Tag Archives: repairing tooth marks

Restoring a Nino Rossi 1886 Shape 138


Blog by Steve Laug

The next pipe on the table is another that caught my eye when I was going through my boxes of pipes to be refurbished. It was purchased off eBay from a seller in Spearville, Kansas, USA in March of 2017. So, it is another that has been sitting here for over five years now. I sent a message to Jeff to see if he had some before photos of the pipe to show the condition when he received it. He did and sent them to me via Messenger. The pipe is a unique shape but it was a real mess. It is stamped on the left side of the shank with the signature of Nino Rossi [over] 1886. On the right side it is stamped with the shape number 138 and on the underside near the stem it read ITALY. The stem had the brand logo stamped on the left side as well and though fade it was readable. The finish was filthy with dirt and grime ground into the briar. There was some fading near the ride top of the bowl. The was some tarnish on the mid-shank brass band sandwiched between two white acrylic spacers. The bowl was heavily caked and there was a lava overflow on the rim top and the inner edge of the bowl. It appeared to me that the bowl edges were damaged but I would not know for sure until the pipe was cleaned up. The stem had tooth marks and chatter on both sides ahead of the button. The inside of the stem and shank was also filthy with heavy tars and oils to the point it was almost clogged. Jeff took photos of the pipe before he started his clean up and I include those now. He took photos of the rim top to show the condition of the pipe and the cake in the bowl. You can see the potential damage on the inner edge. He also took photos of the stem to show the bite marks and chatter on both sides. Jeff captured the grain around the bowl sides and heel in the next photos. It really shines through even the grime. There are worn spots in the finish and numerous fills in the bowl and heel. They blend pretty well and I think after the clean up it will be a beautiful pipe. He took photos of the stamping on the shank sides and stem. He was able to capture them very well. Before I started to work on the pipe I wanted to remind myself of the background and history of the company. I find that when I do that it gives me another level of appreciation for the pipe that I am working on. I remembered that I had worked on a Nino Rossi 1886 pipe before so I turned to the blog I had written on the brand when I did that pipe and reread the history. Here is the link to the blog (https://rebornpipes.com/2022/01/04/a-fun-restore-of-a-nino-rossi-1886-classico-in-shape-992/). While the shape is slightly different it was informative. I quote from the information I found on the blog below.

I turned first to Pipephil’s site to see what I could learn about the brand as generally the site gives a good summary (http://pipephil.eu/logos/en/logo-n1.html#ninorossi). I quote the information from the side bar below and a screen capture of the pertinent section on the site. I drew a red box around the pipe in the photo below with the same stamping as the one I am working on.

Brand founded in 1886 by Ferdinando Rossi senior. He established a factory in Barasso, 5 miles away from Varese. The pipes production by the 850 employees reached 50,000 pipes/day in 1936. Ferdinando Rossi junior headed the company from 1946 until close down in 1985.I turned to Pipedia to read the more complete history of the brand and learn what I could about a possible date for this pipe (https://pipedia.org/wiki/Rossi). First, I wanted to understand the 1886 stamp on the shank under the signature stamp. I found that it was the year that the company acquired land and opened Fabbrica di Pipe di Radica Rossi.

Rossi acquired a large area of land in Barasso in the province of Varese and founded the Fabbrica di Pipe di Radica Rossi in 1886. For sure there was no lack of skilled workers and Rossi personally recruited 30 craftsmen of different occupations from the environment to get started. After a few years the enterprise had developed well and entered into export trades. In 1892 e.g., the ledgers registered the first pipes shipped to Brazil.

I quote a summary section of the article below.

From, approximately, Twenties, Rossi pipes were marked with “FRB” (Fratelli Rossi Barasso) or “MFRB” (Manifattura Fratelli Rossi Barasso), into an oval and above “OLD BRIAR” (or similar – sometimes, there was also “MFD. BY ROSSI”, as “Manufactured by Rossi”); on the stem, there was generally the “R” letter in circle. However, “FRB OLD BRIAR” was maintained for the “traditional pipes” (for cheap models – see below), surely, to Sixties.

From, approximately, the fiftieth anniversary (1936), pipes were marked with “Rossi” (in cursive font), with model name just under it; on the stem, there was “ROSSI” (for expensive models like “extra”, which had the best quality; “racine”, which was rusticated by hand; “extra grain”, which was accurately sandblasted; “super”, which had the best briar selection, and a limited production; “fiamma”, which was the best selection of Sardinia and Greece briar, and a very limited production) or “R” in circle (for inexpensive models like “standard”, “grana” and “FRB”).

From, approximately, Seventies, until 1985, Rossi pipes were marked with “ROSSI”, in an oval (sometimes there was also “ITALY” on the shank); on the stem, there was “ROSSI”. In these years, appeared the signature “Nino Rossi” (in cursive font): he was the last heir of the factory.

With that information, I turned to work on the pipe itself. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. There was some darkening on the inner edge of the rim and top that would need to be dealt with. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove as much of the oxidation as possible. He soaked it in Before & After Pipe Stem Deoxidizer and rinsed it with warm water. The acrylic stem was clean but had tooth marks and chatter on both sides ahead of the button. There was an N logo on the left side of the stem. I took photos of the pipe before I started my work on it.  I took photos of the rim top and bowl as well as the stem to give a sense of the condition of both. The rim top had some damage and darkening to the inner edge and rim top on the right front and back side. The bowl was out of round and need some work. The stem cleaned up well and there were tooth marks on the top and underside ahead of the button.I took photos of the stamping on the sides and underside of the shank. They are readable as noted above.I took the stem out of the shank and took a photo of the overall look of the pipe.I decided to start my work on the pipe by addressing the darkening and damage on the inside edge of the bowl and the rim top. I used a piece of 220 grit sandpaper and a wooden ball to clean up the bevel on the inner edge and the top of the bowl. I touched it up with a folded piece of 220 grit sandpaper. I wiped the top and edges down with a damp cloth and the rim top and edges looked much better. I wrapped a piece of dowel with 220 grit sandpaper and sanded the inside walls of the bowl to smooth them out. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I set the bowl aside and turned my attention to the stem. I filled I the deep tooth mark on the top and underside of the stem with black CA glue. Once it cured I used a small file to flatten the repair and shape the button edge. I sanded the repair smooth to blend it into the surface of the stem with the 220 grit sandpaper to smooth them out. I started the polishing of the stem with 400 grit wet dry sandpaper. The stem was looking better with the repairs and polishing. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final rub down with Obsidian Oil. I used some Rub’n Buff Antique Gold to touch up the N stamp on the left side of the saddle. I applied it and worked it into the stamp with a tooth pick. I buffed it off with a soft towel. The resultant stamp looked very good.This Nino Rossi 1886 Shape 138 ¼ Bent Stack with a briar shank extension and a short saddle stem is a great looking pipe now that it has been restored. The beautiful grain on the briar and the briar shank extension that shines through the polished finish is stunning. There is a brass spacer with a white acrylic space on each side between the shank and the extension. It looks great. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Nino Rossi 138 fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 56 grams/1.98 ounces. I will soon be adding it to the rebornpipes store in the Italian Pipe Makers Section. If you are interested in this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Reviving a Vauen Luxus


