Tag Archives: buffing

GBD Midnight 9456

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Blog by Greg Wolford

The last few months have been extremely busy for me. It is amazing how much a disabled, non-working person can be obligated to do; I think I had more “free time” when I was working full time in the car business! Ah, but I digress …

By chance, I found myself today with no obligations, no chores, no appointments, just a day to myself. Unfortunately it also stormed badly which flared up my arthritic joints but I was able, finally, to get to a project, if only a simple one.

I picked up this GBD Midnight about two weeks ago. It was a fair price and an interesting pipe to me; all of the Midnight models I had seen before had acrylic stems and this one had vulcanite. Some later research led me to believe that there were at least two productions of this line: the first with vulcanite stems shortly after the merger and another some time later with acrylic stems.

Although I forgot to take “before” photos the seller’s were quite accurate except for the oxidation was a bit more than I anticipated: it wasn’t thick or heavy but was even, all over brown. The seller said he had only smoked it a few times over the years and didn’t like it; he prefers a 9 mm filter pipe. He said there were a few tooth dents but not bad ones and that he had cleaned it; these things were accurate, if he meant cleaned the inside.

The too had a fair amount if tar build up but not thick. The stummel was dirty but not in bad shape at all. And the dents were mild as be had said.

I began with an alcohol soaked pad, wiping down the stummel, paying extra attention to the rim’s build up. It didn’t take a lot to get it cleaned up and the rim smoothed out. I then reamed the bowl, which needed it but wasn’t badly caked. I set the stummel aside and began to work on the stem.

I started by rubbing the entire stem well with Back-to-Black, which removed a lot of oxidation. Then I took some automotive rubbing compound and cotton pads and polished away almost all of the remaining oxidation. After the rubbing compound I took the stem to the heat gun to raise the dents. They came up pretty well but not completely. But they were now slight enough I decided to not sand them smooth; I wanted to finish this pipe and write this blog tonight, those things and the small dents left made this decision for me easy. I did wet sand the stem with 400 grit wet/dry paper to remove the last of the oxidation and the few scratches I saw.

I reassembled the pipe and went to the buffing wheel. I like to buff the shank-stem union together so as to keep a nice fit. I began with black buffing compound, about an 800-grit I believe. After the union was buffed I took the stem and stummel apart and buffed each piece. I moved onto brown tripoli, then white diamond doing the same process.

I had a small deviation at the end of the white diamond buffing: the wheel grabbed the stummel and bounced it off my table. It left two dents, the bounce across the garage, that totally irritated me. I then had to steam the the dents out; thankfully the dents weren’t bad and came out. I went back to the white diamond and re-buffed the stummel.

I reassembled the pipe and gave it several coats of carnauba wax, buffed it on a soft, clean wheel and, finally, hand buffed it wearing a pair of linen gloves I bought just for that purpose.

The pipe came out quite well I think. After cleaning and buffing it is a bit lighter on color, which I am very happy with; the grain, especially the Birdseye on the front of the bowl really pops now.

Hopefully the frantic pace of life will slow some over the coming weeks; I have many more wonderful old pipes that are patiently awaiting being brought back to life. And I am anxious to do the work an share it with you.

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Breathing New Life into a Dr. Grabow Riviera

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Blog by Steve Laug

When I am refurbishing pipes I take the same care on older factory made pipes as I do on the more collectible ones. To me this is part of the stewardship of refurbishing. It does not matter what the original price of the pipe was – it is worth redeeming and bringing back to life. The refurbishing of the next pipe is one of those. It is an older Dr. Grabow Riviera. It was given to me by a good friend in Ponoka, Alberta. He gave it to me as a gift when I visited him recently. It is stamped Riviera over Dr. Grabow on the left side of the shank and Imported Briar over Adjustomatic over a patent number – PAT. 2461905 on the right side of the shank. The stinger apparatus in this one is an insert into the metal tenon. It is tube with a scooped portion on top that has a hole in the bottom of the scoop. The air/smoke circulates in the shank and is drawn into the stem by the smoker. The surface area of the apparatus acts as a condenser and filter. The beauty of this design is that it can be removed. The stem was badly oxidized and also had tooth dents on the top and bottom near the button. The finish was shot and the varnish was peeling from the bowl and shank. The rim was darkened and dirty and had a small crack on the top left side. The four photos below show the state of the pipe when I brought it home.

