Tag Archives: polishing

This long shank Bulldog really came out looking amazing


Blog by Steve Laug

The next pipe on the work table is one that came to us from a pipe hunt that Jeff or I did and we cannot remember where and when we picked it up. Our memory is that it has been sitting around for a while waiting to be restored. It does not have and stamping on the left side of the shank. On the right side it reads Made In [over] London, England. The vulcanite saddle stem has no identifying marks that help with identification. The pipe has an interesting mix of grain – swirls, birdseye and cross grain around the bowl and long shank. When the pipe arrived here it was very clean. Jeff had done his usual thorough job in removing all of the cake in the bowl and the lava on the rim top. He had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He took the cake back to bare briar so we could check the walls for damage. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime on the bowl and rim and was able to remove the lava and dirt. He cleaned out the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol until they came out clean. He cleaned the stem with Soft Scrub to remove the grime on the exterior and cleaned out the airway with alcohol, cotton swabs and pipe cleaners. I took photos of the pipe before I started my part of the work. I took photos of the rim top and the stem. The photo of the rim top shows how clean the bowl looks and some of the damage to the inner edge of the bowl. There is also a small sand pit in the middle of the rim top at the back of the bowl. The stem still had some oxidation that would need to be worked on. The photos also show the tooth marks and chatter on both sides at the button. I took photos of the stamping on the left side of the shank. The stamping is clear and reads as noted above. I removed the stem from the shank and took a photo of the parts to give an idea of the flow and form of the pipe. It is a nice looking Bulldog. The pipe reminded me of another long shank Bulldog I had restored previously so I turned to the blog about that restoration and reread the article. That pipe had been stamped ROTA’S, Made in London, England and was a Bulldog (https://rebornpipes.com/2020/04/20/restoring-a-bit-of-a-mystery-rotas-made-in-london-england-long-shank-bulldog/). I have included a photo of the finished sandblast pipe below.When I worked on above ROTA’S Pipe I recalled thinking that it reminded me of another pipe. I quote what I wrote in that blog below.

While I was working on the pipe there was something about the shape, particularly the cap above the twin rings and the way the bottom of the bowl flowed into the diamond shank that reminded me of some GBD Bulldogs that I had worked on. I searched online for long shank GBD Bulldogs and found the one that I was thinking about. The link led me to a pipe on the site smokingpipes.com – a GBD Celebrity 268 Bulldog. I am including both the link and a picture below (https://www.smokingpipes.com/pipes/estate/england/moreinfo.cfm?product_id=141918). While the GBD has a slightly shorter shank on it you can see the similarity to the Rota’s pipe and the no name Made in London England pipe on the table now. There is certainly a possibility that both pipes came from the GBD factory in London. However the mystery still remains cloaked in uncertainty.

Now it was time to work on the pipe itself. I used a folded piece of 220 grit sandpaper to clean up the damaged inner edge of the rim. I cleaned up the edge and removed the damaged briar on that portion of the bowl. Once I finished it looked much better than when I started. I polished the bowl and rim top with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping the briar down with a damp cloth after each sanding pad.  I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.   I set the bowl aside and turned my attention to the stem. I “painted” the surface of the stem with the flame of a Bic lighter to lift the tooth marks on the surface of both sides. It worked very well and I would be able to buff the remnants out with micromesh. I scrubbed the stem with Soft Scrub All Purpose Cleaner and cotton pads to remove the remaining oxidation in the vulcanite.  I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.     Once again I am the part of the restoration that I always look forward to – the moment when all the pieces are put back together. I put the Made in London, England Long Shank Bulldog back together and buffed the bowl and stem with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the rich brown stains around the bowl. The black vulcanite saddle stem stands out as a shiny black contrast to the colours of the bowl. It is a light weight pipe that could be clenched and smoked while doing other things. Have a look at it with the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 38grams/1.34oz. This one will soon be on the rebornpipes online store in the British Pipe Makers section. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.

