Tag Archives: Malaga Oil Finished Pipes

New Life for a Malaga Poker/Sitter for Alex

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Blog by Steve Laug

I have been working on a lot of different estate pipes and selling them for different families. I am continuing to work on the Malaga pipes that Alex put aside for restoration. He also brought other pipes to add to his box. I have a box of pipes from Alex that I am always working away at. He periodically drops more Malaga pipes into his box. There are quite a few of them to work on so I decided work on a few of them. The next one of these was another Malaga pipe. It is a beautiful Poker Sitter that is almost pear shaped. It has a very tight grain pattern around the bowl – cross grain on the sides and birdseye on the front and back of the bowl. It also has a tapered vulcanite stem. The pipe was dirty and caked when arrived. The rim top has a little lava and some darkening on the top rear edge of the bowl. The bowl had a thin cake in it that was hard and dense. The exterior of the bowl and shank are dirty with grime and oils from prolonged use. The stamping on the left side of the shank read “MALAGA” and on the right side it read Imported Briar. The vulcanite stem was in great condition and had tooth chatter on the top and the underside of the stem. I took photos of the pipe before I started the cleanup work. I took close up photos of the bowl and rim to capture the condition of the pipe before I started my cleanup work. The rim top had some light lava and darkening on the front and back edge. The inner edge was slightly bevel and was darkened. Other than being so dirty it was in great condition. There was a light hard cake in the bowl interior. The stem was dirty and there was tooth chatter on the top and underside near the button. The stem was also lightly oxidized.I took a photo to capture the stamping on the shank. The first photo shows the stamping “MALAGA” on the left side of the shank is very readable. The second photo shows the stamping Imported Briar on the right side.If this is the first of the Malaga restorations that you have read about then you should know the backstory of the brand. I am including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

I decided to start with the issues with the rim top first. I wiped down the rim top of the bowl with a damp cotton pad to remove the tars and lava. I used a folded piece of 220 grit sandpaper to smooth out the burn damage and the darkening on the bevel.I followed Jeff and my regular regimen for cleaning estates. I reamed the light cake in the bowl with a Savinelli Fitsall pipe knife to remove the cake. I sanded the bowl with 220 grit sandpaper wrapped around a piece of dowel to smooth out the inside walls of the bowl.I scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners.I polished the briar with micromesh sanding pads – 1500-12000 grit pads. I wiped the bowl down after each sanding pad with a damp cloth to wipe of the dust. I scrubbed the briar with Murphy’s Oil Soap with a tooth brush. I scrubbed it off with running water to remove the soap and the grime on the bowl. I dried it off with a soft cloth. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I sanded out the tooth chatter with 220 grit sand paper and started to polish it with a folded piece of 400 wet dry sandpaper. Once it was finished it the tooth chatter and oxidation was gone and it began to shine.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a final coat of Obsidian Oil. This is a beautiful “Malaga” Imported Briar Poker Sitter with a tapered black vulcanite stem. It has a great look and feel. The shape fits well in the hand and sits on the desk when you are resting. The grain makes it a real beauty. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich oil cured briar took on life with the buffing. The rich brown colour of the briar works well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter:  ¾ of an inch. I will be adding the pipe to the finished Malaga pipes that I have set aside for Alex. This will be a great addition to his collection of Malaga pipes. Thanks for walking through the restoration with me as I worked over another Malaga.

Redeeming a Malaga Canadian – the 1st of 2 pipes that are going home

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Blog by Steve Laug

Yesterday afternoon I received and email from a reader of the rebornpipes blog who was on the hunt for a Malaga pipe or two for a colleague of hers. What made it interesting was that the colleague’s grandfather and family were the original owners of Malaga Pipes. Here is her message to me:

Hi There

I work with Lisa Holloway formerly Saraynian and her grandfather and consecutive family were the original owner of Malaga Pipes

Id love to be able to purchase one for her for Christmas this year but since they went out of business in 1999 I have no idea where to get one or how much they are

Would you be able to help me find one and purchase it for her.