Blog by Kenneth Lieblich

Next on the chopping block is a handsome Vauen, which I acquired from a Craigslist pipe lot. Although not an old pipe, it is a handsome one. It’s rather big and hefty, but not heavy, and feels good in the hand. I’m really glad that my customer picked out this pipe, as it has been sitting around unused for far too long. I’m happy that it has found a new home.This pipe is a Vauen Luxus 2013 chunky, bent billiard with a beautiful horn ferrule, It also takes a 9 mm filter. The stem has the traditional Vauen white dot (not unlike Dunhill’s) and, most interestingly, it has a P-lip, very reminiscent of Peterson’s. The ‘2013’ does not refer to the year of manufacture, rather, it refers to the shape number. The markings on the pipe are as follows: on the left side of the shank, it reads Vauen [over] Luxus. The underside of the shank shows the model number 2013, and the top of the stem shows the classic white Vauen dot.I searched on Pipedia for some history of the Vauen brand. Here’s what I found:

In 1848 Karl Ellenberger and his partner Carl August Ziener turned an idea into reality in Nuremberg. In the first German pipe manufacturing company they produced tobacco pipes from selected woods for connoisseurs throughout the world.

The Vereinigte Pfeifenfabriken in Nuremberg (known in short as VPFN) was brought into being in 1901 with the amalgamation with the Gebhard Ott pipe factory founded in 1866, also in Nuremberg. In this way, a business was created under the management of Ernst Eckert, a scion of the founding family Ott, and its products and services were to attend and shape the culture of tobacco and smoking in Europe and overseas for a long time – for 150 years now.

In the 1920s, VAUEN had taken out a trademark on a white dot on the mouthpiece for Germany and Austria, at the same time that Dunhill had done the same for the international market. The companies ended up in court with the result that Dunhill may use the white dot internationally, whereas VAUEN may use it only in Germany and Austria and has to use a differently-coloured dot for all other markets. They have used light blue and grey dots internationally since then. The white or coloured dot denotes the higher quality pipes of VAUEN; the lower-end pipes are only marked by the VAUEN imprint on the stem.

In the search for a term which would be easy for all pipe friends to remember and not confuse with anything else, Ernst Eckert’s son, Adolf Eckert coined a new name for the business in 1909.

VAUEN, consisting of the initial letters V (pronounced VAU) from Vereinigte Pfeifenfabriken and the N (pronounced EN) of Nuremberg. A brand name for the future had been created.

After 1945 Ernst Eckert, son of Adolf Eckert, succeeded in overcoming the destructive effects of the war with an unshakeable pioneering spirit. VAUEN grew to become a business with a worldwide reputation once more.

Alexander Eckert, now the fifth generation of pipemakers, has been at the head of the oldest German pipe-manufacturing company since 1982. The company, which has been in the hands of the founder’s family since it was established, is expanding again in importance as a result of increased international commitment.

Over at Pipephil.eu, they note that “Some of the pipes in Vauen’s Dr. Perl line (Germany) are equipped with a conventional P-lip stem.” In this context, the word ‘conventional’ is referring to the same P-lip invented by Peterson in 1898.

On to the pipe: given that it wasn’t very old, the pipe was in pretty good shape, but as usual, there were a couple of issues. The rim on the stummel was blackened and a bit burnt – that would need to be addressed. The insides were fairly dirty and would need some work to clean out. There were also some small fills in the wood, and they had ever-so-slightly expanded so that you could feel them when rubbing your finger over the surface. My customer didn’t want the fills dug out and replaced, so I would need to stain the fills instead. Mercifully, the beautiful horn was in good shape and wouldn’t need anything other than a polish. The stem needed some work. It was definitely dirty inside and the cavity that holds the filter would need a thorough cleaning. The stem also had some calcification and tooth marks/dents that would need addressing. In addition, the button would need to be reshaped. The stem was first on my list. I wiped down the outside of the stem with Murphy’s Oil Soap on some cotton pads. I also took a BIC lighter and ‘painted’ the stem with its flame in order to lift the bite marks and dents. Unfortunately, this didn’t really work, but I have ways of sorting this problem out.

Then, I cleaned out the inside with pipe cleaners and isopropyl alcohol. It was pretty dirty and required quite a few pipe cleaners. Once this process was done, the stem went for an overnight soak in the Pipe Stem Oxidation Remover.The following day, I cleaned all of the de-oxidizing mess off with alcohol, pipe cleaners, et cetera. The oxidation had migrated to the surface and would be fairly straightforward to remove. I scrubbed with SoftScrub on some cotton pads to remove the leftover oxidation on the stem.The bite marks on and around the button had to be dealt with, so I whipped out my black cyanoacrylate adhesive to fill those in and let them fully cure. 

I then sanded the adhesive down with 220-, 400-, and 600-grit sandpapers to meld seamlessly into the stem. Next, I used all nine Micromesh pads (1,500 through 12,000 grit) to bring out the lovely black lustre on the stem. I also used Obsidian Pipe Stem Oil in between each pad scrubbing. On to the stummel, and the usual cleaning procedures were in order. The bowl really needed reaming so I used the KleenReem to remove the built-up cake and followed that with 220-grit sandpaper on a dowel to eliminate as much as possible. I took the chamber down to bare briar, as I wanted to ensure there were no hidden flaws. Fortunately, there were none. I then proceeded to clean out the insides of the shank with Q-tips, pipe cleaners, and isopropyl alcohol. There was quite a bit of filth inside these stummels and it took a lot of cotton to get them clean. I followed that up by cleaning the insides with some dish soap and tube brushes.I used a toothbrush and some Murphy’s Oil Soap to scrub the outside of the stummel and then the lava on the rim of the pipe.The burn marks remained, so in order to remove the remaining burns and nicks on the rim, I “topped” the pipe – that is to say, I gently and evenly sanded down the rim on a piece of 220-grit sandpaper. This effectively removed the damage, without altering the look of the pipe.A de-ghosting session also seemed in order, so I thrust cotton balls into the bowl and the shank and saturated them with 99% isopropyl alcohol. I let the stummel sit overnight. This caused the oils, tars and smells to leach out into the cotton. The bowl was nice and clean after this. Just before sanding, I covered the horn with painter’s tape to prevent any damage to it. I then used all nine Micromesh pads (1,500 through 12,000 grit) on the stummel to make it lovely and smooth. After that, a light application of Before & After Restoration Balm brought out the best in the wood.In order to minimize the appearance of the fills, I opted to apply some stain to the wood. First, however, I used some furniture pens on the fills and the newly sanded rim to darken them a bit. I began by applying a layer of Fiebing’s Light Brown Leather Dye to the pipe. After applying the dye, flaming it with a BIC, and letting it set for a few hours, I wiped the stummel down with isopropyl alcohol to remove much of the dye. Then it was time for the second round of staining, following the same steps as before. Finally, it was off for a trip to the bench polisher. A dose of White Diamond and a few coats of carnauba wax were just what it needed. The lovely shine made the wood look absolutely beautiful. This Vauen Luxus looks fantastic and arise ready to be enjoyed again by the next owner. I know that the new owner will enjoy smoking it for many years to come. I hope you enjoyed reading the story of this pipe as much I as I did restoring it. If you are interested in more of my work, please follow me here on Steve’s website or email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 6 in. (150 mm); height 2.3 in. (59 mm); bowl diameter 1.4 in. (35 mm); chamber diameter 0.8 in. (20 mm). The weight of the pipe is 2.5 oz. (72 g). Thank you very much for reading and, as always, I welcome and encourage your comments.