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I love doing research on old patents and with US made pipes it is very simple. The following website is a simple way to find data and diagrams. http://patft.uspto.gov/netahtml/PTO/srchnum.htm In the search parameters you enter the patent number from the pipe and click on the search button. Generally, these older patents have been made into PDF files that can be downloaded. Here is a copy of the information I found there. It is a patent for the Adjustomatic connector. I always find reading through these patent application documents gives me a feel for why the designer came up with invention. This proved true of this application as well.

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After reading through the patent information I was ready to restore this old pipe. It appeared to be made somewhere around the time of the Patent as it had the patent number stamped on it. That dated it somewhere around 1949 after the patent was given. I began by reaming the bowl with the PipNet reaming set to clear up the uneven and broken cake. I decided to work on the externals first. I wiped down the bowl and shank with acetone on a cotton makeup pad to remove the finish. There was some very nice grain poking through the mottled finish and very few tiny fills that made it even more attractive to me. The acetone removed the varnish very well and also took away the dirt and filth on the exterior. The first two photos below show the process of wiping down the bowl. The old finish is visible on the cotton pad.

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Once the finish was removed from the bowl as much as possible with the acetone, I sanded it down with 340 grit sandpaper and a fine grit sanding sponge to further remove the finish. The next series of four photos show the bowl after the acetone wash and the sanding. The grain on this one is very nice. The inner rim would need to have some attention to smooth out the rough edges and the darkening.

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I sanded the metal shank band as it had some deep scratches and gouges in it. I could not remove the damage but I minimized its look. I worked on the tooth marks in the topside and the underside of the stem surface. I heated the stem with a Bic lighter – passing the flame over the tooth marks to lift them to the surface. I then sanded the stem with 220 grit sandpaper to remove the remaining marks that were present (Photos 1 – 4 below). I followed that by sanding with a fine grit sanding sponge to remove the scratches left behind by the 220 grit sandpaper (Photos 5 – 6 below).

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I sanded the entire stem with the sanding sponge to remove the oxidation from the vulcanite. I took the pipe apart and cleaned the stinger apparatus with a cotton swab and alcohol. The next two photos show that design of the stinger. It is a two part piece and the extended tube can be removed from the screw in metal tenon. I cleaned the inside of the stem and also the inside of the stinger to remove the buildup of tars and oils inside.

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I sanded the bowl with 1500 – 12,000 grit micromesh sanding pads, being careful around the stamping on the shank. Once the scratches were removed and the bowl was smooth I restained it with a dark brown aniline stain thinned 2:1 with isopropyl alcohol. Doing this makes the stain less opaque and also several shades lighter. I wanted to highlight the grain not hide it so this was the perfect mix to do that. I applied the stain with a cotton swab, flamed it with a lighter to set the stain and then repeated the process a second time. The next three photos show that process. You will note that I also cleaned up the inner edge of the rim with the sanding process noted above. Most of the roughness is removed. A small crack remains on the top of the left side of the bowl rim.

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I set the bowl aside and worked on finishing the stem. I sanded it with 1500 – 12,000 grit micromesh sanding pads until it was smooth and finished. I rubbed down the stem with Obsidian Oil to protect and remove the oxidation. I reattached it to the bowl and buffed the stem and bowl with White Diamond on the buffer. I gave the entirety several coats of carnauba wax to bring out the shine and protect it. The final four photos show the finished pipe – cleaned, restored and ready to smoke. The photos show tinges of brown/oxidation still remaining in the stem under the flash of the camera. To deal with that I polished the stem some more and gave it another coat of Obsidian Oil and let it soak in. Upon finishing I buffed it again with carnauba.

