Tag Archives: super glue

Italian Made Sandblasted Canadian Brought Back to Life

This pipe is another that came in that EBay lot of bowls that I purchased. Once I was finished with this one I have two more left to restem. It is a large oval shanked pipe with a large bowl. The sandblast is not deep and is particularly shallow on the shank where it meets the stem. The bowl was heavily caked and the finish was dirty and faded. There was a deep divot out of the left side of the bowl toward the bottom. It was a chipped out spot that looked like the pipe had been knocked hard against something when it was dropped. There was also a chip on the edge of the front right side of the outer rim. It is pictured below in the first photo and is the first pipe in column one on the left. The second photo shows the state of the bowl when I started working on it. The cake was hard and thick.

I sorted through my box of stems and found a wide oval stem blank that would fit the curves and width of the shank. The first photo below shows the new stem before any work was done on it. The second photo below shows the tenon being turned on the PIMO tenon turning tool. I removed enough material from the tenon to get it close to fitting. I hand sanded it to get a snug fit in the shank. The tenon turner literally peels the vulcanite back to the right diameter. The third photo below shows the newly turned tenon before the hand sanding to fit it in the shank. The fourth photo shows the fit of tenon. It still needed to be shaped to match the diameter of the shank but the fit was good and tight.

I removed the excess of vulcanite and shaped the stem close to the diameter of the shank with a Dremel with a sanding drum. I carefully worked the drum against the stem and worked to get it as close to the shank shape as possible without damaging the shank. Once I had it close I worked on the fit with emery paper to remove the marks left by the sanding drum. The next series of four photos show the shaping of the stem to fit the shank with the Dremel and the emery paper.

I reamed the bowl with a PipNet reamer. I started with the smallest head on the T handle and worked my way up to the largest head that would fit the bowl. The next series of three photos shows the reaming of the bowl and the finished reamed bowl.

I cleaned out the divot on the side of the bowl with a dental pick and then packed in briar dust with a dental pick and added drops of super glue. I created a briar dust and super glue fill for the divot. The next series of five photos show the progress of the patch. Once it was filled and even with the surrounding area I used a dental pick to scratch in grooves and crevices to match the sand blasted finish of the surrounding bowl. I wiped down the surface with Everclear and scratched the surface until the finish matched.

I wiped down the entire bowl with acetone on a cotton pad to clean up the finish on the bowl and prepare if for the new stain that I would add once the surface was clean. Note how well the patch on the left side of the bowl matched the grain of the sand blast on the rest of the bowl in first photo below.

I chose to restain the bowl with a dark brown aniline stain that I thinned with two parts isopropyl alcohol to one part stain. From experimenting I had found that this colour matched the original stain on the bowl. I heated the bowl with a heat gun, applied the stain, flamed it and stained and flamed it a second time. I put more stain on the shank near the stem as the smoother portion of the finish seemed to not hold the stain as well as the blasted areas. There had also been a black under stain on the bowl from the original and the thinned dark brown worked well with that under stain to give some depth to the finish of the bowl. I hand buffed the bowl with a shoe brush to give it the initial shine.

I sanded the stem with micromesh sanding pads from 1500-12,000 grit to polish the stem. Each successive grit of micromesh deepened the shine of the stem. Between the 2400 and the 3200 grit micromesh I polished the stem with Maguiar’s Scratch X2.0 – a plastic polish that I have used to polish stems. I then sanded with the remaining grits of micromesh.

After sanding, I buffed the bowl and stem on the buffer with White Diamond and then gave the stem several coats of carnauba wax on the buffing wheel. I used Halcyon II wax on the sandblasted finish on the bowl and shank. I finished the pipe by buffing it with a clean flannel buff to raise the shine of the wax. The finished pipe is pictured below.

The final photo below shows the repaired divot on the bowl. It is utterly merged in the side of the bowl and the finish and stain make it invisible.

Comoys 498 Extraordinaire Restoration

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Many pipe smokers or collectors (I consider myself both) have a “Holy Grail” list of pipes they would like to own. My list totals five and this year I was fortunate to have acquired two from that list within six months. My five are highly sought after and fully restored examples are most likely beyond my meager pipe fund budget. My best bet to acquire any of these models is to find a pipe in need of restoration. Even then, I’m competing with collectors all over the world.

Two pipes on my list are Comoys Extraordinaire models. The Extraordinaire line is described in Pipedia as:

Extraordinaire. This designation was given to any pipe that was out of the ordinary in size or grain. The E/O was introduced in the 1930s, and “Extraordinaires” can be found with no other designation or also stamped, for instance, “Blue Riband” or “London Pride.”

My first Extraordinaire is a 499 that has been dated to the 1930’s, from the “football” stamp and drilled “C” logo. I bought this one from a pipe friend and it was in the condition you see pictured below. (originally purchased at Fine Pipes) I found this 498 Extraordinaire listed on Ebay and was able to make a deal with the seller to acquire it before the auction continued. It was listed as a “283/Blue Riband”, both of which I knew it was not. The nomenclature isn’t as sharp as on my 499 but it is legible. The stamping style and C logo are identical to my 499, so I assume this one is also from the 1930’s. There were plenty of dings on the bowl, including some on the top. The stem was in pretty good shape, but heavily oxidized with one tooth indention on the bottom. Here is the condition of the pipe as delivered.

There was a moderate cake in the bowl, which I reamed and then filled the bowl and shank with Sea Salt and Everclear for an overnight soak. The alcohol and salt didn’t leach much tar from the bowl, so hopefully it will be ghost free. The bowl was previously reamed slightly out of round and the Comoys beveled bowl top has been dimished over the past seven or so decades.