Refreshing a Zenith Double Walled Ceramic Calabash


Blog by Steve Laug

The next pipe on the work table came to us from a group of pipes that we purchased from an antique store in in Montana, USA on one of Jeff’s pipe hunts. It is a double walled ceramic pipe with an acrylic stem. The pipe is stamped on the brass band on the shank and reads ZENITH [over] HOLLAND. Like a meerschaum it has begun to develop a nice patina around the sides of the bowl mid bowl. The finish was dirty and there was gum from price tags on the surface of the stem. The bowl was moderately caked and there was some darkening on the inner edge of the rim. The edges looked to be in excellent condition. The stem was in good condition other than the labels that had been stuck on it and some tooth chatter and marks on the top and underside near the button. The pipe showed promise but it was very dirty. Jeff took photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the condition of the rim top and domed edges. He also took photos of the top and underside of the stem to show the light chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the porcelain bowl looked like.    He took photos of the stamping on the band. It reads as noted above and is clear and readable. I turned to Pipedia to look up the brand and find out the background on the Zenith brand as I like that background on the pipes I work on (https://pipedia.org/wiki/Zenith). For me the background adds colour to the restoration work. I quote in full the article below.

From Pipes, Artisans and Trademarks, by José Manuel Lopes

Zenith is a porcelain pipe brand whose origins go back to 1749 when half the population of Gouda, around 10 thousand people, were employed in pipe manufacturer.

The brand itself was created at the end of World War I and belongs to Royal Delft. The factory has always been in the same family, and Aart van der Want (eighth generation) has been its head since 1984.

(The following is courtesy, Amsterdam Pipe Shop)

History

The history of the Zenith factory starts in 1749 when Pieter van der Want becomes master pipe maker of the Gouda pipemakers’ guild. He is the first of eight generations of pipe makers in succession from father to son. From the 1950’s the Zenith company is the oldest pipe factory in the world, the firm Chacom in Saint-Claude, founded 1780, is the second oldest.

After having produced clay tobacco pipes for a period of over 150 years, the Gouda factory modernizes its techniques. Pipes were no longer pressed from stiff pipe clay in metal moulds but are shaped in plaster moulds with liquid clay, the so-called slib cast technique. The backed products are covered with a transparent glaze that gives them a smooth, shiny and delicate look. The glaze also makes them less breakable.

Due to the porosity of the ceramic, the slib casted pipes absorb all the moist which attributes Zenith pipes the quality of a cool and dry smoke. In the 1920’s the product is perfected when the so-called “hollow bowl system” is introduced. Between the outside glazed pipe and the inner bowl an open space is created in which the smoke can circulate, where it cools down and the humidity of the smoke is absorbed by the pottery sherd. This invention makes the Zenith pipe to the ultimo dry smoker. Above that, ceramic is the best material to keep the aroma alive, without adding a taste of the pipe itself.

Characteristics

Zenith pipes are produced in a variety of designs and finishes. The ordinary pipe is single walled being mounted with a metal ferrule and a black vulcanite mouthpiece. From the moment of its introduction, circa 1900, millions were sold. After a period of smoking a picture appears on the pipe, that becomes visible when the pipe itself turns brown by the tobacco moist. These so-called mystery pipes were highly fashionable in the 1920’s but are still available with more recent images.

The best known series are the “Old Mokum” pipes. The shapes were designed from the 1970’s onwards by designers like Niels Keus and Dirk van der Want. Credit is that the designs are fully new and different to the common briar pipe. Pipes of the Old Mokum series are mounted with a black rubber plug that holds the vulcanite mouthpiece. The shape named Amsterdam is the larges and gives the best cooling. The smaller version is called Manhattan, having an almost time less look, modern for eternity. Especially younger smokers favour this shape. More traditional are the calabash and a heeled shape known as London.

More luxurious are the shapes from the series “Black Magic”, named after foreign towns like Karachi and Bombay. They are characterized by an own design line having a bulbous bowl and a sportive stem shape. Standard production colour is black, but white and blue varieties are available as well. Next to the round version the series are produced in an octagonal version named facet. Their shape is more subtle, the price however is a bit higher.

The “Gouda classic” is the line more like the traditional briar pipes or the meerschaum pipes. Straight and bent versions are in production with the standard billiard bowl, the Dublin and a bent London. These pipes are mounted with a gilt metal band that underlines their exclusive finish.

The Amsterdam Pipe Shop selection

Amsterdam Pipe Shop is the only shop in Holland that supplies the complete assortment of Zenith. Prices go from 30 to 95 Euro for the standard shapes. Compared to briar pipes these prices are very reasonable while the Zenith pipe offers a unique smoke experience because in no other pipe the taste of the tobacco is so pure as in ceramic. The cooling system is a guarantee for a dry, cool and tasteful smoke. Starting to smoke a Zenith pipe is simple as can be, since the long and annoying period of breaking in a new pipe can be skipped.

