Tag Archives: waxing

Refinished Rims and Touch-Ups

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Blog by Alan Chestnutt

Alan, aka Castana on SF, posted this recently and I found it extremely helpful so I asked and received his permission to post it here as well. I am ordering some of these as I speak. Nicely done Alan. I look forward to gving them a try. They are available on Ebay and also on Amazon.

When restoring pipes, I nearly always like to refinish the rim. I think a nice clean sharp rim always sets a pipe off. As well as this it is just as easy to sand and refinish a rim as to try to remove tar and staining to the old rim. One of the problems though in refinishing a rim is trying to match the stain to the rest of the bowl. I always shied away from getting leather dyes, simply because you would need to be artist to be able to correctly mix all the differing shades.

I always remember my grandfather staining shoes and the smell of the dye always lingered in my brain. In more recent times that memory was triggered when smelling a sharpie marker, so my thoughts were that it must contain a similar alcohol based dye. I used a sharpie a few years ago to restain a black sandblast bowl and it worked a treat. “If only they were available in shades of brown” I thought to myself.

So while walking through a local discount store a few months ago, I spied furniture repair markers. Exactly what I had been thinking of.

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They come in 5 shades of brown plus black and cost £2 (about 3 bucks). I couldn’t wait to get home and try them. They are a chisel shape marker and apply a translucent stain exactly like an alcohol dye. Perfect! With the variety of shades a match can be made 99% of the time by application of a couple of coats or moving to the next darker shade. Simply cover the rim by wiping the marker over it and a few seconds later remove the excess with a soft cloth.

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A refinished Tilshead rim.

They are excellent for touch ups on other areas of the pipe and I often use them to just refinish the whole pipe to brighten up the grain. Needless to say I acquired a few more packs, but I have refinished literally hundreds of pipes and I am still on my first pack. Simple to use, no mess, a variety of shades and cheap. I class them as my best purchase ever for restoring pipes, so keep your eyes open for them. Available on eBay too, but at a premium.

Alan

The Everyman Pipe from the 1920’s Era

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Blog by Steve Laug

This featherweight cutty shaped pipe came from the 1920’s or earlier. I bought it in a lot of that era pipes on EBay and it arrived as pictured below. It is stamped The Everyman Pipe on the left side of the shank and Made in England in a Circle and shape number 195 on the right. When this arrived in the package of the other old timers it was pretty grimy. The bowl needed serious cleaning and the rim was dented and had rough spots. It needed to be topped as steaming it would not raise the broken spots that came from tapping it out. When the surface of the wood is actually broken and not just dented steaming will not raise the grain significantly and the only repair I know is to sand it off and make it smooth and crisp again. The challenge then is to match the stain so the bowl and rim blend.

I reamed and cleaned the bowl and the airway in the shank. The pipe cleaners came out very dark and tarry at the beginning. I decided to use a drill bit the same size as the airway to clean out the gunk before going back to the pipe cleaners. I use a T handle to turn the bit into the shank by hand to remove the tars and open the airway again. I finished cleaning the shank with fluffy pipe cleaners and isopropyl alcohol until they came out clean. I wiped down the bowl with acetone to remove the old wax and the grime from the bowl and then used my topping method – a hard, flat board and an anchored piece of 240 grit sandpaper – and topped the rim. (I have since learned from someone that a good way of doing it is to anchor the sandpaper on a Masonite clipboard and sand the rim that way. It works great.)

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The stem needed the most work as it was a round tube of vulcanite. I wonder if it was not made to be like a clay tavern pipe. The previous owner had notched the top of the stem to make it easier to hold with his teeth and keep it from rolling. The notch was a fairly deep V cut that was only on the top of the stem. I used needle files to cut a new button on it and then my Dremel with a sanding drum to taper the stem back to the button. The original had a slight bend in the stem so I left that. The button I shaped for the stem is rounded and crowned to fit the orific airhole like those found on pipes of a similar age. After cutting the button and shaping it, the stem needed a lot of sanding to remove the scratches and oxidation. I used 240 grit sandpaper on the entirety to clean up the deeper scratches and remove the oxidation. I then progressed through the wet dry sandpapers and the micromesh pads until I had a good smooth finish on the stem and a good clean button.

