Restoring Another Unique Windy Perpetual Drysmoker

Blog by Steve Laug

Today I have been working on the second Windy Perpetual Dry Smoker that has come across my work table. The first was a gift from Troy who writes here on rebornpipes. I have written the description of the restoration on a previous blog. You can read about the cleanup and restoration on that blog: https://rebornpipes.com/tag/windy-perpetual-drysmoker-pipe/ . In that blog I did some research on the brand, as prior to the first pipe I was gifted I had never heard of or seen one of these pipes. I decided to repeat a portion of that first blog here to give some background on the brand.

Here is the link to one of my favourite informational sites on metal and unique system style wooden pipes. The link will take you to the article as a whole and some photos that show the pipe quite well: http://www.smokingmetal.co.uk/pipe.php?page=508

“WINDY PERPETUAL DRYSMOKER by Stan Wolcott”

“In my travels I recently came across this intriguing pipe on which very little information appears online by Google search. The left side (?) is stamped “Windy Perpetual Drysmoker” and on the right side (?) “Imported Briar/Italy”. The stem has a small round gold medallion on the left side bearing an “R”. Although several similar pipes are pictured online here in the USA and UK, no explanatory information is included with those images. Floyd Norwood of Tennessee, who restored the pipe for me, also had no idea how the pipe was to be smoked. Tony Pringle of the UK, who has one pictured on his website, believes there may be other pieces which are missing from the four present in the images—flat cap, rounded cap with five vent holes (presumably the wind cap) and the pipe bowl and stem. As can be seen from the images, the flat cap has female threads and screws into the bottom (?) onto male threads on the bowl. The wind cap has male threads and screws into the top (?) of the bowl. I have placed the question marks in parentheses following the terms top, bottom, right and left, since I’m not even sure whether the flat cap is intended to be the bottom. Can someone out there enlighten me and the NASPC readership about this “mystery pipe”, its manufacturer and the proper way of smoking it?”

“The “Perpetual” part of the name seems to come from the ability to actually load more tobacco from the bottom of the pipe whilst still alight and of course the dottle etc. gets burnt as the smoking progresses. Rather ingenious. There are at least two possible for makers from the logo, REGIS and EMPIRE STATE and nothing seems to be known of these either.

Tony Pringle of smokingmetal then includes the following photos of the pipe. There is no doubt that it is the same pipe that I have. There are a few variations between the two but the overall design is the same. He shows photos of the pipe as a whole, taken apart and of the stamping.I have only included the first photos as the pipe I have is virtually identical to this one. Mine also has the gold circle R on the logo on the side of the stem. The only difference is that mine is has a brass spacer on the stem that forms a thin band between the shank and stem. Mine is also in better condition than the one in the photos with no cracks or breaks in the bowl, caps or threads. I believe along with Tony from smokingmetal that the pipe was crafted in the late 1940s. Many things about the briar quality, the rubber that is used in the stem etc. point to manufacture of the pipe occurring during or after the conclusion of World War II.

The stamping on the one above and the one I have is simply WINDY over PERPETUAL over DRYSMOKER in caps on what is the left side of the shank. On the right side of shank it is stamped Imported Briar over Italy. The pipe is meant to be smoked with the perforated, rounded cape pointing downward. That is why the stamping is the way it is. If the pipe is held otherwise the stamping is upside down. If the pipe is inverted it can be set upright on a desk or table on the flat top cap and act as a sitter pipe. The pipe is 5 ¼ inches from the front of the bowl to end of bit. The diameter of the outer bowl is 1 3/8 inches. The chamber diameter is just over 5/8 inch and depth is over 1 ¼ inches with both the top and bottom cap removed. The pipe is lit from the bottom and the wind cap cover is screwed in place. I think that more tobacco can be fed in from the top of the bowl with the flat cap removed thus making the pipe a PERPETUAL DRYSMOKER.

