Tag Archives: Bowl – finishing

A Sweet KBB Yello-Bole Honey Cured Bulldog – Robert M. Boughton

Guest Blog by Robert M. Boughton
Member, North American Society of Pipe Collectors
http://www.naspc.org
http://www.roadrunnerpipes.com
http://about.me/boughtonrobert
Photos © the Author

You can’t stop us on the road to freedom
You can’t stop us ’cause our eyes can see
Men with insight, men in granite
Knights in armor intent on chivalry
She’s as sweet as Tupelo honey
She’s an angel of the first degree
She’s as sweet as Tupelo honey
Just like honey, baby, from the bee — Van Morrison, Northern Irish singer-songwriter-musician, “Tupelo Honey” (1971)

INTRODUCTION
As my good friend and mentor, Chuck Richards, commented at a recent gathering of local enjoyers of the fair tobacco pipe in general, Kaufman Brothers & Bondy created the Yello-Bole line in 1932 as a less expensive alternative to its regular stable of Kaywoodie, Reiss-Premier and of course KB&B pipes.

Now the name Yello-Bole is synonymous with the terms second-rate and, worse still, just cheap, as though the measure of a good smoke were ever determined by its price. [See, for example, Peterson’s late great and noble attempt in years gone by to make pipes affordable to the Everyman.]

But its older products, such as the KBB Yello-Bole Imperial Bulldog of this discourse, “Cured with Real Honey” and with the KBB in a clover, as well as a tell-tale encircled “I” on the stem (might it be ambera?) – although crafted with briar deemed unsuitable for the older brothers of the family – nevertheless was still made from higher quality pieces of that fine wood than is, in general if ever, available today.

Also, the KBB Yello-Bole Imperial Bulldog is a definite vintage specimen (another present day determinant of value), based on the four key signs contained on the pipe, which date it to anywhere from the 1930s to the 1950s.

Beginning with the rim, I removed most of the blackening with a quick rub of purified water, and the rest except for one small, pernicious burn with a light touch of super fine steel wool that left no new scratches but also made clear the blemishes that were already present. I sanded the rim with 400-grit paper and micro-meshed with 1500, 2400 and 3600 grades. I later succeeded in removing the one remaining burn mark shown below. Moving on to the chamber, I was startled when most of the cake crumbled from the walls with a couple of turns of the reamer. Still more shocking was the sudden appearance of a thin coat of the original yellow product of honey curing. I knew I had a rare find and wondered at the short-term but intense enjoyment of the pipe that could have led to more than average cake but left the prominent yellowing intact. The rest of the cake came clean with gentle 400-grit sanding.

Staying with the 400-grit paper to remove scratches and dings on the beautiful briar, I lightened the color still more and found a few fills and other grain flaws that accounted for why this finely shaped bulldog didn’t end up with, say, a Kaywoodie stamp.

Using micromesh at an escalation from 1500 to 2400 and 3600 grades eliminated the remaining scratches.

The cleaning of this pipe was achieved with refreshing ease and the expenditure of few bristly cleaners soaked in Everclear.

In a difficult choice, I decided to re-stain the briar with a medium as opposed to the original light brown color. I applied Lincoln boot stain and flamed the alcohol out before removing the char with 2400 micromesh and smoothing it out using 3600.

To polish the prepped pipe, I used red and white Tripoli, White Diamond and carnauba, and after rubbing the wood with a cotton rag saw it needed another round on all of the buffers except the red Tripoli.

I finished the stem with red and white Tripoli before White Diamond.

CONCLUSION
This was a very pleasant and relaxing restoration, in particular following my Ben Wade and the Chamber of Horrors brush with terror.

Tonight and tomorrow (Wednesday and Thursday), before the monthly official meeting of my pipe club at the local Moose Lodge, I will attempt to power through as many of the easier prospects as possible from my recent online purchase spree. The highlights include what I believe is a Comoy’s Smooth Bent Satin Matt Short Brandy #1770 (Made in London in a circle); a Kaywoodie Silhouette Bent Rusticated Squat Apple; a Kaywoodie Smooth Bent Signet Billiard; an Ehrlich Rusticated Straight Billiard; a LHS Park Lane Smooth Straight Poker; a Reinhard’s Smooth Straight Billiard; an Amadeus Greek Bent Billiard; a Parker Tall Tan Straight Poker; a unique small Town and Country Round-Bottom Straight Squat Rhodesian; a no-name Gourd Calabash Meerschaum Lined; a trio of old Missouri Meerschaum corncobs…and another KBB Yello-Bole, this one a Straight Four-Panel, also with the KBB in a clover but a yellow circle on the stem.

The first person to post a response challenging my ability to pull off the restorations/refurbishes of the above pipes before tomorrow night, and willing to bet a free pipe from the loser to the winner, is on for the bet. I will post before and after shots in a blog on my business Website, noted at the top of this submission, by 9:00 p.m. MDT (U.S.) tomorrow.

Our host, I trust, will vouch for my honesty in this type of wager.

