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Spiffing Up a Rare Caminetto Masterpiece

by Kenneth Lieblich

Roll up! Roll up! Come and see the amazing Ascorti Radice Caminetto New Dear Chimney! What a stunning pipe! I picked up this pipe while I was visiting the historic town of Bellingham, Washington. I wish I knew some of this pipe’s individual history, but – alas! – the shop purveyor had no information. It is a remarkable pipe – with the recognizable rustication of the New Dear line and an astonishing chimney elevation. This is your chance to get your hands on an extraordinary pipe – one of the original Caminettos. The markings on this pipe were just what one would hope for. They read Ascorti [over] Radice [over] Cucciago [over] Cantu-Italy. Next to that is a little shield symbol. Further to the right are the words “Caminetto” [over] New Dear. Finally, at the end, is a letter G. There is also, of course, the moustache logo on the stem. This information is worth its weight in gold, as it will help us to get a reasonably accurate date on this beauty.First, let’s talk about Caminetto. There is quite a bit of information to be had on Pipedia about the company and I won’t attempt to reproduce it all here. However, I enthusiastically recommend reading the general Caminetto article here, the Caminetto history article here, the Ascorti article here, and the Radice article here. If you’re really keen, you could even read the Castello article here.

Phew! After all that reading, I would like to quote a bit of the history from Pipedia:

Caminetto’s history started in 1959 when Guiseppe Ascorti, from Cucciago, and known to his friends as “Peppino”, was hired by Carlo Scotti to work at Castello, located in nearby Cantu. Since it’s foundation in 1947 Castello had contributed substantially to regained glory for Italian pipemaking.

Talent and assiduity soon made Ascorti one of Scotti’s most notable pipemakers – a man he counted on for the future. But, Ascorti had his own far reaching plan: He wanted to work as a self-employed pipemaker! After his wife, Paola, had taken over her parent’s small greengrocery in the early 1960’s this plan became more concrete. The additional income from the shop enabled him to buy tools and machines little by little to furnish his own workshop. By the end of 1968 he was ready and left Castello. Ascorti also persuaded his co-worker, the young and highly-talented pipemaker Luigi Radice (born 1939), to join him – the two were neighbors in Cucciago. Carlo Scotti, whom is known as a perfect gentleman, is reported to have spoken unreservedly about this development.

Ascorti & Radice started to manufacture pipes on their own. One of the first who agreed to market their pipes was Gianni Davoli, proprietor of a tobacco shop in Milan. The situation was perfect–two pipemakers in search of a distributor, and a pipe merchant in search of a mainstay brand to market. Davoli – via friends and relations in the States – had made flourishing contacts with US pipe wholesalers and traders. He shipped some pipes across the pond for inspection and received excellent feedback for the very high quality of the pipes. He, shortly after, offered to be the sole distributor worldwide, and Ascorti & Radice happily accepted.

Then came the legendary evening when Ascorti, Radice and Davoli gathered around the fireplace after a hard day’s work enjoying their pipes, a glass of wine, and humorous conversation. Davoli is said to be the one who associated the pipes with the fireplace or chimney, which is “camino” in Italian. Hence “Caminetto”, the diminutive (smaller) singular version of camino, was coined as the brand’s name.

It is, of course, so fitting, so appropriate that this pipe is, itself, in a chimney shape. Fantastic! Reading on, I learned more about the time period in which this was made. This history was originally provided by a fellow named joshoowah on brothersofbriar.com. It is now on Pipedia. I’ve actually taken a screenshot of the relevant information so that it is easiest for you to see and understand.So, based on the above information, I can safely state that this pipe is from the earlier time period of 1968/9-1974/5.

Let’s take a closer look at the condition of the pipe. It’s actually in great shape, all things considered, and must have been greatly loved by its owner, as it was well smoked. The beautiful acrylic stem had some very minor tooth marks, but nothing of concern. The stummel was heavily caked inside the bowl and there was some definite darkening on the rim. I’d have to inspect that more closely after cleaning. Stem first. To be precise, it was stem and shank extension first. They are both acrylic, and the shank extension came off with ease, so they could be cleaned up together. I cleaned the insides with pipe cleaners, cotton swabs, and isopropyl alcohol. It was pretty dirty, and I went through a good number of pipe cleaners and swabs. A lot of debris was trapped in there and I needed to do some significant scrubbing. I also tried using some cleanser with tube brushes on the inside and that did help. I gave it a thorough rinse and moved on.I filled the few tooth marks in the stem with some black cyanoacrylate adhesive (the shank extension didn’t need any). After allowing that to cure, I sanded the glue down with some sandpaper, then the whole stem with my Micromesh pads. For the last few pads, I also added some pipe stem oil. I forgot to take pictures, but I restored the moustache in gold too. On to the stummel, and there was some work to be done here! I needed to get the darn thing clean. I reamed out the stummel and removed all the cake. Fortunately, there was no damage to the interior walls.I used a dental tool to mine some chunks of gunk out of the mortise – yuck! Just like the stem, I also used pipe cleaners, cotton swabs and alcohol to scrub the insides. It was quite dirty – much cotton was expended.I decided to de-ghost the pipe in order to remove any lingering smells of the past. I thrust cotton balls into the bowl and the shank and saturated them with 99% isopropyl alcohol. I let the stummel sit overnight. This caused any remaining oils, tars and smells to leach out into the cotton. The bowl was nice and clean after this. But, just to make sure, I followed that up by cleaning the insides with some dish soap and tube brushes. Then it was really clean. I used cotton rounds and some Murphy’s Oil Soap to scrub the outside of the stummel and a toothbrush with Murphy’s for the lava on the rim of the pipe. Once complete, I took a closer look at the darkness on the rim. It wasn’t too bad, but I thought it could use a little help. I mixed up a little oxalic acid and rubbed the dark spots with cotton swabs. This worked really well in removing a lot of the dark. I was pleased. I then rubbed some Before & After Restoration Balm into the wood. I gently brushed it into the rustication grooves and let the balm sit for twenty minutes or so. The BARB works so well at bringing out the best in the wood. I brushed it with a horsehair brush and buffed it with a microfibre cloth. Beauty! Later, I went to the bench buffer and applied some White Diamond to the stummel and stem. Then the final polish! The rusticated surface meant that I didn’t use carnauba wax – it gets gummed up in the grooves. Instead, I used Conservator’s Wax which worked like a charm.This Ascorti Radice Caminetto New Dear Chimney was a nifty restoration and I had fun with it. I think the result is terrific and it’s a stunning pipe once again. I am pleased to announce that this pipe is for sale! If you are interested in acquiring it for your collection, please have a look in the “Italy” pipe section of the store here on Steve’s website. You can also email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 6 in. (152 mm); height 2½ in. (65 mm); bowl diameter 1⅓ in. (33 mm); chamber diameter ¾ in. (18 mm). The weight of the pipe is 1⅝ oz. (49 g). I hope you enjoyed reading the story of this restoration as much as I enjoyed restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email. Thank you very much for reading and, as always, I welcome and encourage your comments.

Is this what you would call an English Walnut Shape on this House of Robertson Pipe?

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By Steve Laug

The next pipe on the work table is a unique House of Robertson pipe we picked up. It was purchased from a seller on eBay from Long Beach, California, USA on 07/13/2024. It is a Billiard or maybe an Egg with a rusticated finish that makes it look like the shell on an English Walnut. The name House of Robertson is roughly hand-etched with an engraving tool on the underside of the shank on a smooth panel. This pipe is shaped somewhere between and Egg and a Billiard but really does capture the shape of a Walnut. As you look at the following photos you will see why I am not sure what to call it. The pipe has a unique rustication on the sides of the bowl and shank. The bowl is thickly caked with some lava overflow on the rim top. The outer and inner edges of the rim look to be in good condition. There is some darkening and nicks on the inner edge but nothing horrible. The pipe was dirty but underneath all of the grime it appears to be in excellent condition. It had an oxidized silver band on the shank that is stamped Sterling but I am certain it is cosmetic as there are no cracks showing on the shank end. It is definitely an interesting pipe and should clean up very well. The fit of the stem to the shank was good. The vulcanite taper stem was oxidized and calcified. There are light tooth marks and chatter on both sides near the button. Jeff took photos of the pipe before he started the cleanup. Jeff took photos show the condition of the bowl and the stem. The photos of the bowl and rim show the cake in the bowl and the lava overflowing onto the rim top. The rustication on the top of the bowl and the inner and outer edge of the rim are pretty well covered in lava. It was hard to know what the inner edge and top really looked like until we cleaned it. The silver cosmetic band was heavily oxidized and almost black. The taper stem was oxidized, calcified and had tooth chatter and marks on both sides of the stem near the button. The photos of the sides and heel of the bowl show some stunning and unique rustication all around the pipe. The finish makes the bowl and shank have an almost walnut texture. The next photo shows the etched or engraved with a name on the underside of shank. It reads House of Robertson. The silver band has a faint Sterling Silver stamping on it.I am including the information that I found when I received my first of the House of Robertson Pipes. I found a link on Pipedia that gave me the only information I could find on the brand. I include that in total as it is interesting to read.

