, should give the Disquisition thorough consideration.  If the reader is as inquisitive as I am, he (and I use the pronoun in the formal writing sense, not to exclude the many women among us) will find himself more and more engrossed, compelled to keep turning the pages, as it were.  In fact, I, for one, hope someday to own a genuine, ink and paper original printed edition of the prideful, almost swaggering presentation.  Moving forward from the weathered but elegant title page, take in every detail and nuance that combine to create a portrait of Charles Rattray, the man, the Scot and the tobacco blender.

Read every word of the text, as all of them were chosen by the author with the skill of a master craftsman, the cunning and wile of a politician avoiding the real answers to questions, the reluctance of the true chef to reveal too many secrets of his recipes – and, last but above all else, the fierce pride of the Scotsman who created the invaluable legacy of the now almost forgotten traditions of quality tobacco blending.

Study every image of antique statuettes and jars, each of them a special illustration of the centuries old history, traditions and values of the tobacconist’s trade, and singled out by the hands of the founder of the House of Rattray from his family’s vast, treasured collection.

Don’t miss a single quote related to the enjoyment of pipes and tobaccos, selected by Mr. Rattray with the same attention to history and tradition that is the theme of his Disquisition, which further illustrate the purpose behind his vocation and business, and when combined with the images of priceless tobacciana are especially telling of his sentiments.    Beginning with the longest from B.A. Forbes found at the end of the preface, the quotes, all derived from sources subject to the British Crown, continue in small bars heading each page of the following Foreword and the synopsis of the four fundamental preparatory acts, with the fifth being the final choices of which leafs and their quantities to choose for a given blend, and provide an enhanced understanding of the Rattray story.

That story and a large part of Mr. Rattray’s pride began with the Clan Rattray.  According to legend, the Clan dates to the early11th century, when Malcolm II, born c. 954, King of Scots from 1005 until his death in 1034,  granted one of the first men of the Rattray surname –which at the time was an ancient variation –the position of Laird of Rattray.  The royal appointment as laird, or landed proprietor, gave the early Rattray immediate authority over the occupants of Perthshire, now the County of Perth, and also made him accountable to the king for payment of certain incomes in that period’s equivalent of taxes.  It was true then as it is now: every promotion comes with a price.  For more details of the legend of Clan Rattray’s origin, based on the accounts passed down through the family for more or less a millennium, there is as always a link in my sources.

When Mr. Rattray died in 1964, his son, Charles Rattray, Jr., inherited the Scottish tobacco throne.  At some unclear point in the 1970s (or, in the alternative provided by less reliable sources, the 1960s), Robert McConnell Tobaccos of London assumed responsibility for some of the Rattray’s blends.  Which specific blends is unclear, depending on the source consulted.  Some say all of the Rattray’s English blends were assigned to McConnell; others posit the vague notion that “blends intended for export to the U.S.,” which category begs interpretation as either specific blend names made for sale in the U.S. alone, or those that were available here.  Either way, the latter idea seems, perhaps only to me, laughable considering the lack of any handy evidence supporting a theory that any product made by Rattray’s was excluded for sale in the rest of the world or not available to U.S. importers.  The tenuous claims I have mentioned are intended for the reader’s own conclusion or, I hope, to inspire debate, and in no way alter the fact that both McConnell and Kohlhase Kopp became involved in the evolution of the House of Rattray after the founder’s death, with the latter at whatever date assuming current ownership.  I always desire and appreciate input readers may have concerning these or any other statements I make in my various contributions to this forum.

The complete transition of Rattray’s ownership is also subject to debate.  Kohlhasse Kopp & Co. of Germany was formed in 1979, not long before the universal dating of the House of Rattray’s closure in 1980.  The question remains, however, whether McConnell ever had complete control of Rattray’s production until 1990, when the best sources I can find assert Kohlhasse Kopp’s acquisition.  There is no doubt, at least, that Rattray’s pipe tobaccos are now manufactured in Denmark.

I will leave the final point of contention in the worldwide community of tobacco pipe smokers, relative to the overall quality of Rattray’s products after Mr. Rattray’s death, to the many members of that clan.

Antique Fairweather & Sons tobacco tin, courtesy of the Internet

If there is such a thing as predestination, Charles Rattray is the perfect example.  The man who can reasonably be credited with perfecting if not creating a style of tobacco known today as the Scottish mixture was born in Dundee – where he began learning the skills and knowledge that led to his long reign as the premier blender in Scotland – at Fairweather & Sons.  Some of his early blends while in the employ of Fairweather were deemed suitable for sale at that establishment.

House of Rattray, found on Pipedia

The details of Rattray’s ascension to the throne vary in the sources cited at the end, but my account of his rise is based on the most reliable of these.  He remained in Dundee until 1903, when, at only 23, he set out for the capitol city of Perth and worked at the Brown Tobacco Shop on High Street 158, which he purchased eight years later and renamed as the House of Rattray. The rest, as the saying goes, is history.


A Book Review – Back From the Ashes: Uncovering the Lost History of G.L. Hunt and the Falcon Pipe by K.A. Worth

Blog by Steve Laug
51Ja9LXHtyL I first picked this book up at a Chicago Pipe Show at a table where G.L. Hunt’s daughter, K.A. Worth was selling her new book on her father and the Falcon Pipe. I remember sitting and talking with her about the book and the pipe and being fascinated with both the history of the pipe and the man. It is a memory that runs through my mind each time I pick up this book or one of the Falcons that I have in my pipe cupboard. She autographed my copy which only enhances the memory of that day in Chicago.

Her book is divided into two parts. The first section she calls The Pipe People and it covers a little over 100 pages. The second section she calls The Pipes and it covers about 60 pages. I have included a screen shot of the Table of Contents to show how the book is laid out. Prior to the first part she has an Introduction and following the second part is an Epilogue.

The Introduction sets the stage for the book. It starts with the following quote: “It all began in the imagination of an American engineer. Prolific inventor Kenly Bugg of Ft. Wayne, Indiana, put pencil to paper and soon a revolutionary new smoker’s pipe emerged… Bugg patented his Falcon design on August 21, 1945… Enter the genius of G.L. Hunt and his company, Diversey Machine Works – an oft quoted statistic has George Hunt selling some six million Falcons by 1954 in the United States alone.”

The author goes on with a brief survey and concludes the Intro with this quote: “In this volume we will chronicle the development of the Falcon pipe and the Falcon companies, along the way paying tribute to those who ushered the pipe to worldwide renown. Here we will provide what will surely prove the most comprehensive Falcon history to date… Come now… let’s step inside…”

The quote gives the reader the author’s purpose for the book and invites them into the pages of her book. Let’s look at the parts and evaluate whether she fulfilled her purpose.

PART ONE: The Pipe People

“…The Falcon Pipe is the most unique in all the pipe world. I know you are familiar with the tremendous success of the Falcon Pipe here in the States and the success it has enjoyed throughout the Sterling Countries – those people and companies that are associated with Falcon Pipe do become known as “The Pipe People”… George L. Hunt – May 1963.”

This quote is on the header page of the first part of the book. With it the author introduces the man and the process of development of the Falcon. She tells it through her interactions with her grandfather and the archives of material that she read through in preparation for this book. It is a fascinating way to tell the story and is immensely readable and it the method that she uses throughout the book. It is the largest part of the book, Chapters 1-10, and really gives the most clear, readable and concise history of the brand that is available.

In this review, rather than go chapter by chapter and summarize the contents, I will summarize each part of the book and give a more global picture of the book. I am not as concerned to give a view per page as to give the potential purchaser a feel for what is included in the book itself. They can read the details themselves.