Next to the standard white versions Amsterdam Pipe Shop also carries the coloured Zenith pipes. Among them the shapes like Bombay, Karachi, also the Duke, a comfortable bent reading pipe. Above that, also a series of Delft blue versions are available, especially popular among American smokers.

From the article I followed a lead to the Amsterdam Pipe Shop and picked up the following page that gives a great summary of the history that is edited for the Pipedia article. I have included a screen capture of the entire page below as well as the link (http://www.pijpenkabinet.nl/Smokiana/04-E%20Zenith.html).Now it was time to work on the pipe. Jeff had cleaned up the pipe with his usual penchant for thoroughness. He scraped the bowl of  the pipe with a Savinelli Fitsall Pipe Knife to remove the cake that was there.  He scrubbed both the interior and the exterior of the pipe and bowl with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub all purpose cleaner to remove the sticky glue on the topside and the grime on the surface. He rinsed it off with warm water. I took photos of the pipe once I received it.   The rim top and inner edge of the rim looked very good. The glaze on the bowl shown beautifully the inner edges and bowl were very clean. The patina on the bowl looked very good. The stem surface looked very good with some light tooth marks and chatter on both sides near the button. I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is an acrylic taper stem. There is a cork gasket in the shank that holds the metal tenon firmly in place against the shank end. This photo shows some of the waves of patina that are developing along the walls of the shank and bowl. It really is a pretty pipe. The bowl was in excellent condition and the glaze on the ceramic sealed it well. I did not need to polish or wax the bowl at all. It really is an effortless cleanup for me in terms of the bowl after Jeff’s cleanup. I polished the acrylic stem with micromesh sanding pads – 1500-12000 grit pads to remove the light tooth chatter and marks near the button. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Holland Zenith Double Walled Ceramic Calabash with an amber coloured acrylic taper stem is a great looking pipe now that it has been restored. The stamped Zenith Holland stamp on the left side of brass ferrule is clear and readable. The patina that is developing around the bowl that shines through the ceramic glaze is stunning. I buffed the entire pipe with a clean buffing pad which real brings the shine out with the wax. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Zenith Double Walled Ceramic Calabash fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 ¼ inches, Height: 3 inches, Outside diameter of the bowl: 2 ¼ inches, Chamber diameter: 1 of an inch. The weight of the pipe is 73gr/2.57oz. I will be adding it to the French Pipe Makers section of the rebornpipes store shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

 

New Life for a Butz-Choquin Virginia 1027 Bulldog


Blog by Steve Laug

The next pipe on the work table came to us from a group of pipes that we purchased from a fellow in Los Angeles, California, USA. It is a beautiful grained Bent Bulldog pipe with a saddle vulcanite bent stem. The pipe is stamped on the left side of the shank and reads Butz-Choquin [over] Virginia. On the right side of the shank it reads St. Claude [over] France [over] the shape number 1027. The stain highlights the nice grain around the bowl. The finish had a lot of grime ground into it. The bowl was moderately caked and there was a light lava coat on the top and the inner edge of the rim. The edges looked to be in excellent condition. The stem was oxidized and had tooth chatter and marks on the top and underside near the button. There was a stamped white BC on the left side of the saddle stem. The pipe showed promise but it was very dirty. Jeff took photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the condition of the rim top and beveled inner edges. He also took photos of the top and underside of the stem to show the oxidation, calcification and chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like.        He took photos of the stamping on the shank and the stem. It reads as noted above and is clear and readable.    Now it was time to work on the pipe. Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the exterior of the pipe and bowl with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it.   The rim top and inner edge of the rim looked very good. The stem surface looked very good with some light tooth marks and chatter on both sides near the button.    I took a photo of the stamping on the shank. It is clear and readable as noted above.    I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is a taper stem. The BC logo stamp on the stem is faded so it will need to be touched up. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth between each sanding pad.  As I polished the bowl the fills around the cap and left side became visible. They were tiny but they were present. I rubbed the briar down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The fills while still present blended into the surrounding briar better after the balm.  I “painted” the stem surface with the flame of a lighter and was able to lift all of the tooth marks in the surface and return it to a smooth finish. This was truly a best case scenario!   I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I touched up the stamping on the stem with Paper Mate Liquid Paper. I rubbed it into the stamp with a tooth pick and then scraped it off.  This Butz-Choquin Virginia 1027 Bent Bulldog  with saddle vulcanite taper stem is a great looking pipe now that it has been restored. The stamped BC logo on the left side of the stem looks very good. The beautiful grain that shines through the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the entire pipe with a clean buffing pad which real brings the shine out with the wax. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished BC Virginia Bulldog fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 39gr/1.38oz. I will be adding it to the French Pipe Makers section of the rebornpipes store shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Breathing New Life into a GBD Oom Paul 235


