Tag Archives: polishing a stem

This Mixed Finish Danmore 3094 Acorn is a Unique Piece


Blog by Steve Laug

I am enjoying an evening free to work on a few pipes. The next pipe on the table came from an antique mall in Logan, Utah, USA in March of 2021. Even though the finish was a dirty and worn it had an interesting mixed finished bowl with smooth patches on the sides of the bowl and a nice sandblast showing through the grit and grime of the years. On the underside of the shank it was stamped with the shape number 3094 followed by Danmore [over] Hand Made in Denmark. The pipe is an acorn shaped bowl with a horn shank extension. The finish is filthy with grime and oil ground into the briar of the bowl and shank sides. The bowl had a thick cake and there was an overflow of lava on the top and edges of the rim. The horn shank extension had some nicks and chips in the band next to the sandblast. The stem was a vulcanite military bit stem that fit snugly in the horn shank extension. There was the faint remnant of stamping on the topside of the stem. The vulcanite was oxidized, calcified and had tooth marks and chatter on both sides ahead of the button. The bend in the stem had also straightened over time. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava and dust ground into the finish of the rim top and edges. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the oxidation, chatter and tooth marks.Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There was some definite wear on the red and brown stains on the pipe as well as scratches and marks on the smooth portions. There is a nice sandblast grain under the grime and thick debris. The horn ring around the shank end had been sand blasted along with the briar and had some marks showing the blast in the horn.He took a photo of the stamping on the side of the shank. It clearly reads as noted above.I turned to Pipephil to learn who made Danmore pipes (http://www.pipephil.eu/logos/en/logo-d2.html). I have included a screen capture of the pertinent section on the site. It links the pipe to Kriswill. The pipe pictured below is a similar in style to the one that I am working on. The stem and horn shank extension are different but the stamping is very similar. I turned to Pipedia (https://pipedia.org/wiki/Danmore) for further information about the brand. I quote the article in full below.

Danmore was founded by Hans Sørensen in the early 1970s, and produced pipes from that time until the early 1980s, at one point having up to 30 employees. The pipes were sold in the first Dan Pipe catalog. In the early 1980’s, however, production ceased in Denmark due to labor costs, and the company’s production was outsourced to Italy and Spain, and they began to also make pipecleaners and smokers articles.

Sørensen focused on the pipecleaner side of the concern, and eventually bought a share in the factory in the Far East making them. Today the company, owned by Hans’ sons Jesper and Lars Sørensen, no longer makes pipes, and instead makes only pipe cleaners under the name Danmore Hobby Aps, selling only to hobby and craftshops in Denmark and Scandinavia.

Hans Sørensen passed away in 2012. The Sørensen family continues to own the trademarks for the use of the Danmore name in relation to pipes, matches, and tobacco.

I knew that I was working on a pipe made by Hans Sørensen between early 1970s and the early 1980s.Production ceased in Denmark at that time and moved to Italy and Spain. The pipe I am working on is stamped Hand Made in Denmark that leads me to that conclusion. Now it was time to work on the pipe.

Jeff had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris on the rim top and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He scrubbed the horn shank extension at the same time. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. He scrubbed the stem with Soft Scrub and cotton pads to remove remaining oxidation on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. It really looked good and the bowl was in excellent condition.    The rim top and the inner edge of the rim looked very good. The stem had a few tooth marks and chatter on both sides near the button.I took a photo of the stamping on the underside of the shank. It was clear and read as noted above. I removed the stem and took a photo of the pipe to give a sense of the whole. I “painted” the stem with the flame of a Bic lighter to soften the vulcanite and give the stem a bend that matched the flow of the bowl. It looked much better once I had given it a slight bend.I polished the smooth panels on the bowl sides and the horn shank extension and band with micromesh sanding pads. Dry sanding it with 1500-12000 grit pads and wiping it down after each pad with Obsidian Oil. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.I filled in the deep tooth marks on the stem surface with clear CA glue and set it aside to cure. Once it had hardened I sanded the surface smooth with 220 grit sandpaper and started polishing the stem with 400 grit wet dry sandpaper. I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This beautiful Mixed Finish – Sandblast/Smooth panel Danmore 3094 Acorn with a horn shank extension and a military vulcanite stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Danmore 3094 Acorn fits nicely in the hand and the tactile finish feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 45grams/1.59oz. I will be adding it to the rebornpipes store shortly in the Danish Pipe Makers Section. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Refreshing a Cadogan Era Comoy’s Warwick Brandy


Blog by Steve Laug

I am enjoying day with some time free to work on a few pipes. The next pipe on the table was purchased on 03/17/21 from a fellow in Brazil, Indiana, USA. It is a Brandy shaped Comoy’s  pipe that that has some nice grain on the bowl sides. On the topside of the shank it was stamped Comoy’s [over] Warwick. On the underside it is stamped Made in London in a circle [over] England [over] shape number 16. There is also an M stamped on the end of the shank at the junction of the stem and shank. The finish is filthy with grime and oil ground into the briar of the bowl and shank sides. The bowl was moderately caked and there was some darkening and light lava on the top and edges of the rim. The shank was oval and the Lucite saddle stem followed that shape. There was a Comoy’s C on the left side of the saddle that was one piece rather than the older three piece C. The stem was dirty and had tooth marks and chatter on both sides ahead of and on the surface of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the condition of the bowl and rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the oxidation, chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is an interesting grain patterns under the grime and thick debris.     Jeff took photos of the stamping on the top and underside of the shank. It clearly reads as noted above. I turned first to Pipephil’s site to get a quick summary of the background of this particular line of Comoy’s pipes. It is stamped Warwick and there was nothing listed on the site for that line. I also turned to Pipedia to see what else I could learn about the brand and again did not find the brand listed there.

