Tag Archives: Malaga Carved Pipes

Restoring a Pipe for Alex with a shape I don’t know how to identify


Blog by Steve Laug

I have another of Alex’s purchases on the table this morning. It is a smooth finished pipe in a shape that really covers a gamut of shapes – a bent pot, paneled pot, sitter, canted pot sitter. It is a very unique Malaga that I am not sure what to call. When it is set as a sitter the rim top is straight with the stem. The pipe was dirty and caked with few spots of lava and some darkening on the inner edge of the bowl. The bowl had a rough surfaced cake. The exterior was dirty with grime and oils. The stamping on the left side of the shank read “MALAGA” and the right side read Imported Briar. The vulcanite saddle stem had tooth marks and chatter on both sides. I took photos of the pipe before I started the cleanup work. I took close up photos of the bowl and rim to capture the condition of the pipe before I started my cleanup work. The rim top had some lava and darkening on the top and the inner edge. There was a thin uneven cake in the bowl. Other than being very dirty the pipe was in great condition. The stem was dirty and covered with a thick scum on the surfaces. There was tooth chatter on the top and underside near the button and some tooth marks on the button surface itself.I took a photo to capture the stamping on both sides of the shank. The first photo shows the stamping “MALAGA” on the left side of the shank. The second photo shows the stamping on the right side of the shank. It reads Imported Briar. The stamping on both sides is clear and readable.If this is the first of the Malaga restorations that you have read about then you should know the backstory of the brand. I am including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

I decided to start with the bowl first. I cleaned up the rim top with a folded piece of 220 and 400 grit sandpaper to remove the lava and the damage. I followed Jeff and my regular regimen for cleaning estates. I reamed the light cake in the bowl with a Savinelli Fitsall pipe knife to remove the cake. I sanded the bowl with 220 grit sandpaper wrapped around a piece of dowel to smooth out the inside walls of the bowl. The mortise was surprisingly clean but there were some tars and oils on the walls. I scrubbed the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners.I polished the exterior of the bowl and the rim with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped down the bowl after each sanding pad with a damp cloth. I scrubbed the briar with Murphy’s Oil Soap with a tooth brush. I scrubbed it off with running water to remove the soap and the grime on the bowl. I dried it off with a soft cloth. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I sanded out the tooth chatter with 220 grit sand paper and started to polish it with a folded piece of 400 wet dry sandpaper. Once it was finished it the tooth chatter and oxidation was gone and it began to shine.I polished the stem with Denicare Mouthpiece Polish from a tin of it I have in the drawer here. It is a gritty red paste that I rub on with my finger tips and work into the surface of the stem and button and buff off with a cotton pad. It gives me a bit of a head start on the polishing work plus I have a tin to use up!I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a final coat of Obsidian Oil. This is interestingly shaped smooth, bent sitter in what I would call a Bent, Paneled Pot Sitter with a black vulcanite saddle stem. It has a great look and feel. The shape is very tactile and fits well in the hand. The shape makes it a unique looking pipe. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich oil cured briar took on life with the buffing. The rich brown colour of the briar work well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. I will be adding the pipe to the finished Malaga pipes that I have set aside for Alex. This will be a great addition to his collection of Malaga pipes. Thanks for walking through the restoration with me as I worked over another Malaga.

Restemming another “Malaga” Billiard from Kathy’s Dad’s Pipes


Blog by Steve Laug

I have been working on a lot of different estate pipes and selling them for different families. This morning I was looking through the bag of pipes that I have left from George Koch’s estate. There are only three of them and all were in pretty rough shape. The rims were well knocked about and the stems were either chewed off or through and really would need to be carefully worked over and have new stems fit to them. The third of these three Malaga pipes that need a lot of attention was the next one I picked up this morning. It is a Billiard with a chewed through acrylic stem. Of the three was the least beat up of the three. The rim top had some damage on the flat surface and the inner edge. But sides of the bowl had great looking flame and mixed grain that was fascinating. It is the last of the three Malaga pipes needing restemming that came to my brother and me in several shipments of pipes from George’s daughter Kathy. Alex had gone through the bag and had passed on these three. Jeff unwrapped the pipes when they came to him and took the following photo to give an idea of the volume of the pipes that we purchased. In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. If you have followed the restorations you will have read the information and the background piece that Kathy did on her father. Here is a link to one of the previous blogs on his Malaga pipes where I included her tribute in full (https://rebornpipes.com/2019/01/26/back-to-kathys-dads-pipes-restoring-a-%c2%bc-bent-malaga-author/). You can also read the bio on her Dad, George Koch. It is an interesting read and one that shows just how far our pipe collecting passion can go when we find a brand of pipes that we enjoy. I am going to only include the portion on the Malagas at this point. If you wish to read the rest follow the link above.

