Tag Archives: Bowl – finishing

Reworking & Restemming Last of Mark’s Uncle’s Pipes – a Kaywoodie Custom Grain Dublin


Blog by Steve Laug

This is the last one of Mark’s uncle’s pipes and when I finish this one the lot of seven are complete and ready to go back to him. This last one is another Kaywoodie. I have repeatedly written how much I am enjoying working on these pipes for Mark. For me an important part of the restoration project is to know the history behind the pipe I am working on. When I find out the story it really adds another dimension to the pipe repair or restoration work.

I have finished six of the seven pipes that Mark sent me and have written about them. As I have worked on each pipe the pipeman who originally owned these pipes was with me through Mark’s story of his life. The links to the blog on each pipe is listed below if you want to read about the work on each of them.

  1. The Ropp Cherrywood De Luxe (https://rebornpipes.com/2018/01/17/cleaning-and-restoring-a-ropp-cherrywood-de-luxe-805/)
  2. The Doodler (https://rebornpipes.com/2018/01/19/restoring-a-beautiful-the-doodler-bullmoose/)
  3. A newer three hole stinger Kaywoodie Super Grain Billiard S-L (https://rebornpipes.com/2018/01/21/restoring-marks-uncles-third-pipe-a-kaywoodie-super-grain-s-l-billiard/)
  4. a Savinelli Churchwarden (https://rebornpipes.com/2018/01/22/restoring-marks-uncles-savinelli-churchwarden-aged-briar-2002/).
  5. A Tally Ho 33 Pot made by Hardcastle’s (https://rebornpipes.com/2018/01/25/restoring-and-restemming-marks-uncles-5th-pipe-a-tally-ho-33-pot/)
  6. A Kaywoodie Signet Rhodesian/Round shank Bulldog https://rebornpipes.com/2018/01/27/reworking-marks-uncles-6th-pipe-a-kaywoodie-signet-rhodesian/

Here are some pictures of the pipes.The pipe I am working on now is the fourth pipe down in the above photo and the fourth from the left in the photo below. It is a Dublin shaped pipe with a major piece missing from the button on the stem and the Kaywoodie logo missing from the stem. One last time I am going to include a bit of what Mark’s sent me about his uncle. I have included much of this in each of the past pipe restorations to give you a sense of the information that always in behind the desire to clean up and restore this set of old pipes. Mark wrote…

…My Uncle John, raised in an Appalachian Mountain family (think Hatfield and McCoy), was a large man with an affable personality – although this had limits and he could be quite formidable.

During WWII he left home and enlisted in the US Army where he was assigned to Patton’s 3rd Army as an ambulance driver.  After Germany surrendered, he was transported back to the US on a converted ocean liner troop ship (I believe it was the Queen Mary).  Upon reaching the US, his unit was immediately sequestered on a troop train for transport to the West Coast to be shipped to the Pacific for the invasion of Japan.  About half way across the country (possibly somewhere in Texas), the train stopped and the troops informed that Japan had capitulated – WWII was over.

Before the Korean War began, my uncle re-enlisted in the US Air Force.  He as assigned to a Photo Mapping unit as an Aircraft Mechanic.  He worked his way up to Crew Chief and served in Photo Mapping until he medically retired in the mid 60’s due to heart problems.

Being part of an Air Force family, I did not get to spend much time with my uncle while growing up.  However, I was able to stay a couple of summers with him at his West Palm Beach home while in my teens.  On a desk in his Florida Room sat collection of old used pipes in a walnut pipe rack / humidor combo (very similar the Decatur Industries 6 pipe Rack and humidor combination shown in the rebornpipes store).  There were a couple of packages of old dried up commercial brand tobacco in the humidor – one was cherry, I think.  I never saw my uncle smoke and never discussed the pipes with him, but I was intrigued by the pipe collection.  They were old, dirty, and well used – some with chewed through stems.  Obviously, the pipes had been smoked by a devoted pipe enthusiast.  As a young boy, I loved the smell of pipe tobacco, which you could occasionally smell in public way back then.  I started smoking an occasional pipe in college.  When my uncle passed away a few years later, I asked for his pipe collection and have stored it away since then.  The pipes are just as I received them some thirty years ago.

While I will never know for sure, I believe my uncle purchased the pipes in various PX’s and smoked them while an Air Crew Member.  The PX’s would have sold common commercially available pipe brands at a good price, nothing too expensive or exotic – consistent with the pipes in my uncle’s collection.  As a Photo Mapping Air Crew Member / Chief my uncle traveled the world extensively, and was stationed at many bases  – including “permanent” stations in West Palm Beach, Warner Robins, and Goose Bay Labrador, to name a few.  Smoking a pipe would have been a relaxing way to spend a few monotonous hours on the flight line or in the air.  After his heart problems, he must have given up pipe smoking and the pipes sat unused thereafter.  If the bowls look like they were recently scraped, it would have been over fifty years ago, most likely with a Case hardware store folding knife. If dirty, it is due to sitting for many years in the back room.  If well used and chewed it is due to many hours of smoking enjoyment.

I’m looking forward to seeing my Uncle John’s pipes in restored condition.  I know they are not “collectors” items, but they bring back priceless memories of my uncle and the times we spent together sharing “war stories”…

With the old pipeman almost standing over my work table, I turned my attention to the last of his pipes – a Kaywoodie Custom Grain Dublin shaped pipe. The pipe was stamped on the left side of the shank with the word Kaywoodie over Custom Grain over Imported Briar. On the right side of the shank is the shape number 08. I wrote about the various shape numbers of Kaywoodie and Yello-Bole pipe on the blog. I include that link now if you would like to have a look. https://rebornpipes.wordpress.com/wp-admin/post.php?post=39480&action=edit. I am also including the portion of the chart on the blog that shows the shape number of this old pipe and the years it was produced. I have boxed the shape number in red for quick reference. The exterior of the pipe was dirty and grimy with a few small dents in the sides of the bowl. The rim top was dirty and had some tar and lava overflowing the inside of the bowl. The right front of the bowl had burn damage where it looked like Mark’s uncle had repeatedly lit his pipe. The bowl itself did not have a thick cake but there was a still a thin cake in the bowl. The pipe looked like it had been reamed not too long before the last bowls were smoked. Overall the finish was in the worst condition of all of the pipes in this lot. It was dirty and dusty. The stem was oxidized and there was a large chunk of the vulcanite missing on the top end of the stem where it had been chewed through or broken off. The logo was missing from the inset on the left side of the stem. I took photos of the pipe before I started restoring it. I took a close up photo of the rim top to show the remnants of cake in the bowl and the lava buildup on the rim top. I took the photo at a bit of a different angle to show some of the damage to the rim top. The inner and outer edges were in rough shape. The front right outer edge was very worn. I have circled it in red to highlight it in the poor photo below. The top of the rim was also spotty and had tars and lava as well as nicks and scratches. I took some close up photos of the stem to show the size of the missing vulcanite chunk near the button on the underside. The oxidized metal three hole stinger on the stem needed polishing but otherwise it looked good.Since the stem was not only chomped on the underside but in examining it I found it was also cracked. I went through my can of stems and found one that was close to the same diameter and length. I had a decision to make – drill out the mortise to receive a push stem or transfer the stinger from the damaged stem and fitting it to the new stem. I chose the latter. I heated the tenon with a lighter while holding it with a pair of pliers. It did not take too long for the glue to heat up enough for me to turn the stem off of the stinger. I used a brass bristle brush to polish off the tars and oils that had hardened on the stinger. With the stinger removed it was time to work on the new stem to make it ready to take the stinger. Notice that the crack in original stem gave way in the first photo. The first thing that had to go on the new stem was the tenon. I cut it off with a hack saw as close to the end of the stem as possible. Once the tenon was gone I faced the end of the stem on the topping board to smooth out any rough or high spots that remained. I wanted a flush fit against the shank of the pipe. Once the tenon was gone I needed to drill the airway open to receive the stinger apparatus. The base of the stinger had a diameter of ¼ inch but I did not start drilling with that. I started with a bit slightly larger than the airway in the stem and worked my way up. I marked the bit with a permanent marker so that I would not drill too deep. I used a cordless drill at slow speed. To pull the bit out I reversed the drill and let it work it out slowly. This leaves a clean wall on the inside of the new stem.I cleaned out the new hole with cotton swabs and alcohol to remove all of the dust from drilling. I blew air through the stem to dry it out. I swabbed it with a clean and dry cotton swab. I lined the stinger upright with the hole on top and glued it in place with all-purpose glue. While it was still soft I threaded it into the shank and lined everything up so that it would dry straight. I set it aside and worked on something else while the glue dried. I took photos of the pipe to show the new stem in place after the glue dried. After the glue in the stem had set I removed the bowl from the stem and worked on it. It needed a lot of work. I wiped the bowl down with acetone on cotton pads to remove the remnants of the finish. Once I had the briar cleaned off I topped the bowl on the topping board with 220 grit sandpaper. I wanted to minimize the damage from the burn on the right front. I could not take it down to remove all of the burn without compromising the shape. I worked until it was less visible and then called it quits.The bowl was out of round and the inner edge of the bowl was damaged. I worked it over with a folded piece of sandpaper to minimize the damage and bring it back to round. I also worked on the outer edge of the rim to smooth it out as well. The second photo below shows the cleaned up rims – both inner and outer.I wiped the bowl down again with acetone on a cotton pad to remove the rest of the finish and clean up the briar. I took photos of the bowl at this point to show its condition. I polished the bowl with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the bowl down after each pad with acetone to clean off the sanding dust. The photos show the progress of the polishing. I wiped the bowl down with alcohol and then stained it with a medium brown aniline stain. I flamed the stain to set it and repeated the process until the coverage was what I was looking for. I washed down the bowl with alcohol on a cotton pad to make the stain a bit more transparent. I wanted to blend in the burn mark and still leave the grain showing through. I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the finish, enliven and protect the wood. I worked the balm into the rim top and inner bevel of the rim to polish the cleaned up area. I let it sit for a few minutes and then buffed it with a cotton cloth. The grain in the wood came alive and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside and worked on fitting the stem to the shank. I repeatedly put it on the shank to check the diameter and clean up the fit. I worked on it with 180 grit sandpaper and 220 grti sandpaper to shape the stem to match the diameter of the shank all the way around. I wiped it down each time I finished sanding and then tried the fit. I repeated the process until the transition was smooth between the shank and the stem. It took a lot of sanding to get the fit correct but once it was there the stem was ready to polish with micromesh sanding pads. I gave the bowl several coats of Conservator’s Wax to clean it and give it a light shine. I rubbed the stem down with Obsidian Oil to highlight what I needed to work on.  I also wanted to get an idea of what the pipe was going to look like once it was finished. I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks from the reshaping work. I wet sanded it with 1500-2400 grit pads and dry sanded it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. With the stem replaced and polished I put it back on the pipe and buffed the entire pipe again with Blue Diamond polish on the buffing wheel. I carefully buffed the new button with a light touch so as not to damage it. I gave the entire pipe several coats of carnauba wax and buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfibre cloth to raise the shine. The new stem and the original stem looked good to me and the bend was just right. The bowl polished up pretty nicely. The finished pipe is shown with the original stem in the photos below. This is the final pipe – number seven of Mark’s uncle’s pipes. Now I just need to pack these up as well as he did when he sent them to me and get them out to him. I am looking forward to what he will think once he has them in hand. Thanks for walking through these seven restorations with me. I am thinking Mark’s uncle would be proud of his pipe and glad that his nephew is carrying on the pipeman’s trust with them. Cheers.