Please let me know thanks so much

Diane

I read her email at work and when I got home I went through the Malaga pipes from George Koch’s estate. I picked two of them that I thought might interest her and sent her the pictures of the pipes that I had available. The two I chose needed to be restored before I could send them to her but they showed some promise. The first of them was a long shank Canadian that had some mixed grain and a vulcanite stem. The mix of grain styles around the bowl and shank combined with the stem make it a stunning pipe. It is one of the many Malaga pipes that came to my brother and me in several shipments of pipes from George’s daughter Kathy. When Jeff got each box the pipes were well wrapped and packed. Jeff unwrapped them and took the following photo to give an idea of the volume of the pipes that we purchased. This Malaga came in mixed in a box of pipes much like the one below. In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. If you have followed the restorations you will have read the information and the background piece that Kathy did on her father. Here is a link to one of the previous blogs on his Malaga pipes where I included her tribute in full (https://rebornpipes.com/2019/01/26/back-to-kathys-dads-pipes-restoring-a-%c2%bc-bent-malaga-author/). You can also read the bio on her Dad, George Koch. It is an interesting read and one that shows just how far our pipe collecting passion can go when we find a brand of pipes that we enjoy. I am going to only include the portion on the Malagas at this point. If you wish to read the rest follow the link above.

Kathy writes…We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack…I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

The “Malaga” Long Shank Canadian is next pipe on the table. The carver did a great job of shaping the pipe to follow the grain on the briar. The bowl, oval shank and straight tapered stem look very good. The bowl had a thick cake that overflowed with lava onto the rim so that it was impossible to see if there was damage on the inner edges. The sides of the bowl and shank are very dirty with grime and oils from prolonged use. The stamping on the top of the shank read “MALAGA”. On the underside it is stamped IMPORTED BRIAR. The stem had tooth dents and chatter on the top and the underside of the stem. There was some thick calcification and also some oxidation deep in the vulcanite of the stem surface. Jeff took these photos before he started the cleanup work on the pipe. Jeff took close up photos of the bowl and rim to capture the condition of the pipe before he started his cleanup work. The rim top had some lava overflow and darkening on the back of the bowl. There appeared to be deep gouges in the inner edge of the grimy pipe. The outer edge looked to be in decent condition with perhaps some burn marks on the front.He also took a photo of the side and bottom of the bowl and shank to show the beautiful grain around the bowl. The photos show the general condition of the bowl and dirt and wear on the rich oil finish. It is very dirty but this is another beautiful pipe.Jeff took a photo to capture the stamping on the top side of the shank. The photos show the stamping “MALAGA” on the topside of the shank and IMPORTED BRIAR on the underside. The stamping is very readable. The next photos show the stem surface. There are tooth marks and chatter on both sides near the button and wear on the button surface and edges. You can also see the calcification and the oxidation on the stem.I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. I have written an earlier blog to give a little history of the Malaga Brand and the pipemaker, George Khoubesser. Here is the link – https://rebornpipes.com/tag/malaga-pipes/.That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. Follow the link to get a feel for the brand and the pipemaker.

Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove the lava build up on the rim top and the flat surface of the rim top and the inner edge ha some serious burn damage on the front and back side. The outer edge looked very good. I took photos of the pipe to show its condition before I started my work on it. The stem also looked better. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Jeff was able to remove all of the tar and oils but you can now see the damage on the top and inside rim edge. The edge is out of round. There is a burn mark that extends across back and front edge of the rim top at that point. The stem had tooth marks and chatter on both sides near and on the button surface on both sides.I took a photo of the stamping on the shank to show how good the condition is. It shows the “MALAGA”and the IMPORTED BRIAR stamp and they are very legible.I decided to address the rim top first. I topped the bowl on a topping board with 220 grit sandpaper. I wanted to minimize the damage on the top, remove the darkening and clean up the damage on the inner edges of the bowl. I used a folded piece of 220 grit sandpaper to clean up the damage on the right rear inner edge of the bowl. I gave the inner edge a slight bevel to repair the damage. I polished the edge with 400 grit wet dry sandpaper. The rim top and edges really looked better.I polished the bowl and rim with a medium and a fine sanding sponge to begin the process of removing the scratches and blending the restored rim top into the rest of the bowl. The photos tell the story. I polished the rim top and the briar with micromesh sanding pads. I wet sanded the bowl with 1500-12000 grit sanding pads. I wiped the bowl down after each pad with a damp cloth to remove the sanding dust. I scrubbed the briar with Before & After Briar Cleaner and a tooth brush. I rubbed it into the surface of the briar with my finger tips and let it sit for about 10 minutes then rinsed it off with running water. I dried it off with a soft cloth. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results. I turned to the stem to address the issues on the surface of both sides at the button. I painted the surface of the stem with the flame of a lighter to lift the indentations. Since vulcanite has “memory” it often will return to its original condition when heated. It worked pretty well leaving behind light chatter and one small tooth mark that will need to be repaired.I used a needle file to redefine the sharp edge and the surface of the button. It had been worn down and lost its definition.I filled in the one remaining tooth dent with a drop of clear super glue and set it aside for a few moments to cure.I sanded both sides smooth with 220 grit sandpaper and 400 grit sandpaper to blend the tooth chatter and the repair into the surface of the stem. As I sanded and reshaped the button and stem surface the repaired areas and the tooth chatter disappeared.I used some Denicare Mouthpiece Polish that I have in my kit to start polishing out some of the scratches and remaining oxidation on the stem. I rubbed it in with a cotton pad and my finger tip and buffed it off with a cotton pad.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad Obsidian Oil. I finished by polishing it with Before & After Pipe Stem Polish both fine and extra Fine and then wiped it down with a final coat of Obsidian Oil. This is a Malaga Long Shank Canadian with a vulcanite tapered stem. It has a great look and feel. The shape of the bowl, the beveled rim top and the cut of the briar work well to highlight the grain around the bowl sides. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain took on life with the buffing. The rich oil cured colour works well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. When the second Malaga is finished I will mail it off to Diane. I can’t wait to hear what her colleague thinks when she opens her Christmas present! I am glad that she is carrying on both the trust for George Koch and her family. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