PART ONE is the overall history of the brand from when author’s grandfather bought the patents to when the pipe came to be one of the most well-known brands of throughout history. She looks at the pipe from its inception and the connection between the inventor and her grandfather through to its expansion into the British market with a view of the struggles and strains that went with that expansion. Thus she takes the reader on the journey from patent of the Falcon to its manufacture and marketing. She does not skip over all of the glitches and struggles along the way but describes them in a humorous style that makes the reader a part of the discovery process she is on in writing the book. There is also background information given on each of the key individuals in the mix – Kenly Bugg, G.L. Hunt, David E. Morris, Howard Hodgkins and Michael Jim Dixon. Many others are listed and covered as well but these seem to be key players who interact with and cause change in the life and direction of the Falcon brand. The first part ends with a picture of an advertisement for a Falcon Universal Pipe Companion and a brief paragraph bringing the history of the brand to an end.

PART TWO: The Pipe

This part of the book gives the reader an in-depth look at the pipe itself. The author includes quite a few photos of different bowls and stems as well as a variety of advertizing brochures and pamphlets issued by Falcon. Even flipping through the photos gives the reader a good idea of the variety and scope of the Falcon pipe and its enthusiasts. It is an amazing collection of photos and pamphlets/brochures.
The Part begins with a brief description of the harvesting and curing of briar for the Falcon bowls. There are also production drawings and outcomes of the number of bowls that were turned in a given year. There is even a photo of a meerschaum lined briar bowl (that is one that I have never seen anywhere). The next section covers the manufacture of the base and stem for the pipe. It is a fascinating read and the pictures of the bases and the stamping is helpful in making sense of the various bases that I have. There are many different examples of Falcon bowls and bases throughout the section.

There is a section on the variations on the British scene in terms of Falcon shapes and sizes. Again the author includes many advertisements and photos. Also there is information on the Alco line and the Brentford line. I had heard about Falcon making the Alco pipes but I was unfamiliar with the Brentfords. There is information on the development of the coloured bowls and bases and the Shillelagh line coming out of Ireland. Several other Falcon lines that I was unfamiliar with end Part Two. Falcon produced a pipe with a pyrolitic graphite lined bowl, a filter version of the pipe and finally a line of pipe related products for the pipe smoker. These included finger pipe tampers (look like thimbles), dry rings for wet smokers, Falcon pipe spray pipe cleaner, matches, mix and match bowls, tobacco blends and much more.

Part Two is by far my favourite part of the book because it takes a lot of the various Falcon pipes that I have had in the shop and gives the background and rationale of the variations. The pictures and drawings as well as flyers etc. give a clear picture of the brand at its height.

The book ends with an Epilogue that pulls together all of the final pieces of the history of the company and the pipe.

It is a well written easy to read book. I would unhesitatingly recommend it to anyone wanting to know about the history and the variety of Falcon pipes and also those who may want a quick introduction before purchasing and enjoying a pipe. Well worth a read and many rereads. I refer to my copy whenever I am working on a Falcon to get a better idea of where it fits into the chronology of the brand. Buy it! You will not regret this great addition to pipe history.

A Book Review – The Pipe by Georges Herment

Blog by Steve Laug

1433852Beyond its simple cover, this book has a subtitle that is very 19th century— “a serious yet diverting treatise on the history of the pipe and all its appurtenances, as well as a factual withal philosophical discussion of the pleasure art of selecting pipes, smoking, and caring for them.”

I picked this older copy of Herment’s book up in a thrift shop in the US on a trip to visit family and friends in the late 1990’s. It was one of the first pipe books that I found and started me on the hunt for other books to add to my tobacciana collection of books. This one was printed by Simon and Schuster in 1972. It was a reprint of the original print in 1954, 1955. It was originally sold for $2.95 and when I bought it used it cost me $4.95

Herment’s Introduction, originally written in 1954 gives a sense of what he wished to achieve in his writing of this book. It also gives a sense of the spirit in which it is to be read. I quote his Introduction in full:

“At the risk of disappointing the reader on the very threshold of this book, we feel it our duty to warn him that it has been written in the manner of a poem, by a flash of happy inspiration.” p.xi.

“As may well be the case with a poem, twenty years of meditation and brooding have scarcely been sufficient incubation to produce these few pages. In the light of these observations it will be easier to grasp what follows:” p.xi.

“Treated in a purely technical style, a subject such as ours could not have failed to rebuff the simple amateur. On the other hand the veteran or professional smoker would have considered it too superficial to satisfy his requirements, not full enough to fulfill his desires.” p.xi.TOC1

“Thanks to a complete and exhaustive knowledge of the subject, after year of experience and research, we have been able to conceive this work in its fullest scope and present it to the reader just as the spirit came to us – current calamo. Such has been our aim. Have we attained it? The reader, be he veteran or amateur, must be the judge. – G.H.” p.xi.

As I have done in previous reviews I have included a copy of the Table of Contents to the left. I always read that when I am beginning a book to understand the logic of the book. In this case Herment has given us a good view of the way he treats the topic of the pipe. He divides his book into 5 parts with each pipe covering a different aspect of the pipe. The book is also illustrated with line drawings throughout.

PART 1 starts where most of the pipe books that I have read start – with the history and manufacture of the pipe. The difference is that it does not begin with the discovery and bringing of tobacco back to Europe. It does not go into the growing or manufacture of pipe tobacco. It merely looks at the pipe itself. He includes 8 short chapters that cover the topic at hand.

Herment begins with a chapter on definitions and diagrams and explanations before going into the rest of the section. The diagrams and definitions set the playing field for a common discussion of the author with the readers. He points out key points that he will unpack in the rest of the book.

From there he works through the various materials used in making pipes. He discusses clay, porcelain, meerschaum, wood (rosewood, cherrywood), other materials such as bone and Moorish copper tubing with wooden bowls before finally discussing briar. He singles out briar for special attention because of it being the focus of the book he is writing. The author’s style of writing is refreshingly crisp and quick. He moves rapidly, yet thoroughly through the topics he has chosen to discuss.

Each short chapter in PART 1 gives not only a description of the pipe but details on how the materials are fashioned and worked to become the object that we now call a pipe. It is a concise description that gives details of construction, shaping and manufacture of pipes.

PART 2 is dedicated to the pipe and all of the necessary and tangential accessories that have been manufactured for the pipe smoker. He presents the material in seven chapters that detail the topic at hand. He looks at the briar itself and describes the different pipe shapes that have been manufactured. He includes a shape chart and names for each shape. He also looks at the drilling and shape of the bowls, the materials used for the stems and how those stems were inserted in the shank of the pipe. He gives a really well written description on the parts and function of the pipe.

The second chapter in this part is dedicated to anti-nicotine contraptions. This chapter is by far one of the most interesting as it spells out some of the creative means that were developed to minimize the nicotine from the tobacco.

The remainder of the chapters, other than the one on snuffboxes, explores the various accoutrements of pipesmoking beginning with the tobacco that is smoked in the pipe and ending with the rack to hold the pipe.

PART 3 is all about smoking and caring for a pipe. This part is composed of nine chapters that take the reader from the proper packing of a pipe, lighting it, smoking it, emptying it out, cleaning the bowl and stem (each smoke, thorough cleaning and disassembling the pipe and cleaning), seasoning the pipe and finally reaming it. Herment has some really interesting concepts in each of these sections. Some of them have long since ceased to be used but are fascinating to read about. For instance in the chapter on lighting the pipe he uses a method that I had not seen until I read it here. A piece of paper is put on top of the bowl and filled with tobacco and pressed into the bowl. The paper is twisted at the top forming a fuse and that is lit. As the paper burns the tobacco is evenly lit – or at least it is according to Herment.

