Tag Archives: refurbishing

Restoring a Rusticated House of Robertson War Club


Blog by Steve Laug

After my brother Jeff found an assortment of House of Robertson pipes at an auction in Wilder, Idaho which is an area in the greater Boise, Idaho area. He kept an eye out for more of the brand on his weekly pipe hunts. He found several others that are quite unique in an antique mall near where he lives. There were two large long shanked pipes – one round shanked and one square shanked. The third of the batch that he finds is a nice little classic apple shape. It looks tiny with the size of the other two. The two larger pipes are a combination of smooth and rusticated. They both have smooth panels on the sides or front of the pipes. Both of the large ones are banded with a sterling silver band. It seems to me that the bands on both the square shank and the round shank are decorative rather than a repair for a cracked shank. I will be restoring them in the days ahead. He picked them up for us to restore. They all have the name House of Robertson roughly hand-etched on the side or underside of the shank with an engraving tool. I am including the information that I found when I received my first of the House of Robertson Pipes. I found a link on Pipedia that gave me the only information I could find on the brand. I include that in total as it is interesting to read.

“House of Robertson” was in business for many years, but alas, closed their doors in 1999. They were located in Boise, Idaho. They are noted for making rather large and interesting pipes. Thayne Robertson was a Master Mason, AF & AM, and started the shop about 1947 and his son Jon started working there in 1970 when he finished college, along with Thayne’s daughter. Thayne and his son started making the big pipes at that time, and made them together until 1987 when Thayne passed away. Jon kept the store and his sister moved on to other things. The House of Robertson appears to have closed around 1999. https://pipedia.org/wiki/Robertson

This large, long square shank, flat bottom sitter is the next House of Robertson pipe I chose to work on. It is quite different from the other pipes from this Boise based store. It is large – 7 ¼ long with a bowl that is 2 inches tall. It is engraved with the House of Robertson signature on a smooth panel on the left side of the shank just ahead of the band. On the top of the shank it is etches P.L.F.S. I have no idea what that etching stands for. There is a smooth band of briar just ahead of the silver band. There is also a smooth panel on the front of the bowl and two smooth areas on the rim top. The pipe was dirty but underneath all of the grime it appears to be in excellent condition. The rustication on the shank was quite light and had the look of a sandblast finish. The sides of the bowl were deeply rusticated, almost like roots and then it is almost like it was also sandblasted over the top. The bottom of the bowl and shank also appeared to be sandblasted. It is definitely an interesting pipe and should clean up very well. The narrow silver band is stamped Sterling Silver on the top side. There were some nicks in the edge of the silver at the stem/shank junction. The fit of the stem to the shank was good. The square stem was oxidized and had some small tooth marks and chatter on both sides of the stem near the button. Jeff took photos of the pipe before he started the cleanup. The next close-up photos show the finish on the top and the underside of the bowl. The first photo shows cake in the bowl and the lava overflowing onto the rim top. The grain on the top of the bowl and the inner and outer edge of the rim looks really good. The finish on the rim top was appeared to be in great condition under the lava coat. The next two photos show the front, side and underside of the pipe. It has a very interesting finish. The next photo shows the etched name on the left side of shank on a smooth panel of briar. It reads House of Robertson. On the top of the shank on a narrow smooth panel it reads P.L.F.S. The final two photos show square shank and band. You can also see the general condition of the grime in the rustication of the briar. The tapered stem was oxidized and had tooth chatter and marks on both sides of the stem near the button. The edge of the button had some dents in it as well.This unique pipe was really dirty with a thick cake, overflow of lava on top the rim and dust and debris in the heavy rustication on the sides of the bowl. He reamed the bowl with a PipNet pipe reamer and cleaned up the remnants with the Savinelli Fitsall Pipe Knife. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim and shank with a tooth brush and Murphy’s Oil Soap to remove the dust in the rustication on the bowl and shank as well as the smooth portions. He rinsed it under running water. He dried it off with a soft cloth. Once the dust and debris were removed the finish was dull but appeared to be in excellent condition. I took photos of the pipe to show its condition before I started my work on it. I took a photo of the bowl and rim top to show the condition it was in once it was cleaned off. It has an interesting combination of rusticated and smooth finishes on the top of the bowl. The unique square stem was oxidized and had tooth marks and chatter on both sides. You can also see the nicks in the edge on the top and underside of the Sterling Silver band.I worked Before & After Restoration Balm deep into the nooks and crannies of the rusticated finish to clean, enliven and protect the briar. I hand rubbed it with my fingers and worked it into the finish with a horsehair shoe brush. I wiped it off with a soft cloth. I buffed the bowl with a cotton cloth to polish it. It really began to have a deep shine in the briar. I took some photos of the bowl at this point to mark the progress in the restoration. The grain on the smooth portions stands out, while the deep grooves of the rustication look almost undulating. It is a unique and strangely beautiful pipe. I sanded the stem with 220 grit sandpaper to remove the oxidation on both sides of the tapered stem and remove the tooth marks and chatter on the top and bottom sides at the button.I polished out the sanding scratches and marks in the vulcanite with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-4000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I buffed the stem with Blue Diamond on the buffing wheel. I brought it back to the table and sanded it with the final three 6000-12000 grit pads. I polished it further with Before & After Pipe Polish –using both the Fine and Extra Fine Polishes. I gave it a rubdown with Obsidian Oil one last time and set it aside to dry. I put the stem back on the bowl and worked the pipe over on the buffing wheel using Blue Diamond to lightly polish the stem. I buffed the bowl with a light touch so as not to get any of the buffing compounds in the grooves of the rustication. I buffed the stem to raise the gloss on the vulcanite. I gave the bowl multiple coats of Conservator’s Wax and gave the stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The medium brown stains on the rusticated square shanked poker shaped bowl with a smooth bands and rim works well with the rich black of the vulcanite stem. The polishing and the reworking of the stem material left this a beautiful and interesting looking pipe. The dimensions of the pipe are: Length: 7 3/8 inches, Height: 2 inches, Outside Diameter: 1 5/8 inches, Diameter of the chamber: 7/8 inches. This one will be heading back to Idaho. A House of Robertson collector who used to frequent the Boise shop is adding it to his collection. Thanks for looking.

Kathy’s Dad’s Pipes #9– Restemming & Restoring George Koch’s “Malaga” Banker


Blog by Steve Laug

This is the ninth of the “Malaga” pipes that I am working on from Kathy’s Dad’s pipes. I will retell the story of the estate. Last fall I received a contact email on rebornpipes from Kathy asking if I would be interested in purchasing her late Father, George Koch’s estate pipes. He was a lover of “Malaga” pipes – all shapes and sizes and she wanted to move them out as she cleaned up the estate. We emailed back and forth and I had my brother Jeff follow up with her as he also lives in the US and would make it simpler to carry out this transaction. The long and short of it is that we purchased her Dad’s “Malaga” pipes. There are some beautiful pipes in that lot. I have never seen this many “Malagas” together in one place in all of my years of pipe restoring and refurbishing. They varied from having almost pristine to gnawed and damaged stems that will need to be replaced. These were some well used and obviously well loved pipes. Cleaning and restoring them will be a tribute to this pipeman. (Here is a link to some history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. There are also links there to a catalogue and the maker George Khoubesser.)Knowing about the pipeman who held the pipes in trust before me gives another dimension to the restoration work. This is certainly true with this lot of pipes. I can almost imagine George picking out each pipe in his assortment at the Malaga shop in Michigan. I may well be alone in this, but when I know about the person it is almost as if he is with me work on his pipes. In this case Kathy sent us not only information but also a photo of her Dad enjoying his “Malagas”. Once again, I am including that information so you can know a bit about the pipeman who held these pipes in trust before they are passed on to some of you. I include part of Kathy’s correspondence with my brother as well…

Jeff…Here is a little about my dad, George P. Koch…I am sending a picture of him with a pipe also in a separate email.