Back to Kathy’s Dad’s Pipes – Restoring a Malaga Straight Bulldog

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Blog by Steve Laug

The next pipe on the work table is also from George Koch’s estate. It is another one of George’s Malaga pipes – a straight Bulldog with an acrylic stem. The pipe was one of many that came to my brother and me in several shipments of pipes from George’s daughter Kathy. When Jeff got each box the pipes were well wrapped and packed. Jeff unwrapped them and took the following photo to give an idea of the volume of the pipes that we purchased. The next Malaga came in mixed in a box of pipes much like the one below.In each of the previous blogs that I have written on the restoration of George’s pipes I have told his story. It has been awhile since I worked on one of his pipes so I want to remind you of his story. To me it is important to keep the story attached to the pipes that came from his collection. Each pipe I work on I remind myself of the man and in the work give a remembrance to the pipeman who owned these pipes. Having held a large number of his pipes in my hand and having a pretty good feel for the shapes, colour and stems that he liked, I can almost imagine George picking out each pipe in his collection at the Malaga shop in Michigan. I am including Kathy’s brief bio of her father and a photo of her Dad enjoying his “Malagas”. Here is George’s bio written by his daughter.

Dad was born in 1926 and lived almost all his life in Springfield, Illinois. He was the youngest son of German immigrants and started grade school knowing no English. His father was a coal miner who died when Dad was about seven and his sixteen year old brother quit school to go to work to support the family. There was not much money, but that doesn’t ruin a good childhood, and dad had a good one, working many odd jobs, as a newspaper carrier, at a dairy, and at the newspaper printing press among others.

He learned to fly even before he got his automobile driver’s license and carried his love of flying with him through life, recertifying his license in retirement and getting his instrumental license in his seventies and flying until he was grounded by the FAA in his early eighties due to their strict health requirements. (He was never happy with them about that.) He was in the Army Air Corps during World War II, trained to be a bomber, but the war ended before he was sent overseas. He ended service with them as a photographer and then earned his engineering degree from University of Illinois. He worked for Allis Chalmers manufacturing in Springfield until the early sixties, when he took a job at Massey Ferguson in Detroit, Michigan.

We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all. 

He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack. Dad quit smoking later in life and so they’ve sat on the racks for many years unattended, a part of his area by his easy chair and fireplace. Dad passed when he was 89 years old and it finally is time for the pipes to move on. I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

Thank you Kathy for providing this beautiful tribute to your Dad. Jeff and I appreciate your trust in allowing us to clean and restore these pipes. We are also trusting that those of you who are reading this might carry on the legacy of her Dad’s pipes as they will be added to the rebornpipes store once they are finished.

