Author Archives: upshallfan

GBD 9242 P – NY Pipe Show Find


By Al Jones

The iconic GBD 9242 is a highly sought after shape and one that rarely turns up on Ebay. I typically see one 9242 about every two years on Ebay and competition for it is fierce. A friend and I made the trek to the 2017 NY Pipe show, hosted by Rich Esserman. I like to get to pipe shows early, and make a quick sweep of the room. This pipe was on the table of Paige Simms, a collector from Baltimore and a member of the Chesapeake Pipe club. We struck a deal and the prize was mine. Paige wasn’t sure how long he had owned the pipe, but he thought it was fro the 1930’s and that it was a fine smoker. It is always a pleasure to chat with these long time collectors. I spent a long day on the road, getting to and from the show, but this find is a great reason why collectors should attend pipe shows.  To say that I was thrilled to find this one is an understatement.

The pipe was in terrific shape, with some oxidation on the stem and one small tooth dent. The blasted finish was worn, and I’m not sure if that was from wear or just the way it was blasted.


The pipe has the “London,England” country of manufacture mark that denotes a GBD made before 1981, but the orific (ovalized) stem and smaller GBD rondell make me think that the pipe is from the 1930’s, as Paige suggested. I have a silver hallmarked GBD that dates to 1937. I have noticed that in the older GBD’s that the rondell is slightly smaller. These measure 6 mm in width, while the rondells on other GBD’s in my collection measure 7.5 mm. This one has a very fat, bullet style tenon. I’ve seen this style tenon but only on stems stamped “Hand Cut”. (this one lacks that stamp)

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Another curiousity about this pipe is the “P stamp beside the 9242 shape number. Most sand blasted GBD’s would be stamped in the Prehistoric finish. I cannot find anywhere when as to when GBD started using this finish name.

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The pipe had a very slight cake and Paige said he smoked straight Virginias in the pipe. It was clean, but I did the bowl soak with alcohol and sea salt. There was one small tooth indention on the top of the stem. I was able to use heat from a lighter flame to light it out almost completely. While the bowl was soaking, the stem was soaked in a very mild Oxy-Clean solution, with a dab of grease on the rondell.

I removed the outer layer of oxidation with 800 grit wet paper, than 1,000 and 2,000 grades. Next up was 8,000 and 12,000 micromesh sheets. The stem was them buffed lightly with White Diamond and Meguiars Plastic Polish.

Below is the finished pipe and a comparison with my New Standard 9242. As you can see, the Sandblast pipe is a more compact stubbier shape.

GBD_9242-P_Finish (3)

 

Peterson 999 Meerschaum (Sterling) Restoration


By Al Jones
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This unusual Peterson came via Ebay. It wasn’t listed as a meerschaum pipe, but from the appearance, I thought it was from made from that material. The stem was mildly oxidized. Other than that, it appeared to have been only used lightly. To this point, I’ve not seen a Peterson 999 in this shape and meerschaum finish.

As always, Peterson authority Mark Irwin had some helpful comments about this piece. Mark told me that the pipe was African block meerschaum, made by Manxman on the Isle of Man, for Peterson. Peterson eventually bought out Manxman and moved production to Dublin. The hallmarked Sterling band (italicized, lower case h for 1975) denotes a quality piece, made during the Isle of Mann era. I found this on the Peterson Pipedia page:

The Peterson Manx (Laxey) Isle of Man factory partnership ceased operation about 1981 and the production of all African Meerschaum pipes was moved to Dublin and continued there until 1986.

Here’s the pipe as received.

peterson_999_sterling_meer_before-1

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I put a dab of grease on the stamped P stem logo and soaked it in a mild Oxy-Clean solution. I used the cleaning tutorial by Fred Bass, which is available on this blog entry:

Fred Bass’ Tutorial – Cleaning Estate Meerschaum Pipes

The oxidation on the stem was removed with 800, 1,000 and 2,000 grade wet sandpaper, followed by 8,000 and 12,000 Micromesh sheets. The stem was then buffed with White Diamond and Meguiars Plastic Polish. The Sterling band was brightened with a silver polish cream and a cotton cloth.