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I set the stem aside and restained the rim and bowl to match what appeared to be the original colour of the pipe. I used an oxblood undercoat and a dark brown top coat to get the richness of the original finish. I coated the stem with Obsidian Oil and then inserted it in the shank. Once it was dry I took the pipe to the buffer and used the White Diamond to give it a final buff before giving it several coats of carnauba wax.

The pictures below show the finished pipe with its newly shaped and polished stem:

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Rebirth of a WDC Milano Dublin

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This old WDC Milano was a challenge that I wanted to take on and see how it would turn out. In the pictures below you can see the state of the pipe when I received it. The stem was deeply darkened in the button area as well as scratched and marked with tooth chatter on the first inch of the stem. The bowl was badly caked – much of the cake had broken away in chunks and what remained was soft and crumbling. It also appeared to have been reamed with a pocket knife and had nicks and cuts around the inner edge of the rim and the resulting effect left the bowl way out of round. The finish was damaged and parts of the stain had rubbed away and what was left was underneath layers of black grime. The sides of the bowl and the bottom side of the shank both showed signs of having been laid in an ashtray and burned with a cigarette. The burn on the bowl side was not deep and would be easily addressed but the one on the shank was pretty deep. I would have to take out as much as possible without changing the integrity of the shape. That gives you a pretty clear assessment of the damages facing me as I decided to work on this old pipe.

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I reamed and cleaned the bowl back to the bare wood in order to remove the crumbling and cracked soft cake in the bowl. My thinking was that a good clean surface would encourage the build-up of a proper cake. With a sharp knife I worked on the inner rim. I worked to get it evened out with the knife and then turned to a folded 1 inch piece of 240 grit sandpaper to smooth out the roughness of the inner rim and to bring it back as close as possible to being round. The roughness of the rim required topping to even it out as well. I used my normal procedure of sandpaper anchored on a solid flat hard surface and turning the bowl clockwise or counter clockwise into the sandpaper – exercising caution to keep the bowl flat on the surface and vertical in order to keep the rim flat and not slanted. To remove the burn mark on the bowl and on the shank took a little time. On the bowl side it was not deep so it only needed to be sanded to remove the damage. But on the shank I scraped until I got to hard wood and then sanded. Once I had solid briar under the burn I put the bowl in an alcohol bath to remove the grime and the remaining finish. I left it overnight to soak and turned my attention to the stem.

The stem has a steel tenon and insert that is the system in these old Milano pipes. It seems to be some sort of condensing chamber to collect the moisture generated in a smoke. In any case this one was filled with tars inside and coated with them on the outside. I cleaned it out with a shank brush, bristle pipe cleaners and then fluffy ones until they came out clean. The outside of the condenser I scrubbed with 0000 steel wool to polish and remove the grime and tars. The aluminum polished up nicely and the tenon looks like new. The Bakelite stem took a bit more work and creativity. I cleaned the inside of the stem scrubbing it with soft scrub and bristle cleaners. I was able to remove much of the interior stains. I sanded the exterior of the stem to remove the tooth chatter and external discolouration. I sanded it with 400 and 600 grit wet dry sandpaper and then the usual course of micromesh pads from 1500-6000 grit. I finished by buffing the stem with Tripoli, White Diamond and carnauba wax.

I put the stem aside and removed the bowl from the alcohol bath and dried it off. I sanded the bowl with 1500 and 1800 grit micromesh to remove any remaining finish. I also sanded it with 3200 and 4000 grit micromesh to polish the bowl. I restained it with an oxblood stain. I flamed the stain and then took the pipe to the buffer and buffed the pipe and stem with White Diamond and carnauba wax. Below are the pictures of the finished pipe.

