Daily Archives: February 22, 2019

Discovering the History with the Reclamation of this Petite EPC Majestic Bent Horn Stem Billiard


Blog by Dal Stanton

This is an amazing petite now on my worktable.  I think it qualifies as a ‘pocket pipe’ because it has obviously been used and loved.  I acquired it last year from the French eBay auction block in a Lot of 50 that included some prized pipes which have already passed through my work table and are now serving new stewards.  I cannot find the EPC Majestic in this picture of the French Lot of 50, but what has been characteristic of this Lot is that there are several named pipes that I’ve never heard of before.  My assumption has been that many of these are French made since the Lot came from France.  Many of these pipes also sport very nice horn stems.  This is true also of the EPC Majestic.

Stephen saw the EPC Majestic in the For “Pipe Dreamers” Only! collection on The Pipe Steward website.  I love it when I get return pipe men looking again!  Stephen has already brought home an L. J. Peretti Bent Billiard (LINK) and now he’s commissioned the EPC Majestic as well as a newer acquisition from an antique store in St. Louis, a really nice Aldo Valeni Trio Blasted Billiard – next on my worktable.  I appreciate Stephen, even though he happens to be a cousin on my wife’s side of the family!  He’s a retired Coast Guard man and has grown in his love for and appreciation of pipes.

When he asked about the EPC Majestic, I made sure he understood that he was inquiring about a pipe with diminutive dimensions.  He assured me that this was exactly what he was looking for and I placed him in the queue.

Here are pictures that got Stephen’s attention: The dimensions of the EPC Majestic are: Length: 4 1/8 inches, Height: 1 1/2 inches, Rim width: 1 inch, Chamber width: 5/8 inches, and Chamber depth: 1 3/8 inches.  Sometimes measurements don’t translate as well to people and therefore I questioned Stephen.  For demonstrable purposes to show this very nice looking ‘Pocket Pipe’ in the natural habitat, I take a palm picture – I’m not a big man and this pipe fits fully in my palm!  My wife’s description was, ‘How cute!’The nomenclature is interesting.  On the left shank flank is stamped 3 hearts and in each heart is stamped the letters, E – P – C.  The hearted letters are over ‘MAJESTIC’.  There are no other identifying marks that I can find on the pipe.  My assumption at this point, as I mentioned above, is that this is a French made pipe, but this is only a guess at this point.

As I’ve experienced with other pipes from this Lot, EPC shows up nowhere that I see in my usual first places: Pipedia or Pipephil.eu.  I also look in other groups and threads and I can find nothing.  Expanding the search, I put in ‘EPC Majestic’ in Google and came up with an interesting vein of information – a cigar company.  E.P. Carrillo to be exact based in Miami, Florida.  I read with interest the story of Ernesto Perez-Carrillo who was a well-known cigar manufacturer in Cuba and during the Fidel Castro era was forced to leave Cuba and settle in Miami with his family.  After much struggle, was able to restart a cigar company which is very well-known today among cigar aficionados.  Interestingly, the brand that won the 2018 Cigar of the Year Award rated the #1 cigar of 2018 by Cigar Aficionado was named, ‘Majestic’.  Yet, what does this have to do with a nomenclature on the side of a pipe’s shank?

My mind started coming up with questions – Did this the E.P. Carrillo cigar company put its name on a pipe?  Was the diminutive size of this pipe indicator of a promotional pipe of some sort?  Would a pipe be used to promote cigars?  The questions came even though they made absolutely no sense!  Every pipe man and cigar man would answer, absolutely, not!  My heart agrees 100% but my mind’s questions were not satisfied.  So, as I’ve done many times before with surprising success, I went to the contact tab of the E.P. Carrillo website and sent an email to the info@epcarrillo.com address given.  I have very little expectation that I will receive a response, especially with an email essentially asking if they ever used pipes to promote their cigars….  We’ll see!

Well, during the restoration, I received a very nice note back from Lissette Perez-Carrillo, the daughter of founder, Ernesto (pictured above with father), stating: Hi that’s very nice but we aren’t in the pipe business. Thanks for sharing.   No one is surprised by her response!

I have one more lead that came after I posted pictures in different Pipe smokers Face Book groups and Eduardo responded from Pipe Smokers of America suggesting that the EPC may be related to the Edinburgh Pipe Club.  Feeling like I’m grasping at straws, I find the EPC web site (LINK) and it’s nicely done.  I also find an information email and send off another inquiry.  Does Scotland have a stake in the EPC Majestic?