Ben Wade and the Chamber of Horrors – Robert M. Boughton

2 Replies

Guest Blog by Robert M. Boughton
Member, North American Society of Pipe Collectors
http://www.naspc.org
http://www.roadrunnerpipes.com
http://about.me/boughtonrobert
Photos © the Author

“It is our choices, Harry, that show what we truly are, far more than our abilities.” —J.K. Rowling, “Harry Potter and the Chamber of Secrets” (1998 U.K.)

INTRODUCTION
Never has one of the quotes with which I like to begin my blogs spoken with more directness to the heart of the matter at hand than the words of J.K. Rowling above. At the risk of kicking a dead horse, I must point out how the choices of the prior owner of the Ben Wade Tall Poker (Made in London England) effected this description of its harrowing restoration. I am sure the individual lacked not in ability, only decision-making. But where do I begin? Ah, the stem pops into mind. Just try to take in the scope of the mauling the perp inflicted on the bit and downward, from these photos alone: the complete gnashing away of the bottom lip and the gash in the upper side as shown on the left, and the chips in the top of the bit and great flat plain below it on the right. The only true cure for this degree of chewing, like a single piranha in frenzy that has been chased away by a bigger fish with no interest in pipes, is total replacement.

I believe someone even re-stemmed this pipe at some point during the old owner’s possession of it, as the bottom of the bowl is flat with ample room to stabilize it in a canted position yet the stem’s weight topples it. But that probability only serves to compound the undeserving person’s culpability. After all, imagine the debasement the original stem must have suffered. However, with another replacement in mind for the future, for now I took the mayhem as a challenge for some serious Black Super Glue practice.

Then there was the liberal, to use a kind adjective, distribution of deep pits and scratches covering the bowl and shank.

And at last, I come to the reason for the name of this blog: the chamber and rim. When I first saw this angle on the site where I ordered a three-pipe lot of Ben Wades (one of which, when it arrived, was a tall billiard with a huge crack extending down the side of the bowl that required amputation and is therefore now undergoing the trauma of drastic re-shaping, and the other a small apple, which I restored with success and already blogged), I thought the rim would be the biggest challenge of the project.

Although the rim did indeed present considerable obstacles to overcome, the greatest battle proved to be with the chamber of horrors itself, from which I emerged, torn and bleeding, but victorious – if there can be any genuine victory in war.

REFURBISH
Following my initial structural inspection with a couple of bristly cleaners soaked in Everclear 190-proof that I ran through the stem and shank, I concluded the pipe somehow was intact but filthy almost to the point of total clogging with black resinous goop. In fact, when I looked at the shank opening as shown in the second to last photo above and then tried to blow through it only to meet extreme resistance, I got my first clue that many sturdy cleaners would make the ultimate sacrifice before this BW was fit to enjoy.

I proceeded with the part of the restoration that has always been my first step: reaming the chamber. But this time, after about an hour of sweaty, hand- and arm-weakening cranking, I only prevailed, with repeated efforts applying the reamer at different levels and angles of attack, in dislodging multiple layers of cake that slowly made a pile of fine carbon amounting to more than half a dozen bowls. Even sanding with 80-grit paper only added another few bowls of carbon to the growing heap. It’s too bad all the pipe cake out there waiting to be converted to powder by folks of my persuasion isn’t recyclable as tobacco, but then again, there seem to be plenty of another kind of folk who enjoy the taste of massive congestion from carbon and other nasty accretions.

Deciding, based on the horrible pocks and craters remaining in the chamber, that the hallowed space would take work throughout the restoration process, I launched a concerted offensive on the rim, at first believing with reason based on experience that I would be able to salvage the nice inward curve of the briar there. However, after another considerable chunk of time flew away with each level of char I banished, all that I had done was reveal wounds so deep and close-spaced along the inside curve of the rim and several bad wounds at the top of the bowl that I knew I would have to level the rim.
Drastic situations call for equal measures, and so, not having a power sander, I chose the best weapon I possessed, said tool being a metal rasp. Thus began another arduous labor removing the once elegant curve of the rim, with heavy mental protest. I was filled with sadness as I applied the rough edge of the rasp with slow care to the rim and watched the slope disappear more and more over time.

That stage finished and the rim flat, I sanded the well-grained wood with 220-grit paper followed by 400 and then micro-meshed using 600, then 800, 1000, 1500, 2400 and ending with 3600. Even this view does not reveal the insidious nature of the cake buildup inside the chamber from hell. The ongoing task of removing all of the cake, every time I thought I achieved smoothness all around, only uncovered still more hidden holes, similar to microcosmic pits and craters on the moon, only black.

I decided the time had come to remove all of the dings and other rough spots in the bowl and shank and used 220 paper again for the worst areas, then 2400 micromesh followed by 3600.

Seeing the nice, lighter wood that lay beneath, but suspecting the dark stain was used for a reason (e.g., hiding fills), I nevertheless embarked on a removal of the original stain by hand using 400-grit paper.

I know, I know! I see here and noted at the time the scratches left by my removal method, but careful, even sanding and then buffing with several levels of micromesh took them off quite well. Two important goals were accomplished by this roughness. One, I satisfied my curiosity about the potential for fills. Yes, as you can see, they are present, but nowhere near to the extent that I anticipated. Two, I removed the dings, divots, dents and most of the other defects. Of course, some might reverse the order of significance of these resolved issues.