The pipe my brother Jeff picked up is shown in the next photos that he took of it before cleaning it and sending it to me in Vancouver. You can see some darkening in the finish around the flat cap on the bowl and some general wear and tear to the finish as a whole. The bowl has quite a few fills in the shank, the left and right front sides and the crowned perforated bottom cap. The stem was oxidized quite heavily and the diameter of the shank and the diameter of the stem did not match.Jeff took some great photos of the bowl taken apart. Contrary to what Tony and Stan mention in the quote article from the website all the parts are present with the pipe. There are no additional pieces needed to make the pipe functional. The first two photos show the rounded bottom cap and the flat top cap removed from the bowl. You can see the wooden threads on the inside of the bowl in the first photo where the bottom cap screwed into it. The second photo shows the threads on the outside of the bowl where the flat top cap screwed onto it. The completed pipe resembled a salt or pepper shaker to my mind – a unique and interesting smoking device. Both caps were darkened by smoking but appeared to be clean. There was a small crack in the rounded bottom cap but it did no effect the fit in the bowl.He also took some photos with the parts laid out together to give an overall idea of what the pipe looked like.My brother also included some close up photos of the sides of the bowl to show the condition of the finish and what would need to be done to clean it up. He included a photo of the flat top cap to show the remarkable grain underneath the staining and grime. The next two photos show the stamping on both sides of the shank. The third photo shows the brass circle R logo on the stem and also the brass spacer in between the stem and the shank. The final two photos Jeff included showed me the condition of the stem. It looked really good other than the oxidation. There was no tooth chatter or tooth marks in the surface. The only issue I would need to address was the mismatched diameter of the shank and the stem.My brother did a really thorough job cleaning up this old pipe. When it arrived in Canada the inside of the bowl and both caps was really clean. He had scraped out the light cake in the bowl and cleaned out the mortise and airway in the stem and shank with alcohol, cotton swabs and pipe cleaners. He cleaned off the exterior of the bowl and was able to remove much of the grime on the surface. The brass space was oxidized but would clean up easily when I worked on the diameter of the stem. I took the next four photos to show the condition I found the pipe in when I unpacked it here in Vancouver. I took the pipe apart and took photos of the parts of the bowl – the centre core, the rounded bottom cap and the flat top cap. In the photos the core is flat side up in the first one and rounded side up in the second one. The bowl and caps were very clean and you could see raw briar inside all of the parts which led me to think that the pipe had not been smoked often.I took some close up photos of the stem to record its condition as well.The fit of the crowned bottom cap to the edge of the core part of the pipe had some damage to it that did not allow the cap to seat tightly against the edge of the core. I topped it with 220 grit sandpaper on the topping board until the cap fit snugly.I put the cap back in place and wiped the bowl down with acetone on cotton pads to remove the finish. The fills on the bowl were dimpled so they would need to be repaired with briar dust and super glue. With the finish removed I could better assess the darkened areas around the sides and bottom of the flat cap. I could also see areas that needed to be sanded around the edges of the rounded bottom cap also. I sanded the entire pipe with 220 grit sandpaper to remove the damaged areas and smooth out the transitions between the core and the caps. I also smoothed out the edges of the fills to prepare them for repair later in the process. With that part finished I needed to rework the shank/stem diameter. The right side of the shank was narrower than the right side of the stem. With the stem removed it was easy to see why. That side of the briar shank was thinner in terms of the thickness of the walls of the shank than the left side. The red circle shows the side that needed to be taken down.I used the Dremel with a sanding drum to take down the excess vulcanite and brass of the spacer.I cleaned out the areas around the fills and removed any of the loose debris around them. I rebuilt the areas around the fills with a mixture of clear super glue and briar dust. I overfilled the repairs to allow for shrinkage. I sanded the repairs smooth to match the surface of the bowl.I sanded the repairs smooth and then polished the areas with micromesh sanding pads. I wet sanded the repaired areas with 1500-2400 grit sanding pads and dry sanded them with 3200-12000 grit pads. I wiped the bowl down with a damp cloth. I stained the bowl and the caps with dark brown aniline stain and flamed it to set it. I repeated the process until the coverage was even. I buffed the bowl with Blue Diamond polish on the buffing pen. I gave it several coats of carnauba wax and buffed it to a shine. I sanded the stem with 220 grit sandpaper to smooth out the scratch marks on the vulcanite. I polished it with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil after each set of three pads. After the final coat of oil I set it aside to dry. I buffed the pipe with Blue Diamond once more and then gave the bowl and stem multiple coats of carnauba wax. I buffed it with a clean buffing pad to polish it and then by hand with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. Some of the character marks of the pipe that came to me still show and I am sure could tell a story if they were able to speak. I like the finished look – the marks and all give the pipe a sense of history and time. It is not a bad looking old pipe considering that it has traveled from the 1940s into 2016 and who knows how much longer. Thanks for looking.

One of my favourite GBD Shapes and Finishes – a Prehistoric 269 Bulldog

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Blog by Steve Laug

After refurbishing a lot of pipes over the years I have come to opinions about pipe brands and shaped. To my eye certain brands really get a certain shape and really nail it perfectly. To me the GBD Bulldog, shape 269 is one of those shapes. To me it is the quintessential straight shank bulldog. Others do it well but GBD absolutely gets the shape. Add to that fact that certain finishes have also grown on me over the years and one of those is the GBD Prehistoric sandblast. You combine the finish and the shape components on this pipe and I have a real beauty on the restoration table today. My brother is also becoming a die-hard GBD fan so when he saw this one he decided it was one to go after. Needless to say he got it. He took some photos of the pipe before he cleaned it up to send up to me in Vancouver. I have included those below.The finish on the pipe looks to be in excellent condition. Later close-up photos will show the grime and dust in the grooves and crevices of the sandblast but there are no chips or nicks in the briar. The bowl had remnants of tobacco in the bottom and the cake had overflowed on to the rim top. The curved bevel of the Prehistoric smooth rim was thickly tarred and caked. It was hard to tell from the photos if there were any nicks or deep scratches in the rim. I have found that the thicker the cake and tars on the rim the more likely it is that I will find the rim to be pretty pristine underneath. The stem was deeply oxidized and the GBD logo insert on the stem had been buffed to death but the fit of the stem to the shank was perfect. There was only light tooth chatter and a few scratches on the top and underside of the flat portion of the stem. The photo below gives a clear picture of the condition of the rim and the cake in the bowl.The sand blast on the heel of the bowl was deep and craggy and the contrast of browns in the stain really highlighted the layered look of the blast.The stamping on the left underside of the shank in a smooth panel is very readable and sharp. It reads GBD in the oval over Prehistoric in Germanic script. Next to that it reads London England over the shape number 269. The second photo below shows the over buffed roundel in the stem. It is still readable but is quite flattened and broadened. I will have to see if I can clean that up a bit in the process of the restoration – or at least not damage it any further.The next two photos show the top and underside of the stem. The oxidation is quite heavy and deep in the vulcanite. There is some light tooth chatter and scratches on the stem near the button and on top of the button on both sides but no deep tooth marks.My brother is getting really good at cleaning up these old timers and I have to say I am getting spoiled at getting pipes that I don’t have to ream and scrape to clean before I can start the restoration process. In this case he scrubbed the briar with Murphy’s Oil Soap and got rid of the grime and dust in the crevices and removed most of the buildup on the rim top. He reamed the bowl and scrubbed out the mortise and the airway in the shank and stem with alcohol, cotton swabs and pipe cleaners. When I received it the pipe was clean and ready to restore. The briar was dry from the scrubbing and the removal of all of the oils. It appears to have lost some of the rich colour but I have learned that once I begin to work on it the life begins to come back to the briar so I was not too concerned. The oxidation had also really risen to the surface of the stem and looked ugly. I took the next four photos to show what the pipe looked like when it arrived. I took a closeup photo of the rim top to show what it looked like when I received it. He had been able to remove the buildup and caking on the rim but there was still some darkening that needed to be dealt with. I also took closeup photos of the stem to show how the pitted and oxidized surface looked before I started. This was going to be a tough stem to clean up. I decided to start with the rim top. I started polishing it by wet sanding with 1500-2400 grit micromesh sanding pads. I wiped it off with a damp cotton pad and dry sanded it with 3200-12000 grit pads. The rim began to take on its original sheen and the darkening and rim damage was removed.I gave the bowl a light rub down with olive oil and it absorbed it quickly into the dry and lifeless feeling briar. I buffed it by hand with a soft microfiber cloth and took the next set of photos to show what a little oil will do to a dry and thirsty finish. I sanded the stem with 220 grit sandpaper being very careful around the GBD roundel on the stem. I was able to remove much of the surface oxidation on the stem and I started to see the black stem peeking through.I decided to try several of the stem polishes I have around here to try to break through the oxidation. I started with Denicare Mouthpiece Polish which is a very gritty and cuts through the oxidation and helps polish the stem. I followed that with the Before & After Polishes which are also gritty but each of them the Fine and the Extra Fine are less so than the Denicare polish. While they worked well overall and cut through a lot of oxidation it took much scrubbing with cotton pads to polish it to the place the stem is in the photo below.I still needed to polish the stem further with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I rubbed it down after each set of three pads with Obsidian Oil. After the last set of pads I gave it a final coat of oil and set it aside to dry. I buffed the bowl rim and the stem with Blue Diamond on the buffing wheel to shine it further. I gave the stem and the bowl rim multiple coats of carnauba wax on the wheel and hand applied Conservator’s Wax to the sandblast bowl sides and shank. I buffed the entire pipe with a clean buffing pad, carefully buffing around the stamping and the brass roundel on the stem. The finished pipe is shown in the photos that follow. The overall appearance of the pipe is very good. In some of the close up photos the light shows me some spots along the crease of the button where the stubborn oxidation did not all come clean. Ah well. It is one of those that I think I will revisit repeatedly over the course of its life with me. Thanks for journeying with me on this troublesome oxidation removal process. Thanks for reading.