Then, the breakthrough came.  I had completed the restoration and was doing the final edit of the write-up, when I remembered the link that Eduardo had posted in the FB group, Pipe Smokers of America.  It was a link that I had seen before in my first look in Pipedia, but I missed an important clue.  The link was a simple search result of ‘Majestic’ in Pipedia.   Twenty pictures come up on the page, most of the pictures have pipes with a ‘Majestic’ nomenclature that belonged to other companies that didn’t help me.  But I missed the clue in the very first picture of a very old company symbol.  The 3 hearts with EPC.

The picture gave me the company, but at first glance, the company name given, ‘A. Pandevant & Roy’ offered no correlation to EPC.  Pipedia nor Pipephil.eu had any references for a direct search of Pandevant & Roy.  When I broadened the search on the internet, I hit pay dirt.   The search took me to a Dutch site called, ‘PKN Society for Research of Historical Tobacco Pipes’ (link) which contained many old catalogues dating back to the 1800s when ‘Clay’ was king in the pipe world. Of special interest to me were two catalogues of the ‘A. Pandevant & Roy’ company.  The catalogues were in French, so it took some time to work through the text – Google Translate was employed!

The catalogues were in PDF format and the pages turned easily to scan the product lines of pipes and other paraphernalia for sale.  I first looked through the first catalogue dated 1922 to 1923.  I perused the pages and still was not able to put together the nomenclature – EPC, though I was seeing EPC in several places.  I went back to the front cover of the catalogue and looked again to see if I could piece together EPC.  I think the cover is interesting and has a classic feel, so I included it below.  As I study the cover again, I noticed that there were actually two Pandevants represented – the more prominent was “A.”, but just above “A.”, the less prominent, “E. Pandevant” was present.  I’m theorizing that “A.” is still living and currently (1920s) is running the company with “Roy”.  However, the founder of the company was the father, “E.”, probably now deceased.  The theory sounds good, but not only good, but plausible!

This gives me a credible EP, but what about ‘C’?  Then I see it – ‘Charenton’ near Paris.  I did a quick search of the French district of Charenton and discovered that there are many places in France bearing this name and the ‘Pres Paris’ – near Paris, would be a marker regarding which Charenton was the former base of operations for the A. Pandevant & Roy Co.  The cover also says that “E.P.C.”, “La Savoyarde”, “MAJESTIC”, “La Parisienne” and “E.P.” were registered trademarks of the company.  At the top of the cover, it states that this ‘House was founded in 1884’ – when clay pipes were the predominant medium of pipe smoking.  Curious to see, I used Google Maps to search the address, 29, Avenue du Marché, Charenton (Seine), Paris, and discover that the street and address have passed into history.  The pages in the catalogue were interesting to peruse.  I discover that horn is a predominant stem material displayed in the catalogue, though there are vulcanite varieties, there are just not as many.  Of course, I look for the petite EPC Majestic and I do find pipes very close to the Petite.  Notice on the page included below – the stems are all depicted as horn.  Depicted also is the brass shank cap receiving each of the horn stems.  It would seem the pipe on my table belongs to this era of production of the A Pandevant & Roy Co. I did find these this example below of a petite – the nomenclature isn’t exactly the same with the three hearts, but I wanted to include this just in case the petite on my table has one of these names, ‘My Little Jeannette’ or ‘My Little Mariette’!   I love it.The later catalogue dated 1937-39, gives some additional information.  The first thing I see is that the address has changed – the same street number, 29, but the street was changed to, 29, Avenue Anatole-France Charenton Seine.  This time Google Maps found the address – it is now an apartment complex on a residential street.  With this later catalogue, pipes took more of a backseat to the other paraphernalia – not starting until page 24!  The assortment was less than the former catalogue and few pipes that could possibly resemble the EPC Majestic in my possession.  1939, the date of this catalogue, is the last entry I could find anywhere for the A. Pandevant & Roy Co.  What was happening in 1939 could be a clue to understanding the fate of the A. Pandevant & Roy Co.   From ‘The People in History’:

1939 Germany and the Soviet Union attacked Poland and Britain, France, India, Australia and new Zealand declared war on Germany on September 3rd , the United States decided to remain neutral but did begin rearming for war , which helped end the great depression. The United States also hosted the Worlds Fair in New York early in the year. Also, after speaking to the physicist Albert Einstein president Roosevelt initiated the Americas A-Bomb programme. 