At this juncture, I became resolved to eradicate the stubborn, troublesome cake no matter what it might take. The determination was born not only of my own obdurate nature that exceeds that of any piece of wood, but from the fact that the Ben Wade Chamber of Horrors had managed to destroy my Senior Reamer – no joke. Not wanting to discard the fallen reamer, which had been so faithful to me until it met The Chamber That Must Not Be Named, by such callous means as tossing it in the garbage, I chose rather to retire it to a place of honor on my bench. But now I had to avenge my defeated brother in restoration, not to mention buy a replacement. I already ordered a new-in-box Castleford Five-Piece Multi-Fit Reamer Kit and a full set of micromesh pads (no more paper for me) online for just more than $30, postage included.

With no small sense of retribution fuelling me, I girded myself with an entire large sheet of the coarsest sandpaper I had and cut off a few small strips before bending one into the right shape to begin the ugly but necessary task with a vengeance. Unbelievable amounts of carbon spilling from the demon chamber every time I emptied it, and my fingers blackened with soot, I kept at it with gusto, thinking I must have made progress. My left index finger was developing scrapes and calluses.

Still, the evil chamber walls in spots felt like the bowels of a volcano. In desperation, I turned to a Dremel I borrowed for the amputated Ben Wade Billiard’s re-shaping. I changed the Dremel bit to a small, fine rounded piece of sandpaper and, at the slowest speed, began making circular turns around the chamber walls.

As some of you with more experience might imagine, this approach almost led to disaster, but instead turned the tables in my favor. Granted, the Dremel (not I) left several new chinked spots where none existed before. But these occurring after the power tool caught a scent of the pure briar, the cake crisis was solved with a bit more rapid sanding that also repaired the new nicks.

With the chamber vanquished of the dreadful cake as well as it ever would be, and the hollow area covered in blackness, and the shank still needing to be purged of its mess, I plugged the shank opening with several small squares of cotton and flooded the chamber with Everclear. I set the big chunk of briar aside for about 20 minutes. In the meantime, I felt a keen sting in my right index finger and noticed that under the True Coat of soot there appeared to be some blood and loose skin. I thought it wise to scrub my hands forthwith, with soap and water as hot as I could stand, and this ordeal ended up lasting about 15 minutes. When I was done, I realized I had no hydrogen peroxide to sterilize the cut caused by so much sanding of the wicked chamber.

But I did have Everclear, the pouring of which onto my already burning sore did not excite me. Better safe than sorry, I just got it over with.

Oh, my gosh, did it burn! I pulled the cotton plug from the shank and let the remaining coal-black liquid ooze from it like a suppurating wound, and began the still serious business of running both ends of so many bristly cleaners dipped in alcohol through the shank that I lost count. While the darker part of my brain, made meaner by the frequent sting of more Everclear running onto my exposed wound, whispered that the little hole would never come clean, the rational side assured me that before I knew it the job would be done.

But it wasn’t happening fast enough, and so I resorted to digging through my growing and a bit disordered supplies for the wire bristle brush I knew was there. At last I found it buried in the bottom of a drawer and at once started the repetitious but effective process of wetting it with alcohol, scrubbing the inner shank, rinsing it in a shallow bowl of alcohol that grew fouler each time, squeezing the bristles clean and dry, and repeating all of these steps over and over. Of course, my reward did come when I switched back to a normal cleaner soaked in alcohol and it came out clean.

Somewhere along the line, I finished the stem work by sanding down the excess Black Super Glue and smoothing the Vulcanite with vigorous rubbings of three grades of micromesh.

After inspecting the briar for any missed flaws I could fix and finding none, I gave the bowl and shank a final purified water bath, which proved to be necessary from all of the black powder that had transferred from my formerly dirty fingers.

Ready for the final countdown, I opened a brand-new bottle of burgundy-colored Lincoln boot stain and coated the entire outer area of wood using the small, damp applicator. As fast as I could manage, I flamed it all over with my Bic, reveling in the great poofs of blue flame that rose and dissipated as the alcohol in the stain burned off.

I rubbed off the char with a piece of 2400 micromesh until I could see the good grain through the fresh, dark red stain and then put on my magnifier glasses to do the finish work with 3600. It looked good to me, so I put it aside with the stem on a thick cotton cloth for about a half-hour.

That was all I could stand before taking the pieces to my bedroom/office/shop and focusing on the two buffing wheels I use to bring out the ever-anticipated shine. Taking a deep breath to steady myself for the always risky business of touching anything fragile to the high speed wheels, I turned them both on.

Starting with the stem, I turned it with all due respect and care first on the red Tripoli wheel and looked it over as I rubbed it with the cotton cloth, then the white Tripoli wheel on the other machine, and back to the first for the final coat of White Diamond. Much better, I thought and set it aside. To the wood I applied quick, thorough coats of white Tripoli, White Diamond and carnauba.I looked it over, noticed a spot that was duller than the rest and repeated the process there.

CONCLUSION
Fixing this pipe took me the greater part of a week, by far the longest I have spent on a project since my first real restoration two years ago. That is the reason why the concept of being finished with the Ben Wade Tall Poker is still taking time to sink in. After all the time I have spent with the BW – before the project began to make a plan of action I ended up throwing out the window, during the circuitous restoration itself and now afterward, writing about the experience – I have grown attached to the curious example of pipe craft. I would like to keep it to myself, to add it to my growing collection of Ben Wades. I have no doubt it will smoke at least as well as the others.