Part 4 covers the issues of the Pipe and Health. In this chapter the author shows that the opinions on tobacco are evenly divided between those who see it as a health risk and those who see moderate use as inconsequential or giving stress relief. It is an interesting read to see how far our culture has departed from this kind of even presentation of the facts. He also gives anecdotal accounts of how tobacco was used for relieving constipation (enema) and to act as a vermifuge. It is a fascinating read.

Part 5 is the final part and includes some final questions and a conclusion. The final questions were not what I expected when I turned to this chapter. What the chapter covers is the longevity of the pipe – will it be with us forever. Herment says that yes. Here is the direct quote at the conclusion of his discussion:

“We have said that the pipe is eternal. Its outward shape may change, may evolve, may possibly modernize, but the principle of the bowl-mouthpiece remains forever immutable.” p.162

And another quote

“But while virgin, the pipe remains a Sleeping Beauty. It is not until the first whiff of smoke has risen from the bowl that its true life begins. So let us awaken it – and when awake may it prove to be the true Pipe of Peace, reminding us that we are all brothers.” p.162.

To me that would have been a great end to the book but the author adds a Conclusion. To me the final sentences are typical of the style that is found throughout the book. I quote it here to close this review.

“One would think less of drowning a dog than of throwing a pipe in the dustbin – but then a dead dog cannot be awakened, but there will always be found men everywhere who will awaken the pipe.” p.164.

I heartily recommend this book. I have read it many times over the years since I bought. It is amusing, entertaining and thoroughly enjoyable. I learn, laugh and reflect on the turns of phrase that Herment seems to have captured. He knows the pipe and when I have read his book I feel like I know him. lists copies of the book for sale as does Google books. Purchase one and I don’t think you will be disappointed.

A Book Review – The Pipe Companion: A Connoisseur’s Guide by David Wright

Blog by Steve Laug

494194Several things about this book caught my attention when I first saw it. The first of course was the magnificent photography that graces the pages. It is literally packed with more than 125 full colour plates of pipes. The age of some of the pipes made me read the fly-leaf of the cover to know more about the author. That is when the second thing caught my attention, The Pipe Companion was written by David Wright who is the Curator of the Museum of Tobacco Art & History in Nashville, Tennessee, USA. What was interesting about that was the wealth of tobacciana that was available to the author at his work place. I was already hooked before I even read any of the text.

When I did read the fly-leaf on the cover it only solidified my commitment to purchase the book. I quote from there:

“Smoking a pipe is a refined, relaxing ritual. More than a tool for reflection, a well-crafted pipe is a work of art to be admired and appreciated. Whether made of clay, briar, or meerschaum, every pipe’s personality and history is evident I the beauty of its bowl and the style of its stem.”
“Profiling more than 50 master carvers from around the world and their elegant, yet functional creations, The Pipe Companion is the essential guide to the world of pipes. Within these pages you’ll explore the exquisite artistry of pipe making and enjoy a behind-the-scenes tour of carving styles and manufacturing techniques. You’ll also learn about the history of the pipe – from its North American origins to its spread throughout Europe and the Middle East to the wide variety of classical and freehand styles popular today (2000). Finally you’ll discover modern pipe-smoking customs and practices, as well as learn how to select, smoke, and care for your pipes.”

“Perfect for both pipe enthusiasts and anyone with a penchant for the occasional puff, The Pipe Companion provides practical advice along with a wealth of information. So lean back, fire up your pipe, and enjoy.”

As with previous reviews I have written I include the table of contents to give an idea of how the author proceeds to do what is promised in the quotations from the preface or in this case the fly-leaf of the book’s cover. It is arranged in three parts with subsections underneath each part. It concludes with a glossary, a suggested reading list, pipe makers contact information and then ends with notes.TOC PART 1: A Brief History of the Pipe – this first section of the book uniquely presents the standard pipe history that has been repeated in a variety of descriptive ways since Alfred Dunhill’s Pipe Book. However, what makes this presentation unique among the others is the beautiful photographs of the pipes from the early periods of history. He looks at the origins of the pipe from Native American pipes to those developed later in Europe when tobacco was brought there.

After giving a very brief description of the origins with photos the author turns to the different types of material that have been used for making pipes. Again this section is graced with beautiful photographs illustrating the pipes made of each material. There are paragraphs on Clay Pipes, Wood Pipes, Porcelain Pipes, Meerschaum Pipes, and Briar Pipes. This section ends with an inserted article on Pipe Production. The interest in artisans who made these pipes sets the stage for the later PART THREE which looks at Pipe Makers.

The author’s style is engaging and enjoyable to read. You are carried forward through the chapter as he unfolds the history, interjecting stories and incidents among the photos of the pipes that illustrate his points. It is well written and flowing in style.

PART 2: The Art of Pipe Making – the second section covers pipe making from the perspective of one person shops to medium-sized factories. Again this PART 2 sets the stage for PART 3 on Pipe Makers. It does this with reference to the fact that before looking at the variety of pipe makers that it is important to understand how block meerschaum and briar are carved from their natural state into functional and artistic pipes.

The first chapter is on the materials that pipes are made from. The first section in this chapter is on meerschaum. It looks at the history of meerschaum and how it is mined and then refined and carved into pipes. There are pictures in the section that show raw meerschaum and ornate figural and design pipes carved from meer.

This is followed by a section on briar. There again the author looks at the agriculture of briar and where it grows and how it is harvested. Then the section looks at the seasoning/curing of the briar and finally how the blocks are cut and then carved into pipes.

The next section covers carving in all of its aspects. There are beautiful photos of figural pipes, carving and then finally of bending the stems that were used. Even machine-made pipes are discussed. It is interesting to note that the author says that even machine-made pipes involve a lot of hand work – sanding, shaping, finishing etc. are all done by hand.

The second chapter describes how to select a pipe. The author likens buying a pipe to buying a car. He discusses the materials that go into making a pipe, the finish and compares machine-made to handmade pipes and closes the chapter by discussing the features of a pipe. He states that the most important feature is free air passage from the bowl to your mouth – mechanics.

The third chapter discusses the how to of smoking a pipe. Truly this section should be called breaking in a new pipe and interestingly the author gives a sub-title part way through the text where he gives it that title. He discusses bowl coatings, various methods of loading a pipe including the Frank method with a brief segue into choice of tobacco. Then he moves to talking about lighting the pipe, tamping the tobacco and concludes with after smoking care and cleaning of the pipe.

PART 2 is a well written concise exposition of the pipe – materials, selection and smoking. It is written in an engaging way but always with the awareness of what is ahead in PART 3 of the book. There is a building excitement in the chapters about the various pipe makers that will be discussed ahead.

PART 3: The Pipe Makers Directory – The remainder, and by far the largest part of the book is the present one. The author has arranged his list of hand-picked pipe makers by country for ease of reference. Quoting from Wright’s introduction to this part of the book:

“As you examine the different carvers around the world and their unique interpretations, you’ll notice similarities and schools of art. The oldest briar school, for example, is centered in Saint-Claude, France. Italy has two distinct schools of carving, while the other Scandinavian countries have a look all their own. Then, there are the United States and Japan. The variety of styles and techniques in the United States reflect America as the proverbial melting pot. In Japan, styling can by very Japanese or exhibit a combination of Japanese and Danish features.” Page 57

“Modern briar and meerschaum pipe styles can be divided into two broad categories: classic and freehand. The classic style has its origins in early French and English pipes. The proportions of the bowl and the stem: length, height, and diameter are standardized in these pipes. Many of the names of classic pipe shapes and styles were chosen many generations ago and reflect the shape or appearance of the pipe… Freehand was a term coined for the “wild” or “organic” designs of Danish pipes that first appeared in the late 1950s. Freehand implies that the pipe carved at the whim of the carver. A truer definition is that the pipe design is governed by the grain of the wood. No two freehand pipes are carved alike, nor do they conform to any one style.” Page 58

Following the short introduction, from which the two quotes above are taken, the author proceeds to move through the various countries he has chosen. In each country he has chosen pipe makers to highlight and includes photographs of their work. This catalogue of pipe makers is the highlight of the book to me and a section I turn to repeatedly. I will list each country as the author has organized them and then give a list of the pipe makers he covers in each one. I don’t know what your thoughts will be but I was surprised by the listings and found there were several I had not heard of previously.