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Refurb on a London Made Dainty Prince

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This was a refurb I did last August while I was laid up with a couple of cracked ribs. I wanted to post it here because it gives a good idea of the process of refurbishing and taking grimy old pipes and bringing them back to life.

I am a bit laid up after a fall so I am sitting quietly in my shop instead of doing painting and trim on the house (original plan for the holidays). The great part of this is no guilt about not working on the house or yard. Because of that I am getting a bunch of old pipes I have in boxes cleaned up and finished.

The first one today (Aug. 1) is a nice little London Made Prince with a patented Flat Grip Stem. (I cannot remember who made these but I have had a few over the years). The stem is stamped Flat Grip and has a nice raised silver spot on the stem. The bowl is stamped London Made. It is a small pipe – 5 1/4 inches long but about a group one sized bowl.

From the pictures below you can see the state it was in after the reaming. I got into a groove and forgot to take pictures before I reamed it. But it was really dirty and caked – to the point that a pencil could not stand in the bowl. It always amazes me that in these small pipes, which hold very little tobacco any way, people let them get to the point where they hold even less tobacco. Just a few minutes of work and they would have had a clean bowl.

I reamed and cleaned the bowl and shank and put it in my alcohol bath for the morning. I have a pint jar filled with Isopropyl alcohol that serves as the bath for filthy bowls. In this case it sat in the bath for 3 hours before I got to work on it. It is a nice sized jar in that I can drop 4 or 5 bowls in it at the same time and work on the stems while they soak. Once it came out and dried I sanded the bowl all around and cleaned it once again to get any residual grime out. The airway was clogged so a paper clip took care of that and then a good scrub with a bristle pipe shank brush and repeated pipe cleaners. Once clean I stained it with a cherry stain that works with these old timers and brings out the colours of the briar. It was then buffed with Tripoli and White Diamond and waxed it with carnauba.

The stem was rough so I buffed and sanded and buffed and sanded and got the oxidation off and then sanded a bit more to get the teeth chatter off of the surface of the stem near the button. I always start with a 220 or 240 grit sandpaper in removing the oxidation and tooth chatter and then progress through 400 and 600 grit wet dry sandpaper before finishing the progress with micromesh sanding pads – 1500, 1800, 2400, 3200, 4000 and 6000 grit. Once the sanding is finished I took the pipe to the buffer for a final buff with White Diamond before polishing the whole pipe with carnauba wax.

Before shots: (I reamed out the cake prior to this photo set)

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Photos of the finished pipe:

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Refurb LHS SEC system pipe – strange one

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Blog by Steve Laug

In my ongoing quest to collect pipes that are unique and give a picture of the history of interesting inventions and modifications to the simple smoking pipe I wanted to post this refurb that I finished. It is a LH Stern (LHS) SEC pipe. It is a system pipe as can be seen from the blown out pictures and the diagrams from the patent office. It is an interesting piece of history. The apparatus inside is quite elaborate. The stem is green perspex that serves as a collection chamber for sediments before the smoke goes to your mouth. I cleaned and reamed the bowl and polished it with carnauba wax. The stem had some tooth marks and cuts. I lifted the majority of them with my heat gun and finished by sanding them  and buffing them smooth.

Here are pictures of the pipe when it arrived:

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Here are pictures of the pipe after I cleaned it and polished it:

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Here is the pipe taken apart – it has an amazing assortment of parts. I have also included a copy of the patent information for those interested in the background of this pipe.

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This One is a Mystery Pipe – Is it a ?Dunhill?