The next the pipe is a nicely shaped Malaga Bulldog with a variegated grey acrylic stem. It has beautiful grain all around the bowl – cross grain and birdseye grain that is highlighted by the natural oil finish on the pipe. The top of the bowl is had some damage on the top and inner and outer edges. The bowl had a very thick cake that had overflowed in lava onto the rim top. The stamping on the top left side of the shank read MALAGA. On the underside of the shank (both right and left) has a carved leaf pattern. The grey and silver, swirled, pearlized acrylic stem had tooth dents and chatter on the top and the underside of the stem. Jeff took these photos before he started the cleanup work on the pipe. Jeff took a close up photo of the bowl and rim to show the condition of the pipe before he started his cleanup work. The rim top had some lava overflow and some darkening. There appeared to be some rim damage on the inner edge toward the front of the bowl. You can see the wear on the rim top, the cake and remnants of tobacco in the bowl. The pipe is dirty but in good condition. He also took photos of the sides and bottom of the bowl and shank from the side to show the grain and the carved leaf patterns on this pipe. The finish is very dirty but this is a beautiful pipe. Jeff took some photos to capture the stamping on the top left side of the diamond shank. The photo shows stamping MALAGA. The stamping does not have the quotation marks that I have seen on some of the pipes. The next two photos show the stem surface. There are tooth marks and chatter on both sides near the button. There is also some wear on the sharp edge of the button.

Jeff has picked up quite pipes of this brand over the past year along with the ones from Kathy’s Dad’s estate. All of the pipes were made by the Malaga Pipe Shop in Royal Oak, Michigan in the USA. The more I work on the brand the more I am impressed by the quality of the craftsmanship and beauty of the pipes that came from the shop. I have written an earlier blog to give a little history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser). Follow the link to get a feel for the brand and the pipemaker.

Jeff had reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. The rim was thoroughly cleaned and the damage was very clear. Without the grime the finish looked really good. The bowl looked very clean and was unchecked or damaged. The acrylic saddle stem would need to be worked on but I really like the profile it cast. I took photos of the pipe to show its condition before I started my work on it. profile it cast. I took photos of the pipe to show its condition before I started my work on it. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Jeff was able to remove all of the tar and oils but you can now see the damaged areas on the surface clearly. There are damaged spots on the front inner edge and the back inner edge. There are also some deep dents and nicks in the flat surface of the rim. The acrylic/Lucite stem had tooth chatter and some light tooth marks on the top and underside of the stem just ahead of the button. There were deeper tooth marks on both the top and underside near the button. I decided to address the damage to the rim top first. I topped the bowl on a topping board using 220 grit sandpaper. I removed the damaged surface of the rim and made it smooth once again. I cleaned up the inner edge of the rim with a folded piece of 220 grit sandpaper.I polished the rim top with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the rim off after each sanding pad to remove the dust. The rim really shone once it was polished. I rubbed down the briar with Before & After Restoration Balm. I worked it into the smooth surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little wall and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The rim matches well but still needs to be polished and buffed to raise a shine on it. I set the bowl aside and worked on the stem. There were some deep tooth marks on the top and underside of the acrylic stem at the button. I cleaned off the surface of the stem with alcohol and filled in the deep tooth mark with clear super glue.Once it cured, I sanded both sides smooth with 220 grit sandpaper and 400 grit sandpaper to blend the tooth chatter and the repair into the surface of the stem. When it was sanded it was smooth and the marks were gone. I polished the acrylic stem with micromesh sanding pads – wet sanding with 1500-2400 grit sanding pads and dry sanding it with 3200-12000 grit sanding pads. I wiped it down after each sanding pad with a damp cloth. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The grain really came alive in both the carved leaves on the shank sides and the rest of the smooth briar with the buffing. The rich oil cured colour works well with the polished variegated grey/silver acrylic stem. Together the pipe looks much better than when I began and has a rich look. The finished pipe is shown in the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 1/2 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 3/4 of an inch. I will be putting this newly finished Malaga pipe on the rebornpipes store shortly if you are interested in adding it to your collection and carrying on the trust. Thanks for walking through the restoration with me as I worked over another one of Kathy’s Dad’s Pipes.

