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First in Flight: Refurbishing and Restemming a Falcon #4

Blog by Anthony Cook

I had never smoked a metal pipe before, but I was curious. I liked the idea of interchangeable bowls, especially when dealing with stronger and “ghostlier” blends (I’m looking at you, Lakelands). So, when this Falcon #4 showed up on eBay I put in a low bid that luckily turned out to be the winning one. I knew from the seller’s photos that the pipe was going to need a bit of work to get it into shape, but I was still in for a few surprises.

When it arrived, I could see that the aluminum frame was in good shape. There were several small dents and scratches, but nothing that would affect the smoking qualities of the pipe. The nylon stem (or, “bit” in Falconese), however, must have really suited someone’s taste because had been chewed so badly that it was crushed and the airway was almost completely closed. The larger, pot-shaped bowl was in fair condition with some tar build-up and a few scratches on the rim, but the smaller Dublin/apple-shaped bowl was charred and almost beaten to death around the rim. Luckily, the threads on both bowls were still in good shape and they would screw tightly to the frame.

Here are a few photos of the pipe as it was when it arrived:

The first order of business was to remove the stem, since there was no way that it would work in its condition. Thankfully, Al (upshallfan) offered to send me another one that was in better shape. Removing a Falcon stem is easier said than done though. They’re intended to be a permanent part of the pipe.

I turned to the forums in the hope of finding someone who had done it before and had developed a reliable removal method. I received several suggestions and tried them all with no luck. In desperation, I decided to try to heat the stem in boiling water. I knew from past experience that nylon would blister and burn all too easily when exposed to high heat, but I thought that this method might heat the stem slowly and gently enough to avoid that risk. Surprisingly, it worked like a charm! After about 20 minutes of submerging the stem in boiling water, not only was I able to remove the stem, but the aluminum smoke tube came out as well. That would make cleaning and polishing the frame much easier. After soaking the frame in alcohol for about 30 minutes, I cleaned out the interior. Without a doubt, this was the easiest cleanup job that I have ever done on a pipe. That’s not to say that it wasn’t dirty. This was obviously a well smoked pipe, but the grime came away easily from the nonporous aluminum. It took only three pipe cleaners (two for the airway and another folded one to scrub the cup) and an old toothbrush (for the threads) to completely clean the frame. The bowls were next on my to-do list. I reamed them both back to bare wood so that I could see what I was dealing with, and then I placed them in a jar of isopropyl alcohol to soften the build up on the rim and strip the finish. An hour or so later, I removed them and used a soft cloth to scrub away the remaining finish and grime.

I set up my topping surface to sand out the scratches on the rim of the larger bowl and level the uneven rim of the smaller one. I lightly topped the larger bowl first with 220-grit paper, and then with 320-grit until the scratches were gone. I started to top the smaller on the smaller one, but the condition of the rim was so bad that chunks of it began to fall out as I worked. I could see that was going to be a losing battle and decided that if I couldn’t beat ‘em, I’d join ‘em.

I used a Dremel with a sanding drum to bevel the inner rim of the smaller bowl back as far as the deepest gouge. I was only doing some rough shaping at that point to create the general depth and angle of the bevel. Then, I used 220-grit and 320-grit paper to clean things up and further refine the shape. After that, I lightly sanded the surface of both bowls with 220-grit and 320-grit paper to remove most of the scratches and dings. Once the heavy lifting was complete on the bowl cosmetics, I turned my attention back to the stem. The stem that Al had sent me was in much better shape than the original, but it was still badly chewed. It also wouldn’t pass a cleaner, which seems to be an issue with Falcon pipes in general. They make thinner cleaners specifically for Falcons, but I don’t like the idea of having to buy something else just to overcome a design flaw. So, I decided to try an experiment to see if I couldn’t open up the airway and remove much of the chatter all in one shot.

I had noticed earlier that the boiling water had not only loosened the original stem, but it also appeared to raise the dents to some degree. It wasn’t enough to save it, but I found it surprising all the same since I’d had no luck lifting dents in nylon with heat previously. I thought I’d try it again with the replacement stem. I rigged up a simple suspension mechanism with some string, a hex nut, and a wooden spoon, and then put the stem into a pot of boiling water. After nearly about 40 minutes of being submerged, there was some slight improvement but not enough to make much difference. So, I called an end to the experiment and decided that the method wasn’t worth the effort. I have a suspicion that there was some harm done to the stem with this method however, and I’ll talk more on that later. The constriction in the airway extended about ¼” behind the button. So, I decided to drill the airway out from the slot end. The airway was so tight that I had to start cutting through with a 3/64” bit and work my way up to a 3/32” bit. I tested the draw and it was good, and then I tested with a cleaner and it would pass, but it still needed a bit of force to get through the tight area. The stem wouldn’t take a larger bit, however, and I had to be satisfied with what I had. I finished up the work on the airway by cleaning up the slot and giving it a slight funnel with some sandpaper, needle files, and sanding needles.