But I have decided to let someone else discover the accuracy of that prediction.

Restoring a 1935 Dunhill Shell – Andrew Selking

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Blog by Andrew Selking

This is my second Dunhill Shell, but like everything it has been a learning experience. I saw this orphan about to expire on eBay without a single bid. As they say, a little knowledge can be a dangerous thing. I knew that it was a desirable patent-era Shell and from the markings it was made in 1935. I should have taken the time to look at a Dunhill shape chart, this pipe had been seriously topped. The good news is, I didn’t pay too much for it and it’s a handy little pipe, 4 15/16 inches long and .7 of an ounce! No wonder the stem didn’t have any tooth marks.

So here’s what the pipe looked like before the restoration.

The one thing that I really like about the Dunhill Shell pipes is the finish. The combination of deep reddish brown and darker brown/black is very pleasing to look at. That is why I treat rough finish pipes (rusticated, blast, fine line) differently than smooth finish pipes. I took a tip from Steve and use Murphy’s Oil Soap, which is made from vegetable oils and specifically formulated for wood. I took a small amount of the soap and applied it directly with a toothbrush.

As you can see the Murphy’s Oil Soap did remove some of the finish, but not nearly as much as the alcohol bath would have. The soap also removed the decades of accumulated grime. If you don’t take care to clean the outside of the pipe no amount of wax will make it shine.

My next step was to start the stem soaking in Oxyclean and soak the bowl with denatured alcohol. I packed the bowl with cotton balls, plugged the shank with some rolled up paper towel, and used an eye dropper to soak the cotton. After the cake loosened up, I reamed the bowl. This bowl is huge, I used my two largest reaming heads to clean it out.Instead of doing the retort multiple times, I used q-tips dipped in denatured alcohol followed by pipe cleaners. (I don’t technically use pipe cleaners. I use “fuzzy sticks”. That’s the innocuous name given to pipe cleaners used for crafts.) To maximize each cleaner, I used scissors to cut the dirty section off. As you can see I ended up with a decent size pile of q-tips and fuzzy sticks. Next I turned my attention to the stem. I did the retort first, then used pipe cleaners to finish the job. Fortunately since the stem is so short, it didn’t take long to clean. You will notice that I packed some paper towel into the end of the stem. Occasionally when you use the retort, the alcohol will boil over and spray everywhere. That does not endear you or your eccentric hobbies to your significant other, especially when the resulting mess makes the wall look like a Jackson Pollock painting.

I usually take extra time on stems as nice as this one. Instead of using 400 grit wet/dry I started out with 1000 grit wet/dry and water. It takes longer, but the last thing I want to do is change the profile of the stem or damage any of the details by using a lower grit sand paper. After the 1000 grit I used 1500-2400 grit micro mesh pads with water. While the stem dried, I began the staining/waxing process. In an attempt to replicate the Dunhill finish, I used the brown shoe polish followed by a thin layer of black shoe polish. The heat gun helps melt the wax so that it gets into all of the crevices and the brush brings out a nice shine.

Here is what the bowl looked like after the application of the second coat of wax and buffing with the brush.

Since shoe polish is a soft wax, I protect all of my rough finish pips with Halcyon II wax. I applied the wax with my finger tip (a little goes a long way) and let it dry for about 10 minutes. After the wax dried, I buffed it out with a soft cloth and applied a second coat. (The pipe cleaner is so I can hang the bowl up to dry.) Finally I finished sanding the stem, using a progression of micro mesh pads from 3200-12000 grit followed by a quick spin on the buffing wheel with some carnauba wax. Here is the finished pipe.

Converting an Old Briar Bowl to fit a Kirsten

1 Reply

Blog by Steve Laug

After I finished fitting the old Maplewood bowl for my son-in-law’s Kirsten I took another bowl from my pipe parts box. This was another old bowl with the airway drilled on the bottom of the bowl and having a nipple fitting. This bowl came from part of an old hookah type set up. I had picked it up in the same bag of parts as the maple bowl. It had a rubber fitting that the bowl sat in and a glass pipette that extended from the bottom of the fitting. I removed the bowl from the rubber and then stripped it with acetone on a cotton pad and wiped it down until the finish was gone. I sanded the surface of the bowl with 220 grit sandpaper to remove the remnants of the finish. There were also fills in the bowl on two sides. Some of them had shrunken and needed to be refilled. I sanded the surface to clean up around the fills. I filled them with super glue and briar dust and sanded them flush against the surface of the bowl.

The underside of the bowl also had several fills. The nipple actually was not part of the briar bowl but was made out of maple. It was inserted in the bottom of the bowl. I wiped it clean to show the connections. I also topped the bowl on a topping board with 220 grit sandpaper to smooth out the surface.

I used a hacksaw to cut the nipple off the bottom of the bowl. Once I had the wood portion of the nipple cut all the way through it came off the bowl. In the middle was a brass tube that ran the length of the nipple and went into the bottom of the bowl where it was flared against the inside bottom. I used a small hammer to drive the tube into the bowl.