Canada: J. Calich (p.59-61), Julius Vesz (p.62-63).

Corsica: L.J. Georges (p.64-66).

Denmark: Bang’s Pibemageri (p.68-69), Jess Chonowitsch (p.70-72), Lars Ivarsson (p.72-74), Jorn (p.74-75), Anne Julie (p.75-77), W.O. Larsen (p.77-79), Nording (p.79-80), Stanwell (p.81).

France: Butz-Choquin (p.82-83).

Germany: Holger Frickert (p.84-86), Karl-Heinz Joura (p.86-88), Manuel Shaabi (p.88-90).

Great Britain: Ashton (p.91-94), Castleford (p.94-95), Dunhill (p.95-98), Ferndown (p. 98-99).

Ireland: Peterson (p.100-101).

Italy: Ardor (p.103-104), Paolo Becker and Becker & Musico (p.104-106), Brebbia (p.106-108), Castello (p.108-110), Il Ceppo (p.110-111), Mastro de Paja (p.111-113), Radice (p.113-115), Savinelli (p.115-118), Ser Jacopo (p.118-119).

Japan: Shizuo Arita (p. 120-121), Jun’ichiro Higuchi (p.121-122), Tsuge Pipe Company (p.123-124).

Spain: Joan Saladich y Garriga (p.123-127).

Sweden: Bo Nordh (p.128-130).

Turkey: Ismet Bekler (p.132), Yunas Ege (p.133), Sevket Gezer (p.134), Huseyin and Mustafa Sekircioglu (p.133-134), Salim Sener (p.134), Sadik Yanik (p.135).

United States: E. Andrew, Briars (p.136-138), Alfred Baier (p.138-140), Boswell’s Pipe & Tobacco (p.140-142), J.T. & D. Cooke (p.142-144), Cristom (p.144-147), Jody Davis Princeton Pipes (p.147-149), Dr. Grabow (p.149-151), Fairchild Pipes (p.151-153), David Jones Briar Pipes (p.153-155), Kaywoodie (p.155-157), Kirsten Pipe Company, Inc. (p.157-159), Sam Learned (p.159-161), Lucille Ledone (p.161-162), Andrew Marks (p.163-165), Mr. Groum Pipes (p.165-167), Clarence Mickles (p.167-168), Elliott Nachwalter Pipestudio (p.168-170), Denny Souers (p.170-172), Trever Talbert (p.173-174), Mark Tinsky American Smoking Pipe Company (p.175-176) Von Erck’s Pipes & Repairs (p.176-178), Roy Roger Webb (p.178-180), Steve Weiner (p.181-182), Tim West (p.182-186), Randy Wiley (p.186-187)

From the above information it is obvious that the largest portion of the pipe makers included is from the United States. I am assuming that this is because of the author’s location. However, within each section there is a concise biographical note on the pipe maker and a description of the style and where they fit within the classic/freehand division that introduced PART 3. The photos in this section are absolutely stunning and give a good idea of the style, quality and craftsmanship of the makers. I will continue to use this book as a reference to the works of the makers covered and as a wish book of pipes I want to add to the collection.

The book ends with some sections that could easily be skipped to the detriment of the reader. The Glossary gives excellent definitions of the terminology of pipe making. These definitions are concise and helpful. The Suggested Reading bibliography is a great resource and one that I use as a checklist of published materials on pipes and tobaccos – both books and periodicals. The Pipe Makers Contact Information is worth a look as well if you want to contact any of the above makers for a commission or just write them a thank you note for a great pipe you are smoking. The book ends with Notes that really are endnotes for the chapters in the book giving bibliographical notes for information used from other references.

I can heartily recommend The Pipe Companion – a Connoisseur’s Guide by David Wright to every pipe collector and collector of books and information on pipes. It is a resource that is well written, well illustrated and unusually thorough in the kind of information that is resourced in the book. It is an ongoing pleasure to read repeatedly or to just thumb through and enjoy the pipe photography that graces the pages from the beginning to the end. If you have not picked this one up you really owe it to yourself to get a copy before it too goes out of print.

A Book Review – Pipes & Tobacco. A Bright and Interesting Discourse on Smokers by J. W. Cundall

Pipes and Tobacco CoverWhat attracted me to this book when I saw it on Briar Books Press was the press release that Gary Schrier posted on his website. It is a rather long opening to this review but I find that it is a great piece of writing and a simple summary of the book itself. There he wrote the following:

“What they were saying in 1901 about “Pipes and Tobacco. A Bright and Interesting Discourse on Smokers” by J. W. Cundall.Long 8vo. Cloth, 6d.”

“To-day. – Mr. J. W. Cundall has written a little volume which all lovers of the fragrant weed will read with interest and amusement. In addition to an account of the history of tobacco, and the science of it growing and blending, many entertaining anecdotes are related of famous smokers, and a large amount of odd information of use to smokers imparted. For a modest outlay of sixpence, at which price it is published, no devotee of ‘My Lady Nicotine’ need lack this latest appreciation of his goddess.”

“My how times have changed! That’s inflation for you. No longer sixpence, but then who other than Briar Books Press discovers such unusual, worthwhile, and most importantly, such entertaining literature for the pipe-smoking man. Hidden for over a century, this delightful gem is a look into our collective past for all the reasons smoking is such good medicine for the soul. Historical yet in many ways contemporary, Pipes and Tobacco is the smoking man’s guide to everything which is important to him. Author Cundall spins an entertaining read for the Englishman on so many of the topics of interest to him at the turn of the last century. From tobacco as a luxury and aid to meditation, to social smoking and as a medicinal aid, to soldiers and smoking, to poetry, to juvenile and royal smokers and smoking in parliament, to Smokiana and the Brotherhood of Smokedom, Cundall covers the subject concisely yet comprehensively. Peppered with quaint tobacco and briar-pipe advertisements, Pipes and Tobacco includes a never-before-divulged statement attesting to the origin of J. M. Barrie’s secret Arcadia mixture as written in his 1890’s novel My Lady Nicotine. A delightful and informative read that will leave you wanting for more.”

Who could resist that press bite and all for only $20USD. I ordered my copy and when it arrived sat down and read the short 103 pages with great interest.
As I often do with these reproductions of older books I turned through the pages to enjoy the layout and design before giving it a read. In this case the book is filled with lots of period advertisements for books and all assortments of items from that time. It also has great illustrations that are well worth the price of purchase in my mind. I am including a copy of the Table of Contents as I also read through that before proceeding with a general read of the book. I have grouped the topics of the chapters into related sections even though the author did not. Even before reading through a book in total I try to organize the flow of the book with a quick scan of the chapters. I look for the logic of the book and then section of the book to get an idea of the author’s direction and intent for his book. Below is a chart showing my grouping of chapters.Chapters The style of this book is very readable and timeless. Cundall’s use of language is clean and forthright and simple to read. It has some of the marks of its age such as punctuation and long sentences but the content flows very well. The design as a pocket-book full of advertisements from the time it was written give it a flavour of nostalgia that for me is refreshing and speaks to a time when things moved more slowly. I can easily see this book carried in a pipeman’s pocket and read on the train or in the evening over a pipe and drink in front of the fire. Schrier has done a great job in reprinting this old classic of pipedom.