Dad was born in 1926 and lived almost all his life in Springfield, Illinois. He was the youngest son of German immigrants and started grade school knowing no English. His father was a coal miner who died when Dad was about seven and his sixteen year old brother quit school to go to work to support the family. There was not much money, but that doesn’t ruin a good childhood, and dad had a good one, working many odd jobs, as a newspaper carrier, at a dairy, and at the newspaper printing press among others. He learned to fly even before he got his automobile driver’s license and carried his love of flying with him through life, recertifying his license in retirement and getting his instrumental license in his seventies and flying until he was grounded by the FAA in his early eighties due to their strict health requirements. (He was never happy with them about that.) He was in the Army Air Corps during World War II, trained to be a bomber, but the war ended before he was sent overseas. He ended service with them as a photographer and then earned his engineering degree from University of Illinois. He worked for Allis Chalmers manufacturing in Springfield until the early sixties, when he took a job at Massey Ferguson in Detroit, Michigan. We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all.  He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack. Dad quit smoking later in life and so they’ve sat on the racks for many years unattended, a part of his area by his easy chair and fireplace. Dad passed when he was 89 years old and it finally is time for the pipes to move on. I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

Kathy, once again I thank you for providing this beautiful tribute to your Dad. We will appreciate your trust in allowing us to clean and restore these pipes. I am also trusting that those of you who are reading this might carry on the legacy of her Dad’s pipes as they will be added to the rebornpipes store once they are finished.

The ninth of the pipes that I chose to work on is another “Malaga” Banker (Author??). This one is a mixed finish smooth and rusticated pipe with same mixed finish on the rim top. I really like the shape and the mix of rustication and smooth straight grain on this pipe. The vulcanite stem had lots of tooth chatter and some tooth marks. Some great grain peeks through the grime around the bowl. The warm brown finish on the bowl appeared to be good condition under the dust and tars of time. I am certain that Malaga pipes were oil cured. The uniform finish and the light weight lead me to think that is the case. Once more there are no fills in the bowl or long shank. I have yet to find a fill in any of the bowls I have worked on in this lot and looking through what remains I think it is fair to say I won’t find any in them either.

The mixture of rustication and smooth on the rim top of this Baker was originally covered and the rustication was almost filled in with an overflow of lava from the thick cake in the bowl. The rim top was in good condition and the inner edge of the bowl had some light damage and was out of round. The outer edge of the bowl was in good condition. The stamping was on the underside of the shank and was clear and read “Malaga” on a smooth panel near the shank/stem junction. The black vulcanite stem had tooth dents and chatter on the top and the underside of the stem. The interior of the pipe was dirty. I could see that George thoroughly enjoyed this pipe along with the others as is evidenced by the wear that all of them show. Jeff took these photos before he started the cleanup work on the pipe. Jeff took close up photos of the bowl and rim to show the condition of the pipe before he started to work his magic on it. The exterior of the bowl and shank were dirty. You can see the lava on the rim top, the cake and remnants of tobacco in the bowl and the nicks on the rim top and bowl around the outer edge of the rim. The second rim top photo shows the thick cake and debris in the bowl. It is dirty but in otherwise good condition. He also took photos of the backside and of the side to show the condition of the finish. He also took a photo of the shank to show the stamping on the panel on the underside of the shank. You can see the dust and grime in the rustication on the shank before cleanup.The next photos show the tooth chatter and dents on both surfaces of the stem near the button. There were also some dents in the top and underside of the button edge itself.Working on this ninth pipe followed the same pattern as all of these pipes. Jeff had reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the bowl, rim and shank. He rinsed it under running water. He dried it off with a soft cloth. The lava mess on the rim was thoroughly removed without harming the finish underneath it. Without the grime the finish looked really good. As noted above the stem would need to be worked on. I took photos of the pipe to show its condition before I started my work on it.    I took a photo of the rim top to show the condition it was in after the cleanup. Jeff was able to remove all of the lava on the rim top and edges. You can see the contrast between the rusticated portion of the rim and the smooth. The inner edge of the bowl is chipped and damaged slightly but a little sanding would smooth that out. It is a nice looking finish. The stem was clean and you can see the tooth chatter and marks on the surface of the stem and on the edges of the button.I “painted” the surface of the stem with the flame from a Bic lighter to heat and lift the dents in the vulcanite. This is one of those times that I am glad vulcanite has memory. The marks lifted to the surface and a bit of sanding would smooth things out.I repaired the small dips in the top surface of the stem with clear super glue. When it had cured I sanded the surface of the stem smooth with 220 grit sandpaper. I sanded the rest of the stem at the same time and removed some of the oxidation on the surface.I rubbed the bowl down with Before & After Restoration Balm to deep clean the briar and particularly the reshaped areas. The product works to clean, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl with a horsehair shoe brush to polish it. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. I got a little ahead of myself in using the balm. I had not cleaned up the damage to the rim edge. I used a folded piece of 220 grit sandpaper to smooth out the inner edge of the rim. I worked on it and gave it a slight bevel to cover for the damage and the burn marks. Once it was finished I reworked the balm into the rim top and edges.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the vulcanite. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. I the polished stem and bowl with Blue Diamond to polish out the remaining small scratches. I gave the bowl multiple coats of Conservator’s Wax and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. This is the eighth of the many “Malaga” pipes that I am restoring from Kathy’s Dad’s collection. I am looking forward once again to hearing what Kathy thinks once she sees the finished pipe on the blog. This one is staying with me. I look forward to carrying on the trust from her father. The dimensions are Length: 5 ½ inches, Height: 1 1/2 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 inches. Thanks for walking through the restoration with me as I worked over this Malaga from George’s estate. More will follow in a variety of shapes and sizes. 

Restoring a NOS Rusticated House of Robertson Hawkbill


Blog by Steve Laug

My brother Jeff found an assortment of House of Robertson pipes at an auction in Wilder, Idaho which is an area in the greater Boise, Idaho area. He picked them up for us to restore. I had forgotten that I had mentioned the brand in passing in a blog on Leonard’s Pipe Shop in Portland, Oregon. Here is the link to that blog where I mention it as one of the brands that Leonard’s sold: https://rebornpipes.com/2013/06/06/leonards-pipe-shop-portland-oregon/. It is a fascinating brand that really I had never had the privilege of seeing first hand. He cleaned them all up and on a recent trip to Idaho, I picked them up and brought them back to Canada. I took pictures of the lot of them to show the wide variety of pipes that they made in terms of both size and style. The craftsmanship is very good with the fit of the stem and shank well done and the finish both rusticated and smooth exemplary. Jeff picked up three more of the brand in Pocatello, Idaho so I will be working on more of these pipes in the future. They all have the name House of Robertson roughly hand etched on the side or underside of the shank with an engraving tool. I did a bit of hunting for information about the brand and found a link on Pipedia that gave me the only information I could find on the brand. I include that in total as it is interesting to read.