When I had removed the tube I sanded the bottom of the bowl to smooth out the surface. Once it was clean I could see that the maple was inset into the bottom of the bowl. It is distinguishable in that it is white in the photos below. On one side of the white maple insert were two flaws in the briar that had originally been filled. One of the fills fell out of the bowl bottom when I drove out the metal tube. I drilled the airway in the bottom of the bowl larger with a drill bit the same size as the metal bottom cap that is part of the Kirsten bowl system. The cap would sit in the hole and a drilled screw would be inserted into the cap from inside the bowl. When I drilled out the hole the maple insert came out of the bottom. It left an inset area on the bottom that would be removed when I sanded the bottom of the bowl for the cap to sit flush against the bottom. I used super glue and briar dust to repair the two flaws in the bottom of the bowl. I dripped the glue into the holes and then pushed super glue into the flaws with a dental pick. I sanded the bottom of the bowl with a Dremel and sanding drum to shape the bottom edges of the bowl to fit on the Kirsten shank. I sanded the bottom edges of the bowl at a sharper angle to give it a more defined shape.

I used the Dremel and sanding drum to deepen the bottom of the bowl and give the internal screw a flat surface to seat against. I also used a PipNet reamer with the largest cutting head to flatten out the bottom of the bowl and smooth out the surface. Once it was smooth I inserted the screw into the bowl bottom and threaded it onto the bottom cap. Once I had the cap inserted and tightened with a Philips screwdriver I screwed it onto the Kirsten shank. The next four photos show the newly shaped cauldron bowl on the Kirsten.

I took the cap and screw off the bowl and wiped it down a final time before staining it with a dark brown aniline stain. I applied the stain and then flamed it to set it in the briar. I restained and reflamed it until the coverage was even.

I buffed the bowl with red Tripoli and White Diamond to polish the stain and give it a shine. In doing so the fills were highlighted. I used a permanent marker to cover the fills and then gave the bowl multiple coats of carnauba wax and buffed it with a soft flannel buff. I put the cap and screw in place and tightened it down. The photos below show the finished bowl.

I buffed the bowl with several new coats of carnauba wax and polished it to a shine with a soft flannel buffing pad. The finished cauldron bowl is shown in place on the pipe below. It looks really good on the Kirsten stem. It provides a second bowl for one of my other Kirsten pipes. I like the overall look of the piece and it is great to have a repurposed bowl to use. I look forward to loading it up and giving it an inaugural smoke.

Fitting a Maplewood Bowl to fit a Kirsten Pipe Shank

5 Replies

Blog by Steve Laug

My son-in-law brought his Kirsten with him on the pipe hunt we went on recently and mentioned that the bowl was too small to his liking. We were talking about hunting for a bowl that had a airway drilled in the bottom of the bowl that could be modified to accept the fitting – screw and cap – on a Kirsten bowl. These fittings hold the bowl on the shank. I remembered that I had a Maplewood bowl in my box of pipe parts that could work really well. It had a nipple on the bottom of the bowl. The nipple ended at a rounded cap and then steps up to the bowl. The original bowl can be seen in the photo below. The bowl was clean and unsmoked. There was a varnish finish on the bowl and the wood was quite rough. Around the hip at the base of the bowl there was a rough band around one side of the bowl. The bowl had some really interesting grain on it. Around the top third of the bowl the grain went around the bowl horizontally. Below that there was some vertical grain. The combination was attractive. This bowl would work well once I modified it to fit the pipe. I sawed the nipple off the bottom of the bowl with a hacksaw. I sawed it flat against the bottom of the bowl to make that surface flush. With the nipple removed it was clear that the airway was slightly off centre and would need to be adjusted once I drilled it to open it up to hold the bottom cap from the Kirsten. I measure the diameter and the length of the insert to figure out how much of the bottom of the bowl I would need to remove. I drilled it out with a drill bit the same size as the insert on the Kirsten cap. I used a knife to open the air hole and move it more toward the centre of the bottom of the bowl. I used the Dremel with a sanding drum to shape the bottom of the bowl. I had to remove about ¼ of an inch or more from the bottom of the bowl. I sanded it bring it down and begin to round the edges. The next three photos show the progress of shaping the bowl bottom. The third photo shows the bowl after I also sanded it with 180 and 220 grit sandpaper.

I sanded it with a medium grit sanding sponge to smooth out the scratches. I fitted the bottom cap to the bowl to see what more I would need to remove for a proper fit between the bowl and the shank. I fit the screw into the bottom cap and used a Philips screwdriver to tighten it in place.

I sanded the bowl more to remove the finish and fine tune the shaping the bottom of the bowl. I wanted the finished bowl to look like a brandy glass shape.

When I had fine tuned the bowl shape and the bottom of the bowl I fit it on a Kirsten shank from one of my pipes. The fit was pretty accurate and the look of the shape worked well with the pipe. I would need to sand the bowl some more, remove the remaining varnish and then stain the bowl once finished. I topped the bowl on a topping board with 220 grit sandpaper to smooth out the rim. Though the pipe was unsmoked the rim was roughly finished.

