Tag Archives: GBD pipes

Working on a GBD Standard 323 Smooth Apple from Bob Kerr’s Estate


Blog by Steve Laug

I am continuing to work through Bob Kerr’s estate. The next pipe on the table is a GBD Standard Apple, smooth bowl and shank a beveled rim top. It is an Standard with a black vulcanite stem. I am continuing to cleanup Bob’s estate for his family and moving them out into the hands of pipemen and women who will carry on the trust that began with Bob and in some pipes was carried on by Bob. In the collection there were a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I have been collecting and restoring GBD pipes for as long as I have worked on pipes. This one also has a beautiful mix of grain under the grime on the finish. It is quite beautiful! The pipe is stamped GBD in an oval over Standard on the left side of the shank. On the right side it is stamped London, England and the shape number 323. It had a rich brown stain that does not look too bad. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a lava overflow on the rim. The inner edge of the rim and top are dirty and had a thick lava coat. The edges appear to have a bit of burn damage on the front inner edge and the front outer edge has a bit of wear damage. It was a beautiful pipe that was dirty and tired looking. The stem was oxidized and calcified toward the end. Again, surprisingly did not have the tooth marks that I have come to expect from Bob’s pipes. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. There appears to be a little damage on the left front inner and outer edges of the bowl. Otherwise it looks pretty good.    Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the beautiful grain through the debris – both birdseye and cross grain. The finish was very dirty. There is a small putty fill on the lower right side of the bowl.     Jeff took photos of the stamping on the sides of the shank. The stamping was readable as you can see from the photos. On the left side it read GBD in an oval over Standard. On the right is reads London, England over the shape number 323. On the left side of the saddle stem was an inlaid brass GBD rondel. Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button. The edges of the button looked very good with slight wear on the edges.  I already cleaned up and restore another Standard from Bob’s estate and did the research on the brand while working on that one (https://rebornpipes.com/2019/08/10/back-to-bob-kerrs-estate-working-on-a-gbd-standard-9136-bent-billiard/). In that blog I referenced an article on Pipedia. The article gives a lot in terms of the history of the brand (https://pipedia.org/wiki/GBD). I quote the section where I found the reference to the Standard.

I also turned to the reference page on the site for GBD shapes and numbers and could not find any information on that shape number (https://pipedia.org/wiki/GBD_Shapes/Numbers). There was nothing there with the 323 number though there were other apple shaped pipes in the 335-345 numbers. So once again there is a mystery on this one.

With that information in hand I knew what I was dealing with in terms of the stamping and the age of this pipe. I knew from the information from the section quoted that the Standard originally came out in the 20s. In the late 1930s the New Standard was introduced after the war. So this is another one of Bob’s older pipes – late 1920s to early 30s. Now it was time to work on the pipe.

With over 125 pipes to clean from Bob’s estate I am really appreciating Jeff’s help cleaning them up. Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked good. The stem still sported some deep oxidation but otherwise it was clean. I took photos before I started my part of the work. I took some close up photos of the rim top and also of the stem surface. The rim top looks pretty good. There is some darkening on the top edge and a burn marks on the inner and outer edge. There is also some damage on the outer rim on the rim. The photos show a few small dents on the surface of the stem and the nick out of the top of the button on the topside. You can also see the remaining oxidation on the stem surface.      I am going to keep posting the next paragraph because of the importance of protecting the stamping/nomenclature.

One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. The stamping on this one was very faint to start with so I was worried that it would disappear altogether with the cleanup. He was not only able to preserve it but it is clearer than shown in the earlier photos. I took some photos to show the clarity of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. I would like to encourage all of us to be careful in our work to preserve this as it is a critical piece of pipe restoration! Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now, on to the rest of the restoration on this GBD Standard 323 Tapered stem Billiard. Since Jeff had done such an amazing clean up job on the bowl it was going to be a very easy job for me. There was some darkening and damage on the rim top, the inner and outer edges of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the top and the edges. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The first photo below shows the rim top when I started and the second one below shows it after the work. The finished rim top looked much better than when I started. I was able to minimize the damage on the front inner edge of the rim. It is still damaged but it looks considerably better. Once I clean it and stain it the rim edge will look better. I polished the rim top and sides of the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the bowl and rim down with damp cloth after each sanding pad. The more I polished the rim top the more the rim blended in with the rest of the finish. I would not need to stain it.    I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth and shoe brush to raise the shine. I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.    I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up).  I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry.    I can’t tell you how great it feels to be moving through these 125 pipes – about 39 done so far! It is an overwhelming task that can only be achieved one pipe at a time. So each time I finish one of the pipes from Bob Kerr’s Estate I look forward to what it will look like when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich medium brown smooth finish really popped with buffing showing the grain on the pipe. The polished thin black vulcanite taper stem went really well with the colours of the bowl. This old GBD Standard 323 Apple was another fun pipe to work on thanks to Jeff’s cleanup work. It really has the classic GBD Apple shape that is very recognizable. The medium brown stain really makes the pipe look attractive. It is another comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. If you are interested in carrying on Bob’s legacy with this pipe send me a message or an email. I have a lot more to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