I thought it would be helpful to a potential reader to give a quick summary of the sections that I noted above. I don’t do this to spoil the read as much as to give an idea of what you can look forward to when you pick up the book and read it for yourself.

FIRST SECTION (noted in red in the chart)

The author starts as many pipe books before and after him have started. He gives a quick overview of the history, cultivation and how the harvested tobacco is processed and delivered to smokers for use. There is nothing truly new or unique to this section but the style of writing makes it a quick overview or refresher for those who want to jog their memories of the early years and development of tobacco.

SECTION TWO (noted in green in the chart)

Cundall takes a slightly different tack than other writers on the subject have done. He acknowledges that tobacco is a luxury but one that is well worth spending your hard-earned money to procure. It provides enjoyment and community in a way that is out of proportion to its expense. To load a bowl of tobacco and enjoy a smoke enables one to be meditative and contemplative on the one hand but also invites the smoker into a society of smokers that is convivial and erudite. I include two quotes below that give an idea of his style of writing.

“All tobacco is good, only be careful to have only the best.” Page 44

“The pipe draws wisdom from the lips of the philosopher and shuts up the mouth of the foolish. It generates a style of conversation – contemplative, thoughtful, benevolent and unaffected.” Page 53

SECTION THREE (noted in black in the chart)

Cundall begins with the fact that there will always be opponents to pipes and tobacco. While it is vocal and comes from a broad spectrum of society it is contrary to the facts. While abuse and overuse of tobacco can cause physical ailments the facts are there that moderate tobacco use is beneficial. I find that this chapter sets the stage for the further sections of his book. It provides the justification of the remaining sections where he explores the use of tobacco within many settings by many different kinds of people. The quotes from medical and scientific authorities provides the rational base for his advocacy of moderate enjoyment of the pipe.

SECTION FOUR (noted in blue in the chart)

This section explores the spectrum of pipe smoking in the world of Cundall’s day. It could easily be developed by someone to include the use of the pipe in the world of our day. It covers the use of tobacco among the military, authors and poets, the politicians and royalty of his day. One of the charming features is his inclusion of a description of the Smoking Room in the House of Commons in Britain. He includes a chapter which advocates for withholding tobacco from youth until they come of age (when that is does not appear clear to me). However, it is an interesting read nonetheless. The section closes with a collection of quote regarding smoking from clergy, academics, doctors, scientists, politicians and writers that is intriguing. Each quote is singularly worth reading and reflecting on. He entitles it Smokiana – a phrase that he seems to have coined for his use.

CONCLUSION (noted in brown in the chart)

The chapter is entitled “The Brotherhood of Smokedom” and to me serves as the conclusion of the entire book. It is a concise statement of the pipe as an equalizer. Regardless of status or strata of society the pipe takes the smoker to the same place of enjoyment and satisfaction. It provides uncensored enjoyment to all who lift the bowl and sip the smoke. The quote below captures the focus of the chapter.

“When contented are not all men equal, and who can be other than contented with his pipe between his teeth and the tobacco glowing redly in the, whither it be Bird’s-eye or Returns, Shag of the mixture of Arcady.” Page 97

If you enjoy reading about your pipe and tobacco and the relaxation and pleasure that it gives then this is a book you should purchase. It is not a long book but it is one that can be best savoured with a pipe in hand, a favourite drink at your side. Sip the pipe and drink and savour the well written prose of this little book in the quiet of the zone that the pipe opens to you. I recommend that you contact Briar Books Press and order a copy for your own reading as soon as you are able. Who knows when it will once again be out of print.

A Book Review – Weber’s Guide to Pipes and Pipe Smoking by Carl Weber

Blog by Steve Laug

13139507 Probably one of the first books I picked up for my pipe library was Carl Weber’s Guide. It has a price tag on it from a used bookshop that I frequented in those days that dates it to June of 2002 and I paid a princely total of $4 for it. My copy is noted on the cover and the cover pages as An Original Edition though I am not sure what that means. It originally came out in 1963 ad copy is one that was reprinted in 1967 by the Cornerstone Library, New York City. Carl Weber was the Founder of Weber Briars, Inc. a company whose pipes have passed through my collection for the past 20 years. I remember finding this book in the book shop – way back in the far left corner of the shelves in the area of collectibles and hobbies. I had read of it but not seen a copy so I snatched it up and made it mine.

The table of contents is very straightforward as to what is covered by the book and as is true of most well written books it gives an outline of the topics covered between the covers of the book.
Table of Contents:
1. What is a pipe?
2. The Briar and the Meerschaum: The King and Queen of Pipes
3. Pipe Varieties
4. Selecting Your Pipe
5. Selecting Your Tobacco
6. The Art and Science of Pipe Smoking
7. How Briar Pipes are Made
8. Pipe Accessories
9. The Pipe as a Hobby
10. Questions and Answers About Pipes

To begin this quick review I want to quote three portions from Weber’s Forward to this little handbook. The first one sets the stage for his proposition that pipe smoking is a most pleasurable pastime. He writes:

“No one really knows why men smoke. Yet long before the discovery of tobacco, smoking had become the abiding joy of many peoples. Since tobacco’s discovery, smoking has truly become one of mankind’s most pleasurable pastimes.” – page 7

The next quote I find particularly poignant in a handbook on smoking. It calls the pipeman to treat his pipe well and it will treat him well. Oh how I wish that many of the owners of the old pipes I refurbish had read these words. He writes:

“The real pipe-smoker soon learns that pipe smoking is both an art and a science. The pipe responds to its owner with exactly the same treatment that it receives from him. The man who masters the techniques of pipe smoking is repaid by a satisfying smoke, a joy which he created for himself with his own hands.” – page 8

The last quote gives the stated purpose of the book in Weber’s own words: “The sole purpose of this book is to help the smoker achieve these rare moments of serenity, which are increasingly hard to come by in the accelerating pace of the modern world.” – page 8

Weber’s Guide can be divided into four major sections – each covering several chapters. These section divisions are my own and are not found in the book. I find that they help to organize and locate material for my quick reference.

Section 1: Chapters 1-3
The first three chapters cover the topic of the pipe. Chapter 1 begins by discussing what a pipe is in terms of constituent parts and what it is used for. It gives a brief history of pipes and tobacco that is truly no different from any other pipe book I have read over the years. It is written in Weber’s inimitable style and is a very accessible quick read. In Chapter 2 compares briar and meerschaum pipes which he calls the King and Queen of pipes. He gives a brief history of the development of both. He concludes this section in Chapter 3 by giving a survey of different types not found in the two main categories already covered: calabash, corn cobs, water pipes and clay pipes. The chapter ends with a brief survey of the field of pipes and concludes with these words; “Whatever your style of smoking, chances are that somewhere you’ll find a pipe to match it.” (page 42)
Throughout each section of the text there are line drawings and sketches to illustrate the point the Weber is making in that section. They break up the text and add interest to the reader.

Section 2: Chapters 4-5
The next two chapters are about how to select a pipe (Chapter 4) and a tobacco to smoke (Chapter 5). The selection of a pipe is very individual. As Weber says, “…it must first of all, fit your personality and character.” He adds another line that has fueled much discussion. He says that the pipe should “enhance” the appearance of the pipe smoker and not detract. He gives examples of how this works in his opinion. He goes on to discuss flaws in briar with helpful insights in how to understand these natural parts of the briar. He discusses pipe shapes and gives three pages of drawing of the various shapes of pipes that is very helpful. He includes a page of stem drawings to accompany his paragraphs on the type of stem that is used. Chapter 4 concludes with a discussion of filter, the personality of the piper and the prices that pipes are selling for. The paragraphs on pipe and personality are interesting and entertaining. He suggests standing in front of a mirror and trying to match the shape of the pipe to your own shape – this idea has also engendered much derision and discussion.