The next step was to steam the dents and marks from the bowl. I heated an old kitchen knife tip with a propane torch. A wet cloth, doubled over was applied to the area with a dent, then the hot knife tip was pressed over the dent. The steam eventually causes the dent to rise and I was able to remove or diminish most of the dents. You have to be careful on this step not to scorch the wood, so keep your cloth wet. I was able to reduce the dents on the bowl top to much smaller marks. Fortunately, the bowl top was not scorched by previous smokers

Removing the oxidation from the stem took several hours. I first soaked the stem in mild Oxy-clean solution to loosen the oxidation. I put a dab of grease on the “C” logo to protect it. I then used 1500 wet paper and then 2000 wet paper to remove the brown oxidation. I buffed the stem lightly with white diamond rouge (with the stem mounted to avoid rounding the edge). Next I sanded the stem with 8000 and then 12000 grade micromesh sheets. The stem was then buffed again with white diamond rounge and finally with Blue Magic automotive plastic polish.

I tried to raise the tooth indention on the bottom of the stem, but it could not be raised much. I ordered a tube of black superglue that luthiers use for repair on stringed instruments. I’ve previously used regular superglue mixed with a little black vulcanite dust but this pipe seemed worthy of the investment ($15 delivered…). I’ll update the photos after the black superglue is used.

Below is the finished pipe along with my other Extraordinaire 499. I’m thrilled and fortunate to have acquired this one before it went thru the auction process. It makes a terrific stablemate to my 499.

Update – Stem Tooth Indention Repair:

My order of Black Superglue was delivered this week from Stew-Mac. I forgot to order the accelerant, but Steve Laug told me to let the glue set overnight to dry.

I cleaned out the tooth mark using a small pick, to allow the glue to have a good clean suface.

The glue is a little thicker than regular Superglue, but it can still run, so the pipe stem must be kept level. Cut the tube open with the smallest opening possible. The bottle does have a tight fitting cap, so hopefully it does not dry out between uses.

After the glue dried overnight, I sanded it smooth with some 400 and then 800 grit wet sandpapers. I followed this with 1500 and then 2000 grit wet papers.

I then moved to the final two grades of micromesh, 8000 and 12000 grade papers, followed by a buff on the machine with White diamond rouge. I always do a final buff with automotive plastic polish. I’m pleased with how the repair came out and the black superglue does blend in better than the clear. I’m not a clencher, but I suspect the repair section would last longer then the original stem material.

Dr Grabow Restoration and Stem Repair

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Blog by Greg Wolford

I picked up this Dr Grabow Freehand at an antique mall about a month ago when I got the Wally Frank that is visible in the photos, too. It was scratched to heck on all the smooth briar and the stem was chewed completely through. But I went ahead and bought it for three reasons:

– I’ve never had a freehand
– I have been wanting to restore a stem with a hole or, in this case, a lot of damage
– I got a pretty decent price
So, I picked it up.

I decided to deal with the bowl first, by stripping it with acetone and soaking it overnight in an alcohol bath; I also put the stem in a OxiClean soak at this time. After removing the bowl from the alcohol bath I then used a brass bristle brush to get all the tar and gunk out of the rusticated top grooves. Then I sanded it to remove all the scratches from the smooth briar and take the old stain off the high points using 400 grit wet/dry sandpaper.Then I used some water based black leather dye on it, getting into the recesses well and wiping of the smooth portions as I went; I wanted to keep that darker contrast in the grooves. After I had it covered to my liking I dried it with the heat gun. Next I went back to 400 grit to take down the high points and smooth areas to remove the small amount of black color from the water based dye. When that looked good to my eye I polished it with 600 grit, wiped it down with 91% isopropyl alcohol on a cotton pad to remove any left over dust and dirt. I heated it with the heat gun again to make sure the briar was good and dry. When it was nice and warm I applied Fiebing’s dark brown spirit-based leather dye, diluted 2:1 with 91% alcohol and flamed it in; I did this twice. The color was a bit too dark now so I wiped the pipe down, taking care to not soak my cotton pad too heavily or get into the recesses too much, with alcohol until it looked right to me. I then set it aside.

When I soaked the bowl in the alcohol bath I also left the stem in a OxiClean soak overnight. I had removed and washed it well before starting on the bowl so it was ready now to work on. I decided to shorten and reshape the stem instead of replacing it or trying to fix the gaping holes. I used a coping saw to cut off the end, saving as much of the stem as I could. The bottom hole had also cracked so it required removing quite a lot of the stem to get most of the crack out. The next step was to grease a pipe cleaner with petroleum jelly and insert it into the stem. I then dripped some Super Glue into the crack and let it set up while I worked on something else.

When I came back to it, the glue was hardened and I was ready to move on to the next step: making a new button. I began this process by scoring a line along the top and bottom of the stem where I wanted the button with a cutoff wheel on my Dremel. After I had the new button laid out, I then started to shape it with various needle files. I began shaping from the button back, forming it into shape with the rest of the stem. This took considerable time to get it even and “natural” looking. When I was satisfied I then began to shape the end of the button.

I shaped the bit with needle files, too, again using several to get the shape right. The first step for this was getting the angle to look right on the top; this didn’t take as long as I expected. I then began to form the bottom of the bit, trying to match the shape of the top as close as I could; this took more time and effort than I’d expected.

Making a new drought hole was something new to me. And was not without its challenges either. I used my needle files, again, to start shaping the new hole, making it a bit taller as well as wider than the hole that was left in the cut off stem. I took the extra time to fan the drought hole, too, partly because I wanted to and partly to see if I could do it. This ended up being some of the most time-consuming and tedious work of the entire project: I needed to make sure I didn’t go too thin in any direction but I wanted the hole to really funnel out well. I am pleased with the results and the way it smokes and would say it was worth the extra time and effort to accomplish it.