Working on a GBD Original 91327 Smooth Billiard from Bob Kerr’s Estate


Blog by Steve Laug

I am continuing to work through Bob Kerr’s estate. The next pipe on the table is a GBD Original Billiard, smooth bowl and shank a beveled rim top. It is an Original with a black vulcanite stem. I am continuing to cleanup Bob’s estate for his family and moving them out into the hands of pipemen and women who will carry on the trust that began with Bob and in some pipes was carried on by Bob. In the collection there were a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I have been collecting and restoring GBD pipes for as long as I have worked on pipes. This one also has a beautiful mix of grain under the grime on the finish. It is quite beautiful! The pipe is stamped GBD in an oval over Original on the left side of the shank. On the right side it is stamped London, England and the shape number 91327. It had a rich brown stain that does not look too bad. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a lava overflow on the rim. The inner edge of the rim and top are dirty and had a thick lava coat. The edges appear to have a bit of burn damage on the front inner edge and the front outer edge has a bit of wear damage. It was a beautiful pipe that was dirty and tired looking. The stem was oxidized and calcified toward the end. There seemed to be a chip or nick in the middle of the button on the top edge. Again, surprisingly did not have the tooth marks that I have come to expect from Bob’s pipes. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. There appears to be a little damage on the left front inner and outer edges of the bowl. Otherwise it looks pretty good.   Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the beautiful grain through the debris – both birdseye and cross grain. The finish was very dirty. There is a large putty fill on the right side of the shank near the bowl. Jeff took photos of the stamping on the sides of the shank. The stamping was readable as you can see from the photos. On the left side it read GBD in an oval over Original.  On the right side it was stamped London, England over the shape number 91327. On the left side of the saddle stem was an inlaid brass GBD rondel.Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button. There is a deep nick in the topside of the button.I turned to Pipedia’s article on GBD to see if I could find any information on the Historic line. I have heard of Original pipes but I have never seen one stamped with the five digit shape number like this 91327. The Pipedia article identifies the line as a French made pipe however, this one is stamped London, England thus contradicting the article that specifically says that the pipes were not made in England (https://pipedia.org/wiki/GBD_Model_Information).

I also turned to the reference page on the site for GBD shapes and numbers and could not find any information on that shape number (https://pipedia.org/wiki/GBD_Shapes/Numbers). There was nothing there with a five digit number so I checked the listing of the last 3 digits, 327 and did not find one. So once again there is a mystery on this one.

All of my research did not really help pin anything down. The shape number was a dead end and the line description was also a contradiction. I was dealing with a bit of anomaly – a French made saddle Billiard stamped London, England with a saddle stem. In terms of dating the pipe I can only guess that it fits in with the late 50s to late 60s of Bob’s other pipes but I cannot know for sure. Now it was time to work on the pipe.

With over 125 pipes to clean from Bob’s estate I am really appreciating Jeff’s help cleaning them up. Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked good. The stem still sported some deep oxidation but otherwise it was clean. I took photos before I started my part of the work. I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. The rim top looks pretty good. There is some darkening on the top edge and a burn marks on the inner and outer edge. There is also some damage on the outer rim on the rim. The photos show a few small dents on the surface of the stem and the nick out of the top of the button on the topside. You can also see the remaining oxidation on the stem surface.     I am going to keep posting the next paragraph because of the importance of protecting the stamping/nomenclature.