Kathy writes…We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack…I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

This second “Malaga” Billiard on the table is the least damaged of the three. Under the damage and dirt I can see the great grain on the briar. There were some scratches and nicks in surface of the rim top. The large bowl, round shank and chewed through acrylic stem give a clear picture of what the pipe must have looked like when George bought it at the shop. Again, I did not bother Jeff for the pre-cleanup photos because really it was obvious what the pipe must have looked like. From the condition of the bowl and rim post cleanup I could see that it originally had a thick cake that overflowed with lava onto the rim so that there was damage on the inner edges. The rim top had been knocked hard against rough surfaces to knock out the dottle and left damage. The sides of the bowl and shank are very dirty with grime and oils from prolonged use. The stamping on the left side of the shank read MALAGA. The acrylic stem had been gnawed through leaving a useless stem that would need to be replaced. Since Paresh is not here in Canada this is another that will be replaced rather than rebuilt! 😉 I took photos of the pipe before I started my work. The condition of the pipe will be shown in the photos below. I took a photo of the  rim top and bowl to show the condition of the pipe. You can see why I said it was used as a hammer – though less than the others. The surface of the rim is very rough. The inner and the outer edge have some damage. There is some darkening on the back inner edge, bevel and surface of the rim top. I think that this pipe must have been another shop pipe or knock about pipe for George as it was very well smoked! I took photos of the stem to show the broken and chewed condition it was in. Remember this is hard acrylic so it took some real gnawing to do this to it!I took a photo to capture the stamping on left side of the shank. The photo shows the stamping MALAGA and is very readable.I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

Jeff had gone to the trouble to ream the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. All of his work gave me a clean pipe to work on to say the least. I decided to start with the new stem. I went through my collection of stems to find one that was the same dimensions as the ruined stem. I found one in my can that would fit the bill.I set up my cordless drill with the PIMO Tenon Turning Tool in the chuck and started turning the tenon on the new stem back to match the broken one. I usually do the turning in several passes, adjusting the depth of the blade between each cut. In this case I did it in three passes. I got it close and finished the fit with my Dremel and sanding drum.I sanded off the castings on the sides and slot end of the stem with the Dremel and sanding drum and did a few turns on the tenon with the sanding drum. You can see from the first photo below that it was a good snug fit. The diameter of the stem was larger than the shank do I would need to remove the excess material to get a solid fit.I used a Dremel and sanding drum to remove the excess material from the stem and get it close to the diameter of the shank. I worked over the diameter with a folded piece of 220 grit sandpaper to smooth out the stem. It still has a ways to go before it was finished but it was getting pretty close. I set the stem aside and turned my attention to the bowl. I topped the bowl with 220 grit sandpaper on a topping board. I removed the damaged areas on the rim top. I did not need to remove too much to bring it back to smooth condition and the outer edge was still clean.I used a folded piece of 220 grit sandpaper to clean up the inner bevel of the bowl. I worked it at an angle to clean up the edge and to give it a smooth bevel.I scrubbed the briar with Murphy’s Oil Soap and a tooth brush. I rubbed it into the surface of the briar with my finger tips and let it sit for about 10 minutes then rinsed it off with running water. I dried it off with a soft cloth. I used an Oak Stain Pen to stain the carvings on the rim top to blend all of the darkening together and make it stand out. I buffed it with a clean buffing pad. You can see from the photo below that I was able to blend it into the rest of the bowl.I polished the bowl with micromesh sanding pads to smooth out the rim edge repairs and the nicks in the bowl sides. I wet sanded with 1500-12000 grit pads and wiped the bowl down with a damp cloth after each pad. The photos show the progress. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results. I turned to the stem and started by sanding the surface. I wanted to smooth out the surface of the vulcanite to remove the castings and the sanding marks. I sanded it with 220 grit sandpaper and 400 grit sandpaper to clean up the stem.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad Obsidian Oil. I finished by polishing it with Before & After Pipe Stem Polish both Fine and Extra Fine and then wiped it down with a final coat of Obsidian Oil. This is a restemmed and restored Malaga Billiard with a vulcanite tapered stem. The new black vulcanite stem looks good in place of the black chewed acrylic stem. It has a great look and feel. The shape of the bowl, the reshaped and repaired rim top and the cut of the briar work well to highlight the grain around the bowl sides. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain took on life with the buffing. The rich oil cured colour works well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 ¼ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. I will be adding the pipe to the finished Malaga pipes that I have completed. I am looking forward to a new pipeman picking up this pipe and will carry on the trust for George Koch. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

