Breathing New Life into a Royal Danish 903 Made in Denmark Billiard

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by Steve Laug

The next pipe on the worktable is an obvious Stanwell shaped pipe. It has a mixed finish – sandblast on the bowl and shank with smooth panels on the left and right as well as the underside of the shank. The sandblast finish is quite beautiful even through the grime. It was purchased on 08/12/2025 from a seller in Downey, California, USA. The shape of the pipe a classic Billiard with a saddle stem pinched on the sides. There is a Crown logo stamped in the left side of the saddle stem. It was stamped on the underside of the shank on a smooth panel. It reads Royal Danish [over] Made in Denmark. The shape number 903 is stamped near the heel of the bowl. The finish was dirty with dust and grime ground into the nooks and crannies of the sandblast finish. The smooth panels on each side were dirty with oils and grime. There was a thick cake in the bowl and lava overflow on the rim top. The inner edge of the rim was covered so thickly in lava it was hard to know what was underneath. The vulcanite fancy saddle stem was calcified, oxidized and had tooth marks and chatter ahead of the button on both sides. Jeff took some photos of the pipe before he started to work on cleaning it up for us. Jeff took photos of the rim top and the stem to show the condition of the pipe when we received it. You can see the thick cake in the bowl and the heavy coat of lava filling in the blast on the rim top and inner edge of the bowl. The damage on the top front and outer edge is also visible. The stem is calcified and oxidized with light tooth chatter and marks on both sides near the button. He took photos of the sides of the bowl and the heel to give an idea of the shape and the condition of the briar around the bowl. It has a great sandblast with smooth patches on the bowl sides. The next photo Jeff took shows the stamping on the underside of the shank. It is clear and readable as noted above. The Crown logo is also visible on the left side of the saddle stem. Regardless of when this specific briar was made, the shape is very much a 1960s Danish one. I turned to Pipephil’s site and quickly scanned the article on Stanwell getting a great overview of the history. I went through the photos and did not find the shape of the pipe that I was working on (http://pipephil.eu/logos/en/logo-r6.html). There was one that showed the mixed finish of the Royal Danish line – sandblast with smooth patches on each side of the bowl. I have included a screen capture of that section below.I then turned to Pipedia and found that the Royal Danish was also listed as a second or a sub-brand made by Stanwell (https://pipedia.org/wiki/Stanwell#Sub-brands_.2F_Seconds). I have included the list of seconds from the site below. I have highlighted the Royal Danish in blue in the text.

Sub-brands / Seconds – Bijou (discontinued), Danish Quaint, Danish Sovereign, Danske Club,    Henley (discontinued), Kong Christian (discontinued), Majestic, Reddish (discontinued),  Royal Danish, Royal Guard, Royal Sovereign, Sailor (discontinued), Scandia, Sorn (discontinued), Svendson.

There was also an interesting advertising page on the Danish Briars by Stanwell. The first one on the list was the Royal Danish. The description of the line is clear and concise, be sure to read it below.Jeff had cleaned up the pipe following his normal cleaning process. In short, he reamed the bowl with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife.  He scrubbed the smooth bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the lava and debris on the rim top and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He soaked it in a bath of Briarville’s Pipe Stem Deoxidizer to remove the oxidation. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. It really looked good. I took close up photos of the stem and the rim top to show both how clean they were and what needed to be addressed with both. The rim top and bowl edges look better. The stem looked better and the tooth marks and chatter was very light.I took a photo of the stamping on the underside of the shank. You can see from the photo that it is clear and readable. I also captured the stamping of the crown on the left side of the saddle stem. I removed the stem from the bowl and took a photo of the parts to give a sense of the beauty of the pipe. I polished the smooth patches on the bowl sides and the inner edge of the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped it down with a damp cloth after each pad to remove the debris. The smooth portions took on a rich glow. I worked some Before & After Restoration Balm into the briar with my finger tips and into the blast with a shoe brush. The product works to clean, revive and protect the briar. I let it sit on the pipe for 10 minutes then buffed it off with a soft cloth. I set the bowl aside and turned my attention to the stem. I “painted” the tooth marks and chatter on the surface of the vulcanite with the flame of a Bic lighter to lift them. I was able to raise the majority of them with the heat. I filled in the remaining the tooth marks with a strong rubberized and carbon Black CA glue. Once it cured I flattened the repairs with flat files to start blending them into the surface. I sanded out the repairs with a folded piece of 220 grit sandpaper to finish blending them into the surface. I applied some acrylic white nail polish to the stamping on the stem left side.I sanded the stem with 320-3500 grit 2×2 inch sanding pads. I wiped the stem down after each sanding pad with an Obsidian Oil Cloth to remove the sanding debris. It really began to look very good.I polished out the sanding marks on the stem with micromesh sanding pads – dry sanding it 1500-12000 pads. I wiped it down with some Obsidian Oil each pad to remove the dust and polishing debris. I polished it with Before After Pipe Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil and set it aside to dry. This is another pipe that I am really happy about the look of the finished restoration. This reborn Royal Danish 903 Sandblast Billiard turned out really well. I think that it really is a great looking pipe with a great shape and grain. The polished black of the stem works well with the briar. The briar really came alive with the buffing. The rich brown stains of the finish make the grain really pop with the polishing and waxing. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Royal Danish 903 Sandblast Billiard really feels great in the hand and it looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 38 grams/1.34 oz. The pipe will be going on the rebornpipes store soon. It will be in the Danish Pipe Makers Section if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