In the photo below, you can see one of the drill bits chucked into a Dremel, but I never actually used the motor. That would likely have been a disaster. Instead, I used the Dremel to stabilize the bit while I turned the stem over it. The mechanics of the stem had been addressed and it was time to start working on the cosmetics. I used a course, flat needle file to score the surface of the stem, applied black CA glue to the indentations, and sanded it back with 220-grit paper once it was dry. Then, I began to rebuild the button. I wrapped clear tape around the area behind the button to create a sharp edge and applied more CA to the button to build up the surface. I used 220-grit paper to sand the CA back and start shaping the button after it had completely dried. When the shape was vaguely buttonish, I began to clean the edges and remove more chatter from the stem, first with 320-grit, and then with 400-grit paper. I lightly sanded the entire surface of the stem with 600-grit and 1200-grit paper to smooth it out and remove the seams and molding artifacts from the sides. Then, I polished the stem with Micro-Mesh pads 1500-grit through 12000-grit and used a drop of mineral oil to lubricate the stem between every three grits.

Remember when I mentioned something about the heat of the boiling water doing harm to the stem? This is where that comes into play. I had noticed that the stem felt different under the paper as I was sanding it. The higher the grit, the more noticeable it became. The surface felt normal to the touch, but it kind of grabbed at the sandpaper and pads and gave some resistance as they slid across, almost like it was gummy. It was unlike any nylon stem that I had ever worked with before and I believe that submerging it in boiling water changed the surface in some way. I’m just making a guess, of course, but in the end I wasn’t able to achieve the level of glossy shine that I had with previous nylon stems and I doubt that I’ll be trying the boiling method again. You can see the finished stem in the photo below. The stem was out of the way. So, it was time to get back to the bowls and start wrapping this pipe up. I wanted each bowl to have a slightly different color. So, I used a heat gun to heat the briar and open the grain, and then applied a 3:1 mix of isopropyl alcohol and Fiebing’s dark brown dye to the larger bowl and the same ratio with mahogany dye to the smaller bowl. After hand buffing with a soft cloth and sanding the surface of both bowls with 400-grit and 600-grit paper to remove most of the dye except for what was in the grain, I gave the larger bowl a medium brown stain and the smaller one an oxblood stain using the same ratio of stain to thinner as before. Then, I hand buffed again and sanded each bowl with 1200-grit and gave them both a light Tripoli buff. Both bowls received one final stain; buckskin for the larger one and British tan for the smaller. They were hand buffed again to remove the excess stain, and then polished with Micro-Mesh pads 3200-grit to 12000-grit.

Before reassembling the pipe, I polished the frame with Semichrome polish and buffed the stem and bowls with White Diamond compound on the buffer. I put everything back together (it went easily) and applied several coats of carnauba wax with the buffer. Finally, I applied a bowl coating to both bowls to give them some protection until they could build a little cake. You can see the completed pipe in the photos below.

And here are a couple of shots of the other bowl… I’m still not happy with the stem on this one and I’m sure that I’ll be replacing it sometime in the future when there aren’t other pipes that need attention. For now, though, it serves its purpose well. I’ll admit that I was a little skeptical of the metal pipe concept, but this pipe smokes wonderfully and I can see many more Falcon bowls and a few more metal pipes in my future. Thanks for checking it out!

Repairing a Broken Shank on an LHS Park Lane DeLuxe — Lovat 12

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Blog by Steve Laug

I came home from a two-week work trip to Berlin and Budapest to find a package from Troy Wilburn waiting for me. It contained a beautiful little LHS Park Lane De Luxe Lovat shape 12 that we had been speaking about before the trip. I am a sucker for LHS pipes and really like the Park Lane series as they have a quiet elegance about them. The shank on this one had broken near the bowl. Fortunately it was a clean break and not splintered or chipped. The repair on these has become pretty straight forward for me. I have learned a few tricks in joining the parts of a broken shank together from the Frankenpipes that I have crafted. That was their purpose and their schooling has paid off on quite a few of these shank repairs for me. The Park Lane had a Bakelite stem (at least I think it is Bakelite as it feels and acts different from Cumberland). The next two photos show the snapped shank.

Just as I suspected I had a piece of brass tubing that was the perfect size and fit for the repair. I used a file to cut grooves into the tube and to roughen the surface for the glue to have something to hold onto when I glued it in the shank.