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The ongoing evolution of a handmade pipe

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With all the refurbishing and staining I have done lately it is no wonder that when I pulled out this pipe from my rack it seemed just plain dull! This is a pipe I carved probably ten or more years ago and then reworked and thinned down in the past three or four years. It is great to be able to pull out one of my own pipes – carved by me – and rework it as the desire rises. I have no qualms about doing that as they are my creation and I am not changing someone else’s work. I had originally stained this pipe with a black understain and then used a very thin mix of medium brown stain on it. At the moment it looked good to me. But over the years that finish has grown faint and lack lustre. I have buffed it and given it new coats of wax but it still was lacking.

The morning I pulled it out was the day for a makeover. I finished the bowl I was smoking in it and while the briar was still warm I took it to the work table to restain. I decided to give it a coat oxblood aniline stain to liven it up and give it some warmth over the dark understain that had become more prominent with time. I rubbed on a coat of the stain and flamed it and then buffed it off so that the pictures below show its new look. I am enjoying its new look. I know it does not make it smoke better (it always has been a great smoking pipe) but the newness makes me reach for it more often.

I am thinking of restemming it now with a wider blade and tapered saddle but we shall see. These things seem to take a life of their own so truly there is no end to the changes that could be made over the years. Here it is now in its process of development!

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UPDATE!!
Last evening (Aug. 8, 2012) after work I decided to cut a different stem for this pipe. The narrowness of the blade (flat portion of the stem from saddle to button) just did not look right to me. The more I looked at the pictures the less I liked it. I did not have any rod stock so I found a precast stem in my jar of stems that would work for now. I cut the tenon down so that it would fit and also reworked all the casting marks along the edges of the stem. I opened the draw and also reworked the slot and button for more comfort and ease of cleaning. Here are the pictures of how the stem looks now. I think it is better than before. Oh, I also decided not to bend the stem this time.

The stem looks shorter than the previous stem but it is actually the same length. The proportions are thicker and thus give the illusion of a more stubby looking stem.

Dr. Plumb Bulldog Restoration

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My daughter’s boyfriend found this neat little Dr. Plumb bulldog at a New Orleans shop and sent it to me for restoration. I thought Dr. Plumb had a connection to GBD and I believe they are now owned by the Cadogan group. The stem was in terrific shape, save for a heavy coat of oxidation. The top of the bowl was scorched and it had some dents and scratches.

Before:

I reamed the bowl with both my Castleford and Senor reamers. Someone in the pipes past had reamed it a little out of round, but it wasn’t too bad. I removed some of the dents with a knife heated by a flame and a wet towel. Most of the major ones popped back out nicely. The bowl has some fills, but they are hidden well by the factory finish. In order to remove the scorched top, it would have required a restain. I was afraid with the numerous fills, it would look better with the factory finish. “Character” as they say. I buffed the bowl with some Tripoli, White diamond and with a final buff using Carnuba. The stamping is very legible.

The stem was soaked in an Oxyclean solution overnight to soften the brown coating. Unfortunately, the stem logo proved very problematic. I could not get the oxidation off this part of the stem without removing the logo. The owner opted for me to leave the logo and brown patch.

Here is the finished product.

The pipe sure looks like it would be a good smoking piece and I hope the young man enjoys it for many years.

Selected Straight Grain (Comoys) Restoration

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By Al Jones

Several months ago, a thread on the SmokersForum.uk about the Comoys “Selected Straight Grain” pipes piqued my interest. Member Dirigo (Tom) was kind enough to share with me how to identify these interesting pipes. I was able to grab this Shape 13 via Ebay last week, which corresponds with the Comoys shape chart. That shape looked to be in decent shape, with the exception of one putty fill. I assume this flaw made the pipe unworthy of the Comoys stamping. There were only the slightest tooth marks and no pesky stem logo to worry about.

From the Ebay picture, you can see the ugly fill.