Caminetto New Dear Hand Made in Italy with an amber acrylic saddle stem

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by Steve Laug

The next pipe on the worktable is a nice looking Caminetto New Dear Billiard that has the unique finish that I have seen on Caminetto and Ardor New Dear pipes. We purchased from a seller in Macon, Georgia, USA on 03/08/2025. In the lot of pipes there were at least three of the New Dear series pipes. This one has an amber acrylic stem. The stamping on the pipe was very clear and readable. On the left side of the shank it reads Caminetto. [over] New Dear and below that and to the left it is stamped KS and a faint shield. On the right side of the shank it is stamped Hand Made in Italy [over] Cucciago (Co). The finish was in good condition though it was grimy and dusty. The grain shone through the grime and was beautiful. There was a thick cake in the bowl with spotty lava overflow on the rusticated rim top. The inner edge appeared to be in good condition. The amber acrylic fancy saddle was lacking the moustache logo. The stem was dirty and had some light tooth marks and chatter on both sides ahead of the button. It had a lot of potential. Jeff took photos of the pipe as he saw it at this stage of his examination. The first two photos are out of focus but you can see the shape clearly. Jeff took close up photos of the rim top from various angles to show the general condition of the bowl and rim. The rim top is rusticated and fits the rest of the finish. It is made to look a bit like a plateau finish. The photos show the heavy cake in the bowl and the lava build up in the rusticated finish on the rim top. The acrylic stem was dirty and had light tooth marks and chatter on both sides ahead of the button. Jeff took a photo of the sides and heel of the bowl to give an idea of the beauty of the New Dear style of rustication on the heel and sides of the bowl. The stamping on the sides of the shank is clear and readable as noted above. I turned to Pipephil (http://www.pipephil.eu/logos/en/logo-c1.html) to see what I could learn about the Caminetto New Dear. There were no photos of the New Dear line but still the photos showed the other stamping on the pipe clearly. I have included the sidebar information below the screen capture.Brand created in 1968 by Giuseppe Ascorti († 1984), Luigi Radice and Gianni Davoli as distributor.

  • 1979 : End of he first Caminetto period. Luigi Radice left the company. Giuseppe Ascorti produced the Sergio pipes (a short time) and moved into his new workshop with his son Roberto. (See also Capitello)
  • 1986 : New Caminetto period by Roberto Ascorti

With that information in hand I turned to Pipedia (https://pipedia.org/wiki/Caminetto) to see if I could glean further information on the specific line – New Dear – that I am working on. I quote a section of the article below. I have highlighted the information on the New Dear Line in red below.

There is also another factor in stamping, that is, which series the pipe falls in. The majority of Caminetto’s one sees are those of the “Business” series, which are stamped such with their collective shape (see photo of shapes below). Another stamp that sometimes follows the “Business” one is “KS,” which from what I know means “King-size” (this could be wrong, as there are pipes stamped with KS1, KS2, and KS3).

The other series is what is known as the “Prestige” series, though I have never seen a Caminetto stamped with “Prestige.” It appears that is the name of the collective series of smooth and specialty pipes made by Caminetto and featured in the Tinder Box brochure of old. There are so many different Prestige models, shapes, and finishes, and I have only seen about 5 or 6 of them. The list, per Harvey and other collective resources, is below:

    Bagdad (Super Briar and Black Briar Moustache–stained black and smooth)

    Damasco (gold ring affixed to top of bowl; smooth)

    Double Bowl

    Excellence, Excellence Extra, and Excellence Flame (natural, light chestnut or walnut; smooth)

    Green Briar and Green Briar Moustache (stained mahogany or walnut; smooth)

    Moustache, Moustache KS, KS1, KS2, KS3, and super Moustache (top of the line model; smooth)

    New Dear, New Dear KS, KS1, and New Dear Moustache (stained light chestnut with or without black smoke ring on rim; roughly carved)

    Red Briar (stained cherry; smooth)

    Sable D’Or and Sable D’Or KS, KS1 (black, chestnut, natural, mahogany, red or walnut; sandblast)

    Tinder Box Golden Anniversary Drainplug (250 made in black or natural sandblast; 51 made in Sable D’Or sandblast or Excellence smooth finishes)

    Torch (stained mahogany or walnut; smooth)

    Twin Bowl (only one in existence that I know of, featured in Hacker’s book)

Now it was time to work on the pipe. Jeff had done his usual thorough clean up of the pipe. He had reamed it with a PipNet reamer and finished with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy’s Oil Soap and the interior with isopropyl alcohol, shank brushes, cotton swabs and pipe cleaners. The rim top and edge of the bowl at the top had a black stain to give it a flumed appearance. It was faint but still visible. He worked on the acrylic stem with Soft Scrub. He rinsed it off with warm water. It has light tooth marks and chatter on both sides. I took photos of the pipe before I started work. I took some close up photos of the bowl/rim top and the stem to show the condition they were in at this point. The rim top and edges looked good and the bowl was clean. You can see the remnants of the fluming on the rim top in the photo. The stem had light tooth marks and chatter on both sides near the button.I took photos of the stamping on the sides of the shank. It is clear and readable as noted above. I removed the stem from the shank to give a sense of the pipe. I started my work on the pipe by addressing fading of the flume on the rim top and outer edge of the bowl. I used a Walnut stain pen to darken it and match the overall look of the top and edges. Black would have been too much of a contrast but the Walnut worked very well. I polished the smooth portions of the bowl and shank with micromesh sanding pads. I dry sanded it with 1500-12000 grit micromesh pads. I wiped it down with a damp cloth after each pad. It really began to be beautiful. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers and a shoe brush to get it into the briar. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I set the bowl aside and turned my attention to the stem. I sanded the stem with 2 x 2 inch sanding pads – dry sanding with 320-3500 grit pads and wiping it down after each pad with an Obsidian Oil cloth. I was able to blend in the tooth marks.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I did a final hand polish of the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. I am excited to put the finishing touches on this Caminetto New Dear KS Billiard with a fancy amber acrylic saddle stem. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black, fancy turned vulcanite stem was beautiful. This Caminetto New Dear KS Billiard is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 2.22 ounces/63 grams. It is a beautiful pipe and one that I will be putting in the Italian Pipemaker Section on the rebornpipes store. Thanks for walking through the cleanup with me as I worked over this pipe. 

New Life for an Edwards Algerian Briar EF1 Handmade Pebble Rusticated Dublin

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by Steve Laug

The next pipe on the table is a Pebble Rusticated Dublin that Jeff picked up on 03/08/2025 from a seller in Macon, Georgia, USA. The finish is pebble rusticated on the rim top and around the bowl and shank. There is a variegated purple twisted shank extension on the end. The bowl had rich mixed browns stain all around it. There is a smooth ring around the outer and inner edge of the rim top. It is a great looking pipe. It is stamped on the heel of the bowl and the underside of the shank and reads Edwards in script [over] Algerian Briar [followed by] CF1. It is stamped Hand Made at the shank stem junction. The finish was dirty and had a lot of grime and grit ground into the rustication around the bowl. The rim top and inner edge of the bowl is dirty with a heavy lava flow on the edge and in the rustication of the top. There is a thick cake in the bowl. The rose-coloured acrylic saddle stem is dirty and there were tooth marks and chatter on both sides ahead of the button. Jeff took photos of the pipe before he started his clean up work. It showed a lot of promise. Jeff took photos of the bowl and rim top to show this thick cake in the bowl and heavy lava coat in the rustication of the rim top. Hopefully the cake and lava had protected the inner and out edge of the rim. The photos of the stem show the chatter and tooth marks on both sides. The next series of photos show the condition of the finish on the bowl. The pebble, or coral rusticated finish that Edwards put on the pipe was worn but quite unique. The rim top showed some different style of rustication. There was a smooth ring around the shank end ahead of the acrylic shank extension. The next photos show the stamping on the underside of the shank of the pipe. All of it is clear and readable. Across the board Edwards pipes were all Algerian Briar and all were unstained waxed or oiled briar. I remember reading that actually oil curing was a feature of their pipes. I did a quick look on Pipedia (https://pipedia.org/wiki/Edward’s) and found that I was correct. I quote:

