Tag Archives: removing oxidation

A Ropp De Luxe Cherrywood and My Mojo Reborn


by Robert M. Boughton

https://www.facebook.com/roadrunnerpipes

Ever tried.  Ever failed.  No matter.  Try again.  Fail again.  Fail better.
— Samuel Beckett

Try not.  Do, or do not.  There is no try.
— Yoda

A series of unfortunate events during the past two years led me to an unaccustomed crisis of confidence.  There was the COVID-19 stay at home order from the governor here, followed by the temporary suspension of my pipe sales, as I now choose to think of it.  A brief time later, five thugs surrounded me outside of a convenience store on my way home from a friend’s, and a fight ensued.  Although I fended off four of them, the boss punk got in multiple blows with a steel-balled sap to my head and the rest of my body before I could retreat to my car and point the gun that I should have kept on me through the window at the young man with the sap.  He and his followers fled, and I drove to the university hospital ER.

Eleven hours later, the doctor told me I had suffered a coup-contrecoup concussion, and there was blood on my brain.  I had passed the night in the waiting room except for the MRI and CT scans, the latter with and without contrast, and never even saw him before then.  After that, unable to do the things that made me happiest – and I had always taken for granted – I gave up pipe restoring, my website, blogging and more or less everything else.  The worst part was that I could not even smoke my pipes because of the exponential sharpening the nicotine added to the already crushing, blinding, paralyzing headaches the good ER doctor told me I could expect, but that there was nothing he could give me to alleviate my misery other than Gabapentin and the max dose of Ibuprofen.

I had fallen off the grid and into a hell of my own inner space.  As Austin Powers said, “Crikey!  I’ve lost my mojo!!”  Little white tablets zap the chronic migraines I have suffered since early childhood.  The only cure for the more recent variety of explosive agony was time for my traumatized brainpan to begin healing, as it continues to do.  I am fortunate that my skull turned out to be as thick as my dad always said it was.

Pipes had piled up, waiting to be reborn.  I saw them now and then when I pawed through the mess on a worktable for something else.  As the excruciation ebbed and made clearer thinking possible, more and more I pondered what could be done with them.  The best plan seemed to be giving them to someone like Steve who could make them whole again.  Just the thought made me feel awful.  (No offense, Steve!) Taking another look, the synapses fired in my brain and provided a memory of both of the quotes I cited at the beginning, which I heard in the pilot to Criminal Minds.  There were six pipes in the eBay lot below, the other two being the Ropp in this blog and an Imported Sterling Briar that’s finished also and coming up next.  Below, top to bottom: no-name, Made in London, England; no-name; King, and a stemless GBD New Standard #1451.  I’m quite sure the GBD was the only reason I bought the lot.

There are more from my roommate, who is trying to cut back on his tobacco bonging (from 12000 grams per month!)  and gave me some of his pipes to do with as I wish, and a few of my own that need work.

What follows is the old college try.

RESTORATION
The cherrywood wasn’t in bad shape except for the nomenclature on the bottom, which was fuzzy from wear and tear and a rough area just below the rim that I attribute to shoddy work by Ropp. I gave the stummel an alcohol soak and the stem, which is a permanent part of the shank, an OxiClean bath. The chamber was tiny enough without the accumulated cake, so I cleaned it up with my Senior Reamer and Peterson scraper and gave the pipe a retort. By definition, a cherrywood natural is supposed to be rough, but this was a little much. I used 320, 400 and 600 paper. It needed more work, such as smoothing and staining the area under the rim with Feibing’s brown leather dye, and micro meshing the whole thing.  I seem to have lost track of that part as far as pictures go.

The stem was easy, needing only 400 and 600 paper and dry and wet micro mesh.Decatur Pipe Polish is great for sandblasted, carved and natural finishes, so that’s what I did.All that was left was a spin on the wheels with red Tripoli and carnauba for the stem. The best thing about this project was that I did it – and got my mojo back!  After that, I really enjoyed bringing back the clarity of the nomenclature. It went from illegible to clear enough that I had to correct the folder name in my PC to reflect the actual shape number.

 

Restemming & Restoring a French Made GBD Sauvage 1345 Poker/Pot


Blog by Steve Laug

The next pipe I chose to work on was another bowl from my box of bowls to restem. It is a different looking bowl that combines both a Pot and a Poker shape. It has a inward beveled rim, flat bottom and worm trails curled around the bowl sides. When I examined the shank it had a small hairline crack on the right side that would need to be repaired but otherwise it was solid. It was unique enough I wanted to work on it. It is stamped on the left side of the shank and has a GBD oval logo next to the bowl/shank union followed by Sauvage. On the right side of the shank it is stamped FRANCE [over] the shape number 1345. The stamping was clear and readable with a lens. The bowl had been cleaned and reamed somewhere along the way by either Jeff or me. I honestly don’t remember when or where we got this bowl. It looked very good and I was looking forward to seeing the finished pipe. The stem was long gone so this would be a restemming job. I took some photos of the bowl to give a sense of the condition of bowl. The stamping was on both sides of the shank and it is clear and readable as noted above. I have also drawn a red rectangle around the area where the crack in the shank is located in the photo below.The next photo shows the rounded rim top and edges. It also shows the condition of the bowl and rim top/edges. It is clean and looks quite good. There is some burn damage on the inner edge of the bowl and on the beveled rim top at the front and the back of the bowl.Now it was time to begin my restemming work on this pipe. I went through my can of stems and chose a stem that would work. I would need to remove some the diameter of the tenon and the saddle portion to fit the thin almost pencil shank of the pipe. I used a flat file to remove the small amount of excess on the tenon. It was a close fit but I did not want to make the crack in the shank worse by a tenon that was not correct.When I had finished shaping the tenon I sanded it with a piece of 220 grit sandpaper and inserted it in the shank. It was looking pretty good. I would need to trim back some of the diameter of the saddle portion but I liked it! I generally use a Dremel and sanding drum to reduce the diameter of the stem. I do this with the stem in place on the shank so that I do not overdo it. It is a touchy exercise and one slip and I could easily damage the shank and make more work for myself. I move carefully and take it back as close as I can at this point. Once I band the shank I will need to do some more work on it but it is starting to look right. With the fit close enough it was time to band the shank. I generally do the final adjustments on the stem diameter after I have fit the band in place. I picked a band out that would fit when heated. I took a photo of the crack in the shank to show what I was working with. I sanded the shank end and gave it a slight bevel to facilitate pressing the band in place. Once it was ready I put the band on the shank. It was tight so I heated it with a lighter and when it had expanded I pressed it against the pad on my desk and pushed it all the way onto the shank. It covered the “e” on Sauvage slightly but the length of the crack defined what I needed to band it. I used some 220 grit sandpaper to once again take a little bit off the diameter of the tenon and the band compresses the crack and the diameter of the mortise changes. When I was finished I put the stem in the shank and took photos of the newly banded shank. It was going to look good once I finished shaping the stem diameter but it is very close at this point. What do you think of the new look? I finished adjusting the fit of stem diameter with 220 grit sandpaper and everything was aligned. I started the polishing with 400 grit wet dry sandpaper and the stem was looking very good at this point. Now I needed to deal with the tooth marks and chatter on the end of the stem. I “painted” them with the flame of a lighter to lift them as much as possible. I filled in the ones that remained with clear super glue. Once the glue cured I flattened out the repairs with a small flat file. I followed that by sanding the stem with 220 grit sandpaper to blend them into the surface. I started polishing the stem with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it with a cotton cloth. Once I had finished the polishing I gave it final coat of Obsidian Oil and set it aside to dry. With the stem finished (other than to buff the pipe at the end)I set it aside and I turned my attention to the bowl. I used a wooden ball that Kenneth gave me with a piece of 220 grit sandpaper to clean up the bevel. I finished with a folded piece of 220 grit sandpaper to further minimize the burn damage. I touched up the stain with an Oak Stain pen to match the surrounding briar of the bowl. It looked much better at this point. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth to remove the sanding debris left behind. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the smooth and worm trails on the bowl and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain really took on dimension and colour. I am excited to be on the homestretch with this petite French Made GBD Sauvage 1345 Poker/Pot. This is the part I look forward to when it all comes back together, polished and waxed. I put the bowl and the new stem together and polished the stem and bowl with Blue Diamond to polish out the scratches in the vulcanite and give a light shine to the bowl. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The worm trail carving on the bowl actually looks okay with the rest of the smooth finish. The banded shank and new polished black saddle vulcanite stem works well with this little sitter. This GBD Sauvage Poker/Pot was another fun pipe to work on and came out looking great. It is a comfortable sized pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 33 grams/1.16 ounces. If you are interested in adding this pipe to your rack it will be on the rebornpipes store in the French Pipemakers Section soon. Thanks for reading this blog and my reflections on the pipe while I worked on it.