I knew that I was working on a Cadogan era Comoy’s pipe because of the style of the C on the stem side and the fact of an acrylic stem. Now it was time to work on the pipe.

Jeff had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris on the rim top and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. He scrubbed the stem with Soft Scrub and cotton pads to remove remaining oxidation on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. Other than the burned area on the rim top and edge it really looked good and the bowl itself was in excellent condition. The rim top and the inner edge look very good. The stem had a few tooth marks and chatter on both sides near the button.   I took a photo of the stamping on the top and underside of the shank. It was clear and read as noted. I removed the stem and took a photo of the pipe to give a sense of the whole. I decided to start my work on this pipe by polishing the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads to remove the scratching and polishing the fills on the bowl sides and rim top.   I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. I set the bowl aside and turned my attention to the stem. I sanded the tooth marks and chatter smooth with 220 grit sandpaper and started polishing the stem with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This beautiful Comoy’s Warwick 16 Brandy with a Lucite saddle stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Comoy’s Warwick Brandy fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 75grams/2.65oz. I will be adding it to the rebornpipes store shortly in the British Pipe Makers Section. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

A British Connection for an Italian Made Trident Walnut 910 Cup and Saucer


Blog by Steve Laug

I am enjoying an evening free to work on a few pipes. The next pipe on the table came from an antique mall on 03/05/21 in Logan, Utah, USA. It is a uniquely shaped Italian made pipe that reminds me of a Lorenzo made pipe. The shape and style are much the same as those pipes. This large pipe has a smooth finish on an Italian take on a classic cup and saucer shape. On the underside of the shank it was stamped Trident [over] Styled in Italy [over] Walnut. That is followed by the shape number 910. The finish is filthy with grime and oil ground into the briar of the bowl and shank sides. The bowl was lightly caked and there was some darkening and light lava on the top and edges of the rim. The shank was triangular and the tapered stem followed that shape. There was no stamping or logo on the stem surface. The stem was oxidized and had tooth marks and chatter on both sides ahead of and on the surface of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the condition of the bowl and rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the oxidation, chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is an interesting grain patterns under the grime and thick debris.    Jeff took photos of the stamping on the left and underside of the shank. It clearly reads as noted above. I turned first to Pipephil’s site to get a quick summary of the background of the Trident pipe. (http://pipephil.eu/logos/en/logo-t8.html). This is fascinating to me as the pipe I have is stamped with the same Trident stamp but is also stamped Styled in Italy. It also had the same matte finish. I vaguely remember a connection between Comoy’s and Lorenzo pipes in Italy. This pipe really has the look of a Lorenzo. Now to dig a bit more deeply.

I turned to Pipedia to see what else I could learn about the brand and found a brief but fascinating article on the brand (https://pipedia.org/wiki/Lorenzo). I quote a part of the article that gives the link to Comoy’s that I had remembered.

In 1983 Lorenzo Tagliabue came to bitter grief: his little daughter, the only child, died of cancer. He lost all interest in the business and retired still in 1983, leaving no heirs who wished to continue the business. Lorenzo Pipes was licensed for and continued for a shorter period by Comoy’s of London (Cadogan / Oppenheimer Group). Then Lorenzo Pipes almost disappeared and Lorenzo Tagliabue passed away in 1987.

But this wasn’t the end. In 1988 Riccardo Aliverti and his wife Gabriella purchased all rights to the Lorenzo trademark from the Tagliabue family and production of the renown Lorenzo Pipes resumed.

The Aliverti family is involved in pipemaking since Romolo Aliverti, the father of the current owners, joined the Lana Brothers in 1920. He later reached the rank of technical director. No wonder that his son Riccardo showed an interest in pipe making. Riccardo began learning the pipemaking trade in 1954 at the age of fourteen under his father’s watchful eyes and succeeded him as technical director upon his father’s retirement in 1973.

Today the third generation of the Aliverti family is working for the company. Massimo Aliverti, Riccardo’s son, has been with the company as sales director since 1991. He works closely with his father and knows all phases of production. Massimo has established a broad customer base for Lorenzo around the world.

I knew that I was working on a Lorenzo made pipe from the period of time (1983) when Comoy’s (Cadogan) managed the brand for them. Now it was time to work on the pipe.

Jeff had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris on the rim top and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. He scrubbed the stem with Soft Scrub and cotton pads to remove remaining oxidation on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. Other than the burned area on the rim top and edge it really looked good and the bowl itself was in excellent condition. The rim top and the inner edge look very good. There is a large solid fill on the right side of the rim top near the back of the bowl. The stem had a few tooth marks and chatter on both sides near the button.I took a photo of the stamping on the underside of the shank. It was clear and read as noted.   I removed the stem and took a photo of the pipe to give a sense of the whole. I decided to start my work on this pipe by polishing the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads to remove the scratching and polishing the fills on the bowl sides and rim top.I stained the briar with a light brown aniline stain and flamed it to set it in the grain. I repeated the process until the coverage was acceptable.I wiped off the excess stain with alcohol on a cotton pad to even out the colour. When it was the way I wanted I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horsehair shoe brush to get into the nooks and crannies of the rustication. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.I set the bowl aside and turned my attention to the stem. I filled in the deep tooth marks on both sides with clear CA glue. Once the repair cured I reshaped the button and flattened the surface of the stem with a small file. I sanded the repairs smooth with 220 grit sandpaper and started polishing the stem with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Trident Walnut 910 Italian Design Tea Cup with a taper vulcanite stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Trident Walnut Tea Cup fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 75grams/2.65oz. I will be adding it to the rebornpipes store shortly in the Italian Pipe Makers Section. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