Restemming, Repairing and Reconditioning a Ben Wade Golden Walnut Freehand


Blog by Steve Laug

When Mark sent me his uncle’s seven pipes to restore, he also sent several of his own pipes to be restored. The first pipe was the Italian made acorn with a sea rock style finish that I worked on earlier (https://rebornpipes.com/2018/01/20/breathing-new-life-into-an-italian-made-%c2%bc-bent-acorn/). The second pipe was a very nice looking Ben Wade Golden Walnut Freehand. It had some great grain on the sides, front and back. It had a flat area on the bottom of the bowl and could stand up without the stem. The shank end and the top of the rim had areas of plateau that were stained darker than the rest of the pipe. It is stamped on the underside of the shank Ben Wade over Golden Walnut. Underneath that it is stamped Hand Made in Denmark. The briar was dirty and there was grime into the grooves and crevices on the plateau top and end of the shank. There was grime and oils ground into the sides of the bowl and shank. The original stem with the broken tenon came in the bag that he sent the pipe in. It had snapped off cleanly at the flare in the stem. The stem itself was oxidized and had tooth chatter and marks on the top and underside near the button. There were scratches around the golden crown on the top of the stem. The crown was faded and worn. I decided I was going to try to put a new tenon on the original stem so I dropped it in the Before & After Deoxidizer bath to soak. I figured it would be easier to work on cleaned up. I added it to the photo after I took the photo below but it sat with the rest of the stems from the uncle’s pipes in the soak over night.While the original stem soaked I worked on an acrylic stem that Mark had chosen. I had sent him a photo of several options and he liked the brown and cream swirled acrylic. I used the PIMO tenon turner to reduce the diameter of the tenon to fit in the shank. It did not take too much to remove the excess material. The photos below show the stem on the tenon turner and the finished stem after turning.I took the stem out of the bath and rinsed it under warm water and rubbed it down with a coarse cloth to remove the oxidation. I took a photo of the two stems and the bowl to get a send of how the stem would look.I inserted a pipe cleaner in the airway and used a heat gun to soften the stem enough that I could bend it. I bent it at the same angle as the original stem. I cooled it with running water to set the bend in the stem. The photos below show the process and the final bent stem. I took some photos of the pipe with the new stem in place. The colour and the shape look good with Ben Wade. With the new stem fitted it was time to work on the cleanup of the briar. I worked on the insides of the bowl and shank to remove the tars and oils. I scraped out the inside of the mortise with a pen knife to remove the buildup in that area. I cleaned out the mortise and the airway in the shank with alcohol, pipe cleaners and cotton swabs.I scrubbed the exterior of the bowl and rim with a tooth brush and Murphy’s Oil Soap to remove the buildup of grime and oils in the briar and in the plateau areas of the shank and rim top. I rinsed it off the pipe under running water and scrubbed it under the water flow. I dried it off with a cotton cloth and buffed it lightly to raise a shine. I sanded the buildup on the inner edge of the rim on the back of the bowl with 1500-2400 grit micromesh sanding pads to remove the tars that remained in those areas. I polished the rim top with 3200-6000 grit pads.I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the finish, enliven and protect the wood. I worked the balm into the plateau on the rim top and the end of the shank to polish the cleaned up area. I buffed the pipe with a horsehair shoe shine brush to get it into the grooves of the plateau. I let it sit for a few minutes and then buffed it with a cotton cloth. The grain in the wood came alive and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. Ah now I was making progress. I had finished the acrylic stem and the cleaning and polishing of the bowl. It was time to address the original stem and see if I could put a new tenon on the freehand stem. I used the topping board to flatten the broken end of the stem using 220 grit sandpaper. I set up my cordless drill, put in a bit that was slightly larger than the airway in the stem. I slowly drilled the airway larger. I slowly moved up to larger bits to make the opening the same size as the threaded end of the new Delrin tenon.I used a needle file to clean up the opening in the end of the stem and even out the sides so that when the new tenon was in place it would align all the way around. I used the Dremel and sanding drum to take down the threads on the end of the new tenon to fit right in the hole. I did not want to drill it further and affect the structure of the stem. Once the threads were smoothed out slightly, it fit in nicely. I had to be careful in drilling the stem to not go to deep and drill through the top or underside of the stem. I also reduced the diameter of the rest of the tenon with the Dremel and sanding drum to fit in the mortise of the pipe.I pushed the tenon into the shank and smoothed out the transition between it and the rest of the stem with 220 grit sandpaper. Once I had it smooth I glued the tenon in the stem with super glue.I inserted the tenon into the stem a little less than previously to match the length of the original tenon. I mixed a batch of charcoal powder and super glue to fill in the gap between the new tenon and the stem.When the repair had cured I used a rasp and file to smooth out the repair to the connection. I sanded the repaired area with 180 and 220 grit sandpaper and was able to make the transition taper correctly. It would take more sanding but you can see the progress in the next photos. I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite and the rebuilt tenon area – wet sanding it with 1500-2400 grit pads and wiping it down with Obsidian Oil. After the 2400 grit pad I applied some Rub’n Buff Antique Gold gold to the crown stamp on the top of the stem. I rubbed it on and off leaving the gold in the stamping. I dry sanded the stem with 3200-12000 grit pads and wiped it down with Obsidian Oil after each pad. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. Once it had dried, I polished it with Before & After Pipe Stem Polish Fine and Extra Fine. I rubbed it down with final coat Obsidian Oil and took the following pictures. Since I had polished the bowl and the acrylic stem I decided to put it all together. I took photos of the finished pipe with the acrylic stem. The golds, browns and cream coloured swirls work well with the grain on the briar. The old Ben Wade Hand Made Golden Walnut looks good with a different kind of stem. It will give Mark an option to have both an acrylic and the original stem to choose from – almost like having two different pipes. Here are the photos of the pipe with the acrylic stem. I finished the repairs on the original stem, repaired and polished it. I put it back on the pipe and buffed the entire pipe again with Blue Diamond polish on the buffing wheel. I gave the entire pipe several coats of carnauba wax and buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfibre cloth to raise the shine. The new stem and the original stem looked good to me and the bend was just right. The bowl polished up pretty nicely. The finished pipe is shown with the original stem in the photos below. I will be adding to Mark’s package along with his uncle’s pipes when I have finished all of them and send it to him shortly. Thanks for looking.