After all the shaping I wiped the stem well with alcohol to clean it off for a test fit – to my mouth. The test failed; the bit was too long and too steep. So back to the files I went. I filed, tested, filed, tested a few times until it felt comfortable in my mouth and looked good to me. Now time to get it shiny again.

I began with a fine/medium grit sanding sponge. It worked very well to get in and around the bit to smooth it a bit more and to take out the file marks. I then began wet sanding with grits 220/320/400. At this point I applied some Novus 2 plastic polish. The Novus line come in three grades: 3 – the most course, 2 – the second, and 1 – the final polish. I began using this product on my motorcycle windshield a few years ago and loved it. I have numbers 1 & 2 but have yet to try 3.

After using the Novus, I began with the micro mesh, wet sanding with grits 1500/1800/2400/3200/4000 (I’m not looking at the numbers but I believe that was the correct grit numbers. I applied the Novus 2 again and then polished with micro mesh 6000/8000/12000. Now it was off to the buffer with pipe and stem.

I buffed the pipe several times around with Tripoli to get the color just where I liked it. I then moved onto the white diamond for both the pipe and stem. I took a little extra time on the stem to make sure I fine tuned the button a little more, testing it every so often. After buffing the pipe and stem with white diamond I changed to a metal buffing wheel with blue rouge to polish the metal tenon on the stem; I hate a nicely polished stem that hasn’t has the metal (if there is any) not polished, too.

Several coats of carnauba wax was then applied to both pipe and stem. I did the final buffing with my “mushroom” on my cordless drill. I like the control I have with it and also the fact it’ll reach almost anyplace with little effort. The final touch was to polish the rustication with a soft toothbrush to make sure I didn’t have any wax residue left. There were, and still are, some fills in the pipe but I wasn’t particularly concerned with them. Several are on the shank and it would have been “dicey” to try to fix them without ruining the nomenclature. There was one fill on the side that fell out, presumably from the softening of the putty in the alcohol bath. I missed that one until after I had already started smoking it. If I’d seen it earlier in the process I would have fixed that one but now it’s there for the duration. (I couldn’t get a good focused shot of the finished button.)

Cleaning up a Swedish Bromma Dollar System Pipe

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Blog by Steve Laug

I picked up this old Swedish Pipe in a little town in Northern Alberta, Canada. It was an antique mall, the only one in town and I was able to pick up this one for about $10 so I did not feel too bad about it. I had not seen one of these pipes before. It is stamped BROMMA over Sweden on one side of the shank. On the other there is an Elephant logo in a circle and inside the circle is the word DOLLAR. The bowl is briar and the rest of the pipe seems to be either plastic or Bakelite. It is interesting. I was able to take the stem out when I picked it up but the bowl would not budge. It was definitely a screw on bowl as it was on crooked and at somewhat of an angle. The stem had tooth chatter on the top and bottom but no tooth dents. I sprayed some solvent on the bowl stem connection to try to loosen it. I twisted it carefully but it would not budge so I set it in my box of pipes for repair.

Today was my day to work on it. I took it out of the box and gave the bowl a twist and it would not budge. I used the sanding board to top the bowl and once it was smooth and clean I wiped the entire bowl with acetone. I was careful not to get any on the shank or bottom of the part. I then used Isopropyl and a cotton swab to swab alcohol around the bowl and the bottom portion of the pipe – the keeper for lack of a better word. I repeated this several times and tried to carefully twist the bowl off the keeper. I repeated the swab and alcohol until finally I was able to twist it off the keeper. The next two photos below show what I found inside the keeper portion of the pipe. This is amazingly like the stem portion of the Falcon pipes. The difference is the material it is made of. It is incredibly lightweight and resilient. The base was absolutely full of hardened tars and sludge. My guess is that it had never been taken apart after the initial purchase and after the bowl was put on and misaligned. This would take some work to be sure. The stuff was as hard as rock and would not budge with a pipe cleaner.

I decided to drop the bowl into the alcohol bath and let it soak away while I worked on the stem and base portion. I used my dental pick and Isopropyl alcohol to work at the rocklike tar in the base. I soaked the tarry stuff with alcohol and picked at it with the dental pick. Once I had some of it loose I would use the cotton swabs to daub out the gunk and alcohol and then repeat the process. The next series of three photos show the process of picking away the tar and the results after wiping it clean with the swabs. I probably used about 60 or more swabs and removed a lot of the gunk from the bottom of the base. I soaked it and kept at it. I used 0000 steel wool to scrub the tars once I had the majority of the material picked free. Then I took it to the sink and used a microfiber cloth to scrub the base with hot water and degreaser.

The next two photos show the inside of the base after it has been thoroughly cleaned. The shank itself was almost like a Kirsten barrel and need lots of soft tissue and cloth run through it until it was clean and shiny on the inside. The photos are slightly out of focus but the cleanness of the base is very visible.

I then removed the bowl from the alcohol bath and went to work on it. I picked out the two putty fills with my dental pick. I also followed the threads with the dental pick to remove the grime and grit that filled the threads and did not allow the bowl to be threaded on correctly. I also used a bristle tooth brush and alcohol to scrub the bottom of the bowl from the threads down to the nipple like structure on the bottom. The next four photos show the bottom of the bowl and the threads after cleaning them. There is an inset portion of the bowl bottom that is like a moat around an island that has the moutainlike nipple in the centre. This took quite a few cotton swabs to clean the grime out of the channel. Once it was clean there is a patent stamp on it. It reads Pat. S. I am guessing it is a Swedish Patent mark. The portion of the bowl that is threaded seems like it is made of the same kind of material as the base of the pipe. The mountain in the middle is briar. It is an interesting and unique design. I am looking forward to firing it up and giving it a smoke once it is finished.