A Fascinating Piece of Italian Pipe History – A Molina 80993 Bent Apple


Blog by Steve Laug

I am enjoying an evening free to work on a few pipes. The next pipe on the table came from an antique auction gallery on 05/22/20 in Mebane, North Carolina, USA. It is a uniquely rusticated Italian made pipe with a smooth rim top and shank end that is capped with a brass ferrule. On the left side of the shank it was stamped Molina [over] the shape number 80993. On the underside of the shank it is stamped Italy. It is a brand I have heard of but know little about so I am glad to learn about it. The pipe is a bent apple that is nicely shape. The finish is filthy with grime and oil ground into the briar of the bowl and shank sides. The bowl was thickly caked and there was an overflow of lava on the top and edges of the rim. The front inner edge and rim top appeared to have burn damage that looked like it had been lit repeatedly with a torch lighter. The stem was a fancy Lucite taper stem that fit snugly in the shank and had brass band that was made to look like three rings. There also appeared to be the remnants of a faint stamp on the left side of the stem. The stem was dirty, calcified and had tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava and dust ground into the finish of the rim top and edges. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. You can also see the damage on the inner edge of the bowl on the front. He also took photos of the top and underside of the stem to show the oxidation, chatter and tooth marks.Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is an interesting rustication under the grime and thick debris. Jeff took photos of the stamping on the left and underside of the shank. It clearly reads as noted above.I turned first to Pipephil’s site to get a quick summary of the background of the Molina pipe. (http://pipephil.eu/logos/en/logo-m6.html). I have included a screen capture of the pertinent section on the site.In the sidebar it included the following information that I have included below.

Artisan: Giovanni Carollo, a former employee of the Rossi factory. Machine crafted mass production. Pipes mainly aimed for German and US market.

I turned to Pipedia to see what else I could learn about the brand and found a brief but fascinating article on the brand (https://pipedia.org/wiki/Molina_Pipe). I quote it in its entirety below.

Molina pipes has it’s origins in Barasso in Lombardy. It was born from what was left of the old Rossi pipes factory, that started in the early 1900s. Molina’s inheritance from Rossi pipes does not only consist of the factory but also the machinery and methods of production. The name Molina refers to a district where you could find mills powered by water.

I followed the trail there to the Molina Pipe website (https://www.molinapipe.it/). It had a great summary of the history.

Molina still lies in part on the antique Rossi factory, a peculiar but not a casual circumstance. it represents an excellent example of industrial archeology. its working environment is enriched with the modernized charm of the past.

Molina’s inheritance from Rossi pipes does not only consist of the factory but also of ancient machinery and methods of production, antique ”secrets” ,antique recipes and production procedures used over 100 years ago.

The name molina has even a longer history, it is up to today used to refer to a district where you could find mills powered by a rush of water.

I knew that I was working on a Molina pipe from the remnants of the old Rossi pipe factory and that the pipes were made mainly for the US and German market. Now it was time to work on the pipe.

Jeff had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris on the rim top and was able to remove it. The burned area was very clear once he had cleaned it off. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. He scrubbed the stem with Soft Scrub and cotton pads to remove remaining oxidation on the ferrule and the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. Other than the burned area on the rim top and edge it really looked good and the bowl itself was in excellent condition. The rim top and the inner edge had serious burn damage all around but the heaviest damage was on the front of the bowl. It really looked to be the victim of repeated assault by a torch lighter. If you have one keep it away from your pipe. The stem had a few tooth marks and chatter on both sides near the button.I took photos of the stamping on the sides of the shank. It was clear and read as noted above. I removed the stem and took a photo of the pipe to give a sense of the whole. The tenon is Delrin. I decided to start my work on this pipe by addressing the damage to the rim top and inner edge of the bowl. I topped the bowl on a board with 180 grit sandpaper. I chose a lower grit sandpaper because the damage was quite deep. Once I had topped the damaged areas and found solid briar I used a folded piece of 220 grit sandpaper to reshape and rework the inner edge of the rim. It took a bit of work but the rim top looked much better. I polished the rim top and edge with micromesh sanding pads – wet sanding with 1500-12000 grit pads to remove the scratching and polish the smooth briar.    I restained the rim top and edges with a Walnut stain pen to match the other smooth portions of the bowl and shank.I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horsehair shoe brush to get into the nooks and crannies of the rustication. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.    I set the bowl aside and turned my attention to the stem. I filled in the deep tooth marks on both sides with clear CA glue. Once the repair cured I sanded them smooth with 220 grit sandpaper and started polishing the stem with 400 grit wet dry sandpaper.      I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This beautiful Rusticated Molina 80993 Bent Apple with a taper acrylic stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Molina Bent Apple fits nicely in the hand and the tactile finish feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 57grams/2.01oz. I will be adding it to the rebornpipes store shortly in the Italian Pipe Makers Section. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Look at the Deep Sandblast on this Navigator Stack