There was only minimal cake inside the bowl so it was lightly reamed and soaked with Everclear and sea salt. The top of the bowl was scarred, so that was going to take some work.

While the bowl was soaking, I started on the stem, which had been soaking in a Oxyclean solution. I went thru my usual 1500/2000 grit wet paper that onto the final four micromesh grades. The stem was then buffed with white diamond and a final plastic polish. Removing the light chatter was pretty straight forward. The button was worn, so I used a needle file to slightly reform the edges.  Unfortunately, I was unable to remove the oxidation without making the edge of stem slightly rounded.  I need to learn how to avoid this issue.

Once the bowl was done soaking it was moved to an alcohol bath to remove the stain. I spoke to Steve prior to this step and he recommended the fill be corrected using the superglue & briar technique he recently posted on Reborn Pipes. That solution worked well and I used two steps to fill in the pit. After restaining, the fill is just slightly visible, a big improvement from the factories solution using the bubble-gum putty.
The Super-Glue and briar dust patch.

I used a two-step stain process to highlight the grain, also a recommendation from Steve. First I “painted” on some black stain, after the bowl was warmed to open the grain. Then, the bowl was sanded with micromesh and a very diluted application of Medium Brown stain was applied. The bowl was than buffed with Tripoli and white diamond, followed by a final buff with Carnuba wax. I was careful on all steps not to diminish the stamping, which is quite legible.

Thanks to Steven Laug for his help with this one and Tom for information on this interesting Comoys niche.

Restemmed Red Point Capped Bent

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I picked up this Red Point Old Briar Capped Pipe bowl on Ebay awhile ago. It did not have a stem but seemed to have promising grain. When it came in the mail I cleaned it up a bit and then worked on a stem for it. I decided to use a faux p-lip stem that has the airhole on the end of the stem rather than on the top. I fit the tenon to the shank – that was a bit of a trick as the shank is like a Pete shank in that it narrows/tapers as it descends toward the bowl. I finished fitting and polishing the stem.

Here are some pictures of the bowl when it came. From the second photo you can see that it was barely smoked. It was very clean and needed a few pipe cleaners run through it. The exterior needed to be wiped down with a little oil soap to clean away the grime – I always rub it on undiluted (no water) and quickly wipe it off. I do not leave it to sit. I also polished the silver work on the shank and the cap.

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I heated the stem with my heat gun and bent it slightly and took the next three pictures. I have learned that pictures give the true story in terms of bend and overall look of the pipe in a way that is clearer than the naked eye. From the photos I decided that the bend need to be a bit more dramatic and match the curve of the bottom of the bowl and shank. I reheated it and used the rounded edge of my work table to get a proper bend in it.

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Here is the final product – a proper bend with a curve that matches the bottom of the bowl and shank. The look is like an elongated S. Once it was finished I cooled the stem for a bit and then loaded it with Blue Mountain and smoked the inaugural bowl. Since then I have smoked it several times. It delivers a great smoke.

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New Life for a Yello Bole Canadian

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On a recent trip to the US to visit my parents I also visited several antique malls in their city. I have three that I usually have on my list when I go there. The one I want to focus on in this post is in an old grain elevator and has three floors of many “antiques” which always surprise me because many are the same age as I am!  Anyway, on the second floor I found a booth with two pipe racks containing over a dozen older pipes. Most were junk in that they had cracked bowls and broken shanks etc. But also in the midst of it was this old Yello Bole Canadian. It had some beautiful briar in it. Yello Bole is the grade down the line for KayWoodie, or so I am told. Pipes that don’t make the grade for KW will often be stamped with the Yello Bole brand. This one was stamped KBB in a cloverleaf on the top of the shank and next to it Yello Bole over honey cured, over imported briar. The stem has the yellow circle inlaid in the vulcanite. If memory serves me correctly this is one of the older pipes in the line.