Perhaps, one of the tolls of World War II was also the French company in Paris that produced the EPC Majestic now on my table.  My research will stop here and with a greater sense of the history and heritage of this EPC Majestic Petite Horn Stem Billiard before me, I look more closely at the pipe itself, I discover something very interesting that I haven’t seen before and is reminiscent of a Gourd Calabash.  I’m looking more closely at the horn stem and that it was fashioned with what appears to be a horn tenon as well. I don’t know if its threaded or glued in place, but it is solid, and I’m not interested in forcing the tenon to discover if it will be moved! I then look at the shank and wonder if the brass band/shank cap will come off.  I give a little twist of pressure and it comes off easily.  What I see next surprises me.  I see the briar shank ringing something else inserted into to the mortise.  A lining of some sort.  I discover then that it appears to be cork.  Cork seats the horn tenon in the mortise much like cork seats the Meerschaum bowl on a Gourd Calabash. I have never seen this before, but it seems to work quite well.  I will condition the cork with a little petroleum jelly later.  The challenge becomes protecting the cork while I’m cleaning the rest of the stummel internals. I’m not sure that I want the cork saturated with alcohol – I’m not sure that will be the best thing.The bit of the horn stem appears to be chewed some.  On both the upper and lower bit there are bite compressions and chatter.The EPC Majestic bowl has seen better days.  There are four large fills on the heel of the stummel that will need addressing.  The finish on the bowl has seen better days.  There is a ‘water mark’ line running perfectly straight, bisecting the stummel.  It appears that the stummel was half submerged in some liquid for a time – enough time to discolor the stummel. The rim is nicked and has some lava flow needing to be cleaned.  The chamber has light cake but needs freshening.  The general condition of the pipe is banged up and dirty.I begin the clean up of the stummel by reaming the chamber using the Pipnet Reaming kit. I use only the smallest blade head and it is too large to reach to the chamber floor.  I switch to using the Savinelli Fitsall tool to continue the job and it does well scraping and cleaning the chamber walls down to the floor.  I then sand the chamber using 240 grade paper wrapped around a Sharpie Pen to give leverage.  This cleans the chamber further of carbon and then I wipe the chamber with a cotton pad wetted with isopropyl 95% to remove the carbon dust.  After looking at the cleaned chamber, I detect no problems with heating – fissures, etc.  Moving on!To clean the external briar surface, I use undiluted Murphy’s Oil soap and a cotton pad. I’m anxious to see how or if the stummel cleans up!  It does clean up, but the finish is very thin.  The rim cleans up nicely with the help of a brass wire brush except for one area on the right-hand side from lighting the tobacco.  After scrubbing the stummel, I rinse it with cool tap water careful to keep water out of the internals.  With the stummel wet, I use a sharp dental probe to test the large fills on the heel of the stummel.  As I suspected, they are soft, and I remove them with the probe and clean the holes to make sure all the old fill was gone.  The pictures show the progress. Next, I work on cleaning the internals of the stummel.  Using cotton buds and pipe cleaners dipped in isopropyl 95% I go to work.  With the cork lining in the mortise, I reach beyond it as much as possible to clean.  The drilling of the small stummel has the primary larger mortise drilling first, then a more angled airway drilling from the mortise to the draft hole.  A trap of sorts is created and the end of the mortise because of the drilling.  It cleans up well.  With the cork lining I will not be utilizing a kosher salt and alcohol soak, so I press through cleaning with buds and pipe cleaners.  I also use a dental spatula to scrape in the mortise, but things are clean.  Well, I finish the cleaning and toss the evidence before taking a picture!  Oh well, moving on!

