Daily Archives: February 3, 2019

The Final Pipe of the Foursome… a JR Hand Made Apple


Blog by Steve Laug

My brother Jeff picked up four pipes in classic shapes at an auction in Nampa, Idaho. All four pipes are stamped JR Handmade. Beside the Bulldog there were two Canadians and an Apple. All were stamped the same on the shank JR over Handmade and the opposite side Algerian Briar. I have been researching the brand on the web. I came across a potential pipemaker with the JR initials on Pipedia named J. Rinaldi but from what I can see he did not make classic shaped pipes. He pipes are very well made and have more of a freehand/freeform shape with shank adornments so it makes me wonder if these are his. I enlarged each photo on the Pipedia article but I was unable to see the stamping on his pipes for comparison sake. This leaves me with a lot of questions about the brand. The foursome came from the Boise, Idaho area like the House of Robertson pipes that I worked on last year. Those came from a pipe shop in Boise, Idaho and I wonder if it is not possible that the JR Handmade brand was also a pipe shop brand from a small shop in that area or even somehow connected with the House of Robertson brand. I heard back from a House of Robertson Collector in Boise about a possibility on the JR brand. Thayne Robertson, the carver of the House of Robertson brand and the shop owner had a son named John. He said John also carved pipes. Perhaps these are some of John’s pipes. But I will probably never know for certain… if any of you readers have any idea about the brand your help would be greatly appreciated.The above photo shows the foursome after Jeff had cleaned them. But before he cleaned each of them he took photos of the pipes as they came to him. I already wrote about the restoration of the Bulldog (https://rebornpipes.com/2019/01/28/the-first-of-a-foursome-a-jr-handmade-bulldog/) and the first Canadian (https://rebornpipes.com/2019/01/30/the-second-of-a-foursome-a-jr-handmade-canadian/) and the second Canadian (https://rebornpipes.com/2019/02/01/the-third-pipe-of-a-foursome-a-2nd-jr-handmade-canadian/). The next pipe is the second pipe down on the right side of the above photo – a classic Apple shaped with a saddle stem. I have included the photos of the Apple before cleanup. The pipe is very well made and follows the classic shape of an Apple perfectly. The bowl was stained with a medium brown top coat over a black undercoat. It is a well-shaped pipe that captures the mixture of flame and straight and birdseye grain around the bowl sides and shank. The top of the bowl had some damage and burn marks on the top and inner edge. The bowl had a very thick cake in the bowl. There was a light overflow of lava onto the rim top. The stamping on the top side of the oval shank read JR over HAND MADE. The black vulcanite stem had light tooth dents and chatter on the top and the underside of the stem. Otherwise it was in very good condition. It was lightly oxidized. He also took a photo of the bottom of the bowl and shank to show the various grains on the pipe. The photo shows the finish of the bowl and though it is very dirty but this is another beautiful pipe.Jeff took a photo to capture the stamping on the topside of the oval shank. The photo shows stamping JR over HAND MADE. The next two photos show the stem surface. There was tooth chatter on both sides near the button. There is also some wear on the sharp edge and top of the button. There is a thick oxidation and coat of calcification.As mentioned before, Jeff and I have developed a pattern of working on the pipes that has become habit to both Jeff and me. I include it here so you have a sense of that pattern. Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove the lava build up on the rim top and the rim top damage and the damage around the edges – both inner and outer is quite extensive. I took photos of the pipe to show its condition before I started my work on it. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first photo. Though the photo is a bit dark you can see that Jeff was able to remove all of the tar and oils. You can see the burn damage to the front inner edge of the bowl and some general darkening of the rim top. The vulcanite stem had light tooth chatter and some tooth marks on the top and underside of the stem near and on the button surface.I took a photo of the stamping on the left side of the shank. You can see that the stamping was clear and readable. I wiped down the bowl with a damp cotton pad to clean off the debris; then addressed the damage to the rim top and inner edge. I removed the damage to the top and the edges of the rim top. I was also able to reduce the burn damage to the front inner edge of the rim. I wiped down the rim after sanding with a dampened cloth and I am pleased with the results.I polished the rim top, the edge and exterior of the bowl and shank with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the rim off after each sanding pad to remove the dust. The damage on the rim edges was virtually gone and the top looked really good after polishing. I worked some Before & After Restoration Balm into the smooth surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little wall and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. The reworked rim top looks really good and matches the colour of the rest of the pipe. I set the bowl aside and worked on the stem. There were some tooth marks on the top and underside at the button that needed to be addressed. I also needed to do some work on the surface of the button on both sides. I also sanded away some of the surface oxidation.I polished the stem with Denicare Mouthpiece Polish to remove the hard to get spots on the saddle and the button edges. I scrubbed it into the surface with a soft cotton pad and then buffed it off with another pad. I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit sanding pads and dry sanding it with 3200-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish and wiped it down with a last coat of Obsidian Oil. With this fourth JR Hand Made pipes from the Nampa, Idaho auction I am even more certain that there is some connection to the House of Robertson Pipe Shop in Boise, Idaho. Since the completion of the third pipe I received an email from a House of Robertson (HOR) collector who lives in Boise, Idaho area. He used to frequent the House of Robertson Pipe Shop in Boise and knew the owner and carver of the HOR pipes, Thayne Robertson. He thought that there may well be a connection. He wondered if the JR Hand Made pipes could possibly been carved by the son of the House of Robertson pipe carver and shop owner. His name was John so it could well be John Robertson pipes. I may not be able to get definitive proof of this but even the hint of it is quite exciting.