Redeeming a Malaga Bent Volcano from Kathy’s Dad’s Pipes


Blog by Steve Laug

I have been working on a lot of different estate pipes and selling them for different families. Once in a while it is good to change things up a bit. Not long ago Alex came by and went through the Malaga pipes from George Koch’s estate. Alex added the newly chosen pipes to the box that I have of pipes for him. There are quite a few of them to work on so I decided to continue to work on them. The next of these Malaga pipes is a shape I would define as a volcano. It has some mixed grain and a Lucite stem. The mix of grain styles around the bowl and shank combined with the stem make it a stunning pipe. It is one of the many Malaga pipes that came to my brother and me in several shipments of pipes from George’s daughter Kathy. When Jeff got each box the pipes were well wrapped and packed. Jeff unwrapped them and took the following photo to give an idea of the volume of the pipes that we purchased. This Malaga came in mixed in a box of pipes much like the one below.In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. If you have followed the restorations you will have read the information and the background piece that Kathy did on her father. Here is a link to one of the previous blogs on his Malaga pipes where I included her tribute in full (https://rebornpipes.com/2019/01/26/back-to-kathys-dads-pipes-restoring-a-%c2%bc-bent-malaga-author/). You can also read the bio on her Dad, George Koch. It is an interesting read and one that shows just how far our pipe collecting passion can go when we find a brand of pipes that we enjoy. I am going to only include the portion on the Malagas at this point. If you wish to read the rest follow the link above.

Kathy writes…We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack…I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

The Malaga Bent Volcano with a rounded bottom and carving around the bowl is next on the table. The carver did a great job of shaping the pipe to follow the grain on the briar. The large bowl, chubby shank and bent tapered acrylic stem look very good. The bowl had a thick cake that overflowed with lava onto the rim so that it was impossible to see if there was damage on the inner edges. The sides of the bowl and shank are very dirty with grime and oils from prolonged use. The stamping on the left side of the shank read MALAGA. The acrylic stem had tooth dents and chatter on the top and the underside of the stem. Jeff took these photos before he started the cleanup work on the pipe. Jeff took close up photos of the bowl and rim to capture the condition of the pipe before he started his cleanup work. The rim top had some lava overflow and darkening on the back of the bowl. There appeared to be deep gouges in the outer edge on the right of the grimy pipe.He also took photos of the sides and bottom of the bowl and shank to show the beautiful grain and unique carvings around the bowl. The photos show the general condition of the bowl and wear on the finish. It is very dirty but this is another beautiful pipe. Jeff took a photo to capture the stamping on the top side of the shank. The photos show the stamping MALAGA on the left side of the shank. The stamping is very readable.The next photos show the stem surface. There are tooth marks and chatter on both sides near the button and wear on the button surface and edges.I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove the lava build up on the rim top and the flat surface of the rim looked very good. The inner edge of the rim has some serious burn damage on the front right side. The outer edge looked very good. I took photos of the pipe to show its condition before I started my work on it. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Jeff was able to remove all of the tar and oils but you can now see the damage on the inside rim edge. The edge is out of round. There is a burn mark that extends across back edge of the rim top at that point. The acrylic stem had tooth chatter on both sides near and on the button surface there was also a large deep bite mark on the underside of the stem.I took photos of the grain and carving around the bowl. The pipe looked really good. Just some work to do on the rim top and edges. I took a photo of the stamping on the shank to show how good the condition is. It shows the MALAGA stamp and it is very legible.I decided to address the rim top first. The first photo shows the rim top before I cleaned it up and reworked the damage. I lightly topped the bowl on a topping board with 220 grit sandpaper. I wanted to minimize the damage on the top, remove the darkening and clean up the damage on the front outer edge of the bowl. I used a folded piece of 220 grit sandpaper to clean up the damage on the right rear inner edge of the bowl. I gave the inner edge a slight bevel to repair the damage. I polished the edge with 400 grit wet dry sandpaper. The rim top and edges really looked better.I polished the rim top and the briar with micromesh sanding pads. I wet sanded the bowl with 1500-12000 grit sanding pads. I wiped the bowl down after each pad with a damp cloth to remove the sanding dust. I scrubbed the briar with Before & After Briar Cleaner and a tooth brush. I rubbed it into the surface of the briar with my finger tips and let it sit for about 10 minutes then rinsed it off with running water. I dried it off with a soft cloth. I restained the rim top and edges with an Oak Stain Pen. I was able to blend it into the rest of the bowl.I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results. I turned to the stem to address the issues on the surface of both sides at the button. I sanded both sides smooth with 220 grit sandpaper and 400 grit sandpaper to blend the tooth chatter and the repair into the surface of the stem. As I sanded and reshaped the button and stem surface the repaired areas and the tooth chatter disappeared.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad Obsidian Oil. I finished by polishing it with Before & After Pipe Stem Polish both fine and extra Fine and then wiped it down with a final coat of Obsidian Oil. This is a Malaga Bent Volcano with a Lucite/acrylic tapered stem. It has a great look and feel. The shape of the bowl, the beveled rim top and the cut of the briar work well to highlight the grain around the bowl sides. The carved streaks and boxes look very good around the sides and bottom of the bowl. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain took on life with the buffing. The rich oil cured colour works well with the polished acrylic stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. I will be adding the pipe to the finished Malaga pipes that I have set aside for Alex. I am glad that he is carrying on the trust for George Koch. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