“House of Robertson” was in business for many years, but alas, closed their doors in 1999. They were located in Boise, Idaho. They are noted for making rather large and interesting pipes. Thayne Robertson was a Master Mason, AF & AM, and started the shop about 1947 and his son Jon started working there in 1970 when he finished college, along with Thayne’s daughter. Thayne and his son started making the big pipes at that time, and made them together until 1987 when Thayne passed away. Jon kept the store and his sister moved on to other things. The House of Robertson appears to have closed around 1999. https://pipedia.org/wiki/Robertson

The third of the six pipes I chose to work on was rusticated Hawkbill shaped pipe. It is NOS (new old stock) and is unsmoked. It is engraved with the House of Robertson signature on a smooth panel on the right side of the shank. The rusticated finish on the pipe had a smooth band around the rim and the rim top was smooth. There were also smooth bands on the left, front and right sides of the pipe moving up from a smooth circle on the bottom of the bowl. The pipe was in excellent condition other than being dusty from time. The deep grooves in the rustication were very dusty. I have circled the pipe in red in the above group photos. It is an interesting pipe. The bowl is clean and unsmoked briar. The drilling on the pipe is different to me – it looks like the airway came out below the bottom of the bowl. It is still very smokable but the look is quite unique. The stem was lightly oxidized but clean. The fit of the stem to the shank was good. The vulcanite appeared to have been a pre-formed stem that was shaped to fit this pipe. Jeff took photos of the pipe before he started the cleanup. The next close-up photos show the finish on the top and the underside of the bowl. The first two photos show clean bowl and the rim top. The grain on the top of the bowl and the inner and outer edge of the rim looks really good. The finish on the rim top was in great condition. The next two photos show the sides and underside of the pipe. The next photo shows the etched name on the right side of shank on a smooth panel of briar. It reads House of Robertson.The tapered stem was oxidized and pitted from the oxidation. It was otherwise very clean and unsmoked.This unsmoked pipe was an easy cleanup for Jeff. After all of the heavily caked and dirty pipes he has cleaned it was a nice break to clean off the dust and oxidation from a pipe that had been sitting in storage for a long time. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim and shank with a tooth brush and Murphy’s Oil Soap to remove the dust in the rustication on the bowl and shank as well as the smooth portions. He rinsed it under running water. He dried it off with a soft cloth. Once the dust and debris were removed the finish actually looked to be in excellent condition. I took photos of the pipe to show its condition before I started my work on it. I took a photo of the bowl and rim top to show the NOS condition of the pipe. The stem was clean but pitted and oxidized.I rubbed the bowl down with Before & After Restoration Balm to deep clean the nooks and crannies of the rusticated finish, enliven and protect the briar. I hand rubbed it with my fingers, worked it into the finish with a horsehair shoe brush. I wiped it off with a soft cloth. I buffed the bowl with a horsehair shoe brush to polish it. It really began to have a deep shine in the briar. I took some photos of the bowl at this point to mark the progress in the restoration. The birdseye grain stands out on the two sides bands and the cross grain stands out on the rim top, the smooth base and the front band. I sanded the stem with 220 grit sandpaper to remove the oxidation on both sides of the tapered stem.I polished out the sanding scratches and marks in the vulcanite with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-4000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I buffed the stem with Blue Diamond on the buffing wheel. I brought it back to the table and sanded it with the final three 6000-12000 grit pads. I polished it further with Before & After Pipe Polish –using both the Fine and Extra Fine Polishes. I gave it a rubdown with Obsidian Oil one last time and set it aside to dry. I put the stem back on the bowl and worked the pipe over on the buffing wheel using Blue Diamond to lightly polish the stem. I buffed the bowl with a light touch so as not to get any of the buffing compounds in the grooves of the rustication. I buffed the stem to raise the gloss on the vulcanite. I gave the bowl multiple coats of Conservator’s Wax and gave the stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The medium brown stains on the rusticated Hawkbill shaped bowl with a smooth bands and rim works well with the rich black of the vulcanite stem. The polishing and the reworking of the stem material left this a beautiful and interesting looking pipe. The dimensions of the pipe are: Length: 5 3/4 inches, Height: 1 3/4 inches, Outside Diameter: 1 1/2 inches, Diameter of the chamber: 3/4 inches. This one will be going on the rebornpipes store shortly if you want to add it to your collection. Even with an under drilled airway it should still smoke very well. It will be priced accordingly for seconds pipe. Why not take this opportunity to add a House of Robertson pipe to your rack. Thanks for looking.

Restoring the last of three Jobey Gourd Calabashes with a Briar Shank Extension


Blog by Steve Laug

As I have mentioned before my brother Jeff has really gotten good at finding Gourd Calabash pipes when he is pipe hunting. He picked up this batch recently. I posted about the large calabash in the middle of the right hand column recently and it is available on the rebornpipes store. It is by far the largest of the five calabash pipes that he found. The second one I am working on is the pipe at the bottom right of the photo. It is another unique looking Calabash to me in that it is a nicely shaped gourd with a briar shank extension on the end of the gourd. It bears the Jobey brass oval logo on the side of the briar extension. The third of the calabash pipes that I worked on was a second Jobey calabash. It is the one on the bottom left of the photo below. As I mentioned before, when I first looked these Jobey calabashes I wondered if any of them had the Jobey system tenon that I have come to expect on Jobey pipes. However, this was not the case on any of the three Jobey Gourd Calabashes in the bunch. All of them have the mortise drilled in the briar extension and is made for a push stem. Once again, I had never seen Jobey Gourd Calabashes before learned that they were probably made by Wally Frank. Here is the link to the first of the pipes I worked on – the one circled in red in the photos below:  https://rebornpipes.com/2018/01/09/restoring-a-full-bent-jobey-gourd-calabash-with-a-briar-shank-extension/. Here is the link to the second of the three circled in blue: https://rebornpipes.com/2018/01/28/restoring-the-second-of-three-jobey-gourd-calabashes-with-a-briar-shank-extension/. Today I am working on the third of the Jobey Calabash pipes and the fourth of the lot. It is the pipe on the top left of the photo below.