Blog by Steve Laug

I am enjoying an evening free to work on a few pipes. The next pipe on the table came from a fellow in Brazil, Indiana, USA in March of 2020.. Even though the finish was a dirty and worn it had a deep and rugged sandblast showing through the grit and grime of the years. On the left side of the shank it was stamped Navigator [over] Made in Denmark. The pipe is a stack, or what some would call a tall billiard. The finish is filthy with grime and oil ground into the briar of the bowl and shank sides. The bowl had a moderate cake and there was an overflow of lava on the top and edges of the rim. The stem was a vulcanite taper stem that fit snugly in the shank but seemed to have been held in place by a worn out piece of green painter’s tape. There did not appear to be any stamping on the sides of the stem. The vulcanite was oxidized, calcified and had tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava and dust ground into the finish of the rim top and edges. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the oxidation, chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is a rugged sandblast grain under the grime and thick debris. Jeff removed the stem from the shank and took a photo to show the wrap of green painter’s tape that held the stem in place in the shank.He took a photo of the stamping on the side of the shank. It clearly reads as noted above. I turned first to Pipephil’s site to get a quick idea of who made the Navigator pipe. I had a hunch it was Kriswill but I wanted to confirm that (http://www.pipephil.eu/logos/en/logo-n1.html). I have included a screen capture of the pertinent section on the site. It links the pipe to Kriswill. The pipe pictured below is a lot like the one that I am working on. The stem does not have the logo on it though it is the same shape. I followed the link to the Kriswill brand on the site (http://www.pipephil.eu/logos/en/logo-k3.html#kriswill). The side bar there included some helpful information that I have included below.

Kriswill is a brand of Kriswork Briar Trading, in Kolding (Denmark) established about 1955. Some of Kriswill pipes were designed by Sigvard Bernadotte, Swedish prince and brother to the late Queen Ingrid of Denmark. He collaborated with his Danish partner Acton Bjørn. When the company went bankrupt in the late 1970s it was on a level with Stanwell. Dan Pipe Cigar & Company (Hafenstrasse 30 D-21481 Lauenburg/Elbe, Ge) bought the rights to use the name and it is Holmer Knudsen and/or Poul Winsløw who make the Kriswill line. Nørding, on its side, bought the plant and introduced a Kriswell line. Kriswill’s seconds: Danish Crown, Navigator. Kriswill’s sub-brand (for a short time): Lillehammer.

Pipedia confirmed the status of the brand as a second made by Kriswill but really did not add further information.

I knew that I was working on a Kriswill second labeled Navigator. Judging from the blast on the bowl it is hard to imagine why this is a second. Now it was time to work on the pipe.

Jeff had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris on the rim top and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. He scrubbed the stem with Soft Scrub and cotton pads to remove remaining oxidation on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. It really looked good and the bowl was in excellent condition.    The rim top and the inner edge of the rim looked very good. The stem had a few light tooth marks and chatter on both sides near the button.I took photos of the stamping on the sides of the shank. It was clear and read as noted above. I removed the stem and took a photo of the pipe to give a sense of the whole. The pipe was in such good condition when it got here that I did not need to do any further cleaning. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. I set the bowl aside and turned my attention to the stem. I polished the tooth marks and chatter out of the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.  This beautiful Sandblast Kriswill Navigator Stack with a taper vulcanite stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Kriswill Navigator Stack fits nicely in the hand and the tactile finish feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 inches, Chamber diameter: 5/8 of an inch. The weight of the pipe is 32grams/1.09oz. I will be adding it to the rebornpipes store shortly in the Danish Pipe Makers Section. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Look at the Birdseye Grain on this Stanwell Royal Prince 02 Bent Egg


Blog by Steve Laug

I am enjoying an evening free to work on a few pipes. The next pipe on the table came from an online auction on 02/18/21 in Upland, California, USA. Even though the finish was a dirty and worn it had some amazing grain showing through the grit and grime of the years. On the left side of the shank it was stamped Stanwell [over] Royal Prince. On the right side it is stamped with the shape number 02. On the underside it is stamped Made in Denmark. The pipe is a bent egg and as the shape number identifies. The finish is filthy with grime and oil ground into the briar of the bowl and shank sides. The bowl had a thick cake and there was an overflow of lava on the inner edge of the rim. The stem was a bent vulcanite taper stem that fit snugly in the shank. It had the Stanwell Crown S faintly stamped on the left side of the stem. The vulcanite was oxidized, calcified and had tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava and dust ground into the finish of the rim top and edges. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the oxidation, chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime.He took photos of the stamping on the sides of the shank. It read as noted above and is clear and readable. I turned first to Pipephil’s site to get a quick idea of when this pipe line was made and where it stood in the Stanwell hierarchy. I found nothing (http://www.pipephil.eu/logos/en/logo-stanwell.html).

I also turned to Pipedia’s article on Stanwell but it did not add any further information. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Stanwell).

I turned to the section on Stanwell shapes and numbers on Pipedia to see if I could identify the designer (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). Finally I found a bit of help there. It stated that the shape number 02 came in two versions – a Freehand, oval bowl and stem designed by Sixteen Ivarsson and a Bent Egg Shaped Bowl sloping top and full mouthpiece. Now I knew that I was dealing with the second. There was also a catalogue photo that I have included below that shows the shape 02 at the top left of the photo.

With that information in hand I knew what I was dealing with in terms of the shape of the pipe. I am pretty sure it is a pipe that was made in the 80s or 90s. I was not certain but that is my educated guess. Now it was time to work on the pipe.