The four JR Hand Made pipes that I have restored are really well made and shaped. The stain job was done to highlight the mix of grain on the bowl. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The contrasting grain really began to stand out; it seemed to take on life with the buffing. The rich contrasting brown and black colour works well with the polished black vulcanite stem. This finished pipe has a rich look just like the Bulldog and the two Canadians and it is also quite catching. Have a look at it in the photos below. It is a well-shaped apple. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 3/4 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 of an inch. I will be putting this newly finished JR Hand Made Canadian on the rebornpipes store shortly if you are interested in adding it to your collection. Thanks for walking through the restoration with me as I worked over the final pipe of the foursome from JR Hand Made pipes.

Advertisements

I am not sure what to call this – a Japanese Churchwarden?


Blog by Steve Laug

Jeff received this in an auction lot or maybe he picked it up on one of his hunts but it is somewhat like a Kiseru pipe I have from Japan. The thing that makes it different is its sheer length. The pipe is 27 inches long from tip of the mouthpiece to the edge of the canted bowl. That is 68.58 centimeters for those who use that measurement system. It is a long pipe and one that I am not sure how you would fire up. My arms are not long enough to reach the bowl with the mouthpiece in my mouth.In looking for information on the web I came across a site called www.kiseru-pipe.com. I have a small Kiseru here and have enjoyed the unique smoke. The site had this picture on the front page of the site. You can see a similarity to the one Jeff found. I don’t think it is anywhere near the length of the one I am working on.The site had some helpful information on the tobacco that is used in the pipe (http://www.kiseru-pipe.com/en/content/11-kizami-tobacco). I quote from the site regarding the tobacco that is smoked in the Kiseru pipe. It is called Kizami tabako.

“Kizami tabako” literally means “shredded tobacco.” This is in fact a traditional process of preparing and Japanese shredded tobacco. Traditionally prepared without additives and very finely chopped, kizami tobacco kizami suits particularly well to the small bowl of kiseru.

Tobacco was introduced to Japan by Portuguese in the mid 16th century. Tobacco production in Japan began in the early 17th (1610) in Tokushima.

There were many kizami tobacco producers before tobacco became a state monopoly in Japan and cigarettes supersede the kiseru.Japanese kizami tobacco factories have lasted for nearly four centuries until 1979 when production was temporarily interrupted. But because there were people who wanted to smoke this particular tobacco, and also to perpetuate this traditional know-how, production eventually took over with Koiki brand.

Two brands are currently available in Japan : Koiki ( ) and Takarabune (宝船). Koiki is a Japanese production made with native tobacco and is for these reasons,  Japanese prefered one. The second one (Takarabune), is chopped slightly less finely than the first one, and is produced by the company Flandria Tobaccos Company in Belgium (www.flandria-tobaccos.be)! 

