Tag Archives: Malaga Pipe Shop pipes

A Silver Banded Malaga Pot from Kathy’s Dad’s Pipes


Blog by Steve Laug

After getting the Malaga Catalogue from Kathy I was motivated to tackle another pipe from George Koch’s estate. It is Malaga pipes Pot with a Sterling Silver repair band. It has a variegated brown, gold and copper Lucite Stem. It has a beveled rim top tipping inward toward the bowl and combined with the silver and the stem it is quite a stunning pipe. It spoke to me as I went through the bag of Malaga pipes that I still have to work on. The Pot shaped pipe was just one of the many Malaga pipes that came to my brother and me in several shipments of pipes from George’s daughter Kathy. When Jeff got each box the pipes were well wrapped and packed. Jeff unwrapped them and took the following photo to give an idea of the volume of the pipes that we purchased. The next Malaga came in mixed in a box of pipes much like the one below.In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. If you have followed the restorations you will have read the information and the background piece that Kathy did on her father. Here is a link to one of the previous blogs on his Malaga pipes where I included her tribute in full (https://rebornpipes.com/2019/01/26/back-to-kathys-dads-pipes-restoring-a-%c2%bc-bent-malaga-author/). You can also read the bio on her Dad, George Koch. It is an interesting read and one that shows just how far our pipe collecting passion can go when we find a brand of pipes that we enjoy. I am going to only include the portion on the Malagas at this point. If you wish to read the rest follow the link above.

Kathy writes…We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack…I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

The Malaga Pot with a silver band and variegated brown/gold acrylic stem is next on the table. The carver did a great job of shaping the pipe to follow the grain on the briar. There is a Sterling Silver band on the shank end that is a repair band that I can only assume George picked up at the Malaga Pipe Shop as they did most or all of his repairs. The bowl top is smooth and beveled inward. The rim top has some damage on the top and inner edge as well as nicks and chips on the outer edge. The bowl had a very thick cake and an overflow of lava onto the thin rim top. The sides of the bowl and shank are very dirty with grime and oils from prolonged use. The stamping on the left side of the diamond shank read MALAGA. The brown/gold swirled acrylic stem had tooth dents and chatter on the top and the underside of the stem. Jeff took these photos before he started the cleanup work on the pipe. Jeff took three close up photos of the bowl and rim with different lighting to capture the condition of the pipe before he started his cleanup work. The rim top had some lava overflow and some darkening. There appeared to be some rim damage on the inner edge at the rear of the bowl. The third photo shows some of the damage to the outer edge of the bowl. You can see the wear on the rim top, the cake and cobwebs in the bowl. The pipe is dirty. He also took photos of the sides and bottom of the bowl and shank to show the beautiful cross and birdseye grain around the bowl. The photos show the general condition of the bowl and wear on the finish. It is very dirty but this is another beautiful pipe.The next two photos show the Sterling Silver Band and the repair that had been made to a cracked shank. The crack was on the top side of the shank and the pipe had been well repaired.Jeff took a photo to capture the stamping on the left side of the shank. The photo shows stamping MALAGA. The stamping does not have the quotation marks that I have seen on some pipes.The next two photos show the stem surface. There are tooth marks and chatter on both sides near the button. There is also some wear on the sharp edge of the button.I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove the lava build up on the rim top and you could see the damage to the flat surface of the rim and the inner edge on the back side and on the outer edge toward the front of the bowl. I took photos of the pipe to show its condition before I started my work on it. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Jeff was able to remove all of the tar and oils but you can now see the damaged areas on the surface clearly. There are damaged spots all around the top surface and on the front and the backside of the inner edge of the bowl. The silver band on the shank is badly oxidized. The acrylic/Lucite stem had tooth chatter and some tooth marks on the top and underside of the stem near and on the button surface.I took a photo of the stamping on the shank to show how good the condition is. The stamp is deep and legible on the left side.I decided to address the damage to the rim top first. I hand topped the beveled rim top with a folded piece of 220 grit sandpaper the damage to the flat surface of the rim top and also to try to minimize the damage to the inner edge of the rim. I worked over the inner edge of the rim with a folded piece of 220 grit sandpaper to smooth out the damage. I gave it a slight bevel to hide the burn damage on the inner edge of the rim. The photos tell the story. The damage to the rim top is gone and the inner edge looks far better with the light bevel. The damage to the front edge looks much better than when I began.I polished the rim top and the exterior of the bowl with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the bowl down after each sanding pad to remove the dust. The damage on the rim is pretty much invisible after polishing and the rim top really looked good. I worked some Before & After Restoration Balm into the rusticated and the smooth surface of the briar with my fingertips to clean, enliven and protect it. It took some time to really get it into the grooves and valleys of the rustication but I was able to work it in. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The reworked rim top looks really good and matches the colour of the rest of the pipe. I am very happy with the results. I set the bowl aside and worked on the stem. There were some tooth marks on the top and underside at the button that needed to be addressed. I also needed to do some work on the surface of the button on both sides. I filled the damaged areas in and build up the surface with clear super glue and set the stem aside until the repairs cured.Once the repair had cured I used a needle file to smooth out the repairs and begin to blend them into the surface of the stem.I sanded both sides smooth with 220 grit sandpaper and 400 grit sandpaper to blend the tooth chatter and the repair into the surface of the stem. As I sanded and reshaped the button and stem surface the repaired areas and the tooth chatter disappeared.I polished the acrylic stem with micromesh sanding pads – wet sanding with 1500-2400 grit sanding pads and dry sanding it with 3200-12000 grit sanding pads. I wiped it down after each sanding pad with a damp cloth. This is a beautiful Malaga pipe and the Sterling Silver band gives it a nice touch of class. It is one of the only banded pipes that I have worked from George’s collection. The beveled rim top and the cut of the briar works well to highlight the cross and birdseye grain. I polished Lucite stem and the bowl with Blue Diamond polish on the buffing wheel. I polished the silver band with silver polish to remove all of the remaining oxidation. I gave the bowl multipole coats of and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The cross and birdseye grain took on life with the buffing. The rich oil cured colour works well with the silver band on the shank end and the polished variegated brown/gold Lucite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 1/2 inches, Height: 1 1/2 inches, Outside diameter of the bowl: 1 1/2  inches, Chamber diameter: 3/4 of an inch. I will be putting this newly finished Malaga pipe on the rebornpipes store shortly if you are interested in adding it to your collection and carrying on the trust. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