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The bowl was in pretty clean shape. The yellow coating was still visible in the bowl and the bottom half of the bowl was very clean with just a bit of darkening to the yellow coating. The rim was dirty and dented. There were tars on the rim and some deep scratches to go along with the dents. The bowl however, was still round, it had not been ruined by a reamer going a muck. The stem was oxidized and was slightly brown. There was light tooth chatter but no dents on the surface of the stem. The overall finish of the pipe had light spots and dark spots where the finish seems to have been exposed to light or was wiped down and finish removed. There was no over coat of varnish or of lacquer just solid clean briar with a spotty stain.

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I broke the pipe down as seen in the pictures below. The stinger apparatus can be seen in the pictures. It is an aluminum shovel like contraption with the hole near the tenon and a long shovel like extension that extends through most of the shank. I cleaned out the bowl with an alcohol scrub on cotton swabs and cleaned out the shank with a shank brush, bristle pipe cleaners and fluffy pipe cleaners and alcohol. When they came out clean I worked on the outside of the bowl. I used cotton balls and acetone to wipe down the outside of the bowl and shank. I wanted to remove the rest of the finish so that I could prepare it for restaining. I applied the acetone until the bowl was free of the stain and finish. The pictures below show the cleaned surface of the bowl. I also used the acetone and some 400 and 600 wet dry sandpaper to clean the top of the bowl and rim. A folded piece of sand paper was used on the inner edge of the rim to clean the beveled edge. Before I stained the pipe I decided to clean and polish the stem. I used the Bic lighter method mentioned in an earlier blog post to get rid of the oxidation. In the pictures below the stem has the majority of the oxidation removed using that method. I then used 400 and 600 grit wet dry sandpaper with water and my usual list of micromesh pads from 1500-6000 grit to polish the stem.

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Once the stem was cleaned and polished by hand I inserted it into the bowl and used it to hold the pipe while I restained it. I used a medium brown aniline stain on this pipe to approximate the original stain and to highlight the grain. I applied it with the dauber that came with the stain and then flamed it to set the stain. I then took it to the buffer and buffed it with Tripoli to remove some of the opacity of the medium brown stain and bring the grain to life. Once that was done it was buffed with White Diamond. Both the stem and the bowl were buffed. Care should be exercised in the buffing process to not obliterate the stamping. I use a light touch when buffing around the stamping. The four pictures below show the finished pipe – ready to load with a favourite tobacco and enjoy!

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Refurb – A Pair of Custombilt Look A Likes

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I just finished up on these two Custom Bilt look a likes. The Rhodesian shaped pipe has no stamping other than Imported Briar. The bent pot is stamped Aged Imported Briar on one side and Ben Rogers on the other side. I am not familiar with the brand. So if anyone has information on it please post it here. I would appreciate learning about the twosome.

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Both pipes needed quite a bit of work to make them smokeable once more. The bowls had a thick cake and each one of them still stuffed with half a bowl of tobacco. The stems were rough and pitted from the oxidation and had a white lime like coat on them. They were very dirty inside and out. I cleaned them with a shank brush, bristle pipe cleaners and finished with fluffy ones all dipped in isopropyl alcohol until they came out clean. I buffed the stems with Tripoli after cleaning them to try and break down the coat of oxidation. It did not do much so I put them both in a bath of Oxyclean to soak. I find that though it does not remove the oxidation it does soften it considerably and makes sanding and buffing it off much easier.

Once they were soaking I turned to the bowls. First I reamed them both to remove the crumbling and uneven cake. I generally take them back to bare wood when they are in this state or at the most leave a thin bit of cake on the walls. I cleaned the rims with alcohol and a soft cloth and sanded it with 600 wet dry sandpaper to remove the tar deposits and carbon on them. Once that was done I dropped them in the alcohol bath to wet them and scrubbed them with a soft bristle toothbrush. I find that on the smooth and semi-rusticated finish of these pipes the tooth brush works very well to remove deep seated grime and loosen oils and dirt.  I then left them to soak while I went back to the stems.