A Tiny Salesman Pipe – What a Contrast to those Giant House Pipes

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Blog by Steve Laug

Yesterday and today I have been working on two giant pipes – two House Pipes. The first was a CPF French Briar Giant and the second was a KBB Yello-Bole 3068C Giant. Both were over 10 inches long with at least a 2 inch bowl. I have written about both of them on the blog. You can read them by clicking on the name of the pipe above as they have been linked to the appropriate blog. This afternoon I decided to do something a little different. In the latest box my brother sent he included a tiny little pipe. It is 3 ¼ inches long, 1 inch tall, outside bowl diameter 7/8 inches, inside bowl diameter 7/16 inches. In the photo below you can see it in comparison to the big Yello-Bole 3068C. It is minuscule.I took a photo of the pipe between my thumb and forefinger to give an idea of the size in hand. What do you think? Would you ever smoke a pipe this tiny? It is fully functional.My brother took some photos of it to show the condition when he got it. You can see that it was in rough shape and had been smoked quite a bit. Pretty amazing in my opinion as the bowl is the size of a small thimble. The bowl is carved with tobacco leaves around all sides – front, back, right and left. The bottom of the bowl is smooth as is the rim. The finish is in rough shape with grit and grime in all of the grooves, a dark spot on the underside of the bowl and darkening at the rim with the inner edge slightly out of round. There is a small brass band around the shank of the pipe that has a set of rings around it on the inside and outside edges. In the first photos that my brother took before cleaning it you can see the oxidation and what looks like damage to the band. The stem also appeared to be in rough shape. My brother took a few close-up photos that show the condition of the pipe and categorically show that it had been smoked quite a bit for the doubters among us. The first photo shows the only stamping on the pipe – Imported Briar on the right side of the shank. It also shows some of the oxidation on the band and intricate rings around its edges. The second photo shows how the stem is not aligned in the shank due to the dirtiness of the shank and also the condition of the stem. It appears that there some glue on the stem from a label that was on the pipe at the antique shop where he purchased it.The next photo shows the rim with a cake in the bowl and the damaged inner edge the rim on the lower left side of the photo. The second photo gives a good picture of the carved leaves on the bowl sides and back. They had a similar etching pattern around the edges of the leaves as those on the twin rings on the shank band.At this point you might well be wondering what the point is in investing time and effort into the restoration of this small bit. It takes as much work to clean and restore a tiny pipe as it does a big one and the steps and process is the same regardless of size. Though it is a good question there is something singularly interesting in these small pipes that were used by salesmen in their sales routes through city tobacco shops. This one is particularly unique in that I have never seen one with this attention to detail. Soooo… the short of it is that between my brother and I we decided to clean it up and restore this bit of tobacciana.

Jeff did his usual thorough job in cleaning if this tiny little apple. He reamed it with a Savinelli Fitsall Pipe Knife (and by the way it truly does fit all) to remove the cake. He scrubbed the surface of the bowl and rim with Murphy’s Oil Soap and a tooth brush to remove all of the grime. He used the soap on the exterior of the stem and the band with the tooth brush and was able to remove all of the grime and glue that remained on the stem and the oxidized portion of the band. He cleaned out the mortise and the airway in the stem and the shank with alcohol, cotton swabs and thin pipe cleaners. When the pipe arrived in Vancouver it looked like a different pipe. When I took the pipe apart you can imagine my surprise when I found tiny stinger in the end of the tenon. It was a typical ball and slot style stinger with an open slot on the top side of the stinger allowing airflow into the stem. Jeff had cleaned up the stinger so that was polished and none of the typical tars and oils that collect on these contraptions was present.He had been able to clean up the band so that it shone and the rim top was actually quite clean. The damaged area on the back right side of the inner edge was not too bad and would be able to be cleaned up easily.The stem was actually in very good condition. The glue on the underside from the label had come off nicely. There were no tooth marks or chatter on the stem at all. A light polishing would make it like new.I used a folded piece of 220 sandpaper to clean up the damage on the inner edge of the rim. It did not take too much and the nicked area was removed and smoothed out.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the briar down with a damp cloth after the polishing and then buffed it lightly with a soft cloth.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down after each set of three pads with Obsidian Oil and after the last coat of oil I set the stem aside to dry. I lightly sanded the burn spot on the bottom of the bowl with 220 grit sandpaper and buffed it with red Tripoli to minimize the spot. I buffed the bowl and stem with Blue Diamond on the buffing wheel and then gave the pipe multiple coats of carnauba wax. I used a light touch on all buffing of the bowl so as not to get build up in the grooves of the carved leaves. I buffed the pipe with a clean buffing pad and by hand with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos that follow. It took as much work as a full-sized pipe to bring it back to life – though in proportion. Personally I think it was worth the effort. It is a fine piece of tobacciana history and I sure wish it could talk and tell its story. I wondered how it ended up in Boise, Idaho and where it was before then. At least the part of the story from Boise to Idaho Falls and then to Vancouver in Canada has now been recorded. Thanks for looking.