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Breathing new life into a Malaga Carved Canadian


Blog by Steve Laug

I am working through a lot of the queue of pipes that are sitting in my repair bin this weekend. Next on the table is another Malaga from Alex that he dropped off for a restoration. It is what Malaga would have called one of their carved finishes. It is a Canadian with a double rusticated finish. The underfinish is almost Custombilt like in the deep worm trail grooves on the bowl and shank. The top finish is a wire rustication that covers the bowl sides and shank over the top of the previous finish. The rim top and a band on the shank end are smooth and stained with a contrasting lighter stain. It is an interestingly piece with a very unique finish that has grown on me as I worked on it.

The pipe had been reamed and cleaned according to the seller. The bowl and shank were pretty clean bowl. The rim top had some damage on the top surface and a deeper burn mark on the right front inner edge. The pipe is stamped on the topside of the shank horizontally and reads MALAGA. The finish on the pipe is very in good condition with a lot of grime and dust in the finish. The stem was very deeply oxidized and polished over the oxidation. There were waves and marks on the surface of both sides at the button and tooth damage on the button itself. The photos give a pretty clear picture of the shape of the pipe and its general condition when I received it. I took a close up photo of the bowl and rim to capture the condition of the pipe before he started my restoration of the pipe. The rim top was clean but had some darkening and chipping on the surface at the back of the bowl. The right front inner edge and bowl top had some burn damage that was quite extensive. The stem itself was an interesting mess. It had been shinned and polished but there was still some very deep oxidation that is visible – with the shine is a cloudy red colour. There are also tooth marks on the button surface of the topside (shown in the second photo) as well as some general waviness to the stem just ahead of the button that spoke of some one trying to buff out the tooth marks. Also note the stamped C on the shank underside in the third photo. I believe this refers to the fact that the pipe has the Malaga Carved finish.I took a photo to capture the stamping on the topside of the shank. The photo shows stamping as noted above. The stamping on this pipe is clear and readable. Once again it does not include the quotation marks that show up on various Malaga pipes.For those of you who are unfamiliar with the brand, I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. If you are interested to learn more then I invite you to follow the link to get a feel for the brand and the pipemaker.

Since the bowl had been reamed and the pipe appeared to be clean I left the cleanup work until after I had reworked the shank and stem. I started my work on the pipe by working on the rim top and inner edge of the bowl. I started by topping the bowl on a topping board with 220 grit sandpaper. I wanted to remove as much of the damage to the rim top as possible and minimize the burn damage on the front edge of the bowl. What limited the topping was the smooth band around the top of the bowl. Even though it was thin I could safely remove some of the damage without compromising the band. Once I had it topped I used a folded piece of 220 grit sandpaper to give the inner edge a slight bevel to further hide the burn damage. I polished the freshly sanded briar with 2400-12000 grit micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the rim top down with a damp cloth after each pad. I found that with each successive grit of micromesh the grain stood out more and gave a shine to the pipe. I liked what I saw when I looked at it. While it was a close match to the smooth band on the shank and around the rim top it would need to be stained to give a more perfect match. I used an Oak Stain pen to touch up the rim top and the light spots on the band around the shank end. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The bowl and the rim top look really good and the darkening is gone. The finish looks very good with the rich oil finish on the bowl and rim. I am very happy with the results. I cleaned out the airway in the shank and wiped out the bowl to make sure there was no debris left behind. The pipe had been well cleaned on the inside by the seller. Because of that most of what I got was the sanding debris that had drifted in the bowl and shank when I had topped the rim. With the bowl finished I set it aside and turned my attention to the stem. I sanded the stem surface with 220 grit sandpaper to smooth out the waves, remove the oxidation and smooth out the tooth marks on the surface of the button. The oxidation and waviness of the stem surface was hardest to deal with in order to not accentuate the waves instead of removing them. I sanded with long strokes on the surface to blend in the high and low spots. I am happy with the stem surface once that was done. I started the polishing of the surface with 400 grit wet dry sandpaper. I cleaned out the debris from the airway and slot in the stem after the sanding was completed. I used alcohol and pipe cleaners.I polished the stem with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the stem down with a damp cloth after each pad. I further polished it with Before & After Pipe Polish – both Fine and Extra Fine. I wiped it down with a coat of Obsidian Oil and set it aside to dry. Now with both parts of the pipe finished, I polished stem with Blue Diamond polish on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain under the double rustication came alive with the buffing. The rich oil finish on the briar works well with the new, polished black vulcanite stem. The finished pipe is a beauty and feels great in the hand. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 of an inch. This one will be going back to Alex with the rest of his pipes that I am working on. Thanks for walking through the restoration and restemming with me on this uniquely carved Malaga Canadian.

