Tag Archives: Ben Wade Pipes

Where did I get this Ben Wade Danish Hand Model 200 Freehand?


Blog by Steve Laug

Jeff and I no longer remember where or when we purchased this pipe. It is a large attractive Freehand that has all the signs of being a Ben Wade. Sure enough it is stamped on the underside of the shank and reads Ben Wade [over] Danish [over] Hand Model [over] 200 [over] Made in Denmark. The stamping was clear and readable. Even though the finish was dull and lifeless it showed promise under the grit and grime of the years. The finish is filthy with grime and oils ground into the smooth briar of the bowl and shank sides. The bowl had a thick cake that overflowed in heavy lava onto the plateau rim top filling in the grooves and valleys of the finish. The plateau shank end was also dirty with dust and debris in the grooves and valleys of the shank. The vulcanite stem was oxidized, dirty and had some tooth marks and chatter on both sides ahead of the button. I took photos of the pipe before I started working on it. I took photos of the bowl and rim top to give a clear picture of the thickness of the cake and the lava on the plateau finish of the rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. I also took photos of the top and underside of the stem to show the chatter and tooth marks. I took a photo of the stamping on the underside of the shank. It is clear and readable.I removed the stem from the shank and took a photo of the pipe. It is proportionally pleasing and quite an eye catching pipe.I knew that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement. I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

I started my work on the pipe reaming the thick cake out of the bowl with a PipNet pipe reamer using all four reaming heads. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife and then sanded it with 220 grit sandpaper wrapped around a piece of dowel. I sanded until the walls of the bowl were smooth and clear. It was getting cleaner but the plateau and rim top still have a lot of lava on the top that needs to be cleaned off.   I worked on the rim top with a brass bristle wire brush to remove as much of the lava buildup there. I was able to remove some of it and loosen it so that when I scrubbed it it would look better. I worked on the smooth inner edge with 220 grit sandpaper. I worked to remove as much of the darkening and tars as I could possible with the sandpaper. I loosened the  debris with the sandpaper so that when I scrubbed it with the soap it would look better.Now it was time to let the Murphy’s Oil Soap do its magic. I scrubbed the bowl and shank with undiluted soap and a tooth brush and rinsed it off with running water. I worked on the plateau rim top and smooth briar to clean up the dust and debris in the finish. While the rim top looked better it still needed some more work to remove the darkening on the top and edges of the bowl. I touched up the black in the valleys of the plateau on the top and the end of the shank with a Black Sharpie Pen. It matched the existing black in the crevices/valleys. When finished it definitely looked good.I lightly sanded it with 220 grit sandpaper to remove the remaining darkening and it looked very good.   I cleaned out the inside of the shank and the stem with 99% isopropyl alcohol, cotton swabs and pipe cleaners. It was quite dirty inside the shank and airway in the stem. It came out very clean and looks very good.   I polished the briar with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. I wiped the briar down with a damp cloth to remove the sanding dust. The briar really took on a rich shine with the polishing.   With the bowl and shank clean there was still a strong ghost of aromatics wafting from the clean bowl. I decided to deghost it with cotton bolls and isopropyl alcohol. I stuffed the bowl with the cotton bolls and used an ear syringe to fill it with alcohol. I twisted a cotton boll and made a wick to insert in the shank. In the morning when I checked it the cotton was brown in the bowl and the wick in the shank is dark with oils. The alcohol had done its job. I rubbed the bowl down with some Before & After Restoration Balm. I worked it into the briar with my finger tips to clean, revive and preserve the wood. It really brings the grain alive once again. I let it sit for 15 minutes then buffed it off with a soft cloth. The grain really pops at this point in the process. I set the bowl aside and turned my attention to the stem. I scrubbed it with Soft Scrub and cotton pads to remove the oxidation as much as possible. It took a bit of elbow grease but it was significantly cleaner when I was finished.  I sanded the tooth marks and chatter out around the button with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper.  I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped the stem down after each pad with a cloth impregnated with Obsidian Oil. I finished the polishing with some Before & After Pipe Stem Polish – both Fine and Extra Fine. I wiped it down a final time with Obsidian Oil. The stem looked very good. As always I am excited to finish a pipe that I am working on. I put the Ben Wade Hand Model 400 Made in Denmark Freehand back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished bowl looks like with the grain popping through on the smooth portions and the variety of colour in the rustication. Added to that the polished vulcanite fancy saddle stem was a beautiful touch. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 ½ inches, Height: 2 ¾ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: 1inch. The weight of the pipe is 65 grams/2.26 ounces. It is a beautiful pipe and one that will be on the rebornpipes store in the Danish  Pipe Makers section. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog. I remind us all of the fact that we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.