Reworking Mark’s Uncle’s 6th pipe – a Kaywoodie Signet Rhodesian


Blog by Steve Laug

I have one more of Mark’s uncle’s pipes left after this one. The one on the table now is one of the Kaywoodies. I am really enjoying working on these and I think it is because of the known history behind these old pipes. To me one of the fun parts of this hobby is the history or backstory on the pipes. If I can find out about that it gives another dimension to the pipe repair or restoration work. I have finished five of the seven pipes that Mark sent me. The Ropp Cherrywood De Luxe (https://rebornpipes.com/2018/01/17/cleaning-and-restoring-a-ropp-cherrywood-de-luxe-805/), The Doodler (https://rebornpipes.com/2018/01/19/restoring-a-beautiful-the-doodler-bullmoose/), newer three hole stinger Kaywoodie Super Grain Billiard S-L (https://rebornpipes.com/2018/01/21/restoring-marks-uncles-third-pipe-a-kaywoodie-super-grain-s-l-billiard/), a Savinelli Churchwarden (https://rebornpipes.com/2018/01/22/restoring-marks-uncles-savinelli-churchwarden-aged-briar-2002/) and a Tally Ho 33 Pot made by Hardcastle’s (https://rebornpipes.com/2018/01/25/restoring-and-restemming-marks-uncles-5th-pipe-a-tally-ho-33-pot/) are completed and I have posted them on the blog. I mentioned in each previous blog that I think about the pipeman who used these pipes as a daily part of his life while I am working on them. Here are some pictures of the pipes.The pipe I am working on now is the third pipe down in the above photo and the third from the left in the photo below. It is a Rhodesian or round shank bulldog pipe with a major piece missing from the button on the stem.I have included a bit of the history of Mark’s uncle with each of the past pipe restorations to give you a sense of the information that always in behind the desire to clean up and restore this set of old pipes. Mark wrote…

…My Uncle John, raised in an Appalachian Mountain family (think Hatfield and McCoy), was a large man with an affable personality – although this had limits and he could be quite formidable.

During WWII he left home and enlisted in the US Army where he was assigned to Patton’s 3rd Army as an ambulance driver.  After Germany surrendered, he was transported back to the US on a converted ocean liner troop ship (I believe it was the Queen Mary).  Upon reaching the US, his unit was immediately sequestered on a troop train for transport to the West Coast to be shipped to the Pacific for the invasion of Japan.  About half way across the country (possibly somewhere in Texas), the train stopped and the troops informed that Japan had capitulated – WWII was over.

Before the Korean War began, my uncle re-enlisted in the US Air Force.  He as assigned to a Photo Mapping unit as an Aircraft Mechanic.  He worked his way up to Crew Chief and served in Photo Mapping until he medically retired in the mid 60’s due to heart problems.

Being part of an Air Force family, I did not get to spend much time with my uncle while growing up.  However, I was able to stay a couple of summers with him at his West Palm Beach home while in my teens.  On a desk in his Florida Room sat collection of old used pipes in a walnut pipe rack / humidor combo (very similar the Decatur Industries 6 pipe Rack and humidor combination shown in the rebornpipes store).  There were a couple of packages of old dried up commercial brand tobacco in the humidor – one was cherry, I think.  I never saw my uncle smoke and never discussed the pipes with him, but I was intrigued by the pipe collection.  They were old, dirty, and well used – some with chewed through stems.  Obviously, the pipes had been smoked by a devoted pipe enthusiast.  As a young boy, I loved the smell of pipe tobacco, which you could occasionally smell in public way back then.  I started smoking an occasional pipe in college.  When my uncle passed away a few years later, I asked for his pipe collection and have stored it away since then.  The pipes are just as I received them some thirty years ago.

While I will never know for sure, I believe my uncle purchased the pipes in various PX’s and smoked them while an Air Crew Member.  The PX’s would have sold common commercially available pipe brands at a good price, nothing too expensive or exotic – consistent with the pipes in my uncle’s collection.  As a Photo Mapping Air Crew Member / Chief my uncle traveled the world extensively, and was stationed at many bases  – including “permanent” stations in West Palm Beach, Warner Robins, and Goose Bay Labrador, to name a few.  Smoking a pipe would have been a relaxing way to spend a few monotonous hours on the flight line or in the air.  After his heart problems, he must have given up pipe smoking and the pipes sat unused thereafter.  If the bowls look like they were recently scraped, it would have been over fifty years ago, most likely with a Case hardware store folding knife. If dirty, it is due to sitting for many years in the back room.  If well used and chewed it is due to many hours of smoking enjoyment.

I’m looking forward to seeing my Uncle John’s pipes in restored condition.  I know they are not “collectors” items, but they bring back priceless memories of my uncle and the times we spent together sharing “war stories”…

With that reminder of the old pipeman, I turned my attention to the sixth of Mark’s uncle’s pipes – a Kaywoodie Signet bulldog/Rhodesian shaped pipe. The pipe was stamped on the left side of the shank with the word Kaywoodie over the word Signet. There were no shape numbers on the right side or underside of the shank. The was an oxidized aluminum end cap threaded to hold the stinger/tenon apparatus. The exterior of the pipe was dirty and grimy with a few small dents in the sides of the bowl. The rim top was dirty and had some tar and lava overflowing the inside of the bowl. The bowl itself did not have a thick cake but there was a thin cake and remnants of tobacco in the bowl. The pipe looked like it had been reamed not too long before the last bowls were smoked. Overall the finish was in good condition but it was dirty and dusty. The stem was oxidized and there was a large chunk of the vulcanite missing on the top end of the stem where it had been chewed through or broken off. The stem was also slightly underclocked to the left. I took photos of the pipe before I started restoring it. I took a close up photo of the rim top to show the remnants of cake in the bowl and the lava buildup on the rim top. It appeared that the pipe may have been reamed or cleaned at some point very recently. The inner and outer edges of the rim were in good condition. But I would know more once I removed the lava overflow. I took some close up photos of the stem to show the size of the missing vulcanite chunk near the button on the top side. The oxidized metal fitment on the shank end needed polishing but otherwise it looked good.The stinger apparatus in the shank had three holes in the ball at the end of the piece. It was covered in tars and oils and was quite dirty. The great thing was that there was nothing missing on the stinger and there were no deep scratches or gouges in the aluminum.I used a Savinelli Fitsall Pipe Knife to scrape away the remnants of cake and tobacco on the walls of the bowl. I used a rolled piece of 220 grit sandpaper to sand the walls of the pipe and smooth out all the remaining bits. The bowl looked good once it was cleaned.Because it was the original stem and there was thickness to it, and because the stinger was intact in the stem I decided to do something a little different. I cut off the end of the damaged stem with a Dremel and sanding drum until I had solid vulcanite to work with. I cleaned off the stinger with 0000 steel wool to remove all of the tars and oils. I heated the stinger until the glue had softened and realigned the stem with the shank.I took the stem off the pipe and cleaned the exterior, especially focusing on the end that I was going to rebuild. I mixed up a batch of charcoal powder and black super glue (2 capsules of charcoal powder were mixed together with the super glue) to make a paste to use in rebuilding the button. I applied it to the area where the button would be with a dental spatula. I made it thicker than it needed to be so that I could shape and contour the finished look once the repair had cured. I sprayed the repair with accelerator and set it aside to dry. While the repair cured I worked on the aluminum shank end to polish out the oxidation. I worked on it with 1500-2400 grit micromesh to get it to the point is in the photos below. Once the new button area had cured and the repair was hard, I shaped it with a rasp and a needle file. I matched the two sides of the button – the top and bottom in terms of shape and width. I cut the sharp edge of the button square with the files and shaped the top and underside in front of the button with 220 grit sandpaper. I still need to open up the slot in the button at this point as well as round the edges of the button itself but it is coming along nicely.I turned my attention to opening the slot in the end of the new button. The first photo shows the look of the slot and button at this point. The second shows the new slot that has been opened in the button end using needle files.I cleaned out the airway inside the stem and stinger with pipe cleaners and alcohol. I want to remove the grime but also the dust that would be present from my shaping of the button and slot. I was surprised at how clean the inside of the airway was. I also cleaned out the metal mortise and shank with pipe cleaners, cotton swabs and alcohol.I cleaned off the tars on the top of the rim and polished it with 1500-2400 grit micromesh sanding pads. Once I had it smooth and unscratched I stained it with a dark brown stain pen. I hand buffed it with a soft cloth to blend the stain into the rest of the bowl.I polished the aluminum end of the shank with micromesh sanding pads to raise a shine. I wet sanded it with 1500-2400 grit pads and dry sanded it with 3200-12000 grit pads. I wiped it down with a damp cotton pad after each grit of micromesh. I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite and the rebuilt button – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. Once it had dried, I polished it with Before & After Pipe Stem Polish Fine and Extra Fine. I rubbed it down with final coat Obsidian Oil and took the following pictures. With the stem repaired and polished I put it back on the pipe and buffed the entire pipe again with Blue Diamond polish on the buffing wheel. I carefully buffed the new button with a light touch so as not to damage it. I gave the entire pipe several coats of carnauba wax and buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfibre cloth to raise the shine. The new stem and the original stem looked good to me and the bend was just right. The bowl polished up pretty nicely. The finished pipe is shown with the original stem in the photos below. This is pipe number six of Mark’s uncle’s pipes. One left to finish up and then it will head back home to him. Thanks for looking.