Jeff had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris on the rim top and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. He scrubbed the stem with Soft Scrub and cotton pads to remove remaining oxidation on the ferrule and the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. It really looked good. The rim top and the inner edge of the rim showed some nicks and marks after the cleaning. The stem had a few small tooth marks and chatter on both sides near the button. I took photos of the stamping on the sides of the shank. It was clear and read as noted above.I removed the stem and took a photo of the pipe to give a sense of the whole. I decided to address the damage to the inner edge of the bowl first. I used a folded piece of 220 grit sandpaper to smooth out the damage and clean up the edge. I was pleased with the reshaped rim top and edge. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiping it down after each pad with a damp cloth. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.I “painted” the stem surface on both sides with the flame of a lighter to lift the tooth marks. I was able to lift all of them on the underside of the stem but one of them on the topside remained. I filled it in with clear super glue. Once the repair cured I smoothed it out and also the tooth chatter on the underside with 220 grit sand paper. I started the polishing with 400 grit wet dry sandpaper.I touched up the stamping on the top of the stem. It was a Stanwell Crown S logo. Parts of it were faint but I was able to get some of the stamping to show up with the Paper Mate Liquid Paper White.I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This beautiful Stanwell Royal Prince Sloped Bent Egg with a taper vulcanite stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Royal Prince Bent Egg fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 46grams/1.62oz. I will be adding it to the rebornpipes store shortly in the Danish Pipe Makers Section. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

What a Mess! A Peterson’s Product Shamrock 15 Billiard


Blog by Steve Laug

The next pipe was an absolute mess and one that obviously had been “ridden hard and put away wet”. There was little room in the bowl for tobacco and the finish and condition was abysmal. I am pretty sure it came from a classic old time pipeman who smoked a pipe until it was no longer usable and then pitched it for a new on. It was definitely a stranger to any cleaning! This one is a smooth Billiard that has a rich coloured finish around the bowl sides and shank. It came to us on 07/24/18 from a sale in Lickingville, Pennsylvania, USA. The finish is almost bland looking it is so dirty it was hard to know what to expect once it was cleaned. It was stamped on the  left side of the shank and read SHAMROCK. It was stamped to the right of the shank and reads “A PETERSON’S PRODUCT” over MADE IN THE REP. [over] OF IRELAND (3 lines) with the shape number 15 next to the bowl. It was filthy when Jeff brought it to the table. There was a very thick cake in the bowl and lava on the rim top and the inner edge of the bowl. The cake was thick and overflowing so much it was hard to know what the edge looked like. The stem was stamped with the letter S on the left side. It was oxidized and had tooth marks and chatter on the top and underside on and near the button. Jeff took photos of the pipe before his cleanup work. Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl is so heavily caked it is impossible to know the condition of the edges under the lava overflow. There was still dottle in the bowl from the last smoke of the pipe. The stem is oxidized and grimy. It has some tooth marks on the top and underside near and on the surface of the button itself. Jeff took photos of the bowl sides and heel to show the grain that was around this bowl. You can see the sandpits and nicks in the briar in the photos below. Even so, it is a nice looking pipe.He took photos of the sides of the shank to show the stamping. The stamping is readable in the photos below and is as noted above. I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).
I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Shamrock Pipe. On page 312 it had the following information.

Shamrock (c1941-2009) Originally stamped SHAMROCK with no brand name, an inexpensive line first described in George Yale (New York) mail order booklet in 1941, imported by Rogers Import. The line was actively promoted beginning in ’45, aggressively promoted in US by Rogers from early ‘50s when they registered the Shamrock logo with US Patent Office, claiming propriety since ’38. Over the years offered with P-lip or fishtail mouthpiece, with or without nickel band, with or without shamrock logo on the band, with or without S stamped in white or later in gold on mouthpiece. Appearing in 2008 as unstained smooth and rustic, fishtail mouthpiece with gold impressed P on the stem. COMS of MADE IN over IRELAND (C1945-1965), MADE IN IRELAND forming a circle (c1945-1965), “A PETERSON’S PRODUCT” over MADE IN IRELAND (c1945-1965), MADE IN THE over REPUBLIC over OF IRELAND (c1948-1998). Model is always difficult or impossible to date.

Judging from the description above, the pipe I am working on is stamped with the stamp noted in red above. It reads “A Peterson’s Product” over Made in Ireland which narrows the date to between approximately 1948-1998. It is just stamped SHAMROCK with no brand name as an inexpensive a fish tail stem. Now it was time to work on the pipe.

I was utterly surprised when I took this pipe out of the box and compared it to the before photos. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. Surprisingly the walls looked unscathed from the heavy cake. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub and then soaked it in Briarville’s Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. The cleaned up rim top revealed a very damaged inner edge and top. It was both burned and nicked from what appeared to be a quick ream somewhere in its life with a knife. I took some close up photos of the rim top to show how well it had cleaned up and the damage to the inner edges around the bowl. I also took close up photos of the stem to show the tooth marks on the surface near and on the button itself. I took photos of the stamping on the sides of the shank. It reads as noted above. I removed the stem and took a photo of the pipe to have a look at the parts and overall look.I started my work on this pipe by topping the bowl and reworking the damage to the inner edge. I topped the bowl on a piece of 220 grit sandpaper on a topping board. Once I had it smooth I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to accommodate the burned areas and blend them into the surrounding briar.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad.I interrupted the polishing with the micromesh pads after the 2400 grit pad. I stained the rim top with a Maple, Cherry and Walnut stain pen to blend it into the surrounding briar. Then I continued on my polishing of the briar with 3200-12000 grit micromesh sanding pads. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and “painted” the stem surface with flame of a lighter to lift the tooth marks in the surface. It worked well. I filled in the remaining tooth marks with clear CA glue and set the stem aside to cure. Once it had cured I sanded them smooth with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper.From the description I read and quoted above I knew that the stem stamp could well have been gold. I used some Rub’n Buff Antique Gold to fill in the stamp. I worked it into the stamp with a tooth pick. I buffed it off with a soft cloth.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I am excited to finish this Older “A Peterson’s Product” Shamrock 15 Straight Billiard. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the black vulcanite fish tail stem was beautiful. This smooth Classic Shamrock 15 Billiard is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ¾ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 34grams/1.20oz. It is a beautiful pipe and one will end up on the rebornpipes store in the Irish Pipe makers section. Check there if you want to add it to your collection. Let me know via email or message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Sometimes you come across something that just has to be restored!