Restoring a Large Ben Wade Danish Hand Model 100 Freehand


Blog by Steve Laug

The next pipe on the table came to us late in 2019 from a fellow in Los Angeles, California, USA. We have purchased quite a few pipe from him over the years and several Ben Wade Pipe. This is another one of those. Even though the finish was dull and lifeless it showed promise under the grit and grime of the years. On the underside of the shank it was clearly stamped Ben Wade in script [over] Danish[over] Hand Model[over] 100 [over] Made In Denmark. The finish is filthy with grime and oils ground into the smooth briar of the bowl and shank sides. The bowl had a thick cake that overflowed in heavy lava onto the plateau rim top filling in the grooves and valleys of the finish. The plateau shank end was also dirty with dust and debris in the grooves and valleys of the shank. The vulcanite stem was oxidized, calcified, dirty and had some tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava on the plateau finish of the rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime.  He took photos of the stamping on the shank. It reads as noted above and is clear and readable. There is the faint remnant of the crown stamp on the top of the stem.   I remembered a bit of history on the brand that thought that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement.I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Jeff had cleaned up the pipe until it almost did not look like the same pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He was able to get all of the lava and grime off the rim top and shank end. He rinsed it under running warm water to remove the soap and debris. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He soaked it in Before & After Pipe Stem Deoxidizer. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it.   The rim top had some darkening on the back of the bowl. The beveled inner edge of the rim looked good with some darkening. The rim thinned toward the back of the bowl but was still quite thick. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button. I took a photo of the stamping on the underside of the shank. It is clearer than it appears in the photo and is readable as noted above.I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is turned fancy vulcanite. I started my work on the pipe by polishing the bowl sides and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiping it down after each pad with a damp cloth. I paused in the polishing to clean up the darkening on the inner bevel of the plateau rim top with a folded piece of 220 grit sandpaper. I was able to minimize the darkening and I like the looks of the rim top.     I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and into the plateau rim top with a horsehair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for 10 minutes and then buffed with a cotton cloth to raise the shine.   While I polished the shank I saw a small hairline crack on the right side of the shank at the plateau end. I have circled it in red in the photo below. I decided to pause in the work on the stem and address this issue first. I filled in the crack with a drizzle of CA glue. I let hardened then sanded the area with 220 grit sandpaper to smooth it out and then polished it with micromesh sanding pads. I stained it with an oak stain pen and then gave it a rub of Before & After Restoration Balm. I buffed it with a cotton cloth. I set the bowl aside and turned to work on the stem. I painted the surface of the rim with the flame of  Bic lighter to raise the tooth marks. I was able to raise them quite significantly but there were deeper ones that needed further work. I filled in what remained with clear CA glue and set the stem aside to cure.    Once the glue cure I flattened out the repairs with a small flat file. I sanded them with 220 grit sandpaper to blend them into the stem surface. I started the polishing of the stem with 400 grit wet dry sandpaper. (I failed to take a photo of the sanding process but you can see the result in the polishing photos.)  I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I gave it a final rubdown with Obsidian Oil to further protect it and let it dry.      This Ben Wade Danish Hand Model 100 Freehand with a fancy, turned vulcanite stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Ben Wade 100 Freehand fits nicely in the hand though it is quite large and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 1 inch. The weight of the pipe is 2.29 ounces/65 grams. I will be adding this pipe to the rebornpipes store shortly in the Danish Pipe Makers section. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come! rac

Breathing Life into a Beautiful Ben Wade Danish Pride Freehand by Preben Holm


Blog by Steve Laug

This particular smooth finished Freehand pipe was purchased from an auction early in 2020 in Moorhead, Minnesota, USA. It really is another nice looking Freehand pipe that combines a plateau rim top and shank end with smooth panels on a sandblast bowl and shank. It is stamped on a smooth panel on left side of the shank and reads Danish Pride [over] by Ben Wade [over] Hand Made [over]In [over] Denmark. The mixed finish is dirty but still a beautiful looking combination. The pipe had been reamed back to briar but there was a thick lava overflow on the rim top and inner edge of the bowl filling in the plateau. There was grime ground into the smooth and sandblast finish and dust and debris in the plateau valleys on the shank end. The opalescent grey green, fancy acrylic saddle did not have a logo but it looked a lot like other Ben Wade pipe stems that I have worked on. It had tooth marks and chatter on both sides near the button. The pipe must have been a great smoker judging from the condition it came it. Jeff took photos of the pipe before he started his work on it. Jeff took photos of the rim top and the stem to show the condition of the pipe when we received it. You can see the reamed bowl sides and the lava on the plateau rim top and inner edge of the bowl. The turned acrylic stem was dirty and had chatter and a few tooth marks on both sides near the button. He took photos of the sides of the bowl and the heel to give an idea of the shape and the condition of the briar around the bowl. It really is a nicely shaped pipe that has the classic look of a Freehand carved by Preben Holm. The next photo Jeff took shows the stamping on the left side of the shank. It is clear and readable as noted above.In a previous blog I had researched the brand quite a bit. I have included it below for information on this pipe (https://rebornpipes.com/2020/10/03/restoring-a-danish-pride-by-ben-wade-mixed-finish-handmade-freehand-sitter/). I quote:

I remembered that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement. I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Jeff had cleaned up the pipe following his normal cleaning process. In short, he cleaned up the reaming with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the lava and debris on the plateau rim top and shank end and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. It really looked good. I took close up photos of the stem and the rim top to show both how clean they were and what needed to be addressed with both. The rim top and bowl look good. The stem looked better and the tooth marks and chatter were still present. I would need to remove those to bring the stem back.I took a photo of the stamping on the left side of the shank. You can see from the photo that it is readable. It is clearer on the top half of the stamp than the lower but it is still readable.I removed the stem from the bowl and took a photo of the parts to give a sense of the beauty of the pipe.The bowl was in such good conditon after the clean up that I worked some Before & After Restoration Balm into the surface of the briar with my finger tips and a horse hair shoe brush to get into the crevices of the plateau and sandblast portions. The product is incredible and the way it brings the grain to the fore is unique. It works to clean, protect and invigorate the wood.I set the bowl aside and turned my attention to the stem. I sanded the tooth marks and chatter smooth with 220 grit sandpaper to blend them into the surface of the briar. I started the polishing of the stem with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding it 1500-12000 pads. I wiped it down with a damp cloth after each pad to remove the dust and polishing debris. I polished it with Before  After Pipe Polish – both Fine and Extra Fine. I am really happy with the way that this Preben Holm Made Ben Wade Danish Pride Freehand turned out. It really is a beautiful looking pipe with a great shape and smooth finished bowl and rim and the remnant of plateau on the shank end. The fancy original acrylic saddle stem is really nice. The opalescent grey green colour of the stem works well with the briar. The briar really came alive with the buffing. The rich brown stains of the finish gave the pipe a sense of depth with the polishing and waxing. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Ben Wade Danish Pride really is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 ¼ inches, Height: 2 ¾ inches, Outside diameter of the bowl: 2 ¼ inches long x 2 ¼ inches wide, Chamber diameter: 7/8 of an inch. The weight of the pipe is 62 grams/2.19 oz. The pipe will be going on the rebornpipes store soon. It will be in the section on Danish Pipe Makers if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

Chasing the Grain – a Beautiful Ben Wade Martinique Freehand by Preben Holm


Blog by Steve Laug

This particular smooth finished Freehand pipe was purchased from an auction in 2020 in Cedar Springs, Michigan, USA. It really is a nice looking pipe that is shaped chasing the grain around the bowl and shank. It is stamped on the underside of the shank and reads Ben Wade [over] Martinique [over] Hand Made [over] Denmark. It is a smooth finished pipe with a plateau finish on the shank end. The pipe had a moderate cake in the bowl and there was a lava overflow on the rim top and inner edge of the bowl. There was grime ground into the finish and dust and debris in the plateau valleys on the shank end. The original stem had the original Ben Wade Crown logo faintly stamped on the top of the blade of the fancy turned acrylic fancy saddle. It had tooth marks and chatter on both sides near the button. The pipe was dirty but still a beauty. Jeff took photos of the pipe before he started his work on it. Jeff took photos of the rim top and the stem to show the condition of the pipe when we received it. You can see the cake in the bowl and the lava on the rim top and inner edge of the bowl. It is hard to know what it looks like underneath the build up of lava but there may be a bit of rim damage. We will know after cleaning. The turned acrylic stem and has chatter and a few deep tooth marks on both sides near the button. The airway in the stem is stained with tobacco stains and there is a build up of debris there as well. He took photos of the sides of the bowl and the heel to give an idea of the shape and the condition of the briar around the bowl. It really is a nicely shaped pipe that has the classic look of a Freehand carved by Preben Holm. The next photos Jeff took show the stamping on the underside of the  shank. It is clear and readable as noted above.In a previous blog I had researched the brand quite a bit. I have included it below for information on this pipe (https://rebornpipes.com/2020/12/04/restoring-a-gorgeous-ben-wade-martinique-freehand-sitter/). I quote:

I remembered that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement. I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Jeff had cleaned up the pipe following his normal cleaning process. In short form he reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the lava on the rim top and the debris in the plateau shank end and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it.  It really looked good. I took close up photos of the stem and the rim top to show both how clean they were and what needed to be addresses with both. The rim top and bowl look good. There was some darkening and damage on the back and right inner edge of the rim that would need attention. The stem looked better and the faint Ben Wade Crown logo was visible on the topside. The tooth marks and chatter were still present. I would need to remove those to bring the stem back.I took a photo of the stamping on the underside of the shank. You can see from the photo that it is readable. It is clearer on the top half of the stamp than the lower but it is still readable. I removed the stem from the bowl and took a photo of the parts to give a sense of the beauty of the pipe.I began my work on the damage on the inner edge of the bowl at the back. I used a folded piece of 220 grit sandpaper to shape and bevel the damaged area to match the rest of the bevel around the inner edge. I used a Maple Stain Pen to touch up the inner edge and blend it to the rim top.I polished the briar with micromesh sanding pads -1500-12000 grit pads. I wiped the bowl down after each sanding pad to remove the dust. The briar began to take on a deep shine. I worked some Before & After Restoration Balm into the surface of the briar with my finger tips and a horse hair shoe brush to get into the crevices of the plateau. The product is incredible and the way it brings the grain to the fore is unique. It works to clean, protect and invigorate the wood. I set the bowl aside and turned my attention to the stem. I sanded the tooth marks and chatter smooth with 220 grit sandpaper to blend them into the surface of the briar. I started the polishing of the stem with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding it 1500-12000 pads. I wiped it down with a damp cloth after each pad to remove the dust and polishing debris. I polished it with Before After Pipe Polish – both Fine and Extra Fine. I touched up the stamp on the top of the stem with Rub’n Buff Antique Gold. I rubbed it into the stamp with a tooth pick and buffed it off with a cloth. It looked much better.I am really happy with the way that this Preben Holm made Ben Wade Martinique Danish Made Freehand turned out. It really is a beautiful looking pipe with a great shape and smooth finished bowl and rim and the remnant of plateau on the shank end. The fancy original acrylic saddle stem is really nice. The smokey Topaz colour of the stem works well with the briar. The briar really came alive with the buffing. The rich brown stains of the finish gave the pipe a sense of depth with the polishing and waxing. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Ben Wade Martinique really is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 ¼ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 2 inches long x 2 ¼ inches wide, Chamber diameter: 1 inch. The weight of the pipe is 52 grams/1.83 oz. The pipe will be going on the rebornpipes store soon. It will be in the section on Danish Pipe Makers if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