Once again Jeff took some photos of the pipe before he did his cleanup work on it. The photos below show it in the condition he found it in on one of his hunts. The gourd was dull looking and generally dirty. It had spots of sticky label material on the sides of the bowl. The briar shank extension was also dull and lifeless looking and there was a gummy substance in the brass logo on the shank extension. The meerschaum bowl on this pipe was light weight and appeared to be block meerschaum. There was a thick cake in the bowl and the rim had a coat of lava that went almost all the way around the inner edge of the chamber onto the rim top. The chair leg style stem was oxidized and dirty. There were tooth marks and tooth chatter on both sides of the stem at the button. The next photo shows the condition of the meerschaum cup. The cup of the meer was had some lava overflow from the bowl on the inner edge and top. There is also darkening around the inner edge of the bowl and cake in the bowl.The next two pictures show the condition of the underside of the bowl and the tars and oils on the walls of the gourd. The underside of the meerschaum cup was dirty but in good condition. The cork gasket on the inside edges of the gourd was in good condition but dried out. It needed some grease to liven it up.The briar shank extension was dirty and there was debris around the outside of the oval and in the letters stamped in the brass.The stem had light oxidation and tooth marks and chatter on both sides near the button. It also had the same price tag glue on the top and underside of the stem.Jeff did a thorough cleanup on the meerschaum bowl, the inside of the gourd and the stem. He carefully scraped the cake in the bowl with a Savinelli Fitsall Pipe Knife. He cleaned the internals with alcohol, pipe cleaners and cotton swabs – scrubbing out the mortise as it was dirty. He scrubbed the exterior of the meerschaum cup and the gourd with Murphy’s Oil soap and a tooth brush and was able to remove all of the oils and dust ground into the gourd. He was able to remove all of the lava and overflow from the top of the meerschaum bowl and left it looking very clean. Once he had removed the lava on the rim top and inner edge they were cleaner than I expected. The scratches in the meerschaum were quite shallow and would be easy to polish out. He cleaned internals of the stem with alcohol. When it arrived I took some photos of it to show how it looked before I did the restoration.   He did a great job of cleaning up the rim top including the tars and lava. The bowl is clean and smooth with all cake removed. The photo below shows the condition of the bowl and rim at this point. The inner edge of the bowl is clean but there is some wear and damage to the edge. The stem had cleaned up nicely with relatively little oxidation. The tooth marks on the top and underside along with the chatter were still present.I took the bowl off the gourd to have a look at the inside of the pipe. The gourd was very clean. The cork gasket was dry but that could be remedied easily enough. The mottled appearance carried through to the inside of the meerschaum bowl and can be seen in the photos.I used my fingers to rub the gourd and briar extension down with Before & After Restoration Balm to bring life to both and to remove any residual dust or dirt in the surface of the calabash. I wiped it off with a cotton cloth and buffed it with a shoe brush. The next few photos show the gourd at this point in the process. I used some Vaseline petroleum jelly to lubricate the cork gasket and soften it. I have done this for years and I really like the effect of the jelly on the cork. I used 1500 grit micromesh sanded off the spots along the surface of the meerschaum cup where it sat against the cork and the top of the gourd to ensure a smooth fit.I checked the pliability of the cork gasket, rubbed a little more Vaseline into it and put the bowl back on the gourd. The fit of the cup against the gasket was snug but not hard to insert. It was perfect. The pipe was beginning to look finished. The shine on the gourd and the rim looked good. The briar extension had its own shine as well. I took the cup off the gourd and polished it with micromesh sanding pads – wet sanding with 1500-2400 and dry sanding with 3200-12000 grit pads. I wiped the bowl down after each sanding pad with a damp cloth to remove the sanding dust. I buffed the cup with a microfiber cloth to polish it. I sanded the stem with 220 grit sandpaper to remove the tooth marks and chatter on the top and underside near the button. The rest of the stem was in decent condition. I rubbed the stem down with Obsidian Oil at this point and let it sit for a little while.I cleaned out the airway in the stem with pipe cleaners and alcohol to remove any residual bath and also the sanding dust from the work on the stem surface and tooth chatter.I polished the vulcanite stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil between each sanding pad. After using the 12000 grit pad I buffed the stem with Blue Diamond to give a deep and rich shine. I polished the stem with Before & After Pipe Polish using both the fine and the extra fine product. I gave it a final coat of Obsidian Oil and set it aside to dry. Normally at this point I put the stem back on the bowl and take the pipe to the buffing wheel to work it over. This time I took the parts to the buffing wheel. I gently buffed the meerschaum cup and rim with Blue Diamond to lightly polish the meer. I carefully buffed the gourd base and briar shank extension with Blue Diamond being cautious about the pressure I put on the gourd. I buffed the stem with Blue Diamond to raise the gloss on the vulcanite. I took the pipe back to the work table and gave the gourd multiple coats of Conservator’s Wax. I gave the stem several coats carnauba wax. I buffed the parts of the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The dimensions of the pipe are, Length: 9 inches, Height: 3 ½ inches, Diameter of the cup: 2 ½ inches, Diameter of the chamber: 7/8 inches. I will be adding this one to the rebornpipes store shortly if you are interested in adding it to your collection. Thanks for looking.

Refurbishing a CAO Meerschaum Bent “Teacup” Sitter


Blog by Steve Laug

Jeff sent me this CAO Meerschaum Bent Sitter not too long ago. I am guessing it is from the 80s as it has that particular style of bent, thick Lucite stem. The shape is similar to the teacup shape that I have seen in briar pipes. Others might call it an egg shape. The finish is quite clean. The egg portion of the bowl is colouring toward the bottom of the bowl and the base. The base and the shank are more of a butterscotch colour. The rim top had some lava on the back edge of the bowl that had overflowed from the cake in the bowl. The stem is a swirled pearl colour varying from golds to creams colours. The button and slot itself were clean. There was some light tooth chatter on both sides of the stem near the button and there were light tooth marks as well. Jeff took some photos of the pipe from various angles before he started the cleanup. He did his usual thorough cleanup of the pipe. He reamed the bowl with a Savinelli Fitsall Pipe Knife to scrape out all of the cake. He scrubbed the internals of the pipe with pipe cleaners, cotton swabs and alcohol. He scrubbed the exterior with Murphy’s Oil Soap and a tooth brush to remove the grime in the finish of the bowl. He was able to get much of the lava off the top of the rim. He rinsed the pipe with warm water to remove the soap and dried it off with a soft cloth. I took photos of the pipe when I received it to show its general condition. It is an interesting pipe. I took close up photos of the bowl, rim and the tooth marks on both sides of the stem just ahead of the button. The first photo below shows the clean bowl and rim. There are some small remnants of lava on the rim but the edges of the bowl are clean. The second and third photos show the tooth marks. They were not very deep but were visible. The fourth photo shows the circular CAO brass medallion on the left side of the saddle stem. I removed the stem from the bowl. At first I thought the tenon was threaded, but I knew that generally CAO Meerschaum pipes had a push stem. As I examined it I could see that the Delrin insert had unscrewed from the shank of the pipe and that the push tenon was inside of it. I screwed the stem back on the pipe and turned the stem the opposite direction and it came out easily. The photos below show both views of the stem and tenon.I polished the rim top and bowl with micromesh sanding pads. I wet sanded with 1500-2400 grit pads and wiped the bowl down with a damp cloth after each pad. I dry sanded with 3200-12000 grit pads. Again, I wiped it down with a damp cloth. I buffed it with a microfiber cloth. I sanded out the tooth marks on the stem with 220 grit sandpaper until they were not visible any longer.I ran a few pipe cleaners with alcohol through the stem to clean out the sanding dust that had gotten into the airway. I cleaned out the slot with the pipe cleaners to remove grime from the corners.I polished the scratches left behind by the sandpaper with micromesh sanding pads. I wet sanded with 1500-2400 grit pads and dry sanded with 3200-12000 grit pads. I wiped it down with a damp cloth after each pad. I put the stem back on the bowl and lightly buffed it on the buffing wheel using Blue Diamond to lightly polish it. I buffed the stem to raise the gloss on the acrylic. I gave the stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The variegated colours of the meerschaum progressing from a golden brown to a light tan colour go well with the rich variations of the brown, gold and tan acrylic stem. The polish and the reworking of the stem material left this a beautiful looking pipe. I will be posting this pipe on the rebornpipes store very soon. It should make a nice addition to the next pipeman’s rack and in purchasing it you can add your story to the ongoing story of the pipe. The dimensions of the pipe are: Length: 6 inches, Height: 2 inches, Outside Diameter: 2 1/4 inches, Diameter of the chamber: 3/4 inch. If you are interested in purchasing this pipe email me at slaug@uniserve.com or send me a message on Facebook. Thanks for walking through the restoration with me.  