Edward’s pipes were originally produced in St. Claude France when France actually was a world-class pipe maker with longstanding business & political connections to Colonial Algeria that allowed them to obtain the finest briar.

During the tumultuous 1960’s, Edward’s created a business model to offer the finest briar available in both Classic and Freehand shapes – all at a fair price. They bought the company & equipment and cornered the market on the finest, choice Algerian Briar just before the supply vanished in political turmoil of Algeria’s independence. Edward’s packed up both machinery and briar-treasure to America, safely caching the essentials to create a new pipe-making dynasty. This was a coup, for the 70’s and 80’s were grim years for pipe smokers as quality briar all but disappeared.

All of Edward’s pipes are Algerian Briar – a fact very few pipe companies can claim, and all are oil-cured utilizing natural finishes – no strange concoctions are used to interfere in your tastebud’s dance with the briar. Algerian, Calabrian, Sardinian, Corsican – take your pick, but Algerian Briar is generally considered the finest smoking briar ever used. When combined with oil-curing, Algerian takes on a magical quality that even Alfred Dunhill recognized as far back as 1918 as the choice for both his Bruyere and Shell.

With that information on the brand in hand I turned to the pipe. Jeff had cleaned the pipe well which I really appreciate because of the freedom it gives me in dealing with pipes. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub to remove the grime. Once it was rinsed off, it came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I brought it to the table. I took a close up photo of the rim top to show how clean it was. You can see the rustication on the rim top and the ring around the inner and outer edge of the rim. The rose acrylic stem looked good just some light tooth chatter and marks near the button. Overall the pipe is a beautiful looking piece.I took photos of the stamping on the sides of the shank. It read as noted above. It is clear and readable. I took a photo of the pipe with the stem removed to give a sense of the proportions of the pipe.I worked some Before & After Restoration Balm into the briar with my finger tips and a horsehair shoe brush. The product is a great addition to the restoration work. It enlivens, enriches and protects the briar while giving it a deep glow. It is a product I use on every pipe I restore. I set the bowl aside and worked on the stem. I sanded out the light tooth marks and chatter with 220 grit sandpaper to remove them. I sanded the stem with 320-3500 grit 2×2 inch sanding pads to smooth out the scratching and remaining tooth marks and chatter. I wiped it down with a damp cloth to remove the sanding debris. The stem is looking very good.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I gave it a final wipe down with Obsidian Oil to protect the stem from UV and slow down future oxidation. I don’t know what it is about finishing a restoration but I have to tell you that it is my favourite part of the process. It is the moment when everything that I have been working on comes together. I can compare it to where I started and there is always the satisfaction that it does indeed look better than when Jeff and I picked it up. I put the Edwards Algerian Briar Pebble Rusticated Dublin back together and carefully buffed it with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished uniquely shaped Edward’s Rustication looks like along with the polished fancy rose coloured acrylic stem. This is an interesting Pebble Finish Edwards Dublin and I am sure that it will be comfortable in hand when smoking as it is light and well balanced for a pipe of this size. Have a look at it with the photos below. The dimensions are Length: 6 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.87 ounces/53 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will be going on the rebornpipes store in the Pipes from American Pipe Makers Section shortly if you would like to add it to your collection. Thanks for your time.

New Life for an Israel Made Long Canadian

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by Steve Laug

The next pipe on the table is a great looking long Canadian that Jeff picked up on 12/17/2020 from an auction in Cramerton, North Carolina, USA. The finish is smooth around the bowl and shank with some leaves carved into the finish. There is one on the left side of the shank and there are three on the right side with one of them on bottom right and front. The bowl had been coated with a varnish coat that was spotty in places and would need to be removed. It is a great looking pipe. It is stamped on the underside at the shank/stem junction it reads Israel. The finish was dirty and had a lot of grime and grit ground into the rustication and the smooth portions. The rim top and inner edge of the bowl is dirty with a heavy lava flow on the edge and the top. There is a thick cake in the bowl. The taper stem has an X logo on the top. It is lightly oxidized and there were tooth marks and chatter on the surface. Jeff took photos of the pipe before he started his clean up work. It showed a lot of promise.He took close up photos of the bowl and rim top from different angles to show the condition of the bowl and the rim top. You can see the lava on the rim top and on the inner edge of a caked bowl flowing onto the top. He took photos surface of the vulcanite stem which is lightly oxidized and dirty. It has tooth marks on both sides as well as chatter. He took photos of the sides and heel of the bowl to show the rich reddish finish and the carved leaves around the right side and shank. There is great grain peeking through the grime on the shank and the sides of the bowl. Jeff took photos of the stamping on the underside of the shank to capture it. It was clear and readable as noted above. He also took a photo of the X logo on the stem top. I turned to both Pipephil and Pipedia to see if I could find any information on the stamping on the pipe. There was nothing stamped with both Israel on the shank and X on the stem top. I am pretty convinced that the pipe was made by the Shalom Pipe Company in Israel and the makers of Alpha pipes. The shape and the conformation of the pipe remind me of other Shalom pipes. While I will never know the maker for certain I am fairly confident it as noted above. It is a neat looking pipe.