Restoring and Restemming Mark’s Uncle’s 5th pipe – a Tally Ho 33 Pot


Blog by Steve Laug

I have two more of Mark’s uncle’s pipes left after this one. Both of them are Kaywoodies. I am really enjoying working on these and I think it is because of the known history behind these old pipes. To me one of the fun parts of this hobby is the history or backstory on the pipes. If I can find out about that it gives another dimension to the pipe repair or restoration work. I have finished four of the seven pipes that Mark sent me. The Ropp Cherrywood De Luxe (https://rebornpipes.com/2018/01/17/cleaning-and-restoring-a-ropp-cherrywood-de-luxe-805/), The Doodler (https://rebornpipes.com/2018/01/19/restoring-a-beautiful-the-doodler-bullmoose/), newer three hole stinger Kaywoodie Super Grain Billiard S-L (https://rebornpipes.com/2018/01/21/restoring-marks-uncles-third-pipe-a-kaywoodie-super-grain-s-l-billiard/) and a Savinelli Churchwarden (https://rebornpipes.com/2018/01/22/restoring-marks-uncles-savinelli-churchwarden-aged-briar-2002/) are completed and I have posted them on the blog. As I mentioned in a previous blog I often think about the pipeman who used these pipes as a daily part of his life while I am working on it. Here are some pictures of the pipes.The pipe I am working on now is the fifth pipe down in the above photo and the fifth from the left in the photo below. It is a delicate pot shaped pipe with a major piece missing from the button on the stem.I am including a part of that history to give you a sense of the information that fed the desire to clean up and restore this set of old pipes. Mark wrote…

…My Uncle John, raised in an Appalachian Mountain family (think Hatfield and McCoy), was a large man with an affable personality – although this had limits and he could be quite formidable.

During WWII he left home and enlisted in the US Army where he was assigned to Patton’s 3rd Army as an ambulance driver.  After Germany surrendered, he was transported back to the US on a converted ocean liner troop ship (I believe it was the Queen Mary).  Upon reaching the US, his unit was immediately sequestered on a troop train for transport to the West Coast to be shipped to the Pacific for the invasion of Japan.  About half way across the country (possibly somewhere in Texas), the train stopped and the troops informed that Japan had capitulated – WWII was over.

Before the Korean War began, my uncle re-enlisted in the US Air Force.  He as assigned to a Photo Mapping unit as an Aircraft Mechanic.  He worked his way up to Crew Chief and served in Photo Mapping until he medically retired in the mid 60’s due to heart problems.

Being part of an Air Force family, I did not get to spend much time with my uncle while growing up.  However, I was able to stay a couple of summers with him at his West Palm Beach home while in my teens.  On a desk in his Florida Room sat collection of old used pipes in a walnut pipe rack / humidor combo (very similar the Decatur Industries 6 pipe Rack and humidor combination shown in the rebornpipes store).  There were a couple of packages of old dried up commercial brand tobacco in the humidor – one was cherry, I think.  I never saw my uncle smoke and never discussed the pipes with him, but I was intrigued by the pipe collection.  They were old, dirty, and well used – some with chewed through stems.  Obviously, the pipes had been smoked by a devoted pipe enthusiast.  As a young boy, I loved the smell of pipe tobacco, which you could occasionally smell in public way back then.  I started smoking an occasional pipe in college.  When my uncle passed away a few years later, I asked for his pipe collection and have stored it away since then.  The pipes are just as I received them some thirty years ago.

While I will never know for sure, I believe my uncle purchased the pipes in various PX’s and smoked them while an Air Crew Member.  The PX’s would have sold common commercially available pipe brands at a good price, nothing too expensive or exotic – consistent with the pipes in my uncle’s collection.  As a Photo Mapping Air Crew Member / Chief my uncle traveled the world extensively, and was stationed at many bases  – including “permanent” stations in West Palm Beach, Warner Robins, and Goose Bay Labrador, to name a few.  Smoking a pipe would have been a relaxing way to spend a few monotonous hours on the flight line or in the air.  After his heart problems, he must have given up pipe smoking and the pipes sat unused thereafter.  If the bowls look like they were recently scraped, it would have been over fifty years ago, most likely with a Case hardware store folding knife. If dirty, it is due to sitting for many years in the back room.  If well used and chewed it is due to many hours of smoking enjoyment.

I’m looking forward to seeing my Uncle John’s pipes in restored condition.  I know they are not “collectors” items, but they bring back priceless memories of my uncle and the times we spent together sharing “war stories”…

With that reminder of the old pipeman, I turned my attention to the fifth of Mark’s uncle’s pipes – a Tally Ho pot shaped pipe. The pipe was stamped on the left side of the shank with the words Tally Ho wrapped with a swirled line almost like ribbon around the words. On the right side of the shank is stamped Made in London England and next to the shank/bowl junction is the shape number 33. The exterior of the pipe was dirty and grimy with a few small dents in the sides of the bowl. The rim top was dirty and had some light buildup on the top edge. The bevel on the inner edge was darkened and dirty. The bowl itself looked recently reamed and was clean. Overall the finish was in good condition but it was dirty and dusty. The stem was oxidized and there was a large chunk of the vulcanite missing on the top end of the stem where it had been chewed through or broken off. I knew that on this one the stem would need to be replaced. I took photos of the pipe before I started restoring it. I took a close up photo of the rim top to show the lack of cake in the bowl and the light buildup on the rim top. It appeared that the pipe may have been reamed or cleaned at some point very recently. The inner and outer edges of the rim were in good condition. There was some darkening and tar on the inner beveled rim.  I took some close up photos of the stem to show the size of the missing vulcanite chunk near the button on the top side.I went through my collection of stems and found an estate stem that was very close in length and diameter to the original stem. The button was different to some degree but it would work well. I would need to sand down the tenon to make it fit properly but it would not take too much work to get a decent fit on it.Once the tenon was resized to fit I put the stem in place and sanded the stem diameter with 220 grit sandpaper to fit it to the shank. The new stem was going to look really good once it was polished and the fit perfected.

At this point I took a bit of time to have a look and see what I could find out about the brand. I checked on Pipedia and did not find anything. I went on to look on the Pipephil Logos and Stampings site and there I found what I needed. The brand was listed and linked to Hardcastle Pipes. It was an English made pipe as the stamping clearly showed. It was evidently a sub-brand of the Hardcastle line. http://www.pipephil.eu/logos/en/logo-t2.html

I took some photos of the stamping on the left, right and underside of the shank. The stamping is quite readable. The Tally Ho stamping in the above photo is identical to the stamping on the left side of the shank. The Made In London over England and the placement of the shape number 33 stamp also is a match. The placement of the Patent number on the underside of the shank is the same and the number Pat. No.227665 is also the same. I am not sure what the patent refers to but my guess would be some inner tube or stinger apparatus designed to remove moisture from the smoke as it is drawn into the mouth. I used a small blade pen knife to scrape out the tars and oils on the inside of the mortise. Once it was removed I cleaned out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners until they came out clean.I used a folded piece of 220 grit sandpaper to work on the inner bevel of the rim. I removed the tars and oils that had built up in that place. I used 1500-2400 grit micromesh sanding pads to clean up the top of the rim and smooth out the debris that was stuck on top.I used a folded piece of 220 grit sandpaper to work on the inner bevel of the rim. I removed the tars and oils that had built up in that place. I used 1500-2400 grit micromesh sanding pads to clean up the top of the rim and smooth out the debris that was stuck on top.I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the finish, enliven and protect the wood. I worked the balm into the rim top and inner bevel of the rim to polish the cleaned up area. I let it sit for a few minutes and then buffed it with a cotton cloth. The grain in the wood came alive and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I adjusted the fit of the stem to the shank with a bit more sanding. I put the stem in the shank and sanded with the stem in place to make the transition smooth to touch. Once the transition was smooth I worked it over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. I used micromesh sanding pads (1500-12000 grit) to polish the sanding end of the shank to remove the scratches left behind by the sandpaper. I stained it with a dark brown stain pen to blend it into the colour of the rest of the bowl and shank. Once it dried I rubbed it down with some Conservator’s Wax and buffed it with a soft cloth to polish it. I took the following photos to show the bowl at this time. I put the stem back on the bowl and took the pipe to the buffing wheel to work it over. I buffed the bowl and stem with Blue Diamond to polish them. I gave the bowl and stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The briar really shines and the dark stain looks beautiful. The vulcanite stem came out quite nice with a deep shine. The pipe and new stem look very good. Just two more of the uncle’s pipes to finish up and then these will be heading back to the US. Thanks for looking.