Blog by Steve Laug

The next pipe on the table is a pipe that fits that. I remember when Jeff found it on one of his hunts in Utah. He called me and showed it to me on Facetime. It was one of those that we both just had to have. Not because it is a thing of beauty or a spectacular pipe by a well known pipe maker. It is not any of those things or even any number of other descriptions. It is just one that grabbed us and in our thinking deserved to be restored. It reminded us both of a Kirsten pipe. The square shank is made of Lucite and has a metal threaded nipple on the top that the bowl screws onto. The bowl is briar with a few fills around the sides and the base of the bowl. It has a brass threaded fitting in the bottom that screws onto the nipple. The shank tapers down into a vulcanite saddle stem with a regular push tenon. There was no clean out on the bowl end of the shank. It is a bit of an odd looking pipe but one that I understand the attraction. Can you imagine watching the smoke swirling up the clear shank while you smoke it? It must have been a fun pipe to smoke.

We purchased it from an antique mall in Utah earlier this year. The briar bowl is natural coloured that has developed some patina. The base/shank is clear Lucite that is stained with tobacco juices. It was stamped on the left side and read Abbey in an oval. It was in filthy condition when Jeff brought it to the table which to me means that it must have been a good smoking pipe. There was a thick cake in the bowl and lava and debris rim top and the inner edge of the bowl. The vulcanite stem was lightly oxidized and had light tooth marks and chatter on the top and underside on and near the button. Jeff took photos of the pipe before his cleanup work to give a picture of its condition.   Jeff took photos of the bowl, rim top and stem to show the general condition of the pipe. The bowl is heavily caked and the rim top and edges have a thick lava overflow on the beveled inner edge of the bowl and on the rim top. The stem has grime and tooth marks on the top and underside near the button.Jeff took some photos of the bowl sides and heel to show the grain that was around this bowl. It is a nice looking pipe.He took photos of the sides of the shank to show the stamping and the tobacco stains in the Lucite. The stamping is readable in the photos below and is as noted above.Jeff took the bowl off the acrylic shank and took photos of the threaded metal nipple/tenon that held the bowl on the shank top.I turned to Pipephil and Pipedia and there was no listing for the brand. That always leaves me a bit unsatisfied as I really want to know about the maker of a brand. I then checked on a site that I often refer to on metal and other odd pipes – Smoking metal. It generally has some interesting info on odd brands (http://www.smokingmetal.co.uk/index.html). Once again there was nothing there on Abbey pipes.

I always scroll through and look for something similar. In this case I found one that is somewhat like the Abbey pipe. It is a Lenox pipe (http://www.smokingmetal.co.uk/pipe.php?page=82). Here is the description of the Lenox:

Department : STEM OF OTHER MATERIALS & Screw through bowl. Hard to see the purpose of this one. There would be no signifacant extra cooling and there is no end plug to remove for ease of cleaning. LENOX in LUCITE molded into top of shank… These pipes were certainly on sale in 1951. Overall length 5 5/8 inch (143 m/m). The site also included some photos that I am including below to show the similarity. There were a lot of similarities to the pipe I am working on.
1. The threaded bowl with a metal nipple in the Lucite base.
2. The metal insert in the base of the bowl that threads onto the nipple.
3. A Lucite shank/base stamped with the name
4. The fact that there was no clean out on the shank end
5. The standard tenon and vulcanite stem

Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top and edge to remove the lava and darkening with the soap and tooth brush. He scrubbed the inside of the Lucite shank and stem with alcohol and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked much better than when we picked it up. There was still some tobacco staining in the shank end that needs to be worked on. But over all it looked very good when it arrived here. I took some close up photos of the rim top and also of the stem surface. The rim top and the inner edge looked very good. The stem was clean and the tooth marks and chatter were visible.I took a photo of the stamping on the left side of the shank. You can see that it is stamped as noted above. It is clear and readable.I took the pipe apart and took a photo of the parts. It is a good looking pipe and has some nice looking grain and rustication around the bowl.I started work on the pipe by repairing the damaged fills in the bowl sides and cap. I filled them in with clear CA glue. Once the repair cured I sanded the repairs smooth with 220 grit sandpaper to blend them into the surrounding briar. I polished the briar with micromesh sanding pads – dry sanding the bowl with 1500-12000 grit pads and wiping them down with a damp cloth to remove the debris. The bowl started to look great.The briar came out looking very good so I worked some Before & After Restoration Balm into the surface of the briar with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process.I set the bowl aside and turned my attention to the Lucite shank/barrel. I wanted to see if I could remove any more of the tobacco stains from the inside of the shank. I used pipe cleaners and Soft Scrub without little success because Jeff had already scrubbed it with that product. I soaked it in a bath of vinegar with a pipe cleaner in the airway as suggested by Dal Stanton in several of his restorations. I scrubbed the shank with several pipe cleaners after the bath and took quite a bit of the stain out. I then used several needle files and a sanding stick to work on the hard areas.I was able to remove more of the staining with that method. While it was far from perfect the combination worked well enough to remove more of the staining.I polished the Lucite barrel with micromesh sanding pads – sanding with 1500-12000 grit pads and wiping it down with Obsidian Oil between pads. It really shined after the polishing.I sanded out the tooth marks and chatter on the top and underside of the stem ahead of the button with 220 grit sandpaper and started polishing it with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine.I am excited to finish this interesting Abbey Lucite Shanked Pipe. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl, shank and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with the grain popping all around the bowl. Combining the briar bowl with the clear Lucite barrel/shank and the black vulcanite saddle stem makes this a beautiful pipe. This smooth “Kirsten-like” pipe is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 30grams/1.06oz. It is a beautiful pipe and one that will be on the PIPES FROM VARIOUS MAKERS – CZECH, BELGIAN, GERMAN, ISRAELI, SPANISH PIPEMAKERS ALONG WITH METAL PIPES section of the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Rebirthing an Oldrich Jirsa Bent Octagonal Panel 138 Billiard