Next, I look more closely at the stummel.  I refill the holes now using a briar dust and CA glue putty mixture.  I first wipe the stummel with alcohol to clean the area.  I then put a small amount of briar dust on an index card and mix CA glue with it gradually until it thickens to a molasses-like thickness.  Then I use a tooth pick to trowel the putty to the holes and fill them. After tamping the patches, I set the stummel aside for a time to allow the briar dust putty to cure. With the stummel on the sidelines, I start work on the bent horn stem.  I first clean it with Murphy’s Oil soap and a bristled tooth brush to rid the porous horn surface of grime.  After I scrub it well, I rinse it off with water to rinse the soap.  It looks much better. Then I clean the internal airway with a few pipe cleaners wetted with isopropyl 95%.  It didn’t take too much effort.There is tooth chatter on the upper and lower bit.  I also see some bite compressions on the lower.  I sand the area with 240 grit paper.After sanding the upper and lower bit with 240 grit paper, there remains 2 small compressions on the bit and one on the button lip.  The lower has major bites that need filling. I purchased an amber CA glue last time I was in the US and this is the first opportunity to use it.  I apply drops to the upper bit in the 3 places and on the lower.  I’m hopeful that the amber CA glue will result in a blended patch.With the stem patches curing, I turn back to the stummel and the briar putty fills have cured.  I file the patches down with a flat needle file close to the briar surface. I’m careful to stay over the patch as I file to avoid scratching the adjoining briar. Then, switching to 240 grade paper, I sand the patches down to the briar surface.I condition the cork lining in the mortise and to do this, I swab some petroleum jelly over it using a cotton bud.  This will moisten the cork keeping it from drying out.  The Amber CA glue used to patch the horn stem has cured and I use a flat needle file and 240 grit sanding paper to work on the patches.  The smaller patches on the upper bit are dispatched easily with 240 grade paper.  On the lower repair, I first use the flat needle file to shape the button and reduce the patch.  I then finish it with 240 grit paper. Next, I wet sand the horn stem using 600 grade paper.Straight away, I then apply micromesh from 1500 to 12000.  I first wet sand using pads 1500 to 2400 and then dry sand with pads 3200 to 4000 and 6000 to 12000.  I apply a coat of Obsidian Oil after each set of three pads – the horn drinks up the oil and it looks great. I put the stem aside to absorb the oil and dry. Turning again to the stummel, I first use sanding sponges from coarse to light weight to address the scratches and nicks in the stummel surface.  I also sponge sand the rim and it looks good except for a small area of residual scorching on the inner rim lip. To clean the inner rim of the scorching I introduce a light bevel using 240 grit paper rolled tightly.  I pinch the roll between my thumb and the inner lip of the rim and rotate around the rim.  I then do the same with 600 grade paper.  I’m satisfied with the progress.Next, I sand the stummel with the full regimen of micromesh pads, 1500 to 12000.  First, I wet sand with pads 1500 to 2400, then dry sand with pads 3200 to 4000 and 6000 to 12000.  The grain really emerges during this sanding phase.  I believe the original hue on this EPC Majestic stummel was a darker brown.  I say this because the color of the stummel underneath the brass shank plate/band was darker – it was protected.  A darker hue suits better too, to help blend the briar dust patches on the heal of the stummel.  I elect to go with a Fiebing’s Dark Brown Leather Dye to darken the stummel.  I assemble all the desk top components of my staining process.  I first wipe the bowl down with a cotton pad wetted with alcohol to clean it.  I then fit the shank with a cork to serve as a handle.  I warm the stummel with the hot air gun to expand the briar to help it be more receptive to the dye.  Then, I amply apply the Dark Brown aniline dye using a folded over pipe cleaner.  As I paint a portion of the stummel with the dye I ‘fire’ it, by igniting the dye with a lit candle and it combust the alcohol in the dye and sets the dye pigment.  When the surface is covered, I set the stummel aside to rest through the night. The next morning, I mount a felt buffing wheel to the Dremel, lower the speed to the slowest possible, and ‘unwrap’ the ‘fired’ crust with Tripoli compound.  The grain contrast that begins to bleed out is striking.  After applying the Tripoli compound to the stummel, I mount a cotton cloth buffing wheel and go over the stummel again with Tripoli after increasing the speed of the Dremel to about 40% full power.  This helps sharpen the grain, removing blotches of dye and reaching into the crook of the shank bend that was difficult to reach with the felt wheel.  After completing the Tripoli compound application, I wipe the stummel with a cotton pad wetted with alcohol to lighten the finish a bit and to blend the newly dyed surface.  I then mount another cotton cloth buffing wheel to the Dremel, maintain the same speed and apply Blue Diamond compound to the horn stem and stummel.The brass shank cap/band is next on my sites. I wash it with warm tap water and soap and rinse it well and dry it.  Then I apply a little of the TarnX liquid to a cotton pad and wipe it on the brass shank cap to clean it.  Afterwards I rinse the shank cap and what a difference! I replace the cap on the shank with a small drop of thick CA glue to hold it solidly in place.  It looks great.Now the home stretch.  With the shank cap cleaned, polished and replaced, I rejoin the horn stem with the petite Bent Billiard stummel and wipe the pipe with a felt cloth to make sure the compound dust is removed before applying wax. I then mount another cotton cloth wheel and apply some coats of carnauba wax to the entire pipe.  I finish by giving the pipe a rigorous rubbing with a microfiber cloth to raise the shine.

Well, this petite EPC Majestic Bent Horn Stem Billiard had a mysterious origin that is now much clearer.  I have not heard from the Edinburgh Pipe Club regarding my inquiry – I hope they don’t think me a loon!  The Miami-based Cigar company, E.P. Carrillo does not own this pipe.  It was manufactured by the A. Pandevant & Roy Co., at 29, Avenue du Marché, Charenton (Seine), Paris.  My guess is that this pipe is dated in the 1920s because of the preponderance of similarities to the pipes in the 1922-23 catalogue.  I believe the latest dating, if my theory holds, would be with the commencement with World War II and the eventual Nazi occupation of Paris and France.