I took the bowl apart and prepared it for staining. I wiped it down with acetone to remove the remaining varnish and dust from the bowl. I used a dark brown aniline stain to colour the bowl. I stained it and flamed it with a lighter. I reapplied and reflamed the bowl several more times until the coverage was even.

I wanted the finish to be light brown in colour with dark grain patterns on the bowl. I wiped it down with alcohol on cotton pads to thin down the finish. I continued to wipe it until the underlying maple showed through and the grain patterns were darkened. I buffed the bowl with red Tripoli and also White Diamond. Once it was finished I sanded it with 1500-3200 grit micromesh sanding pads to smooth it out. I rubbed it down with a light coat of olive oil and rubbed it into the finish. The bowl was complete at this point – I fit it back on the shank and took the next set of photos to show the look I was aiming for.

I took the bowl off the shank and buffed it with White Diamond once more. I gave it multiple coats of carnauba wax and buffed it with a soft flannel buff. The dark brown aniline stain had brought out the grain and contrasted nicely with the rest of the bowl. The horizontal and vertical graining makes this a nice looking pipe bowl.

I put the bowl back on the Kirsten shank and took the next set of photos to show the finished bowl and shank. It certainly fit the shank well and the larger bowl should meet my son-in-laws request for a longer smoking bowl for his Kirsten. He is away with my daughter for the weekend but when he returns home I look forward to seeing what he thinks of his new bowl.

Addendum: I was working my way through Ebay UK when I found a pipe that had the same bowl as the one used in this article. It is a tourist pipe from the Smokey Mountains National Park. It looks to be the same pipe bowl and looks identical to the one I used.

Restoring a Wally Frank Natural – Andrew Selking

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Blog by Andrew Selking

I promised Steve that my next restoration would not be another chunky diamond shank pipe, so I decided to do a Wally Frank Natural. Wally Frank was a New York tobacco shop that sourced its pipes from Charatan’s, Sasieni, Weber, and other European pipe makers. This is my second Wally Frank Natural and like the first, it is very well made. The briar is not very exciting and it has a small fill on the bottom, but the pipe is very light weight (1.3 ounces) and the lines are elegant.

When I received the pipe, it looked fairly clean. It had some tar build up on the rim, slight oxidation of the stem, but not chatter and the bowl was well reamed.

I dropped the bowl in the alcohol bath and placed the stem in a Oxyclean solution. The only challenge I anticipated with this pipe was the fill on the bottom, but I had a new secret weapon; CA glue accelerator. After soaking, I used a pipe cleaner and the Oxyclean solution to get the worst of the gunk out of the stem. Next I reamed the bowl with my T-net reamer. Everything looked pretty good to that point and I figured this would be an easy clean up. Boy was I wrong! I did a retort on the bowl first. The pipe cleaning brush (available in the baby section at Walmart) came out loaded with gunk. I did the retort four additional times, using the brush after each try, before finally moving on to pipe cleaners. Then I used a pile of q-tips. The only thing I can think is the previous owner smoked a goopy aromatic and didn’t use pipe cleaners afterwards. Next up, retort the stem. The stem was just as nasty as the shank, and I repeated the process four times. After numerous pipe cleaners, it finally came clean. My next challenge was the fill on the bottom of the bowl. I have an old shank (a past victim of the buffing wheel) that I use for briar dust. I use a file to grind off the dust. I put a drop of super glue on the bottom of the cottage cheese container and applied it to the fill area with the tip of the paper clip. I then packed the briar dust on top and sprayed it with the accelerator.

I’m going to work on refining that technique, it was a little messier than I like and the resulting lump of briar dust took more sanding than would have been necessary if had made the fill only as much as was needed.

Next I turned my attention to the stem. I did the usual progression of 400 grit wet/dry with water, followed by 1500-2400 grit micro mesh with water. I then used a progression of 1500-12000 grit micro mesh on both the bowl and stem. Although the pipe had a natural finish on it, I decided to darken it slightly to help cover the fill. To do this I used Kiwi Parade Gloss brown shoe polish.

After applying the shoe polish I used a heat gun to briefly heat it up then buffed it out with a shoe brush. Here is the results after using the brush. I had an uneventful trip to the buffing wheel, and here is the end result.

Here is a close up of the fill.

I hope you enjoyed this write up. If you happen to stumble across a Wally Frank Natural, I would encourage you to buy it. They are a good value for the money.

Refurbishing a Barely Smoked Smooth White Turkish Meerschaum Dublin – Robert M. Boughton

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Guest Blog by Robert M. Boughton
Member, North American Society of Pipe Collectors
http://www.naspc.org
http://www.roadrunnerpipes.com
http://about.me/boughtonrobert
Photos © the Author

“If it ain’tbroke, don’t fix it.”
—Thomas Bertram Lance (1931-2013), Director of the Office of Management and Budget during the Jimmy Carter Administration

INTRODUCTION
Every now and then, a pipe comes my way that is in such good condition that I can only call what I have to do to clean it up a refurbish job as opposed to a real restoration, and for the most part I do not even bother with a blog. This is one of those rare but pleasant occasions with the exception that the smooth white hand-carved Turkish meerschaum in question is so elegant I just have to share it.

REFURBISH
Almost all this simple looking Dublin needed was a simple bath with purified water and a little work on the rim and chamber.