Restoring a Rusticated House of Robertson Rhodesian


Blog by Steve Laug

My brother Jeff found an assortment of House of Robertson pipes at an auction in Wilder, Idaho which is an area in the greater Boise, Idaho area. He picked them up for us to restore. I had forgotten that I had mentioned the brand in passing in a blog on Leonard’s Pipe Shop in Portland, Oregon. Here is the link to that blog where I mention it as one of the brands that Leonard’s sold: https://rebornpipes.com/2013/06/06/leonards-pipe-shop-portland-oregon/. It is a fascinating brand that really I had never had the privilege of seeing first hand. He cleaned them all up and on a recent trip to Idaho, I picked them up and brought them back to Canada. I took pictures of the lot of them to show the wide variety of pipes that they made in terms of both size and style. The craftsmanship is very good with the fit of the stem and shank well done and the finish both rusticated and smooth exemplary. Jeff picked up three more of the brand in Pocatello, Idaho so I will be working on more of these pipes in the future. They all have the name House of Robertson roughly hand etched on the side or underside of the shank with an engraving tool. I did a bit of hunting for information about the brand and found a link on Pipedia that gave me the only information I could find on the brand. I include that in total as it is interesting to read.

“House of Robertson” was in business for many years, but alas, closed their doors in 1999. They were located in Boise, Idaho. They are noted for making rather large and interesting pipes. Thayne Robertson was a Master Mason, AF & AM, and started the shop about 1947 and his son Jon started working there in 1970 when he finished college, along with Thayne’s daughter. Thayne and his son started making the big pipes at that time, and made them together until 1987 when Thayne passed away. Jon kept the store and his sister moved on to other things. The House of Robertson appears to have closed around 1999. https://pipedia.org/wiki/Robertson

The second of the six pipes I chose to work on was rusticated Rhodesian/Bulldog shaped pipe. It is engraved with the House of Robertson signature on a smooth panel on the left side of the shank. The rusticated finish on the pipe was in good shape – just dusty and dirty. The deep grooves in the rustication were very dirty. The smooth rim cap was separated from the rusticated bowl by twin bands. It had two rusticated patches on it that match the rustication on the bowl and give the rim top an interesting look. I have circled the pipe in red in the above group photos. It is an interesting pipe. The bowl had a thin cake but it did not go all the way to the bottom of the bowl. The pipe is about a Group 5 size but it is very light weight. The stem was oxidized but did not have tooth marks or chatter on the surface. The fit of the stem to the shank was good. The vulcanite appeared to have been a pre-formed stem that was shaped to fit this pipe. The internals of the shank and stem had some tars and oils. Jeff took photos of the pipe before he started the cleanup. The next close-up photos show the finish on the top and the underside of the bowl. The first photo shows that the bowl had a thin cake and some slight rim darkening and lava on the rear edge of the rim top where the previous owner had repeatedly lit the pipe. The inner and outer edge of the rim looks really good. You can also see the two rusticated patches on the rim top. The finish on the rim top was in great condition. The two photos that follow the rim view show the underside of the pipe. The next photo shows the etched name on the left side of shank on a smooth panel of briar. It reads House of Robertson.The round saddle stem was oxidized and pitted from the oxidation. There were no tooth marks on the stem top or underside.Jeff out did himself on the cleanup of this pipe. He reamed the bowl with a Savinelli Fitsall pipe knife to remove the thin cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. When he had finished, the bowl looks almost new on the inside (Once again I don’t think it has ever been smoked to the bottom of the bowl as it is raw briar in the bottom quarter). He scrubbed the exterior of the bowl, rim and shank with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the bowl, rim and shank. He rinsed it under running water. He dried it off with a soft cloth. The light lava mess on the rim and the dust deep in the rustication was thoroughly removed without harming the finish underneath it. Once the grime was removed the finish actually looked to be in excellent condition I took photos of the pipe to show its condition before I started my work on it. I took a photo of the rim top to show the great condition it was in after the cleanup. Jeff was able to remove all of the darkening and tar on the right side of the rim top and the back edge of the rim. The stem was clean but pitted and oxidized.I rubbed the bowl down with Before & After Restoration Balm to deep clean the nooks and crannies of the rusticated finish, enliven and protect the briar. I hand rubbed it with my fingers, worked it into the rings with a cotton swab and buffed it with a horsehair shoe brush. I wiped it off with a soft cloth. I buffed the bowl on the wheel with a horsehair shoe brush to polish it. It really began to have a deep shine in the briar. I took some photos of the bowl at this point to mark the progress in the restoration. I sanded the stem with 220 grit sandpaper to remove the oxidation on both sides and in the angles of the saddle stem.I polished out the sanding scratches and marks in the vulcanite with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-4000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I buffed the stem with Blue Diamond on the buffing wheel. I brought it back to the table and sanded it with the final three 6000-12000 grit pads. I polished it further with Before & After Pipe Polish –using both the Fine and Extra Fine Polishes. I gave it a rubdown with Obsidian Oil one last time and set it aside to dry. I put the stem back on the bowl and worked the pipe over on the buffing wheel using Blue Diamond to lightly polish the stem. I buffed the bowl with a light touch so as not to get any of the buffing compounds in the grooves of the rustication. I buffed the stem to raise the gloss on the vulcanite. I gave the bowl multiple coats of Conservator’s Wax and gave the stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The medium brown stains on the rusticated Rhodesian shaped bowl with a smooth cap works well with the rich black of the vulcanite stem. The polish and the reworking of the stem material left this a beautiful and well-made pipe. The dimensions of the pipe are: Length: 6 1/2 inches, Height: 1 ½ inches, Outside Diameter: 2 inches, Diameter of the chamber: 7/8 inch. This one sold before I finished it. It will soon be on its way to pipeman in Utah who has a growing collection of House of Robertson Pipes. Thanks for looking.