One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. The stamping on this one was very faint to start with so I was worried that it would disappear altogether with the cleanup. He was not only able to preserve it but it is clearer than shown in the earlier photos. I took some photos to show the clarity of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. I would like to encourage all of us to be careful in our work to preserve this as it is a critical piece of pipe restoration! Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now, on to the rest of the restoration on this GBD Original 91327 Saddle Stem Billiard. Since Jeff had done such an amazing clean up job on the bowl it was going to be a very easy job for me. There was some darkening and damage on the rim top, the inner and outer edges of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the top and the edges. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The first photo below shows the rim top when I started and the second one below shows it after the work. The finished rim top looked much better than when I started. I was able to minimize the damage on the front inner edge of the rim. It is still damaged but it looks considerably better. Once I clean it and stain it the rim edge will look better.  Some how the fill that was obvious in the first photos that Jeff took seem to have expanded and filled in and with the polishing and sanding it disappeared. I can see it but it was not worth repairing or replacing. I polished the rim top and sides of the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the bowl and rim down with damp cloth after each sanding pad. The more I polished the rim top the more the rim blended in with the rest of the finish. I would not need to stain it.   I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth and shoe brush to raise the shine. I set the bowl aside and turned my attention to the stem. I filled in the divot on the top of the button on the top side and built up the edge on the underside with clear Krazy Glue.I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.    I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up).    I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I rubbed it down with “No Oxy Oil”, a product I am trying out from Briarville Pipe Repair. So far it is an impressive product that is very similar to Obsidian Oil. I will continue to experiment with it.  I can’t begin to tell you how great it feels to be moving through these 125 pipes – about 38 done so far! It is an overwhelming task that can only be achieved one pipe at a time. So each time I finish one of the pipes from Bob Kerr’s Estate I look forward to what it will look like when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich medium brown smooth finish really popped with buffing showing the grain on the pipe. The polished thin black vulcanite saddle stem went really well with the colours of the bowl. This old GBD Original 91327 Billiard was another fun pipe to work on thanks to Jeff’s cleanup work. It really has the classic GBD Billiard shape that is very recognizable. The medium brown stain really makes the pipe look attractive. It is another comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. If you are interested in carrying on Bob’s legacy with this pipe send me a message or an email. I have a lot more to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

Working on a GBD Historic 115 Sandblast Billiard from Bob Kerr’s Estate


Blog by Steve Laug

I am continuing to work through Bob Kerr’s estate. The next pipe on the table is a GBD Historic Billiard, sandblasted bowl and shank and a smooth panel on the underside of the shank with the stamping. It is a Prehistoric with a black vulcanite stem. I am continuing to cleanup Bob’s estate for his family and moving them out into the hands of pipemen and women who will carry on the trust that began with Bob and in some pipes was carried on by Bob. In the collection there were a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I have been collecting and restoring GBD pipes for as long as I have worked on pipes. This one also has a beautiful mix of grain under the grime on the sandblast finish. It is quite beautiful! The pipe is stamped GBD in an oval over Historic on the underside of the shank. That is followed by stamping London, England and the shape number 115. It had a rich mix of black and dark brown stain that does not look too bad. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a lava overflow on the rim. The inner edge of the rim and top are dirty and had a thick lava coat. The edges appear to have a bit of burn damage on the front inner edge and the front outer edge has a bit of wear damage. It was a beautiful pipe that was dirty and tired looking. The stem was oxidized and calcified toward the end. Again, surprisingly did not have the tooth marks that I have come to expect from Bob’s pipes. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. There appears to be a little damage on the left front inner and outer edges of the bowl. Otherwise it looks pretty good. Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the beautiful grain through the sandblast – both birdseye and cross grain. The finish was very dirty.   Jeff took photos of the stamping on the smooth panel on the underside of the shank. The stamping was readable as you can see from the photos. On the underside it read GBD in an oval over Historic. That was followed by London, England over the shape number 115. On the left side of the saddle stem was an inlaid GBD rondel.Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button.       I turned to Pipedia’s article on GBD to see if I could find any information on the Historic line. I have heard of Prehistoric pipes but I have never seen one stamped Historic. It is another one that is a mystery in terms of the line. The article gives a lot in terms of the history of the brand (https://pipedia.org/wiki/GBD). There is nothing specific on the Historic line.

I also turned to the reference page on the site for GBD shapes and numbers and found the one for the 115 shape but it called it a Prince of Wales and said that the saddle stem had a 1/8 bend. To me a Prince of Wales is a Prince shape pipe and the one that I was working on is definitely a billiard (https://pipedia.org/wiki/GBD_Shapes/Numbers). The vagaries of clearly pinning down GBD Shapes is evident in this seeming contradiction. I also did a screen capture of the section and from the various Model information. That also was an interesting conundrum in that the pipe in my hand was not smooth but had a sandblast finish like the Prehistoric with a smooth beveled rim top. I combined the screen captures in one picture below (https://pipedia.org/wiki/GBD_Model_Information).  All of my research did not really help pin anything down. The shape number was a dead end contradiction as was the line description. I was dealing with a bit of anomaly – a Sandblast Billiard stamped Historic not Prehistoric with a straight thin bit stem. In terms of dating the pipe I can only guess that it fits in with the late 50s to late 60s of Bob’s other pipes but I cannot know for sure. Now it was time to work on the pipe.