When I received it from Jeff it did not look like the same pipe. It was clean and the finish had life. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. It was in good condition. He cleaned the internals of the shank and stem with cotton swabs, pipe cleaners and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. He scrubbed the stem with Soft Scrub and soaked it in Briarville’s Stem Deoxidizer. He rinsed it with warm water and dried it off with a soft cloth. It came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it.  I took some photos of the rim top and stem to show the condition of them both when the pipe arrived. Overall it looked good. There is some damage and darkening to the inner edge of the bowl. The stem looked good even with the tooth marks on the top and underside ahead of the button.I took a photo of the stamping on the underside of the shank and reads Israel. It is clear and readable and in great condition. The X stamp on the topside of the stem is faded but readable. I removed the stem from the shank and took a photo of the pipe to show the look of the pipe.I cleaned up the inner edge of the bowl with a folded piece of 220 grit sandpaper. To remove the damage on the inner bevelled edge I used a wooden sphere and 220 grit sandpaper. It looked much better. I touched up the stain on the rim top and inner edge of the bowl with a Maple stain pen to match the rest of the briar.I sanded the sides of the rim top and bowl with 320-3500 grit 2×2 inch sanding pads to remove the varnish coat. I wiped it down after each pad with a damp cloth. It really began to have a more natural shine. I polished the bowl and the high points on the plateau with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the briar down after each pad with a damp cloth. The bowl is starting to look very good. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and into leaf patterns with a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I filled in the deep tooth marks on the top and underside of the stem ahead of the button with a rubberized/carbon extra strength Black CA glue. Once it cured I used some small flat files to blend the repairs into the surface of the vulcanite. I sanded it with 220 grit sandpaper to finish blending it into the stem surface. I touched up the X stamp on the topside of the stem with some white acrylic fingernail polish. I let it harden and then scraped off the excess and went over it with a 1000 grit sanding pad. It looked very good at this point.I set the bowl aside and turned my attention to the stem. I sanded the stem with 2 x 2 inch sanding pads – dry sanding with 320-3500 grit pads and wiping it down after each pad with an Obsidian Oil cloth.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with some Obsidian Oil. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. This beautiful mixed finish Israel Long Shank Canadian with carved leaves, probably made by the Shalom Pipe Company with a slightly bent vulcanite stem has a great look and feel. I polished the stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich combination of browns and blacks in the smooth and carved leaves took on life with the buffing. The rich colour of the briar works well with the polished vulcanite stem. I like the grain and finished look of this Israel Long Shank Canadian. Have a look at it in the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 7 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 52 grams/ 1.83 ounces. This Israel Long Canadian is a real beauty. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will be going on the rebornpipes store in the Pipes from Various Makers Section shortly if you would like to add it to your collection. Thanks for your time.

New Life for a Caminetto Super Moustache Dublin Hand Made in Italy

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by Steve Laug

The next pipe on the worktable is a nice looking Caminetto Dublin that appears to me to be a higher end large, smooth pipe. We purchased from a seller in Macon, Georgia, USA on 03/08/2025. The stamping on the pipe was very clear and readable. On the left side of the shank it reads Caminetto.. [over] Super Moustache. On the right side of the shank it is stamped Hand Made in Italy [over] Cucciago (Co). The finish was in good condition though it was grimy and dusty. The grain shone through the grime and was beautiful. There was a thick cake in the bowl with spotty lava overflow on the rim top. The inner edge had a nick on the left side mid bowl but was otherwise in good condition. The stem had a newer style large, raised moustache logo on the topside of the saddle. There was a white spacer at the end of the stem. The stem was dirty and had some light tooth marks and chatter on both sides ahead of the button. It had a lot of potential. Jeff took photos of the pipe as he saw it at this stage of his examination. Jeff took close up photos of the rim top from various angles to show the general condition of the bowl and rim. The rim top is scooped at the front and back of the bowl with a rise in the middle of each side. The photos show the heavy cake in the bowl and the lava build up on the rim top. The acrylic stem was dirty and had tooth marks and chatter on both sides ahead of the button. Jeff took a photo of the sides and heel of the bowl to give an idea of the beauty of the grain on the heel and sides of the bowl. The stamping on the sides of the shank is clear and readable as noted above. I turned to Pipephil (http://www.pipephil.eu/logos/en/logo-c1.html) to see what I could learn about the Caminetto Super Moustache and the large moustache on the stem. The first item in the screen capture below is stamped the same as the one I am working on. I have included the sidebar information below the screen capture.Brand created in 1968 by Giuseppe Ascorti († 1984), Luigi Radice and Gianni Davoli as distributor.

  • 1979 : End of he first Caminetto period. Luigi Radice left the company. Giuseppe Ascorti produced the Sergio pipes (a short time) and moved into his new workshop with his son Roberto. (See also Capitello)
  • 1986 : New Caminetto period by Roberto Ascorti

With that information in hand I turned to Pipedia (https://pipedia.org/wiki/Caminetto) to see if I could glean further information on the specific line – Super Moustache – that I am working on. I quote a section of the article below. I have highlighted the information on the Super Moustache in red below.

There is also another factor in stamping, that is, which series the pipe falls in. The majority of Caminetto’s one sees are those of the “Business” series, which are stamped such with their collective shape (see photo of shapes below). Another stamp that sometimes follows the “Business” one is “KS,” which from what I know means “King-size” (this could be wrong, as there are pipes stamped with KS1, KS2, and KS3).

The other series is what is known as the “Prestige” series, though I have never seen a Caminetto stamped with “Prestige.” It appears that is the name of the collective series of smooth and specialty pipes made by Caminetto and featured in the Tinder Box brochure of old. There are so many different Prestige models, shapes, and finishes, and I have only seen about 5 or 6 of them. The list, per Harvey and other collective resources, is below:

    Bagdad (Super Briar and Black Briar Moustache–stained black and smooth)

    Damasco (gold ring affixed to top of bowl; smooth)

    Double Bowl

    Excellence, Excellence Extra, and Excellence Flame (natural, light chestnut or walnut; smooth)

    Green Briar and Green Briar Moustache (stained mahogany or walnut; smooth)

    Moustache, Moustache KS, KS1, KS2, KS3, and super Moustache (top of the line model; smooth)

    New Dear, New Dear KS, KS1, and New Dear Moustache (stained light chestnut with or without black smoke ring on rim; roughly carved)

    Red Briar (stained cherry; smooth)

    Sable D’Or and Sable D’Or KS, KS1 (black, chestnut, natural, mahogany, red or walnut; sandblast)

    Tinder Box Golden Anniversary Drainplug (250 made in black or natural sandblast; 51 made in Sable D’Or sandblast or Excellence smooth finishes)

    Torch (stained mahogany or walnut; smooth)

    Twin Bowl (only one in existence that I know of, featured in Hacker’s book)