Refreshing Another Giant – a KBB Yello-Bole Imperial 3068C Bent Billiard

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Blog by Steve Laug

When I cleaned up a previous KBB Yello-Bole Imperial 3068C for a reader of the blog my brother immediately was struck by the beauty of the old pipe. He decided he would find one for me that matched the one I cleaned up for the reader. If you want to read about the cleanup of that one here is the link: https://rebornpipes.com/2016/11/10/breathing-life-into-a-huge-kbb-yello-bole-3068c-bent-billiard/. The 3068C is a large pipe. It is reminiscent of the WDC Wellington in many ways but to me there is a simple elegance to the lines of the 3068C that are more smooth and beautiful. This is another giant pipe. The dimensions are: length 10 inches, height 2 ¼ inches, outer diameter of the bowl 1 ½ inches, inner bowl diameter 7/8 inches. I took a photo of the pipe in hand to give an idea of the size of this old giant.As opposed to the other 3068C I cleaned up this one was in remarkably good shape. The shiny varnish coat actually was perfect with no peeling or nicks in it. The grain shone through and was a great mixture of birds-eye and cross grain. The Yello-Bole Honey Cured coating still showed on the bevel of the inner rim and in parts of the bowl. The rim surface had some very small dents or scratches in it but they did not seem to break the finish on the bowl. There was a light cake in the bowl. The nickel ferrule was oxidized and lightly scratches but otherwise undamaged. The stem had the classic older Yello-Bole circle on the top of the stem just behind the saddle and was lightly oxidized with minimal tooth chatter on the top and underside of the stem at the button. My brother took the above photos and the ones that follow to show the overall condition of the pipe. The next two close up photos show the rim top and inner rim bevel. The Yello-Bole Honey Cured coating can be seen on the edge of the bowl and going down into the bowl. You can also see the small dents in the rim and the light grime that had built up on the surface of the rim.The next two photos give a good idea of the grain that shone through on this old pipe. The front and back of the bowl has some amazing birds-eye grain and the sides, rim and bottom show some really nice cross grain.The stamping on the shank was sharp and readable. The left side bore the KBB cloverleaf logo with Yello-Bole over stamping that read Reg.U.S.Pat.Off. Beneath that was the line stamping in script Imperial. Finally underneath all of that was stamped Cured with Real Honey. On the aluminum ferrule cap there was a remnant of the KB&B cloverleaf. It is interesting to me that while all Yello-Bole pipes are stamped with KBB (minus the ampersand &) in a cloverleaf on the shank both this pipe and the previous one had the KB&B cloverleaf on the ferrule. I wonder if the company made one size fits all with the ferrules and used them on both Yello-Boles and KB&B pipes. The right side of the shank is stamped Real Bruyere over the shape number 3068C.The final two photos that my brother included show the tooth marks and chatter on the top and underside of the vulcanite stem at the button. The mild oxidation is also visible in the photos.My brother did the necessary cleaning on the pipe – reaming and cleaning out the mortise and the airway in the stem and shank. I cleaned off the grime on the finish and wiped down the stem. When I received the pipe it looked be in excellent condition and would not take a lot of work to refresh it. I took the next four photos to show what it looked like when it arrived in Vancouver. I took some close up photos of the rim and the stem to show the condition. The rim was in excellent shape and Jeff was able to clean up the inner bevel on the rim to reveal the Yello-Bole Honey Coating. The stem photos show the oxidation and the small tooth marks and chatter on both sides of the stem near the button. I sanded the oxidation on the stem with 220 grit sandpaper to remove the brown topcoat that it had and also worked over the tooth chatter and tooth marks on both sides.I used drops of medium viscosity black super glue to fill in the small tooth marks on both sides of the stem. They are shown in the photos below. The small black spots are the super glue repairs to the stem surface. You will note that there were more issues on the underside of the stem than the top side.Once the repairs were dry I sanded them back to the surface of the stem with 220 grit sandpaper.I polished the sanded spots by wet sanding with 1500-2400 grit micromesh sanding pads.I wet sanded the entire stem and continued to sand the repaired areas with 1500-2400 grit micromesh sanding pads. I rubbed the stem down with Obsidian Oil and then dry sanded it with 3200-12000 grit pads. I rubbed it down with oil after each set of three pads and after the final set I gave it a last coat of Obsidian Oil and set it aside to dry. The nickel ferrule had a lot of tiny scratches in the surface of the metal. I sanded it with micromesh sanding pads to polish out the scratches and raise a shine in the nickel.I polished the briar with 3200-12000 grit micromesh sanding pads to raise the shine and smooth out the small scratches on the sides and bottom of the bowl as well as the rim. I buffed the bowl and stem with Blue Diamond on the buffing wheel to further polish the briar and vulcanite. I gave the stem multiple coats of carnauba wax and buffed the bowl and stem with a clean buffing pad to polish and raise the shine. I hand buffed it with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. It turned out to be a very beautiful pipe that needed just a few touches of TLC to bring it to its fullest. It is another large pipe that would make a great reading or house pipe. It is comfortable in hand and the grain is interesting enough to give hours of observation pleasure. Thanks for looking.