With over 125 pipes to clean from Bob’s estate I took a batch of them to the states with me on a recent visit and left them with Jeff so he could help me out. Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked good. The stem still sported some deep oxidation but otherwise it was clean. I took photos before I started my part of the work. I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. The rim top looks pretty good. There is some darkening on the top edge and a burn mark on the inner edge at the front. There is also some damage on the outer rim on the rim. The photos show a few small dents on the surface of the stem. You can also see the remaining oxidation on the stem surface.    I am going to keep posting the next paragraph because of the importance of protecting the stamping/nomenclature.

One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. The stamping on this one was very faint to start with so I was worried that it would disappear altogether with the cleanup. He was not only able to preserve it but it is clearer than shown in the earlier photos. I took some photos to show the clarity of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. I would like to encourage all of us to be careful in our work to preserve this as it is a critical piece of pipe restoration!   Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now, on to the rest of the restoration on this GBD Historic 115 Billiard. Since Jeff had done such an amazing clean up job on the bowl it was going to be a very easy job for me. There was some darkening and damage on the inner edge of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the edge. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The finished rim top looked much better than when I started. I was able to minimize the damage on the front inner edge of the rim. It is still damaged but it looks considerably better. Once I clean it and stain it the rim edge will look better.  I stained the rim top and edges with a Walnut and Black stain pen. I blended the colours to match the rest of the bowl colour. I also stained the shank end with the two pens to blend them into the flow of the colour on the shank and bowl.     I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth and shoe brush to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on.      I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.       I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up).      I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry.    I can’t tell you how great it feels to be moving through these 125 pipes – about 35 done so far! It seemed like an overwhelming task that can only be achieved one pipe at a time. So each time I finish one of the pipes from Bob Kerr’s Estate I look forward to what it will look like when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich dark brown and black sandblast finish really popped with buffing showing the contrast colours of stain on the pipe. The polished thin black vulcanite stem went really well with the colours of the bowl. The sandblast rim top, though slightly damaged looked very good. This old GBD Historic Sandblast 115 Billiard was another fun pipe to work on thanks to Jeff’s cleanup work. It really has the classic GBD Billiard shape that is very recognizable. The combination of various stains really makes the pipe look attractive. It is another comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. If you are interested in carrying on Bob’s legacy with this pipe send me a message or an email. I have a lot more to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

Working on a GBD Original 115 Beveled Rim Billiard from Bob Kerr’s Estate


Blog by Steve Laug

I am continuing to work through Bob Kerr’s estate. The next pipe on the table is a GBD Original Billiard, sandblasted bowl and shank with a smooth beveled rim and a smooth panel on the underside of the shank with the stamping. I am continuing to cleanup Bob’s estate for his family and moving them out into the hands of pipemen and women who will carry on the trust that began with Bob and in some pipes was carried on by Bob. In the collection there were a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I have been collecting and restoring GBD pipes for as long as I have worked on pipes. This one also has a beautiful mix of grain under the grime on the sandblast finish. It is quite beautiful! The pipe is stamped GBD in an oval over Original on the underside of the shank. That is followed by stamping London, England and the shape number 115. It had a rich mix of black and dark brown stain that does not look too bad. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a lava overflow on the rim. The inner beveled edge of the rim and top are dirty and had a thick lava coat. The edges look pretty pristine under the grime. It was a beautiful pipe that was dirty and tired looking. The stem was oxidized and calcified toward the end. Again, surprisingly did not have the tooth marks that I have come to expect from Bob’s pipes. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. The edges look pretty good.     Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the beautiful grain through the sandblast – both birdseye and cross grain. The finish was very dirty.     Jeff took photos of the stamping on the smooth panel on the underside of the shank. The stamping was readable as you can see from the photos. On the underside it read GBD in an oval over Original. That was followed by London, England over the shape number 115. On the left side of the saddle stem was an inlaid GBD rondel.  Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button. I turned to Pipedia’s article on GBD to see if I could find any information on the Original. It was a line of GBD pipes that was new to me. The article gives a lot in terms of the history of the brand (https://pipedia.org/wiki/GBD). There is nothing specific on the Original line.