Now it was time to work on the pipe. Jeff had done his usual thorough clean up of the pipe. He had reamed it with a PipNet reamer and finished with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy’s Oil Soap and the interior with isopropyl alcohol, shank brushes, cotton swabs and pipe cleaners. He worked on the acrylic stem with Soft Scrub then let it soak in Briarville’s Pipe Stem Deoxidizer. He rinsed it off with warm water. It has a few tooth marks and chatter on both sides. I took photos of the pipe before I started my work. I took some close up photos of the bowl/rim top and the stem to show the condition they were in at this point. The rim top and edges looked good and the bowl was clean. The one nick in the inner edge on the left side in the middle is visible below. The stem had light tooth marks and chatter on both sides near the button.I took photos of the stamping on the sides of the shank. It is clear and readable as noted above. I also captured the moustache logo on the top of the saddle stem. I removed the stem from the shank to give a sense of the pipe. I started my work on the pipe by addressing the chip/nick on the left inside edge of the bowl. I sanded it with a folded piece of 220 grit sandpaper.I sanded the rim and bowl sides with 320-3500 grit 2×2 inch sanding pads. I wanted to minimize some of the scratches in the briar. I wiped it down after each pad with a damp cloth. It really began to shine. I polished the bowl sides and shank with micromesh sanding pads. I dry sanded it with 1500-12000 grit micromesh pads. I wiped it down with a damp cloth after each pad. It really began to be beautiful. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I set the bowl aside and turned my attention to the stem. I sanded the stem with 2 x 2 inch sanding pads – dry sanding with 320-3500 grit pads and wiping it down after each pad with an Obsidian Oil cloth. I was able to blend in the tooth marks.I examined the moustache on the stem and saw white in the grooves. I used some white acrylic fingernail polish and worked it into the indentations in the stem surface with a tooth pick. Once it cured I scraped off the excess and sanded it with a 1000 grit sanding pad. I was able to remove it and the white left behind looked very good. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I did a final hand polish of the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. The white band on the end of the stem and the white moustache looked good together. I am excited to put the finishing touches on this Caminetto Super Moustache Dublin with a fancy acrylic saddle stem. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black, fancy turned vulcanite stem was beautiful. This Caminetto Super Mousetache Dublin is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 7 inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ¾ inch wide x 2 inches long, Chamber diameter: 7/8 of an inch. The weight of the pipe is 2.82 ounces/80 grams. It is a beautiful pipe and one that I will be putting in the Italian Pipemaker Section on the rebornpipes store. Thanks for walking through the cleanup with me as I worked over this pipe.

New Life for a Malaga Long Oval Shank Volcano Sitter

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by Steve Laug

The next pipe on the table is an interesting long oval shank Malaga Volcano. Jeff saw it on eBay and purchased it on 11/04/2025 from a seller in Orlando, Florida, USA. The grain on this pipe is nice beneath the oil finish stain. But what makes it different is that the pipe is etched with lines breaking up the bowl sides and long shank into various quadrants. The rim top and heel of the bowl were smooth. The pipe is stamped on the top side of the shank and reads “MALAGA”. It is a unique one in terms of the shape and the etching style rustication. The bowl and shank were in excellent condition. The finish was in good condition with no damage. The bowl was clean with some darkening on the bowl walls and also some raw briar. It was a lightly smoked pipe and other than dirty was quite clean. The rim top and inner edge of the bowl looked very good. The taper stem was vulcanite and was lightly oxidized. There were light tooth marks on the top and the underside ahead of the button. Jeff took photos of the pipe before he started his clean up work.  Jeff took photos of the rim and bowl to show clean bowl and rim top and edges. The inner edge of the rim looked good. The grain on the rim top is quite nice. It was a dirty pipe but still a beauty. The vulcanite stem was lightly oxidized and had light tooth marks and some chatter on the top and underside of the stem. The photos of the sides and heel of the bowl show some stunning and unique grain and etching rustication around bowl and shank. The oil curing/finish makes the grain really stand out. Jeff took a photo of the stamping on the topside and it is clear and readable as noted above. For those of you who are unfamiliar with the brand, I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/2013/02/09/george-khoubesser-and-malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. If you are interested to learn more then I invite you to follow the link to get a feel for the brand and the pipemaker.

I am also am including a link to some printed material on the Malaga brand that came to me from the daughter of George Koch (we purchased George’s pipes from his daughter) to help identify the particular stamping on the pipe. The link takes you to the entire collection of materials that were sent to me. (https://rebornpipes.com/2019/02/27/malaga-pipes-catalogue-of-pipes-and-tobaccos/).

Jeff had cleaned up the pipe using his usual process. He cleaned up the bowl with a PipNet pipe reamer and a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub to remove oxidation and cleaned the inside with alcohol and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water when he removed it. It looked quite good. The photos below show it well. I took a photo of the rim top and the stem to show their condition. Jeff cleaned up the grime and debris in the briar and rustication. The rim top was clean as were the inner and outer edges of the bowl. The stem looked better and the light tooth marks are visible on both sides.I took a photo of the stamping on the topside of the shank to show that it was clear and readable. I removed the stem from the shank and took a photo of the parts to give a sense of what the pipe looks like.It was time to start my work on the pipe. I sanded the scratches and marks on the rim and bowl sides with 320-3500 grit 2×2 inch sanding pads. I wiped it down after each pad with a damp cloth. It really began to shine. I polished the bowl sides and shank with micromesh sanding pads. I dry sanded it with 1500-12000 grit micromesh pads. I wiped it down with a damp cloth after each pad. It really began to be beautiful. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I sanded the stem with 2 x 2 inch sanding pads – dry sanding with 320-3500 grit pads and wiping it down after each pad with an Obsidian Oil cloth.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I did a final hand polish of the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. I put the stem back on the “Malaga” Etched Oval Shank Volcano Sitter and took it to the buffer. I buffed the bowl and stem with Blue Diamond to polish the briar and the vulcanite. Blue Diamond does a great job on the smaller scratches that remain in both. I gave the bowl and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. I am amazed at how well it turned out. The finished pipe is shown in the photos below. This is a beautiful “Malaga” Etched Volcano Sitter and the hard rubber taper stem and smooth finish combine to give the pipe a great look. I honestly have no idea why it is labeled a second as there are no fills or flaws in the briar. The dimensions of the pipe are Length: 6 ¼ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.66 ounces/47- grams. This is another pipe that I will be putting on the rebornpipes online store in the American Pipe Makers and Pipemaking Companies Section shortly, if you are interested in adding it to your collection. Thanks for walking through the restoration with me on this beauty!