Refreshing an old giant – CPF French Briar Bent Billiard

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Blog by Steve Laug

I have always heard and read that during WWII years it was virtually impossible to get briar in the US and rubber for stems was at a premium. During those years, Mountain Laurel and Manzanita – close kin to Mediterranean Briar – were used. The bowls have a different appearance than briar – the grain on the bowl sides and rim are very different. The stems were often made of repurposed rubber and I have seen bits of metal in the cast rubber of the stems. While that is interesting information the next pipe on the table is far older than WWII. But it could be made of Laurel and it certainly had bits of metal in the solid rubber stem. It came from my brother as well. It is a CPF French Briar bent billiard. It is a large pipe – the length is 11 inches, the height is 2 ¼ inches, the outside diameter of the bowl is 1 ½ inches and the inner diameter is 7/8 inches and the depth of the bowl is 1 9/16 inches. I took the next photo to give an idea of the size of the pipe when I received it.Don’t you ever wish these old pipes could talk? They could certainly tell some amazing stories of their journeys. My brother wrote to tell me that this old CPF Giant was found in an antique store in Idaho Falls, Idaho. The owner had told him that the pipe was owned by an artist who strictly used it as a art prop… never smoked it. That’s why it was in great shape for the age. My brother took some photos of the pipe before he did his clean up and sent it to me. The finish was in decent shape. There was some spottiness to the finish but no deep nicks of scratches. The rim had overflow from the cake in the bowl that was thick on the entire surface. The metal band had some scratches and appeared to have rotated on the shank in the photos showing that it was probably loose. The stem was clean with minimal tooth chatter near the button with a little wear on the top and underside of the orifice button. There was some oxidation on the rubber.I have restored quite a few CPF pipes in the past and did a blog on the historical background of the brand. You can read the entirety at this link: https://rebornpipes.com/2013/04/14/some-reflection-on-the-historical-background-on-cpf-pipes/. I have summarized part of it in what follows to connect this pipe to the history of the brand.

“One of the secondary hobbies to pipe refurbishing that I enjoy doing is to research the history of a particular brand or make. In a recent EBay lot I bought there were 3 pipes that were stamped with the CPF logo – CPF in an oval with the word FRENCH stamped in an arch above the oval and the word BRIAR stamped in an arch below the oval. I had heard that the CPF stood for a variety of names from Consolidated Pipe Factory to Colossus Pipe Factory and even Chesterfield Pipe Company. There was a wide range of conflicting information available on the websites and forums that I read while looking into the brand…”

“…CPF in the logo stands for Colossus Pipe Factory. The brand was purchased by KB&B sometime between 1884 and 1898 and it continued until 1915. That time frame gives help in dating some of the older CPF pipes you or I might find. It can be said that prior to the dual stamping it is fairly certain that the pipe is pre-1884 to 1898. After the dual stamping it can be placed post 1898 until the closure of the brand line in 1915. CPF made beautiful pipes. I believe Sam Goldberger was correct in his assertion that the carvers who made the pipes were of European training and used the classic shapes and well-aged briar.”

Armed with that information I should be able to narrow down the period in which the pipe was made. Since the pipe and the ferrule both bear only the CPF logo I can safely say the pipe was made before the time period mentioned above as sometime between 1884 and 1898 when the CPF company was sold. I also know that from 1898-1915 all of the pipes that came out of the factory bore a dual CPF/KB&B stamp. The fact that this one does not puts the date of manufacture before or around the early 1880s. It is an old pipe.

My brother took some close up photos of the pipe. The first two show the grain on the bottom of the bowl. It is a mixture of birds-eye and cross grain that is really scrambled up. I have not seen the kind of grain patterns that show up on just one side of this old timer. It is the graining pattern that makes me wonder if I am really dealing with briar here. The third photo shows the bowl and the rim. You can see the thin even cake and the buildup of tars and oils on the top of the rim. The internal and external edges of the rim appeared to be in excellent condition.The next two photos show the stamping on the left side of the shank and on the ferrule. The shank reads C.P.F. in an oval with French above the oval and Briar below the oval. The stamping is filled with gold gilding. The stamping on the ferrule has three hallmarks – an anchor, a star and an eagle which from previous research on this brand are determined to be faux hallmarks and are there for looks rather than giving pertinent information on the band. Beneath the hallmarks is the C.P.F. oval.The stem was lightly oxidized and the orific button on the end had some chips missing on the top and bottom sides. The underside of the stem was stamped Solid Rubber. From what I could find online the Solid Rubber stamp was originally used when rubber or vulcanite started becoming popular for pipe stems in the mid to late 1800s. I have found from working on them that solid rubber stems are different from vulcanized rubber stems. They seem to have less oxidation and seem denser in composition. They are heavier that vulcanite stems that are the same size as well. I have also found that they need to be cleaned differently. Solvents that are fine for vulcanite can cause hard rubber to “ripple”. They require a little extra care when performing maintenance.My brother did a great job cleaning the pipe up. He reamed the bowl and cleaned off the buildup on the rim. All that was left was some darkening. He cleaned out the internals so that when I got it the mortise, airway in the bowl and the stem were spotless. The bowl interestingly enough was not smoked all the way to the bottom. The last half of the bowl was still raw briar undarkened by smoke and heat. I took the next four photos to show what the pipe looked like. I took a closeup photo of the rim top to show what I needed to deal with on that front. The surface was clean but there were some scratches and there were some nicks in the edges of the bowl. There was also some darkening around the inner edge of the bowl.I also took some close up photos of the identifying marks that I noted above in my description of the pipe. The CPF stamping on the shank was clear but the ferrule had rolled to one side and would need to be glued. The Solid Rubber stamping is also clear on the underside of the stem.I scrubbed the surface of the briar with acetone and cotton pads to clean off the remaining finish on the bowl and shank. I was careful to avoid the gold stamping on the left shank side. The ferrule had rolled over to the top of the shank. The stamping was on top and should have been aligned with the stamping on the left side of the shank. I removed the ferrule and cleaned up the briar. I reapplied some all purpose glue to the briar and pressed the ferrule back on the shank. I aligned the stamping on the ferrule with that on the shank.The fit of the stem in the shank was very tight. I used alcohol and cotton swabs to clean out the stain spots on the inside of the mortise. It did not take too much to remove the shiny spots and once they were gone the stem fit better.I sanded the bowl and shank with a medium and fine grit sanding sponge to remove the scratches and clean up the rim top. I was able to remove all of the nicks and spots on the rim. The scratching on the bowl sides was minimized. I used black super glue to rebuild the damaged portions of the top and underside of the button edge. It took multiple coats rebuild it back to the size I needed so that I could reshape it with sandpaper and files.When the glue had dried I sanded it with 220 grit sandpaper to reshape it. I wanted it rounded like the undamageed portions of the button. It did not take too much work to reshape it. I polished the stem and button with micromesh sanding pads – wet sanding with 1500-2400 grit sandpaper and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil after each set of three pads. After the final rub down with oil I set the stem aside to dry. I polished the bowl with micromesh sanding pads as well. I wet sanded it with 1500-2400 grit pads and dry sanded it with 3200-12000 grit pads. I wiped the bowl down with a small bit of olive oil on a paper towel and hand buffed it with a soft cloth. I buffed the bowl and stem with Blue Diamond on the buffing wheel. I gave it multiple coats of carnauba wax and buffed it with a clean buffing wheel to raise the shine on the pipe. I hand buffed it with a microfibre cloth to deepen the shine. It is shown in the photos below. It is cleaned and ready to fire up with a fresh bowl of tobacco. It is a beautiful pipe for being over 130 years old. It will be a great pipe for sitting and reading as the large bowl will last a long time. It is also surprisingly light weight for a pipe of its size. Thanks for walking with me through the restoration.