“House of Robertson” was in business for many years, but alas, closed their doors in 1999. They were located in Boise, Idaho. They are noted for making rather large and interesting pipes. Thayne Robertson was a Master Mason, AF & AM, and started the shop about 1947 and his son Jon started working there in 1970 when he finished college, along with Thayne’s daughter. Thayne and his son started making the big pipes at that time, and made them together until 1987 when Thayne passed away. Jon kept the store and his sister moved on to other things. The House of Robertson appears to have closed around 1999 (https://pipedia.org/wiki/Robertson).

Since then I have worked on a lot of House of Robertson pipes and have been able to track down more information. I am including a link to a Catalogue that I picked up on eBay. Click on the link and have a look at this interesting book of information on the brand and the pipe maker himself (https://rebornpipes.com/2022/12/11/a-house-of-robertson-catalogue-filled-with-great-examples-of-thayne-robertsons-work/).

I am also including a biography of Thayne Robertson that I found on Facebook from a fellow in Boise, Idaho. It is an interesting read into the mind of the pipe maker. Make sure to take time to read it (https://rebornpipes.com/2021/10/31/house-of-robertson-pipes-boise-pipe-carver-thayne-robertson/).

Now it was time to work on the pipe itself. When it gets to Vancouver it my turn to contribute to its restoration. Jeff did a great job cleaning the pipe on the inside and outside. He reamed the bowl with a PipNet pipe reamer and cleaned up the remnants with the Savinelli Fitsall Pipe Knife. He scrubbed out the mortise and the airway in the shank and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl with a tooth brush and Murphy’s Oil Soap to remove the dust in the rustication on the bowl and shank as well as the smooth portions. He rinsed it under running water. He dried it off with a soft cloth. Once the dust and debris were removed the finish was dull but appeared to be in excellent condition. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it under warm water to remove the deoxidizer gel solution. I took photos of the pipe to show its condition before I started my work on it. I took a photo of the bowl and rim top to show how well it had cleaned up. There is some rim darkening but you can see the rustication on the top of the bowl. The stem tooth marks and chatter are very light.I took a photo of the engraving on the underside of the shank. It is clear and reads as noted above. I also took the stem off the pipe and took a photo of the parts to give a sense of the proportions of the pipe. It is a beauty.I started my work on the pipe by dealing with the darkening on the inner edge of the rim and the darkening on the rim top with a folded piece of 220 grit sandpaper. It looked much better when finished. However, there was still some darkening in the rustication on the back of the rim top. I scrubbed it with Mark Hoover’s Before & After Briar Cleaner and was able to remove a lot more of the darkening. I put it on the area with my finger tips and worked it into the surface with a tooth brush. I worked over the area with a brass bristle wire brush and then rinsed it off with warm water. The end result is far better than when I started though there is still a bit of darkening. I used an Oak stain pen to touch up the rim top and the cleaned area and the finish look good. I worked Before & After Restoration Balm deep into the smooth finish to clean, enliven and protect the briar. I hand rubbed it with my fingers and a shoe brush to work it into the finish then set it aside to dry for 10-15 minutes. I wiped it off with a soft cloth. I buffed the bowl with a cotton cloth to polish it. It really began to have a deep shine in the briar. The rim top is looking much better. I took some photos of the bowl at this point to mark the progress in the restoration. The rustication on the bowl stands out with interesting lines moving across the sides of the bowl and the shank. I set the bowl aside and turned my attention to the stem. I “painted” the vulcanite surface with the flame of a lighter – constantly moving the flame over the tooth marks and was able to lift many of them. I filled in those that remained with black rubberized CA glue. Once it cured I flattened the repairs with needle files. I sanded the stem with 220 grit sandpaper to blend the repairs into the surface. I sanded the stem with the 2 inch square 320-3500 grit sanding pads. I wiped down the stem after each sanding pad with Obsidian Oil. I polished out the scratch marks left behind by the sandpaper. The stem looked very good.I polished the vulcanite stem with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil and set it aside to dry. I polished it further with Before & After Pipe Polish – using both the Fine and Extra Fine Polishes. I gave it a rubdown with Obsidian Oil one last time and set it aside. I put the House of Robertson Rusticated Walnut with a taper stem back together and worked the pipe over on the buffing wheel using Blue Diamond to lightly polish the stem. I buffed the bowl and stem to raise the gloss on the briar and the vulcanite. I gave the pipe multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished the House of Robertson Walnut is shown in the photos below. The medium brown stains on the rusticated walnut shaped bowl works well with the rich black of the vulcanite stem. The dimensions of the pipe are: Length: 6 inches, Height: 2 inches, Outside Diameter: 1 ½ inches, Diameter of the chamber: ¾ inches. The weight of the pipe is 42 grams/1.45 ounces. This is an interesting piece of briar with a rustication that looks like a walnut shell on the bowl and shank. I really like how the briar and the vulcanite work well together. This one will soon be on the rebornpipes store. If you are interested in adding a House of Robertson to your collection this may well be the one for you. Thanks for walking with me through the restoration process.