 

 

Restoring Mark’s Uncle’s Savinelli Churchwarden Aged Briar 2002


Blog by Steve Laug

One of the things I really like about restoring pipes that have a known history is the opportunity to be a part of the journey of a particular pipe and carry on the trust that was left with the family member who shared the pipes with me. In this case Mark sent me the back story to his uncle’s seven pipes after I had finished the second pipe. I have done three of them now. I finished the Ropp Cherrywood De Luxe (https://rebornpipes.com/2018/01/17/cleaning-and-restoring-a-ropp-cherrywood-de-luxe-805/) and the Doodler (https://rebornpipes.com/2018/01/19/restoring-a-beautiful-the-doodler-bullmoose/) and a newer three hole stinger Kaywoodie Super Grain Billiard S-L (https://rebornpipes.com/2018/01/21/restoring-marks-uncles-third-pipe-a-kaywoodie-super-grain-s-l-billiard/) posted them on the blog. As I mentioned in a previous blog I often think of the pipeman who had used the pipe daily as a part of his life while working on it. Here are some pictures of the pipes. Some of Mark’s Uncle’s pipe were worn and tired looking but still had a lot of life in them. Several of the Kaywoodies had stem damage as did a small apple. The pipes were relatively clean – the bowls did not have a thick cake and the rim tops though caked with lava were decent. You can tell from the photos which pipes were his favourites. I shared the story of the pipes in the last blog on the Kaywoodie Super Grain S-L Billiard. I am including it once again with this blog for those of you who did not read it previously. If you have read it you can skip ahead to the restoration on the pipe.

Hello Steve,

You must wonder about the history of the pipes you work on, so I thought might like to know a little about my uncle and his pipes:

My Uncle John, raised in an Appalachian Mountain family (think Hatfield and McCoy), was a large man with an affable personality – although this had limits and he could be quite formidable.

During WWII he left home and enlisted in the US Army where he was assigned to Patton’s 3rd Army as an ambulance driver.  After Germany surrendered, he was transported back to the US on a converted ocean liner troop ship (I believe it was the Queen Mary).  Upon reaching the US, his unit was immediately sequestered on a troop train for transport to the West Coast to be shipped to the Pacific for the invasion of Japan.  About half way across the country (possibly somewhere in Texas), the train stopped and the troops informed that Japan had capitulated – WWII was over.

Before the Korean War began, my uncle re-enlisted in the US Air Force.  He as assigned to a Photo Mapping unit as an Aircraft Mechanic.  He worked his way up to Crew Chief and served in Photo Mapping until he medically retired in the mid 60’s due to heart problems.

Being part of an Air Force family, I did not get to spend much time with my uncle while growing up.  However, I was able to stay a couple of summers with him at his West Palm Beach home while in my teens.  On a desk in his Florida Room sat collection of old used pipes in a walnut pipe rack / humidor combo (very similar the Decatur Industries 6 pipe Rack and humidor combination shown in the rebornpipes store).  There were a couple of packages of old dried up commercial brand tobacco in the humidor – one was cherry, I think.  I never saw my uncle smoke and never discussed the pipes with him, but I was intrigued by the pipe collection.  They were old, dirty, and well used – some with chewed through stems.  Obviously, the pipes had been smoked by a devoted pipe enthusiast.  As a young boy, I loved the smell of pipe tobacco, which you could occasionally smell in public way back then.  I started smoking an occasional pipe in college.  When my uncle passed away a few years later, I asked for his pipe collection and have stored it away since then.  The pipes are just as I received them some thirty years ago.

While I will never know for sure, I believe my uncle purchased the pipes in various PX’s and smoked them while an Air Crew Member.  The PX’s would have sold common commercially available pipe brands at a good price, nothing too expensive or exotic – consistent with the pipes in my uncle’s collection.  As a Photo Mapping Air Crew Member / Chief my uncle traveled the world extensively, and was stationed at many bases  – including “permanent” stations in West Palm Beach, Warner Robins, and Goose Bay Labrador, to name a few.  Smoking a pipe would have been a relaxing way to spend a few monotonous hours on the flight line or in the air.  After his heart problems, he must have given up pipe smoking and the pipes sat unused thereafter.  If the bowls look like they were recently scraped, it would have been over fifty years ago, most likely with a Case hardware store folding knife. If dirty, it is due to sitting for many years in the back room.  If well used and chewed it is due to many hours of smoking enjoyment.

I’m looking forward to seeing my Uncle John’s pipes in restored condition.  I know they are not “collectors” items, but they bring back priceless memories of my uncle and the times we spent together sharing “war stories”.

Your pictures and stories of the Doodler and Ropp are great, keep up the good work.  Feel free to edit and use any of my uncle’s write up on your blog if you wish. – Mark

Once again that information was a part of the privilege I had of working on this pipe. I turned my attention to the fourth of Mark’s uncle’s pipes – a Savinelli Churchwarden. The pipe was stamped on the underside of the shank in a smooth portion with the words Churchwarden over Aged Briar. Next to that it reads Savinelli over Italy. Next to that at the stem/shank junction is the shape number 2002. There was a dust and grime deep in the wire rustication. The rim top was clean and the bowl was also clean. It appeared that the pipe was either unsmoked or very lightly smoked. Overall the finish was in really good condition but it was dirty and dusty. The stem was oxidized and there was light tooth chatter on both sides near the button. I took photos of the pipe before I started restoring it. I took a close up photo of the rim top to show the lack of cake in the bowl and the clean rim top. It appeared that the pipe may have only been smoked once or twice if at all. The inner and outer edges of the rim were in perfect condition. I also took a close up photo of the underside of the bowl and shank. It reads as I mentioned above.I took some close up photos of the stem to show the condition of both sides. The stem was oxidized and showed tooth chatter and tooth marks on both sides near the button.I scrubbed the wire rustication on the bowl and rim top with Murphy’s Oil Soap and a tooth brush to remove the grime and dirt on the bowl. I rinsed it off with running water and dried the bowl and shank off with a soft cotton towel. I took photos of the cleaned bowl to show what it looked like at this point in the process. I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the finish, enliven and protect the wood. I worked the balm into the wire rusticated grooves on the rim top and bowl sides. I let it sit for a few minutes and then buffed it with a horse hair shoe brush and a cotton cloth. The wood came alive and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I used a small blade pen knife to scrape out the tars and oils on the inside of the mortise. Once it was removed I cleaned out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. Once the cleaners came out remaining white the inside of the shank was clean. The one thing I noticed in both the shank and the stem was that there was black stain coming out of the mortise and airway along with the light debris from smoking.I sanded the stem to break up the oxidation the length of the stem. I wanted to remove the oxidation on the surface and ready the stem for polishing. I sanded it with 220 grit sandpaper.I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. Once it had dried, I polished it with Before & After Pipe Stem Polish Fine and Extra Fine. I rubbed it down with final coat Obsidian Oil and took the following pictures. I put the stem back on the bowl and took the pipe to the buffing wheel to work it over. I buffed the bowl and stem with Blue Diamond to polish them. I was careful in buffing the wire rustication with the Blue Diamond as I did not want to get it in the grooves. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The briar really shines and the dark stain looks beautiful. The vulcanite stem came out quite nice with a deep shine. The pipe came out really well. This one is pipe four of seven. I have three more of the uncle’s pipes to finish up and then these will be heading back to the US. Thanks for looking.   