Restoring and Reshaping a stem on a beautiful “Malaga” Imported Briar 3 Cutty


Blog by Steve Laug

The next pipe I chose to work on from my box of pipes to be restored is a lovely “Malaga” Cutty with a poorly fit stem. We bought the pipe off eBay back in January, 2017 from Gilroy, California, USA. The stamping on the pipe was clear and readable. On the left side it read “MALAGA” and on the right side it read IMPORTED BRIAR. On the heel of the bowl it was stamped with the number 3. It was an interesting looking Cutty shaped pipe. The grain around the sides was quite nice and a mix of cross grain and birdseye grain. There was a thick cake in the bowl and a thick lava coat on the rim top. The inner edge of the bowl was so caked it was hard to know what the edge looked like underneath. The stem was oxidized, calcified and had a lot of deep tooth mark and chatter on both sides ahead of the button. It was a bit of a mess. Jeff took some photos of the bowl before he started to work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava coat on the top and on the inner beveled edge of the bowl. I am hoping that it protected the edge from damage. He also took photos of the stem to show the deep tooth marks and chatter on the oxidized stem. He took photos of the bowl and heel to show the condition of the finish. Though the finish is dirty and grimy you can see some nice grain showing on the bowl sides. Jeff took photos of the stamping on the sides of the shank and the heel of the bowl. It read as noted above and was readable. I have worked on a lot of Malaga pipes in the past so I am not a stranger to the brand. I have blogged their restorations, so rather than repeat previous blogs, I am including the link to one that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA from a catalogue. It gives a sense of the brand and the history in their own words. Follow the link to get a feel for the brand and the pipemaker – https://rebornpipes.com/2013/02/09/george-khoubesser-and-malaga-pipes/.

I took some photos of the pipe as I took it out of the box. Here is what I saw. I could see that Jeff had cleaned it well. The bowl had been reamed with a PipNet reamer and Savinelli Fitsall Pipe Knife. He had scrubbed the exterior with undiluted Murphy’s Oil Soap. He rinsed it with warm water. He cleaned out the internals with alcohol, cotton swabs and pipe cleaners. The stem was twisted and tweaked to the right as can be seen in the photos of the top and underside of the pipe. The grain on the bowl is quite nice with just a few small fills that are solid and well blended in with the surrounding briar. I took photos of the pipe before I started my work on it. The rim top had cleaned up very well and you can see the damage to the inner edge of the bowl at the back as well as some darkening on the rim top and outer edges. The stem cleaned up well but the tooth damage is quite deep and messy. I took photos of the stamping on the sides of the shank and heel of the bowl. The stamping is clear and readable as noted above.I took the stem off the shank and took a photo of the pipe. I really like the look of the Cutty shape and the grain on the bowl. It is a beauty. The stem will look good once it has gone through some surgery on the diameter and the shank and the chomping on the button end.I started my work on the pipe by cleaning up the damaged inner edge and top of the rim with a folded piece of 220 sandpaper. Once it was finished it definitely is an improvement.I polished the bowl and rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped down the bowl after each sanding pad. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out.   I set the bowl aside and turned my attention to the stem. I decided to address the fit of the stem to the shank. They were significantly different in diameter. I wanted to address that first while at the same time dealing with the deep tooth marks. I took photos of the fit of the stem to the shank. I think you can see the variation in diameter in the photos. The stem is bigger on the top an don the right side. If I turn it over it is the reverse but the fit is better against the shank face in the way it is in the photos below.I sanded the shank end of the stem with 220 grit sandpaper to reduce diameter to a close fit. I got I close then decided to deal with the tooth marks on the stem surface so that I could sand the entire stem to shape and it to the shank. I “painted” the tooth marked area with the flame of a lighter and was able to lift many of them significantly. Those that remained I filled in with clear CA glue and set aside to cure. Once the repair had cured I used a small file to flatten it out and to redefine the button area and edges. It looked much better. I followed that by sanding the repaired area with 220 grit sandpaper to further blend in the repairs to the surrounding vulcanite. I started polishing the stem with 400 grit wet dry sandpaper. With that work down on the button end I could go back to fine tuning the stem to shank fit.I went back to fitting the stem to the shank with 220 grit sandpaper and after some more adjustments the fit works well with the shank and I am pleased with the smooth transition to the shank.I polished it with micromesh sanding pads – 1500-12000 grit pads (somehow the photo of the 1500-2400 grit pads was inadvertently lost). I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final coat of Obsidian Oil and set it aside to dry. Once I finished refitting and repairing the stem, this “Malaga” Imported Briar 3 Cutty was another beautiful pipe. The briar around the bowl is clean and really came alive. The rim top looks much better than when I began. The rich brown stains gave the grain a sense of depth with the polishing and waxing. The grain really popped. I put the vulcanite stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished “Malaga” Cutty is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of pipe is 1.34 ounces /38 grams. I will be putting it on the rebornpipes store soon. Look for it in the American Pipe Makers section. If you would like to add it to your collection let me know. This is another pipe that has the possibility of transporting the pipe man or woman back to a slower paced time in history where you can enjoy a respite. Thanks for walking through the restoration with me.