Restoring a Mixed Finish Ben Wade Amber Freehand Sitter


Blog by Steve Laug

The next pipe on the table came to us in a group of pipes that we picked up from a fellow in Los Angeles, California, USA. Even though the mixed sandblast and smooth finish was a bit dull and lifeless it showed promise under the grit and grime of the years. On the underside of the shank it was clearly stamped Ben Wade in script [over] Amber [over] Hand Made [over] In [over] Denmark. The finish is filthy with grime, dust and oil ground into both the sandblast finish and the smooth briar of the bowl and shank sides. The bowl had a thick cake that overflowed in lava on the plateau rim top filling in some of the grooves and valleys of the finish. The same was true of the plateau on the shank end. It had a lot of dust and debris in the grooves. The acrylic stem was dirty but the Ben Wade Crown logo was in good condition. The pipe had some tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava on the plateau finish of the rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the chatter and tooth marks. Otherwise the stem is quite clean.  Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There are a lot of angles on this pipe and there is some stunning grain under the grime.    He took photos of the stamping on the shank. It reads as noted above and is clear and readable. The stem also is stamped with a gold Ben Wade Crown Logo.I remembered that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement.I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris in the plateau on the rim top and shank end and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. When I took it out of the box it had the following black stem in the shank. I had not seen the photos above so I did not have a clue it was the wrong stem. Jeff had soaked this stem in Before & After Deoxidizer to remove the oxidation. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe with the stem it had in the box.  It really looked good. I set the stem aside and turned my attention to the bowl. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and into the plateau rim top with a horsehair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. While the Balm did its work I went to look for the stem that is showing the photos above that Jeff sent to me.   I found the stem on another pipe in the bottom of the box. It was exactly the stem that Jeff had shown in the photos above of the pipe when he received it. I put it in the shank and took photos of the amber coloured tortoise shell stem in the Ben Wade Amber bowl. It looked really good.   The rim top had some darkening on the back of the bowl. The inner edge of the rim looked very good with slight darkening. I took photos of it after I had worked the Balm into the finish. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button. Unfortunately I forgot to take photos of the stem before I filled in the marks on both sides with clear super glue.      I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is turned fancy acrylic. I set the bowl aside and turned to work on the stem. I filled in the tooth marks with clear super glue. Once they cured and hardened I smoothed out the repairs on the surface of the acrylic with 220 grit sandpaper and started the polishing of the stem with 400 grit wet dry sandpaper.   I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.  This beautiful Ben Wade Amber Freehand Sitter with a fancy, turned acrylic stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Amber Freehand fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 ½ inches, Height: 2 ½ inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 1 inch. The weight of the pipe is 62grams/2.19oz.If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

 

Restoring a Gorgeous Ben Wade Martinique Freehand Sitter


Blog by Steve Laug

The next pipe on the table came to us in a group of pipes that we picked up from a fellow in Los Angeles, California, USA. Even though the finish was a bit dull and lifeless it showed promise under the grit and grime of the years. On the underside of the shank it was clearly stamped Ben Wade in script [over] Martinique [over] Hand Made [over] In [over] Denmark. The finish is filthy with grime and oil ground into the smooth briar of the bowl and shank sides. The bowl had a moderate cake that overflowed in lava on the plateau rim top filling in some of the grooves and valleys of the finish. The same was true of the plateau on the shank end. It had a lot of dust and debris in the grooves. The acrylic stem was dirty but the Ben Wade Crown logo was in good condition. The pipe had some tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava on the plateau finish of the rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the chatter and tooth marks. Otherwise the stem is quite clean.     Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There are a lot of angles on this pipe and there is some stunning grain under the grime.    He took photos of the stamping on the shank. It reads as noted above and is clear and readable. I remembered that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement.

I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the debris in the plateau on the rim top and shank end and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it.  It really looked good. The rim top had some darkening on the back of the bowl. The inner edge of the rim looked very good with slight darkening. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button.    I took a photo of the stamping on the underside of the shank. It read clearly as noted above. I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is turned fancy acrylic. I polished the bowl and the smooth portions on the rim top with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiping it down after each pad with a damp cloth.  I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and into the plateau rim top with a horsehair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.   I set the bowl aside and turned to work on the stem. I sanded out the tooth marks from the surface of the acrylic with 220 grit sandpaper and started the polishing of the stem with 400 grit wet dry sandpaper.   I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.  This beautiful Ben Wade Martinique Freehand Sitter with a fancy, turned acrylic stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Martinique Freehand fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 1 inch. The weight of the pipe is 71grams/2.50oz.If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Restoring a Danish Pride by Ben Wade Mixed Finish Handmade Freehand Sitter