 

Restoring another Malaga – A Billiard with a Twist from Bowl to Button


Blog by Steve Laug

The next pipe in the queue is another interesting pipe from the Michigan lot – a Twisted Billiard with a twist going from the rim to the button. It is a totally unique pipe and different from any of the other Malaga pipes that I have worked on. It is not a large pipe – probably a Group 4 sized bowl. The twist is carved in around what appears to have been originally a panel bowl but I am not even sure of that as it has a round rim top. The finish is smooth and well finished in the oil cured style of other pipes from the brand. On the underside is a small flat panel running parallel to the shank that is stamped “MALAGA” with the quotation marks. The stem is vulcanite and carries on the twist of the shank and bowl. This is another nice looking piece much like the rest of those in this 21 pipe Michigan pipe lot. This Malaga joins the rusticated billiard that I worked on earlier and a freehand that also has a very interesting Malaga shape. The Malaga I am working on now is on the mat in front of the rack. It is the third pipe on the left and I have circled it in red to make it easy to identify. Jeff took some photos of the pipe when he received them to show the general condition of the pipe before he started his cleanup work. Like the rest of the pipes from the Michigan collection this pipe was dirty and well used. There was a thick cake in the bowl and lava overflowing onto the rim top. The inner edge of the bowl was damaged with nicks and cuts from a previous reaming job with a knife. The twisted carving in the bowl sides and shanks fit comfortably in the hand as it was wrapped around the bowl sides. The carving on the bowl, shank and stem make the pipe very interesting. It is another pipe that is unlike any of the Malaga pipes that I have worked on. It is grooves/twists are quite deep and are parallel on the right and left side and the front and the back. The vulcanite stem is carved in the same manner as the bowl and carries on the twist. There are deep tooth marks on both sides of the stem at the button edge and some wear on the button edge itself. The photos below tell the story and give a glimpse of the carved twisted billiard. Jeff took a close up photo of the bowl and rim to capture the condition of the pipe before he started his cleanup work. The rim top had a thick lava overflow and some darkening. There were some nicks and cuts around the rim. There also appeared to be a burn mark on the right inner edge of the rim at mid bowl and possibly on the left inner edge toward the read of the bowl . There is also a general accumulation of dust and grime in the carving of the bowl and shank.He also took photo of the right side and the bottom of the bowl and shank to show the interesting twisted carving that covers the pipe. The carving is unique and gives the pipe a rugged and tactile look and feel in the hand. It should be interesting as the pipe warms up when smoked. The finish is very dirty but this is another beautiful pipe. Jeff took a photo to capture the stamping on the underside of the shank. The photo shows stamping “MALAGA”. The stamping has the quotation marks that I have seen on some of the pipes. I have yet to figure out what the quotation marks mean as they are not on all of the pipes. Perhaps some of you might know. How about a note about this?The next three photos show the stem surface. The first shows the twist in the stem flowing out of the shank. There is some light oxidation on the stem surface. The next two show the tooth marks and chatter on both sides near the button. There are also some marks on the sharp edge of the button. The surface of the blade in front of the button also has some scratches from whoever attempted to clean it up. Once again I am including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove the lava build up on the rim top and you could see the damage to the flat surface of the rim and the inner edge on the right side and toward the front of the bowl. I took photos of the pipe to show its condition before I started my work on it. I took a close up photo of the rim top to show the darkening on the surface of the rim toward the back of the bowl. There were also some burn marks on the right side toward the middle and the ledge side toward the rear of the rim top. The inner edge of the bowl had some damage from burns and reaming but the outside edge looks really good. The stem photos show the tooth marks and the wear on the button surface on both sides. The final close up photos shows the “MALAGA” stamping on the underside of the shank.To remove the damage to the top of the rim I topped it on a topping board with 220 grit sandpaper. I worked on it to remove the burned areas and the damage to the inner edge of the rim as much as possible. I am happy with how it turned out.I used a folded piece of 220 grit sandpaper to clean up the inner edge of the round rim top. I was able to remove the majority of the damage, leaving behind a dark spot on the right side of the rim top at the inner edge. I wiped the rim top down with a damp cotton pad to remove the dust. I polished the bowl and the rim top with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the rim down after each pad with a damp cloth. I touched up the stain on the rim with a Maple stain pen and blended it into the grain. Once it dried I buffed it with Blue Diamond to spread it out. With the rim top and bowl polished, I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The bowl and the rim top look really good and the darkening and lava are gone. The finish looks very good with the swirling carving on the sides of the bowl and shank. The Maple stain on the rim matched the rest of the bowl perfectly. I am very happy with the results. With the bowl finished I set it aside and turned my attention to the stem. I cleaned out the tooth marks on both sides of the stem with a cotton swab and alcohol. Once the repairs had cured I used a needle file to flatten out the repaired areas. I filed it until the patches were smooth with the surface of the stem. I polished the stem with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the stem down with Obsidian Oil after each pad. I further polished it with Before & After Pipe Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil and set it aside to dry. I polished stem with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The contrasting grain came alive with the buffing. The rich browns work well with the polished black vulcanite stem. The finished pipe is a beauty and feels great in the hand. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 2 1/4 inches, Outside diameter of the bowl: 1 1/2 inches, Chamber diameter: 7/16 of an inch. This pipe will be going on the rebornpipes store. Thanks for walking through the restoration with me on this twisted Malaga billiard.