Blog by Steve Laug

The next pipe on the work table came to us from a group of pipes that we purchased from a fellow in Los Angeles, California, USA. It is a beautiful darkly stained Oom Paul pipe with a tapered vulcanite bent stem. The pipe is stamped on the left side of the shank and reads GBD in an oval logo [over] Oom Paul. On the right side of the shank it reads London, England over the shape number 235. The dark stain hides the grain around the bowl. The finish had a lot of grime ground into it. The bowl was moderately caked and there was a light lava coat on the top and the inner edge of the rim. The edges looked to be in excellent condition. The stem was oxidized and had tooth chatter and marks on the top and underside near the button. There was a brass GBD roundel on the left side of the taper stem. The pipe showed promise but it was very dirty. Jeff took photos of the pipe before he started his cleanup work.    He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the condition of the rim top and beveled inner edges. He also took photos of the top and underside of the stem to show the oxidation, calcification and chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like.      He took photos of the stamping on the shank and the stem. It reads as noted above and is clear and readable. Now it was time to work on the pipe. Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the exterior of the pipe and bowl with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it. The rim top and inner edge of the rim looked very good. The stem surface looked very good with some light tooth marks and chatter on both sides near the button. I took a photo of the stamping on the shank. It is clear and readable as noted above.    I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is a taper stem. It has a small stinger in place. I removed the stinger as it is short and loose in the tenon.   I wiped the bowl down with isopropyl alcohol and cotton pads to make the stain more transparent and make the grain more visible.    I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth between each sanding pad. The pipe was in such good condition that started by rubbing it down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine.    I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This GBD Oom Paul 235 Dark Stained Briar Pipe with a full bent taper vulcanite taper stem is a great looking pipe now that it has been restored. The brass GBD Logo is inlaid in the left side of the taper stem and looks very good. The beautiful grain that shines through the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the entire pipe with a clean buffing pad which real brings the shine out with the wax. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished GBD Dark Stained Oom Paul fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 63gr/2.22oz. I will be adding it to the British Pipe Makers section of the rebornpipes store shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Birth for a Paul Fischer Meerschaum Bent Billiard


Blog by Steve Laug

The next pipe on the work table came to us from a group of pipes that we purchased from a fellow in Los Angeles, California, USA. Between us we pick up quite a few pipes for restoration. I try to work them into the restoration queue so that I can keep them moving. This next one is a cased Meerschaum. The case is stamped on the inside and reads Paul Fischer Genuine Block Meerschaum. The stamping on the satin lining was readable and clear. The exterior of the cardboard case was covered in a marbled brown vinyl and in worn condition with just a few nicks around the edges. The meerschaum was dirty but underneath the grime was a nicely developing patina on the smooth bowl. The bowl was caked and filled with tobacco as if it was laid down mid smoke. There was a light overflowing lava coat on the back side of the rimtop. The edges looked to be in good condition. The amber coloured acrylic stem was dirty and had light tooth chatter and marks on the top and underside near the button. There were also scratches in the surface of the stem. It did not have any identifying stamps. The alignment and fit to the shank is very good. It had promise but it was very dirty. Jeff took some photos of the pipe before he started the cleanup work. He took a photo of the rim top and bowl to give a clear picture of the condition of the bowl and rim top. You can see the half smoked bowl of tobacco that is left in chamber. You can also see the lava on the rim top. He also took photos of the top and underside of the stem to show the nicks, scratching, chatter and tooth marks.  Jeff took photos of the sides and heel of the bowl to give a picture of what the meerschaum looked like around the pipe. The finish is showing some patina developing around the bowl. He unscrewed the stem from the shank to show the inset threaded metal tenon in the shank end.I turned to Pipedia and looked up the information on the site (https://pipedia.org/wiki/Fisher). I quote from there.

From Pipes, Artisans and Trademarks, by José Manuel Lopes’ – Paul Fischer was a well-known Austrian meerschaum pipe artisan who settled in downtown Manhattan, New York, and took American citizenship. Symbol: F. See Ed Burak who worked with Paul for 6 years in the 1960s.