I thought it would be interesting to give a little background information on the Kiseru pipe and a diagram with the parts displayed. This also comes the site noted above and is very helpfully described and displayed (http://www.kiseru-pipe.com/en/content/12-what-is-a-kiseru). I quote:

The kiseru are traditional Japanese pipes used for smoking tobacco. They are used in Japan since the second half of the sixteenth century. They are characterized by a small bowl where only a small quantity of tobacco can be placed, and their forms are generally very fine and elegant. Most of the kiseru are made of metal and bamboo but there are also many models entirely in metal or even in ceramics. Some models are very simple and have little value, others on the contrary are true works of art, finely worked and sculpted. Between these two extremes there is a range of kiseru very different from each other, wether old or new, their are models for everyone!Here is a video that we made to show many different sorts of kiseru, some of which are very uncommon (and some of which were sold on our website!)

https://youtu.be/ZpnmzGlyEv4

With that information let’s look at the one Jeff found. It is large as noted above. The metal bowl and shank, or Hizara is 4 inches long. The bowl itself has an outer diameter of 1 inch, an inner diameter of 5/8 of an inch and a height of 7/8 of an inch. It is good to know that it can be smoked with both Kizami and regular tobacco.The mouthpiece and lip, or Suikuchi and Kuchimoto is 5 ¼ inches long and the bamboo shank, or Do is 20 ¼ inches long. Both the bowl and the mouthpiece are decorated with Japanese characters and designs.I took the pipe apart and took photos of the parts for your viewing. It really is a unique piece.I close this blog with a section from the website on how to smoke and clean a Kiseru (http://www.kiseru-pipe.com/en/content/10-how-to-use-a-kiseru).

How to use a kiseru

Take a pinch of tobacco rolled into a small ball about the size of the “hizara” (the bowl of a kiseru). Traditionally, it is lighted on with embers in the “hi-ire”,the fireplace of a tabako-bon. Of course, it’s possible to simply use matches or even a lighter. Kiseru matchesThere is also a Japanese brand of matches specifically for kiseru. Those are quite long matches which is convenient for kiseru use : the rest of the match uncalcined being used for scraping the bowl after smoking.

After lighting the kiseru, take a few puffs, and then, to get rid of the ashes stucked into the bowl, tap the “gankubi” on the edge of the ashtray “hai-otoshi” of the tabako-bon. If you use an ordinary ashtray take care not to damage the gankubi. In Japan, “hai-otoshi” are usually made of wood which is softer than a metal or glass ashtray. Some also tap directly gankubi against the palm of their hand.

Some people fear that the small size of the kiseru bowl is not convenient to use, but during centuries Japanese enjoyed the kiseru way of smoking tobacco, and the size of the bowl has never been a problem. The “kizami” tobacco is particularly suitable, but Western tobacco can also be smoked in kiseru.There are naturally no rules on how one should hold a kiseru… Yet, the above image shows four traditional ways to hold a kiseru allocated to different categories of individuals : (1) 町人 chonin “townspeople”, (2) 博徒 bakuto “tenants of dens”, (3) 武士 bushi “samurai”, (4) 農民 Nomin “peasants”.

In fact, this is how kabuki (Japanese traditional theater) actors should hold a kiseru while they play these roles…

Recently Japanese also use kiseru in different ways: Kiseru experiencing a revival in Japan among both younger and older people, some of them have found original ways to use kiseru:

– Cutting a cigarette (approx. 2 cm) and pushing it directly in the bowl “hi-zara”.

– Using only the beak of the kiseru “suikuchi” as a cigarette-holder.

How to clean a kiseru

Naturally, it is more pleasant to smoke with a clean kiseru. As for any other pipes, it is recommended to clean the kiseru after each use.

Usually, the bamboo pipe “Rau-kiseru” can be replaced if necessary: metal tips are simply nested (without glue or other) which allows to ‘dismantle’ the kiseru and change the bamboo if damaged. Tips are thus not permanently attached to the pipe, except for “all metal” kiseru, which parts are welded together.

In the past, as shown on the woodblock-print below, people used washi (traditional Japanese paper) to clean the kiseru. Washi that was produced at that time was very strong but now it is the quality is not so good and the frays in the kiseru, leaving small pieces of paper that eventually clog the kiseru. (It is fascinating to not that the one I have is similar in length to the one in the old woodblock print above.)

Now, it is recommended run a pipe cleaner back and forth through the stem to clean it. Pipe cleaners do not fray and can absorb moisture and remove dirt and tar.

Metal parts

Some metals tend to oxidize over time. This is unavoidable but it is not a big problem. Just use ordinary metal polish and soft dry cloth. It is better to do it from time to time regularly…

Special thanks to www.kiseru-pipe.com for the helpful information. Give their site a visit if you want to purchase or even learn more about the Japanese Kiseru.