Breathing New Life into an Italian Made ¼ Bent Acorn


Blog by Steve Laug

When Mark sent me his uncle’s pipes for restoration he also put in several of his own pipes. This is the first of those. It is a ¼ bent rusticated acorn shaped pipe. The only marking on the pipe was the stamping Italy at the stem/shank junction on the underside of the pipe. There was a lot of dust and grime deep in the grooves of the rustication. There was a smooth band around the end of the shank and on the underside. Overall the finish was in decent condition but it was a very dirty pipe. The stem was oxidized – more on the topside than the underside. The tooth chatter was light and the tooth marks were even lighter. This pipe reminded me of one that I restemmed not long ago with the same finish and stamping. It has a great ruff finish that feels great in the hand (https://rebornpipes.com/2017/10/22/this-old-italian-canadian-showed-promise/). I took a close up photo of the rim top to show the lava build up and the light cake in the bowl. Mark kept the pipe relatively clean in terms of the cake. It appeared that the bowl had been reamed not too long ago. There were some remnants of the cake in the bowl. The rusticated rim top had some lava deep in the grooves of the finish. The edges of the rim looked to be in good condition. I took some close up photos of the stem to show the condition of both sides. The stem was oxidized and showed tooth chatter and light tooth marks on both sides near the button.I added this stem to the other three stems that I put in the Before & After Pipe Stem Deoxidizer. I pushed them under the solution and left them to soak overnight.While the stems were all soaking I turned my attention to the bowl. I scrubbed the grooves and rustication on the rim top with a brass bristle brush to break up the tars and lava. I followed that by cleaning the surface of the briar with Murphy’s Oil Soap to clean off the dust and grime that sat on the surface. I scrubbed the surface with a tooth brush and rinsed it off with running water. I dried the bowl and shank off with a soft cotton towel. I took photos of the cleaned Italian pipe with the sea rock finish. It actually looked really good. The rim top still needed work but it looked better. I cleaned up the inside of the bowl to remove the remaining bits of cake on the walls and the bottom of the bowl with a Savinelli Fitsall Pipe Knife.I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the finish, enliven and protect the wood. I used a cotton swab to work the balm into the grooves in the rustication. I let it sit for a few minutes and then buffed it with a cotton cloth. The wood came alive and the grain had begun to show through at this point and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside and called it a night. The bowl was ready other than touching up the cleaning of the shank. In the morning I removed the stem from the Before & After Stem Deoxidizer and wiped it off with a paper towel to remove the remaining oxidation and bath. I cleaned out the airway with pipe cleaners and alcohol until it was clean. I cleaned out the shank with alcohol, pipe cleaners and cotton swabs at the same time to remove any debris that remained inside. The stem was clean and there was still some oxidation on the surface with some scratching, tooth chatter and marks. It was ready to be sanded and polished.  I sanded the stem to remove the scratching and tooth chatter. I heated the stem with a Bic lighter to lift the light tooth marks. The heat smoothed out the surface enough that I was able to sand out the rest of the remnants of the marks.I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. Once it had dried, I polished it with Before & After Pipe Stem Polish Fine and Extra Fine. I rubbed it down with final coat Obsidian Oil and took the following pictures. I put the stem back on the bowl and took the pipe to the buffing wheel to work it over. I buffed the bowl and stem with Blue Diamond to polish them. I gave the bowl and stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The briar has a shine and a rich glow to it and the vulcanite stem came out quite nice with a deep shine. The pipe came out really well. Now I have four more of the uncle’s pipes to finish up and then these will be heading back to the US. Thanks for looking.

Introducing the House of Robertson Brand – A Large Rusticated Special Horn


Blog by Steve Laug

My brother Jeff found an assortment of House of Robertson pipes at an auction in Wilder, Idaho which is an area in the greater Boise, Idaho area. He picked them up for us to restore. I had forgotten that I had mentioned the brand in passing in a blog on Leonard’s Pipe Shop in Portland, Oregon. Here is the link to that blog where I mention it as one of the brands that Leonard’s sold: https://rebornpipes.com/2013/06/06/leonards-pipe-shop-portland-oregon/. It is a fascinating brand that really I had never had the privilege of seeing first hand. He cleaned them all up and on a recent trip to Idaho, I picked them up and brought them back to Canada. I took pictures of the lot of them to show the wide variety of pipes that they made in terms of both size and style. The craftsmanship is very good with the fit of the stem and shank well done and the finish both rusticated and smooth exemplary. Jeff picked up three more of the brand in Pocatello, Idaho so I will be working on more of these pipes in the future. They all have the name House of Robertson roughly hand etched on the side or underside of the shank with an engraving tool. I did a bit of hunting for information about the brand and found a link on Pipedia that gave me the only information I could find on the brand. I include that in total as it is interesting to read.

“House of Robertson” was in business for many years, but alas, closed their doors in 1999. They were located in Boise, Idaho. They are noted for making rather large and interesting pipes. Thayne Robertson was a Master Mason, AF & AM, and started the shop about 1947 and his son Jon started working there in 1970 when he finished college, along with Thayne’s daughter. Thayne and his son started making the big pipes at that time, and made them together until 1987 when Thayne passed away. Jon kept the store and his sister moved on to other things. The House of Robertson appears to have closed around 1999. https://pipedia.org/wiki/Robertson

The first of the six pipes I chose to work on was the large horn shaped rusticated pipe. It is stamped House of Robertson on a smooth panel on the left side of the shank and Special on a smooth part on the underside of the shank next to the stem/shank junction. The rusticated finish on the pipe was in good shape – just dusty and dirty. The deep grooves in the rustication were very dirty. The smooth rim top had some darkening where it had been repeatedly heated with a lighter. The bowl had a thin cake but it did not go all the way to the bottom of the bowl. The pipe is quite large but very light weight for the chunk of briar that was used. The stem was oxidized but did not have tooth marks or chatter on the surface. The fit of the stem to the shank was good. The vulcanite appeared to have been a pre-formed stem that was shaped to fit this pipe. The internals of the shank and stem had some tars and oils. Jeff took photos of the pipe before he started the cleanup. The next close-up photos show the finish on various sides of the bowl. The first photo shows that the bowl had a thin cake and a darkened spot on the left side of the rim top where the previous owner had repeatedly lit the pipe. The inner edge of the rim had a few small nicks along the edges and there was some darkening on the back inner edge. The finish on the rim top was in great condition. The three photos that follow the rim view show the pipe from different angles. The next two photos show the etched name on the left side of shank on a smooth panel of briar. It reads House of Robertson. On the underside of the shank is etched the name Special – also on a smooth panel of briar. The stem was oxidized and pitted from the oxidation. There were no tooth marks on the stem top or underside. There was one small nick on the stem at the joint of the stem and the shank on the underside. I wonder if it did not happen when the word Special was etched on the shank. Probably I will never know but it is interesting.Jeff out did himself on the cleanup of this pipe. He reamed the bowl with a Savinelli Fitsall pipe knife to remove the thin cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. When he had finished, the bowl looks almost new on the inside (I actually don’t think it has ever been smoked to the bottom of the bowl as it is raw briar in the bottom third).  He scrubbed the exterior of the bowl, rim and shank with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the bowl, rim and shank. He rinsed it under running water. He dried it off with a soft cloth. The light lava mess on the rim and the dust deep in the rustication was thoroughly removed without harming the finish underneath it. Once the grime was removed the finish actually looked to be in excellent condition I took photos of the pipe to show its condition before I started my work on it. I took a photo of the rim top to show the great condition it was in after the cleanup. Jeff was able to remove all of the darkening and tar on the right side of the rim top and the back edge of the rim. The stem was clean but pitted and oxidized.I rubbed the bowl down with Before & After Restoration Balm to deep clean the nooks and crannies of the rusticated finish, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl on the wheel with a horsehair shoe brush to polish it. It really began to have a deep shine in the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I sanded the stem with 220 grit sandpaper to remove the oxidation on both sides and in the angles of the saddle stem.I polished out the sanding scratches and marks in the vulcanite with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-4000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I buffed the stem with Blue Diamond on the buffing wheel. I brought it back to the table and sanded it with the final three 6000-12000 grit pads. After the final pad I gave it a final coat of oil and set it aside to dry. I put the stem back on the bowl and worked the pipe over on the buffing wheel using Blue Diamond to lightly polish the bowl and shank. I buffed the bowl with a light touch so as not to get any of the buffing compounds in the grooves of the rustication. I buffed the stem to raise the gloss on the vulcanite. I gave the bowl multiple coats of Conservator’s Wax and gave the stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The medium brown stains on the rusticated horn shaped bowl works well with the rich black of the short vulcanite stem. The polish and the reworking of the stem material left this a beautiful and well-made pipe. The dimensions of the pipe are: Length: 6 inches, Height: 2 ½ inches, Outside Diameter: 1 3/4 inches, Diameter of the chamber: 3/4 inch. I will be adding this one to the rebornpipes store shortly if you are interested in adding it to your collection. It will make a fine addition to the rack. If you are interested email me at slaug@uniserve.com or send me a message on Facebook. Thanks for looking.