Firing Up the Carburetor


Blog by Kenneth Lieblich

Next on the chopping block is an amazing, old Yello-Bole Carburetor. It has lovely proportions and very nice lines. It was clearly a well-made pipe, but it was a mess. It came to me in a lot off of Craigslist, here in the Vancouver area. There were several interesting pipes in this lot, but I grabbed this one because I wanted to learn more about carburetor systems in pipes. This seemed like a good starting point. The pipe turned out beautifully, but it was not clear that that was going to be the case when I started! This is a bent-egg-shaped pipe – and a really pretty one too. It felt very nice. There is plenty of information to be had on Yello-Bole pipes, but this one is slightly tricky to date. The markings on the left of the shank read Yello-Bole [over] Carburetor [over] Genuine Briar. On the right side of the shank is the model number 9567. Also, on the stem, there is a whitish circle, unlike the yellow circles of old. RebornPipes has a few write-ups on Yello-Bole Carburetors, but none quite like this one. I believe this pipe to be a bit newer than the previous restorations – certainly dating after 1955 and before 1972. I say “certainly” because when S.M. Frank & Co. Inc. bought out Yello-Bole et al from KB&B in 1955, they ceased using the KB&B clover-leaf logo. This pipe does not have the clover. The history of Yello-Bole’s carburetor system is quite interesting. I am borrowing from an old post of Steve’s to relay the following information:

I decided to look up the patents on the US Patent site and see what I could find about about them and the date they were filed (https://patft.uspto.gov/netahtml/PTO/srchnum.htm). I searched first for the US. Pat. 2,082,106 that was stamped on the top and left side of the shank. I assumed it referred to the Patent for the Carburetor but I was not certain. I found a drawing and description of the carburetor system of a patent filed by R. Hirsch on April 21, 1936 and granted on June 1, 1937. I have included those pages below. For those interested in the problematic dating of Yello-Bole pipes, please refer to this link which has some useful information: https://www.tapatalk.com/groups/kaywoodie/dating-yello-bole-pipes-t86.html.

Anyway, on to the pipe, and – as I mentioned – it was very attractive, but a bit of a mess. The stem was dark and dreary. It had significant oxidation and plenty of tooth chatter and scratches. Meanwhile, the stummel also had some problems. There was plenty of lava on the rim, some small burns, cake in the bowl, and a few scratches here-and-there. The staining of the wood needed to be revivified too. The finish on the wood had come off in spots and that was going to need attention. Also, the carburetor itself was impregnated with gunk. This pipe was going to require quite a bit of elbow grease, but I was looking forward to working on this one. It is a pipe that still has many decades of use in it.

The stem was first on my list. I wiped down the outside of the stem with Murphy’s Oil Soap on some cotton pads. I also took a BIC lighter and ‘painted’ the stem with its flame in order to lift the bite marks and dents. This was somewhat successful in raising the damage. Then, I cleaned out the insides with pipe cleaners and isopropyl alcohol. Once this process was done, the stem went for an overnight soak in the Before & After Hard Rubber Deoxidizer. The following day, I cleaned all of the de-oxidizing sludge off with alcohol, pipe cleaners, et cetera. The oxidation had migrated to the surface and would be fairly straightforward to remove. I scrubbed vigorously with SoftScrub on cotton pads (and a toothbrush) to remove the leftover oxidation. Before I moved on to the Micromesh pads, I built up some tiny dents on the stem with cyanoacrylate adhesive and let it fully cure. I then sanded it down with 220-, 400-, and 600-grit sandpapers to meld seamlessly into the stem. I then used all nine Micromesh pads (1,500 through 12,000 grit) to bring out the lovely black lustre on the stem. I also used Obsidian Pipe Stem Oil in between each pad scrubbing.I also decided to paint the “O” on the stem with some white nail polish. This sort of “paint” works very well in filling in the markings and is quite resistant to wear-and-tear.This stummel was quite a mess. The lava on the rim was so substantial that I first gently scraped it with a knife to remove as much as possible. I then decided to ream out the bowl. I used both the PipNet Reamer and the KleenReem to remove the built-up cake and followed that with 220-grit sandpaper to eliminate as much as I could. I took it down to bare briar, as I wanted to ensure there were no hidden flaws in the walls of the bowl. Fortunately, there were none. I then proceeded to clean out the insides of the shank with Q-tips, pipe cleaners, and isopropyl alcohol. There was a lot of nastiness inside this stummel and – boy-oh-boy – it took a lot of cotton to get this thing clean! I also used some cotton balls, isopropyl alcohol, and a straight pin to clean the carburetor. I followed that up by cleaning the insides with some castile soap and tube brushes. But that was just the inside! I then moved on to cleaning the outside of the stummel with Murphy’s Oil Soap, a toothbrush, and some cotton pads. Wow – I got a lot of filth off the stummel and I began to see some signs of real beauty in the wood. A sign of good things to come! But I still needed to address the patchy finish on the wood. It may have looked good once upon a time, but no longer. So, I opted to soak the stummel in isopropyl alcohol for a few hours. This will usually remove the sort of deteriorating finish I was faced with. When I took the stummel out of the alcohol bath, I scrubbed the wood with a brush (to remove any remnants) and left it to dry. In order to remove the lingering bits of finish (and eliminate any nicks on the rim), I “topped” the pipe – that is to say, I gently and evenly sanded down the rim on a piece of 220-grit sandpaper. This effectively removed the damage, without altering the look of the pipe. I opted to carry on sanding the whole stummel with 220-, 400-, and 600-grit sandpapers to even everything out. I then used all nine Micromesh pads (1,500 through 12,000 grit) to finish it off. After that, a light application of Before & After Restoration Balm brought out the best in the stummel’s grain. There is some beautiful wood after all – and look at that bird’s-eye! On to another problem: the colour. During the course of its previous life and my vigorous cleaning, this pipe had lost some vibrancy of colour. So, in order to accentuate the external beauty of this pipe, I opted for aniline dye. I applied some of Fiebing’s Light Brown Leather Dye. As usual, I applied flame from a BIC lighter in order to set the colour. What a difference that made! It looked so much better with a fresh coat of stain.I applied some Before & After Restoration Balm and then it was off for a trip to the buffer. A dose of White Diamond and a few coats of carnauba wax were just what this pipe needed. The lovely shine made the wood very attractive. This is a very elegant pipe and will provide many years of smoking pleasure.

This Yello-Bole Carburetor is back to its old glory and ready to be enjoyed again by the next owner. I am pleased to announce that this pipe is for sale! If you are interested in acquiring it for your collection, please have a look in the ‘American’ pipe makers section of the store here on Steve’s website. You can also email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 5¾ in. (145 mm); height 2¾ in. (50 mm); bowl diameter 1⅛ in. (29 mm); chamber diameter ¾ in. (19 mm). The weight of the pipe is 1⅜ oz. (40 g). I hope you enjoyed reading the story of this pipe’s restoration as much I as I did restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email. Thank you very much for reading and, as always, I welcome and encourage your comments.