Blog by Steve Laug

The next pipe on the table came to us from a recent trade I did with Dan here in Vancouver. He was interested in one of the pipes that I had just restored and we made an arrangement that included the Ben Wade pipe. He sent me the photo to the left and the ones following for me to have a look before he brought it by for the trade.  I was definitely interested and let him know that the deal was on.Dan and I met yesterday morning and did the trade. It really was a beauty. The finish was dusty and dirty but it showed promise underneath. On the underside of the shank it was clearly stamped Danish Pride [over] Martinique [over] by Ben Wade [over] Hand Made [over] Denmark. There dust in the sandblast finish around the bowl sides. The bowl had a thick cake that overflowed in lava on the plateau rim top filling in the grooves and valleys of the finish. The inner edge of the bowl was also caked with lava. The shank end also had a plateau finish that was actually quite clean. The fancy vulcanite stem was lightly oxidized and had some tooth marks and chatter on both sides ahead of the button. I took some photos of the pipe before I started working on it. I took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava on the plateau finish of the rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. I also took photos of the stem to show the light oxidation on the surface and the chatter and tooth marks on the top and underside. I took a photo of the stamping on the shank. It reads as noted above and is clear and readable.I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is turned fancy vulcanite saddle. I remembered a bit of history on the brand that thought that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement.I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

I started my work on the pipe by reaming the bowl with a PipNet pipe reamer. I used the first three cutting heads to take the cake back to bare briar. I followed that by scraping the bowl walls with a Savinelli Fitsall Pipe Knife. I sanded the bowl walls with a piece of dowel wrapped with 220 grit sandpaper.  I scrubbed the exterior of the briar with a tooth brush and undiluted Murphy’s Oil Soap. I scrubbed the nooks and crannies of the sandblast and the plateau rim top and shank end with the tooth brush and a wire brush to clean off the grime and the lava build up. I rinsed the bowl off with running water and dried off the bowl with a soft towel. I cleaned the shank and airway in the stem with alcohol, pipe cleaners and cotton swabs to remove the grime and build up there.    I polished the smooth portions of the bowl sides and shank with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping it down after each pad with a damp cloth.  I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and into the plateau rim top with a horsehair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for 10 minutes and then buffed with a cotton cloth to raise the shine.   I set the bowl aside and turned to work on the stem. I “painted” the stem surface with the flame of a lighter to lift the marks in the surface. I filled in the deep tooth mark on the topside of the stem and the button surface. Once the repair cured I smoothed it out with a file. I reshaped the button and sanded out the tooth marks from the surface of the vulcanite with 220 grit sandpaper and started the polishing of the stem with 400 grit wet dry sandpaper. I used some Rub’n Buff Antique Gold to touch up the crown stamp on the topside of the saddle stem. I applied it to the surface with a tooth pick and buffed it off with a soft cloth. While it is faint it looked identifiable.   I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.    This Danish Pride by Ben Wade Freehand Sitter with a fancy, turned vulcanite stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Danish Pride Freehand fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 1 inch. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Restoring a Large Ben Wade Martinique Freehand Sitter


Blog by Steve Laug

The next pipe on the table came to us from a recent pipe hunt Jeff and his wife Sherry did in Utah. They picked this beauty up at an Antique Mall along the way of the hunt. Even though the finish was dull and lifeless it showed promise under the grit and grime of the years. On the underside of the shank it was clearly stamped Ben Wade in script [over] Martinique [over] Hand Made [over] In [over] Denmark. The finish is filthy with grime and oil ground into the smooth briar of the bowl and shank sides. There were flecks of white paint on the sides as well. The bowl had a thick cake that overflowed in lava on the plateau rim top filling in the grooves and valleys of the finish. The acrylic stem was dirty and had some tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe to show its overall condition before he started his cleanup work.He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the lava on the plateau finish of the rim top. There is dust and debris stuck to the walls of the bowl clearly visible in the photos. He also took photos of the top and underside of the stem to show the chatter and tooth marks. Otherwise the stem is quite clean. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime.    He took photos of the stamping on the shank. It reads as noted above and is clear and readable. I remembered a bit of history on the brand that thought that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement.

Ben Wade Ad in a Tinder Box catalog, courtesy Doug Valitchka

I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it.   The rim top had some darkening on the back of the bowl. The beveled inner edge of the rim looked very good with some darkening. The stem surface looked very good with a few small tooth marks and chatter on both sides near the button.    I took a photo of the stamping on the underside of the shank. It read clearly as noted above.  I removed the stem and took a photo of the pipe to give a sense of the whole. The stem is turned fancy acrylic. I started my work on the pipe by cleaning up the darkening on the inner bevel of the plateau rim top with a folded piece of 220 grit sandpaper. I was able to remove the darkening and I like the looks of the rim top.  I touched up the black stain in the valleys of the plateau on the rim top and shank end with a Black stain pen. I would use the micromesh pads to knock off any of the black on the high spots when I polished it.    I polished the bowl and the rim top, sides and shank with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping it down after each pad with a damp cloth.   I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and into the plateau rim top with a horsehair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for 10 minutes and then buffed with a cotton cloth to raise the shine.   I set the bowl aside and turned to work on the stem. I sanded out the tooth marks from the surface of the acrylic with 220 grit sandpaper and started the polishing of the stem with 400 grit wet dry sandpaper.   I polished the acrylic stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.      This Ben Wade Martinique Freehand Sitter with a fancy, turned acrylic stem is a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Martinique Freehand fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 1 inch. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Restoring a Beautiful St. Claude Ben Wade Calabash