 

New Life for a Malaga Egg Shaped Oom Paul for Alex


Blog by Steve Laug

I have been working on a lot of different estate pipes and selling them for different families. I am continuing to work on the Malaga pipes that Alex put aside for restoration. He also brought other pipes to add to his box. I have a box of pipes from Alex that I am always working away at. He periodically drops more Malaga pipes into his box. There are quite a few of them to work on so I decided work on a few of them. The next one of these was another Malaga pipe. It is a beautiful Egg shaped Oom Paul that has a very tight grain pattern. It also has a fancy turned vulcanite stem. The pipe was dirty and caked when arrived. The rim top has a little lava and some small nicks on the left and front of the outer edge of the bowl. The bowl had a thin cake in it that was hard and dense. The exterior of the bowl and shank are very dirty with grime and oils from prolonged use. The stamping on the underside of the shank below the shank/stem junction was faint but readable and read MALAGA. The vulcanite stem was had tooth chatter on the top and the underside of the stem. There were tooth marks on both sides as well and the button was worn. I took photos of the pipe before I started the cleanup work. I took close up photos of the bowl and rim to capture the condition of the pipe before I started my cleanup work. The rim top had some lava and a few nicks on the outer front and left edge. The inner edge was slightly worn on the right inner edge where the rest of the inner edges was smooth and unbeveled. Other than being so dirty it was in great condition. The stem was dirty and there was tooth chatter on the top and underside near the button. There were tooth marks on the topside and underside ahead of the button and the sharp edge of the button was worn and damaged. The stem was also lightly oxidized.I took a photo to capture the stamping on a smooth panel on the underside of the shank near the stem/shank joint. The photo shows the stamping MALAGA on the underside of the shank is very readable.If this is the first of the Malaga restorations that you have read about then you should know the backstory of the brand. I am including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