Restoring a Jess Chonowitsch Designed Stanwell Zebrano 163 Faceted Hexagonal Freehand


Blog by Steve Laug

I went through my pipes to choose what to work on next and this one caught my eye. It is a great looking Hexagonal Faceted Freehand. It is stamped on the left underside of the hexagonal shank and read Stanwell [over] Zebrano. On the right side underside it is stamped Made in Denmark and on the top right side it was stamped with the shape number 163. Zebrano pipes have a shank extension of Zebra wood on the end, sandwiched between two wafers of orange acrylic. Jeff was travelling in Europe for a holiday with his wife  bought this pipe on 09/16/2017 in Frankfurt, Germany at a bazaar. It has been sitting here in Vancouver cleaned and awaiting my part of the work for almost 5 years. When he found it the finish had thick grime and oils ground into the outside of the bowl and shank. The Zebrano insert had dried out and was rough to the touch. The rim top and inner edge of the bowl had burn damage and was slight out of round. There as a thick cake in the lower ¾ of the bowl and lighter cake on that ¼ of the bowl. The black acrylic stem was scratched and filthy and the inside of the filter tenon sans filter was filthy. It was made for a 9mm filter that I would need to replace. There were deep tooth marks and chatter on both side of the stem near the button. Jeff took photos of the pipe when he got home and got around to cleaning it. Jeff took photos of the rim top to show the condition of the bowl and edges. You can see the damage on the top and edges. You can see that the bowl is slightly out of round as well. He took photos of the stem surface to show the deep marks and damage on both sides. He took photos of the sides and the heel of the bowl to show the interesting grain patterns in the briar through the thick grime. He took a photo of the Zebra wood insert with the acrylic spacers as well. It was quite beautiful.  He took photos of the stamping on the sides of the shank. It is readable but faint in places. Before I started working on the pipe I decided to do a bit of digging on the shape and the design. I turned first to a blog on rebornpipes by Bas Stevens the was a compilation of Stanwell shapes (https://rebornpipes.com/2013/09/03/stanwell-shapes-compiled-by-bas-stevens/). There I found the shape number 163. The information given there said that the shape was a Freehand, “Facet”, hexagonal, with brass ring by Jess Chonowitsch. It was a shape designed by Jess Chonowitsch and that was interesting to me.

I also looked on Pipedia and on Pipephil’s site and while I could read the history of the brand and gather background the Zebrano line was not mentioned. I did a Google search for the Zebrano 163 shape and found a gallery of photos and information on the pipe. I am including both the information on the brand and a few photos of the pipe. It was helpful information regarding what the pipe looked like originally (https://bn-dev.com/pipes-estate/galerie/galerie.php?pipe=3cb469b6b1b5237bdfe99cec04ff4c5feb267fc0). I quote below:

Marque / brand           Stanwell

Marquages / stamping            Stanwell zebrano made in denmark 163

Finition / finish           lisse / smooth

Longueur / length       14.8 cm / 5.83 in

Hauteur / height          4.49 cm / 1.77 in

diamètre tête / bowl diameter             4.22 cm / 1.66 in

diamètre fourneau / chamber diameter          1.93 cm / 0.76 in

Profondeur / depth      3.41 cm / 1.34 in

Poids / weight 43 gr / 1.52 oz

Forme / shape             freehand

Matière tuyau / Stem material            acrylique / acrylic (lucite)

Matière pipe / pipe material   bruyère / briar

Filtre / filter    9mm With that information and a visual idea of what the pipe looked like originally, I turned to work on the pipe itself. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. There was some darkening on the inner edge of the rim and top that would need to be dealt with. He cleaned out the inside of the shank and the airway in the filter tenon and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove as much of the oxidation as possible. The acrylic stem was clean but had tooth marks and chatter on both sides ahead of the button. There was no stamped logo on the left side of the stem. I took photos of the pipe before I started my work on it. I took photos of the rim top and bowl as well as the stem to give a sense of the condition of both. The rim top had some damage and darkening to the inner edge and rim top on the right front and back side. The stem cleaned up well and there were tooth marks on the top and underside ahead of the button.I took photos of the stamping on the underside of the hex shank. The are faint but readable as noted above. I took the stem out of the shank and took a photo of the overall look of the pipe.I decided to start my work on the pipe by addressing the darkening and damage on the inside edge of the bowl and the rim top. I used a folded piece of 220 grit sandpaper to clean up the bevel on the inner edge and the top of the bowl. I wiped the top and edges down with a damp cloth and the rim top and edges looked much better.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I set the bowl aside and turned my attention to the stem. I filled I the deep tooth mark on the underside of the stem with clear CA glue. Once it cured I sanded the repair smooth to blend it into the surface of the acrylic. I sanded out the rest of the tooth chatter and marks with the 220 grit sandpaper to smooth them out. I started the polishing of the stem with 400 grit wet dry sandpaper. The stem was looking better with the repairs and polishing.   I set the bowl aside and turned to work on the stem. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.  I have a box of Vauen 9mm System Filters that fit perfect in the tenon on the Stanwell Zebrano. I put one in place in the tenon and took some photos of the fit.This Jess Chonowitsch Designed Stanwell Faceted Hexagon Freehand 163 with a hexagon acrylic saddle stem fit for 9mm filters is a great looking pipe now that it has been restored. The beautiful grain on the briar and the Zebra wood shank extension that shines through the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Zebrano 163 fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 40 grams/1.41 ounces. I will soon be adding it to the rebornpipe store in the Danish Pipe Making Companies Section. If you are interested in this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Restoring a Savinelli Extra 614 Bent Billiard