New Life for Savinelli Churchwarden Aged Briar 404


Blog by Steve Laug

The next pipe on the table was purchased off eBay on 01/19/18 from Dallas, Texas, USA. It is a nice looking Dublin Churchwarden with a long straight stem. It is stamped on the top of the shank and reads Churchwarden [over] Aged Briar. On the underside it is stamped with the Savinelli S shield followed by the shape number 404 then Savinelli [over] Italy. The stamping is readable but on the topside the middle of the stamp is faint. The finish worn and dirty around the shank and sides. The bowl had a thick cake and a thin coating of lava on the rim top and inner beveled edge. The stem was warped to the right and turned downward. It had some tooth chatter and marks on both sides near the button. It was lightly oxidized along the entire length. Jeff took photos of the pipe when he unpacked it and before he started his clean up work. It is a great looking piece of briar. Jeff took the following photos before he started his work on the pipe.Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava coat on the top and on the inner beveled edge of the bowl. I am hoping that it protected the edge from damage. He also took photos of the stem to show the light tooth marks and chatter on the oxidized stem. He took photos of the bowl and heel to show the condition of the finish. Though the photos are slightly out of focus you can see some nice grain showing on the bowl sides. Jeff took photos of the stamping on the top and underside of the shank. It read as noted above and was readable. The Churchwarden stamp on the topside of the shank was faint in the middle but could still be read.If you want a great read on the history of the Savinelli brand give the one on Pipedia some attention as it is well written (https://pipedia.org/wiki/Savinelli). There is a shape chart on the site so I did a screen capture and have circled the 404 shape in read in the photo below. The shape number is correct and a Churchwarden long stem has been added. It works very well with that particular shape.I took some photos of the pipe as I took it out of the box. Here is what I saw. I slid it out of the wrapper around it. I could see that Jeff had cleaned it well. The bowl had been reamed with a PipNet reamer and Savinelli Fitsall Pipe Knife. He had scrubbed the exterior with undiluted Murphy’s Oil Soap. He rinsed it with warm water. He cleaned out the internals with alcohol, cotton swabs and pipe cleaners. The stem was twisted and tweaked to the right as can be seen in the photos of the top and underside of the pipe. The grain on the bowl is quite nice with just a few small fills that are solid and well blended in with the surrounding briar. I took photos of the pipe before I started my work on it. I removed the stem and took some photos of the bowl and stem to show the overall look and proportions of the pipe. The shape really does work for a Churchwarden.The rim top had cleaned up very well and all that remained was some darkening on the inner edge on the back left of the bowl and a little on the rim top in the same place. I took a photo of the stamping on the top and underside of the shank. The stamping is clear and readable with some faint spots as noted above.I started my work on the pipe by cleaning up the beveled inner edge and top of the rim with a folded piece of 220 sandpaper.I polished the bowl and rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped down the bowl after each sanding pad. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out. I set the bowl aside and turned my attention to the stem. I decided to address the tweak and twist to the stem first. I used my heat gun to straighten out the vulcanite. Fortunately vulcanite has “memory” and will return to its original shape with heat. I worked on it until it was straight once again. Then heated it a final time to give it a slight bend mid-stem. It looked much better.The chatter and marks were very light and could be polished out. I polished it with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final coat of Obsidian Oil and set it aside to dry.Once I finished straightening the stem, this Savinelli Made Churchwarden Aged Briar 404 was another beautiful pipe. The briar around the bowl is clean and really came alive. The rim top looks much better than when I began. The rich brown stains gave the grain a sense of depth with the polishing and waxing. The grain really popped. I put the vulcanite stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Savinelli Made Churchwarden is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 11 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of pipe is 1.38 ounces /40 grams. It is much more beautiful in person than these photos can capture. I will be putting it on the rebornpipes store soon. Look for it in the Italian Pipe Makers section. If you would like to add it to your collection let me know. This is another pipe that has the possibility of transporting the pipe man or woman back to a slower paced time in history where you can enjoy a respite. Thanks for walking through the restoration with me.

This Greenwich House Antique Imported Briar Crowned Pot Turned into a Nightmare


Blog by Steve Laug

Sometimes when I start working on a pipe there is can be a sense of gloom or expectant trouble. That was the case with this one. I thought it would be a straightforward clean up and restoration. Little did I know what lay ahead for me in this restoration. Time would tell and I would share it here with you my readers. It started as usual. I recognized the brand on this pipe but could not remember any of the details. Jeff picked this pipe up from an antique store in Ogden, Utah, USA back in 2019. It is stamped on the left side of the shank and reads Greenwich House [arched over] Antique and on the right side Imported [over] Briar. It was the Greenwich House tag that grabbed my attention. You know how sometimes a name just sits on the edge of your memory beyond your reach but you still know it? That is what this name did to me. The finish is quite dirty with a cake in the bowl and lava overflow on the rim top. The worm trails on the sides and base reminded me of a Custom-Bilt but a bit more smooth. The crowned rim top was more elegant. The saddle style stem was old vulcanite and other than deep tooth marks it was quite clean, Jeff took some photos of the pipe before he started. He took close up photos of the rim top, bowl and stem to give a better picture of what he was seeing as he prepared to clean it up. You can see the cake in the bowl and the lava on the rim top. The inner edge appears to be burned and damaged but it was hard to tell for sure. The stem had some deep tooth marks on both sides just ahead of the button and some light calcification at the sharp edge.Jeff took his characteristics photos of the bowl sides and heel to give a clear picture of the grain around the bowl and the style of the worm trails carved into the sides and heel. It is a nice piece of briar.The stamping was readable though a little faint on the left side of the shank. It read Greenwich House arched over Antique on the left. On the right side it was very clear and read Imported [over] Briar.I turned first to my blog on a previous restoration of a Greenwich House pipe. I had worked on one that was stamped Thoro-Kleen, a metal pipe (https://rebornpipes.com/2016/02/24/a-piece-of-art-deco-greenwich-house-thoro-kleen/). I read through that blog and have included a pertinent piece of information on the brand below.

According to Pipedia (https://pipedia.org/wiki/Thoro-Kleen) the Greenwich House Thoro-Kleen was a metal pipe system from the same family as the Roybrooke, Comet, and Original Gridiron pipes, and parts from all are believed to be interchangeable. The pipes were sold by the Greenwich House Corporation, located in 1947 at 939-M 8th Avenue, N.Y. 19, N.Y…

From that I knew it was an American Made pipe that had been carved for or by a company known as Greenwich House Corporation in New York City.

I turned to the listing of American Brands on Pipedia to see if there was a listing for the Greenwich House itself (https://pipedia.org/wiki/American_Pipe_Brands_%26_Makers_G_-_H). I found that there was not an article but the list of makers identified the brand and said that The Antique was made of Aged Algerian Briar. One more piece fell in place. The pipe I was working on was stamped Antique so I now knew the source of the Imported Briar.

But I still wanted a bit more information so I did a Google search and was taken to pipes made by Greenwich House on smokingpipes.com and other sites. Worthpoint, an auction site had several and also had one stamped Antique (https://www.worthpoint.com/worthopedia/vintage-greenwich-house-carved-1992675965). I have included the description from the sale item below as it is quite descriptive of the pipe in my hands.

Vintage Greenwich House Carved Antique Aged Algerian Tobacco Pipe. Good condition. Measures about 6.25″ long.