Third of Five Peterson’s in for restoration that are in rough condition

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by Steve Laug

Yesterday afternoon I was visited by a pipe man here in Vancouver named Sergey who had five Peterson’s pipes that he wanted me to work on. They are shown in the photo below. In the left column from top to bottom: Peterson’s of Dublin Kinsale XL17, Peterson’s of Dublin Filter 68, Peterson’s of Dublin Kinsale XL16 Rusticated Pipe. In the right column from top to bottom Peterson’s of Dublin Kinsale XL16 and the bottom pipe is a Peterson’s of Dublin Kinsale XL14. All five pipes were all thickly caked and had thick lava on the rim top. The cake is so thick that I could not put my little finger in the bowl it was so heavily caked. My guess was that the bottom of the bowl was lower than the entrance of the airway into the bowl. The Rusticated Kinsale XL17 also had a burn out in the front bottom of the bowl that would take a lot more time than just a simple clean up. I would know more about the condition of each of the bowls once I had reamed and cleaned them. Sergey was travelling in two weeks and he chose at least two of them that he wanted to take with him on his trip so those would be first. My hope is to try to finish four of the five. The third of these that he wanted is the next one I chose to work on. It was the Peterson’s of Dublin Kinsale XL14.I took photos of the Peterson’s of Dublin Kinsale XL14 before I started working on it. The finish is very dirty with oils and dirt ground into the briar. There are some nicks and flaws around the bowl sides and at least one fill. The rim top is thickly covered with tarry lava overflowing from the heavy cake in the bowl. It had some burn damage on the front outer edge of the bowl and the bowl was very out of round on the inner edge. The cake was thick and heavy all the way to the bottom of the bowl. The vulcanite stem is also very dirty. There was oxidation, calcification and tooth marks and chatter on both sides of the stem ahead of the button and lip edge. The P stamp on the left side of the stem is a gold P that is faint and faded. It also has some damage on the surface around the P. I took closeup photos of the rim top and bowl to give a sense of the dirty condition of the pipe and the thickness of the cake and lava on the bowl top. The damage to the rim top and edges is very clear in the photos as well. I also took photos of the stem to show the top and underside ahead of the button.I took photos of the stamping on the shank sides. It was faint but readable through the grime and debris. It read as noted in the above paragraphs. I also took the stem off the shank and took a photo of the look and proportion of the pipe. I started my work on the pipe by reaming the thick cake in the bowl. I used a PipNet pipe reamer with the first cutting head to take back the cake. I followed that with the second and the third cutting head. I was able to remove all of the cake. The cake in the bottom third of the bowl was incredibly hard and took a repeated reaming of that portion. I used a Savinelli Fitsall Pipe Knife to scrape the remainder of the cake out of the bowl and clean up the bottom of the bowl. I sanded the bowl walls with 220 grit sandpaper wrapped around a piece of dowel. With the bowl cleaned out I was able to determine that the bowl bottom was in better condition than the first or second pipe. I would need to build up the bottom of the bowl slightly to the entrance of the airway. It would be further protection for the bottom of the bowl and help it from burning out. The issues with the rim top and inner edge would also need to be addressed. At this point I decided to address the rim top and edge damage. There was serious damage to the inner edge. The front of the rim top had been burned and had a slight dip in it. The outer edge in front of the burned rim top was also damaged. I wanted the top to be smooth once again and also wanted to bring the bowl back to round. I started by topping the bowl with 220 grit sandpaper on a topping board to smooth out the damage on the rim surface and clean up the outer edge damage. I was able to significantly clean up the damage. The Kinsales that I have worked on for Sergey have all had a slightly bevelled inner edge so I would need to do that with this pipe as well. It would also clean up the out of round bowl a bit more.I used a wooden sphere and a piece of 220 grit sandpaper to work on the edge and give it a slight bevel. Once finished it looked much better.I scrubbed out the internals with 99% isopropyl alcohol, cotton swabs and pipe cleaners. I worked them through the airway in the shank and stem, the mortise. It took a few cleaners and swabs to really clean it but it is looking and smelling much better.I scrubbed the externals of the bowl and shank with undiluted Murphy’s Oil Soap and a tooth brush. I rinsed it with warm running water and repeated the scrubbing and rinsing process until the pipe was clean and looked better. I used a Cherry stain pen to touch up the rim top to match the rest of the bowl. I did this before sanding the bowl as I would also sand the top at the same time. I think the match was going to be perfect. We would see.I sanded the bowl with 320-3500 grit sanding pads to remove some of the darkening around the bowl. I wiped it down after each sanding pad with a damp cloth to remove the sanding debris. It really began to look very good. I polished the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. Each pad gave it more of a shine. I wiped the bowl down after each pad with a damp cloth. By the end the bowl looked very good. Once I had I polished the bowl I addressed overly deep bowl bottom. I filled in the bottom with a mix of cigar ash and water to make a pipe mud. I pressed it into place with a tamper to flatten it. I put a pipe cleaner in the airway so that I would only fill it to the bottom of the pipe cleaner. I set it aside to dry and harden. It looks much better. It will take awhile to harden but it should deal with the damage. If it shrinks when it cures I will need to fill it in a bit more. At this point I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips to work it into the finish. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. I “painted” the tooth marks on both sides with the flame of a Bic lighter. I filled in the two deeper marks on the underside of the stem that remained with black rubberized CA glue and set it aside to cure. Once it had hardened I sanded the with 220 grit sandpaper and smoothed them out. The P logo on the left side of the stem was so faint and damaged but I tried to touch it up with some Rub’n Buff Antique Gold. I worked it into the remaining stamp with a tooth pick. It worked better than I expected but it was not flawless. I sanded the stem with 320-3500 grit sanding pads to take out the scratching and remaining oxidation. I wiped it down after each pad with some Obsidian Oil. It is looking much better now.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. Once again I wiped it down between each pad with Obsidian Oil. I further polished it with Before and After Stem Polish – both Fine and Extra Fine. It looked very good. This Peterson’s of Dublin Kinsale X14 Rhodesian with a Taper Stem has a beautiful smooth finish that was slightly worn. The reddish brown finish highlights some great grain around the bowl and shank. It has a classic look of a Peterson’s pipe. The polished black vulcanite taper stem adds to the mix. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Peterson’s of Dublin Kinsale XL14 is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inch, Chamber diameter: 7/8 of an inch. The weight of the pipe is 2.36 ounces/67 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I have two more pipes to finish but these three are ready to pick up and Sergey can take them on his travels. The last two I will give back when he returns. Thanks for your time.

Second of Five Peterson’s in for restoration that are in rough condition

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By Steve Laug

Yesterday afternoon I was visited by a pipe man here in Vancouver named Sergey who had five Peterson’s pipes that he wanted me to work on. They are shown in the photo below. In the left column from top to bottom: Peterson’s of Dublin Kinsale XL17, Peterson’s of Dublin Filter 68, Peterson’s of Dublin Kinsale XL16 Rusticated Pipe. In the right column from top to bottom Peterson’s of Dublin Kinsale XL16 and the bottom pipe is a Peterson’s of Dublin Kinsale XL14. All five pipes were all thickly caked and had thick lava on the rim top. The cake is so thick that I could not put my little finger in the bowl it was so heavily caked. My guess was that the bottom of the bowl was lower than the entrance of the airway into the bowl. The Rusticated Kinsale XL17 also had a burn out in the front bottom of the bowl that would take a lot more time than just a simple clean up. I would know more about the condition of each of the bowls once I had reamed and cleaned them. Sergey was traveling in two weeks and he chose at least two of them that he wanted to take with him on his trip so those would be first. My hope is to try to finish four of the five. The second of these that he wanted is the next one I chose to work on. It was the Peterson’s of Dublin Kinsale XL17.I took photos of the Peterson’s of Dublin Kinsale XL17 before I started working on it. The finish is very dirty with oils and dirt ground into the briar. The rim top is thickly covered with tarry lava overflowing from the heavy cake in the bowl. The cake was thick and heavy all the way to the bottom of the bowl. The vulcanite stem is also very dirty. There was oxidation, calcification and tooth marks and chatter on both sides of the stem ahead of the button and lip edge. The P stamp on the left side of the stem is a gold P that is faint and faded. I took closeup photos of the rim top and bowl to give a sense of the dirty condition of the pipe and the thickness of the cake and lava on the bowl top. I also took photos of the stem to show the top and underside ahead of the button.I took photos of the stamping on the shank sides. It was faint but readable through the grime and debris. It read as noted in the above paragraphs. I also took the stem off the shank and took a photo of the look and proportion of the pipe. There is also some glue around the band that makes me think it has been reglued. I started my work on the pipe by reaming the thick cake in the bowl. I used a PipNet pipe reamer with the first cutting head to take back the cake. I followed that with the second and the third cutting head. I was able to remove all of the cake. The cake in the bottom third of the bowl was hard. I used a Savinelli Fitsall Pipe Knife to scrape the remainder of the cake out of the bowl and clean up the bottom of the bowl. I sanded the bowl walls with 220 grit sandpaper wrapped around a piece of dowel. With the bowl cleaned out I was able to determine that the bowl bottom was in better condition than the first pipe. I would build up the bottom of the bowl slightly to the entrance of the airway. It would protect the bottom from burning out. I scrubbed out the internals with 99% isopropyl alcohol, cotton swabs and pipe cleaners. I worked them through the airway in the shank and stem, the mortise. It took a few cleaners and swabs to really clean it but it is looking and smelling much better.I scrubbed the externals of the bowl and shank with undiluted Murphy’s Oil Soap and a tooth brush. I rinsed it with warm running water and repeated the scrubbing and rinsing process until the pipe was clean and looked better. I sanded the bowl with 320-3500 grit sanding pads to remove some of the darkening around the bowl. I wiped it down after each sanding pad with a damp cloth to remove the sanding debris. It really began to look very good. I polished the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. Each pad gave it more of a shine. I wiped the bowl down after each pad with a damp cloth. By the end the bowl looked very good. Once I had I polished the bowl I addressed overly deep bowl bottom. I filled in the bottom with a mix of cigar ash and water to make a pipe mud. I pressed it into place with a tamper to flatten it. I put a pipe cleaner in the airway so that I would only fill it to the bottom of the pipe cleaner. I set it aside to dry and harden. It looks much better. It will take awhile to harden but it should deal with the damage. If it shrinks when it cures I will need to fill it in a bit more.At this point I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips to work it into the finish. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. I “painted” the tooth marks on both sides with the flame of a Bic lighter. I filled in the two deeper marks with black rubberized CA glue and set it aside to cure. One it had hardened I sanded the with 220 grit sandpaper and smoothed them out. I touched up the P logo on the left side of the stem with Rub’n Buff Antique Gold. I worked it into the stamp on the stem with a tooth pick and worked it in. Once it had been sitting I rubbed it off with a cloth and polished the area with a 1500 grit micromesh sanding pad.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. Once again I wiped it down between each pad with Obsidian Oil. I further polished it with Before and After Stem Polish – both Fine and Extra Fine. It looked very good. This Peterson’s of Dublin Kinsale X17 Bent Rhodesian with a Taper Stem has a beautiful smooth finish that was slightly worn. The reddish brown finish highlights some great grain around the bowl and shank. It has a classic look of a Peterson’s pipe. The polished black vulcanite taper stem adds to the mix. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Peterson’s of Dublin Kinsale XL17 is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inch, Chamber diameter: 7/8 of an inch. The weight of the pipe is 2.75 ounces/78 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I have three more pipes to finish before I give them back to Sergey. Thanks for your time.