Blog by Steve Laug

The next pipe on my work table was dropped off by a local pipe shop that I do repair and restoration work for. It was in the same bag as the Bewlay that I restored for them earlier and wrote about (https://rebornpipes.com/2022/06/30/new-life-for-a-hard-smoked-older-bewlay-popular-127-billiard/). It is another pipe that the shop wanted me to do a full restoration on and properly fit the stem. It is stamped on the left side of the shank and reads Savinelli in an oval [over] Extra. On the right side it is stamped with the Savinelli shield S then the shape number 614 [over] Italy. The finish was dirty and worn but there was some nice grain peeking through the grime. The rim top had some scratches and nicks on the surface. There was a light cake in the bowl it smelled strongly of aromatic vanilla tobacco. The shank and stem airway was very dirty. The stem was lightly oxidized, calcified and had tooth marks and chatter on both sides ahead of the button. It was also loose in the shank. I took photos of the pipe before I started my clean up. I took photos of the rim top and bowl to show the cake in the bowl, and the fills and marks on the top. The stem photos show the oxidation, calcification and tooth chatter and marks very well. I tried to capture the stamping on the sides of the shank in the next photos. They are faint but readable as noted above.I removed the stem from the shank and took a photo of the pipe to give a sense of the flow of the pipe. Even with the fills on the rim and various sandpits around the bowl sides it is a beautiful bent billiard that has a great shape.I wanted to remind myself of where the Extra fit in the Savinelli hierarchy so I turned to Pipephil (http://www.pipephil.eu/logos/en/logo-savinelli2.html) to get a quick view of the Extra Line. I did a screen capture of the site’s information and have included that below.I turned to Pipedia (https://pipedia.org/wiki/Savinelli) for a quick read. The site is worth reading the history of the Savinelli brand and its philosophy of pipemaking. There was also a shape chart on the site that had the shape 614 as a full bent pipe. I have circled the specific shape in the chart below.There was also a photo of a brochure on the site that included the Extra line of pipes. It also stated that the pipe came in a guilloche and a smooth finish like the one I am working on presently (https://pipedia.org/wiki/File:Sav_Extra.jpg). that came from Doug Vliatchka.Armed with the above information I was ready to work on the pipe itself. I started my work on the pipe by reaming the bowl. I started it with a PipNet pipe reamer using the second cutting head. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife. I finished by sanding the walls of the bowl with a piece of dowel wrapped with 220 grit sandpaper. The walls of the bowl looked very good with no damage to the walls. I scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime on the bowl and rim and was able to remove much of the lava and dirt. The inner edge of the bowl looked good and the rim top had some darkening but otherwise was in good shape. I cleaned out the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol until they came out clean. I cleaned out the airway with alcohol, cotton swabs and pipe cleaners. I used a folded piece of 220 grit sandpaper to smooth the rim top and remove the darkening in and damage. I went over the inner edge of the rim to smooth out any roughness. Once I was finished I liked the way it looked.I decided to deghost the bowl and stuffed with cotton bolls and twisted a paper towel into the shank end. I used an ear syringe to fill the bowl with 99% isopropyl alcohol to wick out the oils in the bowl and shank walls. I let it sit overnight and called it a day. In the morning I checked on it and the cotton had turned amber coloured. I pulled it out and cleaned out the shank once more. The pipe smelled significantly better.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I worked over the inner and outer edge of the rim as well. After each pad I wiped the bowl down with a damp cloth to remove the sanding debris. It really took on a shine by the last three sanding pads. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips where it works to clean, restore and preserve the briar. I let it do its magic for 15 minutes then buffed it off with a cotton cloth. The pipe looks incredibly good at this point in the process. I set the bowl aside and turned my attention to the stem. I “painted” the tooth marks on both sides of the stem with the flame of a Bic lighter. I was able to lift them significantly. I filled in the remaining marks on both sides with black super glue and set it aside to cure. When the repair had hardened I used a small file to flatten the repairs and recut the edge of the button. I shaped the button with the file. I used 220 grit sandpaper to smooth out the repairs to the top and underside of the stem. I was able to blend them into the surface of the vulcanite. I started polishing the stem with 400 grit wet dry sandpaper. It is starting to look very good. I continued to polish the stem with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it further with Before & After Stem Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil and set it aside to cure. I heated an ice pick and turned it into the airway in the tenon on the stem to swell it slightly so that the fit in the shank would be snug. I am excited to finish this Savinelli Extra Made in Italy 614 Bent Billiard. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful straight grain all around it and the birdseye on the rim top. The polished grain on the pipe looks great with the black vulcanite stem. This smooth Savinelli Extra Billiard is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 57 grams/2.01 ounces. It turned out to be a beautiful pipe. Now that I have finished the second pipe the pipe shop brought for repair I will be giving them a call for pickup. I hope that the owner will get great enjoyment from the pair. Remember we are the next in a long line of pipe men and women who will carry on the trust of our pipes until we pass them on to the next trustee. Thanks for your time reading this blog.

 

New Life for a Tired Republic Era Peterson’s System Standard 314


Blog by Steve Laug

We picked this older Peterson’s System Standard purchased from a seller on 11/17/21 in San Marcos, Texas, USA. It was stamped on the left side of the shank and read Peterson’s [over] System [over] Standard. On the right side it is stamped and reads Made in the Republic of Ireland (three lines) with the shape number 314 underneath. The pipe was another tired old workhorse with lots of grime ground into the finish and a thick cake in the bowl. There was a heavy lava over flow on the rim top and some burn damage on the left front and side of the top and edges. The nickel ferrule was tired by undamaged. The sump and mortise were black with tars and oils. The stem was lightly oxidized and a lot of heavy calcification build up on the P-lip button and underside. There were some tooth marks and chatter on both sides just ahead of the button. Jeff took these photos before he did his clean up work to give an idea of the condition of the pipe. Jeff captured the thick cake in the bowl and the lava overflow onto the rim top in his photo below. There really was no way of knowing what the edges looked like under the thick cake and lava. You can also see the lava flowing down the sides of the bowl in the photos. The burn marks on the left side are also visible in the photo. The stem surface appears to have a lot of tooth chatter and marks but perhaps the calcification and grime on the bowl protected it a bit. There is also some oxidation. He took photos of the sides and the heel of the bowl to show the interesting grain patterns in the briar. It was quite beautiful. He took photos of the stamping on the sides of the shank and on the ferrule and stem. It is readable but faint in places. The stamping on the nickel ferrule is very clear and readable. I remembered that Paresh had restored a Peterson’s System Standard (his was a 314) earlier this year and as usual had done good work on the research. I turned to his blog and read through his work on the pipe (https://rebornpipes.com/2021/07/24/helping-a-fellow-piper-with-his-dream-pipea-petersons-system-pipe/). I quote below from the section on his blog regarding the dating of the pipe.

While dating a Peterson’s pipe, I always fall back to my under mentioned favorite site; http://thepetersonpipeproject.blogspot.com/2007/07/dating-peterons-pipes.html

I quote from the above site.

Stamping of Bowl:

During the years of Kapp and Peterson’s business operations, the country of Ireland has undergone several name changes and K&P’s stamping on their pipes reflects these changes. Knowing these changes, a Peterson pipe can be roughly dated and placed in “eras.”