It is similarly stamped as mine and also similarly sized. Now it was time to work on the pipe itself. Jeff had cleaned up this nicely grained Pot with his usual pattern. He reamed the bowl with a PipNet pipe reamer and then cleaned up the inside of the bowl with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl and shank with Murphy’s Oil Soap and a tooth brush to remove the grime on the rim top and bowl. He cleaned the internals of the shank and stem with pipe cleaners, cotton swabs and alcohol until the airways were clean and the pipe smelled fresh. The pipe looked much better once the bowl and stem were clean. He scrubbed the stem with Soft Scrub to remove the oxidation and then let it soak in Before & After Pipe Stem Deoxidizer. He rinsed it with warm water when he took out of the soak. Before I started my part of the work I took photos of the pipe. I took close up photos of the bowl and the rim top to show the condition. The photo clearly shows the burn damage to the inner edge and the rim top at the back of the bowl. You can also see the roughening of the rest of the inner edge and rim top. It was going to take some work to bring it back. I also took photos of both sides of the stem to give a sense of the condition of both sides at the button. There is deep tooth marking and damage on both sides ahead of the button. I took a photo of the stamping on the sides of the shank. It was readable but was more faint on the left than the right side. It read as noted above.I removed the stem from the shank and saw to my chagrin a stinger. I fiddled with it a bit to see if it was pressure fit or screwed into the tenon. There was no give to it. (This portends what is ahead, keep reading.) I set the stem down with the bowl and took a photo to give a general look at the proportions of this pipe.I started work on this one by using a folded piece of 220 grit sandpaper to clean up the inner edge of the bowl and the rim top at the back. I was able to clean and reshape the bowl by slowly working through the process. So far the restoration was going well.I polished the bowl and rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped down the bowl after each sanding pad. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horse hair shoe brush to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out.   So far so good! I filled in the deep gouges on the top and underside of the stem and set it aside for the repairs to cure.After the repairs cured things took a horrible turn! If you have read this blog for long you know how much I dislike metal stingers. I find that they indeed condense moisture and fill the shank with horrendous muck. Soooo… I decided I would try to remove this one and give the stem a thorough cleaning. I have found that most stingers are either threaded and screwed into the tenon or are pressure fit. Either way a little heat loosens the glue or gunk that hold it tight and it is easily removed.

Well… the heat did absolutely nothing with this one. It did not twist or wiggle free. It was solid with or without heat… or cold for that matter. I was frustrated at this point and tried to pull it with pliers and the “wicked” thing snapped off! Now that usually does not matter either. I can easily drill it out with a small bit.

Again not so!! The remaining tube went well beyond the saddle on the stem. I drilled and drilled then filed the edges to smooth it out. At this point I should have just left it. But I DID NOT DO THAT. NO! I tried to pull out the remnant of the tube with a small file. And then a chunk of the tenon cracked off. You can see the offending tube in the tenon stubbornly laughing at me. Arggh… This was becoming much more of a  problem. Each step I took to remedy it made it actually worse. Now I would need to cut off the remaining tenon and the drill the stem and make a new tenon for it. OH MY! THIS IS NOT WHAT I WANT TO DO!!

I got out my hacksaw and carefully cut all the way around the broken tenon. I purposely did not cut the tube as I wanted to see how far into the stem it actually went. I pulled it out with a pair of pliers and took a photo of the length of the offending tube once it was free of the airway. You might laugh at this point and I invite that. This was a lot of work to go to just to clean out the airway in the stem. But now I could replace the tenon. I went through my tenons and had one that was a close fit to the shank of the pipe. I would need to drill out the stem to take the threaded replacement tenon but I was hoping that this part would proceed without more things going awry. I started drilling with my cordless drill and a bit slightly larger than the airway in the stem. I continued going through various bits up to ¼ inch which was the size I would need to receive the threaded tenon end with some modifications. You will notice the repairs to the deep tooth marks still have not been smoothed out.I modified the threaded tenon with a Dremel and sanding drum. I removed the should on the middle of the tenon and reduced the diameter of the threaded portion so that I could glue it in place in the stem. I cleaned up the edge between the thicker portion and the threaded portion with a flat rasp to make the fit smooth when inserted in the stem. I inserted it in the stem and took a photo.Before gluing the tenon I the stem I put all the parts together to make sure that everything lines up correctly. It looks good so I take photos to show it at this point in the process. With the alignment correct I coated the threaded end of the tenon with black super glue and pushed the tenon in place in the stem. I set the stem aside to let the glue cure and went and had a cup of coffee with Irene. I needed to lick my wounds a bit on this whole mess!After coffee I went back to the stem to clean up the repairs on the top and underside of the stem. I flattened out the repairs with a flat file to begin to blend them into the surface. I followed that up with 220 grit sandpaper to further blend it in. I started polishing it with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final coat of Obsidian Oil and set it aside to dry. While I liked the look of the new stem on the shank it felt like it was missing something to me. I really wanted to give it a special touch that would set it apart and make the look spectacular. I went through my band collection and found a perfect 14K Gold band that would do just what I wanted. I took down the end of the shank to enable a snug fit. I heated the band with a lighter and pressed it onto the shank end. I finally finished this nightmarish restoration of a pipe that should have been quite simple. The Greenwich House Antique Import Briar Crowned Pot with a vulcanite saddle stem is a great looking pipe now that everything came together. The briar around the bowl is clean and really came alive. The rim top looks much better than when I began. The rich brown stains gave the grain a sense of depth with the polishing and waxing. The grain  on the smooth portions really popped and the worm trails carving look good as well. I put the vulcanite stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine.

The finished Greenwich House Antique Pot is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of pipe is 2.29 ounces/65 grams. It is much more beautiful in person than these photos can capture. I will be putting it on the rebornpipes store soon. Look for it in the American Pipe Makers section. If you would like to add it to your collection let me know. This is another pipe that has the possibility of transporting the pipe man or woman back to a slower paced time in history where you can enjoy a respite. Thanks for walking through the restoration with me.

New Life for an Italian Briar Church Warden with a Great Story Attached


Blog by Steve Laug

The next pipe on the table was purchased off eBay on 11/16/2017 from Chesapeake, Virginia, USA. I think what captured Jeff was what he read on the paper wrapper around the pipe. It read as follows: The pipe belonged to W.W. Hallbrook (Wales). Janet’s father – died 5/1/37 in Oil City, PA. That alone attaches a story to the pipe. It also provides a date for the pipe – pre-1937. The pipe was a Dublin with a long straight stem. The finish had a peeling, worn varnish coat over a dark oxblood stain. The bowl had a thick cake and a thick coating of lava on the rim top. The stem had some tooth chatter and marks on both sides near the button. It was heavily oxidized along the entire length. Jeff took photos of the pipe when he unpacked it and before he started his clean up work. It is a charming pipe with an interesting journey. I wish it could talk and tell us the story of its journey from Italy to Wales and then to Oil City, Pennsylvania, USA. From there it traveled to Idaho Falls, Idaho and then to Vancouver, British Columbia, Canada. Jeff took photos of the bowl and rim top to show the cake in the bowl and the thick lava coat on the top and on the inner edge of the bowl. I am hoping that it protected the edge from damage. He also took photos of the stem to show the light tooth marks and chatter on the oxidized stem. He took photos of the bowl and heel to show the condition of the finish. You can see the peeling varnish coats and the wear and tear around the bowl. It has some nice grain poking through the varnish and is a rich reddish colour. Jeff took a photo of the stamping on the left side of the shank. It read as noted above and was faint but readable. There is not a lot of information to be gleaned from the stamping on the pipe. Not much can be learned from the Italian Briar stamp. It is hard to know for certain about the maker but there is something KB&B like about the shape and the finish of the pipe. One can imagine origins of the pipe can’t one? LOL! Makes a great tale anyway. I don’t know why but the pipe sat in a box of pipes to be restored until this morning. That is just over 4 years it sat here moldering with the other pipes in the box. But today is the day for its rebirth. I raise a bowl and say, “Here’s to you Janet’s Father – W.W. Hallbrook”.