I also turned to the reference page on the site for GBD shapes and numbers and found the one for the 115 shape but it called it a Prince of Wales and said that the saddle stem had a 1/8 bend. To me a Prince of Wales is a Prince shape pipe and the one that I was working on is definitely a billiard (https://pipedia.org/wiki/GBD_Shapes/Numbers). The vagaries of clearly pinning down GBD Shapes is evident in this seeming contradiction. I also did a screen capture of the section and from the various Model information. That also was an interesting conundrum in that the pipe in my hand was not smooth but had a sandblast finish like the Prehistoric with a smooth beveled rim top. I combined the screen captures in one picture below (https://pipedia.org/wiki/GBD_Model_Information).     All of my research did not really help pin anything down. The shape number was a dead end contradiction as was the line description. I was dealing with a bit of anomaly – a Sandblast Original Billiard with a straight thin bit stem. In terms of dating the pipe I can only guess that it fits in with the late 50s to late 60s of Bob’s other pipes but I cannot know for sure. Now it was time to work on the pipe.

With over 125 pipes to clean from Bob’s estate I took a batch of them to the states with me on a recent visit and left them with Jeff so he could help me out. Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked good. The stem still sported some deep oxidation but otherwise it was clean. I took photos before I started my part of the work.    I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. The rim top looks good. There is some darkening on the top edge and a few light nicks and scratches on the surface. The bowl looked very good. I also took close up photos of the stem to show the few small dents on the surface of the stem. You can also see the remaining oxidation on the stem surface.       I am going to keep posting the next paragraph because of the importance of protecting the stamping/nomenclature.

One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. The stamping on this one was very faint to start with so I was worried that it would disappear altogether with the cleanup. He was not only able to preserve it but it is clearer than shown in the earlier photos. I took some photos to show the clarity of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. I would like to encourage all of us to be careful in our work to preserve this as it is a critical piece of pipe restoration!Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now, on to the rest of the restoration on this GBD Original 115 Billiard. Since Jeff had done such an amazing clean up job on the bowl it was going to be a very easy job for me. There was some darkening on the inner beveled edge of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the bevel. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The finished rim top looked much better than when I started.I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth and shoe brush to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on.     I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.    I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up).    I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry.   I can’t tell you how great it feels to be moving through these 125 pipes – about 35 done so far! It seemed like an overwhelming task that can only be achieved one pipe at a time. So each time I finish one of the pipes from Bob Kerr’s Estate I look forward to what it will look like when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich dark brown and black sandblast finish really popped with buffing showing the contrast colours of stain on the pipe. The polished thin black vulcanite stem went really well with the colours of the bowl. The smooth beveled rim top really stood out and gave the pipe a bit of class. This old GBD Original Sandblast 115 Billiard was another fun pipe to work on thanks to Jeff’s cleanup work. It really has the classic GBD Billiard shape that is very recognizable. The combination of various stains really makes the pipe look attractive. It is another comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. If you are interested in carrying on Bob’s legacy with this pipe send me a message or an email. I have a lot more to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

Working on a GBD New Era 122 Beveled Rim Billiard from Bob Kerr’s Estate


Blog by Steve Laug

I am continuing to work through Bob Kerr’s estate. The next pipe on the table is a GBD New Era Billiard. I am continuing to cleanup Bob’s estate for his family and moving them out into the hands of pipemen and women who will carry on the trust that began with Bob and in some pipes was carried on by Bob. In the collection there were a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I have been collecting and restoring GBD pipes for as long as I have worked on pipes. This one also has some beautiful mixed grain underneath the grime. It is quite beautiful! The pipe is stamped GBD in an oval over New Era on the left side of the shank. On the right side it is stamped London, England over the shape number 122. It had a rich medium brown stain that does not look too bad. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a lava overflow on the rim. The inner beveled edge of the rim and top are dirty and had a thick lava coat. The edges look pretty pristine under the grime. It was a beautiful pipe that was dirty and tired looking. The stem was oxidized and calcified toward the end. Again, surprisingly did not have the tooth marks that I have come to expect from Bob’s pipes. Jeff took photos of the pipe before he started his cleanup work on it.Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. The edges look pretty good.      Jeff took photos of the side and heel of the bowl to show the condition of the finish. You can see the beautiful grain – both birdseye and cross grain. The finish was very dirty.    Jeff took photos of the stamping on the smooth panel on the underside of the shank. The stamping was readable as you can see from the photos. On the left side it read GBD in an oval over New Era. On the right side it is stamped London, England over the shape number 122. On the left side of the tapered stem was an inlaid GBD roundel. Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button.    I turned to Pipedia’s article on GBD to see if I could find any information on the Popular. It was a line of GBD pipes that was new to me. The article gives a lot in terms of the history of the brand (https://pipedia.org/wiki/GBD). I have included a paragraph from the site below as well as a page from a catalogue.