Having Some Fun with a Hilson Bolero Bulldog

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by Kenneth Lieblich

Greetings, one and all! It’s been a little while since my last blog post, but, to my chagrin, life intervened in some challenging ways. Now I’m back with a nifty pipe that put a smile on my face and I’m sure it’ll do the same for you. It’s a charming, whimsical Hilson Bolero 40, partially sandblasted straight bulldog. Normally, when I think of Hilson, my mind meanders to resin (or ‘pipenite’, as they called it) stylings from the Fantasia line – but not today! This is a pure briar pipe, with a lovely vulcanite stem. I acquired it in a lot from FB Marketplace, but I don’t know the pipe’s individual history. It certainly was a favourite smoker for the fellow who previously had it. It showed all the hallmarks of a much-loved pipe.

What do the markings say? The underside of the shank shows, first, the shape number, 40, and to the right, Hilson [over] Bolero. Again, to the right of that are the words Made in Belgium. There are no other markings to mention.Let’s check Pipedia to see what they have to say about the Hilson brand:

Jean-Claude Hillen (other sources: Jean-Paul) founded a trading company in the City of Bree in 1846. He soon turned his main interest on pipes and other tobacco related goods. Particularly in the 1960’s and still throughout the 1970’s the brand Hilson of Broers Hillen B.V. (Hillen Bros. Co.) was quite successful in many European countries. They produced large numbers of machine-made pipes covering the whole range of shapes and finishes. The pipes were well respected for good quality and craftsmanship at very moderate prices. Rarely seen there are also nice freehands from this era stamped MASTRO and signed by A.M. Sanoul, who is otherwise completely unknown as a pipemaker. All the same, in 1980 Hillen faced major financial problems. At this time there was only a second manufacturer of briars pipes in the Benelux countries, the Elbert Gubbels & Zonen B.V. in the Netherlands. The Belgian competitor being in trouble, Gubbels used the favour of the hour and bought up the company. The reason is plausible: in some countries, particularly in Germany, Hilson held larger market shares than Gubbels’ mainstay brand Big Ben. The Hillen plant in Bree was closed down shortly after and ever since then Hilson pipes are manufactured in Roermond, NL.Likewise, there is a bit more to be found from our friends over at Pipephil:

In 1846 a German named Jean Knödgen started to produce clay pipe in Belgium. In the late 19th century Jean Hillen who married into the Knödgen family took over the company and changed the firm in order to manufacture briar pipe. Jean Hillen had 2 sons: Jos Hillen was responsible for sales and Albert Hillen was responsible for the production. After WWII Albert founded the HILSON brand (Hillen and Son) and exported his pipes all over the world. In 1980 after having gone bankrupt, the Belgian brand from Bree (Limburg) was taken over by the Royal Dutch Pipe Factory.It’s also worth noting that I’ve seen several posts over at the PipeMagazine forums that state that the older (and better) Hilsons are marked “Made in Belgium”, as this one is.

The pipe is in very nice shape and was well-loved. The stem had some tooth scratches and dents, plus it was coated with a lot of oxidation – a LOT. There were no significant issues with the stummel, although it did have a bit of lava on the rim and the bowl was choked with cake. I started out by cleaning the inside of the stem with 99% isopropyl alcohol and some pipe cleaners. It was dirty, but not too bad. I also wiped the stem with some Murphy’s on some cotton rounds. As you can see, the stem was pretty filthy.This was going to take some work, so I went to the sink and scrubbed the stem with some cleanser on a few cotton pads. The photos testify to the icky oxidation that came off.After that, the stem went for a dip in the stem oxidation remover. I let it sit overnight, to allow all the oxidation to rise to the surface of the stem. The next day, I cleaned up the stem again with more cleanser on some cotton pads. This took some serious scrubbing, but, in the end, worked very nicely.Once complete, I filled the tooth marks with my carbon and rubber enhanced cyanoacrylate adhesive. Once cured, I took down the excess with my needle files. After that, I took my nine Micromesh pads and sanded the whole stem until it was shining like new. I also used my pipe stem oil in between the pads (from 3600 on) to bring out some extra lustre.This pipe comes with an innertube, so I cleaned that too. I used rubbing alcohol to remove all the tars and oils of the past, then scrubbed with some 0000 steel wool to make the tube shine.Onto the stummel. In order to clean out the massive amount of cake in the bowl, I used the Pipnet reamer and followed that up with a piece of sandpaper taped to a wooden dowel. I sanded down the cake until I hit the briar walls, so that I could inspect them for potential damage. Everything looked good on the inside, which is great. I proceeded to clean out the inside of the shank with 99% isopropyl alcohol and pipe cleaners and cotton swabs. It was surprisingly dirty in there! But I got it clean in the end.When that was done, I set up to de-ghost the pipe. I put some cotton balls into the bowl and the shank and soaked them with 99% isopropyl alcohol. I let that sit overnight so that any remaining smells and/or filth would leach out into the cotton. I also scrubbed the insides with some soap and tube brushes. It was beautifully clean after that!The stummel was in very nice shape, although the rim did have some lava on it, as previously mentioned. I soaked the rim in some Murphy’s to loosen this up, then used more Murphy’s to clean the whole stummel. This removed any external dirt and oils, and it was much improved.Most of the pipe was sandblasted, but there were three areas of smooth briar: the two shield-shaped patches on the sides of the bowl, and the underside of the shank where the markings were. On those smooth areas, I sanded down with the Micromesh pads to make it beautiful. I then took my restoration balm, rubbed it in the wood with a horsehair brush and let it sit for about 20 minutes. This balm is fantastic stuff and does wonderful things to nourish the wood. After letting it sit, I used a microfibre cloth and buffed it. Off to the bench polisher to put the final touches on this pipe. I first gave the smooth sections (only) a thorough (but light-handed) going-over with White Diamond compound. Following that, several coats of conservator’s wax created a beautiful, glossy seal on the pipe.All done! This Hilson Bolero 40 straight bulldog looks fantastic and is ready to be enjoyed again by the next owner. It promises to be a great smoker and conversation piece. I am pleased to announce that this pipe is for sale! If you are interested in acquiring it for your collection, please have a look in the “Various” section of the store here on Steve’s website. You can also email me directly at kenneth@knightsofthepipe.com. The approximate dimensions of the pipe are as follows: length 5⅔ in. (145 mm); height 1⅝ in. (41 mm); bowl diameter 1½ in. (37 mm); chamber diameter ¾ in. (18 mm). The weight of the pipe is 1⅛ oz. (35 g). I hope you enjoyed reading the story of this pipe’s restoration as much as I did restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email. Thank you very much for reading and, as always, I welcome and encourage your comments.