  • The Republic Era is from 1949 until the present. The Republic of Ireland was formed on 17 April 1949. From 1949 to present the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.

With that information at hand I turned to work on the pipe itself. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove as much of the oxidation as possible. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my work on it. (You can see the burn damage on the left edge mid bowl.) I took photos of the rim top and bowl as well as the stem to give a sense of the condition of both. The rim top had some scratching on the top and damage to the outer edge and rim top on the side. The stem cleaned up well and the tooth marks on the top and underside ahead of the button are light and should clean up easily.I took photos of the stamping on the shank sides. The are clear and readable as noted above. There is some faintness on parts of the stamping but it is still readable.I took the stem out of the shank and took a photo of the overall look of the pipe. I decided to start my work on the pipe by addressing the damage on the outer left edge of the bowl and the rim top.  I lightly topped the bowl with 220 grit sandpaper on a topping board. I wiped the top and edges down with a damp cloth and the rim top damage and burn marks on the outer edges were gone.I polished the top with 400 grit wet dry sandpaper to prepare it for staining. I stained the rim top and edges with a Walnut stain pen. I let it dry and repeated it until the stain matched.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I sanded the tooth marks and chatter smooth with a folded piece of 220 grit sandpaper to begin blending them into the stem surface. I started the polishing with some 400 grit wet dry sandpaper.I set the bowl aside and turned to work on the stem. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This Republic Era Peterson’s System Standard 314 Bent Billiard with a vulcanite stem is a great looking pipe now that it has been restored. The beautiful grain that shines through the polished finish is stunning. As the pipe is smoked the patina should darken and look even better. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Peterson’s System Standard 314 fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 41 grams/1.41 ounces. I will soon be adding it to the rebornpipe store in the Irish Pipe Makers Section. If you are interested in this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Life for a Worn and Tired Republic Era Peterson’s System Standard 303


Blog by Steve Laug

We picked this older Peterson’s System Standard on a Facebook auction on 02/02/22 from Cottage Grove, Minnesota, USA. It was stamped on the left side of the shank and read Peterson’s [over] System [over] Standard. On the right side it is stamped and reads Made in the Republic of Ireland (three lines) with the shape number 303 underneath. The pipe was a tired old workhorse with lots of grime ground into the finish and a thick cake in the bowl. There was a heavy lava over flow on the rim top and some serious burn damage on the right front of the top and edges from repeated burning with a flame lighter. The nickel ferrule was tired but undamaged and stamped K&P [over] Peterson. The sump and mortise were black with tars and oils. The stem was a mess with oxidation and a lot of heavy calcification build up on the P-lip button and underside. There were some light tooth marks and chatter on both sides just ahead of the button. Jeff took these photos before he did his clean up work to give an idea of the condition of the pipe. Jeff captured the thick cake in the bowl and the heavy lava overflow onto the rim top in his photos. It looks like there is some damage to the inner edge on the right front of the bowl. There really was no way of knowing for sure what the edges looked like under the thick cake. You can also see the lava flowing down the sides of the bowl in the photos. The stem surface appears to have a lot of tooth chatter and marks but perhaps the calcification and grime on the bowl protected it a bit. There is also some oxidation.He took photos of the sides and the heel of the bowl to show the interesting grain patterns in the briar. It was quite beautiful. He took photos of the stamping on the sides of the shank and on the ferrule and stem. It is readable but faint in places. I remembered that Paresh had restored a Peterson’s System Standard (his was a 314) earlier this year and as usual had done good work on the research. I turned to his blog and read through his work on the pipe (https://rebornpipes.com/2021/07/24/helping-a-fellow-piper-with-his-dream-pipea-petersons-system-pipe/). I quote below from the section on his blog regarding the dating of the pipe.

While dating a Peterson’s pipe, I always fall back to my under mentioned favorite site; http://thepetersonpipeproject.blogspot.com/2007/07/dating-peterons-pipes.html

I quote from the above site.

Stamping of Bowl:

During the years of Kapp and Peterson’s business operations, the country of Ireland has undergone several name changes and K&P’s stamping on their pipes reflects these changes. Knowing these changes, a Peterson pipe can be roughly dated and placed in “eras.”

  • The Republic Era is from 1949 until the present. The Republic of Ireland was formed on 17 April 1949. From 1949 to present the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.

With that information at hand I turned to work on the pipe itself. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrubb to remove as much of the oxidation as possible. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my work on it. (You can see the burn damage on the right top edge of the bowl.) I took photos of the rim top and bowl as well as the stem to give a sense of the condition of both. The rim top had some scratching on the top and damage to the inner edge and rim top on the right front as I had guessed when I saw the photos before the cleanup. The stem cleaned up well and the tooth marks on the top and underside ahead of the button are light and should clean up easily.I took photos of the stamping on the shank sides. The are clear and readable as noted above. There is some faintness on parts of the stamping but it is still readable.I took the stem out of the shank and took a photo of the overall look of the pipe. I decided to start my work on the pipe by addressing the damage on the inside edge of the bowl and the rim top.  I topped the bowl with 220 grit sandpaper on a topping board. I then used a wooden ball and 220 grit sandpaper to give the inner edge a slight bevel to remove the burn damage on the right front. I wiped the top and edges down with a damp cloth and the rim top damage and burn marks on the outer edges were gone. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. I did not need to restain the rim top and edge because with polishing the match is very good. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I sanded the repairs smooth with a folded piece of 220 grit sandpaper to begin blending them into the stem surface. I started the polishing with some 400 grit wet dry sandpaper.I set the bowl aside and turned to work on the stem. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I touched up the “P” logo on the stem with white acrylic fingernail polish. I worked it into the tails on the “P” with a tooth pick and scraped off the excess with my fingernail. I used a worn piece of 1500 and 1800 grit micromesh to polish off the excess, then buffed it with a soft cloth. This Republic Era Peterson’s System Standard 303 Bent Apple with a vulcanite stem is a great looking pipe now that it has been restored. The beautiful grain that shines through the polished finish is stunning. As the pipe is smoked the patina should darken and look even better. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Peterson’s System Standard 303 Apple fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 49 grams/1.73 ounces. I will soon be adding it to the rebornpipe store in the Irish Pipe Makers Section. If you are interested in this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Restoring and Restemming a Made in Ireland Shamrock 106 Prince