Redemption of a Mayfair 1005 Bent Tree Stump Pipe

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Blog by Steve Laug

I can see what attracted Jeff to this pipe right away because it also grabs my attention. It has a rugged looking rustication that is somewhere between an aged piece of leather and a gnarled tree stump. There is something very charming about the appearance of the pipe that is for certain. The briar by and large appears to be in decent shape. The stamping on the shank reads MAYFAIR over 1005 with Italy stamped next to the stem shank junction. First thought was it may be a Sasieni or Charatan but I do not think it is. There is something almost Lorenzo like in terms of the look of the carving and the shape. The way the stamping is done and the Italy stamp makes me think that it is a basket pipe made for a pipe shop called the Mayfair Shop. In my I found that there is a shop in Edmonton, Alberta Canada called Mayfair Smoke & Gift Shop. There is also an area on London called Mayfair that at one time housed many pipe and tobacco shops. My own feeling is that the pipe probably came from the shop in Edmonton – the Italy stamp on the shank makes me think that rather than and English shop. The next close up photos show more of the carving on the bowl close up and the condition of the rim and cake in the bowl. In the first photo below there is a small chip out of the rim edge that shows up but should be easy to hide in the rustication. The rim top is quite dirty with the overflow of cake from the bowl. It is hard to see under the thick cake on it but there are curved strokes around the rim top that go clockwise. They include larger deeper strokes and fine hairlike strokes that are also in the grooves of the rustication on the bowl sides.The next photo shows the stamping on a smooth portion on the bottom of the shank. Does anyone know who made the Mayfair brand of pipe that was stamped like this?Other than being deeply oxidized the stem was in decent shape. There were not any tooth marks or deep tooth chatter on the stem surfaces. There was a cursive stylized T on the left side of the saddle portion of the stem.My brother cleaned up the pipe and sent it my way in Vancouver. As usual he did a thorough job of reaming and cleaning the inside of the shank, mortise and airway in the stem. They were spotless. I took the next four photos to show what the pipe looked like when it arrived.His cleanup of the rim revealed the curved clockwise strokes around the top surface.I took a close up picture of the rim top and if you look into the bowl a serious issue that would need further exploring.Even after the cleanup the stem looked in decent shape.I used a dental pick to probe the serious spidering cracks and crevices on the inside of the bowl. These were far worse than the recent ones that I addressed in the bowl of The Tobacconist Inc. Rhodesian recently using pipe mud (https://rebornpipes.com/2016/12/22/a-reclamation-project-the-tobacconist-inc-made-in-england-rhodesian/). These were deep and intricately burned gouges in the surface of the bowl. I used the Savinelli Fitsall Knife to scrape out as much damage on the walls as possible and without gouging out more and further damaging the surface. The next series of photos show the bowl as I turned it around examining the damage. I have to tell you at this point I was seriously considering throwing the pipe into the discard box and not bothering working any further on it. The stem could be salvaged and parts of the briar may be salvageable for repairs. It really was a desperate looking situation. It appeared to be a bowl on the very edge of being burned out all around – one of the worst messes on the inside of a bowl I had seen. But… and this is where I took a chance. I really like the rustication pattern on the briar and the shape also grabbed me so I decided to try a remedy that Charles Lemon of Dadspipes has used far more than me. I thought it might just work on this old bowl and provide a possible redemption to ongoing service.

I picked at the wood with a dental pick to remove any loose chips or chunks of briar to get the wood back to as solid a base as possible. I cleaned out the interior of the bowl with a cotton swab and alcohol until I removed all of the dust and debris from the cracks.I wanted a clean surface to work with. I set the bowl aside to dry and went to the hardware liquidation store down the street. I picked up some JB Weld (or rather a brand called Steel Weld which was made by JB Weld). I mixed the base and the hardener on a patch of paper with a wire until I had it well blended. Using a dental spatula I pressed the mixture into all of the cracks on the inside of the bowl. I slathered on (technical term) the coat of the mixture until all the inside walls of the bowl were smoothly covered. I dampened a cotton pad with alcohol and wiped off the JB Weld that had gotten on the rim top and inner edge of the bowl. I did not want it to harden as then it would be impossible to remove from the strokes on the surface. I set the bowl aside to let the bowl repair harden. Once it was cured overnight I would sand the surface clean leaving the repair only in the cracks themselves.