A Hard Ridden “Malaga” Billiard Made New


Blog by Steve Laug

I have mentioned several times in the blogs I have done on the Malaga pipes that I have restored for Alex that he is now collecting them in a focused manner. He has found some beautiful pieces that come from the Malaga Pipe Shop in Royal Oak, Michigan in the USA. The more I work on the brand the more I am impressed by the quality of the craftsmanship and beauty of the pipes that came from the shop. I have written an earlier blog to give a little history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser). Follow the link to get a feel for the brand and the pipemaker. If the pipes Alex has found have been beautiful, this one was not! It was a bleached and varnished mess. The stem did not fit in the shank and the feel of the pipe when I ran my fingers over it was ridged and bubbled. It was a strange feeling pipe. It is stamped on the left side of the shank with “MALAGA” and on the heel of the bowl with a 0. I have not seen the 0 stamp before so I am unclear of the meaning. All I know is that this pipe was going to be a hard one to make beautiful again. Here are some photos of it before I started. The varnish coat had protected the bowl from scratches and dents but it was rough feeling with its ridges – almost like it had been painted on with a brush. The rim top was dirty with some darkening around the surface and the inner edges of the bowl. The outer edge was clean. The bowl had a thick cake. The finish had some dark stains along the left side of the shank around the Malaga stamping. There were also some stains on the underside of the shank. It really was an odd pipe in many ways. The stem was quite oxidized and there were deep tooth marks on both sides near the button. The button surface was also marked. The stem did not seat in the shank. That led me to believe that the shank was lined with tars and oils.The stamping was hard to capture because of the painted on varnish but is clear and readable. It is stamped “MALAGA” on the left side. The 0 on the heel of the bowl is very clear.The varnish coat was so hard and impervious I decided to throw the bowl into an alcohol bath to soak overnight. I did not think it would work but thought it was worth a try. I closed up the container and called it a night.In the morning I removed the bowl from the bath. It had not done any damage to the thick coat of varnish or whatever… it was a hopeless endeavour so I decided to wait and deal with it later. I reamed the bowl with a PipNet reamer using three of the four cutting heads. I took the cake back to bare briar. I followed up with a Savinelli Fitsall pipe knife to scrape away the remnants of cake and clean up the walls of the bowl. I finished the reaming with a piece of dowel wrapped in 220 grit sandpaper and sanded the walls of the bowl. To remove the damage to the rim and the varnish coat I used a topping board with 220 grit sandpaper and worked the rim against the surface of the board in a circular motion to remove the damage. I used a folded piece of 220 grit sandpaper to smooth out the inner edge of the rim and to remove the darkening present there. I decided to go back to stripping off the painted coat on the bowl. I sanded it with 220 grit sandpaper to break the shiny surface of the topping. I wiped it down with acetone on a cotton pad and sanded more and repeated the process until the finish was gone. With the varnish/plastic coat removed I polished the bowl with micromesh sanding pads.  Wet sanded with 1500-24000 grit pads and dry sanded with 3200-12000 grit pipes. I wiped the briar down after each pad with a damp cotton pad to remove the sanding dust. The colour of the briar was uneven and the area around the stamping had some dark streaks that I could not remove. I worked on them with a corner of micromesh but I was thinking I would need to stain the bowl to take care of the issues. Before I went that far I decided to rub the bowl down with some Before & After Restoration Balm. I rubbed it into the briar and buffed it to see what showed up. I like the grain but I wanted to go for a darker brown to cover the stains on the shank. I was not happy with the overall look yet but decided to clean out the shank and the mortise. I scraped the mortise walls with a dental spatula to loosen the build up in the shank. I used cotton swabs, pipe cleaners and alcohol to remove the tars and oils that had built up in the  shank and kept the stem from seating against the shank end.  With the inside and outside clean it was time to stain the bowl. I heated the briar and then applied some Fiebing’s Light Brown stain to the briar. I flamed it and repeated the process until I was happy with the coverage on the bowl.I let the stain cure for several hours and worked on another pipe. Once the stain had set I wiped it down with isopropyl alcohol on cotton pads to remove the excess and make the stain more transparent. I polished the briar with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the bowl down with a damp cloth to remove the sanding dust. I worked some Restoration Balm into the newly stained surface of the briar and it came alive. The following photos show the new look of the pipe. I buffed the pipe on the buffing wheel using Blue Diamond polish. It removed a little more of the darker stain and the grain really began to shine through more clearly. I set the bowl aside and addressed the issues with the stem. I sanded the surface of the stem with 220 grit sandpaper to remove as much of the oxidation as I could. I wiped down the surface of the stem with a damp cloth and cleaned out the tooth marks with cotton swabs. I filled in the tooth marks with black super glue and laid the stem aside to let the repairs cure. I turned to work on another pipe while the repair cured.Once the repairs had hardened and cured I used a needle file to sharpen the edge of the button and smooth out the repair on the stem. I sanded the stem repairs with 220 and 400 grit sand paper to blend the repair into the surface of the stem. It took a lot of sanding to smooth it out but the finished product looked a lot better than when I started. I wiped the stem down with Obsidian Oil and then cleaned the airway in the airway with pipe cleaners and alcohol. I was quite surprised by the lack of debris and grime in the airway.I polished the stem with micromesh sanding pads – 1500-2400 grit pads and dry sanding 3200-12000 grit pads. I wiped the stem down after each pad with Obsidian Oil. I polished it with Before & After Pipe Polish – Fine and Extra Fine. When I had finished it I wiped it down a final time and set it aside to dry. This Malaga Billiard came alive with the buffing. I polished the bowl and the stem with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The various styles of grain shining through the finish on the bowl. The rich contrasting brown colour works well with the polished black vulcanite stem. The finished pipe is a beauty and feels great in the hand. Have a look at it with the photos below. The dimensions are Length: 5 3/4 inches, Height: 2 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 inch. I will be putting this I have a few more of Alex’s pipes to finish then this one will be heading back to him. I look forward to hearing what he thinks of the new look Thanks for walking through the restoration with me on this Malaga.