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You will notice from the title of this blog piece that the Dunhill title is framed with question marks. The pipe is a mystery to me all the way around. There is nothing straightforward with it in terms of stamping or composition. It is composed of three distinct pieces (stem, shank and shank/bowl) that have been joined together at some point in the pipe’s history. From the pictures below you can see the junction of the bowl and the shank. The stem on the shank is a white dotted Dunhill stem. How did this pipe come to be and how did it incorporate at least two different pipes? It would be great if this old timer could tell its story because I am sure that it would be an interesting tale. Did the original owner break the shank on his pipe and then have a repair man do the fix? If so, did the repairman use a second pipe shank to add to the bowl for the repair or did the original owner take two of his pipes (both broken) and have them put together in this creative fashion? Did he take the bowl from one and the longer shank and stem from another and join them to form a new third pipe? Was the original of both pipes a Canadian or was the one that the bowl came from a billiard? I don’t think I will ever know the answer to those questions and even others if I took the time to think it out. But I do know that this is part of the pleasure I derive from working on estate pipes. I enjoy trying to put together the story of an old pipe.

I picked this one up from EBay. I was the only one bidding on it. I think the seller had marked it a Dunhill Canadian for sale so it had many viewers but no other bidders. I knew from a quick look at the pictures the seller provided that it was probably not a Dunhill. I could not be certain but the shape of the bowl did not quite measure up to other Dunhill Canadians that I have and the flow of the stem and bowl was different to my eye. Others may be able to point out other inconsistencies that they see but that is what I felt as I looked at the pipe. What caught my eye though and caused me to put in a minimal bid were the shank construction (reconstruction) and the flow of the pipe. I liked the looks of it. I was also curious to see how it was done. It looked like a well done repair, if indeed it was one. I wanted to see it close up and study it. The white spot on the stem was a bonus though I could see from the photos that it was not likely a Dunhill.

When it arrived I took it from the box and did a quick field dress cleaning of the pipe. Reamed the bowl, wiped down the outside with an alcohol damp cloth so that I could see the stamping or remnants of stamping that remained. The bowl portion (the section from the front to the union on the shank) has stamping on the bottom of the shank that looks to be what remains of a Sasieni stamp or at least the last few letters “ieni”. That is a bit mysterious to me in that the other Sasieni Canadian I have has the stamping running in the opposite direction. So my guess is that this one is upside down – not unheard of but interesting nonetheless. The shank and stem portion (from the junction backward to the stem) are definitely from the same pipe. The fit of the stem to the shank is absolutely perfect with no sanding or shaping marks, no gap and no change of profile to the stem. Under a bright light is possible to make out faint stampings on the shank remnant – and I do mean faint. They appear to be the last four letters of Dunhill – “hill” and under that there are the four letters “land” which could be then end of the word England. From that I would conjecture that what I have is a combination of a Sasieni and a Dunhill pipe. The Sasieni contributed the bowl and part of the shank and the Dunhill the rest of the shank and the stem. Whoever did the union of the two old pipes did a superb job as the joint is very well done. The grains of the two parts of the shank are very different and the staining does not match. But other than that it is a flawless union.

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With the mystery still unsolved I went to work on the ?Dunhill?/Sasieni. I gave it a better reaming and also cleaned it. The bowl had been very caked when I initially cleaned it so I did a deeper reaming taking it back to the wood. It had a very heady smell of Lakeland style tobaccos so I wanted to remove the remnant of that in the cake and prepare it for the tobacco that I would smoke in it. The shank and stem were tarry and restricted by the gunk inside them. I used a shank brush and many pipe cleaners to clear out the airway. I also tried to shine a light down the bowl to see if there was any evidence of how the repairman had done the union of the shank pieces. But the light would not shine that far down the shank. From the ease with which the pipe cleaners slid down the shank and the smoothness of the airway it was clear that the job was very well done. I also used a drill bit on my KleenReem reamer and ran it through the shank with no catches.