I took some photos of the pipe as I took it out of the box. Here is what I saw. I slid it out of the wrapper around it. I could see that Jeff had cleaned it well. The bowl had been reamed with a PipNet reamer and Savinelli Fitsall Pipe Knife. He had scrubbed the exterior with undiluted Murphy’s Oil Soap. He rinsed it with warm water. He cleaned out the internals with alcohol, cotton swabs and pipe cleaners. The stem was still lightly oxidized – probably from sitting here this long. The varnish coat was still peeling some but the grime was totally gone. I could see some great grain poking through. Time to work. I removed the stem from the shank and took photos of the pipe and stem to give you a sense of what the pipe looks like. The stem is an older style straight one with no flare at the button end. There is also a very different style stinger pressure fit in the tenon.The rim top had cleaned up very well and all of the varnish was gone from the top. The inner and outer edges of the rim looked very good with no burn damage. There were some scratches in rim top.  I took a photo of the stamping on the left side of the shank. The stamping is clear and readable as noted above.I started my work on the pipe by removing the peeling varnish coat. I removed the stem and wiped the briar down with acetone to strip back the varnish coat.I wiped off the bowl with an acetone dampened cloth pad to remove any remnants of varnish that remained on the finish of the bowl. I took the following photos to show what the pipe looks like at this point. The grain is peeking through and it looks really good. The first photo below shows the flaw in the finish. Jeff captured it and the photo shows  that is a flaw/fill that came out. I filled in the chip/flaw in the underside of the shank with clear super glue and briar dust. I am happy with the way it blended in. I have drawn a red circle around it in the photo below.I polished the bowl and rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped down the bowl after each sanding pad. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out. I set the bowl aside and turned my attention to the stem. I scrubbed off the oxidation on the stem with Soft Scrub and cotton pads. I was able to remove the majority of it.Once the oxidation was removed was in good condition. The chatter and marks were very light and could be polished out. I polished it with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final coat of Obsidian Oil and set it aside to dry. Once I stripped off the varnish and refinished this Italian Briar Churchwarden with a long vulcanite stem is a beautiful pipe. The briar around the bowl is clean and really came alive. The rim top looks much better than when I began. The rich reddish-brown stains gave the grain a sense of depth with the polishing and waxing. The grain really popped. I put the older style vulcanite stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Italian Briar Churchwarden is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 12 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of pipe is 1.34 ounces /37 grams. It is much more beautiful in person than these photos can capture. I will be putting it on the rebornpipes store soon. Look for it in the Italian Pipe Makers section. If you would like to add it to your collection let me know. This is another pipe that has the possibility of transporting the pipe man or woman back to a slower paced time in history where you can enjoy a respite. Thanks for walking through the restoration with me.

Life for a Beautifully Grained Royal Saxon Canadian


Blog by Steve Laug

This pipe was bought from an online auction on 04/04/19 in Wilkes Barre, Pennsylvania, USA. It is a nicely grained Canadian with a Sterling Silver shank band and a vulcanite taper stem. The bowl had a thick cake in the bowl and burn damage all around the inner edge of the bowl. There is also a burn mark on the outer edge on the front top and left edge of the bowl. There are some nicks in the left side toward the front of the bowl. The finish is very dirty with a lot of debris and grime ground into all the way around. The Sterling Silver band is oxidized and tarnished. The stamping on the pipe is on the top of the shank and reads Royal Saxon. There is no other stamping on the briar. The band is stamped Sterling Silver on the top side. There does not appear to be any cracks in the shank so it is solely for cosmetic purposes. The stem is oxidized and has tooth marks on the top and underside ahead of the button. Jeff took some photo of the pipe before he started his work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the burn damage on the top and on the beveled inner edge of the bowl. He also took photos of the stem to show the tooth marks and chatter on the oxidized stem. He took photos of the bowl and heel to show the condition of the finish. You can see the small chip/nick on the front middle of the bowl on left side. It is solid but it is visible at this point.Jeff took photos of the stamping on the top of the shank and the silver band. They read as noted above and were in excellent condition. I checked on both Pipephil’s site and Pipedia for information on the Royal Saxon brand and neither site had any information. I checked on Who Made That Pipe and again found no information. So I Googled Royal Saxon Smoking Pipes and found information on Worthpoint and on Smokingpipes.com that said the pipe was an Italian Made pipe. They showed a variety of shapes – smooth, rusticated and blasted that all were stamped exactly like the one I am working on. Thus I know that the pipe is an Italian Made pipe but I have no idea who made it.

I did a bit of digging on Savinelli seconds but no Royal Saxon was listed as made by them. I also checked with Lorenzo as they made a lot of seconds lines and there was no listing for the Royal Saxon so I was at a dead end. Oh well – now it was time to work on the pipe.

Jeff had cleaned up this nicely grained Royal Saxon with his usual pattern. He reamed the bowl with a PipNet pipe reamer and then cleaned up the inside of the bowl with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl and shank with Murphy’s Oil Soap and a tooth brush to remove the grime on the rim top and bowl. He cleaned the internals of the shank and stem with pipe cleaners, cotton swabs and alcohol until the airways were clean and the pipe smelled fresh. The pipe looked much better once the bowl and stem were clean. He scrubbed the stem with Soft Scrub to remove the oxidation and then let it soak in Before & After Pipe Stem Deoxidizer. He rinsed it with warm water when he took out of the soak. Before I started my part of the work I took photos of the pipe. I took close up photos of the bowl and the rim top to show the condition. The photo clearly shows the burn damage to the inner and outer edge of the bowl at the front. You can also see the roughening of the rest of the inner edge and rim top. It was going to take some work to bring it back. I also took photos of both sides of the stem to give a sense of the condition of both sides at the button. There is tooth marking and damage on the top of the button on both sides as well as ahead of the button. The silver band is shown in the photos and is clearly tarnished.I took a photo of the stamping on the shank and silver band. It was readable but had some faint spots. What was interesting to me is that in the first photo there is also a stamp that shows up on the top side of the stem that I had not seen before. It is almost like a Old English “C” but I am not sure.I removed the stem from the shank and took a photo of the pipe to give a sense of the proportions of the whole.The first photo below shows the condition on the rim top, outer and inner edge before I started reworking it. I took a photo of the wooden ball that Kenneth gave me that I use in beveling a rim edge. I started work on this one by topping the bowl to take care of the deep burn marks on the top at the front of the bowl. I then reshaped the top and the bowl edges with a piece of sandpaper on a wooden ball. The ball and sandpaper helped clean up the beveled edge and blended in the burn and cuts in the briar as well as bring the bowl back into round. I used a folded piece of 220 grit sandpaper to further shape the bowl. Once I had it smoothed out and shaped I gave it an initial coat of stain with an Oak Stain Pen to match the stain colour around the bowl and shank. Lots of polishing yet to do but it is looking better. The burn mark on the top could not be totally removed without changing the profile of the pipe so I minimized it and it is significantly better. It will just be a permanent part of the pipe’s story.I polished the bowl and rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped down the bowl after each sanding pad. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out. I polished the Sterling Silver band with a jewelers cloth to remove the tarnish and protect it from further tarnish. I set the bowl aside and turned my attention to the stem. I wanted to see if I could use some acrylic white fingernail polish to bring back the stamp to readability on the top of the stem. I applied the acrylic and let it cure. I scraped it away and it was a little readable but not clear enough.I “painted” the stem with the flame of a lighter to try and lift the tooth marks on the stem and button surface. While it did some lifting there were some deeper ones that remained. I filled them in with clear CA glue and set it aside to cure. Once it cured I flattened them out with a small file and recut the button edge. I sanded them with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final coat of Obsidian Oil and set it aside to dry. This nicely grained Royal Saxon Canadian with a Sterling Silver Band and a vulcanite taper stem is a great looking pipe now that it has been restored. The briar around the bowl is clean and really came alive. The rim top looks much better than when I began. The rich brown stains gave the grain a sense of depth with the polishing and waxing. The grain really popped. I put the vulcanite stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Royal Saxon Canadian is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of pipe is 1.13 ounces /32 grams. It is much more beautiful in person than these photos can capture. I will be putting it on the rebornpipes store soon. Look for it in the Italian Pipe Makers section. If you would like to add it to your collection let me know. This is another pipe that has the possibility of transporting the pipe man or woman back to a slower paced time in history where you can enjoy a respite. Thanks for walking through the restoration with me.