On Smokingpipes.com there was a Paul Fischer meerschaum for sale and Bear Graves did the write up (https://www.smokingpipes.com/pipes/estate/italy/moreinfo.cfm?product_id=52153). I have included it below for the information it gives.

I know that it’s not all that often that we see a carved meerschaum in the American estate section, but there was a time when Turkey had little issue with exporting the material, nor carvers from other countries working with the same. Paul Fischer made meerschaums for Kaywoodie and (if memory serves) Ed Burak did some work for Mr. Fisher, early in his career.

Paresh Deshpande did some work on a Kaywoodie Meerschaum and included some helpful information on dating this pipe (https://rebornpipes.com/tag/kaywoodie-meerschaum-pipes/). I include the pertinent section below.

Kaywoodie Block Meerschaums were made from 1938 to the mid 1960’s. The meerschaum pipe business by Kaywoodie was revitalized when Paul Fischer was hired and emigrated from Austria to run the meerschaum pipe department. Kaywoodie meerschaums were available in earlier years but not as prominently as when Paul Fischer came on board. He left in 1960 to make meerschaums under his own name. We continued to make them for several years after he left until we could no longer import meerschaum from Turkey”. (http://www.brothersofbriar.com/t21079-kaywoodie-block-meerschaum)

Given that information I knew that the pipe was made by Paul Fischer and Austrian immigrant to the US. When he first came he worked for Kaywoodie and then in 1960 left to make pipes under his own name. So I know that the pipe I am working on is at least made after 1960.

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He carefully cleaned out the unsmoked and smoked tobacco and reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with the Murphy’s Oil Soap and rinsed it under running water. I took photos of the pipe once I received it. It looked pretty good.  The bowl and rim top cleaned up really well with the lava coat removed from the back rim top. The edges looked very good and there was slight darkening on the back top side. The stem surface had some light tooth marks and chatter on both sides near the button.      I took the stem off the pipe and took a photo of the pipe as a whole. You can get a clear picture of the pipe from the photo below.  I polished the bowl and shank with 1500-12000 grit micromesh sanding pads and wiping it down after each sanding pad with a damp cloth to remove the sanding dust and debris.   Even though this was a meerschaum pipe I have learned that Before & After Restoration Balm works really well on it as well. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the meerschaum. I let the balm sit for 10 minutes and then buffed with a cotton cloth to raise the shine.     It was time to wax the meerschaum now. I rubbed the bowl and shank down with a coat of Clapham’s Beeswax Polish. I heated the meerschaum and worked it into the surface of the bowl, shank and rim. I let the wax sit for a little while and then buffed with a clean buffing wheel to raise the shine and bring a shine to meerschaum. It is a nice looking pipe.  I polished the amber acrylic stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This smooth Block Meerschaum Bent Billiard, carved by Paul Fischer with an amber coloured acrylic taper stem is a great looking pipe. I gave the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Paul Fischer Meerschaum Bent Billiard fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 48gr/1.66oz. If you are interested in adding this pipe to your collection send me a message or an email. I will be adding it to the rebornpipes store shortly in the Meerschaum Pipes – CALABASHES, SMOOTH & FIGURALS. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Breathing New Life into a Peterson of Dublin Kinsale XL13 Straight Bulldog


Blog by Steve Laug

The next pipe on the work table came to us from a group of pipes that we purchased from a fellow in Los Angeles, California, USA. It is a beautiful rusticated Peterson’s Bulldog pipe with a tapered vulcanite stem. The pipe is stamped on the left underside of the shank and reads Peterson [arched over] of Dublin [over] Kinsale. That is followed by the shape number XL13. This is a nice piece of briar with interesting grain showing through the rustication all the way around the bowl. The finish had a lot of grime ground into it. The bowl was moderately caked and there was a lava coat on the top and the inner edge of the rim. The edges looked okay but we would know more after the cleanup. The stem was oxidized, calcified and had tooth chatter and marks on the top and underside near the button. There was a gold stylized Peterson “P” on the top left side of the diamond shaped taper stem. The pipe showed promise but it was very dirty. Jeff took photos of the pipe before he started his cleanup work.   He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the condition of the rim top and beveled inner edges. He also took photos of the top and underside of the stem to show the oxidation, calcification and chatter and tooth marks.    Jeff took photos of the sides and heel of the bowl to give a picture of what the rusticated briar around the pipe looked like. He took photos of the stamping on the shank and the stem. It reads as noted above and is clear and readable. I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). I have included some information on Kinsale pipes. Kinsale pipes are based on the Sherlock Holmes Collection, a quality larger briar. All shapes are available in either a smooth burnt orange or rustic finish. They have either a Peterson Lip or a Fishtail mouthpiece. I found the following Kinsale Shape Chart on the site (https://pipedia.org/images/e/e3/Kinsale.jpg). I have boxed the XL13 with red.I turned to the Peterson Pipe book by Mark Irwin and Gary Malmberg and could find nothing in the index. I wrote Mark for help locating the brand in the book and he wrote back that what I needed was on Page 306, toward the bottom of the middle column. Sure enough it was there. Essentially it confirmed what I have already included above with the addition of the details about the brass band and nickel inlay. It also stated that the pipe originally came out in 1997. Mark mentioned that as far as he knew it was more or less discontinued and he had not seen a new one since 2015. Thanks Mark. That gave me some parameters for the age of the pipe – made between 1997-2015. I was closer to a date and probably as close as I was going to get with this one.