Cleaning up a Brian McNulty Anima Wax Drip Sandblast Billiard

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By Steve Laug

This is another of the four pipes that Sonny in Salmon Arm, BC sent to me for refurbishing. He put them in the mail and I received them on Monday this week. I took a photo of the box of four pipes once I unwrapped them. There were 4 interesting and very unique pipes – a Vauen Solitaire 148 Freehand Filter Pipe that is huge, an older cased meerschaum with an overclocked stem, a Dunhill Wanghee Sandblast Dublin with a Bamboo shank and short saddle stem and finally an Anima wax drip sand blast Billiard carved by Brian McNulty. All needed varying degrees of restoration. I chose to work on the Brian McNulty Anima Wax Drip Sandblast Billiard next. It is faintly stamped on the underside of the bowl with a single cross in a circle or what is known as a Medicine Circle. There were other faint stamps on the shank and heel of the bowl but they were not readable even with a lens. My guess is that they read Anima and possibly the date the pipe was made. There is a wax drip finish around the rim top and down the sides of the bowl. The wax drip and the bowl have a sandblast finish was dirty but had some nice grain showing through the blast. The bowl was quite clean and if it had been smoked at all it was minimal as there was no real darkening on the lower half. The precast freehand style stem was oxidized and there were tooth marks and chatter ahead of the button. I took these photos before I started my work on the pipe. I took a photo of the rim top and bowl to show the condition of both of them. There is a light cake in the bowl and it is clean. The rim top is very clean with a light sandblast. There is no damage on the top or the inner edge. The photos of the stem show the oxidation and tooth marks/chatter on both sides ahead of the button.I took photos of the stamping on the underside of the bowl and shank. The stamping was faint and hard to read as noted above. You can see the Medicine Circle (single one) stamped near the bowl shank transition in the photo below. I removed the stem from the shank and took a photo to show the beauty of the pipe.Before I started my clean up work on the pipe I turned to my usual sources to see what I could learn about the brand. I turned first to PipePhil’s site (http://pipephil.eu/logos/en/logo-a6.html). I did a screen capture of the section on Anima Pipes. From that I reexamined the underside of the bowl and shank to see fi I could clarify some of the faint stamps. There was a small C on the shank that tells me the briar is from Calabria. It also seems to bear a 04 03 stamp that tells me that the pipe was made in April of 2003 from the information below. That was information that I did not have until I read this on PipePhil.The site also had a small photo of Brian McNulty. The side bar identified him as the artisan that made the pipes. It also noted that the dot inlaid in the stem is of red clay (Catlinite) used by Indians for their pipes. The clay is the soul (Anima) of the pipe.

Sonny had told me that Brian is a Cherokee and all of this information was quite interesting to note.

From there I turned to Pipedia (https://pipedia.org/wiki/Anima_Pipes). Generally, I find more information on the site that fills in the blanks a bit for me on the maker and the company. That was the case this time as well. I am including the information below.

Anima Pipes are all handmade in the USA by carver Brian McNulty utilizing the highest quality, well aged briar from many regions to bring out the free flowing forms which lie in each ebacheon. Cut to maximize the beautiful grain of the wood, these pipes provide a beautiful aesthetic and a cool and satisfying smoke to all whom have had the pleasure of packing up and lighting one of these “smokable works of art” which is undeniably Anima. With a basis in traditional styling, accentuated by artistic expression, these extremely fine smoking articles each come with an exact matching tamper to compliment each pipe. Carver Brian McNulty’s sharp eye and flair for form, symmetry, sleek lines, fine attention to detail, and uniquely inspired shapes coupled with “soul” within the craftsmanship are what set Anima pipes apart from many others. Know that smoking an Anima pipe will provide you with a dry and satisfying smoke every time as you view a truly one-of-a-kind work of art! You might also enjoy listening to Brian Levine’s interview of Brian McNulty on the Pipes Magazine Radio Show

I turned to work on the pipe itself. I reamed the cake with a Savinelli Fitsall Pipe Knife. I sanded the walls of the bowl with a piece of 220 grit sandpaper wrapped around a piece of dowel. The walls of the bowl are undamaged and smooth.

I scrubbed internals of the shank and airway in both the shank and the stem with alcohol, pipe cleaners and cotton swabs. The pipe began to look much better. To remove the grime from the sandblast ridges and valleys I scrubbed the surface with undiluted Murphy’s Oil Soap and a tooth brush. I rinsed the briar with warm water to remove the soap and debris. I dried it off with a soft towel. I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips and a shoe brush. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar comes alive with the balm. I set the bowl aside and turned to address the tooth marks and chatter in the stem surface. I “painted” the tooth marks on the stem with the flame of a Bic lighter. I was able to lift the tooth marks significantly. I filled in what remained with black rubberized CA glue. Once the repairs had cured I sanded them with 220 grit sandpaper to blend them into the surface of the stem. I sanded the stem surface with 320-3500 grit sanding pads. I dry sanded with each pad and wiped the stem down after each pad with an Obsidian Oil impregnated cloth.I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. Once I finished with the 2003 Brian McNulty Anima Wax Drip Sandblast Billiard I put the stem back on the shank and carefully buffed the pipe with Blue Diamond polish using a lightly loaded pad and a soft touch. I wanted the shine but not the grit filling in the crevices of the sandblast bowl. I buffed it lightly with Blue Diamond so as not to get it in the grooves and crevices of the blast. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it with a microfiber cloth. The finished pipe is shown in the photos below. It is a great piece of pipe history and looks better than when I began the process. The dimensions of the pipe are Length: 5 ¾ inches, Height: 2 inches, Outer Bowl Diameter: 1 ¼ inches, Chamber Diameter: ¾ of an inch. The weight of the pipe is 1.45 ounces/ 41grams. One more of Sonny’s pipes to work on before I send them all back to him. Thanks for reading this blog and my reflections on the pipe while I working on it. As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of those who follow us.

A Unique Jobey Rusticated Florentine 360 Diamond Shank Billiard with a Tortoise Shell Stem

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By Steve Laug

The next pipe on the table was one we purchased on 01/22/24 off eBay from a seller in Jordan, Minnesota, USA. It is a uniquely rusticated Jobey that I have never seen before. I have worked on a lot of Jobey rusticated pipes but this is a unique one. It has almost a tree bark rustication on the higher parts and the deep areas are carved like leaves. The stem is a saddle stem that is tortoise shell amber acrylic with a Jobey brass oval inlaid on the left side of the stem. The pipe is stamped on smooth panels on the left and right top sides of the diamond shank. The left side reads Jobey in script [over] Florentine. The right side has the shape number 360 stamped. Both are clear and readable. The finish is quite dirty with darkening in the deep rustication in spots where the hand held the bowl on both sides. It looks like burn marks but I don’t believe that they are. The rim top is also dirty with darkening and also lava in the rustication on the edges as well. There is a thick cake in the bowl with some tobacco debris stuck on the walls and in the heel. The stem has tooth marks and chatter on both sides ahead of the button that are a bit deep and will need to be addressed. The tenon is the Jobey Link System as you will see in the photos. Jeff took some photos of the pipe before he started his clean up work. It is unique and certainly one that we are looking forward to seeing once it is cleaned up. Jeff took closeup photos of the bowl and rim top to clearly show the condition of both. The match what I described above. He also took photos of the stem to show the tooth marks and chatter on both sides ahead of the button. He took photos of the finish around the sides of the bowl and the heel. You can see the tree bark rustication on the high parts and an almost leaf like pattern in the lower spots. It is a unique finish that is hard to clean but well worth the effort. The next photos of the stamping on the smooth panels on the sides of the shank show that it is clear and readable as noted above. The third photo shows the Jobey brass logo on the left topside of the saddle stem. Now it was time to look at it up close and personal. Jeff had removed the cake and the lava on the rim top. He had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He took the cake back to bare briar so we could check the walls for damage. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime on the bowl and rim and was able to remove the lava and dirt. He cleaned out the interior of the bowl and shank with shank brushes, pipe cleaners, cotton swabs and alcohol until they came out clean. He cleaned the stem with Soft Scrub to remove the grime on the exterior. He cleaned out the airway with alcohol, cotton swabs and pipe cleaners. I took some photos of the pipe before I started my work on it today. I took a close up photo of the cleaned up rim top. The rim top and the inner edge look good. The bowl is clean and the walls are undamaged. There was still some darkening in the rustication but it was much better. The stem looks good with some tooth chatter and marks along the top and underside ahead of the button.I took photos of the stamping on the shank sides. It is clear and readable as noted above. I took the stem off the pipe and took a photo. The diamond shank billiard is an attractive looking pipe with nice lines. The saddle stem shows tooth damage on the top and undersides of the stem. I went over the rustication with a brass bristle wire brush to knock off any of the darkening on the grooves of the rim top and on the spots on both sides. It looked better. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips and with a shoe brush to get deep in the rustication where it works to clean, restore and preserve the briar. I let it do its magic for 15 minutes then buffed it off with a cotton cloth. The pipe looks incredibly good at this point in the process. I filled in the deep tooth marks ahead of the button on the top and underside of the stem with clear CA glue. I like this particular glue (KM Tools) as it is transparent and the colour underneath the repair comes through. It is also not brittle like other glues can be once it cures. I sanded the cured repairs flat with a folded piece of 220 grit sandpaper and the tooth marks and dents are taken care of. I started polishing out the scratch marks and smoothing the repairs with 320-3500 grit sanding pads. I wiped the stem down after each sanding pad with an Obsidian Oil impregnated cloth. It removes the dust and also gives the sanding pads some bite. By the final pad it was looking quite good. The tooth marks and dents were invisible.Following my usual process in restoration I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it further with Before & After Stem Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil and set it aside to absorb the oil. The Jobey Florentine 360 Diamond Shank Billiard is finished other than the final waxing and buffing. I polished the stem with Blue Diamond to polish out the remaining small scratches and gave it several coats of carnauba. I polished the bowl and shank with Conservator’s Wax and buffed it with a shoe brush. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 43 grams/1.48 ounces. I will be adding it to the rebornpipes store shortly in the American Pipemakers section. If you are interested in adding it to your collection email me at slaug@uniserve.com or send me a message on Facebook. Thanks for walking through the restoration with me as I worked over this uniquely rusticated Jobey Florentine Billiard.