Blog by Steve Laug

This St. Claude, France Ben Wade Calabash is quite stunning. The shape and flow of the briar, the rich red stains and the curve of the Lucite stem all combine to create a shape that is elegant and beautiful. Jeff picked this pipe up from a favourite shop in Utah. I have never seen one of these before even though I have worked on a lot of both English and Danish Ben Wade pipes. This one is a French Made Ben Wade. It is stamped on the left side of the curved shank with the words Ben Wade in script over Calabash. The name is also stamped on the left side of the half saddle stem. On the right side it is stamped St. Claude arched over Bruyere Garantie. To the left is a very tight stamp France. On the underside of the shank it is stamped with the letter F. There appears to be remnants of gold leaf in the stamping on both sides of the shank. It can be seen in the photos below. Jeff took some photos of the pipe before he began his cleanup work on it.The pipe was dirty and there were some worn spots on the plateau rim top. The original colour had been black but the dust had turned it almost grey. There was a cake in the bowl and some lava overflow on the plateau. The finish on the bowl was cordovan or oxblood. It was dirty as well with some nicks in the finish. You can see the chipped areas around the rim top and the lava in the plateau in the photos below.Jeff took photos of the bowl from various angles to give a picture of the grain and the condition on the finish of the pipe. It is a beautifully grained and finished pipe. The oxblood stain really works well to highlight and showcase the grain. Jeff also took photos of the stamping on the shank and the stem. The first two photos show the left side of the shank and stem. The third photo shows the stamping on the right side and the fourth shows the stamping on the underside. The acrylic/Lucite stem was dirty and there were tooth marks and chatter on the top and underside. There was one deep tooth mark on the underside up against the button edge. The flat surface of the button had tooth chatter and wear on both sides. Jeff also took a photo of the gentle curve of the half saddle stem and I have included that below. Jeff did his usual extensive cleanup of the pipe. He reamed it with a PipNet pipe reamer removing the cake from the bowl so that we could see what was going on underneath the surface. The interior of the bowl looked very good. He cleaned the internals of the pipe and stem with alcohol, cotton swabs and pipe cleaners until it was very clean. He scrubbed the externals with undiluted Murphy’s Oil Soap and a tooth brush. He worked over the plateau rim and edges with the brush and the soap and rinsed the pipe down with warm water. He cleaned the stem as well so that the externals and internals were clean. He did scrub the stem with Soft Scrub on cotton pads to remove the grime on the surface. It was acrylic so it was not oxidized so it was not necessary to soak it in a deoxidizer. I took photos of the pipe when I unpacked it and brought it to my work table. I took close up photos of the stem and the rim top to show the condition. The cragginess of the plateau is clean and shows the peaks and valleys in their fullness. You can also see some of the worn spots on the rim top where the finish has been removed. The stem looks good. The photo of the underside shows the deep tooth marks next to the button (third photo).I took some photos of the stamping on the sides of the shank to confirm what I mentioned above. The stamping is crisp and readable.I took the stem off the shank and took two photos to give a clear idea of the gentle curves of the pipe and the look of the rugged plateau rim on the delicate bowl. It really is a beauty! The tenon is drilled for a 6mm filter but could easily be smoked without one or with an adapter.Jeff and I were talking on Facetime and he was showing me how well the pipe had cleaned up. We do that often as he is in Idaho and I am in BC Canada. While he was carefully turning the stem into the shank we both heard and audible “POP”. That sound is a pipe restorer’s nightmare. If you have not heard that sound I can guarantee you will one day. Jeff groaned and showed me the crack in the shank. So when it arrived here in Vancouver I had a look. I took a photo of the crack and have included it below. It is on the top left side of the shank and is a good ½ inch long. That would need to be repaired. I also found some small hairline cracks on the top right side near the plateau top. They were not deep or serious but nonetheless they were present.I decided to deal with the cracked shank first. I went through some brass bands that I have that are polished gold in colour and would go well with the gold stamping on the stem and shank. They were quite thin and some have an inward bevel on the shank cover. I chose the band on the right and used my topping board to reduce the depth of the band by half. I wanted to retain as much of the stamping as possible and still bind the cracked shank together.I spread the crack in the shank and pushed some CA Glue into the space. Because of the way the curve in the shank I could not drill and hole at the end of the crack. I clamped it together until the glue cured. I did not glue the band on at this point because I wanted to touch up the gold stamping before I put it in place. Once the repair cured I put the stem on the shank and took a photo to give an idea of what the band looked like with the stem in place.   With that repair complete it was time to deal with the hairline cracks on rim edge. I used a tiny bit to put a hole at the end of each crack and filled them in with a bead of CA glue. The photo below is very blurry but shows the glued are well enough(I apologize for the lousy picture). I also filled in some of the pits in the back side of the bowl.Once the repairs had cured I sanded them smooth with a 1500 grit micromesh pad to blend them into the surface of the surrounding briar.I have found that the Mahogany stain pen I have blends really well with oxblood or cordovan stain. I touched up the sanded areas on the shank top, right side of the bowl at the topo and the back of the bowl with the pen and let it cure. I polished the briar with micromesh sanding pads – 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each sanding pad to remove the debris. The bowl began to look very good. I also really like the look of the polished brass band on the shank end. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my fingertips and into the plateau with a horsehair shoe brush. I let it sit for about 10 minutes and buffed it off with a soft cotton cloth. The product cleans, protects and preserves the briar and leaves it enriched and beautiful. I set the bowl aside and turned to the stem. I sanded the tooth chatter on both sides of the stem with particular attention to the large tooth mark on the underside of the stem just ahead of the button. I cleaned the tooth mark with alcohol on a cotton swab. I filled it in with a bead of clear CA glue and set it aside to cure. When the repair cured I used a needle file to sharpen the edge and flatten the repair.I sanded the repaired area and the rest of the tooth chatter areas on both sides of the stem with 220 grit sandpaper and followed up with a piece of 400 grit wet dry sandpaper.I polished the stem with Denicare Mouthpiece Polish from a tin of it I have in the drawer here. It is a gritty red paste that I rub on with my finger tips and work into the surface of the stem and button and buff off with a cotton pad. It gives me a bit of a head start on the polishing work.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I paused in my polishing of the stem to touch up the gold leaf on the stem side and the sides of the shank. I used Rub’n Buff Antique Gold and pressed it in the stamping with the end of a tooth pick. I let it sit for a few minutes then buffed it off with a soft damp cloth to remove the excess. I went back to polishing the stem with Before & After Pipe Polish – both Fine and Extra Fine and buffed the stem with a clean cotton rag. The stem looks really good at this point.I used a dental spatula to spread some white glue around the shank end. Once the glue was evenly spread I pressed the band in place. I adjusted it so that it fit well. I set it aside to cure for a while as I wanted the band to be permanent. It looks very good now.I am excited to finish this beautiful Ben Wade Calabash from St. Claude France. It is both a rare one in terms of availability but also for me as I have never seen one before. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with the grain popping through on the bowls sides and the contrast of the black plateau rim top. The brass band on the shank adds a touch class to the overall look in my opinion. When you add to that the polished black acrylic stem with the shining gold stamping you have a winning combination. The gold stamping also looks great on the shank and stem. This grain on the smooth finish Ben Wade Calabash is nice looking and the pipe feels great in my hand. It is light and well balanced for a large pipe. Have a look at it with the photos below. The dimensions are Length: 6 ¾ inches, Height: 3 inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 7/8 of an inch. It is a beautiful pipe and one that will be on the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.    