New Life for Farida’s Dad’s Final Pipe – a Dunhill 5203 Shell Billiard


Blog by Steve Laug

I have had the last Dunhill from Farida’s Dad’s estate sitting on a cupboard behind my desk and every time I sit down I look at it and think that I need to finish it up. I sold the rest of the estate and purchased this one myself so that I could have some time to work on it. Yes you are right, read between the lines – I wanted to put off working on it. Well, this morning I sat down at the desk and posted a couple of blogs and then turned and there it was looking at me. I decided then and there to pick it up and do the work to finish this estate.

The pipe came from the estate of an elderly gentleman here in Vancouver. I met with his daughter Farida over a year ago and we looked at his pipes and talked about them then. Over the Christmas 2017 holiday she brought them by for me to work on, restore and then sell for her. There are 10 pipes in all – 7 Dunhills (one of them, a Shell Bulldog, has a burned out bowl), 2 Charatan Makes, and a Savinelli Autograph. This is the last of the lot – a lone Dunhill Billiard with a saddle stem. His pipes are worn and dirty and for some folks they have a lot of damage and wear that reduce their value. To me each one tells a story. I only wish they could speak and talk about the travels they have had with Farida’s Dad. The first photo shows the underside of the shank and its virtual illegibility under the tars and filth on the finish.You can see from the above photo the challenge that the pipe I am working on today will be. The stamping identifies it as a Dunhill Shell Billiard with a saddle stem. It is stamped on the underside of the heel and shank on a smooth flat area. On the heel is the shape number, a 4 digit number – 5203. I looked on Pipephil to get the lowdown on the shape number (http://www.pipephil.eu/logos/en/dunhill/shapes.html). I quote that below:

Dunhill pipes are stamped with a four digit code.

Digit 1: (from 1 to 6) denotes the size of the pipe (the group).

Digit 2: denotes the style of the mouthpiece (0,1=tapered, 2=saddle)

Digit 3 and 4: denote the generic pipe shape (in yellow in the chart on top)

Example: 5102 — (5 = size | 1 = tapered stem | 02 = Bent)

When 5 digits occur, the meaning of the 4 first remain the same

The one I am working on, 5203, is thus a SIZE 5 (Group 5), saddle stem (2) billiard (03) shaped pipe. The rest of the stamping is DUNHILL SHELL over MADE IN ENGLAND with the underlined superscript 34 after the D in ENGLAND. The number 34 tells me the date the pipe was made 1994.

My work on each of these pipes has already caused a lot of discussion on the Facebook Tobacco Pipe Restorers Group. The ongoing debate of Restoration vs. Preservation has filled a lot of ongoing airtime on the group. I do not care to relive or recount that as I am only following the directives of the daughter of the original deceased pipeman. She wanted them restored to usable condition so others can carry on her father’s love of these pipes. She is quite happy with the finished results and others of his pipes are now all over the world being enjoyed by the next generation of pipemen.

When first looked at the pipe here is what I saw. The bowl was thickly caked and the cake had flowed over onto the sandblast finish on the rim top forming hard lava that made the top uneven. There was a serious burn mark on the front edge of the bowl causing the rim to have a dip in the surface. It was hard to know if there was damage to the inner edge of the rim and I would not know until I removed some of the grime. The outer edge looked far very good all around the bowl except for the front. The finish was invisible under the thick coat of oils and grime that covered the bowl and shank. In fact at this point I had no idea what the stamping looked like because it was covered. I have wondered as I cleaned the other pipes in this lot if the oily build up was just a part of the life lived in the Antarctic. The stem was oxidized and very dirty. There was a thick sticky, oily substance on the surface of the stem and a calcification that I could scrape with my fingernail. There were tooth marks and chatter on both sides in front of the button as well as damage to the edges of the button. I took photos of the rest of the pipe to show what it looked like before I started the cleanup work. I took close up photos of the bowl and rim top as well as the stem. You can see the condition of the rim top and bowl in the first two photos. The damage to the rim top and the front outer edge is very visible even under the grime and lava. The inner edge looks like it has some damage on the backside. I won’t really know the full story until I remove the thick lava overflow on the surface. The stem had tooth chatter and some deep bite marks on the top and the underside of the stem just ahead of the button. The button itself also showed wear and damage. It has been a while since I have worked on the pipes that belonged to Farida’s Dad. I thought it might be helpful to remind us all of the background story of these pipes. Here is the material that I quoted in previous blogs. I have included both the written material and the photo that Farida included of her Dad. Here is what she wrote:

My dad, John Barber, loved his pipes. He was a huge fan of Dunhill and his favourite smoke was St. Bruno. No one ever complained of the smell of St. Bruno, we all loved it. I see the bowls and they’re large because he had big hands. When he was finished with his couple of puffs, he would grasp the bowl in the palm of his hand, holding the warmth as the embers faded. The rough bowled pipes were for daytime and especially if he was fixing something. The smooth bowled pipes were for an evening with a glass of brandy and a good movie. In his 20s, he was an adventurer travelling the world on ships as their radio operator. He spent a year in the Antarctic, a year in the Arctic and stopped in most ports in all the other continents. He immigrated to Canada in the mid-fifties, working on the BC Ferries earning money to pay for his education. He graduated from UBC as an engineer and spent the rest of his working life as a consultant, mostly to the mining companies. Whatever he was doing though, his pipe was always close by.

She sent this photo of him with his sled dogs in the Antarctic sometime in 1953-1954. It is a fascinating photo showing him with a pipe in his mouth. He is happily rough housing with his dogs. A true pipeman, he seems oblivious to the cold. Thank Farida for sending the photo and the story of your Dad. I find that it explains a lot about their condition and gives me a sense of your Dad. If your Dad was rarely without a pipe I can certainly tell which pipes were his favourites. In fact the condition of the billiard I am working on now makes me wonder if it is not the one in his mouth in the photo below.As I looked back over all of her Dad’s pipes that I have restored each of them had rim damage and some had deeply burned gouges in the rim tops. The bowls seemed to have been reamed not too long ago because they did not show the amount of cake I would have expected. The stems were all covered with deep tooth marks and chatter and were oxidized and dirty. The internals of the mortise, the airway in the shank and stem were filled with tars and oils. These were nice looking pipes when her Dad bought them and they would be nice looking once more when I finished.

Here are the links to the previous seven blogs that I wrote on the rest of the finished pipes. The first was a Dunhill Shell oval shank pot (https://rebornpipes.com/2018/02/04/restoring-a-1983-dunhill-shell-41009-oval-shank-pot/). The second was a Dunhill Classic Series Shell Billiard (https://rebornpipes.com/2018/02/08/faridas-dads-pipes-2-restoring-a-1990-lbs-classic-series-dunhill-shell-billiard/). The third pipe was a Savinelli Autograph (https://rebornpipes.com/2018/02/15/faridas-dads-pipes-3-restoring-a-savinelli-autograph-4/).The fourth pipe was a Dunhill Red Bark Pot that was in rough shape (https://rebornpipes.com/2018/03/10/faridas-dads-pipes-4-restoring-a-dunhill-red-bark-pot-43061/). The fifth pipe was a Dunhill Root Briar Bent Billiard (https://rebornpipes.com/2018/07/07/faridas-dads-pipes-5-restoring-a-dunhill-root-briar-56-bent-billiard/). The sixth pipe was a Charatan’s Make Distinction https://rebornpipes.com/2018/08/22/faridas-dads-pipes-6-restoring-a-charatan-make-distinction/. The seventh pipe was a Charatan’s Make Belvedere https://rebornpipes.com/2018/12/05/faridas-dads-pipes-7-restoring-a-charatans-make-belvedere-48dc-pot/.

Like most work the refurbisher does, this walks a fine line between restoration and preservation. The deciding feature for me regarding this pipe was the wishes of the family. They wanted the pipe to be cleaned and smoked by someone who could carry on the pipe man’s legacy of their Dad. None of them was interested in the pipes for themselves. They had no desire to keep them and memorialize their Dad and Grandad in that manner. I understand that to work on this pipe the way they wanted meant changing the current state of the pipe to bring it back closer to the way it was when their Dad bought it.