I cleaned out the airway on both sides of the broken shank to remove debris and to give a good clean surface for the glue to bond with. To check the size and the fit of the tube in the two parts of the shank I inserted it in the bowl end of the break and then twisted the shank end onto it. The fit was perfect and once glued the repair should be solid. I mixed some epoxy and applied it to the metal tube being careful to not get any inside of the airway. I inserted it into the bowl side of the break. I left slightly over half of the tube extending so that when I put the shank piece in place there would be enough of the metal tube to strengthen the repair on that end.

When the epoxy set and the tube was solidly in place I painted some more of the epoxy on the opposite end of the tube and a little on the briar surface of each side of the break. I have learned not to overdo the glue on the briar as it is a pain to remove from the wood when it dries. I twisted the shank piece in place, lined it up and pressed it in place against the bowl side. I held it firmly until the quick set epoxy set and that portion of the repair was finished.

I pushed some fine briar dust into the small space that remained around the surface of the crack and then filled it with clear super glue. I applied it with the point of a dental pick so as not to get too much glue on the briar.

I sanded the repaired area carefully with a folded piece of worn 220 grit sandpaper to remove the excess glue and briar dust from the patch. Then I sanded with a fine grit sanding sponge to remove the scratches. I used a medium brown coloured stain pen to touch up the sanded area around the patch. I cleaned out the shank with a pipe cleaner to make sure that there was no glue in the tube.

The stem was slightly under clocked. I heated the stinger with a lighter until the glue in the stem softened and then carefully screwed it into the shank while holding the shank. I was able to align it perfectly with the shank. With that completed, the repairs to the pipe were finished. The stem was in the right position. The cracked shank repaired and strengthened with an inner tube. All that remained was to clean up the surface of the pipe and give it a coat of stain to blend in the sanded areas around the repairs. I also needed to do some work on the stem with micromesh to raise the shine and polish the Bakelite. (I rarely use the buffer on these older LHS stems as I do not want to risk it. I would rather polish them by hand than damage them.)

I wiped the bowl and shank down with alcohol on a cotton pad to remove the grit and grime on the surface of the bowl and to remove the remaining finish.

I cleaned off the tars on the stinger with 0000 steel wool. I wet sanded the stem with 1500-2400 grit micromesh sanding pads and then rubbed it down with Obsidian Oil. I continued to dry sand the stem with 3200-4000 grit pads and then gave it another coat of oil. I finished with the final three grits of micromesh – 6000-12000 – and gave it a final coat of Obsidian Oil. Once the oil dried I gave the stem some coats of Paragon Wax and hand buffed it with a microfibre cloth.

I gave the bowl a rubdown with some olive oil and then buffed it out. I touched up the light areas of the stain on the repaired shank with a dark stain pen and then rubbed a little more oil onto the shank. I buffed the pipe with Blue Diamond and then gave it several coats of carnauba wax. I buffed it with a clean flannel buff and then hand buffed it with the microfibre cloth. The finished pipe is shown below. I am hoping to put it in the mail later today or tomorrow to get it back to Troy.

There was some light damage to the rim surface. I decided to leave it alone as it was not enough to top the bowl. It gives character to this old pipe.

Restoring a Millville Premiere Large Billiard

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Blog by Steve Laug

The next pipe on the worktable is another that will be for sale for the benefit of Smokers Forum online community. It is a truly beautiful piece of briar that is stamped Millville Premier on the left side of the shank and Made in London over England on the right side. I have had a few Millville pipes come across my table over the years but this is by far one of the most stunning. The grain on it is beautiful. When I got it the finish was dirty and the grain did not stand out clearly. The stem was rough and porous feeling and was oxidized. There seemed to have been a softee bit in place at one time on the stem as it had left behind the characteristic calcification on the vulcanite. There were two light tooth marks on the top and bottom of the stem near the button. The fit of the stem is perfect to the shank and there is a very faint characteristic M that graces this brand of pipe. It is almost gone from over-buffing but I am hoping it will still show when I have finished cleaning up the pipe. The finish was lightened at the shank stem junction and would need to be darkened. The rim had what appeared to be a gouge across the top surface at the backside of the bowl.

I wanted to know more about the brand so I did a bit of searching on the web to see what I could find out about Millville pipes. Dennis Marshall started the brand in 1980. He had worked for Barling and Charatan for many years. His son John now makes all of the Millville pipes as Dennis is retired. Their pipes still very closely follow the artistic, freeform designs and grading of the old Charatan lines. The pipes are sold almost exclusively in Piccadilly, London in a stall in the market in front of St. James’s Church. Though you can sometimes find them online at British pipe sellers such as Bond’s of London. According to Pipedia the prices of their pipes “start at about 20 £ – hardly the price of a cheapish Stanwell. These were made from pre-turned bowls. The better pipes, entirely hand-made freehands in the old Charatan style, are made from a stock of very old briar, as John stresses. They use several grades like “Unique” or “Executive”. A “Bamboo” can make it up to 500 £.”