Being impatient by nature and by choice, I wanted to keep working on the pipe. I know that I have many more to work on but I wanted to see what the exterior of this old timer looked like once it was restained. So when the internal repair had hardened to touch (about an hour later) I decided to stain the briar. I used a Dark Brown aniline stain and applied it to the briar with a folded pipe cleaner. I flamed the stain to set it in the grooves and grain. I repeated the process until the coverage was what I wanted. With the stain coat done I took two photos to show the rim and interior of the bowl to show how the repairs looked before I sanded them down. The JB Weld still needed to cure but you can see how the walls looked at this point.I wanted to protect the bowl from the dust and the debris that would fly when I sanded out the bowl so I gave it a first coat of Conservator’s Wax. I buffed it with a shoe brush. I set the bowl aside until the afternoon to let the repair cure and turned my attention to the stem. I sanded it with 220 grit sandpaper to remove the oxidation on the surface and smooth out the pitting.I polished the stem with micromesh sanding pads – wet sanding the stem with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. After each set of three pads I gave the stem a rub down with Obsidian Oil. After the final rub down I set the stem aside to dry until I had finished the bowl. When I came back to the bowl in the afternoon I took some photos of the interior before I sanded it to show what the dried JB Weld looked like. The surface is rough to the touch and hard. The cracks however are completely filled in.I used the Dremel and sanding drum to remove much of the excess fill/repair material. I set the Dremel at the lowest speed and slowly worked it over the inside of the bowl walls. I was able to remove much of the overage that way but I could not get all of the material off. My goal was to leave the JB Weld only in the crevices and cracks in the walls and not on the walls themselves. I wrapped a piece of 220 grit sandpaper around a wine cork, roughened the end to give some leverage on it and sanded the inside of the bowl. This further took back the JB Weld. I finished sanding the inside with a piece of 220 grit sandpaper wrapped around my index finger. When I was finished the cracks were filled and the bowl was smooth to touch. I wiped down the inside walls of the bowl with cotton swabs and clean water and the shank with pipe cleaners and clean water to remove all of the sanding dust and debris left behind by my work in the bowl. The next photos show the repairs on the walls of the bowl. The bowl is solid and feels undamaged. My next step in the repair is to coat the walls with a mixture of sour cream and charcoal powder – a bowl coating. This will further protect the walls and provide insulation until a cake can be formed.I walked down to the local supermarket and purchase a small package of sour cream. I put a spoonful of sour cream into a small bowl and broke open the last of my activated charcoal capsules into it. I mixed it with a spoon until the mixture was a dark grey colour and well blended.I know at this point many of you are thinking “sour cream in a pipe”. But that is exactly what I used. I mixed it well and put it on the walls of the pipe with a dental spatula and spread it evenly across the walls with a folded pipe cleaner. I had inserted a pipe cleaner in the shank to keep the airway clear of the bowl coating. I can assure you after many years of using this mixture – one by the way that is used by many pipe makers – that the mixture dries and has no residual smell or tasted. It is absolutely neutral. It provides a good insulator for the bowl while cake is formed. In this case it also covers the lines of JB Weld in the cracks of the bowl interior so it serves a dual purpose. I put the bowl aside to let the bowl coating cure and harden. I let it sit overnight to cure. I knew that once it had hardened it would be completely neutral in smell and taste. This morning the bowl coating had dried to a solid black colour with a little grit from the charcoal. The sour cream smell was gone and the bowl was smooth and black to the bottom. This morning I gave the bowl several more coats of Conservator’s Wax, buffed it with a shoe brush and finished by buffing it with a clean buffing pad to bring a shine to the smooth and rusticated portions of the bowl. I buffed the stem with Blue Diamond Polish on the buffing wheel and gave it several coats of carnauba wax. I buffed it with a clean buffing pad to raise the shine. I hand buffed the whole pipe with a microfibre cloth to deepen the shine and give the pipe a sense of warmth that this last step gives it. The finished pipe is shown in the photos below. It may seem like a lot of work to redeem this old pipe but the look of the finished pipe says it all to me. This one will be a pleasure to fire up and hold. The tactile nature of the rustication is complex and interesting to hold and study. Would you have done this work on one you have on the table? The only way that you will be able to answer that question is when you lay eyes on one that grabs a hold of your attention. Until then you may wonder at my madness. Thanks for walking with me through this exercise.

A Sterling Hall Pamphlet

When he opened the Sterling Hall Hand Made Pipe box I did not see what I expected

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Blog by Steve Laug

Sometimes you are hunting for pipes in antique shops, antique malls or even thrift shops when you come on a box like the one below. I don’t know about you but my first reaction when I see a box like this one is to walk away. I have found that they are often empty or at best holding worn out pipe that is cracked, chewed or both and certainly one I don’t want. Well I have tried to instill that habit in my brother but he is a better hunter than me! He opens the boxes to see what is in them. Now, understand, I used to do that but I have gotten jaded over the years of finding next to nothing or worse in these old pipe boxes. He opened this one and found something he was not expecting. When he showed me the box on Facetime I fully expected it to be useless even though he assured me I would be surprised.He opened the box and showed me what was inside – well it was not a Sterling Hall Hand Made nor was it a useless worn out pipe. Instead it was a WDC Wellington that through the camera looked remarkably good. The finish looked good, the stem looked good, the nickel ferrule looked good. I was hooked. Okay so it is a Wellington I said – we have cleaned up quite a few of these system style pipes so I was still not that impressed. It so far appeared to be a nice looking old pipe in the wrong box. Heck, there was even a Sterling Hall pipe sock in the box along with the pamphlet included with every Sterling Hall pipe. He just laughed and held the pipe up to the camera and rotated it from side to side so I could see the grain and the stem. It looked really good. The grain on both sides was nice and from the front and the back it also looked good. The stem was shiny black and bore the WDC in a triangle under the Wellington logo on the topside. In fact it appeared to be almost flawless but I still felt that there was something that he was not telling me. What was it with this Wellington pipe he had found in the Sterling Hall box?Finally he turned the pipe bowl toward me. The bowl was unsmoked! It was unsmoked and clean! It was not worn or damaged or…. You know that feeling when you are looking at a New Old Stock (NOS) pipe? Yes he had found a new unsmoked old stock WDC Wellington in flawless condition. The fact that it had been kept in the wrong box had probably preserved it. There was no oxidation on the stem and it was like the day it had left the WDC factory.I honestly could not believe my eyes. I don’t think I have ever seen a unsmoked new Wellington in my life. It was a first for me and I have to guess that it will probably be the only one that I ever see. He shipped it to me in the last shipment of pipes and I took the pictures above to let you see what I saw when it arrived. I have also included photos of the brochure that was in the Sterling Hall box for your reading enjoyment. Look at the prices of the pipes and quaint descriptions of how to break in and care for a pipe. Look also at the variety of shapes that were available in the Sterling Hall line. These pipes were made by Briarcraft in New York and were one of their higher grade lines. Enjoy the read and thanks for walking with me in the unveiling of this pipe hunt find!