After the soak the stems came clean pretty easily with 240 grit sandpaper, 400 and 600 wet dry sand paper and a finishing buff with Tripoli. I worked on them for a while with the sandpapers and Tripoli and then used White Diamond for the final polishing buff. I was careful to not buff the last bit around the stem edge that would meet the shank. I would finish it once the bowls were stained and ready. Then I would buff them together with carnauba wax.

By the time I was done with the stems the bowls were ready. I took them out of the bath and wiped them down. Once they were dry I restained them both with a medium brown aniline stain, flamed the stain and then buffed them with White Diamond to remove excess stain and give a contrast between the smooth portions and the rustication. I hand waxed them both with Halcyon wax and buffed with a soft cotton cloth.

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Custom-Bilt Saddle Billiard Comes Back to Life

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Blog by Steve Laug

It was a pleasure to refurbish this original Custom-Bilt (note the hyphenated title). I have always loved the rugged individualism of Tracy Mincer’s pipes. They are like none of their imitators in terms of character and sheer smoke-ability. They feel great in the hand; have and open draw and generally a comfortable stem. They are nothing pretty to look at yet there is something endearing about their “ugliness”. This old pipe was in very rough shape when I started to work on it. I apologize up front in that I forgot to grab the camera to take pictures of the pipe when I began the work. My words will have to suffice as I tell you about it. There was still a dry and almost petrified dottle of tobacco left in the bottom of the bowl. The cake that was on the walls was filled with cracks and major chunks of it were missing. The only way to remedy that was to ream it. The exterior of the bowl had a very tarred and sticky rim and the finish was gone and flecks of white paint were all over the crevices of the rustication. The stem was dull brownish green with a white crust around the button and up the stem a good half inch. This stuff was like concrete.

I always start my refurbishing process by addressing the issues of the bowl. That way as it soaks I can work on the stem. I scraped out the petrified dottle and reamed the broken cake back to bare wood. I cleaned the inside of the shank with a shank brush and bristle and fluffy pipe cleaners and isopropyl alcohol until they came out clean. I wiped down the exterior of both the shank and bowl with a rub of alcohol. When finished it was dropped in the alcohol bath for most of the morning while I worked on the stem.

I went to work on the stem. I decided to buff it with black Tripoli (coarse polishing compound) to address the hard crust on the front of the stem and the general oxidation on the blade of the stem before the saddle. I did not want to work on the saddle with it off the shank as it is too easy to round the edges and spoil the fit. After buffing it was sanded with 240 grit sandpaper to finish breaking through the white crust. Once it was gone the rest of the stem was cleaned up with my normal list of 400, 600 grit wet dry (with water), and then micromesh pads – 1500, 1800, 2400, 3200, and 4000 grit. I also used the wet dry sandpaper and the pads to careful work on the saddle portion of the stem. Upon completion the entirety was given a coat of Obsidian Oil and then waxed with carnauba.

I set the stem aside and retrieved the bowl from the alcohol bath. As I took it from the bath I scrubbed it with a brass bristle tire brush to get into the crevices on the pipe and the rustication. It was a mess with some paint in the rustication. The alcohol had removed the grime and the wire brush removed the paint flecks. Just a reminder – I use a soft bristled brass white wall tire brush in these instances as the bristles do not damage the surface of the briar. When the bowl was clean I wiped it down with isopropyl on a cotton boll. It was ready to restained with a medium brown aniline stain. I applied the stain with the dauber that comes with the Fiebings Shoe Dye (aniline stain), flamed it and set it aside to dry thoroughly. Once it was dry I buffed it with White Diamond on my buffer and then applied a coat of Halcyon Wax and buffed it by hand with a cotton cloth.

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Black Super Glue Repair to a Damaged Stem

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Blog by Steve Laug

Using the stem on the little Barling I repaired earlier as an example I thought I would post the process of repairing bite marks with Black Super Glue. The glue is available online at a variety of sources, though I purchased mine from http://www.stewmac.com/shop/Glues,_adhesives.html a company that is a supplier for stringed instrument repairmen. They offer super glue in several colours and viscosities. I order the black super glue from them that comes with whip tip nozzles as I find that it is easy to control the size of the drops used. I also have used the clear super glue and it works very well in several other applications including repairing and replacing fills on older pipes. They also carry a wide variety of micromesh sanding pads and papers. It is a great resource for hard to find items (at least in Canada) that I use regularly in my repairs.