Blog by Steve Laug

The next pipe was a mess and one that obviously had been “ridden hard and put away wet”. The finish and condition was abysmal. It was definitely a stranger to any cleaning! This one is a smooth Prince that has a rich coloured finish around the bowl sides and shank under the grit and grime of years. This pipe was purchased from an antique mall on 08/27/21 in Bozeman, Montana, USA. The finish is almost bland looking it is so dirty it was hard to know what to expect once it was cleaned. It was stamped on the  left side of the shank and read SHAMROCK. It was stamped to the right of the shank and reads MADE IN IRELAND (in a circle) with the shape number 106 lower and next to the bowl. It was filthy when Jeff brought it to the table. There was a thick cake in the bowl and lava on the rim top and the inner edge of the bowl. There were nicks in the outer edge all the way around. The replacement stem was chewed and damaged on the top and underside on and near the button. It did not appear to be vulcanite. Jeff took photos of the pipe before his cleanup work. Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl is heavily caked so it is hard to know the condition of the edges under the lava overflow. The stem was a replacement and had been heavily gnawed. The way the bit marks are on the surface of the stem makes me think that it is not vulcanite. The pipe is a real mess and I would probably have to restem the bowl. Jeff took photos of the bowl sides and heel to show the grain that was around this bowl. You can see the sandpits and nicks in the briar in the photos below. Even so, it is a nice looking pipe. He took a photo of the left side of the shank to show the stamping. The stamping is faint but readable in the photo below and is as noted above. He did not take a photo of the circular stamp Made In Ireland and the shape number on the right side of the shank. I will try to capture that later in the blog.I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Shamrock Pipe. On page 312 it had the following information.

Shamrock (c1941-2009) Originally stamped SHAMROCK with no brand name, an inexpensive line first described in George Yale (New York) mail order booklet in 1941, imported by Rogers Import. The line was actively promoted beginning in ’45, aggressively promoted in US by Rogers from early ‘50s when they registered the Shamrock logo with US Patent Office, claiming propriety since ’38. Over the years offered with P-lip or fishtail mouthpiece, with or without nickel band, with or without Shamrock logo on the band, with or without S stamped in white or later in gold on mouthpiece. Appearing in 2008 as unstained smooth and rustic, fishtail mouthpiece with gold impressed P on the stem. COMS of MADE IN over IRELAND (C1945-1965), MADE IN IRELAND forming a circle (c1945-1965), “A PETERSON’S PRODUCT” over MADE IN IRELAND (c1945-1965), MADE IN THE over REPUBLIC over OF IRELAND9c1948-1998). Model is always difficult or impossible to date.

Judging from the description above, the pipe I am working on is stamped with the stamp noted in red above. Made in Ireland in a circle which narrows the date to between approximately 1945-1965. It is just stamped SHAMROCK with no brand name and no stamping on the stem.

I was utterly surprised when I took this pipe out of the box and compared it to the before photos. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. Surprisingly the walls looked unscathed from the heavy cake. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub and then soaked it in Briarville’s Deoxidizer. He washed it off with warm water to remove the Deoxidizer. When I examined the stem I knew it would need to be replaced. The pipe looked far better when it arrived. The cleaned up rim top revealed very damaged inner and outer edges and the top. There were nicks in the surface of the rim and the edges. I took some close up photos of the rim top and edges to show how well it had cleaned up and the damage to the edges around the bowl. I also took close up photos of the stem to show the tooth marks on the surface near and on the button itself. The stem would be replaced. You can see the deep tooth marks and damage to the button edges on both sides. The diameter of the stem is smaller than that of the shank as can be seen in the photos.I took photos of the stamping on the sides of the shank. It is faint but still readable. It reads as noted above.I removed the stem and took a photo of the pipe to have a look at the parts and overall look.I removed the stem from the shank and went through my stems to find one that matched the length and shape of the previous stem. I was pleased to see that it was slightly larger in diameter than the previous one. The tenon was almost the same size as the other one. It was bent more than the previous one but once straightened out it was only 1/8 of an inch shorter. I thought it would look very good.I used a small folded piece of 220 grit sandpaper to reduce the tenon enough that it would fit the mortise on the bowl. It did not take too much work and it fit perfectly. The diameter of the stem was slightly larger than the shank and would need some work to fit it properly. I took photos of the pipe with its new stem. I needed to reduce the diameter of the stem and also straighten it a bit to fit correctly. I used a flat file to take off as much of the excess as I could without damaging the briar ahead of it.I cleaned up the fit of the stem to the shank with folded 220 grit sandpaper. I worked over the flow of the stem into the shank to make the transition smooth. It was looking very good. I also heated the stem with the flame of a lighter to soften the vulcanite and straighten it. I repaired the damaged spots on the rim top with briar dust and clear superglue. Once it cured I topped the bowl on a topping board with 220 grit sandpaper. I used a folded piece of 220 grit sandpaper to clean up the inside edge of the bowl and smooth out the damage. I gave it a slight bevel to minimize the damage. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. I restained the rim top with a Walnut and a Maple stain pen to match it to the surrounding bowl colour. It looked pretty good. It will blend well once the pipe is polished and buffed. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I am excited to finish this Older Made in Ireland Shamrock 106 Prince. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it, looks great with the new black vulcanite stem. This smooth Classic Shamrock 106 Prince is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 1 ¼ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 36 grams/1.27 ounces. It turned out to be a beautiful pipe. I will be putting on the rebornpipes store in the Irish Pipe Makers Section. Thanks for your time and as Paresh says each time – Stay Safe.

Restoring a Made in Ireland Shamrock +69 Bent Billiard


Blog by Steve Laug

The next pipe was a mess and one that obviously had been “ridden hard and put away wet”. The finish and condition was abysmal. It was definitely a stranger to any cleaning! This one is a smooth Bent Billiard that has a rich coloured finish and great grain around the bowl sides and shank under the grit and grime of years. This pipe was purchased on 06/05/21 from a fellow in Brazil, Indiana, USA. The finish is almost bland looking it is so dirty it was hard to know what to expect once it was cleaned. It was stamped on the  left side of the shank and read SHAMROCK. It was stamped to the right of the shank and reads MADE IN IRELAND (in a circle) with the shape number +69 next to the bowl. It was filthy when Jeff brought it to the table. There was a thick cake in the bowl and lava on the rim top and the inner edge of the bowl. There were nicks in the outer edge all the way around. There were burn marks on the outer edge on the right and left front of the bowl. The stem was oxidized and had light tooth marks and chatter on the top and underside on and near the button. Jeff took photos of the pipe before his cleanup work. Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl is heavily caked so it is hard to know the condition of the edges under the lava overflow. The burn marks are also visible on the outer edge of the bowl. The stem is oxidized, calcified and grimy. It has some tooth marks on the top and underside near and on the surface of the button itself. Jeff took photos of the bowl sides and heel to show the grain that was around this bowl. You can see the sandpits and nicks in the briar in the photos below. Even so, it is a nice looking pipe. He took photos of the sides of the shank to show the stamping. The stamping is readable in the photos below and is as noted above. I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Shamrock Pipe. On page 312 it had the following information.