Below are some photos of the pipe when I received it. It is a beauty that needed some TLC but it would soon be shining again.

I reamed the bowl with a PipNet pipe reamer to take the cake back to the briar. I wanted to clean up the inner edge of the rim before I worked on the mark on the surface.

I took the next photo to show what appeared to be a gouge in the top of the rim. It went at an angle from the inside of the bowl across the back surface of the rim. I used some alcohol on a cotton pad to scrub down the surface of the briar. Once the grime was removed you can see the stunning grain on this beauty!

I spent some time examining the rim with a loupe to check how deep the gouge went and if I could steam it or if I would need to sand it to repair it. To my surprise I found that it was not a gouge at all but rather a fill. Somehow along the way the fill had shrunken and left the divot in the surface of the rim. I decided to top the bowl and see if I could minimize the divot. I started with a medium grit sanding sponge to see if that would do the job. I hate to use the extreme of topping the bowl with a full topping.

While it worked to some degree it did not remove the dip in the surface of the bowl. I decided to lightly top the bowl with the sandpaper on the topping board. In the next photo you can clearly see the fill in the rim. I was able to flatten the surface of the rim so that it is smooth to touch. I sanded the inner edge of the rim with a folded piece of 220 grit sandpaper to smooth out the nick in the rim. Then it was time to clean out the bowl, shank and stem. I used pipe cleaners, cotton swabs and alcohol to remove the tars and oils in the pipe. It did not take a lot of scrubbing before the pipe was clean.

To smooth out the rough texture of the stem and remove the oxidation I sanded it with 220 grit sandpaper and then with a medium and a fine grit sanding sponge. For a change of pace, I turned my attention to the bowl finish. I used a stain pen to touch up the lighter areas of the finish at the stem shank junction and on the rim that I had topped. I blended two of the stain pens – the medium and the dark stain pen – to get the colour to match the bowl. I then buffed the bowl with White Diamond on the wheel to smooth out the blend. I would also need to use the micromesh sanding pads in the higher grits to bring the finish to a nice blend.

I worked on the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and then rubbed the stem down with Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of oil. This time I let the oil dry on the stem before I took it to the buffer.

I buffed the bowl and stem with White Diamond and then finished sanding with 6000-12000 grit micromesh sanding pads. I gave the stem a final coat of Obsidian Oil and let it dry. I buffed the pipe with Blue Diamond and then gave it multiple coats of carnauba wax. I buffed it with a soft flannel buffing pad and then hand buffed it with a microfibre cloth to add depth to the shine. The finished pipe is shown in the photos below.

Cleaning up an Edward’s European Collection Apple

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Blog by Steve Laug

The second Edward’s pipe from the box I received to clean up and sell to support Smokers was a beautiful smaller sized apple with an acrylic/Lucite stem. It is stamped Edwards in script on the right side of the shank and European Collection on the left side. There is no shape number on this pipe. The finish was dirty, the rim had less lava overflow than others that came with this collection but it was present. The bowl had a thick crumbly cake. All of these pipes tended to have stickiness to the cake that makes me think that the pipes were used for aromatics. The shank was dirty with tars and oils. The stem is black acrylic with dark green swirls throughout that are accentuated in the light. It is a bit thick which leads me to believe that the pipe came from the 70’s or 80’s era. It is a saddle stem with an integral tenon turned from the Lucite. It was dull from the oils and disuse. It would be interesting to see the colours once it was shined up.

I took a close-up photo of the bowl to show the cake and the state of the rim. Fortunately the rim had no damage on the outer or inner edge. I reamed the bowl with the PipNet pipe reamer and took the cake back to bare wood. Whatever the previous tobacco was the cake was soft and crumbly.

I dampened the rim and scrubbed it with 0000 steel wool to remove the lava that was on the top edges. It worked really well and the rim was clean in no time at all. I wiped down the bowl with alcohol on a cotton pad to remove the grime and oil that was in the finish. It took off all of the grim and left me with some beautiful mixed grain around the bowl.

I scrubbed out the interior of the bowl and the shank with pipe cleaners, cotton swabs and alcohol to remove the tar and oil. I did the same with the stem and the chamfered tenon end.

With the interior clean I turned my attention to the acrylic/Lucite stem. It had some light tooth chatter on the top and underside but was in pretty decent shape. The finish was dull and no longer smooth to the touch. I worked on it with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I buffed it with Tripoli and White Diamond after I finished with the 4000 grit pad and then finished with the last three pads. As I polished it with the pads you could begin to see the colours come through the stem. It is a beautiful piece of Lucite.