I Guess I did not have enough to restore – breaking a tenon on a Ben Wade Spiral


Blog by Steve Laug

The photo below shows a group of five pipes that Jeff and I picked up at an antique mall near Calgary. There were five different pipes and all were nice, but the best of the lot was a nice looking Ben Wade Spiral Freehand. It had a spiral shank and the fancy turned stem also had a spiral saddle. When we took it out of the display case we already knew it was a Preben Holm made pipe. We had no doubt, as Preben Holm’s pipes are always very recognizable. This one had a great sandblast around the bowl and shank with a smooth portion on the front, right and rear about 1/3 of the way down the bowl from the rim edge. It had a plateau rim and shank end. We examined it and sure enough it was a Ben Wade pipe by Holm. It is stamped on a smooth twist on the underside of the shank and reads Ben Wade over Spiral Sandblast over Hand Made in Denmark. There was a crown with BW inside on the topside of the stem. It was in decent condition and the price was right. The finish on the bowl was dirty and dull. The plateau rim top and shank end were dirty. The plateau rim top had some lava overflow and darkening and there was a thick cake in the bowl. It was a dirty pipe but should clean up well. The stem was acrylic and dirty and had light tooth chatter on both sides. When got back to where we were staying I took photos of the group of pipes to highlight the find. They were some nice looking pipes.We were very excited about the finds from the trip and the last day Jeff and Sherry were with me we divided them up. Jeff would take the ones that needed to have his magic worked on them before I restored them and I would take the ones that were in decent condition. This was probably the first mistake we made. But the gravity of not sending them in Jeff’s car would become evident once I returned home.

Ben Wade Ad in a Tinder Box catalog, courtesy Doug Valitchka

I wrapped all the pipes in packing tissue and rolled them in some of my clothes before packing them in my hard shell carry-on bag. I carefully put it in the overhead bin in the plane and then rolled it out once I was back in Vancouver. I put the bag aside and in the morning opened the suitcase and unpacked the pipes. Each pipe I took out and unwrapped was in excellent condition. No damage at all. I had purposely saved the Ben Wade for last and when I unwrapped it I almost cried. The tenon had snapped and the stem and pipe were apart. I have no idea how it happened but now I had a damaged pipe from the trip and it was truly one of the nicer finds! Here is a photo of what I found.I put the pipe in a baggie and set it aside until I had dealt with the feelings of stupidity for not having sent it with Jeff or at least packing it better. I cleaned up several other pipes before I even looked at this one. Then last evening I finally felt like dealing with it. I took it out of the bag and took photos of the pipe before I started working on it. (You have to agree it truly has a great sandblast!) I decided the first order of business was to pull the broken tenon. I used a pair of needle nose pliers and clamped down on the broken end of the tenon and wiggled it free. Fortunately the snapped tenon was not stuck in the shank and it came out quite easily as you can see from the photo below. Now I needed to drill out the stem and fit it with a replacement tenon.The first step in the process of fitting a replacement tenon is cleaning up the damage on the stem. I smoothed out the broken tenon with my Dremel and a sanding drum. I knocked off the sharp remnants of the broken edges and smooth it out. If you are paying attention you can see that the airway in the stem is not centered. This would make opening the airway and centering a new tenon a challenge to say the least. It could be done but I would need to pay attention and there would be some extra steps that would have to be done to fit it properly.I used a pen knife to chamfer the airway and bring it to a centered position so that when I drilled it I could follow it in and keep it centered. I started with a drill bit that was slightly larger than the airway in the stem. I drilled it as deep as the length of the threaded portion of the replacement tenon. I worked my way up to a drill bit as large in diameter as the tenon end.I used a tap to thread the inside of the stem to receive the new tenon. I twisted it into the stem until it was the depth of the threaded tenon end. I also used the Dremel to take the hip off the replacement stem so that it would fit flush against the stem. Once the stem was threaded I gave the threads on the tenon a light coat of epoxy and twisted it into the opening in the stem with a pair of pliers. I took photos of the stem with the tenon in place and set it aside for the glue to cure. I took close up photos of the bowl and rim top as well as the stem surface. You can see the condition of the rim top and bowl in the first photo. There was some lava overflow on the rim top on the left and rear of the bowl. There was also some darkening around the inner edge of the bowl and some on the rim top. The cake in the bowl was quite thick. The stem showed some tooth chatter on both sides near and on the button surface.I remembered a bit of history on the brand that thought that the Preben Holm pipes were marketed under the Ben Wade label in the US and imported through Lane Ltd. I turned to Pipedia and read the listing on the brand to refresh my memory and flesh out the knowledge of the brand (https://pipedia.org/wiki/Ben_Wade). I have included a photo from that site that was taken from a Tinderbox advertisement.