Yet, all told, this small pocket pipe is a superbly fashioned pipe.  It’s so small one might think it is toy-like.  It IS small, but it’s the real deal – a seriously fashioned pipe.  The grain color with the dark brown dye is beautiful – the heel patches are forgotten in the dark grain swirls.  The blend of the briar, brass band and horn stem are a striking ensemble that I believe my cousin Steve will be pleased to bring home to Alabama.  He commissioned the pipe from the For “Pipe Dreamers” Only! collection and this pipe truly fits into the dreamer category.  Not only is it a beautiful pipe but the research reveals that it is a collectible as well.  Since Stephen commissioned it, he will have the first opportunity to acquire it from The Pipe Steward Store.  This pipe benefits our work here in Bulgaria working with the Daughters of Bulgaria – women and girls who have been trafficked and sexually exploited.  Thanks for joining me!  First, before and after palm shots!

 

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Replacing a Broken Tenon in a Dunhill 196F/T Shell Briar


Blog by Steve Laug

This is one of the Dunhill Shell Briar pipes that I sold earlier this year. It is a 196F/T Shell Billiard. Not too long ago I received an email from Bill the buyer of the pipe saying that there had been an accident and that the stem had broken off the pipe leaving the tenon in the shank. He was a bit forlorn in asking if it was repairable or not. I assured him that it could be fixed and told him to send it up to me in Vancouver. I had to laugh in that when it arrived it was in the original box that I had used to ship it to him – all the packing etc. was the same. Great use of the boxes. It will soon make its second trip to Bill. This is a well-traveled box and pipe – twice to the East Coast of the US from Canada and once back to me for repair. I put the pipe in queue as I have a large backlog of pipes to work on from several estates that the families are waiting on. I figured I would be able to slip into the work somewhere along the way.

Today was the day. I finished a lot of pipes lately so I felt ok about working on this one. I figured it would be pretty straight forward to pull the broken tenon and replace it. Boy was I wrong. The broken tenon was stuck in the shank. My usual tricks for pulling a broken tenon – a screw in the airway and wiggling it free – did not work. Even a trip to the freezer did not work. I had to resort to more serious tools.I got out my cordless drill and chucked up a series of drill bits to see if I could pull it that way. I have often found that in the process of drilling out the tenon it will stick to the bit and come out as I back out the drill. That did not happen on this pipe! I ended up working through the bits until I finally was finished and the mortise was smooth and clear of the old tenon.With the airway cleared in the mortise I measured it for a new tenon. Yet again another setback. I did not have any tenons that were the right diameter for the mortise! I chucked the PIMO tenon turning tool in my cordless drill and reduced the diameter of a threaded tenon replacement that I had in stock until it was the right diameter to fit the mortise. I tried to hold the tenon by hand and turn it but soon realized that did not work this time. I used a pair of needle nose pliers to hold it until the tenon was finished.When I finished there was a small hip between the threaded portion and the smooth portion of the new tenon. I worked the tool back and forth to remove that. I also held a needle file against the hip while the tenon was spinning on the drill. It did not take too long to remedy that issue. The new tenon was almost ready to use. I would still need to reduce the diameter of the threaded portion before I could use it but it was good for the moment.I drilled out the airway in the stem to receive the new tenon. This is always a little tricky as you need to keep the stem absolutely straight so that you do not angle the airway. I always start with a bit slightly larger than the airway and work my way up to the size of the tenon insert. In this case I also needed to be careful not to drill the stem too deeply as the tape is quite long and it would be easy to ruin the stem. With the airway opened in the stem to take the threaded tenon end I used a tap to thread the airway inside the bowl. I had to open the airway a little more so I used a penknife to widen the diameter to take the tap. I used a Dremel with a sanding drum to reduce the diameter of the threaded portion of the new tenon until it could be screwed into the stem.I coated the threaded end of the tenon with super glue and turned it into the end of the stem. I pressed it completely in place against the table top so there was not a gap. I filled in the slight gap with some clear super glue and laid the stem aside to let the repair cure.When the glue cured I addressed some oxidation at the shank end of the stem. I sanded it with 400 grit wet dry sandpaper until the oxidation was removed from the stem surface. I wiped the stem down with Obsidian Oil and let it dry.I polished the stem surface with micromesh sanding pads to bring back the shine to the vulcanite. I wet sanded it with 1500-2400 grit pads and dry sanded it with 3200-12000 grit pads. I rubbed it down with Obsidian Oil after each pad and a final coat after the 12000 grit pad. I polished the stem with Blue Diamond on the buffing wheel and gave it several coats of carnauba wax. I gave the bowl several coats of Conservator’s Wax. I buffed the finished pipe with a clean buffing pad to raise the shine. The finished pipe is shown in the photos below and I think it came out looking pretty good. I just got back from the Post Office and sent it back to Bill. I look forward to seeing what he thinks once it is in hand once again. Thanks for reading this.