 

A Unique Malaga from Kathy’s Dad’s Pipes –a ¼ Bent Bulldog


Blog by Steve Laug

The next pipe on the work table is also from George Koch’s estate. It is another one of George’s Malaga pipes – this time a ¼ bent Bulldog with a golden acrylic stem. It is quite a stunning pipe and caught my eye when I was going through the bag of Malaga pipes that I still have to work on. The Bulldog was just one of the many Malaga pipes that came to my brother and me in several shipments of pipes from George’s daughter Kathy. When Jeff got each box the pipes were well wrapped and packed. Jeff unwrapped them and took the following photo to give an idea of the volume of the pipes that we purchased. The next Malaga came in mixed in a box of pipes much like the one below.In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. If you have followed the restorations you will have read the information and the background piece that Kathy did on her father. Here is a link to the last Malaga where that is included in full (https://rebornpipes.com/2019/01/26/back-to-kathys-dads-pipes-restoring-a-%c2%bc-bent-malaga-author/). You can also read the bio on her Dad, George Koch. It is an interesting read and one that shows just how far our pipe collecting passion can go when we find a brand of pipes that we enjoy. I am going to only include the portion on the Malagas at this point. If you wish to read the rest follow the link above.

Kathy writes…We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack…I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

The Malaga ¼ Bent Bulldog with a variegated gold/yellow acrylic stem is next on the table. The carver combined rustication with a smooth stripe of cross grain up the right underside of the diamond shank and a portion of the right side of the bowl. There is a band of smooth briar around the shank end and the bowl top as well as a smooth rim top. There are no rings around the cap of the bowl. It is a well-shaped pipe that captures the cross grain in the stripe and adds the tactile feature of the rustication. The top of the bowl has some damage on the top and inner edge. The bowl had a very thick cake and cobwebs in the bowl. There was an overflow of lava onto the thin rim top. The stamping on the smooth underside of the diamond shank read MALAGA. The gold/yellow swirled acrylic stem had tooth dents and chatter on the top and the underside of the stem. Jeff took these photos before he started the cleanup work on the pipe. Jeff took two close up photos of the bowl and rim with different lighting to capture the condition of the pipe before he started his cleanup work. The rim top had some lava overflow and some darkening. There appeared to be some rim damage on the inner edge at the front of the bowl. You can see the wear on the rim top, the cake and cobwebs in the bowl. The pipe is dirty. He also took photos of the sides and bottom of the bowl and shank to show the beautiful cross grain on the stripe, around the rim and the rim itself. The photos also show the rugged rustication that gives the pipe a tactile sense as well.The finish is very dirty but this is another beautiful pipe. Jeff took a photo to capture the stamping on the top left side of the diamond shank. The photo shows stamping MALAGA. The stamping does not have the quotation marks that I have seen on some of the pipes.The next two photos show the stem surface. There are tooth marks and chatter on both sides near the button. There is also some wear on the sharp edge of the button.I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