The claims after the 1st World War demanded further distinctions. First of all was the London Made, which became the Standard London Made, followed by the New Era– in 1931 the top model asking 12½ Shilling. The Pedigree, although sketched around 1926, was not produced until the later 1930s. The New Standard was introduced in order to give the popular Standard of the 20s a higher rank in value. The Prehistoric, a deeply sandblasted black pipe, that still carried the small GBD Xtra stamp, was entirely new and unusual.There was a fellow on Facebook Tobacco Pipe Restorers Group who picked up some booklets and pamphlets on GBD pipes. I messaged him and asked him to send me info on the New Era line. This photo gives a pretty good description. Combined with the one above it is an interesting mystery. The first document above says that the pipe has “a rich ruby finish” while the one below says it is “accentuated by a warm brown two-tone finish.” The pipe I am working on definitely sits somewhere between these two descriptions – it has a reddish brown finish.I also turned to the reference page on the site for GBD shapes and numbers and found the one for the straight bulldog that I was working on (https://pipedia.org/wiki/GBD_Shapes/Numbers). I did a screen capture of the section and from the various Model information. I combined them below (https://pipedia.org/wiki/GBD_Model_Information).   The fellow on Facebook also included the next photo that shows the shape and description of the 122. GBD calls it a Long Billiard with a Taper Mouthpiece.I now knew I was dealing with a well-made hand chosen piece of briar that had gone through a period of long seasoning. In terms of dating the pipe I figure that it fits in with the late 50s to late 60s of Bob’s other pipes but I cannot know for sure. Now it was time to work on the pipe.

With over 125 pipes to clean from Bob’s estate I took a batch of them to the states with me on a recent visit and left them with Jeff so he could help me out. Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked very good. I took photos before I started my part of the work.     I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. The rim top looks good. There is some darkening on the top edge and a few light nicks and scratches on the surface. The bowl looked very good. I also took close up photos of the stem to show the scratches and lack of tooth marks on the stem. You can also see the remaining oxidation on the stem surface.     I am going to keep posting the next paragraph because of the importance of protecting the stamping/nomenclature.

One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. The stamping on this one was very faint to start with so I was worried that it would disappear altogether with the cleanup. He was not only able to preserve it but it is clearer than shown in the earlier photos. I took some photos to show the clarity of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. I would like to encourage all of us to be careful in our work to preserve this as it is a critical piece of pipe restoration!Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now on to the rest of the restoration on this GBD New Era Billiard. Since Jeff had done such an amazing clean up job on the bowl it was very easy for me. There was some darkening on the inner beveled edge of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the bevel. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The finished rim top looked much better than when I started.There was a deep cut or groove in the briar on the left side of the bowl. It looked like someone had scratched it against hard surface leaving a deep gouge. I filled in the gouge with clear super glue. Once the glue had dried I sanded it smooth with 220 grit sandpaper and blended it with 400 grit wet dry sandpaper.  I used a Maple stain pen to touch up the sanded area to match the rest of the bowl. It looked very good and would completely blend once the bowl was polished with micromesh.I polished the briar with micromesh sanding pads to blend in the stain and to polish the briar and remove the scratches in the surface of the bowl, heel and shank. I wet sanded with 1500-12000 grit pads and wiped the bowl down between each pad with a damp cloth.   I decided to clean the briar with Mark Hoover’s Before & After Briar Cleaner to clean up the sanded surface of the briar and blend sanded rim edge. I rubbed it into the surface of the briar and let it sit for 10 minutes. I rinsed the bowl off with warm running water to remove the product and the grime.       I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth and shoe brush to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on.     I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.    I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up).   I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry.       I am excited to be finishing another one of Bob Kerr’s Estate pipes and as usual I look forward to what it will look like when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich reddish brown finish really popped with buffing showing the contrast colours of stain on the pipe. The polished black vulcanite stem went really well with the colours of the bowl. This old GBD New Era 122 Billiard was another fun pipe to work on thanks to Jeff’s cleanup work. It really has the classic GBD Billiard shape that is very recognizable. The combination of various stains really makes the pipe look attractive. It is a comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ¼ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. If you are interested in carrying on Bob’s legacy with this pipe send me a message or an email. I have a lot more to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