Restoring an Unusual Malaga Carved Bulldog

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Blog by Steve Laug

In the late spring I received and email from Josh (misterzippo), a reader of the blog that he had some pipes that he thought I might be interested in. He sent me photos of the pipes so I could have a look at them. One of the pipes that interested me was a Malaga Bulldog with a twist in the carving and a scoop in the top of the bowl. The first picture he sent shows the overall condition and appearance of the pipe. The shape intrigued me – the diamond shank and stem with twists carved in the bowl, shank and down the stem as well. The pipe was dirty with the finish having thick sticky build up around the bowl and shank in all of the carved areas. The groove around the cap of the bowl was very dirty. The stem had oxidation and some heavy calcification. All of that was visible in the first picture. The tape measure in the photo shows that the pipe is about 5 ½ inches long with a saddle stem.That first picture set the hook for me, but it did not prepare me for what the next photos would reveal. The briar had white paint flecks all over the bowl sides. Under the dirt and sticky grime there appeared to be some nice grain on the pipe. There was a large burn mark on rear left side of the cap where it looked like the pipe had been set in an ashtray and a cigarette had burned a spot. There were also some burn marks along the outer edge of the bowl on the front and the rear.The cake in the bowl was incredibly thick and it was hard as a rock. The cake had overflowed the bowl onto the rim leaving behind a thick hard lava coat. Looking at the bowl I have no idea how the previous owner had ever been able to smoke it in this condition – maybe he smoked it until it hit this spot and then laid it aside. Looking to the bowl is like looking down into a dirty chimney that needed the attention of a chimney sweep.The stamping on the left side of the shank read “MALAGA” and looked like it had either a burn mark on the MAL or possibly just a lot of tarry build up. Only having in hand would I be able to really know what I was dealing with.

We struck a deal and I picked up a few of Josh’s pipes to work on. I was really intrigued with the shape of that little Malaga as I have worked on a few of them over the years but never one with this kind of shape. Here is a link to a blog I wrote on a beautiful little Malaga Lovat (https://rebornpipes.com/2016/02/27/a-beautiful-malaga-lovat-came-my-way/).

George Khoubesser (picture to the left) started Malaga Briar Pipe Company and located it in Royal Oak, Michigan in the USA in 1939. It closed its doors for the last time in 1999 after 60 years in business. I have an old Malaga Catalogue that I scanned and put on the blog (https://rebornpipes.com/2013/02/09/george-khoubesser-and-malaga-pipes/). The catalogue describes the manufacture of the pipes as follows:

Painstaking caution is exercised in selecting flawless, perfect briar wood for the purpose of making and Curing of the “Malaga.” You can be certain of this fact, because none other than the choicest and finest select briarwood will withstand the “Malaga” Curing process. Other than the choicest quality and grain, will split wide open in the Curing vats… The Curing method renders all “Malaga” pipes, light in weight… Most all “Malaga” Senior pipes are left in their natural state; except for a skillful waxing which brings out the rich beauty of the virgin grain. No artificial polishing stain, shellac or varnishes are added.

Malaga closed in 1999 after 60 years in business.