I always seek to repair a stem in the least intrusive manner possible. In the case of the stem below I heated the tooth dents to try and lift them as much as possible before any other method was used. This can be done carefully with a heat gun – I stand the gun on its stand, turn it on its lowest setting and move the damaged part of the stem in the heat about 4-6 inches above the tip of the gun. If it gets too close the vulcanite is damaged through burning. The other method that I have used avoids this problem – it involves putting a cup of water in a microwave and boiling it. Once it is hot place the stem button end down in the boiling water and leave it. Repeat as often as necessary or until there is no more lift on the dents of marks in the stem. Note if the dents have sharp edges, or are cuts, the heat will not lift the dents at all. It also will not work on holes or bite throughs on the stem.

In Photos 1 and 2 the stem is pictured as I received it on the pipe. The first photo shows the top of the stem and shows the damage to the button and the surface – mostly dents. The second photo shows the underside of the stem. It was significantly worse that the top. The dents were very deep and the button was virtually destroyed. At this point it is probably pertinent to ask whether the stem should have been replaced or not. Several things went against doing that in my opinion. The first was that this is an original Transition Era Barling stem. It is hard to find replacements that have the slab look and slight taper on the saddle that are hallmarks of the Barling stem. The second was that the tenon on this one is very tiny. I did not have a tool that allowed me to turn that small of a tenon. Thus I decided to give it a repair. Then of course, if you have followed this blog for long you will understand, there was the challenge. Could I possible restore the stem to at least a semblance of its original “glory” and functionality?  

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So with the decision made I turned to work on this stem. I used my heat gun to lift the marks as much as I could on the top and the bottom of the stem. The two pictures below show the effect of the heat on the stems. The first photo shows the top of the stem – the heat actually lifted those bit marks quite a bit. It took out the rounded edges of the dents. What is left was actually sharp edges or cuts from the teeth on the button and on the surface. You will also notice that some of the oxidation burned off in the process. I also sanded the surface with 240 grit sand paper to better see what I was dealing with on this stem. The second photo shows the underside of the stem – the heat lifted the dents significantly but not totally. The sharp edges on the dents still remain, as does the destroyed button and the hole is very visible. I repeated the heating process several times (to be honest I lost count) until there was no more visible improvement in the dents. It was time to prepare for the patching process.

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Before I use super glue to patch a hole or fill dents in the stem I prepare the surface to be clean and debris free in order to get a good bond on the glue. I sand the surface with 240 grit to remove the oxidation as much as possible. I want the area under the patch to be black so that the glue matches. Oxidation on the edges of the patch makes that match impossible. Once I have the surface sanded I buff it with Tripoli to take a bit of the roughness out. I don’t want a glossy finish as a little roughness gives surface for the glue to bite into. But I do want it clean. I wash the stem with isopropyl alcohol to remove any debris that still remains, including any of the Tripoli. I use a dental pick to make sure that the edges of the hole are not cracked or broken. Doing this often opens the hole a bit larger but it also removes chips or cracking that will not provide a good base for the patch. I finish the cleanup with yet another wash with alcohol and a cotton swab. The surface should have solid edges to bind to and no extraneous sanding dust or debris that will be in the way of the patch.