Shamrock (c1941-2009) Originally stamped SHAMROCK with no brand name, an inexpensive line first described in George Yale (New York) mail order booklet in 1941, imported by Rogers Import. The line was actively promoted beginning in ’45, aggressively promoted in US by Rogers from early ‘50s when they registered the Shamrock logo with US Patent Office, claiming propriety since ’38. Over the years offered with P-lip or fishtail mouthpiece, with or without nickel band, with or without shamrock logo on the band, with or without S stamped in white or later in gold on mouthpiece. Appearing in 2008 as unstained smooth and rustic, fishtail mouthpiece with gold impressed P on the stem. COMS of MADE IN over IRELAND (C1945-1965), MADE IN IRELAND forming a circle (c1945-1965), “A PETERSON’S PRODUCT” over MADE IN IRELAND (c1945-1965), MADE IN THE over REPUBLIC over OF IRELAND9c1948-1998). Model is always difficult or impossible to date.

Judging from the description above, the pipe I am working on is stamped with the stamp noted in red above. Made in Ireland in a circle which narrows the date to between approximately 1945-1965. It is just stamped SHAMROCK with no brand name and no stamping on the stem.

On page 302 there was a listing on the nickel mounted markings such as those used on the band on the shank of this pipe. I quote:

Nickel-Mount Markings. Often called faux hallmarks or faux marks by Peterson collectors, this set of three little images of a shamrock, an Irish wolfhound and a round tower appear within rectangular shapes as decorations on nickel mountings. Very early nickel mounts (1891-c. 1920) had no such decorations, only the same stamps used on sterling but without the hallmarks. As a stamp, the set of decorations began to appear at the beginning of the Irish Free State era, sometimes alone but often under K&P and over block lettered PETERSON over DUBLIN, although the  three emblems appeared on K&P’s Irish Carving Shamrocks pipes since 1896. The stamp was used until about 1963, when hand soldered nickel bands and ferrules were replaced by pressed ferrules and premade bands…The shamrock is the emblem of Ireland; the Irish wolfhound has long been used for both hunting and protection, and is an emblem of strength; the round tower a symbol of Ireland’s early religious power. These decorations were stamped at the factory on non-sterling mounts only, and the assay office has nothing to do with them…

I was utterly surprised when I took this pipe out of the box and compared it to the before photos. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. Surprisingly the walls looked unscathed from the heavy cake. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub and then soaked it in Briarville’s Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. The cleaned up rim top revealed very damaged inner and outer edges and the top. It was both burned and nicked from being knocked out on a hard surface. I took some close up photos of the rim top and edges to show how well it had cleaned up and the damage to the edges around the bowl. I also took close up photos of the stem to show the tooth marks on the surface near and on the button itself.I took photos of the stamping on the sides of the shank. It reads as noted above.I removed the stem and took a photo of the pipe to have a look at the parts and overall look. I started my work on this pipe by topping the bowl and reworking the damage to the inner edge. I topped the bowl on a piece of 220 grit sandpaper on a topping board. Once I had it smooth I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to accommodate the burned areas and blend them into the surrounding briar. There was a large flaw in the briar near the rim top on the right side of the bowl. I filled it in with clear super glue and briar dust. Once the repair cured I sanded it smooth with 220 grit sandpaper to blend it into the surrounding briar.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. I restained the rim top with a Walnut stain pen to match it to the surrounding bowl colour. It looked pretty good. I also touched up the repaired flaw on the right side of the bowl toward the top. They will both blend well once the pipe is polished and buffed.I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I am excited to finish this Nickel Banded Older Made in Ireland Shamrock 69+ Bent Billiard. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. The polished nickel band is losing some of the plating but it still looks great with the black vulcanite stem. This smooth Classic Shamrock 69+ Bent Billiard is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ¾ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 59 grams/2.08  oz. It turned out to be a beautiful pipe. I will be putting on the rebornpipes store in the Irish Pipe Makers Section. Thanks for your time and as Paresh says each time – Stay Safe.

Restoring a Republic Era Peterson’s Dublin 120 Military Mount Dublin


Blog by Steve Laug

The next pipe I have chosen is another smooth finished Peterson’s Straight Dublin. This one is a smooth straight Dublin shape that has a rich coloured red finish around the bowl sides and shank. This pipe was purchased on 11/17/21 from a seller in San Marcos, Texas, USA. The finish is dark and dirty but there is some great grain around the bowl sides and shank. The briar has a few small nicks and flaws in the surface but is otherwise very nice. It was stamped on the  left side of the shank and read Peterson’s [arched over] Dublin. It was stamped to the right of the shank and read MADE IN THE REPUBLIC OF IRELAND (three lines) with the shape number 120 next to the bowl. It was filthy when Jeff brought it to the table. There was a thick cake in the bowl and a thick overflow of lava on the rim top that was heavier on the back side. It was hard to know what the condition of the rim top and edge would be under that thick lava coat. The Sterling Silver ferrule is tarnished but was stamped Peterson’s [over] Dublin. That is followed by Sterling over Silver. Following the R in Silver were three hallmarks. The first was the seated woman (Hibernia), the second was a harp (the symbol for the grade of silver, the third is the letter B (the year stamp). The unstamped stem was lightly oxidized and had tooth marks and chatter on the top and underside on and near the button. Jeff took photos of the pipe before his cleanup work. Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl is heavily caked and the rim top and edges have some lava overflow. The stem is lightly oxidized and has tooth marks on the top and underside near the button. Jeff took photos of the bowl sides and heel to show the grain that was around this bowl. It is a nice looking pipe with great grain around the bowl. He took photos of the sides of the shank to show the stamping. The stamping is readable in the photos below and is as noted above. I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I decided to narrow down the date first before working on the pipe. I turned to a blog I had on rebornpipes on a silver ferrule that I had worked on previously (https://rebornpipes.com/tag/identifying-hallmarks-on-a-sterling-silver-ferrule/). I quote from that blog and include the graphics.

I always like to date the year a pipe was made while I am working on it. In the process of working on a pipe if I can pin down a date that it was made that it adds another dimension to the restoration process. Once I have identified the hallmarks on the pipe then I use a Hallmark chart to pin the date down. In the case of Peterson’s pipe with a silver band I use a hallmarking chart that Peterson included in their catalogs and on their website

I have a copy of the hallmark charts in one of the Peterson catalogs that I have uploaded to the blog on rebornpipes. I turned to that chart to lock down the date letter for the Sterling Silver Dublin that I am working on. Here is the link to the site (https://rebornpipes.files.wordpress.com/2015/05/peterson-cataloguecomp_page_27.jpg)

The chart defines the meaning of each hallmark on the silver band. The first one is of a seated woman with a harp is known as the Hibernia stamp and identifies the pipe as made in Ireland. The second stamp is a crowned harp which is a fineness mark denoting the high quality of silver that was used. The third stamp is the upper case italic letter “B”. I have included a larger screen capture of the section in the second photo below.

I blew up the photo of the above chart so that I could read the dates. I have drawn a square around the proper date letter below. It identifies the date of manufacture this Peterson’s pipe to 1987.From the hallmarks it appeared that I was dealing with a pipe that the hallmarks date to 1987.