Starting with super fine steel wool on the rim, I encountered more difficulty than usual removing the thick char that seemed to have something else mixed in with it, but nothing worth griping about. As I worked through the char-grime, I saw more coloration emerge – along with a chip. I even considered letting it be, but thinking better, added some elbow grease and focus to the steel wool. I removed enough of the chip and crack to be satisfied. Then I buffed the rim with 1500 micromesh followed by 3200 and moved on to the chamber. Not about to assault it with the reamer that has been necessary for every meerschaum I have fully restored, I used 150-grit paper first and then 500 to smooth it out.

With all of the dirty work finished, I gave it the light bath it needed.

CONCLUSION
Of course, I ran a couple of bristly cleaners soaked in pipe freshener through the shank and around the chamber and one more through the stem, but that was all it took to clean this near-pristine pipe. Even the stem didn’t need any sanding or work of any kind.

And so, for once I cannot complain of a pipe abused. God bless the merry gentleman who owned and enjoyed this beauty, albeit for a short time.

Giving New Life to a Briar Squire Bent Pot – Andrew Selking

1 Reply

Blog by Andrew Selking

This is the second article by Andrew that I have the pleasure of posting on the blog. It is about a well restored Briar Squire bent Pot. Andrew does some beautiful work and it is a pleasure to read and see the results of his work. Thanks Andrew.

I did not get as many pipes completed as I planned this past weekend, my honey-do list was longer than anticipated. However, I could not resist finding the time to fix up a Briar Squire bent pot with a diamond shank. According to Pipephil.eu, the Briar Squire was a brick and mortar tobacco and pipe shop located in Crystal Lake, IL from 1977 to 1983. I assume they had their pipes made by an outside pipe maker. Whoever made this pipe did a nice job. There were no fills in it and judging by all the angles on the stem that was hand cut as well.

The previous owner kept the bowl very clean, but the stem had some tooth marks and calcification on the end. I dropped the bowl into the alcohol bath and went to work on the stem with the 400 grit wet/dry with water. As you can see in this picture, there is still some faint oxidation left. I readdressed the oxidation with the 400 grit until it was gone. I find that it helps to dry the stem when you think you’ve reached the point where the oxidation is removed. I then proceeded to use the micro mesh, 1500-2400 grit, with water. Next I turned my attention to the bowl. The rim had some tar build up, which I tried to remove with distilled water. The water helped, but there was an area of stubborn tar that just wouldn’t come off. Since I didn’t want to remove all of the finish, I used 1500 grit micro mesh to top the bowl. I used 1500-2400 grit micro mesh without water on the bowl, then 3200-12000 grit micro mesh on the bowl and the stem. The last few levels really do a nice job of polishing both wood and vulcanite.

Next it was time to apply the wax/stain. For red/brown colored pipes I use Kiwi Brown. As I mentioned in my previous post, it is very easy to work with and gives a good base shine before the final polish on the buffing wheel.

After applying the shoe polish, I used the heat gun to melt the wax and buffed it out with a brush. As you can see. Finally it was off to the buffing wheel. Here are the results. Thanks for looking.

Cleaning Up a Brigham One Dot Acorn 778

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Blog by Steve Laug

One of the last pipes I picked up on my recent Alberta trip and the last pipe in my current pile of pipes to refurbish is a little Brigham Canada Acorn or Strawberry shaped rusticated pipe. The shape of the pipe is what caught my attention. And when I had it in hand the size was also a relevant feature. It is a very light weight pipe (don’t have a scale) and it is diminutive in size. The dimensions are: length – 5.5 inches, height – 1.5 inches, bore – .75 inches. The bowl is conical in shape ending well below the entry of the airway into the back wall. Overall the pipe was in decent shape and would be fairly easy to clean up. The finish was dirty and the bowl had a thin cake in it. The stem was oxidized and the inside of the shank was dirty. The stem was oxidized and had one tooth mark on the top surface near the button. On the underside of the stem near the button was a lot of tooth chatter. The stamping on the underside of the shank in a smooth area reads 778 which is the shape and that is followed by Made in Canada and then Brigham in script.

The next two photos show the tooth marks and tooth chatter on the stem. The tooth dent on the top of the stem near the button was quite deep and would need to be raised with heat and then probably repaired with superglue.

The aluminum Brigham tenon system was in great shape and showed no wear or tear on it. In the past I have taken apart these older Brigham pipes with the aluminum tenon and found it pitted and sometimes even eaten away. The filter surprised me in that when I pulled it out it was actually quite clean. The bowl was very clean and the rim was also clean. I cleaned out the aluminum tenon and the mortise area with isopropyl alcohol (99%) and cotton swabs and pipe cleaners. I ran them through the shank and stem until they came out clean.I sanded the stem with 220 grit sandpaper, medium and fine grit sanding sponges and then cleaned the surface with alcohol on a cotton pad. I scratched out the surface with a dental pick to remove any loose vulcanite or grit on the surface. I put several drops of clear superglue in the tooth dent and let it dry until it was hard.

Once it hardened and cured for about an hour I sanded it with 220 grit sandpaper to blend it into the surface of the stem. I wanted the surface to be smooth and the super glue bump to be smoothed into the surface. I also sanded it with a medium and fine grit sanding sponge to remove the scratches in the surface.