Kathy’s Dad’s Pipes #8– Restemming & Restoring George Koch’s “Malaga” Freehand


Blog by Steve Laug

This is the eighth of the “Malaga” pipes that I am working on from Kathy’s Dad’s pipes. I will retell the story of the estate. Last fall I received a contact email on rebornpipes from Kathy asking if I would be interested in purchasing her late Father, George Koch’s estate pipes. He was a lover of “Malaga” pipes – all shapes and sizes and she wanted to move them out as she cleaned up the estate. We emailed back and forth and I had my brother Jeff follow up with her as he also lives in the US and would make it simpler to carry out this transaction. The long and short of it is that we purchased her Dad’s “Malaga” pipes. There are some beautiful pipes in that lot. I have never seen this many “Malagas” together in one place in all of my years of pipe restoring and refurbishing. They varied from having almost pristine to gnawed and damaged stems that will need to be replaced. These were some well used and obviously well loved pipes. Cleaning and restoring them will be a tribute to this pipeman. (Here is a link to some history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. There are also links there to a catalogue and the maker George Khoubesser.)Knowing about the pipeman who held the pipes in trust before me gives another dimension to the restoration work. This is certainly true with this lot of pipes. I can almost imagine George picking out each pipe in his assortment at the Malaga shop in Michigan. I may well be alone in this, but when I know about the person it is almost as if he is with me work on his pipes. In this case Kathy sent us not only information but also a photo of her Dad enjoying his “Malagas”. Once again, I am including that information so you can know a bit about the pipeman who held these pipes in trust before they are passed on to some of you. I include part of Kathy’s correspondence with my brother as well…

Jeff…Here is a little about my dad, George P. Koch…I am sending a picture of him with a pipe also in a separate email.

Dad was born in 1926 and lived almost all his life in Springfield, Illinois. He was the youngest son of German immigrants and started grade school knowing no English. His father was a coal miner who died when Dad was about seven and his sixteen year old brother quit school to go to work to support the family. There was not much money, but that doesn’t ruin a good childhood, and dad had a good one, working many odd jobs, as a newspaper carrier, at a dairy, and at the newspaper printing press among others. He learned to fly even before he got his automobile driver’s license and carried his love of flying with him through life, recertifying his license in retirement and getting his instrumental license in his seventies and flying until he was grounded by the FAA in his early eighties due to their strict health requirements. (He was never happy with them about that.) He was in the Army Air Corps during World War II, trained to be a bomber, but the war ended before he was sent overseas. He ended service with them as a photographer and then earned his engineering degree from University of Illinois. He worked for Allis Chalmers manufacturing in Springfield until the early sixties, when he took a job at Massey Ferguson in Detroit, Michigan. We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all.  He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack. Dad quit smoking later in life and so they’ve sat on the racks for many years unattended, a part of his area by his easy chair and fireplace. Dad passed when he was 89 years old and it finally is time for the pipes to move on. I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

Kathy, once again I thank you for providing this beautiful tribute to your Dad. We will appreciate your trust in allowing us to clean and restore these pipes. I am also trusting that those of you who are reading this might carry on the legacy of her Dad’s pipes as they will be added to the rebornpipes store once they are finished.

The eighth of the pipes that I chose to work on is another “Malaga” Freehand. This one is a smooth pipe with a carved faux plateau top on the rim and on the shank end. It has a look that is similar to an Alpha Freehand. It had a chewed and ruined vulcanite stem. Some great grain peeks through the grime around the bowl. The warm brown finish on the bowl appeared to be good condition under the dust and tars of time. I am even more certain that Malaga pipes must have been oil cured. The uniform finish and the light weight lead me to think that is the case. Once more there are no fills in the bowl or long shank. I have yet to find a fill in any of the bowls I have worked on in this lot and looking through what remains I think it is fair to say I won’t find any in them either.

The plateau style rim top on this Freehand was originally covered and almost filled in with an overflow of lava from the thick cake in the bowl. The rim top and the inner and outer edge of the bowl were in good condition. The stamping was on the underside of the shank and was clear and read “Malaga” near the shank/stem junction. The black vulcanite stem was ruined with bite marks on the top and a large hole on the underside of the stem. It would need to be replaced. The interior of the pipe was dirty. I know that George thoroughly enjoyed his pipes as is evidenced by the wear that all of them show. Jeff took these photos before he started the cleanup work on the pipe. Jeff took close up photos of the bowl and rim to show the condition of the pipe before he started to work his magic on it. The exterior of the bowl and shank were dirty. You can see the lava on the rim top, the cake and remnants of tobacco in the bowl and the nicks on the rim top and bowl around the outer edge of the rim. The second rim top photo shows the thick cake and debris in the bowl. It is dirty but in otherwise good condition. He also took photos of the side and of the faux plateau on the shank end. He also took a photo of the shank to show the stamping on the underside of the shank. You can see the overall condition of the shank before cleanup.The next photos show the damage to both surfaces of the stem near the button, the worn and chewed down button and the missing underside of the stem. The stem is a write off – misshapen and ruined.Working on this eighth pipe followed the same pattern as all of these pipes. Jeff had reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the bowl, rim and shank. He rinsed it under running water. He dried it off with a soft cloth. The lava mess on the rim was thoroughly removed without harming the finish underneath it. Without the grime the finish looked really good. As noted above the stem was a write off and would need to be replaced with a suitable one. I took photos of the pipe to show its condition before I started my work on it.    I took a photo of the rim top to show the condition it was in after the cleanup. Jeff was able to remove all of the lava on the rim top and edges. You can see the faux plateau that has been carved into the top of the rim. It is a nice looking finish. The stem was clean and you can see the tooth chatter and marks on the surface near the button and the bite through on the underside.I went through my can of scavenged stems and found one that was suitable for a replacement for this chewed Freehand stem. It was similar in terms of shape and less than a ¼ inch shorter than the chewed through original. Once it was cleaned up it would work nicely. The tenon was very close to the right size which was a bonus. I took photos of the replacement stem to show the condition it was in. It was lightly oxidized and had some light tooth chatter and dents. I painted the surface of the stem with the flame from a Bic lighter to heat and lift the dents in the vulcanite. This is one of those times that I am glad vulcanite has memory. The marks lifted to the surface and a bit of sanding would smooth things out.There was a nick out of the top of the button on the inner left side. I filled it in with a drop of clear superglue. Once it was dry I sanded it smooth with 220 grit sandpaper. I sanded the rest of the stem at the same time and removed some of the oxidation on the surface.Finally I had a pipe to restem that was quite easy. The only thing I did was smooth out the tenon and then build it up with a light coat of clear nail polish. When the coat dried I put the stem in the pipe and took the following photos to show the progress. I kind of like the look of the stem. It works with the pipe quite well. I polished the briar with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the briar down after each pad with a damp cloth to remove the sanding dust. I rubbed the bowl down with Before & After Restoration Balm to deep clean the briar and particularly the reshaped areas. The product works to clean, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl with a horsehair shoe brush to polish it. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. I cleaned out the stem with alcohol, pipe cleaners and cotton swabs. This replacement stem was in far better condition than some of the others I have been using. It did not take much scrubbing  before the airway was clean.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the vulcanite. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. You may have noticed the roughness of the tenon in the above photos. It is smoother than it looks but I polished it some more to finish it for the final photos.I the polished stem and bowl with Blue Diamond to polish out the remaining small scratches. I gave the bowl multiple coats of Conservator’s Wax and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. This is the eighth of the many “Malaga” pipes that I am restoring from Kathy’s Dad’s collection. I am looking forward once again to hearing what Kathy thinks once she sees the finished pipe on the blog. This one is heading to India to a pipeman there who will carry on the trust from her father. The dimensions are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 inches. Thanks for walking through the restoration with me as I worked over this Malaga from George’s estate. More will follow in a variety of shapes and sizes.

ANSWERS TO QUESTIONS – What are the refurbishing tools that you can’t live without?