It has become a habitual pattern now for both Jeff and I when we work on pipes to follow the same procedure. I include it here so you have a sense of that pattern. Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove the lava build up on the rim top and you could see the damage to the flat surface of the rim and the inner edge on the right side and toward the front of the bowl. I took photos of the pipe to show its condition before I started my work on it. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Jeff was able to remove all of the tar and oils but you can now see the damaged areas on the surface clearly. There are damaged spots all around the top surface and on the right side and front of the inner edge of the bowl. The acrylic/Lucite stem had tooth chatter and some tooth marks on the top and underside of the stem near and on the button surface.I took a photo of the stamping on the shank to show how good the condition is. The stamp is deep and legible on the lower right side.I decided to address the damage to the rim top first. I topped the bowl with 220 grit sandpaper on a topping board to remove the damage to the flat surface of the rim top and also to try and minimize the damage to the inner edge of the rim.I worked over the inner edge of the rim with a folded piece of 220 grit sandpaper to smooth out the damage. I gave it a slight bevel to hide the burn damage on the front edge of the rim. The photos tell the story. The damage to the rim top is gone and the inner edge looks far better with the light bevel. The damage to the front edge is quite hidden.I polished the rim top and edge with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the rim off after each sanding pad to remove the dust. The damage on the rim is pretty much invisible after polishing and the rim top really looked good. I worked some Before & After Restoration Balm into the rusticated and the smooth surface of the briar with my fingertips to clean, enliven and protect it. It took some time to really get it into the grooves and valleys of the rustication but I was able to work it in. I let the balm sit for a little wall and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The reworked rim top looks really good and matches the colour of the rest of the pipe. I am very happy with the results. I set the bowl aside and worked on the stem. There were some tooth marks on the top and underside at the button that needed to be addressed. I also needed to do some work on the surface of the button on both sides. I filled the damaged areas in and build up the surface with clear super glue and set the stem aside until the repairs cured. I sanded both sides smooth with 220 grit sandpaper and 400 grit sandpaper to blend the tooth chatter and the repair into the surface of the stem. As I sanded and reshaped the button and stem surface the repaired areas and the tooth chatter disappeared.I polished the acrylic stem with micromesh sanding pads – wet sanding with 1500-2400 grit sanding pads and dry sanding it with 3200-12000 grit sanding pads. I wiped it down after each sanding pad with a damp cloth. I polished it with Before & After Pipe Stem Polish and wiped it down with a last coat of Obsidian Oil. This is one of the more unique Malaga pipes that I have worked from George’s collection. The combination of rustication and smooth is really nicely done and the shape flows with the grain. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The cross grain and the rustication took on life with the buffing. The rich oil cured colour works well with the polished variegated gold/yellow acrylic stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 1/2 inches, Height: 1 5/8 inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: 3/4 of an inch. I will be putting this newly finished Malaga pipe on the rebornpipes store shortly if you are interested in adding it to your collection and carrying on the trust. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

Back to Kathy’s Dad’s Pipes – A ¼ Bent Malaga Author


Blog by Steve Laug

The next pipe on the work table is also from George Koch’s estate. It is another one of George’s Malaga pipes – a ¼ bent Author with an acrylic stem. The pipe was one of many that came to my brother and me in several shipments of pipes from George’s daughter Kathy. When Jeff got each box the pipes were well wrapped and packed. Jeff unwrapped them and took the following photo to give an idea of the volume of the pipes that we purchased. The next Malaga came in mixed in a box of pipes much like the one below.In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. It has been awhile since I worked on one of his pipes so I want to remind you of his story. To me it is important to keep the story attached to the pipes that came from his collection. Each pipe I work on I remind myself of the man and in the work give a remembrance to the pipeman who owned these pipes. Having held a large number of his pipes in my hand and having a pretty good feel for the shapes, colour and stems that he liked, I can almost imagine George picking out each pipe in his collection at the Malaga shop in Michigan. I am including Kathy’s brief bio of her father and a photo of her Dad enjoying his “Malagas”. Here is George’s bio written by his daughter.

Dad was born in 1926 and lived almost all his life in Springfield, Illinois. He was the youngest son of German immigrants and started grade school knowing no English. His father was a coal miner who died when Dad was about seven and his sixteen year old brother quit school to go to work to support the family. There was not much money, but that doesn’t ruin a good childhood, and dad had a good one, working many odd jobs, as a newspaper carrier, at a dairy, and at the newspaper printing press among others.