Once the bowl was clean I decided to replace the fills with briar dust and super glue. The next series of photos show that process. I had already picked out the putty fill. I used a dental pick to tamp briar dust into the pits on the bowl. The first picture shows the briar dust before I wiped it smooth and added a few drops of super glue to the mix. The second and third photo are a bit out of focus but show the repaired fills after I sanded them down with sandpaper to smooth the surface to match the surface of the bowl.

The bowl was now ready to be stained with an oxblood coloured aniline stain. I applied the stain with a cotton swab and then flamed it and buffed it off. The first two photos below show the stain applied and ready to be flamed with a match. I held the bowl with a dauber so that I could manipulate it to apply the stain.

The next two photos show the bowl after a buff with Tripoli. I had not polished them at all at this point I merely buffed off the stain to get an even coat on the bowl sides and rim. The great thing with the briar and super glue fill is that it takes the stain and darkens with the finish coat. It is far more attractive to me than the pink putty fills that were originally present.

The next two photos show the pipe taken apart. There is the bowl base and long shank that is made of the plastic or Bakelite material, the bowl itself. It has a small burn mark on the top of the rim but I left it rather than take it down any deeper into the surface. The third portion is the stem unit with a four finned stinger apparatus. The airflow is straight through from the bottom of the bowl to the slot in the button. The stinger with cooling fins is designed to cool the smoke and trap the tar and oils along the fins. This portion and the inside of the stem took work to clean. It is open enough to take a pipe cleaner through it with no problem.

The final four photos are of the complete pipe reassembled and ready to smoke. I coated the bowl base and stem with Obsidian Oil and then hand waxed it with Halcyon II wax and buffed it to a shine by hand as I did not want to risk it on the buffer. I have had this kind of material melt when buffed so I am shy to try it on this pipe. The stem was sanded with micromesh sanding pads from 1500-12,000 grit and then polished with Maguiar’s Plastic polish as I have been doing on all of the pipes lately. I put some carnauba wax on the threads of the bowl to lubricate make the threads as I screwed on the bowl.

Refurb on the London Made

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I finished up the refurb on a London Made billiard. It is a big pipe 7 1/2 inches long. This one was by far the worst one in the lot of three large pipes that I had in my box to refurbish. The rim was in very rough shape with burn marks on the right hand side and dents and scuffs from banging out the dottle. The bowl was heavily caked and the stem and shank were virtually plugged with tars.

I reamed the bowl and cleaned the shank with pipe cleaners, cotton swabs and a shank brush and isopropyl alcohol. Then I gave the bowl an alcohol bath over night. The next morning I took it out of the bath, dried it off with a soft cloth. Once it was dry I sanded the bowl with micromesh sanding pads (1500-6000 grit) until it was smooth. I wiped it down with a cotton pad and some isopropyl to clean off the sanding dust and any remaining oils from my hands. I restained it with an oxblood aniline stain thinned with isopropyl alcohol.

I went to work on the stem after that. The stem was in bad shape. There was a very deep cut mark on the top of the stem about a 1/4 inch from the button. There was also a bite through hole on the underside of the stem. I cleaned and sanded the stem until it was black once again. I left the area around the button, on top and bottom, a bit rough and then filled the cut on the top with krazy glue. I greased and inserted a pipe cleaner in the slot and then filled the hole with krazy glue. Once the glue was completely dry I sanded the two fills I made with sand paper – 400, 600 grit, and then micromesh sanding pads from 1800-6000 grit. (I have read of concern by different folks on how the super/krazy glue can melt or cause damage on vulcanite. I have now been using this process for several years and never had a problem. I have used it on both vulcanite and Lucite. In the past weeks I have also used it on a nylon stem without any probems.)

I took the pipe to my buffer and finished the refurbishing with a buff of White Diamond to polish the finish on the bowl and the stem. I gave the entirety several coats of carnauba wax and buffed it with a clean flannel buff to give it a shine.

Here are the pics of the finished pipe (once again I forgot to take pictures of the pipe before I worked on it). Thanks for looking.

A Creative Pipe Maker’s Anonymous Attempt at a Cool, Dry Smoke

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This is another interesting piece of pipe history. I seem to have trouble passing up odd and creative pipe making attempts. I have no idea who designed or made this one or what the patent information is as there is absolutely no stamping or identification on the pipe itself. I remember seeing one on EBay awhile ago but somehow missed keeping the information. If anyone has any information on it please leave a comment in response to this post.

The pipe itself was in rough shape when I got it. The stem is chewed up badly and I have not taken the time to rework the stem. It is the dreaded nylon stem so it always leaves me cold in wanting to work on it. It is probably the most unforgiving stem material there is in my opinion. You can sand and sand it and it does not seem to change the damage. The heat gun and boiling water do not seem to lift the dents and tooth marks at all. What is there seems to be permanent. The bowl was badly caked – in fact so badly caked that it had a split in the side of the bowl. The finish is strange – best I can say about it almost little worm trails in the briar. The stem was stuck in the shank. I thought at first it was a screw tenon it was so tight. Under the stem was the flat base with what looked like an adjustment screw of some kind. It was also stuck tightly.