On this stem the easiest part to patch was the top of the stem so I started with that part. I used the whip nozzle on the super glue and dripped it on the stem. I smoothed the drop out with the end of the whip. I want the dent and cut to be totally filled so I moved the glue back and forth until it was all covered and then set it aside to dry with the end of the stem propped up to keep the patch level. The first picture below shows the patch after the glue had dried. It formed a solid patch on the stem. I always layer the patch doing multiple layers until I have built up the hole and dent. In this case I also used the glue to build up the button. While the picture does not show it clearly, the glue is actually level with the top of the button and small spots of glue are moved into the dent marks in the button surface itself. In the second photo the stem shows the patch after sanding with 240 grit sandpaper. The object was to get a smooth surface on the stem. The dent marks in front of the button are gone. The brown spot on the stem is some oxidation that has not been sanded out yet. The button is also repaired and you can see a bit of the bulk that is now there. The button will need to be shaped and recut with needle files once the underside of the stem is also patched.

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Once I had the top surface of the stem to the point it is pictured above I turned the stem over to work on the underside. This part of the stem was really the challenge on this one. It had deep tooth cuts and a bite through that needed to be repaired. The first step for me was to repair the bite through. I fold a pipe cleaned to fit the flared slot on the button. I greased it with olive oil and inserted it in the slot. I wanted it to be smooth and not pucker through the bite hole, so I tucked it down with my dental pick. Once it was set I put in the first drops of black super glue. Remember at this point I am not work on the surface detail of the holes only the bite through. Once it was patched I went on to fill the other deep dents and marks on the surface and build up the button. I set aside the stem on a level surface and raise the tenon end to keep the bubble of glue level so it would dry.

Once the glue dried I removed the pipe cleaner from the slot. This is always the moment of truth for me – did I grease it well enough that the pipe cleaner did not permanently bond to the slot. In this case it worked perfectly and it came out easily! Whew! Once it was removed I filled the rest of the dent marks with the super glue and also built up the non-existent button. I forgot to take pictures of that step. So the verbal description and the picture of the topside fill will have to suffice. I set the stem aside again and leveled the glue so that it would dry and not run up the stem. Super glue dries very hard and is a lot of work to sand off the surface. Once it was dry I sanded the surface with 240 grit sandpaper once again to level out the surface. The picture below shows the stem at that stage in the process. The fills appear to be white but that is the sanding dust on the surface. You can clearly see the three large patches on the underside of the stem in this picture as well as the rebuilt portion of the button. Again I over filled the patch to the level of the top of the button to provide a solid new surface for me to work with when I recut the button with the needle files.

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The next two photos show the result of the sanding process with the 240 grit sandpaper on the top and the bottom of the stem. I wanted to make sure that the patches blended into the surface of the stem. You will note that in the first photo of the top of the stem, that the patch is virtually invisible. Though it is not very clear, I had also recut the button with the needle files to give it a good sharp edge against the surface of the stem. I use wedge shaped file and a rectangular file to cut that edge cleanly and the result is a button that looks original. In the second photo you can clearly see that the patches are fairly well hidden. The one against the button and the large one at the top of the photo were the deepest ones. After this sanding and recleaning the surface I refilled those two spots, let them dry and sanded them again. Once that was completed the underside of the stem looked exactly like the topside of the stem at this point.

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I failed to take pictures of recutting the button on the underside of the stem but you can see the new button in the pictures below. I cut and shaped it with the same needle files that I used on the top of the stem. I like the clean angles of a new button so I was aiming for that with just a little wear or rounding to match the age of the pipe. I finished the sanding and polishing of the stem using 400 and 600 grit wet dry sandpaper and then used the normal list of micromesh sanding pads from 1500-6000 grit. I keep a bowl of water close by to dip both the paper and the pads in as I sand as I find it more effective in removing the scratches and remaining oxidation. Once the stem was finished I put it on the pipe bowl and gave it a buff with Tripoli and White Diamond to get a good sheen to the surface. I never buff a stem apart from a pipe as I do not want to damage the stem shank junction by rounding the clean edge of the stem. The top two photos below show the top and bottom of the stem respectively. You can see the repair is complete and the button is very clean and present. The second two photos below show the stem from the right and left profile so you can see the flow of the stem surface – uninterrupted from either side with the tooth dents as before and also the profile of the button. It is distinctive and present. The stem was finished with several coats of Obsidian Oil and then carnauba wax to protect the surface.

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