Monthly Archives: June 2026

A Better Life for a Torben Dansk 16 Bent Billiard

by Kenneth Lieblich

Now, this is a perfect example of the sort of pipe that we should all have in our collections: a really good smoker – and, by all accounts, that’s exactly what this is. This pipe is a dapper, sandblasted bent billiard from Torben Dansk of Denmark. The blast is gnarly and wonderful. The pipe looks well made and feels very nice to hold.

The markings are found on a smooth patch of briar on the underside of the shank. They read Torben [over] Made in Denmark [over] Dansk. Off to the right of this, and at a right angle, is the shape number, 16. Finally, on the stem, we see a Viking helmet as logo.

So, what do we know about Torben Dansk? There is a brief write-up at Pipedia about the label. It reads as follows:

Torben Dansk pipes were originally made by Torben Hetler. Next to other manufacture brands (Danmore, Tabago e.a.) they appeared in the first cataloge of Dan Pipe (originally named “Danske Pibe”), a pipe and tobacco mailing enterprise established by Heiko Behrens in 1972. Following the pipes became well-known and quite popular in Germany. Later they were made by Lars Christensen’s manufacture. According to the cataloge 1992/93 they were made by Poul Winslow.

I checked in at Pipephil, but they didn’t have any significant information to offer. However, there were three interesting comments from different fellows in the forums over at PipesMagazine:

The old briar buffed up like new and now it’s one of the best lookers and best smokers in my collection.

I had two Torben Dansk pipes in my collection several years ago. I remember they were both great smokers and I am sorry I traded them away.

Well, I wish I could say I had one in my collection. I was eyeing one on the bay and was outbid at the last second.

There was also mention of Torben Dansk at DutchPipeSmoker, in an article about the Dan Pipe company:

The history of Dan Pipe began in 1972 when, after a holiday in Denmark, teacher and enthusiastic pipe smoker Heiko Behrens decided to sell the creations of then unknown Danish pipe makers. In a small catalogue handmade pipes by Former, Emil Chonowitsch and Poul Hansen were presented together with factory pipes from Tabago, Torben Dansk, Danmore and other Danish producers. Soon also pipe tobacco was added to the catalogue, including Dan Pipe‘s first own-brand Torben Dansk. The quality of the pipes and tobaccos from the Dan Pipe catalogue provided good word-of-mouth advertising amongst the German pipe-smokers so gradually the customer base grew.

Sounds like a quality pipe. Let’s get working.

The stem’s calcification was quite substantial. I used an old butter knife and gently scraped some of the thicker accretion off. Doing this now helps later in removing the oxidation. I used isopropyl alcohol on a few cotton rounds and wiped down the stem to provide an initial cleaning of filth before moving on to the next steps. The primary cleaning came next. I disinfected the inside of the stem with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. I scrubbed thoroughly to make sure the interior was very clean.

The goal of the next step is the removal (or minimization) of oxidation. Going to my sink, I used cream cleanser, cotton rounds, and a toothbrush, and scoured the stem to remove as much surface oxidation as possible. As the photos show, the result was a hideous, ochre-coloured mess – but better off the stem than on it.

Once the stem was reasonably clean, I soaked it overnight in some Briarville Stem Oxidation Remover. This solution works to draw oxidation in the stem to the surface of the vulcanite. This is a major aid and an important step in ensuring a clean stem. The following day, I drew out the stem from its bath and scrubbed the lingering fluid with a toothbrush.

As the stem was now clean and dry, I set about fixing the marks and dents in the vulcanite. This was done by filling those divots with black cyanoacrylate adhesive, impregnated with carbon and rubber. I left this to cure and moved on. After this, I painted the logo on the stem with some enamel nail polish. I restored the logo carefully and let it fully set before proceeding.

The penultimate step for the stem is sanding. First, with my set of needle files, I reduced the bulk of the cyanoacrylate repairs. I removed the excess adhesive as near to the surface as possible, without cutting into the vulcanite. Following that, I used all nine of the micromesh sanding pads (1,500 through 12,000 grit) to sand out flaws, even out the vulcanite, and provide gentle polishing of the finished surface. I also applied pipe-stem oil while using the last five micromesh pads. There was a wonderful, deep black shine to the stem when I was done.