Chapter 5 on Tobacco Selection is a succinct and helpful tool to a person trying a pipe for the first time as well as to the seasoned veteran needing a quick refresher. It begins with a quick botany lesson on tobacco plants before going on to discuss the types of tobacco that are smoked and their taste to the smoker. He has descriptions and information on Burley, Virginia, Cavendish, Maryland, Latakia, Perique and Turkish tobacco. He discusses and offers a diagram of the four basic cuts of tobacco – cube cut, cut plug, long cut and granulated. He ends this chapter with two paragraphs on the art of blending tobacco to suit the tastes of the smoker.

Section 3: Chapters 6-7
The third major section of the book is about the use of the pipe and the manufacture of a briar pipe. Chapter 6 covers what Weber calls the Art and Science of Pipe Smoking and is a good general introduction to our hobby. It covers packing, lighting, and smoking a pipe. It talks about breaking in a pipe, enjoying it and maintaining it. Chapter 7 gives an overview verbally on the birth of a briar pipe from burl to finished product. That is followed by a pictorial spread showing the making of a pipe illustrating what has been said in the first portion of the chapter. It concludes with paragraphs on stem making and finishing the pipe before it leaves the factory to be held in the hands of the pipe smoker.

Section 4: Chapters 8-10
The final section picks up all of the extraneous details of pipe smoking that have not been covered in the rest of the book and are necessary to proper enjoyment of the hobby of pipe smoking. Chapter 8 covers accessories – pipe cleaners, sweeteners, humidors, tobacco pouches of various styles and layouts, pipe racks, ash trays, wind caps, pipe tools and other useful gadgets that fall outside of these wider categories. Chapter 9 on the pipe as hobby cover the pipe collecting aspect of the hobby and addresses the types of pipes that are collected from high-end to oddities – the better mouse trap version of pipes. It ends with a short treatise on how to evaluate pipes that are collected.

Chapter 10 is a Question and Answer section. It covers a wide range of topics that somehow capture many of the first questions that new pipe smokers ask. It is set up in a question and answer format and covers such topics as how to tell the difference between block meerschaum and pressed meerschaum, rehydrating tobacco, sweetening a pipe, repairing broken stems, tongue bite, the meaning of stampings such as Real Briar and Imported Briar, mixing tobacco blends, shapes and their effect on coolness of a smoke, proper moisture levels in tobacco, directions for reaming a pipe and the life expectancy of a briar pipe.

I believe that Weber did an admirable job of meeting his purpose as stated in his Foreward. While the book is not an exhaustive treatment of the topic it is comprehensive. His style of writing is inviting and makes this a very accessible and readable book. Copies of it are readily available online through such sources as and Abebooks. A quick search of the title will give you access to a wide range of copies and prices to match your budget. It is well worth the read and is a great book to have on hand for new pipemen you introduce to our hobby.

From the back cover.
back cover

A Book Review – Tobacco, Pipes and the Pleasures of Pipe Smoking

IMG_5918 This beautifully illustrated little book was produced in Canada to be given as a gift to pipe smokers by the – Turmac Tabakmaatschappij Canada Ltd. In their introductory preface they declare their intent to give it as a gift to be enjoyed as much as they enjoyed collecting all the stories and anecdotes about pipes and pipe smoking. They end their paragraph with the words; “We hope that it will add new pleasure and meaning to your pipe smoking”.

On the inside fly page there are these words: “I keep a friend in my pocket… my pipe. When I sit out on the porch at the cottage and the evening is quiet, I like to take my friend out of my pocket, tamp in bright, golden shreds of tobacco, and light up.

Then, when the bowl glows red in the dusk, when the bit tastes warm, and fragrant wisps of smoke trail in the still air, peace comes to me and my friendly pipe.”

The book is a short 35 page overview of the field of pipes, tobaccos and pipe smoking itself. It is not divided into chapters but rather into sections. Virtually every page is filled with beautiful photos, engravings and pen drawings of pipe history. A wide variety of photos of pipes grace the pages – from ancient clay to modern clay, from briar to meerschaum.

The book begins with a brief history of tobacco and the art of smoking it. It development is traced across the continents on both sides of the Atlantic, or Pacific as the case may be! There is a quick walk through Columbus and the discovery of tobacco and its use among the indigenous population of the Americas. The name tobacco comes from what these people called their smoking tubes – Tobaga. It later morphed into our now well known term tobacco. The text quickly moves to Sir Walter Raleigh’s impact on the use of tobacco in the British Isles. The entire history is brief and well written. It moves through 8 pages and covers a broad scope of history in a way that is a pleasure to read – interspersed with quotations from early journals and drawings and photos from the time periods discussed.

From there the book turns to the history of the pipe itself. In a section entitled “From Coconut to Seafoam”, the authors give a brief introduction of the materials that have been used in making pipes. The section moves through the materials in quick order in a compact and entertainingly written piece. It begins with the coconut used in Nargilehs in the orient to clay, porcelain, iron, steel, bone, stone, silver, copper and bamboo and finally to the meerschaum and then the briar. The section then develops longer treatments on each of the major materials – clay, porcelain, meerschaum and finally briar.

I found it particularly interesting to read the well written discovery of the meerschaum pipe. A Budapest Shoemaker named Carl Kovac was the first man to carve a meer pipe. This section reads like a well written short story.

There is a short section on Pipe Smoking and Fine Art in which the writers quickly summarize the presence of the pipe in fine art. Again it is not the breadth that gives the subject its interest but the choice of what to cover. In a short paragraph the Dutch masters, Rembrandt and Honore Daumier are all mentioned.

The section on the pipe ends with a description of the briar pipe and its development from burl to pipe. In a succinct section the process of pipe making is delineated with enough information to be entertaining and informative.

From the discussion of the pipe the book turns to discussing what we smoke in our pipes. IN very short and descriptive sentences tobacco growth and processing is covered with a brief glimpse of Virginia, Burley and Oriental tobaccos and how they are processed to the leaf we smoke.
The next section is pictured below and is entitled “A Guide to Tobacco Blending”. The descriptions are well written and concise. I don’t think I have ever read this kind of compact and clear writing that is also entertaining and direct.
Once the details on various blends are explored the text turns to the art of choosing a tobacco. I had to laugh when I first opened the book and found the tobacco placard below inserted at this point in the story. It was almost like a bookmark and of course is one of the blends that gifter of the book manufactures.
The section on choosing a pipe was fascinating reading. Again in the style of English that is clear and pointed the authors give the major things to keep in mind when choosing a pipe of a particular shape and finish. They provided the following diagram as a part of the book that is helpful.
The last sections of the book can be summarized as tips for pipe smokers and includes all the information necessary to load and light a pipe as well as what is necessary to take care of it as you use it in the course of your life. There are tips on how to have and maintain a dry smoke, how to care for the cake in your pipe – proper reaming procedures etc are diagrammed to help the pipe smoker visualize how to keep their pipe functional and delivering the best possible smoke that it is able to deliver. It also includes a section on accessories that are necessary for having a great smoke. These include pipe cleaners, liquid pipe cleaner, humidors, tobacco pouches, ash trays, pipe tools, pipe racks and of course the pipe collection!

The closing paragraphs of the book bear quoting. They give both a great conclusion to the book and a clear picture of the writing style of the book. It is that which captured me the first time I read it and that which keeps me coming back. I quote:

“ A day can never be completely without brightness as long as there is a glowing pipe in hand, nor can a man be alone, for in a good pipe there is companionship, its warmth is like a glowing hearth where in there is deep understanding and peace.