Now it was time to work on the pipe. Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the exterior of the pipe and bowl with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it. The rim top and inner edge of the rim looked very good with a bit of damage on the inner bevel of the rim surface. The stem surface looked very good with some tooth marks and chatter on both sides near the button.I took a photo of the stamping on the shank. It is clear and readable as noted above.     I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is a fancy saddle version. The pipe was in such good condition that started by rubbing it down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horse hair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine.     I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.    This Peterson of Dublin Kinsale Straight XL13 Bulldog with a diamond shaped vulcanite taper stem is a great looking pipe now that it has been restored. The brass shank adornment with the inlaid silver piece in the center looks very good. The beautiful grain that shines through the polished finish is stunning. As the pipe is smoked the patina should develop and look even better. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the entire pipe with a clean buffing pad which real brings the shine out with the wax. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Peterson of Dublin XL13 Bulldog fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 54gr/1.90oz. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Life for a Don Style Billiard with Vulcanite Military Bit Stem


Blog by Steve Laug

The next pipe on the work table is another mystery pipe for Jeff and me. It does not have any stamping on the bowl heel or on the shank. Jeff thinks he may have picked it up in Montana but it not certain. The pipe is a classic billiard shaped pipe with a bit of a cant forward. It could well be someone’s repair on a broken shank but there is something about it that makes me think it was originally made this way. There was a lot of grime ground into the finish on the briar. The bowl was moderately caked and the rim top had a light overflow of lava on the top and edges of the bowl. The rim top and the inside edge showed some damage. The stem was a straight military stem with a metal fitment on the bowl end. It was dirty and lightly oxidized. It had tooth chatter and marks on the top and underside near the button and on the button edge. It was small billiard shaped bowl with a pencil style military stem and it had promise but it was very dirty. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the condition of the bowl. You can see the cake in the bowl as well as the lava and the damage on the rim top and edges. He also took photos of the top and underside of the stem to show the light oxidation and the chatter and tooth marks.   Jeff took photos of the sides and heel of the bowl to give a picture of what the briar looked like. There is some great grain under the grime coat on the bowl sides. I turned to work on the pipe itself.  Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime and all of the peeling varnish coat. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my part of the restoration work.   The rim top cleaned up really well. The rim top and outer edge of the bowl show some darkening and damage. There was damage to the inner edge and it was rough. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button. I forgot to take pictures of the areas on the stem that were damaged before I filled them in with super glue but you can see the general condition even with the repairs.  I started my work on the pipe by addressing some of the damage to the rim top edges. I topped the rim on a topping board with a piece of 220 grit sandpaper. I also flattened the area where the stem inserted into the bowl as it was damaged.I polished the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each sanding pad.   I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and buffed with a cotton cloth to raise the shine. The grain came alive. I set the bowl aside and turned my attention to the stem. I filled the deep tooth marks next to the button with clear super glue. Once the glue cured I flattened it out with a file to blend it into the stem surface.  I sanded the repairs with 220 grit sandpaper to further blend them into the stem surface. I started polishing the stem with 400 grit wet dry sandpaper. I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Billiard Shaped Bowl on a Don Style Pipe is a great looking pipe now that it has been restored and the stem reshaped. The grain around the bowl is quite beautiful and works well with both the shape and the polished vulcanite taper stem. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Don Style Billiard is another pipe that fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ¼ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 16g/.60oz. I will be putting it on the rebornpipes store in the Metal and Other Types of Pipe Section shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Life for a Don Style Brandy with Vulcanite Military Bit Stem