Blog by Steve Laug

I can’t remember how many times I have been asked for a simple list of refurbishing tools. The list for me keeps growing to I always narrow it down to the tools I use the most and “can’t live without.” This seems easier for you and for me. You will find that as you work with restoring/refurbishing pipes that you will come up with your own tools and tricks. You can add these things to your kit as the need arises. I have organized the various tools under the categories where I see them fitting in my kit. I am well aware that more can be added by each of you who work on pipes but it seems to me that this is the bare minimum of supplies. I added a few items to the end of the list that go beyond the minimum but make life a lot easier. I have organized my list in terms of the order of use of the tools both in the category headings and the supplies under each.

REAMERS

I start my list of tools with my favourite pipe reamers because I use them on almost every pipe that I refurbish. Generally I use at least two of them each day. Remember I clean up a lot of estate pipes (between my brother and I) and these are the ones that we repeatedly come back to. I have listed them in my order of preference. I have at least two (maybe three) PipNet reamer sets in my drawer. I don’t ever want to be without this set. The versatility of the interchangeable cutting heads for various bowl sizes is hard to beat. I always start with the smallest cutting head and work up to the one that takes the cake back to the bare briar or the thinness that I am looking for. It is my first go to reamer.

For me the Savinelli Fitsall Pipe Reamer is a close second. I use it to clean up any remnants in the heel of the bowl or along the walls that have been left behind by the PipNet set. I also use it exclusively on Meerschaum pipes because I can actually feel the work on the bowl walls. I use it to also scrape of the lava coat on the top of the rim. It has a triangular shaped blade that works very well and the pointed end allows me to effectively scrape the bottom of the bowl. I have found that these are hard to come by, but Smokingpipes.com recently tweeted that they have one that looks very similar. The following link will take you to their site: smokingpip.es/2GcoWxK. It is called the Low Country Reamer and they sell for $14.95USD.

The third reamer that I turn to when the other two will not work on a particularly narrow or conical bowl is the KleenReem Pipe Reamer. This is different from the Senior Reamer that I feel is far more flimsy and not designed as well to get to the bottom of the bowl. I keep several of these on hand at all times. Its adjustable diameter allows me to fit it to the bowl and the point at the end of the tool allows me to work on the bottom as well. It also comes with a drill bit in the end of the handle that can be used to ream out the airway between the mortise and the bowl. It can be used as is or can be wrapped with a bit of pipe cleaner to remove the tars and oils that harden in those areas. I often use the drill bit even if I do not use the reamer because there really is nothing like it.

Those are my three indispensable reamers for use in cleaning up the bowl and shank. I have many other reamers that I have collected over the years but none of them live up to the workability and flexibility of these three tools. I have tried using others and just laid them aside to go back to these. If you plan on working pipes as a hobby you need to have all three of these in your tool box.

SCRUBBING – EXTERIOR

The next indispensable tools in my kit are some brushes that I use for scrubbing the exterior of the bowl, shank and stem. The first of these that I keep handy is a toothbrush. I have several different toothbrushes with different weights of bristle from soft to stiff. I use them on different finishes. The soft bristle brush is what I use on smooth finished pipes as it is stiff enough to remove the grime on the surface of the bowl. With sandblast and rusticated pipes I use either a medium bristle or stiff bristle brush to clean out the nooks, crannies and grooves in the finish.

For plateau rim tops and shank ends as well as heavily rusticated pipes I use a brass bristle tire brush. These are available at most hardware and tool shops as they are used for cleaning parts. The brass is soft and I find that on these particular pipes it does not damage the briar and does a great job of removing the lava and built up grime. It is really a helpful tool. The key with it is not to press too hard on the brush but work it over the surface repeatedly until it is clean.

I use Murphy’s Oil Soap with each of the brushes. I used it undiluted and scrub the briar with the soap and brushes and rinse it off afterward with warm, running water. Many wonder about using water with briar. Remember I am letting it sit and soak in the water I am merely rinsing it off and immediately drying it off with a cloth. The water does not have the time to be absorbed by the briar.

For cleaning vulcanite and acrylic stems I have two different tools in my arsenal. The first is Mr. Clean Magic Eraser and the second is Oxyclean. If the stem is not too badly oxidized often a Magic Eraser wetted with water will make short work of removing the oxidation. I scrub the surface of the stem with the Magic Eraser sponge and then repeatedly rinse the sponge to remove the oxidation that colours it brown. Repeated scrubbing will remove most of the oxidation on hard rubber stems that are not too oxidized. On Lucite or acrylic stems it is more a matter of cleaning off scum or buildup. It works well for that too. For more heavily oxidized stems a soak in a bath of Oxiclean mixed with warm water will bring the oxidation to the surface of the stem where it can be wiped off with a paper towel. I repeat the process until the oxidation is gone. It works quite well to bring a badly oxidized stem back to life. I personally do not use bleach in any form on stems as I find that it deteriorates the rubber, leaves the surface pitted and reduces the life expectancy of the rubber itself.

SCRUBBING – INTERIOR

Moving to the inside of the pipe I have four tools that I use on every pipe. I clean out the inside of the mortise and the airway in the shank and stem with 99% isopropyl alcohol. I know that others do not like using this kind of alcohol but the higher the percentage the less water is in the mix and the more quickly it evaporates leaving nothing in the airways and shanks. I have been using it for years and generally have several bottles in my supply. I purchase it from a local pharmacy where it is kept behind the counter. I do not use the common isopropyl that is sold in most shops as it is 79% to 90%. The lower the percentage, remember the more water is in the mix. I do not use Everclear because it is not available here and I do not use any distilled spirits as I don’t waste that on cleaning a pipe.

The second indispensable tool that I always keep in supply is pipe cleaners. I use primarily regular pipe cleaners that are the same the entire length of the cleaner. I do not like tapered ones because I find that the large end rarely fits and the thin end is too thin for anything other than metal pipes. I also have a few bristle pipe cleaners on hand should I want to use them. I find that often a good scrubbing with regular pipe cleaners works very well. I dip them in a small cap of alcohol and run them through the various airways.

I also have pipe brushes that are specifically made to reduce the number of pipe cleaners needed to clean the shank and airways. They are generally made of twisted wire and a nylon bristle brush head. They are flexible enough to fit curved and straight shank pipes and do a decent job of cleaning. I personally do not use them very often as I find that they get very dirty very quickly and are a pain to clean. I have some and use them on rare occasions when a pipe cleaner just does not do the job. I would say don’t bother but just the time I think that I reach for one.

The last items that I go through by the boxload are cotton swabs or q-tips. I know that there are many low cost, inexpensive cotton swabs and I think I have tried most of the generic ones. I find that they fall apart when wet with alcohol and can easily clog the shank and mortise. I don’t skimp on these and get name brand Q-tip or equivalent swabs with the paper stick. I check to make sure the cotton ends are well connected and will not come off inside the shank. I dip them in isopropyl alcohol and scour the inside of the mortise, the end of the tenon and the slot in the button. I work with them until those areas are clean and the swabs remain white.

I cannot think of much other than this combination that is needed to clean out the inside of the pipe. Remember to ream the bowl before you do the cleaning or you will need to repeat it as the carbon dust goes everywhere when you are reaming and you will find that it is in the airway in the bowl, shank and even the stem if you happen to leave it on while reaming. I learned that the hard way and would hope that you could learn from my errors.