I reamed the bowl and found that the draught hole was in the bottom of the bowl – like a calabash. I opened that with a dental pick and cleaned it out. I packed the bowl with cotton bolls and filled it with isopropyl alcohol. I use 99% as it has little water content and seems to work well in drawing out the oils and tars. It took quite a bit of alcohol as it filled the reservoir below the bowl. I put a pipe cleaner in the stem and laid it aside overnight. My hope was that the alcohol would not only draw out the tars and oils but loosen the adjusting screw on the bottom of the shank as well as the stem.

In the morning I removed the cotton bolls. They were almost black with the tars and oils that they drew out. The stem was actually loose – that happens so little that I was surprised when I turned on it and it came out. I was expecting a screw tenon and found that it was not at all. It was an aluminum tenon made to hold a Medico style paper filter. The one in the tenon was almost black with grime and now it was soggy as well. I am still trying to figure out the airflow on this pipe. I also was able to turn the adjusting screw under the stem and it came out as well. I expected that it would adjust the airflow somehow (kind of like a Kirsten). But it was not an adjusting screw at all; instead it was a stinger like apparatus with a long twisted blade on it. Now the airflow was becoming clearer. The smoker pulled the air through the bowl down through the air hole in the bottom of the bowl. Once there it entered the chamber that ran the length of the shank and bowl and contained the twisted stinger. That apparatus would pick up the liquids and oils of the tobacco. The smoke would go up through a hole in the top of the chamber and enter the shank where the paper filter would trap the remaining debris of the smoke (and in my opinion whatever flavour still remained) before delivering it out the slot at the end of the stem.

I cleaned out the chamber and the shank by filling them with isopropyl and plugging the holes and shaking the fluid for several minutes. I would unplug and dump the dirty alcohol down the drain. I repeated this until the fluid came out clear. Then I cleaned the chamber and shank with a shank brush and bristle and ordinary pipe cleaners and more isopropyl alcohol until they came out clean and fresh. The stinger soaked in alcohol and I scrubbed it with 0000 steel wool until it shone. The stem needed a lot of cleaning though it was more dirt and grime that came out rather than tars. I was able to polish the tenon inside and out and clean up the stem. The dents and tooth marks I left alone. One day I will have to work them over and see if I can remove them. But not that day!

I scrubbed the outside of the bowl with a bristle tooth brush and Murphy’s Oil Soap to remove all of the grime from the bowl surface. I cleaned out the crack in the bowl with my dental pick. I then wiped it down with acetone and restained it with a medium brown aniline stain, flamed it and then buffed it with Tripoli and White Diamond. Once it was polished and clean I coated it with several coats of carnauba wax and then buffed it with a clean flannel buff.

I finished up the pipe and put it back together. I added a pipe softee bit to cover the bites and dents on the stem and make it more comfortable in the mouth. I packed a bowl of nice Virginia in it to try it out. I decided to leave out the paper filter and just smoke it as it was. It was an interesting and cool smoke though it pretty much removed the flavour of the Virginias that I chose to smoke. This one will sit in the cupboard as a memorabilia item but will not enter the rotation.

Here are the pictures of the process of repair. I patched it with black super glue and built up the angle of the stem to give a clean flow. I filled the dents and bite throughs on both sides of the stem. I sanded and sanded with 240 grit sandpaper and micromesh 1500 through 12,000 grit. Then gave it a coat of Obsidian Oil and finally several coats of wax. The last four photos show the final product.

Chuck’s Gift Pipes Part 2 – an Old Diamond Shank WDC Pot with a Bakelite Stem

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The second pipe in the gift from Chuck (desertpipe on Smokers Forums) was an old WDC with a Bakelite or Redmanol Stem. It is a beautiful translucent red stem. The band has gold filigree like scrolling on each of the four sides of the diamond shank band. The bowl was clean but in need of a light reaming. The finish was broken but did not seem to hide any obvious fills in the dark colour. The stem was over turned almost a quarter turn (pictures 1-3 below). The tenon was a bone tenon screw mount into a thread shank (picture 4 below). The stem also had two tooth marks one on the top that was not too deep and one on the underside that was deep (pictures 5-7). The button was missing an edge on the right side. It was almost like a piece of the button had been sliced off and it was a smooth angle (picture 8). The stem had some kind of buildup on it near the shank junction. At first it looked like chips or flake on the surface of the stem but upon inspection it was just buildup. The orific button was central and the curvature of the button face was nicely done. This one showed some promise. I was going to need to figure out how to correct the over turn on the stem.

I took the pipe apart and reamed the bowl carefully. It was lightly caked but I wanted to smooth out the surface of the walls to get a clean start to the building of a new cake. I personally prefer removing the old cake so that I can build a good hard cake of my own making rather than live with the ghosts of the old one. The next two pictures show the Pipnet reamer that I prefer using on these old pipes as it is very controllable and easily handled.

I used finger nail polish remover (acetone) to remove the finish from the bowl. I wanted to have fresh wood to work on with the new stain and finish. I wiped it down with the cotton pads that are visible in the pictures below. I find that these are perfect for wetting with the acetone and rubbing off the finish. Once I had wiped it down and the finish was gone sanded the bowl down and also topped the bowl just a bit. The edge of the bowl had been rounded quite a bit and the rim was not clean. I sanded it carefully to remove the scratches and the dents as well as to level the edges and give the surface a more crisp sharp edge. I also sanded the inner edge to smooth out some of the out of round portions of the bowl. I was careful in the sanding and the wiping down with acetone to not remove the gold paint that had been put in the stamping of the triangle and WDC logo on the shank. Pictures 1-2 below show the bowl after sanding and wiping down with acetone. Picture 3 shows the top of the bowl and rim after the slight topping and sanding. Picture 4 shows the nice graining on the diamond shank and the “keel” on the underside of the bowl.