I decided to start with the issues with the rim top first. I wiped down the rim top of the bowl with a damp cloth to remove the tars and lava. I topped the bowl with 220 grit sandpaper on a topping board to remove the damaged areas. Once the top was smoothed out I filled in the holes on the front and left outer edge with clear super glue. Once the repairs cured I sanded the top and edge smooth with a folded piece of 220 grit sandpaper and 400 grit wet dry sandpaper. I followed our regular regimen for cleaning estates. I reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. I sanded the bowl with 220 grit sandpaper wrapped around a piece of dowel to smooth out the inside walls of the bowl. I scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. I restained the top of the rim and inner edge with an oak coloured stain pen to match the colour of the rest of the bowl. Once it had dried the match was very good.I polished the briar with micromesh sanding pads – 1500-12000 grit pads. I wiped the bowl down after each sanding pad with a damp cloth to wipe of the dust. I scrubbed the briar with Before & After Briar Cleaner. I rubbed it into the surface of the briar with my finger tips and let it sit for about 10 minutes then rinsed it off with running water. I dried it off with a soft cloth. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I wiped down the stem with alcohol and cleaned out the tooth marks and deep dents in the vulcanite. I filled them in with clear super glue and also built up the surface of the button on the top and underside. I set it aside and let the repair cure.Once the repairs had cured I used a needle file to cut button edge, reshape the button and also smooth out the repaired areas. I sanded out the tooth chatter with 220 grit sand paper and started to polish it with a folded piece of 400 wet dry sandpaper. Once it was finished it began to shine.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with a damp cloth. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. This is a beautiful Malaga Egg shaped Oom Paul with a fancy black vulcanite turned stem. It has a great look and feel. The shape is very tactile and is a beauty. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich oil cured briar took on life with the buffing. The rich brown colour of the briar works well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 ½ inches, Height: 2 1/8 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 3/4 of an inch. I will be adding the pipe to the finished Malaga pipes that I have set aside for Alex. This will be a great addition to his collection of Malaga pipe. Thanks for walking through the restoration with me as I worked over another Malaga.

New Life for a “Malaga” Saddle Stem Scoop


Blog by Steve Laug

The next pipe in the queue is yet another pipe from the batch of pipes I am cleaning up for Alex – this one is another “Malaga” –a shape they call a scoop. It has some amazing grain around the bowl and has some carved feather/leaf patterns around the bowl. The shank is oval and gives the bowl an almost Stanwell look. Malaga’s take on the shape is carved to highlight the grain around the bowl. The pipe is stamped on the top side of the shank. It reads “MALAGA”. The oval saddle stem is vulcanite and has no marking or stamping. It is a nice looking piece like many of the pipes Alex is picking up. The bowl had a light cake in the chamber and the rim top has some lava on the inner edge. The cake and lava made it hard to know the condition of the rim and edge. The rim had a slight domed look to it. The exterior of the briar was dusty with grime and dust. The stem had heavy, deep oxidation and deep tooth marks in the surface of the stem and button. The photos below tell the story and give a glimpse of the pipe before clean up. I took a photo of the bowl and rim to capture the condition of the pipe before I started my cleanup work. You can see the lava overflow on the rim top and the cake in the bowl. The crowned top and edges of the bowl appeared to be in good condition but I would know more once it was cleaned and reamed. The stem was a mess. There was some deep oxidation on the surface of the vulcanite. The deep tooth marks on the stem and the button were on both sides.I also took a photo of top side of the shank to show the stamping. The stamping is readable in the photo below and is as noted above – “MALAGA”.For those of you who are unfamiliar with the brand, I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. If you are interested to learn more then I invite you to follow the link to get a feel for the brand and the pipemaker.

I have included a page from the Malaga catalogue I received from Kathy recently that shows the scoop shape (https://rebornpipes.com/2019/02/27/malaga-pipes-catalogue-of-pipes-and-tobaccos/). I have put a red box around the shape for easy identification. The shape of the bowl is the same, however, the shank and stem are both oval on the one I am working on.The bowl had a thin cake so I reamed it with a Savinelli Fitsall Pipe Knife to get rid of the thin cake. I finished by sanding the bowl with a dowel wrapped with 220 grit sandpaper until the inside of the bowl was smooth. I decided to address the damage to the rim top and edges first. I sanded the damage on the rim top and edges using 220 grit sandpaper to remove the damaged portions of the rim surface. I started the polishing with 400 grit sandpaper.I scrubbed the bowl with a cotton pad and isopropyl alcohol. I washed the bowl down with alcohol to remove the remnants of the waxes and finish on the bowl. It also removed the grime and dirt in the briar. I polished the rim and the outside of the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit micromesh sanding pads and wiped the bowl and shank down after each pad with a damp cloth. The photos show how the grain really stands out after polishing. I am pretty happy with the results. I cleaned up the inside of the shank and mortise with a pen knife to remove the tar build up. I ran cotton swabs, pipe cleaners and alcohol through the shank to remove the tars and oils. I also cleaned out the airway in the stem using pipe cleaners and alcohol. I worked Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I worked it into the craving on the sides of the bowl to make sure I covered all of the grooves, nooks and crannies. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I sanded the stem surface with 220 grit sandpaper to remove the oxidation and to smooth out the tooth marks into the surface of the stem. I polished the stem with 400 grit sandpaper. I am happy with the stem surface once that was done. I started the polishing of the surface with 400 grit wet dry sandpaper.  I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads. I wiped the stem down with a damp cloth after each pad. I further polished it with Before & After Pipe Polish – both Fine and Extra Fine. I wiped it down with a coat of Obsidian Oil and set it aside to dry. I put the pipe back together and polished both the bowl and the stem with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The oil cured finish and the grain came alive with the buffing. The grain really stands out and provides a rich contrast. The finish on the briar works well with the polished black vulcanite stem. The finished pipe is a well-proportioned, nicely grained Scoop. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 1/2 inches, Chamber diameter: 7/8 of an inch. This Malaga Scoop will be going back to Alex to add to his rack of Malaga pipes that are in his collection. Thanks for walking through the restoration with me on another of Alex’s Malaga collection.