Working on a GBD Popular 233 Straight Bulldog from Bob Kerr’s Estate


Blog by Steve Laug

I am continuing to work through Bob Kerr’s estate. The next pipe on the table is a GBD Popular 233 sand blast bulldog. I am cleaning up Bob’s estate for his family and moving them out into the hands of pipemen and women who will carry on the trust that began with Bob and in some pipes was carried on by Bob. In the collection there were 19 Peterson’s pipes along with a bevy of Dunhills, some Comoy’s and Barlings as well as a lot of other pipes – a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I have been collecting and restoring GBD pipes for as long as I have worked on pipes. This one also has some beautiful mixed grain underneath the sandblast finish. It is quite beautiful! The pipe is stamped GBD over Popular on the left underside of the shank. It is stamped with GBD in an oval over Popular. Underneath that it is stamped Made in England followed by the shape number 233. It had a rich oxblood stain that does not look too bad. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a light lava overflow on the rim. The inner beveled edge of the rim and top are dirty and had a thick lava coat. The edges look pretty pristine under the grime. It was a beautiful pipe that was dirty and tired looking. The stem was oxidized and calcified toward the end. Again, surprisingly did not have the tooth marks that I have come to expect from Bob’s pipes. Jeff took photos of the pipe before he started his cleanup work on it.   Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. The edges look pretty good.    Jeff took a photo of the side and heel of the bowl to show the condition of the finish. You can see the beautiful grain. The finish was very dirty. Jeff took photos of the stamping on the smooth panel on the underside of the shank. The stamping was readable as you can see from the photos. On the left underside it read GBD in an oval over Popular. Under that it read Made In England over the shape number 233. On the left side of the saddle stem was an inlaid GBD roundel.  Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button.   I turned to Pipedia’s article on GBD to see if I could find any information on the Popular. It was a line of GBD pipes that was new to me. The article gives a lot in terms of the history of the brand (https://pipedia.org/wiki/GBD).

I also turned to the reference page on the site for GBD shapes and numbers and found the one for the straight bulldog that I was working on (https://pipedia.org/wiki/GBD_Shapes/Numbers). I did a screen capture of the section.I had also worked on a similar pipe (2331) that was a smooth bulldog. I went back and reread the blog I had written on that restoration (https://rebornpipes.com/tag/gbd-popular-pipes/). I read about the pipe there but I had not found any information in that blog that helped to date the line.

I had exhausted the information available to me on the Popular line and was no closer to a date or time period for this pipe. I am guessing that it fits in with the late 50s to late 60s of Bob’s other pipes but I cannot know for sure. Now it was time to work on the pipe.

With over 125 pipes to clean from Bob’s estate I took a batch of them to the states with me on a recent visit and left them with Jeff so he could help me out. Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked very good. I took photos before I started my part of the work. I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. The rim top looks very good. The sandblast finish is very nice. The bowl looked very good. I also took close up photos of the stem to show the scratches and lack of tooth marks on the stem. You can also see the remaining oxidation on the stem surface.Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now on to the rest of the restoration on this GBD Popular Straight Bulldog. Since Jeff had done such an amazing clean up job on the bowl it was very easy for me. There was some darkening on the inner beveled edge of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the bevel. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The finished rim top looked much better than when I started.I decided to clean the briar with Mark Hoover’s Before & After Briar Cleaner to clean up the sanded surface of the briar and blend sanded rim edge. I rubbed it into the surface of the briar and let it sit for 10 minutes. I rinsed the bowl off with warm running water to remove the product and the grime.   I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth and shoe brush to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on.    I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.   I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up). I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry.    I am excited to be on the homestretch of another one of Bob Kerr’s Estate pipes and I look forward to the final look when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The sand blast finish really popped with buffing showing the contrast colours of reds and black stain on the finish. The polished black vulcanite stem went really well with the multi-faceted colours of the sand blast on the bowl. This old GBD Popular straight Bulldog was another fun pipe to work on thanks to Jeff’s cleanup work. It really has a shape that catches the eye. The combination of various stains really makes the pipe look attractive. It is a comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. If you are interested in carrying on Bob’s legacy with this pipe send me a message or an email. I have a lot more to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

 