As the stem was (nearly) complete, I moved on to the stummel. The first step was to ream out the bowl – that is to say, remove all the cake inside the bowl. This accomplished a couple of things. First (and most obviously), it cleaned the bowl and provided a refurbished chamber for future smoking. Second, when the old cake was removed, I could inspect the interior walls of the bowl and determine if there was damage or not. I only used a pipe knife and a piece of sandpaper taped to a wooden dowel – fortunately, there was very little debris in the bowl.

Similar to the stem, I then cleaned the stummel with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. With a pipe this dirty, it took quite a while and much cotton to clean.

I then decided to ‘de-ghost’ the pipe – that is to say, exorcize the remaining filth from the briar. I filled the bowl and the shank with cotton balls, then saturated them with 99% isopropyl alcohol. I let the stummel sit overnight. This caused the remaining oils, tars and smells to leach out into the cotton.

To tidy up the briar, I wiped down the outside, using a solution of a pH-neutral detergent and some distilled water, with cotton rounds. I also used a toothbrush in the crevices. This did a good job of cleaning any latent dirt on the surface of the briar. The last step of the cleaning process was to scour the inside of the stummel with the same mild detergent and tube brushes. This was the culmination of a lot of hard work in getting the pipe clean.

I gave a quick pass of the micromesh pads on the smooth bit of briar on the shank. I rubbed some LBE Before & After Restoration Balm into the briar and let it sit for 30 minutes or so. The balm moisturizes the wood and gives a beautiful depth to the briar. I then buffed the stummel with a microfibre cloth.

For the final step, I took the pipe to my bench polisher and carefully buffed it – first with a blue diamond compound, then with three coats of conservator’s wax. This procedure makes the pipe look its best – the stummel sings and the stem glows.

All done! This Torben Dansk 16 sandblasted bent billiard looks fantastic again and is ready to be enjoyed by its next owner. I am pleased to announce that this pipe is for sale! If you are interested in acquiring it for your collection, please have a look in the ‘Danish’ section of the store here on Steve’s website. You can also email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 5⅜ in. (138 mm); height 1⅞ in. (48 mm); bowl diameter 1⅓ in. (34 mm); chamber diameter ¾ in. (20 mm). The weight of the pipe is 1¼ oz. (36 g). I hope you enjoyed reading the story of this pipe’s restoration as much as I enjoyed restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email. Thank you very much for reading and, as always, I welcome and encourage your comments.

A Handsome Old Bruyere 56 Prince with a Special ‘Sitter’ Feature

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by Kenneth Lieblich

This pipe is quite fascinating and quite delightful, as it has a highly unusual feature. We don’t normally associate the prince pipe shape with the function of being a ‘sitter’, but this one has that feature – and with a screw-in base. Really nifty! I found it at one of those ‘antique’ fairs. You know the sort: the stuff they are selling makes the word ‘antique’ do an awful lot of heavy lifting. Anyway, I saw the pipe, thought it was good-looking, and then turned it over. Wow. It has a base that screws into the bottom of the bowl with a bone tenon. I thought that this one was really interesting – I hope you will too. This is a great pipe for the collector of unusual pieces.

Let’s look at the markings, because the origins of this pipe are a bit mysterious. Hopefully, the markings can help us. On the left side of the shank, we see Old Bruyere. On the right side of the shank, we see Made in England. Finally, on the underside of the shank, we see the shape number 56.

It seemed to me that this pipe was likely made by one of the big English makers. Comoy and Hardcastle do use the phrase ‘Old Bruyere’ on some of their pipes, but that isn’t convincing evidence. The shape number doesn’t correspond to Barling, Bewlay, Charatan, Comoy, Hardcastle, or Sasieni – but Orlik does fit. They do have a prince shape that is numbered 56. I can’t guarantee it, but I think this is likely to have been made by Orlik. My only hesitation is that the Orlik 56 is a quarter-bent prince – the straight prince is 55. Who knows? Alas, I haven’t worked it out. I suspect that this pipe is an experiment – and a really neat one, at that.