I turned them to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Dublin 3. On page 298 it had the following information.

Dublin (1906-2003) Although DUBLIN appears under PETERSON’S  on many pipe over the decades, it has served mostly as part of the brand name. The word first appeared on pipes hallmarked 1906-11, stamped PETERSON’S over PATENT over DUBLIN. The simpler PETERSON’S over DUBLIN first appeared on pipes hallmarked 1912 after the expiration of the patent. Illustrations of pipes in the ’37 catalog show a random dispersion of the stamp PETERSON’S over OF DUBLIN together with the ordinary PETERSON’S over DUBLIN on every model offered. Specimens of the former will bear either and Irish COM or LONDON MADE over ENGLAND COM and almost certainly date from 1945-62. It was first mentioned as part of a model name in the ’68 price list, as K&P DUBLIN, in ’92 for a Danish market line and in 2017 (see below).

I knew I was dealing with a pipe that had a long history of the stamping that I found on its shank. It is amazing to think that in a company that had a lot of anomalies in their stamping that the DUBLIN stamp continued from 1906-2003 and in other forms even longer. This 1987 made DUBLIN fits nicely within that time frame. Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took a close up photo of the rim top because I wanted to show how well it had cleaned up. The rim top looked amazingly good on the top and the inner and outer edges of the bowl. I also took close up photos of the stem to show the tooth marks on the surface near the button. I took photos of the stamping on the sides of the shank. It reads as noted above.I removed the stem and took a photo of the pipe to have a look at the parts and overall look.I sanded the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads to further make the stain more transparent and make the grain stand out. I wiped the bowl down with a damp cloth after each sanding pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I polished the Sterling Silver Ferrule with a jeweler’s cloth to protect and give it a shine. It is a pretty looking pipe.I “painted” the tooth marks in the stem with a lighter flame to lift the marks. Most lifted but I filled in the ones that remained on the top and underside of the stem next to the button edge with clear CA glue. Once the repairs cured I sanded them smooth with 220 grit sandpaper and started polishing it with 400 grit wet dry sandpaper. It was starting to look good. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I am excited to finish this Peterson’s Dublin 120 Straight Dublin. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful straight and flame grain all around it. Added to that the polished black vulcanite stem was beautiful. This smooth Classic Peterson’s 120 Dublin is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ¾ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 35 grams/1.23 ounces. It is a beautiful pipe and one that will soon be on the rebornpipes store in the Irish Pipe Makers Section of the store. If you want to add it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring a Beautiful Heritage Antique 33 Apple


Blog by Steve Laug

I have always had an interest in the Kaywoodie Made Heritage Pipe line. I really like the way they are made – both in terms of workmanship and style. They really made some amazing looking pipes and I always try to pick them up when I can. Jeff has also found this to be true so he is on the lookout for this brand in all of his pipe hunts and auction haunts. We purchase this pipe in October 2021from a fellow in Redmond, Oregon, USA. It is stamped 33 on the heel of the bowl and Heritage [over] Antique on a smooth panel on the underside of the shank. The pictures of the sandblast showed it was well done. The finish was dirty and there was a thick cake in the bowl. It appeared that the bowl had been lightly reamed before it came to us. There was a light lava overflow in the sandblast finish on the rim top that would need to go. There was the Heritage double diamond logo on the left side of the stem. The stem was oxidized and had light tooth marks on both sides ahead of the button. All totaled it was still a beautiful pipe. We were hooked. Jeff took these photos before he started his clean up work. Jeff took photos of the bowl and rim top to show the condition that I noted in the description above. Even though it is very dirty you can see that the rim top and edges all look very good. The stem photos clearly show the oxidation and light tooth marks on both sides. It would need some work. Jeff took photos of the sides of the bowl and heel to show the sandblast finish on the bowl. This blast is rugged and deep. I have worked on quite a few Heritage pipes and have never seen this before. The next photos show the stamping that I described in the opening paragraph. It is clear and readable. He also included a photo of the double diamond logo on the left side of the taper stem. In other blogs on the brand I have given a bit of history on the Heritage Brand. I have included that here as well for ease of reference. Andrew Selkirk did a great job in researching and I am including a link to his work on the blog (https://rebornpipes.com/2014/12/23/refurbishing-a-heritage-heirloom/). I am including a brief summary of what he found in the next two short paragraphs to set the stage for the pipe on my work table.

Heritage pipes were Kaywoodie’s answer to Dunhill. According to one of their brochures, Heritage pipes were made from “briar burls seasoned and cured for up to 8 months,” with only “one briar bowl in over 300 selected to bear the Heritage name.” “Heritage stems are custom fitted with the finest hand finished Para Rubber stems. Mouthpieces are wafer thin and concave.”

The Heritage line began in the early 1960’s, with the trademark issued in 1964. The line was started at the request of Stephen Ogden, (who worked for Kaywoodie in 1962). Mr. Ogdon had previous experience working for Dunhill, either running the New York store or working for Dunhill North America. Mr. Ogden was made President of Heritage Pipes, Inc., Kaywoodie Tobacco Co.,Inc. and Kaywoodie Products Inc. as well as a Vice President of S.M. Frank & Co. Heritage Pipes were produced from 1964 until 1970 (Source kaywoodie.myfreeforum.org).

Andrew also included a copy of the Heritage brochure that I am also including below (Courtesy kaywoodiemyfreeforum). In going through the models displayed on the page there is not one for the 33. The brochure has a great write up on the Heritage Antique Line. It reads Rustic Grain Stands out in Rugged Relief. It describes the line as follows:

This pipe is so bold looking, yet so light and smooth smoking. A special sandblasting process exposes a greater surface area on the bowl, giving a cooler, more satisfying smoke. Centuries-old Heritage Antique is strikingly masculine in appearance.

Jeff had cleaned up the pipe with his usual precise work. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. The rim top cleaned up very well. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville Stem Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it. Now it was time to work on the pipe itself. The bowl and the rim top looked very good. The inner and outer edges of the rim also looked very good. There was no damage to the edges. The stem surface had light tooth marks and chatter on both sides near the button.I took photos of the stamping on the underside shank. The stamping was clear and readable as noted above.I took the stem off the shank and took a photo of the parts of the pipe to show the overall look of the pipe.I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results. I set the bowl aside and turned my attention to the stem. I sanded the light tooth marks and chatter smooth with 220 grit sandpaper to blend them in and started polishing the stem with 400 grit wet dry sandpaper.I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I wiped it down with a final coat of Obsidian Oil and set it aside.    The sandblast Heritage Antique 33 Apple is a real beauty and the finish and shape are well done and have a classic English look even though this is an American Made pipe. The thin taper vulcanite stem polished up on the buffing wheel with Blue Diamond and had a rich glue. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Heritage Antique Apple fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.02 ounces/29 grams. I will soon be adding it to the rebornpipes store in the American Pipe Maker section. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!