Reflecting on a Few CPF pipes in my collection – Pipes from the Colossus Pipe Factory


Blog by Steve Laug

I don’t remember much about the first CPF pipe I picked up or even where I found it, but I do remember loving the shape, size and feel of it in my hand. It seems to me that it was a diamond shank straight bulldog pipe and I remember it being very old – over 100 years of age. I remember turning it over and looking at the Old World style craftsmanship, the fine briar and the metal work that was on the shank end and rim top. I remember the gold stamping on the side of the shank – CPF in an oval over Genuine Briar. That first pipe I came across was the beginning of a side collection of CPF, American made pipes coming out of the Colossus Pipe Factory in New York. Over the past 7-8 years I have been picking up CPF pipes on Ebay and in shops around the country to add to my personal collection. My brother Jeff also continues to pick them up for me.

It is a brand that has been shrouded in some mystery through the years even in terms of what the CPF initials mean. Some have interpreted it to me Consolidated Pipe Factory while others have taken it to mean Colossus Pipe Factory. Because of that it has been virtually impossible to trace the brand. I have written about the history of the brand in previous blogs but here is the link should you want to go and check it out. In the link that follows I give the rationale and proof for the brand being Colossus Pipe Factory. Give the blog a read if you are interested in the background (https://rebornpipes.com/2013/04/14/some-reflection-on-the-historical-background-on-cpf-pipes/). I quote the concluding paragraph of that blog in the following as it gives a quick overview of the history of the brand with the mergers and finally the demise of the brand as a whole.

From my research I believe that we can definitively assert that the CPF logo stands for Colossus Pipe Factory. The brand was purchased by KB & B sometime between 1884 and 1898 and that it continued until 1915. That time frame gives help in dating some of the older CPF pipes you or I might find. It can be said that prior to the dual stamping it is fairly certain that the pipe is pre-1884 to 1898. After the dual stamping it can be placed post 1898 until the closure of the brand line in 1915. CPF made beautiful pipes. I believe Sam Goldberger was correct in his assertion of the potential carvers that made the pipes being of European training and the classic shapes and well aged briar. That coincides with all the CPF pipes that I have come across.

I collected the links and various blogs I have done on CPF pipes in my collection and chosen some representative photos of each of the pipes. I think as you flip through the photos you will see the beauty I see in them and hopefully it will kindle a love for the preservation of these old timers for generations ahead of us.