I decided to change things up a bit in the routine on this one. Holding it in my hand to ream and clean was a dirty prospect so I decided to scrub the thick grime off the exterior of the bowl and shank. The grit was deep in the sandblast finish rendering the pipe almost smooth. I scrubbed it with a tooth brush, a brass bristle wire brush and Murphy’s Oil Soap. I worked hard to get the grime out the grooves and crevices of the blast. I also worked on the rim top to remove the tars and oils that had formed a hard lava coat on the rim top. I worked on the burn damage as well on the front top and edge of the bowl. I rinsed the bowl under running water to remove the debris from the scrubbing. I reamed the bowl with a PipNet reamer. I used two of the four cutting heads to clean out the cake. The bowl was thickly caked I started with the smaller of the two and worked my way up to the second which was about the same size as the bowl. I cleaned the remnants with a Savinelli Fitsall Pipe Knife and scraped it back to bare briar. I finished by sanding the inside of the bowl with a dowel wrapped in sandpaper. I scraped the top of the rim with the edge of the Savinelli Fitsall Pipe Knife to remove the lava. I decided to start with the rebuilding of the rim top the bowl. I wiped the rim top down with isopropyl alcohol on a cotton pad to clean off the damaged areas on the front edge and on the rear inner edge. On the damaged front edge I started by laying down a coat of clear super glue on the gouged out burned area. On top of that I layered some briar dust with a dental spatula. I repeated the process of layer until the damaged area was level with the rest of the rim top. I used the brass bristle wire brush to texture the surface of the rim top over the repaired area to match the rest of the rim. I did the same layering process on the inner edge at the back of the bowl. When I had finished the rebuild I textured that area with the wire brush as well. The photos tell the story of the process. I worked over the inner edge of the rim with a folded piece of sandpaper to smooth it out and bring the damaged edges into round. The rim top was beginning to look normal. It would take a bit more texturing but it was looking a lot better.With the externals clean it was time to clean out the mortise and shank and airway into the bowl and the airway in the stem with alcohol, cotton swabs and pipe cleaners. I scraped the mortise with a dental spatula and a pen knife to loosen the tars before cleaning. I worked on the bowl and stem until the insides were clean.I used a needle file to sharpen the edges of the button on both sides of the stem. I sanded the “crud” off the stem and the tooth marks out of the topside of the stem. The underside would take a bit more work so I spent a lot more time cleaning out the large tooth mark on the stem near the button with sandpaper and alcohol and cotton swabs.It took some work to clean out the damaged area on the underside of the stem. Once I had it clear of debris I wiped it down with alcohol. I  filled in the deep tooth mark on the underside and the small tooth mark and rebuilt the button on the topside using clear super glue. I set the stem aside to let the repairs cure.I decided to stain the bowl with a dark brown stain. It would go over the black stain that was in the grooves of the sandblast. Once it had set I would wipe off the excess stain and buff the bowl and rim to get the finish I wanted. The photos tell the story. I applied the stain and flamed it with a lighter to set it in the grain. I repeated the process until I was happy with the coverage. Once the stain had cured I wiped the bowl down with isopropyl alcohol on cotton pads to make it more transparent. I wanted to be able to see the contrast between the dark brown and the black in the crevices of the finish. I rubbed down the briar with Before & After Restoration Balm. I worked it into the nooks and crannies of the sandblast finish to clean, enliven and protect the new finish. It also evened out the stain coat and gave the stain a dimensional feel. I let the balm sit for a little wall and then buffed it with a horsehair shoe brush. I buffed the bowl with a cotton cloth to raise the shine. I set the bowl aside and turned my attention to the stem. I sanded out the repairs on the stem surface on both sides with 220 grit sandpaper to blend them into the surface of the vulcanite.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit micromesh sanding pads and dry sanding it with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil after each pad. I polished it with Before & After Pipe Polish – both Fine and Extra Fine and buffed it into the vulcanite with a cotton pad. When I finished I gave it a final rub down with the oil and set it aside to dry.  With the stem polished I put it back on the pipe and lightly buffed the bowl with Blue Diamond. I did not want to get the buffing compound in the sandblast finish. I buffed the stem with a more aggressive buff of Blue Diamond. I hand rubbed the bowl several coats of Conservator’s Wax and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. This is the last of Farida’s Dad’s pipes that I am restoring from his collection. I am looking forward to hearing what Farida thinks once she sees the finished pipe on the blog. This Dunhill Shell 5203 Billiard will soon be on the rebornpipes store if you want to add it to your rack. The dimensions are Length: 6 inches, Height: 1 7/8 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 inches. Thanks for walking through the restoration with me as I worked over the last of her Dad’s pipes. With the completion of this one I have finished this estate. Thanks for walking through the restoration and reclamation of this lot of pipes. It has been an interesting journey for me and a continuance of my education. Cheers