Ben Wade Ad in a Tinder Box catalog, courtesy Doug Valitchka

I quote the portion of the article that summarizes the Danish period of the history of the brand:

Young Copenhagen master pipemaker Preben Holm had made a meteoric career heading a pipe manufacture employing 45 people at the age of 22! But around the turn of 1970/71 he was in major financial difficulties. His US distributor, Snug Harbour Ltd. in New York City, left him in the lurch. Holm had three unpaid invoices on his desk and another large shipment was ready for the USA, when Snug Harbour’s manager told him on the phone that there was no money at all on the account to pay him.

So the Dane went to New York for an almost desperate search for a new distribution partner. He made contacts with Lane Ltd. and met Herman G. Lane in February 1971. Lane Ltd. had no interest in Holm’s serial pipes produced at that time but so much the more in the hand-carved freehands because the hype for Danish freehands and fancies in the States was still on its way to the climax then. The meeting resulted in an agreement to start a cooperation. Lane insisted to improve the quality considerably and in return he assured to be able to sell essentially larger quantities.

Holm went back home to work on new samples with all-new designs and altered finishes for Lane. Both, Lane and Holm, agreed that it would be unwise to sell the pipes under Preben Holm’s name as long as Snug Harbour had a considerable stock of Preben Holm pipes and might sell them pipes at very low prices just to bring in some money.

So on Mr. Lane’s proposal it was determined to use the name Ben Wade belonging to Lane Ltd. Lane spent considerable amounts of money for advertising the new brand in the big magazines– the centerpiece being whole-page ads showing a very exclusive Seven Day’s Set.

The cooperation with Lane Ltd. proved to be an eminent business success for both partners. Within a very short time Ben Wade Handmade Denmark sold in much larger quantities and at higher prices than they had ever dreamed of. And the hype these freehands and fancy pipes caused went on unbroken long after Herman G. Lane deceased. Preben Holm – obviously much more brilliant in pipe making than in pipe business – was in major troubles again in 1986 and had to sack most of his staff. The Ben Wade production was significantly lowered but continued until his untimely death in June of 1989.

Up to now Preben Holm made Ben Wade pipes are cult and highly sought for on the estate markets.

With that information my initial thoughts were confirmed. This pipe was a Preben Holm made Freehand distributed in the US by Lane Ltd under the name Ben Wade. The freehand rage occurred in the late 70s and the pipes were made until Preben’s death in 1989. My guess would be that this pipe was made sometime during that time period and potentially in the late 70s.

Armed with that information I followed the regular regimen that Jeff and I use for cleaning estates. I reamed the bowl with a PipNet pipe reamer using the largest cutting head as this pipe has a particularly large bowl. I followed up with a Savinelli Fitsall pipe knife to remove the remaining cake and smooth out the walls. I finished the bowl cleanup by sanding the bowl with 220 grit sandpaper wrapped around a piece of dowel to smooth out the inside walls of the bowl. I also scrubbed the rim top plateau with a wire brush to knock of the lava that was built up there. I scrubbed the briar with Murphy’s Oil Soap and a tooth brush. I worked to remove the remaining lava and minimize the darkening. I rinsed it under warm running water. The photos show the rim top after scrubbing. It looked much better at this point. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and into the plateau rim top and shank end with a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. With the outside cleaned and shining I moved on to clean up the inside airways and mortise in the shank and the stem. I scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners.  I set the cleaned bowl aside and turned my attention to the stem. I sanded out the tooth chatter with 220 grit sandpaper and started to polish it with a folded piece of 400 wet dry sandpaper. Once it was finished it began to shine.I used some Denicare Mouthpiece Polish that I have in my kit to start polishing out some of the scratches and remaining oxidation on the stem. I rubbed it in with a cotton pad and my finger tip and buffed it off with a cotton pad.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with some Obsidian Oil. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. When I finished I gave it another coat of Obsidian Oil. This is a beautiful Preben Holm made Ben Wade Spiral Freehand with a fancy, twisted, black acrylic/Lucite stem. It has a great look and feel. The shape fits well in the hand with the sandblast giving a nice tactile sense when held. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich combination of sandblast and smooth finishes took on life with the buffing. The rich colour of the briar works well with the polished stem. I like the grain and finished look of this Preben Holm Ben Wade Spiral pipe. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 ¾ inches, Height: 2 ½ inches, Outside diameter of the bowl: 2 inches, Chamber diameter: 1 inch. This Danish Freehand is a real beauty. Thanks for walking through the restoration with me as I worked over another beautiful pipe.