This Paneled Jeantet Crystal MAT Dublin is a pleasant surprise


Blog by Steve Laug

This Paneled Dublin with a thin shank came to us from an online auction on 05/30/2019 from Girardville, Pennsylvania, USA. The finish was dull and lifeless looking. There was grime ground in around the sides. There was one fill visible on the right side toward the front. The rim top had a bit of darkening and lava build up on the beveled edge of the rim and the top. The bowl had a thick cake that was overflowing. It was a bit of a mess. The pipe is stamped on the left side of the shank and reads Crystal [over] Jeantet and on the right side it reads St. Claude follow by MAT. There is no shape number on the shank. The stem has the Jeantet logo on the left side – a J in an oval. The slender vulcanite saddle stem is quite pretty but was quite heavily oxidized and had some tooth marks and chatter on both sides ahead of the button. Overall it was quite a pretty pipe. Jeff took some photos of the pipe before he worked on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lave on the beveled inner edge of the top. The lava is quite thick on the inner bevel. He also took photos of the stem to show the tooth marks and chatter on the oxidized stem. He took photos of the bowl and heel to show the condition of the finish. You can see the small fill toward the top of the bowl on the edge of the right side panel. It is solid but it is visible at this point.Jeff took photos of the stamping on the shank and the logo on the stem. They read as noted above and were in excellent condition. I turned to Pipephil’s site to see what I could learn about the Crystal line of Jeantet pipes (http://pipephil.eu/logos/en/logo-jeantet.html). There was nothing specific about that line though was a brief summary of the history. I quote from the top bar below:

The company joined the Cuty-Fort Entreprises group (Chacom, Ropp, Vuillard, Jean Lacroix…) in 1992. In 2010 it dropped out and the brand isn’t part of the group any more. The label is owned by the Jeantet family (Dominique Jeantet) again. The pipe production is discontinued. Dominique Jeantet retired in 2000. See also: Antidote, Duke of Kent, Grand Duke, Hermes, Sir Bruce, Sir Duke

I turned to Pipedia to get a more detailed history of the brand (https://pipedia.org/wiki/Jeantet). There as a short history there that I have reproduced below.

The firm of the Jeantet family in Saint-Claude is first mentioned as early as 1775. By 1807 the Jeantets operated a turnery producing in particular wooden shanks for porcelain pipes and wild cherry wood pipes. The firm was named Jeantet-David in 1816, and in 1837 the enterprise was transformed into a corporation as collective name for numerous workshops scattered all over the city.

The manufacturing of briar pipes and began in 1858. 51 persons were employed by 1890. Desirous to concentrate the workers at a single site, the corporation began to construct a factory edifying integrated buildings about 1891 at Rue de Bonneville 12 – 14. This took several years. In 1898 Maurice Jeantet restructured the business. He is also presumed to enlarge Jeantet factory purchasing a workshop adjoining southerly. It belonged to the family Genoud, who were specialized in rough shaping of stummels and polishing finished pipes. (In these times it was a most common procedure to carry goods from here to there and back again often for certain steps of the production executed by dependant family based subcontractors. Manpower was cheap.)

Jeantet was transformed to a corporation with limited liability in 1938. By that time a branch workshop was operated in Montréal-la-Cluse (Ain), where mainly the less expensive pipes were finished. 107 employees – 26 of them working from their homes – were counted in Saint-Claude in 1948 and 18 in the Ain facility.

The Saint-Claude factory was considerably modernized by ca. 1950 installing (e.g.) freight elevators. In 1952 the southern workshop was elevated. 80 workers were employed in 1958. The factory covered an area of 2831 m²; 1447 m² of the surface were buildings.

The climax of the pipe production was reached around 1969, when thirty to thirty five thousand dozens of pipes were made by 72 workers (1969). But then the production continuously dwindled to only six or seven thousand dozens in 1987 and only 22 workers were still there. Even though, around 1979 a very modern steam powered facility for drying the briar had been installed in the factory’s roofed yard.

Yves Grenard, formerly Jeantet’s chief designer and a great cousin of Pierre Comoy, had taken over the management of Chapuis-Comoy in 1971. Now, to preserve the brand, the Jeantet family went into negotiations with him, and resulting from that Jeantet was merged in the Cuty Fort Group (est. 1987 and headed by Chacom) in 1988 along with the pipe brands of John Lacroix and Emile Vuillard. Chacom closed the Jeantet plant, and the City of Saint-Claude purchased it in 1989. After alternative plans failed, the buildings were devoted to wrecking. The southerly workshop was wrecked before 1992.

Today Jeantet pipes were produced as a sub-brand by Chapuis-Comoy who’s mainstay is Chacom of course.

Jeff carefully cleaned up this Jeantet Crystal Paneled Dublin with a vulcanite saddle stem with Murphy’s Oil Soap and a tooth brush to remove the grime on the rim top and bowl sides. He reamed the bowl with a PipNet pipe reamer and then cleaned up the inside of the bowl with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the shank and stem with pipe cleaners, cotton swabs and alcohol until the airways were clean and the pipe smelled fresh. The pipe looked much better once the bowl and stem were clean. He scrubbed the stem with Soft Scrub to remove the oxidation and then let it soak in Before & After Pipe Stem Deoxidizer. He rinsed it with warm water when he took out of the soak. Before I started my part of the work I took photos of the pipe. It is a pretty looking Petite pipe. I took close up photos of the bowl and the rim top to show the condition. I also took photos of both sides of the stem to give a sense of the condition of both sides at the button.I took photos of the stamping on the left side of the shank and stem and the right side of the shank. It reads as noted above and is very clear and readable.I took the stem off the shank and took photos of the pipe to give a sense of its beauty and proportions. There was a stinger contraption in the tenon. It was threaded and screwed in place. I took a photo of it in place and removed. I will polish it and leave it up to the next pipeman to decide what to do with it.I polished the bowl and rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped down the bowl after each sanding pad.     I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out. I set the bowl aside and turned my attention to the stem. Because it was quite clean I decided to touch up the Oval J stamp on the left side of the saddle. I filled in the stamp with white acrylic fingernail polish. Once it had hardened I scraped it off. The top right side of the stamp was too shallow to hold the acrylic.The stem was in good condition and the light marks and chatter should polish out easily. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final coat of Obsidian Oil and set it aside to dry. I put the parts of the Jeantet Crystal MAT Panel Dublin back together and I lightly buffed the bowl and stem with Blue Diamond on the buffing wheel and gave several coats of Carnauba Wax to seal and protect it. I polished it with a clean buffing pad to raise the shine and then with a microfiber cloth to deepen the shine. The briar really looked good with the wax highlighting the grain around the panels on the bowl. The thin shank and saddle stem gave additional beauty to the petite looking pipe. It was an interesting looking pipe. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outer Diameter of the bowl: 1 ¼ inches x 1 ¼ inches, Diameter of the chamber: ¾ of an inch. The weight of the pipe is 27 grams/.95 oz. The photos below show the finished pipe. If you would like to add it to your collection I will be adding it to the French Pipe Makers section of the rebornpipes store. Send me a message or an email. Thanks for reading the blog. It was an interesting restoration.