I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12,000 grit pads. In between each set of three pads I rubbed the stem down with Obsidian Oil and let it soak into the vulcanite. I had to repeat the process several times to remove the oxidation near the shank. I buffed it with White Diamond and then gave it a coat of carnauba wax.

I set the stem aside and scrubbed the bowl with Murphy’s Oil Soap. I used a soft bristle tooth brush to scrub it and then rinsed it off with running water. I kept a thumb in the bowl to keep the water from getting into the inside of the pipe. I dried it off with a cotton towel.

I rubbed down the bowl with Halcyon II wax and buffed it with a shoe brush to raise the shine and even out the wax. I put the maple filter back in the tenon and then put the stem on the bowl. I buffed the bowl lightly with carnauba wax and then with a soft flannel buff. The finished pipe is shown in the photos below. It is cleaned and ready to smoke. I love the older Brigham pipes like this one and find that they smoke very well. They deliver a cool dry smoke and the Brigham filter system works well to cool the smoke and not hamper the draw or the flavour. Sometime later this week I will load a bowl of Virginia and enjoy the first smoke in this old timer.

Restoring a Diamond Shank Bent – Andrew Selking

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Blog by Andrew Selking

I have been following Andrew’s refurbishing work on Pipe Smoker Unlimited Forum for quite some time now and decided it was time to ask him if he would be willing to write some of his work up with photos for the blog. I sent him a message and he responded that he was glad to do so. I am happy to be able to present him to the readers here. He has been doing some great work in restoring pipes and has some great adaptations and innovations in terms of tools and equipment used to restore pipes. Besides he also takes amazing photos compared to me! Thanks Andrew for being willing to write for us here. So without further words from me I turn it over to Andrew.

It was a great honor when Steve asked me to write up a restoration for his blog. This pipe came in a lot of three. It’s a very chunky, diamond shank pipe marked Made in London England. It has a couple large fills near the end of the shank, one on the bottom of the bowl, and one on the rim. It also has an amazing feel in your hand and some very pretty cross grain. I decided to do this one for myself.

The first thing I do with all of my pipes is soak the bowl in isopropyl alcohol, usually for at least 24 hours. This serves multiple purpose; loosens the gunk inside the pipe (especially in the shank), makes the cake easier to remove, and usually takes of the exterior finish and softens any fills. Here is the bowl taking a bath.While the bowl marinated, I soaked the stem in a solution of hot water and Oxyclean. After sitting for several hours, I rinsed the stem under running water, this removes some of the oxidation. Next I took a pipe cleaner and used the Oxyclean solution to remove the built up tar and tobacco from inside the stem. I set the stem aside and turned my attention to the bowl. In the case of this pipe, the alcohol was not enough to remove all of the finish. When this happens, I use 0000 steel wool soaked in acetone. The steel wool is fine enough that it doesn’t damage the stampings on the shank, but aggressive enough to make short work of any remaining finish.Next I turned my attention to the bowl. I use a Castleford reamer (available on eBay for around $20.00) to remove the cake.I usually go down to the wood. I’ve found it’s better to use a reamer that is slightly smaller than the inside of the bowl to prevent damage to the wood.

Next I worked on the shank. I have some small brushes that I bought in the baby section at Walmart (normal people use them to clean baby bottles, but I find they work great for the shank of a pipe). Although the brush gets most of the gunk out, I use a retort to really clean the inside of the shank and the stem. I started using this method when I couldn’t fit the end of the rubber tube over the wide button on a pipe. The tenon was a perfect fit and the tube also fits perfectly into the shank. This saves a lot of time and pipe cleaners. After doing the retort, I run one pipe cleaner through the stem and a pipe cleaner and q-tip through the shank and it’s done. Now that the inside of the pipe is clean, it’s time to start working on the outside. For the stem, I used 400 grit wet/dry sandpaper with water. This gets the majority of the oxidation out, the wet sand paper also makes it easier to get the underside of the button. Next I used micro-mesh pads (1500-2400 grit) with water. I wiped the stem dry and turned my attention to the bowl. I used a progression of micromesh pads, 1500-12000 grit. I also used the same progression on the stem. Now the pipe was ready for stain. This next part might be kind of controversial (I have never seen this method anywhere else). I use shoe polish for stain. Now before you dismiss this as crazy talk, consider this. It is very simple. I apply the polish, heat it with a heat gun, and buff it out with a shoe brush. I also protect the finish with carnauba wax and have never had any issues with the polish melting or coming off in my hand. Polish applied. After melting with the heat gun and buffing with a shoe brush. It is also very simple to even out the stain.Next up the heart breaker (also known as the buffing wheel). This little gem makes the difference between a really nice application of carnauba wax and an average looking pipe. It will also grab what you’re working on and fling it to the four winds and shatter the pipe you’ve just spent the last few hours working on. Hold what you’re working on with both hands, place as much padding as you can under and behind the buffer, and work on the stem and bowl separately. Sorry about the quality of the picture. I didn’t lose the pipe to the buffer and here’s the results. I anticipate that this pipe will pass on to my kids, or be part of the estate sale. I can’t wait to smoke it.