Restoring a Newer Cadogan Era GBD Marquis 411 Pot


Blog by Steve Laug

This GBD Marquis is the last of the local pipe shop pipes that I will work on for a bit. It came from the estate of the same older gentleman whose wife returned them to the shop for restoration and resale. This is a smooth finished GBD. The briar has some beautiful straight, flame and birdseye grain around the bowl. On the right side of the shank are two putty fills that have shrunk and left rough spots around the number stamp. It is stamped on the left side of the shank with the GBD oval logo next to the line stamp – Marquis. On the right side it is stamped St. Claude – France over the shape number 411. From the lack of a brass rondel on the stem and the GBD logo stamped on the left side of the saddle instead I am putting this pipe in the Cadogan era of the brand. The stem is original but is a stamped stem blank with none of the original GBD Charm. It is a pretty good looking pipe even though it is dirty. I included this little GBD pot in the box of pipes that I sent off to my brother for cleaning. This is the fourth pipe that I have brought to the work table from the lot of about 50 to rework. I can only repeat how thankful I am for his willingness to clean and ream the pipes for me. It really has allowed me to move through the repairs much more quickly. When he received the pipe he took a series of photos of it to show its condition. He took a close up photo of the beveled rim top showing the thick cake and the overflow of lava onto the top of the bowl. The lava pretty well hid the beveled rim top from view. The cake is very thick and hard. Like the rest of the pipes in this estate the cake made the bowl appear to be quite small and in this condition would hold very little tobacco. The photo of the underside of the bowl and shank shows the beautiful birdseye grain. The next photos show the stamping on the left and the right side of the shank. It is clear and readable. The GBD Oval stamped logo on the side of the stem is in very good condition.The next photo shows the two shrunken fills on the right side of the shank and on the underside edge. Other than those two the pipe is flawless.Jeff took a close up of the GBD oval logo stamped on the side of the saddle stem. It is great shape. The stem itself has some wear and tear with tooth chatter, tooth marks and oxidation but it should clean up well.Jeff cleaned the pipe up very well. He reamed the bowl with a PipNet Reamer and a Savinelli Fitsall Pipe Knife. He cleaned the mortise and the airway in the stem and shank with alcohol, pipe cleaners and cotton swabs. He scrubbed the exterior with Murphy’s Oil Soap to remove the grime and dust of time. When I received the pipe it was very clean. I took photos of it to record what it looked like before I started my work.   Jeff removed the thick hard cake and the lava buildup on the rim top and revealed a deep inward bevel to the rim. The inner and outer edges of the rim were in good condition. The top surface of the rim had some minor darkening and a few small nicks but otherwise looked very good. The vulcanite stem looked far better than when Jeff started the cleanup. There were a lot of scratches on the surface and a few tooth marks on both the top and underside if the stem. The GBD oval logo was undamaged.The stem still had some remaining oxidation in the vulcanite so I dropped it into the Before & Stem Deoxidizer bath and let it soak overnight. The photo below shows the stem before I pushed it into the bath.While the stem soaked I turned my attention to the bowl. I cleaned up the fills on the right side of the shank. I used a dark stain pen to try to blend them into the briar a little better (ineffective by the way). I filled in the dips in the fills with a few drops of clear super glue. I made sure to overfill the repairs as the glue shrinks as it dries. Once it cured I used a fold piece of sandpaper to sand the spots and blend them into the surrounding briar without damaging the stamping. That was a bit tricky because of the location of the fills. When I had the area smooth I used 1500-4000 grit micromesh sanding pads to polish those areas. I used a dark brown stain pen to blend the repaired areas into the surrounding stain. I hand buffed the shank to further blend the stain. I worked some Before & After Restoration Balm into the surface of the briar with my finger tips to deep clean the smooth finish, enliven and protect the briar. I let it sit for a few minutes and then buffed it with a cotton cloth. The grain of the briar really had begun to show through at this point and there was a rich shine to the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside and called it a night. In the morning I removed the stem from the Before & After Stem Deoxidizer and wiped it off with a paper towel to remove the remaining oxidation and bath. I cleaned out the airway with pipe cleaners and alcohol until it was clean. The stamping on the stem looked good. The stem was clean and black with the tooth marks very visible. It was ready for repairs to the tooth marks and polishing.I filled in the tooth marks with clear super glue on both sides of the stem and set it aside to allow the repairs to cure. When the repairs had dried I sanded them smooth and blended them into the surface of the stem. I reshaped the button on both sides of the stem with a needle file and sanded the stem down 220 grit sandpaper. The surface of the stem on both sides looks good. The tooth marks are gone and the surface is smooth. I carefully polished the saddle portion of the stem being careful to not damage the GBD oval stamping. Once the saddle portion was shining I applied some Antique Gold Rub’n Buff with a cotton swab to the stamped area. I made sure that it was deep in the stamp and let it sit for a few minutes before rubbing it off with the other end of the cotton swab and a cotton pad. I took all the excess away and left the stamping looking like brass. Once I buffed it the stem and logo would look like new.I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and let it dry. Once it had dried, I polished it with Before & After Pipe Stem Polish Fine and Extra Fine. I rubbed it down with final coat Obsidian Oil and took the following picture. I put the stem back on the bowl and took the pipe to the buffing wheel to work it over. I buffed the bowl and stem once again with Blue Diamond to polish it. I gave the bowl and the stem multiple coats carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. It is a really nicely grained GBD pipe 411 Pot that came out in the Cadogan era of the brand. Its amazing grain is only marred by the two fills on the right side of the shank. They are blended into the shank better than before but they still show. The pipe still looks great and feels comfortable in the hand. The medium brown stain and the polished black vulcanite work together to give the classic pot shaped pipe a rich look. It will make a great pipe addition to the rack and should be a great smoker.  The dimensions of the pipe are: Length: 6 inches, Height: 1 1/2 inches, Outer Diameter of the Bowl: 1 ½ inches, Diameter of the Chamber: 7/8 inches. I will be adding this one to the rebornpipes store shortly if you are interested in adding it to your collection. If you are interested email me at slaug@uniserve.com or send me a message on Facebook. Thanks for looking.

 

Restoring a Kriswill Made Danish Special Smooth Panel Bent Billiard


Blog by Steve Laug

The next pipe on the table is one from a local pipe shop. It came from the estate of an older gentleman whose wife returned them to the shop for restoration and resale. This one is an interesting sandblast finish bent billiard. The sandblast is interesting showing a variety of grain around the bowl. It has smooth panels on the right and left side of the bowl and the right side of the shank. It is stamped on the smooth right side of the shank Danish Special over Made in Denmark. The finish on the pipe was dusty and some of the grooves were almost filled in with grime and dust. The rim top had lava built up in the blast on the flat surface. The bowl had a thick, hard cake almost filling it in. The stem had several tooth marks and was lightly oxidized. I sent the pipes off to my brother for cleaning. I have about 50 of them to rework and a waiting queue of pipes to repair. I really appreciate his willingness to clean and ream the pipes for me. When he received the pipe he took a series of photos of it to show its condition. He took a close up photo of the rim top showing the cake and the lava on the flat top of the bowl. The cake is quite thick and the lava has filled in the sandblast on the surface of the rim. He also took photos of the sandblast around the sides and underside of the bowl. His final photo shows the stamping on the right side of the shank. It is clear and readable. The brand Danish Special was unfamiliar to me. I had heard of Danish Pride, Danish Star, Royal Danish and other Stanwell brands but this one was unfamiliar.I Googled the name and found that the brand was a sub-brand or second brand of Kriswill pipes. From there I did some reading on Pipedia on the Kriswill Brand and found the following:  Kriswill was one of the large pipe manufacturers in Denmark during the 1960s and 1970s, and I believe closed around 20 years ago. Their catalog cover read “By Appointment to the Royal Danish Court, KRISWILL, Kriswork Briar Trading, Briar Pipes Hand Made in Denmark.” https://pipedia.org/wiki/Kriswill

I also went to the PipePhil logos and stamping site and found more on the date of the brand. It had no explicit ties to the Danish Special that I had but it was interesting nonetheless.