I buffed the bowl and the stem with Blue Diamond Plastic polish on the wheel and was amazed at the shine. I then gave the bowl and stem several coats of carnauba wax to protect it and give it a shine. I buffed it with a clean flannel buff and then hand buffed it with a mircrofibre cloth to raise depth to the shine. The finished pipe is shown in the photos below. I have to tell you that so far I really like the two Edward’s pipes that I have cleaned up out of this lot. They seem to be ringing all of my bells. It will be hard to part with either of them 😉

Cleaning up a Lovely Edward’s Algerian Briar Bent Dublin that came across my table

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Blog by Steve Laug
I received this pipe in the mail with a box of 11 others and it is the first one that caught my eye. The shape was well executed. The bowl had a round crowned rim. The bend of the shank and the curve of the stem looked elegant. The bowl had a thick, sticky and crumbly cake that needed to be removed. The rim was covered with a thick coat of lava that had overflowed the bowl. The finish was a typical Edward’s natural briar – I think that they must have used a light tan/brown stain at one point that highlighted the grain but did not mask it. The grain was mixed with cross grain on the front right and back left. There was birdseye on the sides of the bowl and swirling circles of grain on the underside and up the shank. There were two small fills on the right side of the bowl near the shank bowl junction – almost two dots one above the other. There was also a larger fill on the underside of the shank. The pipe is stamped Algerian Briar in block text on the left side of the shank and Edward’s in script on the right side. On the underside mid shank it is stamped with a large 5. On the end of the shank next to the stem it is stamped with a 31. The large 5 is the bowl size and 31 is the shape number, though current production shows the shape as a 731. The stem was lightly oxidized and would not push all the way into the mortise. The fit was very tight. The inside of the shank had a thick coat of tar and oil on the walls of the mortise.

One of the packing peanuts was jammed into the bowl so I used the dental pick to remove. It left some crumbling pieces in the sticky aromatic cake in the bowl. In the first photo below you can see the tars on the rim of the bowl and the generally dull finish of the bowl. I reamed the bowl with a PipNet reamer and took the cake back to bare briar. I wanted the new owner to be able to build a cake of their own choosing.

I scrubbed the rim with 0000 steel wool to remove the lava on the top of the rim. I had seen Troy use that several times in his refurbs so I thought I would give it a go with this bowl. It worked extremely well. I wet the rim with a bit of water and then scrubbed it until the rim was clean. I scrubbed out the interior of the bowl and the shank with pipe cleaners, cotton swabs and alcohol.

I scrubbed down the exterior of the bowl with the steel wool and also wiped it down with alcohol on a cotton pad. I removed the wax and grime from the finish. Once the shank was dry the stem fit snuggly in the mortise. The stem had some light tooth chatter at the button that would clean up quite easily. With the stem fitting well I took the next four photos to show what it was about the pipe that caught my eye.

The stem did not need a lot of work to clean off the oxidation. I wet sanded the stem with 1500-2400 grit micromesh sanding pads. I rubbed it down with Obsidian Oil after the third pad and then continued to dry sand the stem with 3200-4000 grit pads. I rubbed it down again with another coat of oil and let it dry.

I finished sanding it with 6000-12000 grit pads and then gave it a final coat of oil. I set it aside to dry. I buffed the stem with Tripoli and with White Diamond to remove the remnants of oxidation. I buffed the stem and bowl with Blue Diamond Polish on the buffing wheel and then gave the pipe several coats of carnauba wax and buffed it with a soft flannel buffing pad. I took it back to the work table and hand buffed it with a microfibre cloth. The finished pipe is shown below.

Repairing a stem on a beautiful little Dunhill Bruyere 3206 Pot

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Blog by Steve Laug

On the work table at the moment is a beautiful little Dunhill Bruyere pot. It had some serious gnaw marks on the stem. There were tooth dents that were deep on the top and the bottom sides of the stem. Fortunately they did not penetrate the airway. The pipe is in great shape. The finish was in excellent shape. The rim was clean but had been lightened quite a bit. It had hardly been smoked so I am wondering if somewhere along the way it had been used as a prop and the individual had just bitten down hard!

I removed the stem from the bowl and gave the rim a quick clean and then a coat of an opaque aniline based oxblood stain that matches the Bruyere finish. I flamed it and set it aside to dry while I turned my attention to the damaged stem (unfortunately I was in grand rush to work on the stem and the pipe and forgot to take photos of the pipe when I received it. Instead you will have to trust the descriptions and look through the repairs).

I used a dental pick to clean out the debris in the deep dents and the crack along the edge of the button. I used the heat gun to raise the dents as much as possible but sadly they were of the nature that the heat did not do much to raise them. I then wiped down the dents and crack with alcohol to remove any debris in the area to be repaired. I filled in the dents on both sides of the stem with black super glue. You can see in the next two photos the bubble of super glue next to the edge of the button. I decided to let it cure rather than use an accelerator so I set it aside to do so.