Cleaning up a GBD London Made 9664


Blog by Steve Laug

The next pipe I chose to work on has been sitting on my desk for a few weeks and since I just finished an older GBD Standard I decided to pick this GBD London Made up and work on it. It came in a recent box from my brother Jeff. He picked it up in one of the online auctions he frequents. It is interestingly shaped GBD – not even sure what I would call the shape as it is a bit of a Dublin and a bit of a pick axe. Very unique. The pipe is stamped on the top of the oval shank GBD in and oval London Made. On the underside of the shank it is stamped London, England over 9664 with a letter “E” stamped near the stem shank junction. The grain showing through the grime is a mix of swirls, cross grain and birdseye around the bowl sides and shank. It had a rich reddish brown stain but the finish was dirty and hard to see the colour well. There was a thick cake in the bowl and a light overflow of lava on the rim top. There was some darkening around the inner edge of the bowl and what looked like some damage toward the back edge. The stem was oxidized with light tooth marks and chatter on the top and underside near the button. The button was in excellent condition. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. The cake and edge speak to this being a good smoking pipe.Jeff took photos of the sides and heel of the bowl to show the condition of the finish – the pipe was dirty but the finish appeared to be in very good condition.  Jeff took photos of the stamping on the topside of the oval shank. The stamping was very readable – it read GBD in an oval over London Made. On the underside it read London, England over the shape number 9664 with the letter “E” near the shank/stem union.  Jeff took photos of the top and underside of the stem showing the scratching, oxidation and light tooth damage to the stem surface and slight wear to the edges of the button. I turned to Pipedia’s article on GBD to see if I could find any information on the London Made. The article gives a lot in terms of the history of the brand and a list of various lines of GBD pipes (https://pipedia.org/wiki/GBD_Model_Information). I quote the section where I found the reference to the London Made.

London Made — Factory unknown: Some might not be marked with GBD logo and some with additional “house” stampings. Introduced in 1978(?) plain wax finished branded pipes” available in at least six stains. – catalog (1981)

With that information in hand I knew what I was dealing with in terms of the stamping and the age of this pipe. I knew from the information from the section quoted that the London Made originally came out in 1978 in a variety of colours. Now I had an idea of the age of the pipe and it was time to work on the pipe.

Jeff cleaned the pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked very good. I took photos before I started my part of the work. I took some close up photos of the rim top and also of the stem surface. I wanted to show the clean top and the damage to the inner edge. The back of the bowl had been charred and there was some roughening and darkening around the rest of the inner edge of the bowl. The inside of the bowl looked very good. I also took close up photos of the stem to show the remaining oxidation and the lack of tooth marks and chatter in front of the button on both sides. There is also a faint remnant of the GBD oval stamp on the top of the saddle.I also took photos of the stamping on the pipe on the top underside of the shank. It read as noted above.  I started my work on the pipe by addressing the burned area on the inner edge of the rim. I used a folded piece of 220 grit sandpaper to smooth out the damage and give the edge a very slight bevel to remove the damage.I worked some Before & After Restoration Balm into the finish of the bowl and the rim top with my fingertips to clean, enliven and protect it. I find that the balm really makes the briar come alive again. The contrasts in the layers of stain really made the grain stand out. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The pipe really looks good at this point. I am very happy with the results.  I set the bowl aside and started working on the stem. I sanded the stem with 220 grit sandpaper to blend the chatter and remaining marks into the surface of the stem. I started the polishing with 400 grit wet dry sandpaper. I wiped the stem off with Obsidian Oil to remove the dust and see where I was at with the stem. I rubbed the stem down with Denicare Mouthpiece Polish. I have a few tins of this laying around so I am trying to use them up. It does a pretty good job polishing the stem. I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads and wiped it down with Obsidian Oil. I polished it further with Before & After Pipe Stem Polish – both fine and extra fine. I finished by wiping it down with Obsidian Oil and set it aside to dry. I put the stem back on the bowl and polished the bowl and stem with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The shine on it makes the variations of colour really pop. The pipe polished up really well. The polished black vulcanite stem seemed to truly come alive with the buffing. This uniquely shaped pipe feels great in my hand and when it warms with smoking I think it will be about perfect. It must have been a fine smoking pipe judging from the condition it was when we received it. There should be a lot of life left in this GBD London Made 9664E.  Have a look at it in the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. This is one that will go on the rebornpipes online store shortly. If you want to carry on the pipe trust of this unique GBD London Made let me know. Thanks to each of you who are reading this blog. Remember we are not pipe owners, we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.