Obviously this was a favourite pipe for the previous owner. It was well cared for, repaired and put together and well smoked. I cleaned it with Isopropyl 99% and then sanded out the tooth chatter on the mouth piece. I wiped down the bowl and shank with undiluted Murphy’s Oil Soap and scrubbed it with a tooth brush. It removed the grime from the bowl and the rim. Once dry I cleaned off the remaining lava on the rim with 400 and 600 grit wet dry sandpaper. Once the bowl and shank were clean I wiped the entirety down with acetone. I wanted to get as much of the stain out so that I could try to get a bit better match on the two parts. I re-stained it with a cherry stain I have in the shop as it seemed likely that it was that colour from what was under the grime. The union of the two is still very visible even with a re-stain. The two parts took the stain very differently. I finished by buffing it with Tripoli and White Diamond before giving it multiple coats of Carnuba wax. I am happy with the results. I have smoked it quite often since the refurbishing and find that it is a great smoker. It is lightweight and comfortable in the mouth and the hand. The only thing that would make it even better in my opinion is to have the whole story behind this pipe. Ah well… I am going to go and fire up a bowl of good Virginia and enjoy adding my story to this pipe.

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Refurb on an Old BW Dog with Bling

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This one is another mystery to me. Because I am always picking up these old timers I have a habit of researching out as much information as I can once they have arrived and I can see the stamping and hallmarks up close. This one bears the hallmarking of the Anchor which tells me it is made or assayed in Birmingham, the Lion which tells me it is Sterling silver and the date letter that though worn looks to be a capital E which would date it as an 1850 pipe. That is as close as I can tell to the date and time frame for this old timer. There is also a Makers Mark in the silver stamped BW and the briar of the pipe is also stamped BW. I cannot find any information on that maker in all of my searching so that is where it stands. If anyone reading this can shed light on the initials and what they may refer to I would deeply appreciate it. Until then I have a nice old bulldog from 1850 that smokes exceptionally well and it is a mystery regarding its maker.

When the pipe arrived it was in rough shape. The silver was very tarnished and dull looking. It was also scratched and much worn in places. The bowl had a very spotty finish with just the remnants of the original stain. The rim was tarred and the bowl heavily tarred and caked. The stem is made of some amberoid substance or may be Bakelite. It seems to be a softer material than the hard Bakelite. It has a bone tenon that was over turned so the stem was off to the side. The button also has an orific hole in the button instead of the newer slotted button.

I reamed the bowl and cleaned it with Isopropyl alcohol and many pipe cleaners and cotton swabs. I sanded the bowl to remove a bit more of the cake and take it back to the wood. I then put the bowl in an alcohol soak to remove the remnants of finish and the grime that was worked into the surface of the pipe. Once I removed it from the alcohol bath I re-stained it with Cherry stain. The stem was crackled a bit – lots of tiny spidering all over the surface so I did not want to chance using alcohol on it as it can cause more spidering and cracking. So I cleaned it with Gojo an all purpose hand cleaner with grit suspended in liquid soap. I ran it through the stem repeatedly to remove the tars and grime inside the airway. When it was clean I rinsed it with warm water to remove any residual soap. I sanded the tooth chatter and used my needle files to recut the button as it was pretty worn. I sanded and polished the stem with micromesh pads 1500-6000 grit as is my usual practice. I also heated the bone tenon with hot water and readjusted the fit to the shank. Upon completion of the refurbishing above the pipe and stem were given a final buff with carnauba wax. I also gave the black leather pipe case a cleaning with leather renewer and a coat of wax as well.

Here is what it looked like when I got it from EBay

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Here is what the pipe looks like today

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Refurb on an old AD pipe from 1909

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Blog by Steve Laug

I finished refurbishing this old timer. I love the looks of it and wanted to share it with you all. It is a bit of a mystery in that it has no stamping on the bowl. The only marking is a hallmark that dates it to 1909 and the letters stamped in the silver of the band AD. The pipe is a cased little thing – just 4 inches long. The stem has a bone tenon but a slotted button instead of the orific hole on most pipes of that era. The ivory band is part of the stem and it inserts into the metal band. The bowl is stained an oxblood red. I reamed and cleaned bowl and shank. I cleaned the threads and the inside of the stem with a shank brush, bristle pipe cleaners and fluffy cleaners. The silver band was polished with tarnish cleaner and a silver cloth. The stem was sanded to remove chatter and then I used Micromesh pads 1500,1800, 2400,3200 4000 and buffed with Tripoli and White Diamond. I rubbed down the case with some leather renewer and it definitely looks better.