Following Fred’s instructions, I rubbed on some beeswax and melted it into the meerschaum with a heat gun.

Below is the finished pipe. I’m not a meerschaum pipe fan, so this one is available at the PipesMagazine.com Buy/Sell/Trade section.

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Windsor Ashford Restoration ( Sasieni 2nd)


By Al Jones
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This pipe was listed as a Sasieni and indeed it had the Sasieni “Made in England” football COM stamp. Because of the rustification style, I knew it was a 2nd line from Sasieni. Of course it also didn’t have a Sasieni two or four Dot stem logo. The brand name wasn’t shown and it appeared similar to a “Shashar” I restored a few months ago. The Sterling silver band was not factory and I didn’t know what damage it might be hiding. The Sasieni Ashford is shape 88 in their catalog and this one was stamped 688, typical for a Sasieni 2nd’s line. The Ashford shape evolved through the different era’s of Sasieni and this one had the sharper bend that is usually seen on Patent era pipes.

Below is the pipe as delivered.

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I posted a few pictures of the pipe in the British section of the PipesMagazine.com forum. Not surprisingly, Dave Cuneo was the first to respond. Dave is a moderator on the Pipe Smokers Unlimited forum and a frequent contributor to all things British on the PipesMagazine forum. Over the years, Dave has sent me various ebay links for pipes that I’ve added to my collection and he has a keen interest and expertise in the history of these storied brands. Dave has a theory on the unique rustication technique used by Sasieni:

The most interesting thing about this pipe is the rustication. During most of the pre-war period, all of the “seconds” were smooth pipes, but at some point Sasieni began to experiment with rusticated finishes on some of their seconds, finally ending up in the post-war period with the rusticated finish on the Old England line. Having seen a few of these, I would date the pipe to somewhere between the late 1930’s ~ 1950. The stem also has that classic “chubby” pre-war look.

Upon receipt, and under magnification, I could see that the name started with a W. The letters IN and the word Sasieni are also legible. Not much else was legible and the silver band obscured the final letters. Curiously, the shank didn’t appear to have cracks and it didn’t appear to have been added for a repair. The stem was heavily oxidized but in pretty good shape. The bowl was in great shape and overall, I’d say the pipe didn’t see heavy use. Like most Ashfords, this one weighed 45 grams.

Update:  A Pipesmagazine.com forum member sent me a picture of the nomenclature for a Windsor.  After seeing this, I’m fairly certain that this is the brand.

windsor-stamp

The stem was soaked in a mild solution of Oxy-clean. While it was soaking, I reamed the bowl and soaked it with alcohol and sea salt. I removed the layer of oxidation first with 800 gri paper, then 1,000 and 2,000 grades. I then used 8,000 and 12,000 grade micromesh paper. AT this time, I discovered that the stem had a faint capital W stamp. Sasieni made no less than nine 2nd line pipes that started with a W. The best guess I can make is that it is a Wingate.

I hand waxed the bowl with Halycon wax and polished the silver band with some silver polish cream. The stem was then buffed with White Diamond and Meguiars Plastic polish.

Below is the finished pipe. Dave expressed interest in the pipe and I was happy to make him the next owner.

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Peterson Shape 69 – A Tale of Two Pete’s


By Al Jones
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I recently acquired two Peterson shape 69 pipes. One was a 1974 hallmarked “Sterling” pipe and the other, a pre-Republic Deluxe pipe with the X69 stamp.

I was curious about the “X” designation and checked with Peterson authority and soon-to-be published author on the brand, Mark Irwin. Mark shared this with me about the X stamp.