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

New Life for a Svendborg Danish Hand Carved Sand Blast Bent Dublin with a 9MM filter saddle stem

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by Steve Laug

The next pipe on the table is one that has travelled much in its life. It went from Denmark to the Philippines and then to the US and now here in Canada. We picked it up in a batch of pipes we purchased from John Mags, a pipemaker in Lapaz, Philippines on 04/24/2025. The sandblast finish around a fluid Danish style Dublin works well to make this a great looking pipe. The pipe was stamped on a smooth panel on the underside of the shank and read P [over] Svendborg [over] Danish [over] Hand Carved. The rich dark brown/black stain on the sandblast finish looked very good. It had a lot of dust and debris in the valleys of the sandblast. The bowl had a moderate cake in it and it overflowed as light lava into the sandblast rim top. It was dirty but very interesting looking. The stem was quite oxidized but still had the Svendborg infinity looking logo on the left side of the saddle. It is a 9MM filter stem. There were light tooth marks on both sides ahead of the button. Jeff took photos of the bowl before his clean up work to give a sense of its beauty even with the grime in the finish. He took photos of the rim top and bowl to show clearly the cake in the bowl and the overflow of lava in the sandblast rim top. The condition of the stem is also visible as noted above. The next photos capture the sandblast in the briar on the sides and heel of the bowl. It is a beautiful blast that shows the grain around bowl sides and the heel of a well shaped Dublin. He captured the stamping on the underside of the shank and the shape of the stem in the next photos. The stamping is faint in spots but still readable and reads as is noted above. Before I started working on the pipe I did a bit of research on the brand to remind myself of what I knew of the maker. I turned to Pipephil’s site first (http://www.pipephil.eu/logos/en/logo-s14.html). I did a screen capture of the information on the site. I did a screen capture of the pertinent information and have included it below.I copied and pasted the side bar information below:

Brand founded in 1970s by Henrik Jørgensen, Poul Ilsted and Tao Nielsen. They bought an old factory (Nordisc Pibefabriker) in Svendborg on Funen Island. Poul and Tao gradually bow out from machine manufactured pipes (1982) and Henrik Jørgensen manages the brand until its takeover by Design Berlin (D) in the late 90ies. Kaj C. Rasmussen jointed the firm for several years. 17 employees worked for this brand under Henrik Jørgensen direction.

That link gave me a bit of information on the brand – a joint venture of Henrik Jorgensen, Poul Ilsted and Tao Nielsen. I could see from the information that usually the carvers stamped their names on the shank of the pipe. In the case of the one I have there is no name stamp. I wonder if the P stamp above the name would point to possibly Poul Ilsted as the carver. If so it would put the date of the carving before 1982 when Ilsted and Nielsen left. It is stamped Hand Carved which also points to a pre-1982 date.

I then turned to Pipedia and found that an article on the brand that was helpful and interesting to read (https://pipedia.org/wiki/Svendborg). I have included the first part of the article below.

Jens Tao Nielsen and Poul Ilsted Bech met each other when working together for Erik Nørding and soon became close friends. Both felt a bit tired to make nothing but bizarre fancy shapes and agreed they wanted to produce pipes of more style and more classicism. They decided to establish their own brand “Tao & Ilsted” – But how to do it?

A good fortune brought them in contact with Henrik Jørgensen, a passionate pipe lover and a wealthy Copenhagen banker who was willing to retire from bank business and change his career to become a pipemaker. The trio joined in 1969 and decided to start a new pipe brand together. Nielsen and Ilsted started to search for a suitable workshop while Jørgensen took care of the finances. In early 1970 the partners found an old, closed down pipe factory in Svendborg on Funen, and bought it shortly after for a mere 16.500 Danish Kroner. It was the earlier Nordic Pipe Factory – Nordisc Pibefabriker – maybe the oldest Danish pipe factory. And now it became the home of Svendborg Piber.

The article also included this set of pages from a catalogue that were interesting. The philosophy that drove the brand is also there to read. It is well worth the time to pause and read about that passion.Now it was my turn to work on the pipe. Jeff had done an amazing cleanup of the pipe. He reamed the light cake with a PipNet reamer and cleaned up that with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and rinsed the bowl off with running water. He soaked the stem in Briarville’s Pipe stem Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and rubbed it down to remove any oxidation that was still on the stem. The pipe looked very good when I received it. I took photos of the bowl and the rim top as well as both sides of the stem to show the condition of the pipe before I started my work. The rim top looked remarkably good. The next photos show the condition of the stem and how clean it came out.I took a photo of the stamping on the underside of the shank and the left side of the saddle stem. The photo of the stamping is faint but still readable. I also removed the stem and took a photo of the parts of the pipe.I went over the rim top with a brass bristle wire brush to knock off any debris in the shallow blast. Some came out and it looks quite good.I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips and a horsehair shoe brush. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I touched up the infinity style Svendborg logo stamp on the left side of the saddle stem with white acrylic fingernail polish. I worked it into the stamp with a tooth pick. Once it dried I sanded the excess off with a worn 1000 grit sanding pad. It looks significantly better.I sanded the surface of the stem with 320-3500 grit sanding pads to smooth the tooth chatter out and remove remnants of oxidation. When finished the stem looked much better.I fit the tenon with a 9MM filter. The fit was perfect as expected and the airflow was unrestricted.I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This Svendborg Danish Hand Carved Dublin P with its fancy, vulcanite 9MM saddle stem is a beautiful sandblast pipe with a flowing shape that looks great. The rich browns and blacks of the contrasting stain makes the grain come alive with the polishing and waxing. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Svendborg Danish Hand Carved Dublin really is a beauty and fits nicely in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.76 ounces/50 grams. This pipe will soon be on the Danish Pipe Makers Section of the rebornpipes store if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it.