Blog by Steve Laug

The next pipe on the work table is a bit of a mystery pipe for Jeff and me. It does not have any stamping on the bowl heel or on the shank. The stem was seriously over bent to the point of being impossible to smoke. The pipe is a classic Brandy shaped pipe with peeling varnish around the bowl sides and rim top. There was a lot of grime ground into the finish on the briar. The bowl was moderately caked with tobacco debris in the bowl. The rim top had a light overflow of lava on the top and edges of the bowl. The inside edges looked to be in good condition. The stem was dirty and lightly oxidized. It had casting marks on both sides of the stem. It had tooth chatter and marks on the top and underside near the button and on the button edge. There was some light oxidation on the stem surface. It was a large apple shaped bowl with a pencil style military stem and it had promise but it was very dirty. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and tobacco debris as well as the lava and the peeling varnish on the rim top. He also took photos of the top and underside of the stem to show the casting marks on the side of the stem, the light oxidation and the chatter and tooth marks.    Jeff took photos of the sides and heel of the bowl to give a picture of what the briar looked like. There is some great grain under the peeling varnish coat on the bowl sides. I turned to work on the pipe itself.  Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime and all of the peeling varnish coat. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my part of the restoration work.   The rim top cleaned up really well. The rim top and outer edge of the bowl look very good. There were still bits of varnish on the rim top. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button.    I cleaned up the rim top with a folded piece of 220 grit sandpaper. I scrubbed the bowl with alcohol and a cotton pad to remove the remaining finish on the bowl.   The bowl had been over reamed and there was a dip/pit in the bottom of the bowl that made the bottom seem quite thin. I mixed a batch of JB Weld and applied it to the dip in the bowl bottom with a folded pipe cleaner. I set it aside to allow the repair to cure.   I polished the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each sanding pad.    I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and buffed with a cotton cloth to raise the shine. The grain came alive.     I set the bowl aside and turned my attention to the stem. The over bent stem needed to be addressed. I took photos of the stem as it looked when I received it. I painted the vulcanite with a lighter flame to soften it. Once it was pliable I straightened it out leaving a slight bend in the to match the flow of the bowl.One the stem was straightened out I sanded out the casting marks on the sides and the tooth marks and chatter on the top and underside near the button.  I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Don Style pipe with a Brandy Shaped Bowl is a great looking pipe now that it has been restored and the stem reshaped. The grain around the bowl is quite beautiful and works well with both the shape and the polished vulcanite taper stem. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Don Style Brandy is another pipe that fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 25g/.88oz. I will be putting it on the rebornpipes store in the Metal and Other Types of Pipe Section shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Life for a Chunky Rusticated Champion Giant ¾ Bent Billiard


Blog by Steve Laug

The next pipe on the work table came to us from a fellow in Scottsdale, Arizona, USA. The pipe is a classic Chunky rusticated Bent Billiard shaped pipe with an interesting rustication around the bowl and shank. It is a match in style to the large chunky Billiard I just finished. The pipe is stamped on a smooth panel on the left side of the shank and reads Champion [over] Giant. On the top of the shank next to the stem it is stamped FRANCE and on the underside of the shank it is stamped next to the stem/shank junction and reads ALGERIAN BRIAR. There were three small dots in a row on the left side of the bent saddle stem. There was a lot of grime ground into the rusticated finish on the briar. The bowl was moderately caked with tobacco debris in the bowl. The rim top had an overflow of lava on the filling in the rustication and the inner edge of the rim. The inside edges looked to be in good condition. The stem was dirty and lightly oxidized. It had tooth chatter and marks on the top and underside near the button and on the button edge. There was some light oxidation on the stem surface. It was a large, chunky pipe and it had promise but it was very dirty. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and tobacco debris as well as the lava on the rim top. He also took photos of the top and underside of the stem to show the light oxidation and the chatter and tooth marks.    Jeff took photos of the sides and heel of the bowl to give a picture of what the briar looked like. The rustication pattern around the bowl is unique and interesting. It is a really tight pattern. The stamping on the left side of the shank and shank ends are clear and readable and read as noted above. I turned to Pipephil (http://www.pipephil.eu/logos/en/logo-c8.html) to get a quick view of the Champion Brand. I had worked on several of the brand in the past but could not remember anything about the brand. Turns out it is Swiss Made and the three dots on the left side of the stem in the first picture below match the one I am working on. The issue from me is that it is stamped France on the band around shank end. That leaves me with a question mark.    Armed with that information I turned to work on the pipe itself.  Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my part of the restoration work. The rim top cleaned up really well. The rim top and outer edge of the bowl look very good. There was some debris in the rim top. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button.     The stamping on underside of the shank is clear and readable. It is stamped as noted above.I removed the stem and took a photo of the pipe to give a sense of the whole. The wide taper stem is nice and the photo shows the stinger in the tenon.I cleaned up the rim top with a brass bristle wire brush. I scrubbed off the top of the rim with the brush and was able to remove the tars and lava in the rustication on the rim.   The bowl was in excellent condition so started by rubbing the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horsehair shoe brush to clean, enliven and protect the briar. I let the balm sit for 15 minutes and buffed with a cotton cloth to raise the shine. The grain came alive. I set the bowl aside and turned my attention to the stem. I pulled the pressure fit stinger out of the tenon. I would leave it out to improve the airflow in the pipe.I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Champion Giant Algerian Briar French Made Rusticated Chunky Bent Billiard is a great looking pipe now that it has been restored. The style of rustication that is used around the bowl is quite beautiful and works well with both the shape and the polished vulcanite taper stem. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Champion Chunky Bent Billiard is another pipe that fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 80g/2.79oz. I will be putting it on the rebornpipes store in the French Pipe Makers Section shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Life for a Chunky Rusticated Champion Giant Billiard