Once the repair had cured (several hours later) I sanded the patches with 220 grit sand paper to blend them into the surface of the stem. I sanded the repair to the button as well to blend it in without changing the profile of the end of the stem.

I sanded it with a medium and a fine grit sanding sponge to minimize the scratches left behind by the sandpaper and to further blend in the repair. I used a needle file to sharpen the edge of the button and then sanded it with 400 grit wet dry sandpaper and a little bit of water. You can see from the next two photos that the patches are blending into the stem nicely.

I moved on to wet sanding the stem with 1500-2400 grit micromesh sanding pads. The scratches are disappearing and the patches are blending in to the point that if you did not know where they are you would not see them. I rubbed the stem down with Obsidian Oil before going further with the micromesh pads.

I wet sanded the repairs with 3200-4000 grit micromesh pads to further blend in the repaired areas. I spent extra time working on the repair to the small crack on the top of the button. I wanted that spot to blend in well and be smooth to the touch.

The repair to the top of the button and along the top side of the button needed a little more work to get them to be less visible and more blended. The repair on the underside was really looking good. I cleaned up the repair on the button and then used some clear super glue applied with the tip of a dental pick. Once it cured I sanded it with 220 grit sandpaper and then the same set of wet dry sandpaper and micromesh pads that I commented on above. Finally the repair blended well.

I buffed it with Blue Diamond and gave it several coats of carnauba wax. I buffed it with a clean flannel buff and then hand buffed it with a microfibre cloth.

The finished pipe is shown below. The darkening of the stain on the rim and the repaired stem are finished and the pipe is almost ready to send back to the owner.

Extending the Life of a Hard Used Kaywoodie Bulldog

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Blog by Steve Laug

In the box of pipes that a friend sent for me to fiddle with, was a tired old Kaywoodie Bulldog. The stamping was worn off and with a loupe I could read that it was stamped Kaywoodie on the left side of the shank with something illegible below that followed by an R in a circle. On the right side of the shank was the remnant of a shape stamp the looked like it had four digits ending with the bottom curve and tale of an S. The pipe was in rough shape. The bowl was reamed out of round with the rim having taken a beating. The right side of the inner edge was very thin and had been scored down toward the bottom of the bowl. The rings around the bowl were rough and damaged. There was a cut mark on the top of the shank where it joined the bowl and a small crack above the shank insert on both the top and the bottom of the shank. The junction of the stem and shank showed damage as well from what appeared to be pliers. The stem was overclocked. It had some tooth damage on the top and bottom surfaces and was oxidized. I looked at the pipe as it sat in the box and removed it and turned it over in my hand many times during the past three months since it arrived. I just was not sure that I could salvage it. I figured it might make a good delegate to cannibalize for parts or for another Frankenpipe but I was not sure it was redeemable. I took the next close up photos of the rim and the gouge in the shank to give you an idea of what I needed to deal with if I tackled this pipe as a project. I spent quite a bit of time looking at the pipe and decided it would be worth a try to see if I could improve it and make it functional. It would never be a pipe of beauty but the old warrior deserved another lease on life. I could certainly make it look better. So with that resolve I heated the metal stinger and tenon with a lighter to loosen the glue so that I could re-clock the stem. It did not take too much heat or time to loosen and then adjust the fit of the stem to the shank. I set it aside to cool and set the glue once again.I decided to top the bowl to even out the height of the bowl around the rings. Currently it was taller in the front than the back and taller on the right than the left side. I worked to take off that excess and minimize some of the damage to the rim as well. I used a knife blade needle file to redefine the twin rings around the bowl and to sharpen up the definition on the top and the bottom of each line.With all of the adjustments done I wiped down the bowl with acetone on cotton pads to remove the remaining finish and the ground in grime that was on the bowl. I reamed the cake back to bare wood so that I could see the extent of the damage to the walls of the pipe. I used a PipNet reamer to take back the cake. I cleaned up the remaining cake with a sharp pen knife to clean off all of the debris. I then sanded the rim with 220 grit sandpaper to smooth out the damage and prepare it for the plan I had for it. I wiped it down with alcohol and then packed briar dust into the rim damage. I place drops of super glue on the briar dust to form that patch. While I did that repair I also repaired the gouge in the shank bowl junction. I sanded the cured patch with 220 grit sandpaper to remove the excess and to level out the surface with surface of the bowl and shank. The first two photos below show the repaired shank damage and the third photo shows the repaired rim. I set the bowl aside at this point and worked on the stem. I sanded it with 220 grit sandpaper and then with a medium and a fine grit sanding sponge. Then I sanded it with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-4000 grit pads. I rubbed down the stem with Obsidian Oil between each successive grit to give the micromesh pads more traction as I used them. I buffed the stem with White Diamond and Blue Diamond on the buffing wheel to raise the shine. Then it was time to stain the bowl. I decided to use an opaque oxblood aniline stain. It is a stain that is thicker in consistency to the Feibings and gives good coverage on damaged briar repairs. I applied the stain and flamed it. It gave the old warrior some life while not hiding the repairs that it would wear proudly over the years ahead to witness to its hard life. I buffed off the excess stain once it was set with a quick buff of Blue Diamond polish on the buffer. I then worked some more on the stem working back through the previous grits of micromesh to reduce the stubborn oxidation on the stem. I used a lighter flame to paint the surface of the stem to burn off the oxidation as well. I finished by sanding it with 6000-12000 grit micromesh pads and then buffed the entirety with Blue Diamond on the buffer.I gave the bowl and stem multiple coats of carnauba wax and buffed it to a shine with a clean flannel buff. I hand buffed it with a microfibre cloth to give it some depth. The finished pipe is shown in the pictures below. While the pipe certainly is not a thing of beauty there is some restored dignity that will serve it well in the years ahead. It should serve the pipeman whose rack it graces with a good solid smoke for a good long time.