I can only give you my educated guess regarding the “X” factor. In all the Petes I’ve compared, the “X” denotes the same chamber diameter, but a larger outside width and height of bowl. That is certainly the case with the 69 vs. the X69 shape in those I have measured.

The first appearance of the 69 number in the ephemera is in the 1937 catalog, which was not a complete shape chart. But the X69 doesn’t seem to ever appear in the catalogs, unlike some other X shapes, which appear with some regularity—X155, X221, XL339, etc. My belief is that on occasion the factory ordered the shape, and when it arrived, several were enough larger than the standard to justify placing the X in front of the shape.

In contrast, the two pipes are certainly different in size. The Sterling 69 weighs 43 grams and the X69 significantly larger at 61 grams. The bowl sizes are indeed identical.

Here is a shot of both pipes in profile

peteso_x69-69

Neither pipe needed much work, just a mild tune-up to the stem with some higher grade paper and micromesh. Both stems were then polished with White Diamond and then Meguiars Plastic polish. Both bowls were cleaned with an alcohol and sea salt soak.

The pre-Republic Deluxe is a bit too large for my taste, so it will be resold.

Here are both pipes.

Deluxe X69 Pre-Republic

This has the block style “Made In Ireland” stamp that was used from 1947 to 1949, at the end of that era.

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Sterling 69 (1974)

The italicized “g” hallmark denotes the year 1974.

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I was fortunate that this pipe still retains the “chimney” that screws into the tenon. The chimney is an important part of the system style pipe.

peterson_69_sterling_finished-11

Comoy’s 185 Sandblast “Goldenbark” Restoration


By Al Jones
al_pipes_-85

I’ve worked on a number of Comoy’s Sandblast pipes, but this is the first one that I’ve encountered with the “Goldenbark” stamp. A member of PipesMagazine posted one last year, but I found no online information about this finish. I assume it might have been Comoy’s answer to the Dunhill Tanshell finish? This one has the 3-part C stem logo indicating a pre-merger pipe and made before 1981.

The pipe was in very good shape. The stem was heavily oxidized but it had very little teeth damage. The bowl top had some darkening.

comoys_185_sandblast_golden_bark_before-1

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The bowl had a heavy cake, which was reamed. I soaked the bowl with alcohol and sea salt. While it was soaking, I put a dab of grease on the C stem logo and soaked it in a mild solution of Oxy-Clean. The shank scrubbed with a brush dipped in alcohol, but I found it surprisingly clean. The bowl interior was also in excellent shape, having been protected by the cake. I used a rag dipped in water to remove the build up on the bowl top, which came off quite nicely. The stem had some very slight teeth marks, which lifted out nicely with heat from a lighter. One tiny tooth prick on the underside was all that remained.

I mounted the stem and removed the oxidation starting with 800, then 1,000 and finally 2,000 grit paper. Next up was the 8,000 and 12,000 grade micromesh. The stem was then buffed with white diamond and Meguiars Plastic polish. I waxed the bowl by hand with Halycon wax.

Below is the finished pipe.

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comoys_185_sandblast_goldenbark_finish-10

1962 Barling’s Sandlast Bulldog Restoration


By Al Jones
al_pipes_-85

I’m not a collector of Barling’s pipes, but when I stumbled over this ebay listing, I thought it was an older, Family era model. We are fortunate on the PipesMagazine.com forum to have the participation and expertise of Jesse Silver. Jesse is one of the key contributors to the Barling’s Pipepedia page. I thought that the pipe was made after 1962, but Jesse was able to tell me that this pipe was made between the Spring and Fall of that year. His comments were:

Jesse Silver wrote:
These particular Barlings with the Block lettered “Barling’s Make” in a smaller size and the revised 4 digit model code, appear in the 150th Anniversary Catalog.
My copy of that catalog includes a price list, dated to June 1962, that references the new model numbering system. Figuring that production of the catalog must have taken a month or more back then, and these pipes were made as early as May or April of 1962, and possibly earlier. They were in production as late as late September, based on a letter from Barling’s new American distributor to its dealer network, which describes the stampings, block Barling’s Make with the new model numbering system.
The completely new nomenclature appears in the Dealers Catalog that was published in November of 1962. So that gives me a range for dating these specific pipes.