The first pair of pipes that I have pictured below is stamped CPF Cromwell on the left side of the shank. They both are vertical twin stemmed – twin shank pipes. Both came to me in very rough condition. The stems were damaged and repaired with a white putty material and the bowls were very worn. The first one is in the best condition. The second I worked a bit of Frankensteining on to resurrect it to be smokeable again. https://rebornpipes.com/2017/07/01/out-damn-spots-a-c-p-f-cromwell-double-vertical-stem-bent-billiard/https://rebornpipes.com/2017/08/27/frankensteining-a-badly-damaged-c-p-f-cromwell-double-stem-pipe/The third pipe came to me from the same lot as the two above. Where there both had vertical twin shanks and stems this one has a horizontal twin shank and stem. Like the others above it has the same damage and repair to the stem – white putty to make it smokeable again. https://rebornpipes.com/2017/09/28/bringing-new-life-to-a-c-p-f-siamese-parallel-twin-stem-billiard/. The fourth pipe in my collection is an alternative wood in both the bowl and the base. The bowl is detachable – unscrewing from the base. The polished band and the horn stem are beautiful touches to this unique pipe. If you would like more information be sure to follow the link below and read about the restoration of this beauty. It is one of the more unique pieces from CPF that I have. https://rebornpipes.com/2017/07/03/restoring-a-unique-alternative-wood-c-p-f-tulip/.The next pipe is a small pocket sized horn shape with a horn stem. It is stamped like the others with the CPF oval on the shank and on the band. The horn stem has a captivating pattern of swirls and striations that make it a pleasure to hold and look at while smoking. https://rebornpipes.com/2017/07/22/a-small-c-p-f-french-briar-horn-captured-my-attention/.The next pipe is another detachable bowl pipe. This one is a CPF Pullman. The bowl is separated from the base by a brass ring that adds a touch of class. The briar base has a brass band with CPF logo and stamp on the left side. The bent horn stem gives a touch of colour to the look of the beautiful old pipe. Give the blog a read if you are interested, but clicking on the link that follows: https://rebornpipes.com/2017/08/06/repairing-renewing-and-rejuvenating-a-removable-bowl-c-p-f-pullman-bent-billiard/.The next one is another pocket pipe. It has a Bakelite stem and a rectangular vertical shank that sets of a nicely shaped apple pipe. The yellow of the stem works well with the rich red of the briar. https://rebornpipes.com/2017/10/01/restoring-a-wreck-of-a-c-p-f-rectangular-shank-bent-egg/.The next pipe came to me as a damaged bowl. It is a nicely shaped bent bulldog with a diamond shank. The bowl originally had an ornate metal rim cap that had disappeared long before it came to me. I am keeping an eye open for a replace rim cap to see if I can bring it back to its original shape. https://rebornpipes.com/2013/03/31/cpf-french-briar-bulldog-restemmed-and-refurbished/.The next pipe is also one that came to me without a stem. The shank cap or ferrule was oxidized and green in colour when I started the restoration on it. I also worked an old vulcanite stem to fit the shank that has the same orific button as the original. The fit and size of the stem makes this another pocket pipe. It is distinguished looking and I only wish it could tell its story for us. Here is the link to the restoration: https://rebornpipes.com/2013/04/01/restored-cpf-bent-billiard-a-reclamation-project/.The next straight shank billiard also came to with the two above bowls. This one was by far in the worst condition. It had nail holes around the rim top and the rim cover was oxidized to a dark green and was crumbling. Originally this pipe would have had a built in wind cap with a hinged top but that had long since disappeared by the time I worked on it. I crafted a new stem for it and banded the shank to clean up the disintegrating briar on the shank end. It is an interesting piece https://rebornpipes.com/2013/04/07/reworking-and-reshaping-an-old-french-briar-cpf-billiard/.This next little pocket pipe has a horn stem and a great looking briar bowl. The shape is a small bent billiard. The band is original and bears the CPF logo and stamping. The shank has the CPF logo the look of the bowl and shank is quite stunning. I was able to work on it and bring it back to life. https://rebornpipes.com/2015/06/08/bringing-a-pre-1884-era-cpf-bent-billiard-back-to-life/After I first wrote about CPF pipes I received email from a fellow who had a trio of CPF pipes that he had picked up.   There were two unsmoked bulldogs – a bent and straight with amber stems that he wanted me to clean up. In exchange he would give me the CPF bent meerschaum bulldog in the photo. I took him up on the trade and soon had the threesome in hand to work on. I finished his two pipes and sent them back to him and turned my attention to an almost worn out looking meerschaum bulldog.I cleaned up the bowl inside and out and worked over the brass shank end and bowl cap. I rebuilt the amber stem that had bit throughs on the end at the button and some crystalizing and crumbling on the stem as a whole. I was able to stabilize it and make it useable once again. It is a light weight durable little meerschaum that is a sweet smoke. Read bout the restoration on the blog by clicking on the following link: https://rebornpipes.com/2015/12/25/taking-a-swing-at-reconstructing-and-refurbishing-an-old-cpf-meerschaum-bulldog/.The next pipe is a CPF Best Make Straight Bulldog. This one is a beauty with its silver filigree rim cape and shank end. It is stunning with the brown briar and the orange amber stem. This one just came to life as I cleaned and polished all the parts and did the repairs on the amber stem and silver bowl cap. Give it a read by clicking on the following link: https://rebornpipes.com/2016/12/02/cpf-best-make-bulldog-with-a-silver-rim-cap-and-ferrule/.Over the years of collecting and working on CPF pipes I have seen quite a few classic shaped meerschaums but had not seen very many carved figurals. My brother Jeff came across this interesting figural featuring a horse and knowing my love for CPF pipes picked this one up for me. It is a true beauty. There are some small cracks around