Breathing New Life into an LHS Sulgrave

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Blog by Steve Laug

I have become a fan of older LHS pipes and restored quite a few of them lately. I am always on the lookout for different LHS lines that I have not seen. Recently I picked up this LHS Sulgrave from a fellow on the Dr. Grabow Collectors Forum for $15. It is a line that I had not heard of before. He described it as a lightly smoked briar pipe. When I saw it I wanted it as it was my kind of shape. Never sure what to call this shape – bent banker, squat apple – not sure but I like it. He gave the following description in the sale listing. The shank is stamped Purex Sulgrave arched over LHS in a Diamond on the left side. The stem has two light coloured dots on the left side. The pipe is 5 1/8 inches long from the bottom of bowl to end of bit. The bowl chamber diameter is 7/8 inch and bowl depth is 1 1/4 inch. There is light caking in bowl. There is light tooth wear on end of the stem near the button. It has normal wear and tear (dings, oxidation and scratches) for an estate pipe. Nice overall shape and condition. Here are the photos that he included when I emailed him for details.

When the pipe arrived I was not disappointed. The shape was perfect. The description was accurate and the only variation that I could see was that the stamping did not include PUREX on the shank. Not a big deal in my book. The bowl was unevenly caked and appeared to have been reamed. The back side of the bowl had a thicker portion of cake that gave the inside wall on the back side an uneven and out of round look. I was pretty certain that with a good reaming and a light sanding the rim would look better. The stem was over bent and there was a slight crease on the underside of the bend. There was a coat of wax or some kind of coating on the stem and bowl. The stem was oxidized. In the first photo below you can see slight imperfection in the vulcanite stem. I have circled it to highlight it in the photo below. It is not a hole or worn spot, it is actually a thread of cord in the rubber. Its presence gives some idea of the date of manufacture as recycled rubber was used in WWII pipes.

The stem also had a lot of tooth dents and chatter along both top and bottom with some very deep marks on both. I tried to capture them in the next two close-up photos but they are still not very clear. The odd thing was that the dents went up the stem over an inch. The slot in the button was not centred and appeared to have left the factory that way. The dents were deep enough that I was concerned regarding the thinness of the stem surface over the airway. The mortise and airway in the shank were dirty and the end of the mortise was chipped away. It looked as if there had originally been a stinger in the tenon but it was no longer with the pipe.

I also have included the next close-up photo of the rim and the bowl interior to show the cake that gave the bowl an out of round appearance. I reamed the bowl with a PipNet pipe reamer using the largest cutting head. I took the cake back to bare wood to even out the inner edge of the bowl. I wanted to get rid of the cake so that I could smooth out the edge.

I folded a piece of 220 grit sandpaper to smooth out inner edge. It took a little effort remove the inner edge damage and clean up the roundness of the bowl.

I wiped down the bowl with acetone on cotton pads to remove the tars and the wax coat on the briar. With them removed the outer edge of the bowl showed damage as well. The bowl had been knocked about on the front edge particularly. The grain on this pipe was lovely.

To minimize the outer edge damage I topped the bowl with 220 grit sandpaper on a topping board. I sanded it to remove the damage to the top of the bowl and clean up the outer edge of the bowl.

I cleaned out the shank and the bowl with pipe cleaners, cotton swabs and alcohol to remove the grime inside. It took quite a few of both to clean out the shank but finally they came out clean. I heated the stem with a heat gun to try and lift some of the dents to the surface and to also take out some of the bend. I also wanted to smooth out the sharpness of the bend on the bottom side.

I cleaned out the airway in the stem with pipe cleaners, cotton swabs and alcohol. The heat had raised most of the dents significantly. The ones that were left in the stem needed to be sanded out and then filled to take care of them. I used 220 grit sandpaper to smooth out the surface. I also worked on the curve on the underside of the stem to make it less sharp looking.