The book, Who Made that Pipe attributes the AD stamping to Alfred Dunhill. The Silver Hallmarks site dates it as Birmingham Silver 1909 and the Makers Marks identify the work as being done by Arthur Downing Ltd. That sounds correct to me. The final attachment photo is the clip from the Hallmarks Site. So the mystery remains – is it a Dunhill or is it a nice older pipe banded by Arthur Downing Ltd? Who knows but it smokes great.

Here are the pictures of the pipe before I worked on it
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Here are some pictures of the finished pipe.
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And here is a picture of the logo on the silver band as found on the British Hallmarks site. It matches the stamping on the silver band exactly.
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Refurbed Social by Comoy’s

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This afternoon late the postie delivered the Social pipe made by Comoy’s that I picked up off Ebay a few weeks ago. I took it apart and went to work. The bowl was pretty caked and broken up inside… cake falling off the walls. The The top was tarred. I reamed and cleaned it. Interestingly this is an old timer. It has the old orific button as I show in one of the before shots of the stem. It has some kind of reservoir between then end of the stepped tenon and the the airway into the bowl. It is below the airway and the tenon is drilled with the airway high to match up.

I put the bowl in an alcohol bath and cleaned it up. The mess came off really well. I then sanded the bowl with 600, 1800, 2400 and 4000 grit and then restained it with a medium brown stain. The Stem was soaking in Oxyclean and when I removed it I cleaned the grime off of it. It was a bit oxidized so that came off no problem. I then buffed the entirety with white diamond and then Carnuba. Here are the before shots:

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You will note there are some pretty deep dents in the side of the bowl. These came out a bit but they remain as character marks. There were some on the underside of the shank as well. They too remain.

After refurbishing:

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Refurb on a Gourd Calabash

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This one needed a bit of work. The Meer bowl came out easily. The cork gasket was dry so I greased it with Vaseline to soften it. While it softened I cleaned out the gourd with a pic and wipes. It had some hard tars in it. The bottom of the bowl was black so I cleaned it as well. The rim was tarred and dark so I wiped it clean and then sanded with micromesh pads to get the grime off and give it a sheen. I set it aside and went to work on the outside of the gourd. It had lost its shine. I cleaned it with Murphy’s Oil Soap and once clean sanded with the micromesh pads. Once done I buffed it with White Diamond and Carnuba. Then I went to work on the stem. It is amber. In the case a piece of the stem was chipped and lying loose. I used super glue and repaired the chip. The silver band was loose on the gourd so I removed it and cleaned it with silver polish. I refastened it with superglue. Once the entire pipe was cleaned and the stem was cleaned and dry I reassembled the pipe and gave the cork another coat of Vaseline before putting the bowl back in. It is stamped with hallmarks that are hard to see as they are worn. It looks like the reclining lion (sterling silver) the other two are worn. The makers mark is MSNF in a rectangle. Not sure who that is? Anyone know??

Here is the finished product. Thanks for looking.

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I wrote to Gary Schrier regarding the Calabash via email and he replied as follows:

… Your pipe was made in the London area, and hallmarked at Goldsmith’s Hall, London, because of what sounds like a leopard’s head, that hall’s guild mark. The maker’s mark, “MSNF,” is unknown to me. Chances are likely it belongs to the “mounter” or silversmith who did the work (but not necessarily the maker of the actual pipe). It’s an insignificant brand, though; this does not detract from the pipe. It was probably made around 1907 thru 1911. I hope you enjoy it.