A Kennett No.1 Billiard Another Brilliant Attempt at a Cool Dry Smoke

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By Steve Laug

The next pipe on the work table is a pipe that we picked up from a seller in Cottage Grove, Minnesota, USA on 02/02/2022. This one was a unique fluted, pinched shank take on classic Billiard. It is stamped on the topside of the shank and reads Kennett [arched over] No 1. On the underside of the shank it is stamped London Made [over] Made in England [over] Reg’d 731096. The smooth, fluted finish around the bowl shows some nice grain patterns. There was grime and oil ground into the finish around the bowl. The fluted carving on the bowl sides and the holes around the rim go down the ridges to the bottom of the bowl. There was a moderate cake in the bowl and tobacco debris on the walls and heel. The rim top had lava overflowing from the bowl. It was thicker on left back of the rim top. The edges looked good but a clean up would tell the story. There was some thinning around the inner edge of the bowl affecting the holes in the rim top. The vulcanite taper stem was oxidized and had some tooth chatter and tooth marks on the top and underside ahead of the button. The interesting pipe showed a lot of promise but it was a mess. I took pictures of the pipe before I started my clean up work. I took photos of the rim top and bowl as well as the stem surfaces to show the condition of the well smoked pipe. You can see the thick cake in the bowl and the lava on the inner edge and rim top. There is also some roughening on the inner edge but the out edge looked good. There was a small nick in the outer edge on the left backside. The stem was oxidized, calcified and had scratches and light tooth chatter and marks on both sides ahead of the button.I took photos of the stamping on the sides of the shank and stem. The stamping is clear and readable as noted above. Before I started working on the pipe I wanted to do a bit of research and see what I could learn about it. First, I looked on Pipephil for The Kennett London Made No 1 and was unable to find any information there. There was no logo on the shank or the stem to help identify the brand.

I turned then to Pipedia (https://pipedia.org/wiki/Kennett) and found a very short entry there. I quote it below. There were photos of several pipes, a Kennett Box and a pamphlet that gave some information. I quote it below:

J.A. Kennett, LTD. in London were the makers of the Kennett pipe (photos thank to Doug Valitchka). I also Googled and was able to find a link to a Kennett for sale on smokingpipes.com (https://www.smokingpipes.com/pipes/estate/england/moreinfo.cfm?product_id=372529). There was also a photo that are worth look in at. I have included the description that was written about the pipe below.

This 1930s Billiard from Kennett is really unique, with its vertical, fluted channels opening up into tiny, hollow holes on the rim, resulting in an intriguing aesthetic. But wait: There’s more. Paired to the pert, tall bowl is a tapered, pinched, paneled shank that is unusual and is complemented by the bowl’s ridges. The jet-black vulcanite stem is also tapered. This smooth piece is dressed in a warm, chestnut stain that accentuates all of the above, and the fluting certainly provides entertainment for nimble fingers. -Angela Robertson

I also found a link on Google for an auction on Worthpoint for an unsmoked Kennett that was for sale there (https://www.worthpoint.com/worthopedia/kennett-briar-unsmoked-air-cooled-469502789 . I have included the description that seller included with the item.Here’s an auction for sale. A The Kennett Briar “Air Cooled” Briar Pipe made in London England in the 1950’s or earlier. The bowl has 10 holes drilled down thru the bowl wall on the ribs on the bowl. The pipe will be very cool to touch and to smoke because of the air cooled circulation in the holes and around the rib cuts. The Kennett Briar pipe is Air-Cooled, Cool as a Cucumber, Light as a Feather, Sweet as a Nut says J. A. Kennett, Ltd.9/11 Tottenham Street London, W. The Kennett Guarantee says every care has been used in selecting well seasoned Briar Root for making of this Pipe, and it is guaranteed with fair usage not to crack or burn. The stem is English Vulcanite.

Now I knew that the pipe was made between the 30s and 50s. The Reg’d number on it makes me think that is an older one – possibly from the 30s. I would not be able to further pin the date down on the pipe. Now it was time to work on it.

I started my work on the pipe by cleaning up the lava on the rim top. I used a folded piece of 220 grit sandpaper to clean it up. I carefully cleaned the darkening on the inner edge at the same time. I scraped the cake around the bowl sides with a Savinelli Fitsall Pipe knife and then sanded the walls with 220 grit sandpaper wrapped around a piece of dowel. The walls were smooth and showed no burn damage. I cleaned out the interior of the shank, mortise and airway in the stem with pipe cleaners, cotton swabs and alcohol. It was a dirty pipe.I scrubbed the externals of the pipe with Mark Hoover’s Briar Cleaner (extra strength). I cleaned the surface of the briar with my fingertips working product into the surface of the briar. I scrubbed it with a tooth brush working it over. I rinsed off the Mark’s Briar cleaner with warm water to remove the debris and grit that it had collected. I dried it off with a soft cotton cloth and took some photos of the pipe at this time. There was burn damage on the rim top that was going to remain. The holes down the sides of the bowl from the rim top were thin so I did not want to remove any of the briar. I chose to leave the burn marks as they are. I used a Maple stain pen to touch up the rim top. It matched the colour of the stain on the rest of the bowl. Once it was polished it would blend in very well. I polished the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down with a damp cotton pad after each sanding pad. The briar really took on a patina that began to look better with the polishing. I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I work it into the briar with my finger tips to make sure that it covers every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I wiped it off with a soft cloth then buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point in the restoration. You see the shine that the briar has taken on and the way grain pops with the light buffing. I set the bowl aside and turned my attention to the stem. I worked on the oxidation on the stem with Soft Scrub and was able to remove it. Lots of elbow grease and working over the surface but it started to look much better.I sanded the stem with 320-3500 grit sanding pads to break up the remaining oxidation. I wiped it down after each sanding pad with an Obsidian Oil impregnated cloth. It was looking good.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of Obsidian Oil and set it aside to dry. I am glad to be on the homestretch on what was a mystery pipe when I started. I really am looking forward to the final look when I put a pipe back together, polished and waxed. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain pops with the wax and polish. The shiny black vulcanite stem is a beautiful contrast to the browns of the bowl and shank. This The Kennett No1 Reg’d 731096 Billiard was interesting pipe to work on. The pipe is comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.45 ounces/41 grams. This Kennett pipe is a great piece of history of the ongoing search for the cooler and drier smoke. I will be adding it to the British Pipe Making Companies Section on the rebornpipes store shortly. Thanks for reading this blog and my reflections on the pipe while I working on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Restoring a Danish Made Barling Make International 911 Brandy