I had Josh ship it to my brother Jeff. I figured he would have a good time cleaning it up. I could not wait to hear what he thought of it. When it came he showed it to me over Facetime. The condition was dirty for sure – exactly like the photos Josh sent me. But it was in decent shape so it would be a fun one to bring it back to life. The finish was dirty and had some stickiness to the sides of the bowl and shank. The stem fit far better than the photos showed. The bowl indeed was as thickly caked as the photos Josh sent had shown but it was softer than I expected. The lava on the rim was thick but it was flaky so it would come off easier than I thought. The stamping on it read “MALAGA” on the left side of the shank as noted above but it also was stamped Imported Briar on the right side of the shank. Jeff took the follow photos of the pipe before he worked his magic doing the cleanup.The close up photos Jeff took of the rim top and bowl show just how thick and dirty this pipe was when he received it in Idaho. Looking at it I am glad that he did the cleanup work because it looked like a bear to work on.The next photos show the grain poking through the grimy finish on the sides of the bowl. It really was hard to see what was grime and what might be burn marks on the briar of the bowl and shank.The next photos show the stamping on the top left and right angle of the carved diamond shank of the pipe. You can still read the stamping. You can see the marks on the first letters of Malaga on the shank and it is not clear if it is damage or grime. The stem appeared to be in rough shape. Not only was it heavily oxidized and had thick clacification around the first inch of the stem from the button forward, but the button was worn and had tooth marks in the top and underside. The calcification and the tooth marks on the button made me wonder if the pipe had sported a Softee Bit before coming to me. I was looking forward to what the pipe would look like when Jeff had finished putting it through his cleaning process. He reamed it with a PipNet Reamer and took the cake back to bare briar. He cleaned up the little remnants of cake with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals of the pipe – the airways in the shank, mortise and stem using alcohol, pipe cleaners and cotton swabs. He scrubbed the exterior of the briar and stem with Murphy’s Oil Soap and a tooth brush to remove all of the thick grime. He rinsed it under tap water and dried it off with a towel. He soaked the stem in OxiClean to bring the oxidation to the surface and soften it. The burn marks on the front outer edge of the bowl and the back left inner and outer edge – both moving onto the rim top. There was a burn spot on the left side on the cap where the bowl had been set in an ashtray and burned. I was not sure that I would be able to remove that. When the pipe arrived I was excited to have a look at it. Here is what I saw once it arrived. I took a close up photo of the rim top to show the burn damage to that part of the bowl and also of the left side of the bowl. I would need to see what I could do to minimize these marks without changing the profile of the bowl. Jeff had gotten the thick cake cleaned out and the inner edge of the bowl look to be in good shape.The oxidation on the stem was pretty heavy but it was on the surface. The calcification was gone. Underneath where it had been there were tooth marks and chatter that had been hidden.I decided to use the Before & After Pipe Deoxidizer again. I keep it in a flat plastic tray with a cover. I put the stem in the mixture and made sure that the stem was completely covered with the mixture. I put the lid on the tray and set it aside to soak for the day. I purchased the Deoxidizer from a guy on Facebook. His name is Mark Hoover and he is on the Gentlemen’s Pipe Smoking Society Group on Facebook. He has a pen making site where you can email and order the deoxidizer and the polishes (http://www.lbepen.com/). I have to admit I becoming less skeptical than I was at the beginning.I set the tray aside to let it soak for the day and turned my attention to the bowl. I took some photos of the bowl to capture the grain and the interesting shape of the carving. The photos also clearly show the damage to the side of the bowl and the rim top. I sanded the burned areas on the left side of the bowl and the rim top with 220 grit sandpaper. I was careful to sand all the way around the cap and the rim to keep things smooth. I wanted to remove the damaged areas on the edges of the bowl and rim as well as some of the nicks on the rim top. I wiped down the bowl with acetone on cotton pads to remove the grime from the sanding and the debris from around the damaged areas. I was able to remove much of the damage on the rim top and edges. The burn mark on the left side of the cap looked better but I would not be able to remove it much more than I already had. I laid the pipe aside and my daughter Sarah and I decided to go out for lunch. We caught the bus and headed down town to try a new place. We were gone for three hours including lunch and transit. When I returned I took the stem out of the Deoxidizer and wiped off the excess mixture. I dried off the stem with a clean rag. I took the following photos to show how well the soak had worked to remove the oxidation.I took some photos of the tooth marks on the top and underside of the stem near the button.I sanded the surface of both sides of the stem with 220 grit sandpaper to remove the tooth marks and reshape the button.The stem was loose in the mortise so I heated and awl with a Bic lighter and inserted it in the airway in the tenon. This caused the tenon to expand and correct the looseness in the shank.I polished the stem with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and wiping the stem down after each pad with Obsidian Oil. I dry sanded the stem with 3200-12000 grit pads and repeated the rub down with oil. After the final coat of oil following the 12000 grit pad I set the stem aside to dry. I then polished the briar with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and wiping it down after each pad with a damp cotton pad. I dry sanded the briar with 3200-12000 grit pads and wiped it down after each pad with a damp cotton pad. The dark spot of the burn mark really bugged me. I have been hunting for ways to minimize it without doing damage to the integrity of the briar. I googled and found a recipe that was supposed to remove burn marks or heat marks. I thought I would try it and see what happened. Here is the recipe.

Mix a generic baking soda and a non-gel variety of toothpaste in a small bowl until it is a sticky paste. Put the paste over the heat mark and give it a few minutes to set. After about five minutes, the heat mark should wipe away with a clean rag. Be sure to wipe away any remaining residue from the paste as well.

I took photos of bowl with the mixture on the burn marks. I applied the paste with my finger and rubbed it into the burned areas. I repeated the treatment twice this morning. It worked to some degree as shown in the photos below. It definitely removed the lighter burn marks on the rim top and took out a small spot on the front of the cap. It also lightened the burn mark on the front outer edge of the rim and the large mark on the left side. On advice from Mark Domingues I also tried to spot dab the darkest part of the burn with bleach, being careful to not get it on the rest of the surrounding area. It lightened it a little more but did not completely remove it. I think that probably the burn was too deep to actually remove all of it.I wiped the bowl down with a little olive oil on a paper towel and hand buffed it so that the oil would be absorbed. I buffed the pipe with Blue Diamond on the buffing wheel and then gave it multiple coats of carnauba wax. I buffed it with a clean buffing pad (many people do not do this step but it is critical to get a good shine). I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. Even though the burn mark bugs me it does give the pipe character and reflects on its previous history. I have to always remember that we hold our pipes in trust – we are stewards as Dal Stanton calls it. Our task is to take good care of the pipe while it is in our hands and to leave it in good condition to pass on to the next steward. Thanks for looking.