Kriswill is a brand of Kriswork Briar Trading, in Kolding (Denmark) established about 1955. Some of Kriswill pipes were designed by Sigvard Bernadotte, Swedish prince and brother to the late Queen Ingrid of Denmark. He collaborated with his Danish partner Acton Bjørn. When the company went bankrupt in the late 1970s it was on a level with Stanwell. Dan Pipe Cigar & Company (Hafenstrasse 30 D-21481 Lauenburg/Elbe, Ge) bought the rights to use the name and it is Holmer Knudsen and/or Poul Winsløw who make the Kriswill line. Nørding, on its side, bought the plant and introduced a Kriswell line. http://www.pipephil.eu/logos/en/logo-k3.html

Jeff did his usual thorough cleanup on the bowl and stem. He carefully reamed the bowl back to bare briar with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He cleaned the internals with alcohol, pipe cleaners and cotton swabs – scrubbing out the mortise as it was dirty. He scrubbed the exterior of the pipes with Murphy’s Oil soap and a tooth brush and was able to remove all of the oils and dust in the smooth finish on the briar. He was able to remove all of the lava and grime from the rim top and left it looking very clean. The inner and outer edges of the rim top were in good shape. He soaked the stem in an Oxyclean bath to raise the oxidation to the surface of the vulcanite. It was clean and the remaining oxidation was very light. When the pipe arrived I took some photos to show how it looked before I did the restoration.  Jeff was able to remove the lava buildup on the rim top and clean grooves and crevices of the sandblast surface and edges of the rim. The inner and outer edges of the rim were in excellent condition and the rim top looked new. The stem was lightly oxidized and had tooth chatter and marks on both sides of the stem near the button.I rubbed the bowl down with Before & After Restoration Balm to deep clean the nooks and crannies of the finish, enliven and protect the briar. I hand rubbed it with my fingers to get it deep into the grooves. I let it sit for a few minutes and then wiped it off with a soft cloth and buffed it with a horsehair shoe brush. The briar really began to have a deep shine. The smooth panels showed some nice grain patterns and the sandblast looked really good. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside and turned my attention to the stem. I sanded out the tooth chatter and many of the tooth marks with 220 grit sandpaper. There was a small tooth mark on the top and underside of the stem that I cleaned up and filled it in with a drop of clear super glue. When the glue cured, I sanded the repaired areas smooth to blend them into the surface of the stem. I worked over the stem with micromesh sanding pads. I polished out the sanding scratches and marks in the vulcanite – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads and wiped it down with Obsidian Oil after each one. When I finished with the 12000 grit pad I gave it a final coat of oil and set it aside to dry. I polished it with Before & After Stem Fine Polish and wiped it down. I followed that by polishing it with the Extra Fine Polish. I buffed it with a microfiber cloth to raise the shine. I put the stem back on the bowl and took the pipe to the buffing wheel to work it over. I buffed the bowl with Blue Diamond to polish the briar. I buffed the stem at the same time to raise the gloss on the vulcanite. I gave the bowl and the stem multiple coats carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The dimensions of the pipe are: Length: 6 1/2 inches, Height: 2 1/4 inches, Outer Diameter of the Bowl: 1 1/8 inches, Diameter of the Chamber: 7/8 inches. I will be adding this one to the rebornpipes store shortly if you are interested in adding it to your collection. It is a beautiful Kriswill made pipe that feels comfortable in the hand. It will make a great pipe addition to the rack and should smoke dry and cool. If you are interested email me at slaug@uniserve.com or send me a message on Facebook. Thanks for looking.

A Refurb and a Replacement Stem for a Lorenzetti Galatea Apple


Blog by Steve Laug

Not long ago I received a phone call from an interesting woman who had been given my phone number by a local pipe and cigar shop. She had a couple of pipes that needed some stem repair. In our conversation it turned out that they belonged to her husband and he had a total of two pipes. Both of them needed work and she was determined to get them repaired for him. In our talking we spoke of the options – either repairing the stem or making a new stem. She spoke with him and they decided to repair them. A few days later her husband stopped by the house to show me the two pipes. We talked and he decided to work on one pipe at a time so that he would have one to smoke while I repaired the other one. I finished the repair on the stem of his Big Ben Nautic 252 bent apple kind of quasi brandy shaped pipe. Here is the link to the stem repair on that pipe. https://rebornpipes.com/2017/12/22/restoring-repairing-a-damaged-stem-on-a-big-ben-nautic-252/ I returned it to him and he dropped off his second pipe for a repair as well. Two days later he called and said he had already chomped through the repair on the one he took with him. Even with a rubber softee bit he had demolished the repair. So we decided on this one to replace the stem.

The second pipe is a Lorenzetti Galatea Bent apple shape. It is stamped on the left side of the shank Lorenzetti over Italy. On the right side it is stamped Galatea. There is no shape number on the bowl or shank. The end of the shank has a decorative ferrule that is silver with two silver rings and a Lucite ring. The original stem also had a silver band between the shank and the rest of the stem. Lots of bling on this Italian beauty. The stem was black acrylic. From the side view photos below the pipe looked pretty good. The finish was dirty but the pipe appeared to be in decent condition. The top view photos show what the bowl and stem looked like from the top and underside views. Like the other pipe the bowl on this one had never been reamed and there was a thick cake that was composed of aromatic tobacco. It was soft and sticky. The lava overflow on the rim top was also sticky to touch. The smell of the pipe was a sickly sweet and sour smell of a pipe that had never seen a pipe cleaner and never had been cleaned. Once again he had gnawed the stem and had broken the top edge and a bit of the stem in front of the button. It was a mess. The underside had deep tooth marks and was also damaged. The poor pipe was a mess but he obviously smoked it as much as he did the first one. Now I had a task – clean and replace the stem on this one so that I could put a new stem on the first one. I had a mission. I took photos of the pipe before I cleaned it up. I took a close up photo of the bowl and rim to show the thickness and composition of the cake and the thick overflow of lava on the rim top. It looked to me that there was some damage to the inner edge and bevel of the rim on the right side of the bowl toward the back. I would know more once I reamed the cake back and could see what was underneath. It was not in nearly the condition of the Big Ben that finished for him early. I also took some photos of the stem damage so that you could see what I was up against. The sad thing to me was that this second pipe had exactly the same damage to the stem and the bowl looked identical as well.I reamed the bowl back to bare briar with a PipNet pipe reamer. I started reaming it with the smallest cutting head and worked my way up to the second cutting head which matched the diameter of the bowl. I touched up the reaming with a Savinelli Fitsall Pipe knife.The rim was in rough condition. There was gouging around the inner edge of the bowl cause by a knife and there was some charring in that area as well. The rest of the rim was in rough condition and appeared to have been knocked about a bit. It would need to be topped and reworked.I topped the bowl on a hard board with a piece of 220 grit sandpaper. I was able to remove much of the surface damage to the rim top. The second photo below shows the top of the rim after the topping. You can see the charred area in that photo as well.I used a folded piece of 220 grit sandpaper to re-bevel the inner edge of the rim and smooth out the damaged areas on the right inner edge. I blended that area into the rest of the beveled rim. Once it was shaped correctly I wiped it down and polished the briar with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-6000 grit pads. I restained the top and inner edge of the rim with a dark brown stain pen. The colour blended well with the rest of the bowl.I had enough of the smell of the pipe permeating the workspace so I decided to rid it of the smell filled my work area. I used pipe cleaners, cotton swabs and alcohol to clean out the interior of mortise and the airway in the shank. I used a dental spatula to scrape the walls of the mortise area. It took a lot of pipe cleaners to remove all of the buildup but once it was clean the pipe smelled better and it would be more pleasant for me to work on.With internals clean I turned my attention to the outside of the briar. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the smooth finish, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl with a soft cotton cloth to polish it. It really began to have a rich shine in the briar. I took some photos of the bowl at this point to mark the progress in the restoration. With the bowl finished I set it aside and went through my can of stems to find one that would work well with the pipe. I had two that could work – one was a vulcanite stem that had promise and looked good on the shank. It was the same length but slightly smaller in diameter than the original stem. The other stem was Lucite/acrylic. It was the same diameter as the previous stem and about 1/8 inch shorter. It also looked good with the pipe. Neither stem had the metal adornment on the end. I had nothing like that in my available stems. I chose the acrylic stem as it as harder than the vulcanite and I believe it will outlast the vulcanite stem with this particular pipe man. The tenon was slightly shorter but the shank was wide open with a deep mortise that was designed for a filter. I figured the length of the tenon did not matter in this case. I bent the stem over a heat gun to match the original stem. I sanded out the nicks and marks on the stem surface. The second and third photos below show the stem after the bend. I continued to sand out the nicks and scratches with 220 grit sandpaper to smooth out the stem surface. There were a lot of rough places on the stem and the tenon that needed to be smoothed out and blended into the surface.I polished out the sanding scratches and marks in the acrylic on both sides of the stem and the button surface itself with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped down the stem after each pad with a damp cloth to remove the sanding dust. I used a series of needle files to open the stem and funnel the airflow. After that I buffed the stem on the buffing wheel with Blue Diamond to polish out the final scratches in the acrylic. I put the stem on the bowl and worked the pipe bowl over on the buffing wheel using Blue Diamond to polish the bowl and stem. I hand buffed the stem to raise the gloss on the stem and polished the metal stem adornment with a silver polishing cloth. I gave the bowl and stem multiple coats of carnauba wax and buffed it with a clean buffing pad to raise the shine. I buffed the entire pipe with a clean microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The medium brown stains on the smooth finish of the apple shaped bowl works well with the rich black of the Lucite stem. The new stem and the polishing revealed a beautiful piece of briar and a well-shaped pipe. Thanks for looking.