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by Steve Laug

The next pipe on the work table is a pipe that we picked up from an eBay seller in Jordan, Minnesota, USA on 01/22/2024. This one was a nice looking sandblast Brandy that has a classic Barling look. It is stamped on the underside of the shank and reads Barling in script [over] Make [over] International [over] Made in Denmark. On the shank end at the joint of the stem it is stamped with the shape number 911. On the top of the saddle stem it is stamped with the Barling cross logo. It has some smooth panels mid bowl on the left and right side. The sandblast around the bowl shows some nice grain patterns. There was lot of grime and oils ground into the finish around the bowl and the shank. The pipe was dirty but the contrasting dark and medium brown stains highlighted the grain of the briar. There was a thick cake in the bowl. The rim top had a thick coat of lava overflowing from the bowl. The edges looked good but a clean up would tell the story. The rim top was crowned. The stem is a vulcanite saddle shape that has the Barling cross on the top of the saddle. It was oxidized, calcified and had some tooth chatter and tooth marks on the top and underside ahead of the button. The pipe showed a lot of promise but it was a mess. Jeff took pictures of the pipe before he did his clean up work. He took photos of the rim top and bowl as well as the stem surfaces to show the condition of the well smoked pipe. You can see the cake in the bowl and the lava on the inner edge and rim top. The outer edge of the bowl is in good condition. It appears to have a nicely rounded crown on the rim top. The stem was lightly oxidized, calcified and had scratches, tooth chatter and marks on both sides ahead of the button. Jeff took some photos of the sides and heel of the bowl to give a sense of the sandblast finish and the grain around the bowl. It should clean up very well. He captured the stamping on the sides of the shank and stem. It reads as noted above and is clear and readable. He also took photos of the Barling cross on the top of the saddle stem. The stem also has a white acrylic spacer that fits between the shank end and the stem face. I like to do background research on the pipes I am working on. I did a quick search on the rebornpipes blog and found a blog written by Paresh that gives some great background information (https://rebornpipes.com/2019/09/16/a-fresh-lease-on-life-for-a-barling-t-v-f-911-made-in-denmark/). I quote from it below:

I had previously worked on a couple of Barling pipes from my inherited pipe collection; here are the links to both the write up, https://rebornpipes.com/2019/03/26/a-simple-restoration-of-an-early-transition-era-barling-2639/, https://rebornpipes.com/2018/12/10/decking-out-my-grandfathers-battered-pre-transition-barling-1354/ and had researched this brand then. To refresh my memory, I revisited the write ups and also pipedia.org. Here is an interesting excerpt from pipedia.org (https://pipedia.org/wiki/Barling)

In the late 1970’s production of Barling pipes was shifted to Denmark where Eric Nording manufactured Barling pipes for Imperial. There may have been other factories, but as of this writing, none has been identified. Nording stated that he made approximately 100.000 pipes for Imperial.

Despite these attempts to diversify the line, Barling lost its market. These pipes just weren’t equivalent to the family era pipes. Finally, Imperial decided to close down the Barling operations entirely by 1980.

Paresh discerned from the above information that the pipe currently on his work table is from the period between late 1970’s to 1980 and most likely carved by master craftsman Eric Nording!! For me the fascinating thing is that the pipe I am working on is from the same master and the same carver.

Now it was time to look at it up close and personal. Jeff had removed the cake and the lava on the rim top. He had reamed the bowl with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He took the cake back to bare briar so we could check the walls for damage. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime on the bowl and rim and was able to remove the lava and dirt. He cleaned out the interior of the bowl and shank with shank brushes, pipe cleaners, cotton swabs and alcohol until they came out clean. He cleaned the stem with Soft Scrub to remove the grime on the exterior. He cleaned out the airway with alcohol, cotton swabs and pipe cleaners. I took some photos of the pipe before I started my work on it today. I took a close up photo of the cleaned up rim top. The rim top and the inner edge look good. The bowl is clean and the walls are undamaged. The stem looks good with some tooth chatter and marks along the top and underside ahead of the button. The Barling Cross is faded with the cleaning.I took a photo of the stamping on the shank side. It is clear and readable as noted above. I took the stem off the pipe and took a photo. The thick shank billiard is an attractive looking pipe with nice lines. The taper stem shows tooth damage on the top and undersides of the stem. I started my work on the pipe by working over the rim top and the bowl and shank with a 320 grit sanding pad. I wiped the bowl down after sanding pad. The rim top began to take on a shine.I polished the rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the rim top down after each sanding pad with a damp cloth. It really took on a shine. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips where it works to clean, restore and preserve the briar. I let it do its magic for 15 minutes then buffed it off with a cotton cloth. The pipe looks incredibly good at this point in the process. I set aside the bowl and turned my attention to the stem. I touched up the stamping on the topside of the saddle stem with white acrylic fingernail polish. I pointed it on with the applicator and scraped off the excess and lightly sanded it with a 1500 grit micromesh pad.I “painted” the surface of the stem with the flame of a lighter. I was able to raise all of the tooth marks. I sanded out the light remnants that remained with a folded piece of 220 grit sandpaper. Once finished I wiped it down with an Obsidian Oil impregnated cloth. It looked much better. I continued to polish the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it further with Before & After Stem Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil and set it aside to absorb the oil. I am excited to finish this Made in Denmark Barling Make International 911 Brandy made by Eric Nording. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and then by hand with a microfibre cloth to deepen it. It is fun to see what the polished bowl looks like with beautiful sandblast grain all around the bowl and shank and the smooth well grained crowned rim top. The polished grain on the pipe looks great with the black hard rubber stem. This Danish Barling Make International 911 Brandy is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 44 grams/1.55 ounces. It turned out to be a beautiful pipe. I will soon be putting it on the rebornpipes store in the Danish Pipemakers Section. If you are interested in adding it to your collection let me know. Remember we are the next in a long line of pipe men and women who will carry on the trust of our pipes until we pass them on to the next trustee. Thanks for your time reading this blog.

Restoring an Old NEBPC Bent Billiard with an old-style vulcanite stem

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by Steve Laug

The next pipe I have chosen to work on is one that we picked up 04/16/2024 from a seller on Facebook Marketplace in Tacoma, Washington, USA. The pipe is an older style bent billiard with narrow vulcanite stem. The pipe is stamped on the left side of the shank with NEBPC in a pie shaped circle with a letter in each section. That is followed by Flagship in script [over] Algerian Bruyere. On the right side it is stamped with the shape number 14 at the bowl shank junction. The brand and stamping are the mystery to me. It is one I had not heard of before and had no idea of what the initials stand for. The smooth finish had some very nice grain but there was a lot of grime and oils ground into the finish around the bowl and the shank. The pipe was dirty but the rich stain highlighted the grain. There was a thick cake in the bowl overflowing in thick lava on the rim top. The inner edge looked quite good though the lava covered it. The outer edge was in good condition other than a nick on the left backside of the bowl. The stem is vulcanite and the shape and cut of the button leads me to think it is an older pipe. It has a stamp on the topside of the taper that is very hard to decipher with the oxidation and grime on the surface. It was oxidized and had tooth chatter and tooth marks on the top and underside ahead of the button. The marks on the stem next to the button lead me to wonder if the stem had been cut off and a new button cut. I am uncertain but probably will never know. The pipe showed a lot of promise but it was a mess. I took pictures of the pipe before I did my clean up work. I took photos of the rim top and bowl as well as the stem surfaces to show the condition of the well smoked pipe. You can see the thick cake in the bowl and the lava on the inner edge and rim top. There is also some roughening on the inner edge but the out edge looked good. There was a small nick in the outer edge on the left backside. The stem was oxidized, calcified and had scratches, tooth chatter and marks on both sides ahead of the button.I took photos of the stamping on the sides of the shank and stem. On the left side it reads as noted above. On the right side it is stamped with the shape number 14. There is also some mark on the top of the tapered stem that I cannot decipher. I removed the stem from the shank and took a photo of the pipe to show its flow. I looked on Pipephil for both the circular pie shaped logo and the NEBPC Flagship stamping and found nothing. I also looked on Pipedia and again came up emptyhanded. I just felt like I was missing something in the search. I tried various interpretations of the NEBPC letters – Nebraska Pipe Club, New England Briar Pipe Club for two attempts and came up empty. I wrote to John Young who also does restoration and asked if knew of a Nebraska Pipe Club and he knew of nothing like that in his state. That left me still mystified.