I was also a bit puzzled by the meaning of the four digit shape number.  Once again, Jesse had the answer:

The first number indicates the chamber size. When the new 4 digit numbering system was set up, the first number replaced the old SS thru EXEXEL size stamps. The new number range went from 2 for the smallest size to 6 for the largest for the standard size range. Occasionally you will see a higher number for an oversized pipe.

The “4” on this pipe indicates that it is equal to the old “EL” stamp, or about a group 4.

The second and third numbers indicate the the bowl shape. In this instance, 73 indicates a Rhodesian shape.

The fourth number indicates the bit shape and length. In this instance, “5” indicates a tapered bit that is between 2 3/4″ and 3 1/4″ in length.

So 4735 would tell you that the pipe is similar to a Group 4 Rhodesian with a tapered stem that measures between 2 3/4″ and 3 1/4″ in length.

The stem was heavily oxidized and there was a deep teeth indention on the bottom of the stem. The briar looked in great shape. The crossed Barling’s stem logo was in poor condition.

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I tried using some heat on the teeth indentions and I was able to lift the top indention. The bottom indention was too deep, so I filled in the depression with the black super glue and accelerator product to cure it. I put a dab of grease on the stem logo and soaked it in a mild solution of Oxy-clean. The bowl had a very light cake, which was reamed and I found that the bowl interior was in great shape. The pipe was soaked with alcohol and sea salt. Following the soak, the shank was cleaned and I waxed the bowl by hand with Halycon wax.

I removed the heavy oxidation with 800 grit paper. The area around the faded logo looked terrible, so I decided not to try and save the remnants. You can still see just a hint of the logo. Perhaps one day I’ll have a new Barlings stamped stem made by master repairman, George Dibos. The stem was then polished with 1,000 and 2,000 grade paper, then buffed with White Diamond and Meguiars Plastic Polish.

Below is the finished pipe, which is very compact and weighs 30 grams.

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Oddball 9438 – Legacy


By Al Jones
al_pipes_-85

I have a number of GBD 9438’s in my collection and that is probably my most favorite shape. I thought that I had seen all of the different grades and finishes, but this Legacy model is a first. The Legacy finish is one of the lower grades. The Pipepedia site has the description of the Legacy, from the 1976 catalog as:

Legacy — England, unknown if also made in France: Oiled finish, matt “take off” stain, roughened rim, carved worm hole finish. Military style turned stem. -catalog ( 1976 )

At 60 grams, the weight is average for a 9438 but it is easily the longest 9438 in my collection.

The brass rondell and straight line “London, England” stamping identify as being made prior to the merger with Comoy’s in 1982 (or 1981). The pipe had some teeth marks on the stem, but the briar looked nearly new. The pipe was delivered with some mild cake and there were some small teeth indentions on the bottom of the stem.

gbd_9438_legacy_before-1

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I reamed the bowl and gave it a light buff with White Diamond and several coats of carnuba wax. The stem was soaked in a mild Oxy-Clean solution, with a dab of grease on the rondell. I used the Stew-Mac black super glue product and accelerator to fill the teeth marks on the bottom of the stem and one small nibble on the top button ride. Those areas were sanded smooth with 800 grade paper, followed by 1,000 and 2,000 grade paper. During this process, the rondell fell off, a first for me. I used a tiny drop of the black superglue to set it back in place. Once dried, the stem was buffed with White Diamond and Meguiars Plastic polish.

As shown in the “before” photos, the military style stem was not seated fully against the shank. After cleaning the interior of the shank, the stem was able to seat fully.

Below is the finished pipe.

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