Restoring a 1969 Dunhill Shell Briar 59 F/T Billiard

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by Steve Laug

The next pipe on the table is one that came to us from a seller in Ogden, Utah, USA on 05/04/2025. It is a Dunhill sandblast that is in decent condition. It is stamped on a smooth panel on the underside of the shank with the shape number 59 F/T followed by Dunhill [over] Shell Briar. Next to that it is stamped Made in [over] England with the date number 9 after the D in England with an 11 below and to the right of the 9. After that it is stamped with a 4 in a circle [followed by] S for Shell Briar. The stamping is clear and readable as noted above. The finish was dusty and oily around the nooks and crannies of the sandblast but otherwise looked good. The bowl had been recently reamed but was dirty and there were some light lava spots on the sandblasted rim top or edges. The edges looked to be undamaged with some rounding on the outer edge. The taper stem was lightly oxidized, dirty and had light tooth marks and chatter ahead of the button. Jeff took photos of the pipe to show what it looked like before he started working on it. Jeff took photos of the bowl and rim top to show the general clean condition of the bowl and the light lava spots on the rim top. The photos of the stem to show the condition of both sides of the stem as noted above. He took photos of the sides of the bowl and the heel to show the beautiful grain in the sandblast around the bowl. It really is a beautiful piece of briar that has a shape that follows the grain. The finish is nice but it also dirty with dust ground into the finish. Jeff took photos of the stamping on the heel of the bowl and underside of the shank. It is clear and readable as noted above.I turned to the dating key on Pipephil’s site (http://www.pipephil.eu/logos/en/dunhill/cledat-en1a.html) to establish a date for the pipe. I drew a red box around the pertinent information below. It fits the criteria of a Sandblast with a year suffix and a Non-possessive form Dunhill. The suffix is the number 9 same size as the D which puts in the section below which notes 1960 + suffix 9 to establish a date. In this case it is 1960 + 9 making the pipe a 1969. The 11 stamped right and below of the 9 would point to the possibility that pipe was retailed in 1971.

I turned to Pipedia to verify this date on the pipe and have included the link and the post for that below (https://pipedia.org/wiki/Pipedia_Dunhill_Dating_Guide#Post-Patents). It verifies that date is 1969. I have included further information that was on the site for this time period. I have highlighted the pertinent information in red below:

[1955 up to 1969] Only a single suffix number.

The date code is just after ENGLAND: 1950 +: 5, 6, 7, 8 and 9 for the 50s and 0 for 1960 (they are smaller and underscored) then, 1, 2, 3, 4, 5, 6, 7, 8 and 9 for the 60s (they are equal in size to the “D” in the word “ENGLAND”).

  • Sometimes two suffix numbers (one after the other), but it’s an additional stamp for warranty control (see more here).
  • From 1961 up to 1964 we can find numbers without underscore – the code is a raised and smaller than the preceding “D”.
  • Sometimes the numbers 6, 7, 8 and 9, in the 50s, are roughly equal in size to the “D” in the word “ENGLAND”.
  • DUNHILL over finish stamp (BRUYERE or ROOT BRIAR). On sandblasted DUNHILL followed by the name of the finish (DUNHILL SHELL, etc).

Now it was my turn to work on the pipe. Jeff had done an amazing cleanup of the pipe. He reamed the light cake with a PipNet reamer and cleaned up that with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and rinsed the bowl off with running water. He soaked the stem in Briarville’s Pipe stem Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and rubbed it down to remove any oxidation that was still on the stem. The pipe looked very good when I received it. I took photos of the bowl and the rim top as well as both sides of the stem to show the condition of the pipe before I started my work. The rim top looked remarkably good. The next photos show the condition of the stem and how clean it came out.I took a photo of the stamping on the shank. The photo of the stamping is clear and readable. I also removed the stem and took a photo of the parts of the pipe.I went over the rim top with a brass bristle wire brush to knock off any debris in the shallow blast. Some came out and it looks quite good.I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips and a horsehair shoe brush. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I sanded the surface of the stem with 320-3500 grit sanding pads to smooth tooth chatters out and remove remnants of oxidation. When finished the stem looked much better. I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This 1969 Dunhill Shell Briar 59 F/T Group 4 Billiard has a beautiful, unique Dunhill Sandblast finish that is not as deep as the older ones. The rich brown/black finish highlights some great grain around the bowl and shank. The polished vulcanite taper stem adds to the mix. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. It is critical to avoid buffing the stamping and to have a lighter touch on the sandblast briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Dunhill Shell Briar 59 F/T Billiard is quite stunning and feels great in my hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.38 ounces/39 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I am going to add it to the rebornpipes store in the British Pipemakers Section. If you would like to add it to your collection let me know. Thanks for your time.