Brebbia Brandy


Blog by Kenneth Lieblich

Next on the chopping block is this lovely Brebbia Marco. It came to me in a large lot from France. It was a decent lot of pipes, but the person who sold it to me decided that the best way of shipping to Canada would be to simply throw them all in a box and tape it up. Ugh. The pipes in this lot were figuratively all over the map: some beautiful, some hideous; some very old, some newish; some pristine, some mostly destroyed. This pipe called out to me as being very attractive and one that could easily be brought back to life. It was also the only Italian pipe in the lot. This pipe is a Brebbia. Or maybe it is a Marco. Or maybe Marco is a line of Brebbia pipes. Or maybe Marco is a sub-brand/second of Brebbia. Or maybe Marco is the name of a pipe shop that sold Brebbia. There is not much information to be found specifically for the name Marco in connection with Brebbia. The markings on the top of the shank read Marco [over] Real Briar. On the underside of the shank, the markings read Disp. Reg. [over] Brebbia. Also, on the stem, there is an encircled, cursive M. If you have any information on the connection between Marco and Brebbia, please let me know in the comments below. Thank you.This is a brandy-shaped pipe – and a really pretty one too. It felt very comfortable in the hand. It was obvious from the start that this was a great pipe that just needed some attention and TLC. I learned from Pipedia and Pipephil that the Brebbia pipe company was named after the locality of Bosco Grosso di Brebbia in Lombardy, Italy. The company was founded by Enea Buzzi and Achille Savinelli in 1947, but they parted ways in 1953. Mr Savinelli went on to form his eponymous company, while Mr Buzzi kept the factory and created Maniffatura Pipe Brebbia – they produce MPB and Brebbia pipes. Mr Buzzi’s family still run the company today.On to the pipe – and it had a few issues. The stem was mostly fine. No significant oxidation or calcification to speak of, plenty of tooth chatter and scratches, and a filthy inner-tube. The stem also had a strange piece sticking out of the end of the bit – more about that later. Meanwhile, the stummel was where the real problems lay. The outside of the bowl had many scratches and deep gouges. I was not at all sure that they were going to come out. There were also several burn marks on the rim and what looked like ink on the bowl. The inside was pretty dirty too. The stem was first on my list. The inner-tube was extracted fairly easily. It then went for a soak in some lemon-infused isopropyl alcohol. I let it sit for several hours and then cleaned it off and it looked much improved. I then finished it with some metal polish and moved on.I wiped down the outside of the stem with Murphy’s Oil Soap on some cotton pads. I also took a BIC lighter and ‘painted’ the stem with its flame in order to lift the bite marks and dents. This was not particularly successful in raising the damage. Then, I cleaned out the insides with pipe cleaners and isopropyl alcohol. The problem I had was the odd-shaped piece coming out the end of the bit. Steve explained that it was an implement to prevent bite-through on the stem. Aha! I learn something from Steve every day. This certainly made sense, but it made cleaning the stem a real problem, since I could not be sure that the bit was fully clean with that piece in place. In order to solve the problem, however, I needed to clean out the stummel first.This stummel was a bit of a mess inside. I first decided to ream out the bowl. I used both the PipNet Reamer and the KleenReem to remove the built-up cake and followed that with 220-grit sandpaper to eliminate as much as I could. In fact, I also used the drill bit that came with the KleenReem in order to loosen the debris that blocked the draught hole. I took the bowl down to bare briar, as I wanted to ensure there were no hidden flaws in the walls of the bowl. Fortunately, there were none. I then proceeded to clean out the insides of the shank with Q-tips, pipe cleaners, and isopropyl alcohol. There was some filth inside this stummel and it took some cotton to get it clean. A de-ghosting session also seemed in order, so I thrust cotton balls in the bowl and the shank, and saturated them with 99% isopropyl alcohol. I let the stummel sit for 24 hours. This caused the oils, tars and smells to leech out into the cotton. Finally, a relatively clean and fresh-smelling bowl emerged.Then, to finish off cleaning the inside of the stem, I put it back together with the stummel and used my pipe retort system. This system uses boiling isopropyl alcohol and a vacuum (a void space, not the household item) to clean the interior of a pipe. As you can see by the brownish colour of the alcohol, the retort worked well. I managed to extract lots of otherwise inaccessible filth from inside the pipe. After the retort, I then used all nine Micromesh pads (1,500 through 12,000 grit) to bring out the lovely black lustre on the stem. I also used Obsidian Pipe Stem Oil in between each pad scrubbing. Back to the stummel: I finished cleaning up the insides with some dish soap and tube brushes. I then moved on to cleaning the outside of the stummel with Murphy’s Oil Soap and some cotton pads. Some stains were pretty stubborn and I had to scrub hard, but this did eventually remove the remaining dirt. After that, a light application of Before & After Restoration Balm brought out the best in the stummel’s grain.Now that it was clean, I could address the gouges and burn on the stummel. I took some oxalic acid, used several Q-tips, and rubbed. The burn did improve but never fully disappeared. I gently poked at it with a dental tool in order to assess the wood. I took solace from the fact that the burn was very superficial and did not affect the integrity of the wood at all. In order to fully remove the burns on the rim, I “topped” the pipe – that is to say, I gently and evenly sanded down the rim on a piece of 220-grit sandpaper. This effectively removed the damage, without altering the look of the pipe.

Having completed that, I was able to address the scratches and gouges. I took out my steam iron and a damp cloth to try and raise the nicks. The hot and moist steam created can often cause the wood to swell slightly and return to shape. I was concerned about this because there were so many marks all over the wood. Fortunately, there was considerable movement – I was really pleased with the results. The repair was not perfect, but the remaining scratches would be improved by sanding. With the damage mostly repaired, it was time to sand down the stummel. I used all nine Micromesh pads (1,500 through 12,000 grit) to wet/dry sand everything smooth. Then I added a bit more Before & After Restoration Balm and something unusual appeared. Beneath the markings on the top of the shank, I could see the remnants of an old set of markings. Amazing! It was difficult to figure out exactly what it read, but Steve and I think it might be Fiammata [over] Straight Grain. If you have any information/thoughts, please let me know in the comments below! Upon completion of the stummel, there was a brief moment when I considered whether I should stain the pipe. On reflection, however, I just loved the light colour of the wood so much that I wanted to leave it as is. I applied more Before & After Restoration Balm, then took it to the buffer.A dose of White Diamond and a few coats of carnauba wax were just what this pipe needed. The lovely shine made the wood look absolutely beautiful. In fact, it turned out so well that this pipe has already sold! I know that the new owner will enjoy smoking it for many years to come. I hope you enjoyed reading the story of this pipe as much I as I did restoring it. If you are interested in more of my work, please follow me here on Steve’s website or email me directly at kenneth@knightsofthepipe.com. Thank you very much for reading and, as always, I welcome and encourage your comments.