Reclamation Project: The Tobacconist Inc. Rhodesian

5 Replies

Blog by Steve Laug

In the last box of pipe that my brother sent there was a pipe that is of course one of my favourite shapes – a 9438/9242 GBD style Rhodesian though the taper stem makes me think of a 9242 shape. It is not stamped with a shape number or a make but the Made in England stamping on the underside of the shank matches that found on GBD pipes. From first glance at the pictures of the pipe that my brother sent me it looked to be in decent shape. This was to be proved wrong once my brother started to clean it and I received it in Vancouver. But from the photos the contrast finish of blacks and browns looked really good. The rustication on the bowl is a combination of worm trails and “squiggles” that is reminiscent of Custombilt pipes. From the front there is a worm trail that divides the bowl into two hemispheres like a brain (photo 5). Strange humour of the original pipe maker, I think. The close up photos of the rim and bowl give a bit of a foretaste of the hidden issues in the bowl and on the rim. It is hard to see the inside of the bowl from this photo but there was a light cake in the bowl and it had run over the top edge of the bowl filling in some of the grooves and crevices in the rustication. The second photo below shows the worm trail on the front and underside of the bowl that divides the bowl into two hemispheres.The stamping on the underside of the shank on a smooth portion of briar was faint but could still be read. It said The Tobacconist Inc. over Made in England.The stem was lightly oxidized around the shank end and the button end, though the middle was strangely clean. There were tooth marks on the top and underside near the button. The top edge of the button on both sides had tooth marks as well.I have restored a Liverpool shaped pipe with The Tobacconist Inc. stamping and written a blog on it – (https://rebornpipes.com/2016/07/16/a-liverpool-stamped-tobacconist-inc/). I remember hunting to no avail on information on the brand and finding nothing. I checked once again with my usual sources – the book Who Made that Pipe and the online sites Pipedia and Pipephil. None of the sources had any new information. For that blog, I searched for the name of the shop – The Tobacconist Inc. to see if I could find any information on it and possibly see if they had shop pipes made for them. The name Tobacconist Inc. came up shop a tobacco shop in Chicago. It is called The Tobacconist Inc. and is located at 3524 W. Irving Park Rd. Chicago, Illinois. The phone number is 773-463-8468. I have included two photos from that blog – one of the sign and the other of the shop. The sign says the shop has “Everything for the Smoker” and has been in existence since 1946. Sounds like a place I need to visit one day. Now that I have worked on a second pipe with the name stamped on it I really need to call them and see if they have any information about the pipe. My brother wrote that cleaning out the inside of the pipe was a pain. It took a lot of work to get the buildup of tars and grime out of the bowl and the shank. The rim top also had some damage under the thick tars. When it arrived in Vancouver I could see that the pipe was in pretty rough shape with a poorly fitting stem. The diameter of the stem and the shank don’t match. Not sure if it was because the stem was poorly fitting to start with or if it is a replacement stem. It looks to be original so I am opting for a poor fit. I took some photos of the pipe before I started working on it (well almost – I had done a little sanding at the shank stem union before I remembered to take the photos). I took a close up photo of the rim and bowl. The rim inner edge had some chips and nicks that would need to blended in to make the rim more balances looking. It is hard to see from the photos but the walls of the bowl are in damaged condition.The tooth dents in the top and underside of the stem near the button were quite deep. I heated the dents with a Bic lighter to raise them as much as possible. I painted them with the flame of the lighter and when I was finished they were not as deep as before. It would not take too much now to sand them out to match the surface of the rest of the stem.I cleaned out the inside of the shank with alcohol, pipe cleaners and cotton swabs to remove the last of the debris on the walls. The bevel on the edge of the mortise was rough and needed to be cleaned up and smoothed out but the wood was solid with no cracks.I used a Dremel and sanding drum to remove the excess briar and vulcanite and get the shank and the bowl to match in diameter. It took some work but it certainly was a better fit once I was finished. I sanded the bevel in the shank end until it was smooth but the stem still did not fit tightly against the shank. I heated the tenon to soften the vulcanite and make it flexible. I pushed the stem carefully into the shank and held it against the shank end to align it until the tenon cooled.I sanded the stem/shank union with 220 grit sandpaper to smooth it out and make the transition clean. I took the following photos to show the restoration at this point. I used a brass bristle tire brush to work over the rim top. It took some work but I was able to get the grime and grit out of the grooves of the rim.I scrubbed off the finish on the bowl and rim to remove the stain and the remaining varnish coat on the briar. When I finished cleaning the surface the pipe was ready for the stain coat. I stained the bowl with a dark brown aniline stain and flamed it to set it in the grain. I repeated the process until the stain coverage was even across the bowl. I used the Savinelli Fitsall pipe knife to scrape out the walls of the bowl. I examined the interior and saw a lot of spidering cracks on the walls of the bowl. While the briar around them was still solid and the briar was not too badly damaged. This would need to be addressed to assure that the briar would be protected until a new cake had formed.I decided to mix up a batch of pipe mud with some tap water and a dental spatula. I applied the mud mixture to the inside of the bowl pressing it into the cracks in the bowl walls. I coated the inside of the bowl with the mud until there was a solid bowl coating. I set the bowl aside to dry overnight. I took the following photos to show what the inside looked like after the mud had cured.I sanded the stem with 220 grit sandpaper to remove the last remnants of the tooth dents and reshape the button on both sides. It also removed the surface oxidation.I used a black Sharpie Pen to touch up the grooves in briar on the sides and the rim top. I gave briar a touch up coat of dark brown stain. I waxed the rusticated briar with multiple coats of Conservator’s Wax and once it had dried buffed it with a shoe brush to raise the shine. I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil after each set of three pads. I gave it the final coat of oil and set it aside to dry. I buffed the bowl and stem with Blue Diamond polish on the wheel. I gave the stem multiple coats of carnauba wax and put another coat of Conservator’s Wax on the briar. I buffed the bowl and stem with a clean buffing pad. I hand buffed the pipe with a microfibre cloth to deepen the shine. The fit of the stem against the shank is far better than it was when I started the cleanup. I like the way the flow is now between the stem and the shank. The finished pipe is shown in the photos below. It had a great feel in hand and I think the rustication will heat up nicely with the next first smoke. I think that the pipe mud will protect the bowl until a new cake is built. Thanks for walking through the restoration with me.