the bowl but nothing that is an open fissure. I was glad to add it to the collection. Even so you can feel the energy of the racing horse as it turns around the tree stump on its right side. Give the blog a read if you want to see more photos and read about the restoration. https://rebornpipes.com/2016/12/05/against-a-stump-a-carved-cpf-best-make-horse-meerschaum/.My brother wrote to tell me that this old CPF Giant was found in an antique store in Idaho Falls, Idaho. The owner had told him that the pipe was owned by an artist who strictly used it as an art prop… never smoked it. It is about 130 years old and is a large bent billiard. It is a large pipe – over 11 inches long and similar to the older Wellingtons that I have worked on of similar size. It was a great addition to my collection. If you want to get a feel for the history of the pipe and restoration it went through click on the link that follows: https://rebornpipes.com/2016/12/25/refreshing-an-old-giant-cpf-french-briar-bent-billiard/. The next pipe was a unique one that Jeff picked up. It is a CPF that was different from any others that I had ever seen or worked on before. It was a briar calabash with a black Bakelite screw bowl/cup. The shank was darkened and appeared to have originally had a band that had been lost somewhere along the way. That is pretty common on these old CPF pipes. The stem was amber and needed some work to bring it back to usefulness. The pipe is stamped on the left side of the shank with the words COLON in an arch over the CPF logo in an oval. Underneath that, is stamped French Briar in a reverse arch thus encircling the CPF logo. I replaced the missing band with a polished nickel one to give it a more complete look. I am always on the lookout for old bands and rim caps so I may find one that fits this old pipe. Give the blog a read to see detailed pictures of the pipe. https://rebornpipes.com/2017/06/27/new-life-for-an-unusual-cpf-colon-calabash-pipe/.When I received the next pipe I was excited to look it over and add it to the collection. The beautiful briar with swirls of birdseye and cross grain flowing around the long shank bulldog was stunning. The horn stem fit well in the shank and it would clean up nicely. Have a look at the blog for details but this is one of the better pieces I have added. https://rebornpipes.com/2017/07/19/breathing-life-into-an-1890s-era-cpf-french-briar-horn-stem-bulldog/.The next little bent billiard is another beauty – it is a chubby bent pocket billiard. The grain on the bowl is quite stunning and the restored horn stem and brass band give the pipe a touch of old country charm and class. Give the blog a read to see what the pipe looked like when we found it and the steps in its restoration. https://rebornpipes.com/2017/07/20/another-piece-pipe-history-a-lovely-cpf-french-briar-bent-billiard/.The next beauty is a silver military mount billiard. The ferrule and stem cap are both silver. The pipe is a CPF Remington and the grain and finishing touches on the old pipe give it a sense of timeless class. The pipe is in rough condition when it came to me and with some careful restoration it is back to looking lovely. Give the blog a read to see what it looked like when I receive it. It is a beauty.  https://rebornpipes.com/2017/07/21/restoring-another-cpf-french-briar-this-one-a-remington-silver-mount-billiard-blog-by-steve-laug-the-next-pipe-i-chose-to-work-on-from-the-lot-of-the-lot-of-pipes-my-brother-and-i-picked-up-on-our-vi/.This Rhodesian was in very rough shape when I received it. It took a lot of work to bring it back to this point. The bowl had a lot of damage and the horn stem was very worn and tired. I did a lot of reconstruction on the rim top and edges of the bowl and tried to bring life back to the damaged bowl without loosing the shape. https://rebornpipes.com/2017/07/21/this-old-cpf-french-briar-rhodesian-was-in-rough-shape/.The square shank straight bulldog with the double ring around the bowl cap is a beauty. Instead of the usual diamond shank and stem this one has a square shank and stem. The horn stem is very stunning with the colours of the horn and the briar. Have a look at the blog to read about the restoration process on this one. https://rebornpipes.com/2017/09/29/cleaning-up-another-cpf-this-time-it-is-a-square-shank-bulldog-setter/.The last pipe I am including in this blog is my latest addition. It is an unsmoked CPF Chesterfield that is in excellent condition. It came to me from a good friend in NY who picked it up in a recent purchase. The grain and the shape are quite nice. It is a stubby billiard with a P lip style stem. The stem is hard rubber and it is old. Give the blog a read to get the back story on this pipe. https://rebornpipes.com/2019/01/29/refreshing-an-unsmoked-1910-1915-cpf-chesterfield-billiard/.With the above pipe I will close my reflections on some of the CPF brand pipes in my collection. Hopefully you can understand what I love about them as you scroll through unique pipes in the above collection. I am always on the lookout for more CPF pipes and excited to find and work on them. If you come across one and want to “help” me out let me know. Thanks for reading this blog.

 

Freshening a Wally Frank Ltd Bruyere Extra French Longpipe


Nicely done Charles. It is a lot like the BC pipes of that line that I have worked on.

DadsPipes

I’ve got an interesting piece of pipe history to share this week. I acquired this Wally Frank longpipe in trade for some restoration work almost a year ago but it got sidelined and was forgotten in my refurb box until now.

Wally Frank Ltd was established in 1931 as a chain of tobacconists and pipe sellers. The stores and mail-order catalog business were well received, in part due to the depth of their product lines encompassing a number of well-known pipe brands as well as their own house series, the production of which was contracted out to established pipemakers in North America and across Europe.

A browse through old Wally Frank catalogs online (the 1937 edition is available on RebornPipes.com here) show that the company carried a little bit of everything, and usually at a discount – briars, meerschaum, figurals, clays, and even hookahs in addition to pipe cleaners…

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