Giving New Life to a “Malaga” Cherrywood Sitter


Blog by Steve Laug

The next pipe in the queue is another pipe from the batch of pipes I am cleaning up for Alex – this one is another “Malaga” –a Cherrywood with some interesting grain around the oil cured bowl and shank. There was a “bald” spot on the left side of the bowl but otherwise there was great grain around the rest of the bowl. There is some beautiful birdseye grain around the bowl and cross grain on the shank. The pipe has not been stained but sports the usual Malaga oil cured look. The carver did a great job utilizing the block of briar to maximize the grain. The pipe is stamped on the left side of the shank. It reads “MALAGA”. The saddle stem is vulcanite and has no marking or stamping. This is the first Cherrywood Malaga that I have been working on. It is a nice looking piece much like many of the pipes Alex is picking up. The bowl had been reamed and was in decent condition. There were some burn marks on the front outer edge of the bowl and some darkening on the rim top toward the back. The exterior of the briar was dusty with grime on the shank and bowl. The stem is lightly oxidized and there was some tooth chatter and marks on the top and underside near the button. The stem was in good condition under the grime. The photos below tell the story and give a glimpse of the pipe before clean up. I took a photo of the bowl and rim to capture the condition of the pipe before I started my cleanup work. The rim top was clean but there was burn damage on the front outer edge of the rim. There was some darkening on the back topside of the rim. The inner edge of the rim was damaged at the back side and had been poorly beveled inward to mask it. The stem was in decent condition. There was some light oxidation on the stem. There was also some tooth marks and chatter on the top and underside of the stem at the button.I also took a photo of left side of the shank to show the stamping. The stamping is readable in the photo below and is as noted above – “MALAGA”.For those of you who are unfamiliar with the brand, I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. If you are interested to learn more then I invite you to follow the link to get a feel for the brand and the pipemaker.

Since the pipe had been cleaned and reamed by the pipe shop that sold the pipe to Alex I decided to check out the clean up. The bowl had been well reamed. I used a Savinelli Fitsall Pipe Knife to scrape out the slight cake remnants that remained. I then turned to address the damage to the outer and inner edge of the rim by topping it on a topping board with 220 grit sandpaper. I was able to remove the damage and the burned areas. I also sanded to remove the darkening and burn marks on the rim top. I used a folded piece of 220 grit sandpaper to smooth out the inner edge of the bowl. I decided to check on the cleanup work on the inside of the shank and mortise. I scraped the mortise with a dental spatula to check on tar build up and it was clean. I then ran some cotton swabs through the shank and found that it was filthy. Upon that discovery I scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. I also cleaned out the airway in the stem using pipe cleaners and alcohol. I scrubbed out the airway in the stem in the same manner.I scrubbed the bowl with a cotton pad and undiluted Murphy’s Oil Soap. I rinsed the bowl under running water to wash off the soap and the grime that had been loosened. I polished the outside of the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the sanding debris. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. With the bowl finished I set it aside and turned my attention to the stem. I sanded the stem surface with 220 grit sandpaper to remove the oxidation and the tooth marks and chatter on both sides ahead of the button. I am happy with the stem surface once that was done. I started the polishing of the surface with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads. I wiped the stem down with a damp cloth after each pad. I further polished it with Before & After Pipe Polish – both Fine and Extra Fine. I wiped it down with a coat of Obsidian Oil and set it aside to dry. With both parts of the pipe finished, I polished the bowl and the stem with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The oil cured finish and the grain came alive with the buffing. The rich finish on the briar works well with the polished black vulcanite stem. The finished pipe is a well-proportioned, nicely grained classic Cherrywood Sitter. Have a look at it with the photos below. The dimensions are Length: 5 1/2 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: 3/4 of an inch. This unique shaped Malaga, one I had not seen before. The Cherrywood Sitter will be going back to Alex to add to his rack of Malaga pipes that are in his collection. Thanks for walking through the restoration with me on another of Alex’s Malaga collection.