You like the friendliness of a man with a pipe and what better compliment to a friendship than for a man to offer you some of his own special tobacco. Just this one simple act will tell you he is gracious, reliable, unselfish and, above all, considerate.

A good pipe and a good tobacco say good things of a man. And the good things that it does are many: it gives heart to the man at work, it accompanies his leisure hours and brightens his fireside at night.

His cares, his worries drift away in the air, weariness floats away and disappears, it brings hope for the days ahead and the contentment of well-being. It is a brightener of conversation, the maker of friendship.

In its aroma there is comradeship, and in the goodness of its taste there is unending pleasure.
Indeed a simple pleasure with deep satisfaction, and priced so that a man may enjoy the contentment of hours, if he has but two silver quarters.”

I think that well summarizes the beauty and pleasure of this small book. If you can find a copy you will not do wrong to buy it whatever the cost. It is a treat to read and has the ability to lift you from the mundane of your days. The following drawing in on the end piece of the book.

A Book Review – The Five Laws of Pipe- Companioning by Mark Irwin

Blog by Steve Laug

Several weeks ago now I received a cryptic email from Mark telling me to keep an eye out for a small package coming from Luca at Neatpipes. Knowing Mark’s proclivity for pipes – Irish and Italian I was not sure what to expect. But I also know he writes a blog for Luca Neatpipes so I wondered if there was not a new book on its way to Vancouver.
On the blog was a series of blog articles on what Mark called the Five Laws of Pipe-Companioning. I had read them earlier and enjoyed his writing and what he was proposing. Sure enough when the package came it contained a copy of Mark’s book on the subject. I was thrilled to be able to give it a read. It was published by Luca of Neatpipes and is a small pocket sized book. I know it is pocket sized because I have had it in my pocket several times over the past week and have taken it out for a read at lunch hour, coffee breaks, while standing and waiting in various queues. It is the perfect size for this kind of subterfuge. I am one of those guys who always has a book in the pocket of his jacket so regardless of where I have to wait I have something to make the wait endurable – bank lines, grocery lines, transit lines, you get the picture. Mark’s little book is perfect for my habit.

The Table of Contents gives a short version of the Five Laws and is a great summary of the content of the chapters that follow. I have learned a habit garnered from Mortimer Adler’s How to Read a Book many years ago now, of reading the Table of Contents and Preface of the book to get a feel for the author’s focus and purpose. Doing so this time around did not let me down. The chapters in this little book are as follows:

Preamble 7-9

Pipes are for use 11-17

Every pipeman his pipe 19-25

Every pipe its pipeman 27-33

Preserve the pipes 35-41

Your pipe community is a growing organism 43- 49

Afterword 51-57

Coda 59-67

While Mark writes the book from the Preamble to the last chapter, Rick Newcombe writes the Afterword and Luca Di Piazza writes the Coda.

As can be seen above the book is a brief 67 pages long and can be read in one sitting, but I have found myself reading and rereading the chapters and reflecting on the concepts that Mark proposes in them. It is not so much the profundity of the concepts as the turn of phrase that I have come to associate with Mark’s writing that brings me back again and again. It is a good read for that reason alone in my opinion. But certainly there is more grist for the mental mill than just the turn of phrase in this book – whose concepts go beyond the scope of the short 67 pages. They open a world of reflection for those with that bent. So, load a pipe, find a quiet spot and delve into the words and ideas of the Five Laws of Pipe-Companioning.

In his Preamble Mark spells out what he means by the use of the word, “laws”. Rather than explain it myself I will let Mark do it in his own words. The following comes from the Preamble: “I need to be clear that what follows aren’t “laws” in the sense of something we need to debate, argue about and legislate according to majority rule. They’re universal principles, viz., underlying operative conditions of our hobby…You’ll see beliefs and opinions – mostly mine – but these are not about the laws themselves, but about the way the laws can best be practiced (or observed), something always open to interpretation.” With those introductory words the Five Laws are applied and examined. The layout of the book is well done and draws the reader into the work. There is lots of white space making it easy on the eyes and some beautiful pipe photos inserted between chapters to add colour and “eye candy” for a break to ponder to the words that have just been read in the previous chapter. It is a beautiful little book.

As can be seen above the book is a brief 67 pages long and can be read in one sitting, but I have found myself reading and rereading the chapters and reflecting on the concepts that Mark proposes in them. It is not so much the profundity of the concepts as the turn of phrase that I have come to associate with Mark’s writing that brings me back again and again. It is a good read for that reason alone in my opinion. But certainly there is more grist for the mental mill than just the turn of phrase in this book – whose concepts go beyond the scope of the short 67 pages. They open a world of reflection for those with that bent. So, load a pipe, find a quiet spot and delve into the words and ideas of the Five Laws of Pipe-Companioning.

In his Preamble Mark spells out what he means by the use of the word, “laws”. Rather than explain it myself I will let Mark do it in his own words. The following comes from the Preamble: “I need to be clear that what follows aren’t “laws” in the sense of something we need to debate, argue about and legislate according to majority rule. They’re universal principles, viz., underlying operative conditions of our hobby…You’ll see beliefs and opinions – mostly mine – but these are not about the laws themselves, but about the way the laws can best be practiced (or observed), something always open to interpretation.” With those introductory words the Five Laws are applied and examined. The layout of the book is well done and draws the reader into the work. There is lots of white space making it easy on the eyes and some beautiful pipe photos inserted between chapters to add colour and “eye candy” for a break to ponder to the words that have just been read in the previous chapter. It is a beautiful little book.

The first chapter looks at the First Law, Pipes are for use. At first glance the concept seems clear to those of us who smoke pipes but in the chapter Mark puts folk on a continuum that extends from “absolute pipe smoker to absolute pipe collector. Most of us he says fall in between the poles in a broad field. He suggests that we are called pipe companioners – those who enjoy the company of their pipes. This is a concept that Mark and I have written to one another about as we discuss our love of the pipe. It views the relationship of the pipeman and the pipe as almost sacramental in nature. The pipe has the ability to lift the pipeman to a different plane and provide a connection to a separate reality. This particular chapter is chock-full of concepts that take time to ponder and savor. The ideas in this chapter alone are well worth the meager price of the book.

The second chapter looks at the Second Law, Every pipeman his pipe. This law acknowledges the diverse range of likes and dislikes of pipemen. Another way of saying this could be, “to each his own”. The idea developed in the application of this law is simply to build tolerance for another pipeman’s tastes. Each of us is drawn to the pipes that become our companions and generally move out those that do not fit our criteria. Tolerance and pleasure in the passions of another keep us from becoming elitist in our hobby. Life is far too short to not take pleasure in the joy of another’s discoveries.

The third chapter looks at the Third Law, Every pipe its pipeman. The idea here is that every pipe was made to be smoked by someone at sometime in its life. Mark explores the application of this law to the companioning of pipes (BM – Before Mark: collecting). This law shows the breadth of the room on the continuum between Absolute Pipe Smoker and Absolute Pipe Collector. I have never ceased to enjoy the wide variety of pipe collections that I have seen on my travels when I connect with other pipemen. I love to hear the stories they bring forth from their companioning to regale the beauties and joys of their particular pipes that have found a home with them. To me this is profundity of the application of the Third Law.

Chapter four looks at the Fourth Law – Preserve the pipes. This law is a pleasure for me to read. As a hobbyist pipe refurbisher I have come to believe that all of my pipes will certainly outlive me. All of the ones I have reclaimed and renewed will go on to the next generation of pipemen and give them the same pleasures that they have given me. Not only is there integrity in the pipe companioning in my cupboard but there is also an integrity that is cross generational as the pipes pass through my hands and experience into the hands of the still unknown next generation. Thank you Mark for your reflections on this. He covers the topic beyond my brief excursus above and looks at the application of the law in several different ways. Give it a read.