Blog by Steve Laug

The picture to the left is the pipe carver Oldrich Jirsa (photo from Pipephil). He is the carver of the next pipe I have chosen to work on. It is octagonal paneled pipe with smooth and rusticated finishes around the panels. The rim top is beveled inward and smooth. It is an interesting looking pipe. We purchased it from an antique mall in Utah on 03/05/21. it has a mixture of various brown coloured finishes with amazing grain around the smooth panels on bowl sides and shank and a nice looking rustication on the other panels. It was stamped on the underside of the shank and read Jirsa over the shape number 138. It was in filthy condition when Jeff brought it to the table. There was a thick cake in the bowl and lava and debris rim top and the beveled inner edge of the bowl. The acrylic stem was oxidized and had tooth marks and chatter on the top and underside on and near the button. There is an inserted briar ring around the saddle stem. Jeff took photos of the pipe before his cleanup work to give a picture of its condition. Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl is heavily caked and the rim top and edges have a thick lava overflow on the beveled inner edge of the bowl and on the rim top. The stem has grime and tooth marks on the top and underside near the button. Jeff took photos of the tenon and the briar insert on the stem.Jeff took some photos of the bowl sides and heel to show the grain that was around this bowl. It is a nice looking pipe. He took photos of the sides of the shank to show the stamping. The stamping is readable in the photos below and is as noted above. The logo stamp is also readable on the top of the saddle stem.I turned to Pipephil’s site to see what he had on the Jirsa brand (http://pipephil.eu/logos/en/logo-j2.html). He had an entry that I did a screen capture of and also the following information on the brand. Artisan: Oldrich Jirsa (born 1962) makes pipes since 1994. I turned to Pipedia for more information on the brand (https://pipedia.org/wiki/Jirsa). I quote from the article below.

Jirsa is a Czech Republic brand owned by the family company headed by the artisan Oldrich Jirsa. They use Ebonite and cumberland stems. Best Grading: SG (Grain), three stars. Symbol: stylized J coming out of an oval. I knew that I was working on a Czech made pipe by Oldrich Jirsa. The stem on the one I was working on was acrylic and had a briar insert like the one in the photo above. Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top and beveled edge lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the deoxidizer. The pipe looked very good when it arrived here. I took some close up photos of the rim top and also of the stem surface. The rim top and the beveled inner edge looked very good. The stem was clean and the tooth marks and chatter were few. I took photos of the stamping on the underside of the shank. You can see that it is stamped as noted above. It is clear and readable. The logo on the stem top is also readable. I took the pipe apart and took a photo of the parts. It is a good looking pipe and has some nice looking grain and rustication around the bowl. The briar came out looking very good so I did not need to polish it with micromesh. Instead immediately worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horsehair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process.I set the bowl aside and turned my attention to the stem. I filled in the deep tooth marks in the acrylic with clear CA glue and set it aside to let the repairs cure. Once they cured and hardened, I sanded out the repairs on the top and underside of the stem ahead of the button with 220 grit sandpaper and started polishing it with 400 grit wet dry sandpaper. I used Rub’n Buff Antique Gold to repaint the logo on the stem top. I worked it into the stamp with a tooth pick and buffed off the excess. It looks quite good.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine.I am excited to finish this Jirsa Octagonal Panel Bent 138 Billiard. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with the grain popping all around the smooth panels and the interesting rustication on the other panels. Combining that finish with the black, fancy acrylic stem with a briar ring all work to make this a beautiful pipe. This smooth Octagonal Panel Bent Billiard is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 55grams/1.94oz. It is a beautiful pipe and one that will be on the PIPES FROM VARIOUS MAKERS – CZECH, BELGIAN, GERMAN, ISRAELI, SPANISH PIPEMAKERS ALONG WITH METAL PIPES section of the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Beauty or the Beast?


Blog by Kenneth Lieblich

This is the story of a pipe – possibly damaged beyond reasonable limits – which I really liked and decided (against my better judgement) to revivify. I need to make clear from the outset that this is not a pipe like many you see from Steve, Dal, Paresh, Charles, et al, which begin their restoration as the proverbial sow’s ear and naturally end up as the silk purse. No, this is a pipe that came to me as a damaged ‘beast’ and ended up much improved – but a ‘beast’ it remains. There is damage to the pipe which is, despite my best efforts, a permanent attribute. I leave it to your collective judgement on whether it will ever attain the rank of ‘beauty’.

This pipe came from a lot from Sudbury, Ontario. There were literally no marks of any kind on the stummel, stem, or ferrule. In the absence of a name, Steve and I dubbed it ‘The Sudbury’ and that is the name that stuck. Steve thinks that the Sudbury could be of Italian origin, and I have no reason to question that assessment. So let us pretend that it is an Italian ‘scoop’ pipe that arrived from Northern Ontario. If you have any insight into the pipe’s origin, I would love to hear from you. The photos do not quite convey just how bad this pipe looked when it arrived. The stummel was filthy, scratched, dented, cracked, and burned. The bowl was out-of-round, had lots of lava, cake and burns. The stem was oxidized, calcified, and badly pitted (more about the pitting later). The ferrule was dirty, torn, dented, and cheap-looking – it had obviously been put there to address the cracks in the shank. Where to even begin with this mess?