Once I had the bowl clean I decided to work on the bite marks on the stem. Picture 1 shows the bite mark on the top of the stem. It was not too deep so I was able to raise it a bit with boiling water and then I sanded out the remaining tooth mark. Picture 2 shows the underside of the stem with the bite mark. It is on the low part of the stem near the button. It is a bit hard to see in the picture but it was significantly deeper than the one on the top of the stem. The heat lifted it a bit and I was able to sand it but it still was present and too much sanding would have changed the curvature of the stem.

The button, seen in the first picture below, is missing a portion on the top right (or lower left in picture 1 below). It does not have the graceful curve of the other side but is actually a slice or a flat spot on the button that tapers into the stem with no edge. The second picture shows the first layer of the fill I added with super glue. I wanted to build up the missing portion by layering superglue until it was repaired and then shape it with sandpaper and files.

While the superglue patch cured a bit I decided to work on the over turned stem. To correct that overturn I would need to loosen the bone tenon in the stem. In the past I have heated the tenon and then turned the stem like I have done on the metal tenons on Kaywoodie pipes. This one was a totally different fix. In picture 1 below I filled a cup with water and boiled it in the microwave for 3 minutes. Once I removed it from the microwave I placed the stem in the bowl – tenon down in the boiling water. I repeated this until I was able to loosen the tenon. Picture 2 shows the tenon loose and free of the stem. The threading on the portion in the stem is finely threaded. I tried different methods to align the stem. Picture three and four show the tenon screwed into the shank to different levels. I then would twist the stem on until it was tight. No matter how many times I did this and no matter how many turns I could not get it to align properly with the shank. It was always either a ½ turn or a full turn off. I wrapper the tenon with cotton thread and reinserted it to lift the tenon a bit from the stem. The results were categorically them same – overturned or under-turned no matter how many ways I tried it. I was mystified on how to do it so I set it aside and went to bed for the night.

This morning when I got up I had an idea on how to tackle the overturn. In the middle of the night I woke with a thought – what if I turned the stem back and forth a bit and see what happened. I remembered the concept of self adjusting emergency brakes on a car. On one of my old cars I would put the car in reverse and pull the emergency brake on and off until it was adjusted. I adapted that with the stem. I turned it forward and backward a few times and sure enough after a few turns the stem was aligned properly! I could not believe it! I don’t know what I would have done had I not had that flash of memory in the middle of the night. Picture 1 below shows the aligned stem and the sanded smooth bowl ready to be stained.

I restained the bowl with an oxblood stain applied with a cotton swab. I was careful about putting too much stain on the gold stamping of the WDC in the Triangle. I wanted to retain that feature. Once the stain was applied I flamed it with a match and then rubbed the surface with a piece of flannel to remove the excess stain and allow the grain to show through. I then took it to the buffer and buffed it with White Diamond to bring back a good shine. I coated it with several coats of carnauba wax and buffed it with a flannel buff to polish it. The four pictures below show the final look of the bowl after the stain and the wax. Picture 3 shows the nice grain on the “keel’ of the pipe. I love the cross grain on this old beauty. Picture 4 shows the polished rim and top after buffing. The edges are now crisp and much more defined than in the original photos of the pipe.

The next pictures show the work I did on the button to build up the worn part. Picture 1 shows the state of the patch after the first layer of super glue. Picture 2 shows the second layer of super glue. The button is starting to come back to the original shape and match the other side. Picture three shows the superglue patch to the deeper tooth mark on the underside of the stem. I had heated and sanded the spot but it did not rise any further so I filled the remaining tooth mark with clear super glue. I have found that the clear superglue works very well on Bakelite and on horn stems. Once sanded and blended in with micromesh it is virtually invisible. Picture 4 shows the stem from an end view. On the right top you can see the damage to the button. You can also see that the super glue is building up the area to match the left top. After this photo I added several more layers of super glue.

The next picture shows the continued build up of the button with the super glue. The first picture shows that the curve of the button is coming back to match the left side of the button. My goal was to build up the button on the right side to a point where it was actually a bit overfilled and slightly larger than the curve on the left and then sand it until it matched.

Picture 1 below shows the recut button. I used needle files to cut the edge of the button to a clean sharp edge differentiating it from the smooth curve of the stem. I also sanded the stem and the edge of the button with fine grit emery cloth to make the transition between the button and the stem very clear. Picture 2 below shows the button from the end after I have begun to shape the right edge to match the left edge. The angles and shape are like a North American football.

From this point on the shaping progressed to 1500 grit micromesh as I wanted to fine tune the shaping and smooth the transitions and angles of the button. The first picture shows the edge is clean and sharp. The brown spots at the top of the photo are the remnants of sanding dust after using the micromesh pads. Picture 2 shows that the shape is curved and the match of left and right is virtually perfect.

The next series of photos show the button after sanding with the 1800 grit micromesh pad. Pictures 1 and 2 show the stem in profile. The button is distinct and clear in the pictures. Picture 1 is of the left side – the unrepaired side of the stem. You can see the sharp edges of the cut between the stem and the button. Picture 2 is the right side in profile – the repaired side. Again the sharp edge of the cut between stem and button are clear. The slope of the button matches the left side as well. The stem repair on this one is done. All that remains is to polish it with the remaining grits of micromesh. Picture 3 shows the stem from the top. You can see the new edge of the button and the nice straight edge from left to right. The surface is smooth and once the remaining sanding is done it will look as good as new. Pictures 4 and 5 show the button from the end. You can see the nice curves of the “football” on each end and the gentle curve to the middle of the button over the orifice airway.