I decided to do a search for the NEBPC on Google to see if I could interpret the meaning of the letters. I wondered what they stood for so I searched and came up with a thread on the brand on the pipesmagazine forums (https://pipesmagazine.com/forums/threads/i-love-this-pipe-but-who-made-it.48662/). There was quite a long discussion that gave some good information. Like the quote below by samcoffeeman on Apr 6, 2015

I got a hit! Was thinking it was NEBPC because of the order and PC meant pipe club perhaps. It actually means New England Briar Pipe Company. Another example here with some great info: LINK (link is disconnected) Kaywoodie also has a Canadian pipe shape #71 so there you go!

buroak replied the following:

The NEBPC made the Yello Bole line for KBB. That “Algerian Bruyere” stamp looks like the same one used on Yello Boles, too. What is strange is the two-digit code. Nice find!

misterlowercase added some more information regarding the brand. He included links to the old factory where that pipe was made in Penacook New Hampshire, is still in use today,

http://pipedia.org/wiki/Yello-Bole

I turned to the second link first to have a look at the large photo first. It showed the large older building. Here is the link (https://debralavalley.files.wordpress.com/2009/11/dsc_0024sm.jpg).

I then turned to the pipedia article (http://pipedia.org/wiki/Yello-Bole) and found a great article on the history of the KBB/Yello-Bole pipe company.

History

In 1932 Kaufmann Bros. & Bondy (KB&B), est. 1851, expanded their program consisting of KB&B pipes, Reiss-Premier and Kaywoodie as the mainstay brand by introducing the Yello-Bole line. Yello-Bole was designed as an outlet for lower grade briar not used in Kaywoodie production.

At that time KB&B produced their brands in Union City and in West New York, both New Jersey. Deviating from that, Yello-Boles were manufactured by The New England Briar Pipe Company in Penacook, New Hampshire to use this KB&B subsidiary to capacity.

As briar was hardly had during World War II, the KB&B Company embarked on a project of domestically grown briar wood, called Mission Briar or manzanita early in 1941. The Pacific Briarwood Company, a subsidiary founded for this purpose, began harvesting the burls growing on the slopes of the Santa Cruz Mountains of California. Though this wood is botanically the same as briar form the Mediterranean countries, the smoking characteristics were not quite as good and the project was abandoned after the war.

Was it for that reason? Advertising from the 1940’s pictures the Yello-Bole “Honey Girl”, who gently urges the pipe smoker to smoke the pipe with “a little honey in every bowl.” In fact, honey was an ingredient of the material used to coat the inside of the bowl. It was said to provide a faster, sweeter break-in of the pipe.

In 1952, 101 years after the Kaufmann brothers had opened a small pipe shop in the Bowery section of New York City, Kaufmann Bros. & Bondy Company with all subsidiaries was purchased by an unknown company strange to pipe industry. (At least, the new owner was economical because the KB&B managers had to leave their luxurious bureaus on 630 Fifth Avenue, New York – the Rockefeller Center – for new rooms in the factory on 6400 Broadway, West New York.) This interlude ended after only 3 years in March of 1955, when S. M. Frank & Co. bought Kaufmann Bros. & Bondy, The Kaywoodie Company, Reiss-Premier Corp., The New England Briar Pipe Co. and – of course – Yello-Bole.

From the time of S.M. Frank’s purchase in 1955 until 1972 Yello-Bole was run as a separate company, as division of the parent. Through this period, Yello-Bole, same as Kaywoodie, had its own officers, sales force and maintained the production facilities in West New York. These 17 years were probably the most glorious years in Yello-Bole’s history.

I also found a listing in the business directory for the New England Briar Pipe Co. I have included that information below.I used the hints above to check on the shape number 14 in the Pipedia listing of Kaywoodie shape numbers (https://pipedia.org/wiki/Kaywoodie_Shape_Numbers). That gave me the information that the number 14 was a Full Bent Medium Billiard with a Taper Stem that was made between 1927-1972.

That information gave a range that the shape was made for Kaywoodie pipes. However, since the pipe made by the New England Briar Pipe Co., a company that ceased to exist in 1955, the pipe in hand was made prior to that time period. The pipe was made by the company in Penacook, New Hampshire. Now it was time to work on this old pipe that was no longer a mystery.

I started my work on the pipe reaming the bowl. I started by doing the work with a Pipnet Pipe Reamer and took the cake back to bare briar. I cleaned up the remnants around the bowl sides with a Savinelli Fitsall Pipe knife and then sanded the walls with 220 grit sandpaper wrapped around a piece of dowel. The walls were smooth and showed no burn damage. I scraped the lava build up on the rim surface with the Savinelli Fitsall Pipe Knife. I was able to remove all of the thick lava. It still needed some thorough cleaning but it was looking better.I scraped out the mortise with a small pen knife to remove the thick tars and oils. I cleaned out the interior of the shank, mortise and airway in the stem with pipe cleaners, cotton swabs and alcohol. It was a dirty pipe.I scrubbed the externals of the pipe with undiluted Murphy’s Oil Soap and a tooth brush. I worked over the inside of the bowl at the same time. I rinsed it with warm water to remove the grime and debris. I dried it off with a soft cotton cloth and lightly buffed it with the cloth. It smelled very clean. I used a 320 grit sanding pad to remove the remaining tars and oils on the rim top. I worked it over to clean up the top and prepare it for polishing with micromesh sanding pads. I polished the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down with a damp cotton pad after each sanding pad. The briar really took on a patina that began to look better with the polishing. I paused the polishing and used a folded piece of 220 grit sandpaper to smooth out the damage on the inner edge of the rim. It looked much better. Then I stained the rim top with a Cherry Stain pen. It matched the rest of the briar very well. With polishing it would be unrecognizable. I went back to the polishing process with the remaining micromesh sanding pads from 3200-12000 grit pads. The briar began to take on a rich shine. I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I work it into the briar with my finger tips to make sure that it covers every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I wiped it off with a soft cloth then buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point in the restoration. You see the shine that the briar has taken on and the way grain pops with the light buffing. I set the bowl aside and turned my attention to the stem. There was some damage on the stem top next to the button on both sides. I was not sure if it was tooth marks or file marks. The were deep cuts but the stem is quite thick at this point on both sides. I filled the spots in with black CA rubberized glue. I set the stem aside for the repairs to cure.While it cured I touched up the blurry stamp on the top of the stem with white acrylic fingernail polish. Then I scraped away the excess white acrylic with a 320 grit sanding pad. It was fascinating to see that underneath the white acrylic the stamp was a train engine. It was very well stamped but faint in spots.Once the repairs on the stem cured I used a file to flatten them and reshape the button on both sides. It was showing promise. I sanded the surface of the repair smooth with a folded piece of 220 grit sandpaper. I also sanded the oxidation on the stem surface at the same time. By the time I finished wit the reshaping and sanding the stem looked much better. I sanded the stem with 320-3500 grit sanding pads to break up the remaining oxidation. I wiped it down after each sanding pad with an Obsidian Oil impregnated cloth. It began to look good. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of Obsidian Oil and set it aside to dry. I am glad to be on the homestretch on what was a mystery pipe when I started. I really am looking forward to the final look when I put a pipe back together, polished and waxed. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain pops with the wax and polish. The shiny black vulcanite stem is a beautiful contrast to the browns of the bowl and shank. This NEBPC – New England Briar Pipe Company Flagship Algerian Bruyere Billiard was another fun pipe to work on. The pipe is comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.45 ounces/41 grams. This NEBPC pipe was a fun one to work on with a great piece of history and connection with KB&B Yello-Bole. I will be adding it to the American (US) Pipe Making Companies Section on the rebornpipes store shortly. Thanks for reading this blog and my reflections on the pipe while I working on it.