Blog by Steve Laug

The next pipe on the work table came to us from a fellow in Scottsdale, Arizona, USA. The pipe is a classic Chunky rusticated Billiard shaped pipe with an interesting rustication around the bowl and shank. The pipe is stamped on a smooth panel on the underside of the shank and reads Champion [over] Giant. On the top of the shank next to the stem it is stamped FRANCE and on the underside of the shank it is stamped next to the stem/shank junction and reads ALGERIAN BRIAR. There were three small dots in a row on the left side of the taper stem. There was a lot of grime ground into the rusticated finish on the briar. The bowl was heavily caked with tobacco debris in the bowl. The rim top had an overflow of lava on the filling in the rustication and the inner edge of the rim. The inside edges looked to be in good condition. The stem was dirty and lightly oxidized. It had tooth chatter and marks on the top and underside near the button and on the button edge. There was some light oxidation on the stem surface. It was a large, chunky pipe and it had promise but it was very dirty. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and tobacco debris as well as the lava on the rim top. He also took photos of the top and underside of the stem to show the light oxidation and the chatter and tooth marks.   Jeff took photos of the side and heel of the bowl to give a picture of what the briar looked like. The rustication pattern around the bowl is unique and interesting. It is a really tight pattern. The stamping on the underside of the shank and shank ends are clear and readable and read as noted above.   I turned to Pipephil (http://www.pipephil.eu/logos/en/logo-c8.html) to get a quick view of the Champion Brand. I had worked on several of the brand in the past but could not remember anything about the brand. Turns out it is Swiss Made and the three dots on the left side of the stem in the first picture below match the one I am working on. The issue from me is that it is stamped France on the band around shank end. That leaves me with a question mark.Armed with that information I turned to work on the pipe itself.  Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my part of the restoration work. The rim top cleaned up really well. The rim top and outer edge of the bowl look very good. The inner edge has some damage on the front of the bowl. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button.     The stamping on underside of the shank is clear and readable. It is stamped as noted above.I removed the stem and took a photo of the pipe to give a sense of the whole. The wide taper stem is nice and the photo shows the inner tube in the tenon.I cleaned up the rim top with a brass bristle wire brush. I scrubbed off the top of the rim with the brush and was able to remove the tars and lava in the rustication on the rim.   The bowl was in excellent condition so started by rubbing the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horsehair shoe brush to clean, enliven and protect the briar. I let the balm sit for 15 minutes and buffed with a cotton cloth to raise the shine. The rustication came alive. I set the bowl aside and turned my attention to the stem. I sanded out the tooth chatter and marks ahead of the button with 220 grit sandpaper. I started polishing the stem with 400 grit wet dry sandpaper.   I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This Champion Giant Algerian Briar French Made Rusticated Chunky Billiard is a great looking pipe now that it has been restored. The style of rustication that is used around the bowl is quite beautiful and works well with both the shape and the polished vulcanite taper stem. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Champion Chunky Billiard is another pipe that fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 83g/2.93oz. I will be putting it on the rebornpipes store in the French Pipe Makers Section shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!