The condition of the pipe is great. The pipe has hardly been smoked. The bowl is clean and the briar is lovely. There are some very slight dents, but I can deal with those. The stem is also in good shape. There are more tooth marks than one would expect of a pipe that has been seldom smoked, but no big deal. The tenon in the base looks sound, clean, and firm.

I used isopropyl alcohol on a few cotton rounds and wiped down the stem to provide an initial cleaning before moving on to the next steps. The primary cleaning came next. I disinfected the inside of the stem with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. I scrubbed thoroughly to make sure the interior was very clean.

As the stem was now clean and dry, I set about fixing the marks in the vulcanite. This was done by filling those divots with black cyanoacrylate adhesive, impregnated with carbon and rubber. I left this to cure and moved on.

As the stem was (nearly) complete, I moved on to the stummel. The first step was to ream out the bowl – that is to say, remove all the cake inside the bowl. Of course, there wasn’t really much. I used a piece of sandpaper taped to a wooden dowel to clean the inside.

Similar to the stem, I then cleaned the stummel with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. Again, not too much here.

Having completed that, I was able to address the nicks on the rim and the bowl. I dug out my iron and a damp cotton flannel cloth. By laying the cloth over the affected areas and applying the iron to it, the hot and moist steam can cause the wood to swell slightly and return to shape. There was considerable improvement!

I used all nine micromesh pads (1,500 through 12,000 grit) to sand the outside of the stummel and finish it off. This sanding minimizes flaws in the briar and provides a beautiful smoothness to the wood. I rubbed some LBE Before & After Restoration Balm into the briar and let it sit for 30 minutes or so. The balm moisturizes the wood and gives a beautiful depth to the briar. I then buffed the stummel with a microfibre cloth.

For the final step, I took the pipe to my bench polisher and carefully buffed it – first with a blue diamond compound, then with three coats of carnauba wax. This procedure makes the pipe look its best – the stummel sings and the stem glows.

All done! This Old Bruyere 56 prince sitter with a screw-in base looks fantastic again and is ready to be enjoyed by its next owner. I am pleased to announce that this pipe is for sale! If you are interested in acquiring it for your collection, please have a look in the ‘British’ section of the store here on Steve’s website. You can also email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 5⅞ in. (149 mm); height 1¾ in. (45 mm); bowl diameter 1⅝ in. (41 mm); chamber diameter ¾ in. (20 mm). The weight of the pipe is 1¼ oz. (36 g). I hope you enjoyed reading the story of this pipe’s restoration as much as I enjoyed restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email. Thank you very much for reading and, as always, I welcome and encourage your comments.

Giving Three Old Pipes New Life

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by Kenneth Lieblich

I recently received a package of three pipes from a fine gentleman in Texas. These old pipes belonged to his father-in-law and he was hoping to bring them back to working order. He wanted to get them smoking again after 20+ years of inactivity. I was happy to receive them and happy to work on them. I decided to do a blog about all three at once, so here we go. The three pipes are quite handsome. One is a little Savinelli 105 (probably a Petite) with a military tenon and acrylic shank extension. The second is a Dr Grabow bent billiard with a filter system and acrylic stem. Third is a large, round meerschaum with a variegated acrylic stem. You can see from the photos that they are attractive, very serviceable pipes.

Let’s get started. I used isopropyl alcohol on a few cotton rounds and wiped down the three stems to provide an initial cleaning of filth before moving on to the next steps. The primary cleaning came next. I disinfected the inside of the stems with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. I scrubbed thoroughly to make sure the interior was very clean. I used lots and lots pipe cleaners and cotton swabs.

The goal of the next step is the removal (or minimization) of oxidation. There was only one stem (the Savinelli) that was made of vulcanite and, therefore, in need of de-oxidation. Going to my sink, I used cream cleanser, cotton rounds, and a toothbrush, and scoured the stem to remove as much surface oxidation as possible. As the photos show, the result was a hideous, ochre-coloured mess – but better off the stem than on it.

After this, I painted the Savinelli logo on the stem with some enamel nail polish. I restored the logo carefully and let it fully set before proceeding.