Well, the start came with removing the sorry-looking ferrule, which, quite frankly, inspired more pathos than confidence. This allowed me to have a good look at the cracks (plural) in the shank. As you can plainly see, the cracks were a mess. I removed what I could of lose debris and glue from these fissures, with the intention of refilling them later.Next was reaming out the bowl. This pipe has quite a wide and curved bowl and it required both the PipNet Reamer and the KleenReem. I took it down to bare briar, as I wanted to ensure there were no hidden flaws in the walls of the bowl. Fortunately, there were none. I then proceeded to clean out the insides of the shank with Q-tips, pipe cleaners, and isopropyl alcohol. This is a pipe that really could have used the services of a retort system, but – alas – I do not have one. If anyone has a spare, please let me know. The fellow on eBay who sells them is out of commission for a while. A quick wipe of the outside revealed that there is really some beautiful wood grain in this pipe.A de-ghosting session seemed in order to rid this pipe of the foul smells of the past. This de-ghosting consisted of thrusting cotton balls in the bowl and the shank, and saturating them with 99% isopropyl alcohol. This caused the oils, tars and smells to leech out into the cotton. Finally, a relatively clean and fresh-smelling bowl emerged.While all of that was going on, I cleaned out the insides of the stem with pipe cleaners and isopropyl alcohol. Then the stem went for an overnight soak in the Before & After Hard Rubber Deoxidizer. I knew the stem was going to require a lot of work, but even I did not know what I was getting myself into. The following day, I cleaned all of the de-oxidizing goop (technical term) off with alcohol, pipe cleaners, et cetera. The oxidation had migrated to the surface and would be fairly straightforward to remove.Back to the stummel – and this required addressing two key issues: the badly out-of-round bowl opening and the cracks in the shank that needed to be re-mended. In order to address the out-of-round issue, I took a solid wooden sphere, wrapped sandpaper around it, and sanded thoroughly – until such time as the bowl was returned to round. This process was not difficult, but it was time consuming. I had to ensure that I was sanding down the correct parts that needed it and that I was not removing too much. In the end, I think I got the balance just right.Meanwhile, I had to figure out what could be done with the very noticeable cracks in the shank. The previous ferrule had done a passable job of hiding them, but that ferrule was a non-starter. It was ugly and trashed. Anyway, an application of briar dust and cyanoacrylate adhesive seemed to be the way to go in addressing the cracks. I also had to concede that, no matter what, the cracks were always going to be a visible part of this pipe from now on. There was just no way around it. I sanded down the repairs and left them for a bit later.There was a small burn on the underside of the stummel that also needed to be addressed. I took some oxalic acid on a Q-tip and rubbed and rubbed. The burn did improve but never fully disappeared. I took solace from the fact that the burn was very superficial and did not affect the integrity of the wood at all.After this, I used all nine Micromesh pads (1,500 through 12,000 grit) to sand everything smooth. A light application of Before & After Restoration Balm brought out the best in the stummel’s grain.Steve was kind enough to find me a new ferrule that we could bend to correctly fit the oval shank. This was not as easy as it sounds because the shank’s width tapered away from the end. I used a combination of heat, glue and elbow grease to fit it. I then used metal sandpaper to even out the edge. A quick polish with my cloth made it look pretty good.Now on too the stem. Oh boy – this was a struggle. All the usual things were fine. As I mentioned, the deoxidizing went well; the cleaning of the internals went well; the sanding of the stem with the Micromesh pads went well; the buffing and polishing went well; BUT the pitting was very difficult. In the first place, the pits were all filled with filth and/or oxidation and/or debris from the many years of neglect. In order to dislodge this, I soaked the pitted part of the stem overnight in a lemon-infused, isopropyl alcohol solution. This worked surprisingly well. The debris either dissolved or was easy to scrub out.Now, how to fill these properly so as to create a smooth and (hopefully) invisible repair? Steve assured me that he had successfully filled pits in the past with cyanoacrylate adhesive. Perfect – I set about carefully smearing the adhesive all over the pitting. I left it to set and came back later to sand it down. So far, so good, but some of the pits did not fill (no idea how that happened) and others just looked terrible after sanding. I obviously did something wrong. Steve suggested that we used some black cyanoacrylate adhesive. He very kindly did his own smearing of the black adhesive on my stem. We let it set, did all the right things, and it still looked lousy. I even tried using a black Sharpie to see if that would help – it didn’t. Suffice it to say that I went through this process a total of FOUR times before I had to admit defeat. I will say that the stem looks so much better than when I started, but those pits were *ahem* the pits.I applied more Before & After Restoration Balm, then some wax. I polished it by hand with a microfibre cloth and I was pleased with the results! This pipe was clearly a great beauty on the day it was made. Over the years, abuse, neglect, and the ravages of time turned this charming pipe into a beast. I worked harder on this pipe than I have on any other, but I am proud of it and I am adding it to my collection. I look forward to smoking it for many years to come.

The dimensions of the pipe are as follows: length 164 mm; height 42 mm; bowl diameter 149 × 44 mm; chamber diameter 23 mm. The mass of the pipe is 46 grams. Thank you very much for reading and, as always, I welcome and encourage your comments.