I worked on the stem and button with micromesh pads from 1500-12,000 grit and water to shape and polish the button and the stem. One of the beauties of the Redmanol stem is the rich ruby glow to the stem when the light reflects off of it. That glow is hard to capture in photos but it is what I was aiming for in the polishing of this stem. Picture 1 and 2 show the finished button on the pipe stem. It is a perfect match on the left and the right. The super glue patch and build up blended in perfectly and even in hand is not visible. I love the way it blends with this Redmanol/Bakelite stems.

The next series of photos (pictures 1-4) show the finished pipe. It has had many coats of carnauba by this point and is back to its original lustre. The oxblood stain brings the deep richness of the bowl back to the surface and it looks like it must have in much better days. Pictures 5 and 6 show one last look at the stem. The button is smooth and the transition between the stem and the button is crisp and clean. The “football” shape of the button is restored and the pipe is ready to smoke.

Thank you once again Chuck for giving me the opportunity of restoring this pair of old timers to life again. It has been a pleasure and each was a challenge in its own way as I worked to bring them back to life again. I look forward to firing up a bowl in each of them in the course of the weekend ahead.

A Bewlay Thirty Prince Reborn

1 Reply

Blog by Steve Laug

This pipe grabbed my eye because of the classic prince shape. The bowl was dirty and caked. The rim is tarred and caked as well. The finish was scuffed and dirty, but there looked to be some nice grain underneath. The stem had tooth dents that were quite deep and the oxidation was odd in that it was streaked more than solid. The tenon was stainless steel and quite long. It can be seen in the first picture below. The alignment of the stem to the shank was slightly off as the tenon was inserted into the stem a bit high. In pictures 4 and 5 you can see that the stem is lower than the edge of the shank. I reamed the bowl and cleaned the shank. The shank was plugged so I used a straightened piece of wire to push through the clog into the bowl. I repeated the push with the wire until I had cleaned out the shank. I finished cleaning it with many pipe cleaners, cotton swabs and a shank brush and isopropyl alcohol. Once I had finished the bowl I sanded the top with micromesh fibre pads from 1500-2400 grit. I wiped it down with cotton pads soaked with acetone to clean off the finish. Then I put the bowl in the alcohol bath and let it soak while I worked on the stem.

The next series of pictures show the bowl after I took it out of the bath. I reinserted the stem so that I could work on the bowl a bit more. You can see from the pictures in this series of photos that I had buffed the stem with Tripoli and also done the initial sanding of the stem and removed most of the surface oxidation.

At this point in the process I pressure fit a band on the stem to help with the alignment of the stem. There was enough give in the stainless steel tenon to hold it in place with the nickel band. The band also gives the little prince a classy look (at least in my opinion!). I then did a lot more work on the stem. I used a heat gun to raise the bite marks as much as possible. They came up significantly but not completely. I sanded the stem near the button with 240 grit sandpaper to smooth out the surface. The five pictures below show the sanding process. I used a medium grit sanding pad after the 240 and then also used a fine grit sanding pad. I was trying to minimize the dents and isolate the deeper dents. The fourth and fifth picture below shows the stem after sanding. I wiped both the top and the bottom of the stem down with alcohol to clean the surface and prepare it for the super glue patches.

The next two photos show the super glue patches. I used clear super glue on these patches as the dents were black and I was hoping that the clear would allow the black from the vulcanite to show through the glue and make the patches blend in clearly and match. You will notice that I used drops of super glue and applied it by dropping the glue on the stem. Once one side was dry I dropped the glue on the other side.

Once the super glue was dry I sanded it with 240 grit sandpaper and the fine grit sanding block. The next two photos show the first stages of the sanding. The spots are still large and very visible in these photos. I continued to sand them until they were well blended. Once it was finished I used micromesh pads to sand it until it was smooth.

The next two photos show the stem in its finished condition. I sanded it with micromesh pads – 1500, 1800, 2400, 3200, 3600, 4000, 6000, 8000, 12,000 grits to bring the stem to this final state. The patches are well blended into the finish of the stem and are virtually invisible to those who don’t know where to look.

The next series of four photos show the pipe after buffing with several coats of carnauba wax and then a soft flannel buff. The finish came out very smooth and the patches are not visible. The stem looks new. In the light of the flash a hair on the underside of the stem is visible. The pipe is now ready to fire up with its inaugural bowl.

Restoring an Astor Belge

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This was one of the pipes I picked up recently on a trip to the US. It is a small Astor Belge shape which is one of my favourite shapes of pipes. Astor pipes were made by Comoy as a second line of pipes. From the number of fills on this one it can easily be seen why it is a second. It is a shame as it also has some amazing cross grain on the front and back and some beautiful birdseye among the fills on both sides. The extent of the birdseye grain can be seen in the second photo below.

The pipe was dirty but really in pretty good shape for its age. I reamed the bowl and cleaned the bowl and shank with Isopropyl alcohol (99%) to remove the tars and oils from the inside. Then I dropped the stem in some oxyclean to soak and wiped the bowl down with acetone (fingernail polish remover) to remove the finish. I dropped the bowl in the alcohol bath for awhile to give it a good soak and worked on several others for awhile.

After an hour in the bath, I removed the bowl and dried it off. The next series of three photos show the pipe after removal from the bath. I used micromesh 1500 grit sanding pads to remove the grime and tar from the rim and the inside bevelled edge. It took a bit of work to smooth this out and keep the angles the same all the way around. The third photo below shows the finished bevel and the top after quite a bit of sanding. The top took a bit more sanding with the micromesh to remove the darkening as it was on the surface and not too deep into the briar.