As the stems were now clean and dry, I set about fixing the marks and dents. This was done by filling those divots with black cyanoacrylate adhesive (impregnated with carbon and rubber) on the Dr Grabow stem and clear cyanoacrylate adhesive on the meerschaum stem. I left them to cure and moved on. The Savinelli stem didn’t need this treatment. The photos don’t show this very well, but the meer’s stem had very deep dents that required quite a bit of attention.

The penultimate step for the stems is sanding. First, with my set of needle files, I reduced the bulk of the cyanoacrylate repairs. I removed the excess adhesive as near to the surface as possible, without cutting into the stems. Following that, I used all nine of the micromesh sanding pads (1,500 through 12,000 grit) to sand out flaws, even things out, and provide gentle polishing of the finished surface. I also applied pipe-stem oil while using the last five micromesh pads. There was a wonderful, deep shine to all three stems when I was done. I am embarrassed to say that I forgot to take any photos of this step. You’ll just have to take my word for it.

As the stem were (nearly) complete, I moved on to the two briar stummels. The first step was to ream out the bowls – that is to say, remove all the cake. This accomplished a couple of things. First (and most obviously), it cleaned the bowl and provided a refurbished chamber for future smoking. Second, when the old cake was removed, I could inspect the interior walls of the bowls and determine if there was damage or not. I used a reamer, a pipe knife, and a piece of sandpaper taped to a wooden dowel. Collectively, these ensured that all the debris was removed.

Same sort of thing (kind of) for the meerschaum bowl. Normally, as above, I would use a reamer to remove the built-up cake inside the bowl, but meerschaum has the potential to crack in those circumstances. Instead, I used just the pipe knife and the sandpaper/dowel. There wasn’t too much.

Similar to the stems, I then cleaned the stummels with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. With pipes this dirty, it took quite a while and much cotton to clean. With the meer, I did this carefully because too much soaking can cause meerschaum to soften. In this case, I moved quickly, nothing softened, and everything turned out well.

I then decided to ‘de-ghost’ the two briar pipes – that is to say, exorcize the remaining filth from the briar. I filled the bowls and the shanks with cotton balls, then saturated them with 99% isopropyl alcohol. I let the stummels sit overnight. This caused the remaining oils, tars and smells to leach out into the cotton. However, I didn’t use this treatment on meerschaum for the aforementioned reasons.

My next step was to remove the lava on the rims of the two briar pipes. For this, I took a piece of machine steel and gently scraped the lava away. The metal’s edge is sharp enough to remove what I need, but not so sharp that it damages the rims.

To tidy up the briar pipes, I wiped down the outsides, using a solution of a pH-neutral detergent and some distilled water, with cotton rounds. I also used a toothbrush in the crevices. This did a good job of cleaning any latent dirt on the surface of the briar. The last step of the cleaning process was to scour the inside of the stummels with the same mild detergent and tube brushes. This was the culmination of a lot of hard work in getting the pipes clean. Again, this was only done on the briar pipes.

The Dr Grabow had a serious nick at the end of the shank. I filled this in with CA glue. Worked perfectly.

I used all nine micromesh pads (1,500 through 12,000 grit) to sand the outside of all three stummels and finish them off. This sanding minimizes flaws in the briar (and meerschaum) and provides a beautiful smoothness to the surfaces. I rubbed some LBE Before & After Restoration Balm into the two briar pipes and let them sit for 30 minutes or so. The balm moisturizes the wood and gives a beautiful depth to the briar. I then buffed the stummels with a microfibre cloth.

I then applied some Clapham’s Beeswax Finish to the meerschaum and also let it sit for about 30 minutes. As meerschaum pipes don’t do well on a bench-polisher, I then buffed it with a microfibre cloth. I repeated this process and left it – it sure was pretty!

For the final step, I took the two briar pipes (only) to my bench polisher and carefully buffed them – first with a blue diamond compound, then with three coats of carnauba wax. This procedure makes the pipes look their best – the stummels sing and the stems glow.