He learned to fly even before he got his automobile driver’s license and carried his love of flying with him through life, recertifying his license in retirement and getting his instrumental license in his seventies and flying until he was grounded by the FAA in his early eighties due to their strict health requirements. (He was never happy with them about that.) He was in the Army Air Corps during World War II, trained to be a bomber, but the war ended before he was sent overseas. He ended service with them as a photographer and then earned his engineering degree from University of Illinois. He worked for Allis Chalmers manufacturing in Springfield until the early sixties, when he took a job at Massey Ferguson in Detroit, Michigan.

We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack. Dad quit smoking later in life and so they’ve sat on the racks for many years unattended, a part of his area by his easy chair and fireplace. Dad passed when he was 89 years old and it finally is time for the pipes to move on. I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

Thank you Kathy for providing this beautiful tribute to your Dad. Jeff and I appreciate your trust in allowing us to clean and restore these pipes. We are also trusting that those of you who are reading this might carry on the legacy of her Dad’s pipes as they will be added to the rebornpipes store once they are finished.

The next the pipe is a nicely shaped Malaga ¼ Bent Author with a variegated grey and black acrylic stem. It has beautiful grain all around the bowl – flame grain around the bowl and birdseye grain on the bottom of the bowl and shank that is highlighted by the natural oil finish on the pipe. It is a well-shaped pipe following the pattern of the grain.The top of the bowl has some damage on the top and inner and outer edges. The bowl had a very thick cake and cobwebs in the bowl. There was an overflow of lava onto the thin rim top. The stamping on the top left side of the shank read “MALAGA”. On the right side of the shank it is stamped Imported Briar (upside down). The grey and black swirled, pearlized acrylic stem had tooth dents and chatter on the top and the underside of the stem. Jeff took these photos before he started the cleanup work on the pipe. Jeff took a close up photo of the bowl and rim to show the condition of the pipe before he started his cleanup work. The rim top had some lava overflow and some darkening. There appeared to be some rim damage on the inner edge the right side of the bowl. You can see the wear on the rim top, the cake and cobwebs in the bowl. The pipe is dirty but in good condition. He also took photos of the sides and bottom of the bowl and shank from the side to show the grain. The finish is very dirty but this is another beautiful pipe. Jeff took some photos to capture the stamping on the top left side of the diamond shank. The photo shows stamping “MALAGA”. The stamping does not have the quotation marks that I have seen on some of the pipes. The next two photos show the stem surface. There are tooth marks and chatter on both sides near the button. There is also some wear on the sharp edge of the button.Jeff has picked up quite pipes of this brand over the past year along with the ones from Kathy’s Dad’s estate. All of the pipes were made by the Malaga Pipe Shop in Royal Oak, Michigan in the USA. The more I work on the brand the more I am impressed by the quality of the craftsmanship and beauty of the pipes that came from the shop. I have written an earlier blog to give a little history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser). Follow the link to get a feel for the brand and the pipemaker.

Jeff had reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. The rim was thoroughly cleaned and the damage was very clear. Without the grime the finish looked really good. The bowl looked very clean and was unchecked or damaged. The acrylic stem would need to be worked on but I really liked the profile it cast. I took photos of the pipe to show its condition before I started my work on it. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Jeff was able to remove all of the tar and oils but you can now see the damaged areas on the surface clearly. There are damaged spots all around the top surface and on the inner edge of the bowl. The acrylic/Lucite stem had tooth chatter and some tooth marks on the top and underside of the stem just ahead of the button. I took some photos of the stamping on the shank to show the condition but to also show the upside Imported Briar stamping on the right side.I decided to address the damage to the rim top first. I worked over the thin rim top and the inner and outer edges with a folded piece of 220 grit sandpaper and followed that by sanding it with 400 grit wet dry sandpaper.I polished the rim top and the rest of the bowl and shank with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the bowl and rim off after each sanding pad to remove the dust. The rim really shone once it was polished. I rubbed down the briar with Before & After Restoration Balm. I worked it into the smooth surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little wall and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The rim matches well but still needs to be polished and buffed to raise a shine on it. I set the bowl aside and worked on the stem. There were some tooth marks on the top and underside at the button that needed to be addressed. I sanded both sides smooth with 220 grit sandpaper and 400 grit sandpaper to blend the tooth chatter into the surface of the stem. When it was sanded it was smooth and the marks were gone. I used several round and oval needle files to open up the round airway in the end of the button and give shape to a slot. I polished the acrylic stem with micromesh sanding pads – wet sanding with 1500-2400 grit sanding pads and dry sanding it with 3200-12000 grit sanding pads. I wiped it down after each sanding pad with a damp cloth. I polished it with Before & After Pipe Stem Polish and wiped it down with a last coat of Obsidian Oil. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The straight, flame and birdseye grain really came with the buffing. The rich oil cured colour works well with the polished variegated grey/black acrylic stem. Together the pipe looks much better than when I began and has a rich look. The finished pipe is shown in the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 3/4 inches, Height: 1 1/4 inches, Outside diameter of the bowl: 1 1/2 inches, Chamber diameter: 3/4 of an inch. I will be putting this newly finished Malaga pipe on the rebornpipes store shortly if you are interested in adding it to your collection and carrying on the trust. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