Chapter five reflects on the Fifth Law – Your pipe community is a growing organism. Mark looks at the idea that every pipe has a story and the fact that you too have a pipe story. To me this is a natural followup to the Law Four. My trust of a given pipe adds another layer to the story of the pipe and to my own pipe story. I am still pondering all of the implications of the application of this law in Mark’s book.

The Afterword by Rick Newcombe really gives the reader Rick’s take on the Five Laws and one can see in it the truth of what Mark mentions in his Preamble, “You’ll see beliefs and opinions – mostly mine – but these are not about the laws themselves, but about the way the laws can best be practiced (or observed), something always open to interpretation.” I appreciated Rick’s words as he walked through each of the Laws and gave us a look at pipe companioning through his eyes. The inclusion of this piece actually does exactly what the book purports to do. Thanks Rick.

The Coda by Luca is yet another application of the Laws from his perspective. He takes us into the world of his companions and we seem how he applies the laws. This too is a great inclusion and a good way to round out the concepts set forth in The Five Laws of Pipe-Companioning.

I certainly appreciated the work Mark has done in putting his thoughts on paper regarding a topic that has always been rattling around in my brain. The concepts explicated by these Laws have been something that I have explored in my own Father Tom stories and the various pieces I have written on the rebornpipes blog. If you are interested in reflecting on your own pipe “collection” and broadening your perspective on it or just interested in all things pipe related then by all means contact Neatpipes to purchase a copy of this great little companion.

A Book Review – Our Family Business by Mary Dunhill

Blog by Steve Laug

9dca8450e349c2007078376e9fa56ebdI just finished reading Our Family Business by Mary Dunhill (pictured to the left). The book is written in the style of personal reminiscences of the author. It is quite engaging. She starts with her memories of the family from birth and moves through the various business developments as they happened and as she saw them in her growing up years. She gives a brief glimpse at the history of the Dunhill family and their settlement and house building efforts that ran parallel to the family business. It is an inside glimpse of the making of the Dunhill business groups and the people and family behind the development.

After reading the book I believe that the words written on the fly-leaf of the cover summarize the book really well: “At the age of seventeen Mary Dunhill joined her father’s pipe making and tobacco business, starting at the bottom as an assistant cashier. 38 years later she became the chairman of the Dunhill group of companies, a job she held through fourteen years of international expansion. Her book demonstrates the demands that a professional career make on a woman as well as the skill that women can bring to the problems of management. Yet this is more than a career story, more than a history of an enterprise unlikely to be rivalled in the economic conditions of today. It is a candid portrait of the Dunhill family, of their beginnings as harness makers and of the very different personalities that went into the building of a rare quality and character.”

Like most books or reminiscence the book does not have a table of contents. There are no simple headings on the chapters to give the reader an idea of the content of that chapter. It is written in a flowing style that proceeds from the early years to the later years of the writer. It is as if the reader is taken inside the head of the writer and given an intimate glimpse of her life. Mary had done a masterful job in being transparent about what she when through in a way that I have seldom seen in personalities of this ilk.

To help potential readers make a decision on whether to purchase and read the book, I have summarized the content of each chapter below.

41Xh2VfDTLL._SY344_BO1,204,203,200_ Preface – pages 5-7 – a note from Mary Dunhill on the flow and content of the book as she tells the story of her life within the Family Business.

Chapter 1 – pages 9-13 – Mary’s birth into the Dunhill family in Edwardian London. The development of her father’s move into the tobacco business is introduced. The opening of the shop in Jermyn and Duke Street stocked with pipes, tobaccos and cigars.

Chapter 2 – pages 14-21 –The early history of the Dunhill family and the related trades and businesses they engaged in. The development of the Dunhill Motorities. The chapter ends with a description of the early work of Mary’s father prior to opening his tobacco shop.

Chapter 3 – pages 22-29 –The life of Mary’s family in Harrow before the WWI. The hard times of the tobacco business on Duke Street. Her father began to make a name as a blender of the My Mixture blends. She also introduces the reader to her mother.

Chapter 4 – pages 30-38 – The life in the new house in Woodlands with a look at her school and social events. She met Rex, the man she married forty years later. Inserted into this chapter are a collection of family photos. Each is labelled and gives a clear picture of life in those times.

Chapter 5 – pages 39-46 – The development of the Dunhill pipe and the rise of that pipe to fill the need for pipes that did justice to Alfred’s blends of tobacco. A brief history of briar pipes and the way Dunhill pipes were made and the number of pipe makers employed to meet the demand.

Chapter 6 – pages 47-54 – The prosperity of the Dunhill’s is explored and their move into a life of maids, cooks and butlers is described.

Chapter 7 – pages 55-61 –Mary’s life in boarding school and how it led her to leave school and enter the family business as a junior clerk.

Chapter 8 – pages 62-72 – Her work at the Notting Hill Gate factory. Notting Hill factory turned out several thousand Dunhill pipes per week. The history of the Dunhill lighter is introduced toward the end of the chapter.

Chapter 9 – pages 73-83 – Another move to another house – the “Barn” is described and detailed. Mary explains the start of her own small cosmetics business that introduced her to customer service and business management (later it became a lucrative part of the Dunhill label).

Chapter 10 – pages 84-92 – A second photo section. The details of business development in US, Canada, France and England are mentioned and some of the famous clients of Dunhill products. The chapter ends with the birth of her first daughter, Kay.

Chapter 11 – pages 93-102 – Beginning with the birth of her second daughter, Tessa and exploring the development of the Dunhill Company during Hitler’s rise to power in Germany and the war years. She describes the bomb damage to the Jermyn Street frontage of the Duke Street shop and the destruction of much stock. Reflections on how they survived the war years.

Chapter 12 – pages 103-109 – Post war growth of the Dunhill Company. The global developments of the business are detailed. The changes in the family are also noted with the deaths of many of the older Dunhill family members of Mary’s first husband Geoffrey.

Chapter 13 – pages 110-119 – Mary’s growing involvement in the work of the Board. Her responsibility of management of the struggles of the Company in the late 50s is detailed. Her line of Mary Dunhill cosmetics had expanded across the US. The chapter ends with her marriage to Rex.

Chapter 14 – pages 120-126 – Mary’s role as Chairman of the main Dunhill board beginning in 1961. This chapter details her role on the board and the changes and developments that occurred in the early years.

Chapter 15 – pages 127-133 – The Far East marketing of the Company with significant development in the Japanese Market added to a Far East boom period. The company was also in a boom in Europe and the US. As Dunhill continues to develop, Mary’s daughter Tessa killed herself in hospital.

Chapter 16 – pages 134-140 – Summarizes the business of the Dunhill Company from 1912 through 1975 when her nephew, Richard took over the company – pipes, tobacco, lighters and accessories, jewellery, leather goods, watches, writing instruments. A diversified portfolio of products was sold.

Chapter 17 – pages 141-146 – Summarizes some of the lessons learned in her life in the family business. She describes the happiness that she experienced in leading the company during its growth years.

This book is autobiographical in nature but at the same time given the length of Mary Dunhill’s involvement in the family business it gives an intimate picture of the history of the Dunhill Company with all of its constituent parts. The inner workings of the company and the development of the tobacco blending and later pipe making aspects are rich with history for the pipeman who loves to understand the ins and outs of his/her hobby. Well worth the read. The style and manner of the writing is clear, concise and also full of revelations about Mary’s own feelings and struggles both in life and as the head of a large company.