All done! These three handsome pipes look fantastic again and I am delighted with the results. I’m sure the Texan gentleman will be too. Stupidly, I forgot to take measurements of the pipes before I returned them. However, I hope you enjoyed reading the story of the pipes’ restoration as much as I enjoyed restoring them. If you are interested in more of my work, please follow me here on Steve’s website or send me an email at kenneth@knightsofthepipe.com. Thank you very much for reading and, as always, I welcome and encourage your comments.

Restoring a WDC Demuth Aristocrat 88 Churchwarden

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by Kenneth Lieblich

Here is a beautiful, early-twentieth century churchwarden for your perusal. I’ve had it sitting around for a little while, and now it’s time to get it cleaned up. It’s got the typical elegant shape and feel of a regular churchwarden, but this one is a full twelve inches long. This is an old timer and I can’t wait to get it into the hands of its next owner.

As the title tells you, this pipe is from WDC – the William Demuth Company, a venerable American pipe maker. The markings are as follows: on the left side of the shank are the letters WDC inside an inverted triangle, next to Demuth [over] Aristocrat. On the right side of the shank, we read Imported [over] Briar Root. And next to those, the shape number 88. Finally, the top of the stem shows a metal representation of the invested triangle – the logo for the WDC company. The Aristocrat was one of WDC’s better lines and, indeed, this is a handsome pipe.

Pipedia has some great information on the history of the company and I encourage you to read it here. In the meantime, here is a quotation from their article:

William Demuth. (Wilhelm C. Demuth, 1835-1911), a native of Germany, entered the United States at the age of 16 as a penniless immigrant. After a series of odd jobs he found work as a clerk in the import business of a tobacco tradesman in New York City. In 1862 William established his own company. The William Demuth Company specialized in pipes, smoker’s requisites, cigar-store figures, canes and other carved objects. The Demuth Company is probably well known for the famous trademark, WDC in an inverted equilateral triangle. In 1897 Ferdinand Feuerbach joined the Demuth company and by 1903 had become the production manager. Feuerbach is credited with developing Demuth’s popular Royal Demuth and Hesson Guard Milano pipelines. He left in 1919, when Sam Frank Sr. needed an experienced pipe man to run his pipe factory, located at 168 Southern Blvd., in the Bronx. Feuerbach and Frank had been close friends since Frank started his own business in 1900 and was closely associated with the sales staff of WDC, selling their line of pipes.

The pipe is in good condition. There are some dark marks on the rim of the briar and a bit of cake in the bowl. Nothing serious. The stem is just fine, aside from some tooth chatter.

I used isopropyl alcohol on a few cotton rounds and wiped down the stem to provide an initial cleaning of filth before moving on to the next steps. The primary cleaning came next. I disinfected the inside of the stem with both pipe cleaners and cotton swabs dipped in lemon-infused 99% isopropyl alcohol. I scrubbed thoroughly to make sure the interior was very clean.

As the stem was (nearly) complete, I moved on to the stummel. The first step was to ream out the bowl – that is to say, remove all the cake inside the bowl. This accomplished a couple of things. First (and most obviously), it cleaned the bowl and provided a refurbished chamber for future smoking. Second, when the old cake was removed, I could inspect the interior walls of the bowl and determine if there was damage or not. I used a reamer and a piece of sandpaper taped to a wooden dowel. Collectively, these ensured that all the debris was removed.

To tidy up the briar, I wiped down the outside, using a solution of a pH-neutral detergent and some distilled water, with cotton rounds. This did a good job of cleaning any latent dirt on the surface of the briar. The last step of the cleaning process was to scour the inside of the stummel with the same mild detergent and tube brushes. This was the culmination of a lot of hard work in getting the pipe clean.

All done! This WDC Demuth Aristocrat 88 churchwarden looks fantastic again and is ready to be enjoyed by its next owner. I am pleased to announce that this pipe is for sale! If you are interested in acquiring it for your collection, please have a look in the ‘American’ section of the store here on Steve’s website. You can also email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 12 in. (305 mm); height 1⅔ in. (42 mm); bowl diameter 1⅓ in. (33 mm); chamber diameter ¾ in. (20 mm). The weight of the pipe is 1¼ oz. (38 g). I hope you enjoyed reading the story of this pipe’s restoration as much as I enjoyed restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email. Thank you very much for reading and, as always, I welcome and encourage your comments.