Restoring a Malaga Hand Made Freehand Sitter


Blog by Steve Laug

The next pipe in the queue is from the batch of pipes I am cleaning up for Alex – this one is a Hand Made Malaga Freehand Sitter with plateau on the rim top and shank end. The entire pipe had been sandblasted but some beautiful straight grain around the bowl and birdseye grain on bottom showed through the blast.The pipe has a dark under coat of stain in the blast and a top coat of brown that really makes the grain shine through the blast. The carver did a great job utilizing the block of briar to maximize the grain. The pipe is stamped on the underside of the shank. It reads “MALAGA” (over) Hand Made. The saddle stem is fancy, turned vulcanite and has no marking or stamping. This is another nice looking piece much like many of the pipes Alex is picking up. There was a thick cake in the bowl and some lava overflowing onto the plateau rim top. The exterior of the briar was dusty with grime in the crevices of the blast. The stem is dirty and there were tooth marks on both sides of the stem at the button edge and some wear on the button edge itself. The photos below tell the story and give a glimpse of the pipe before clean up. I took a photo of the bowl and rim to capture the condition of the pipe before I started my cleanup work. There was a lava on the rim and the cake in the bowl. The inner and outer edges of the bowl appeared to be in excellent condition. The plateau top had a lot of grime in the crevices. The stem was in decent condition. There was some light oxidation and there was wear on the button surfaces on both sides of the stem. There were tooth marks and chatter on the underside of the stem but otherwise it was not too bad.I also took a photo of the underside of the shank to show the sandblast and the stamping on the smooth panel on the end. The stamping is readable in the photo below – MALAGA over Hand Made.For those of you who are unfamiliar with the brand, I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. If you are interested to learn more, then I invite you to follow the link to get a feel for the brand and the pipemaker.

I started the process of the restoration by cleaning out the grooves in the plateau with a brass bristle tire brush. Once I finished I scrubbed the bowl with a tooth brush and undiluted Murphy’s Oil Soap. I rinsed the bowl under running water to wash off the soap and the grime that the tooth brush had loosened. I reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the remnants of cake. I sanded the inside of the walls with a dowel wrapped with 220 grit sandpaper. I worked some Before & After Restoration Balm into the surface of the briar and the plateau with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I buffed the rim top with a shoe brush to make sure that the nooks and crannies had the conditioner deep in them. The following photos show the bowl at this point in the restoration process. The bowl and the rim top look very good with rich contrasting stains. I scraped the mortise with a dental spatula to remove the hardened tars and oils on the walls. I then scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. With the bowl finished I set it aside and turned my attention to the stem. I filled in the deep tooth marks and dents on the both the top and underside of the stem and on the edges of the button on both sides with clear super glue. When the repairs had cured I used a needle file to flatten the repaired spots in preparation for sanding. I sanded the stem surface with 220 grit sandpaper to smooth out the repairs the tooth marks on the surface of the button. I am happy with the stem surface once that was done. I started the polishing of the surface with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the stem down with a damp cloth after each pad. I further polished it with Before & After Pipe Polish – both Fine and Extra Fine. I wiped it down with a coat of Obsidian Oil and set it aside to dry. With both parts of the pipe finished, I polished the bowl and the stem with Blue Diamond polish on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The sandblast finish and the grain came alive with the buffing. The rich contrasting colour finish on the briar works well with the polished black vulcanite stem. The finished pipe is a beauty and feels great in the hand. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 2 1/2 inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 7/8 of an inch. This one will be going back to Alex to add to his rack of Malaga pipes that are in his collection. Thanks for walking through the restoration with me on this uniquely carved Malaga Hand Made Freehand Sitter.