Renewing a “Malaga” Algerian Briar Apple


Blog by Steve Laug

I seem to have passed on my love of Malaga pipes to my friend Alex here in Vancouver. He is moving out a lot of his previous rotation and adding more Malagas to his pipe rack. He has been scouring eBay and has found some real beauties. The fun part of his hunts is that I get to see them and restore many of them. On the work table today is a beautifully grained Malaga Apple with a straight shank. (Here is a link to some history of the Malaga Brand for those of you who may be interested in learning more: https://rebornpipes.com/tag/malaga-pipes/ and another link to the maker George Khoubesser and an old catalogue that I have scanned: https://rebornpipes.com/2013/02/09/george-khoubesser-and-malaga-pipes/.)

Malaga Briar Pipe Company was in Royal Oak, Michigan, USA. They billed themselves as “devoted to the greater and true enjoyment of pipe smoking”. There pipes have a unique curing process that makes them a sweet smoking, light weight smoking machine. They are beautifully carved and shaped and quite unique as an American made pipe. They were made in both classic and freehand shapes. I am including a couple of photos of George Khoubesser the pipe maker to give some colour to the pipe that I am working on.  

With the image of George puffing his pipe and standing at his lathe crafting a Malaga pipe I turned my attention to this interesting Malaga Apple shaped pipe. It is stamped on the left side of the shank “MALAGA” and on the right side of the shank Algerian Briar. The grain on the pipe is quite stunning and is a mix of straight, flame and birdseye. The round shank flows into a vulcanite tapered stem that is oxidized and has light tooth marks and chatter near the button. The stem is spotted and speckled from sitting in a display case or on a pipe rack somewhere. The smooth finished briar is dirty but even under the grime there is something quite beautiful about the pipe. There is grime and tars on the surface of the bowl and shank. The bowl had a thick cake part way down the bowl and some lava overflowed onto the back of the rim top. The bottom part of the bowl still showed raw briar so it had not been smoked too much. I took pictures of the pipe before I started working on it. I took some close up photos of the rim top and the stem to show what I was dealing with. This Malaga Apple was in decent shape all things considered. The cake in the bowl was thick on the top half of the bowl while the bottom of the bowl was raw briar. There was lava on backside of the rim top. You can see the cake in the bowl in the first photo below. The stem was dirty, oxidized, almost mottled looking. There was some light tooth chatter on the top and underside for about an inch ahead of the button.I took a photo of the stamping on the left and right side of the shank. It was very sharp and readable. The photos also show some of the dark spots of sticky grime on the shank and bowl.I reamed the bowl to remove the cake on the walls and the debris that still remained in the bowl. I used a PipNet pipe reamer to start the process. I followed that with a Savinelli Fitsall Pipe Knife to clean up the remaining cake in the conical bottom of the bowl. I sanded the bowl with 220 grit sandpaper wrapped around a piece of dowel. It smooths out the walls and also helps bring the inner edges back to round. I cleaned up the rim top and removed the thick lava coat on the back top side of the rim. I used the Savinelli Fitsall knife to scrape away the high spots of lava and sanded it lightly with a well-used piece of 220 grit sandpaper.I polished the rim top and the rest of the bowl and shank with micromesh sanding pads. I wet sanded it with 1500-2400 grit pads and dry sanded it with 3200-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. The pictures tell the story and show the increasing shine of the briar after each set of pads. I cleaned out the internals of the bowl, shank and the airway in the shank and the stem with alcohol, pipe cleaners and cotton swabs until they came out clean. It was dirtier than I expected in the shank and stem but now it not only looks clean but smells clean.I worked some Before & After Restoration Balm into the smooth finish of the bowl, rim top and shank. I worked it into the surface with my fingertips to clean, enliven and protect the wood. I let the balm sit for about 20 minutes and buffed it off with a soft cotton cloth to polish the bowl. I took photos of the pipe at this point in the process to show what the bowl looked like at this point. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks and chatter on the surface of the vulcanite with a folded piece of 220 grit sandpaper. I followed the 220 grit sandpaper with 400 grit wet dry sandpaper to minimize the scratching. The two papers combined did a pretty decent job of getting rid of the tooth marks and chatter as well as the oxidation.I polished the stem with Denicare Mouthpiece Polish to take out the oxidation at the button edge and on the end of the mouthpiece. I also worked hard to scrub it from the surface of the stem at the tenon end.  I polished out the scratches with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it a final coat of oil and set it aside to dry. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain really stands out on this beautiful Malaga. The contrast of swirling grain looked good with the polished black vulcanite. This Malaga Apple is one of three pipes that I am working on for Alex. Once I am finished with the other two it go back to him to enjoy. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: 3/4 of an inch. Alex, I am looking forward to your thoughts on this one! Thanks for reading this blog and my reflections on the pipe while I worked on it.