I love the shape of this Sandblast Charatan’s Make 38 Straight Bulldog

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by Steve Laug

The next pipe on the table is a nice rusticated looking sandblast Bulldog shaped pipe. We purchased it from a seller in Downey, California, USA on 08/12/205. On the heel of the bowl it is stamped on a smooth panel on the left underside of the diamond shank. It reads Charatan’s Make [over]London. England. Underneath it is stamped with a cursive L near the bowl and the shape number 38 on the shank end. The pipe has a rugged, deep sandblast that I really like. The finish was very dirty with dust in all of the rustication, making it hard to see beyond that to the finish underneath that. There was a thick cake in the bowl and a heavy overflow of lava filling in the sandblast on the rim top. It was hard to know at this point the condition of the rim edges. The stem was oxidized, calcified and there were light tooth marks and chatter on both sides just ahead of the button. The stem has the Charatan’s CP logo on the top left side of the diamond saddle stem and it is faint but readable. I am not sure if it is deep enough to survive the clean up. Jeff took photos of the pipe before he started working on it. I include those below. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the rim top and dust and grime in the sandblast. It was thick and hard but hopefully it had protected the rim and edges from damage. The lava is deep in the blast and there is a buildup on the inner edge of the bowl. The stem shows oxidation, calcification and marks as noted above. Jeff took a photo of the sides and heel of the bowl to show the condition of the finish – the grime and grit all over the sides and bottom of the bowl. The blast is deep and dirty but it is interesting. This is a very tactile finish and one that I enjoy. Jeff took a photo of the stamping on the left underside of the shank and the CP stamp on the diamond saddle of the stem. It is very clear and readable as noted above.This pipe was a real mess like many of the pipes we work on. I was curious to see what it would look like when I unpacked it. I was surprised at how good it looked. Jeff reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish on the bowl looked really good when I got it. The rim top looked much better and the inner and outer edges were looking good. There was some debris in the grooves of the rim top that still needed to be picked out. He had cleaned the internals and scrubbed the exterior of the stem and soaked them in Briarville’s Pipe Stem Deoxidizer bath to remove the oxidation. The stem looked very good other than the very light tooth marks and chatter in the surface. I took photos of the pipe before I started my work on it.   I took photos of the condition of the rim top and stem before I started working. The rim top looks very good. The crevices and valleys of the rustication are clean and look great. The bowl is spotless. The stem is lightly oxidized and has some tooth marks and tooth chatter. The Savinelli S shield on the top of the stem is worn and very shallow. It will be hard to save in the clean up work. I took a photo of the stamping on the underside of the heel and the shank. It is clear and readable as noted above. I took the bowl and stem apart and took a photo of the pipe to show the look of the pipe.I started my work on the pipe by working over the rim top with a brass bristle wire brush to remove the debris deep in the grooves of the rim top. It was looking much better. It was ready for the next step. I worked some Before & After Restoration Balm into the finish of the bowl and the rim top and shank with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I find that the balm really makes the briar come alive again. The contrasts in the layers of stain and the separate finishes really made the grain stand out. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The bowl really looks good at this point. I filled in the tooth marks on the top and underside with clear CA glue and set it aside to cure. Once cured I used a small file to flatten the repair and then sanded it with 220 grit sandpaper to blend it into the surface of the vulcanite. I touched up the CP stamp with white acrylic nail polish. I scraped off the excess and smoothed it out with a worn 1500 grit sanding pad.I sanded the stem to further blend in the repairs with 320-3500 grit 2 inch square sanding pads. I wiped down the stem with an Obsidian Oil Cloth after each sanding pad. At this point the stem is looking better and the repairs blended in well. The CP stamp also looked very good. I polished the stem with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. I wiped it down with an Obsidian Oil cloth after each pad. I polished it further with Before & After Pipe Stem Polish – both fine and extra fine. I gave it another wipe down with the Obsidian Oil cloth and buffed it to a shine. Once again, I am at the part of the restoration that I always look forward to – the moment when all the pieces are back together. I put the Lane Era Charatan’s Make London England 38 Bulldog back together and lightly buffed the bowl with Blue Diamond. I buffed the stem with a heavier touch with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like in contrast with the black vulcanite stem. This dark stained Charatan’s Make 38 Straight Bulldog must have been a fine smoking pipe judging from the condition it was in when I started. Have a look at it in the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.23 ounces/35 grams. This is one that will go on the British Pipemakers Section of the rebornpipes online store shortly. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.

Renewed Life for a Savinelli Capri Root Briar 115 Pot

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by Steve Laug

The next pipe on the table is a nice rusticated looking pot shaped pipe. We purchased it from a seller in Downey, California, USA on 08/12/205. On the heel of the bowl it is stamped Savinelli Capri over Root Briar. That is followed by The Savinelli “S” shield and the shape number 115 [over] Italy. The pipe has a Sea Rock or coral style rustication that I really like. The finish was very dirty with dust in all of the rustication, making it hard to see beyond that to the finish underneath that. There was a thick cake in the bowl and a heavy overflow of lava filling in the rusticated rim top. It was hard to know at this point the condition of the rim edges. The stem was oxidized, calcified and there were light tooth marks and chatter on both sides just ahead of the button. The stem did not have the Savinelli S shield logo on the top of the stem and it is not clear if it wore off with buffing or it was not present. Jeff took photos of the pipe before he started working on it. I include those below. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the rim top and dust and grime in the rustication. It was thick and hard but hopefully it had protected the rim and edges from damage. The lava is deep in the rustication and there is a buildup on the inner edge of the bowl. The stem shows oxidation, calcification and marks as noted above. Jeff took a photo of the sides and heel of the bowl to show the condition of the finish – the grime and grit all over the sides and bottom of the bowl. The rustication is deep and dirty but it is interesting. This is a very tactile finish and one that I enjoy. Jeff took two photos of the stamping on the underside of the shank to capture all of it. It is very clear and readable other than the shape number 115.This pipe was a real mess like many of the pipes we work on. I was curious to see what it would look like when I unpacked it. I was surprised at how good it looked. Jeff reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish on the bowl looked really good when I got it. The rim top looked much better and the inner and outer edges were looking good. There was some debris in the grooves of the rim top that still needed to be picked out. He had cleaned the internals and scrubbed the exterior of the stem and soaked them in Briarville’s Pipe Stem Deoxidizer bath to remove the oxidation. The stem looked very good other than the very light tooth marks and chatter in the surface. I took photos of the pipe before I started my work on it. I took photos of the condition of the rim top and stem before I started working. The rim top looks very good. The crevices and valleys of the rustication are clean and look great. The bowl is spotless. The stem is lightly oxidized and has some tooth marks and tooth chatter. The Savinelli S shield on the top of the stem is not present. I took a photo of the stamping on the underside of the heel and the shank. It is clear and readable as noted above. I took the bowl and stem apart and took a photo of the pipe to show the look of the pipe.I started my work on the pipe by working over the rim top with a dental pick and a brass bristle wire brush to remove the debris deep in the grooves of the rim top. I wiped it down with isopropyl alcohol and a folded pipe cleaner to remove the debris loosened by the pick and the brush. It was looking much better. I touched up the cleaned rim top with a Walnut stain pen to match the stain around the rest of the bowl. It looks quite good. It was ready for the next step. I worked some Before & After Restoration Balm into the finish of the bowl and the rim top and shank with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I find that the balm really makes the briar come alive again. The contrasts in the layers of stain and the separate finishes really made the grain stand out. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The bowl really looks good at this point. I sanded the stem to smooth out the tooth marks and chatter. I used 320-3500 grit 2 inch square sanding pads. I wiped down the stem with an Obsidian Oil Cloth after each sanding pad. At this point the stem is looking better and the tooth marks are gone. I polished the stem with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. I wiped it down with an Obsidian Oil cloth after each pad. I polished it further with Before & After Pipe Stem Polish – both fine and extra fine. I gave it another wipe down with the Obsidian Oil cloth and buffed it to a shine. Once again, I am at the part of the restoration that I always look forward to – the moment when all the pieces are back together. I put the Savinelli Capri Root Briar 115 Pot back together and lightly buffed the bowl with Blue Diamond. I buffed the stem with a heavier touch with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like in contrast with the black vulcanite stem. This dark stained Savinelli Capri Pot 115 must have been a fine smoking pipe judging from the condition it was in when I started. Have a look at it in the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 1.52 ounces/44 grams. This is one that will go on the Italian Pipemakers Section of the rebornpipes online store shortly. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.