The dents in the stem needed to be filled to bring the surface back to smooth flowing condition. I used a black super glue to fill the surface and set the stem aside to dry for several hours. Once dry, I sanded the fills with 220 grit sandpaper and then used a medium and a fine grit sanding sponge to feather them into the surface of the stem.

I used a needle file to clean up and sharpen the edge of the button and give it more definition. I sanded the sharp edge with sandpaper and then sanded it with micromesh sanding pads. I wet sanded the stem with 1500-2400 grit micromesh pads and dry sanded with 3200-12,000 grit pads. I rubbed the stem down with Obsidian Oil between each set of three pads and then let it dry after sanding with a 12,000 grit pad.

I buffed the pipe with White Diamond and Blue Diamond on the buffing wheel to polish and remove the slight remnants of oxidation that had come to the surface. I gave it multiple coats of carnauba wax and buffed it with a clean flannel buffing pad. I brought it back to the table and hand buffed it with a microfibre cloth. The finished pipe is shown in the photos below.

Rescuing a Kaywoodie Flame Grain Meerschaum Lined Doggie

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Blog by Andrew Selking

To paraphrase Samuel Clemmons, reports that I’m no longer messing with pipes are greatly exaggerated. Between a cross country move, a new house, renovations to said house, and trying to figure out what I want to be when I grow up, I have not spent as much time working on pipes as I would like. I did manage to squeeze in this nice Kaywoodie Flame Grain Meerschaum lined doggie.

According to a Kaywoodie brochure from the era, Flame Grain pipes were made from “200 to 400 year-old briar burls…the last of their kind to be found in the world.” The meerschaum inlaid Flame Grain is a “superb Flame Grain Kaywoodie with an inlaid inner bowl of imported Turkish meerschaum. This pipe combines the outstanding qualities of the two best materials in the world in which to smoke tobacco.” This pipe represents the pinnacle of American pipe making. As a point of reference, in 1947 this pipe would sell for $12.50 while Dunhill pipes started at $10.00.

As you can see, it took some imagination to see a pipe that might compete with a Dunhill.

The stem was under-clocked and heavily oxidized. The bowl had very thick cake and a buildup of tar on the rim. There was some kind of protective finish on the bowl that left a film after the alcohol bath. Additionally, the stinger was cut. On the plus side, I could see some really nice grain and the stem was virtually unmolested.

The first thing I did was soak the bowl in alcohol. I was hesitant to do that, because I was afraid the alcohol would cause the meer lining to deteriorate. At the same time I was also worried that if I didn’t soften the cake first, just using the reamer might damage the lining as well. I compromised and soaked it for about two hours and the cake came out nicely.

While the bowl was soaking, I used Oxyclean and warm water to soak the stem. Since it was missing the end of the stinger, it was easy to get the worst of the gunk out with a pipe cleaner. As I mentioned, the stem was under-clocked. To fix this problem I usually heat the stinger with my heat gun until I can easily rotate back into place. As the tip of the stinger heats up it transfers heat into the stem and loosens the glue. The whole heat transfer thing wasn’t working very well with this pipe, so I stuck a small nail in the stinger. That worked like a charm.

Next I did a retort on the bowl and stem.

After scrubbing the insides with brushes, q-tips, and pipe cleaners, it was time to tackle the exterior issues. I used 0000 steel wool with acetone to remove the tar build up on the rim.

I continued with the 0000 steel wool over the rest of the bowl to remove the film on the finish. After cleaning the bowl, I used 3200-12000 grit micro mesh to polish the bowl. This is what it looked like afterwards.

I used 400 grit wet/dry with water to remove the oxidation from the stem, followed by 1800-2400 grit micro mesh with water. I finished the stem with a progression of 3200-12,000 grit micro mesh.

I set up my buffer and polished the bowl with white diamond and carnauba wax. I used my variable speed rotary tool with white diamond and carnauba wax for the stem. Here is the finished pipe. Thanks for looking.

Refurbishing a Dr. Grabow Westbrook 84L Smooth Canadian

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Blog by Troy Wilburn

I got this pipe in a trade. I was pleasantly surprised when it showed up it was an 84L and not a regular 84. The stampings are crisp. The rim did have some dings so I had to lightly top it and restain it. There are still some very light dings on pipe but I let them go as the factory finish and color was excellent. So I just cleaned and buffed it other than rim. The stem still has some teeth marks I could not get out fully. The old bowl cake came out easy and the shank was not that dirty and I’m glad because these Canadian shanks are a pain to clean lol. It has zero fills too, which on that much briar was a nice surprise. All and all I’m very happy with it.

Here is the pipe when it arrived.