At that point I decided to remove the fills from the bowl as I personally dislike the pink putty fills that are often used on these old timers. I used the dental pick to remove the as can be seen in the next series of three photos. They were all pretty deep and would need to be repaired. After picking out the fill I wipe the bowl down with a soft cloth and Isopropyl alcohol to clean the surface of any remaining bits of putty. When they are clean and dry I fill them with briar dust that I have saved for this purpose.

After filling them with briar dust I drip the super glue/krazy glue into the dust and it dries almost instantly. The next three photos show the newly filled holes at various stages of the repair. The first photo shows the dust and super glue in the bottom holes before I sanded them. The top holes in the photo have been sanded a bit to smooth them out but are not finished. The second photo of the front of the bowl shows both the sanded ones and a newly filled hole with the super glue patch before it dried. The final photo in this series of three shows all the holes filled and the initial sanding completed.

The next two photos sow the holes patched and sanded smooth. The super glue and briar dust turned black in this case. This does not always happen but it did this time. I have no explanation for that in this case but they do look better than the previous pink fills. I have also learned that they can be hidden a bit with a dark understain. In this case I decided to stain the entire bowl with black aniline stain for a first coat. I flamed the stain and when it dried I took the pipe to the buffer and buffed the entire bowl with Tripoli to remove the excess stain and leave the black in the grain and around the fills. You can also use black permanent marker to build the grain pattern around the fills to help hide them though I did not use that method on this pipe. I then sanded the bowl with the 1500 and 1800 grit micromesh pads to remove more of the overstain. I washed the bowl down several times with acetone to also lighten the black. Once it was at the saturation I wanted it was ready for the overcoat of stain.

I decided to use oxblood coloured aniline stain for the finish coat on this one. I wiped it on and then wiped it off before it dried to get good coverage I repeated that several times and finally gave it a full coat and flamed the stain to set it. When it was dry I took it to the buffer and buffed it with Tripoli and White Diamond to give the final coat a real shine.

I finished the stem with my usual regimen of micromesh pads from 1500-6000 before putting it back on the bowl and buffing the pipe with White Diamond. I coated the stem with several coatings of Obsidian Oil and then gave the whole pipe multiple coats of carnauba wax to finish. The pictures below show the finished pipe. Though the fills are still visible they are diminished in their overall presence in the pipe. They no longer stand out in the finish. I personally love the depth of colour that this old Belge has with the new stains.

Using Super Glue to Repair or Replace Putty Fills

2 Replies

Blog by Steve Laug

On one of the forums another member and I were chatting bemoaning the red putty fills that so often are a part of old time pipes. I have no idea why they choose to use the red putty but as the pipe ages and the stain mellows with age the putty sticks out in all of its awfulness! I really do not like the look of red putty fills. They have a look like pink/reddish bubble gum. On smaller ones I used to pick them out and refill them with briar dust and wood glue. I always over filled them a bit as the glue shrunk as it dried and I found that the wood glue did not take the colour of the stain well. I left that discussion behind and went to work the next day with other things on my mind. I came home that evening and a PM was waiting for me. Another member remembered that an old pipe repairman friend of his used to use superglue and briar dust to repair fills. He asserted that once the glue was dry it was invisible and the stains would cover it as well.

I had this old bulldog in my pipes to be repaired box. There were two large fills on it that had more or less fallen out over time. What remained were two rather large holes or divots in the right side of this old pipe. The top arrow points to the one on the shank about mid way between the bowl and the band. The lower arrow points to the on the lower portion of the bowl.

I used a dental pick to clean out the remaining red putty from the pits. I wanted the holes to be clean of any remnant of the putty. I also used cotton swabs and Isopropyl alcohol to wash out the areas where there was any putty left. Between the pick and the swabs the holes were cleaned out and open as they appear in the picture above.

I then took a tin of briar dust I have saved from pipes I have worked on over the past months. I keep some on hand for patches like these. I wet the end of the dental pick and dipped it into the briar dust and move it around to form a ball of the dust on the end of the pick. I used my finger to move the dust ball into the hole on the shank and the bowl. I patted the dust into the hole with the tip of a knife blade as I wanted a good tight fill. I then squeezed a few drops of super glue into the dust in the hole. As I did this the dust would shrink a bit and I added more dust and more super glue. When I was done the holes were filled and both had a small bump over where they used to be. I always over fill the holes so that when I sand them down they are smooth and I can feather in the fills with the rest of the briar. I was fortunate in this case that the holes were lined up with the grain marking around them. Once the glue dried (very quickly by the way) I sanded and checked to see if I had missed any spots. I wanted the entire surface smooth to the touch and under a jewelers loop. I sanded the spots down and blended them into the bowl surface. Once that was done I wiped the bowl down with a cotton cloth dampened with Isopropyl alcohol to remove any remaining dust.

I then set up my stain area and stained the pipe with an oxblood aniline stain. In this case I did not let it dry but wiped it on and wiped it off. I wanted to make sure that I was getting good coverage on the fills. I repeated the staining until the colour was what I was aiming for. The picture below is of the same pipe after staining and buffing with White Diamond. It was finished with several coats of carnauba wax. Can you see the fills that were evident above? I assure you that in person it is just as hard to see them.

rebornpipes

reclaiming old and worn estate pipes

Tag Archives: super glue

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Comoys 498 Extraordinaire Restoration

Dr Grabow Restoration and Stem Repair

Cleaning up a Swedish Bromma Dollar System Pipe

Refurb on the London Made

A Creative Pipe Maker’s Anonymous Attempt at a Cool, Dry Smoke

Chuck’s Gift Pipes Part 2 – an Old Diamond Shank WDC Pot with a Bakelite Stem

A Bewlay Thirty Prince Reborn

Restoring an Astor Belge

Using Super Glue to Repair or Replace Putty Fills

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