SANDING AND POLISHING

In terms of sanding and polishing I have done both the bowl and the stem over the year so I will include them both as I walk through the tools with you. I know some use low grit papers for stripping finishes, shaping briar and stem material. Personally I use 220 grit sandpaper as I find that the scratches left behind by the paper are easier to deal with than the lower grits. It will pretty much do everything that I want it to do on both. I use it to shape the stem and work over repairs on the bowl. I use it to bevel the rim and to clean up damaged rims. I always keep a stock of that grit paper here. I also keep several other higher grit papers for polishing (400 and 600 grit) but since I started using micromesh sanding pads I rarely use the higher grit papers.

I also have three different sets of needle files in different lengths, shapes and thicknesses that I use in working on airways in the bowl, the rings on bulldog pipes, the button and slot on stems. In almost all the sets there are four different files that are my go to shapes – round, flat oval, oval and knife blade shaped. I find that these are all I need to do most of the work I do. I also have some flat larger files that make short work of smoothing out stem repairs or super glue and charcoal powder. I replace these files about every five years – I have a tool liquidator near the house that allows me to just purchase the style of file that I need.

I have started using sanding sticks in shaping the button, slot and funnel in the end of the tenon. I have also found that they are helpful when I am joining together two parts of a broken shank. They are quite long so I can sand inside the shank smoothing out the joint of the two parts. They are not expensive so I go through them quite quickly.

Finally I have several trays of micromesh sanding pads. I buy these in sets from 1500-12000 grit from Stewart MacDonald online( http://www.stewmac.com). I personally like the 2 inch x 2 inch pads as they are a good size for what I do with them. The following link shows the options (http://www.stewmac.com/Materials_and_Supplies/Sanding_and_Polishing/Buffing_and_Polishing/Micro-Mesh_Soft_Touch_Pads.html). They are easy to manipulate around the curves of pipes, the sharp edges of the rim and button and can be rolled or bent to work I the angles. Others use the micromesh sheets and cut them to size. I generally use the pads for wet sanding the briar and the stem material so I wash them with soap and water and reuse them for a long time. I rarely throw them away as even the pads that are worn smooth work to polish at times when nothing else works.

POLISHES AND WAXES

If the finish on the pipe is undamaged once the grime is removed I will often rub it down with a product called Before & After Restoration Balm. I find that it cleans, enlivens and protects the briar. I rub it into the finish with my finger tips and let it sit before buffing it with a soft cloth. Sometimes I will use this product before buffing with and polishes or adding waxes. It really does work.

For both the bowl and the stem to remove scratches in the surface left behind by sanding I used Red Tripoli on a buffing wheel and follow that by Blue Diamond. The Red Tripoli is quite coarse so if I have already polished the stem with micromesh sanding pads I skip the Tripoli. If a stem has some nasty spots of oxidation I buff them with Red Tripoli to work at them. But if the stem is polished pretty well I turn to Blue Diamond. Blue Diamond is a plastic polish and is pretty fine. It really makes a finish pop on the bowls and gives the surface of both the vulcanite and acrylic stems a rich shine.

Once the stem has the nice shine that I have come to expect with these buffing compounds I give the stem and bowl several coats of carnauba wax. (I use a soft wax called Conservator’s Wax or even Renaissance Wax for rusticated and sandblasted finishes as the carnauba can fill in the grooves and make the finishes a real mess – learned that from experience.) When I have finished waxing the bowl and the stem I buffed it with a clean buffing pad to polish the wax. Lots of folks leave out this step but it really does add a finished touch to the polished pipe.

APPLICATORS

For applying the polishes and wax there are several methods depending on what you are using. With soft polishes like Dunhill Stem polish or Savinelli Pipe Stem polish you can apply it with your fingers and buff it with a soft cloth. But for polishing compounds and carnauba wax you need some kind of wheel to apply the product. Many people use a 4 inch wheel on an arbor on their hand drill or lathe and it works very well. I have used a four inch wheel on a cordless drill with good success. You chuck it in your drill and either move the pipe around the buffing wheel or the buffing wheel around the pipe. I anchored my drill with a bench vise to keep it stationary and worked the pipe around the wheel. I find that gave me more flexibility. I run the drill at a fairly slow speed until I get used to the feel and then speed it up.

Others have used a Dremel and buffing wheels with great success. The key is to run it at a lower speed and don’t leave it in one place as it will definitely cause ripples and waves in the material. You need to change the pads for each product so there is no crossover. Use one pad for Tripoli, one for Blue Diamond or White Diamond and one pad for your waxes. Also use a clean pad to polish the final product.

For me however, the best method is my buffing wheel. I picked up two bench grinders from a local tool liquidator and removed the grinding wheels and covers and use 6 inch buffing wheels on both. This way I do not need to change wheels on it. I used to use a homemade buffer made from a furnace motor, an on/off switch and a three prong plug that I wired to the switch. It had an arbor and quick change system that I purchased called the Beall Buffing System. That worked really well.

SPECIALTY TOOLS

I am adding two other tools that I have added that I really think have lightened my load and made my work simpler. The first of those is the PIMO Tenon Turning Tool which is available now from Vermont Freehand. It is adjustable and you can easily turn down tenons for most pipes. The limitations really are with regard to the tiny pipes and pencil shank pipes. Those I get as close as possible and finish with files and sandpaper. Before I purchased this tool I used to do the tenons by hand with files and sandpaper – it was labour intensive but it worked. Needless to say, that I rarely restemmed pipes with that method. I still have a box of bowls that need to be restemmed from that era. Perhaps one day I will get to them.

The second tool that I don’t know how I lived without is a heat gun. I used to use boiling water in the microwave or a cookie sheet in the oven to bend stems. With the water method I had to contend with oxidation afterwards. With the oven method the beauty was that I could do multiple stems at once. The only problem is that often I only need one stem and this seemed like over kill. Now with the heat gun I can bend stems on demand. I have also found that it works well to heat up metal tenons for removal and readjustment and for loosening stems that are stuck in the shank.

CONCLUSION

That is the content of the basic tool kit that you can start with to work on pipes. It is a basic list of tools that I use almost daily as I work on pipes. Remember I do this for a hobby so there are probably other tools that a shop or repair business uses that I have not listed. I don’t use them because I do not have the room. I do all of my repairs on my desk top one or two pipes at a time. The tools work for me. Hopefully that helps some of you as you think about our joint hobby. If it does so, great. If not, just ignore this post. As always these are just my own opinions and I am expressing what has worked for me. If you don’t agree that is ok with me. Until the next Answers to Questions blog keep your pipes clean and enjoy smoking your work! Cheers.

 

Kathy’s Dad’s Pipes #7– Restemming &Restoring George Koch’s “Malaga” Canadian


Blog by Steve Laug

This is the sixth of the “Malaga” pipes that I am working on from Kathy’s Dad’s pipes. For those of you who have not read the other blogs let me tell the story. Last fall I received a contact email on rebornpipes from Kathy asking if I would be interested in purchasing her late Father, George Koch’s estate pipes. He was a lover of “Malaga” pipes – all shapes and sizes and she wanted to move them out as she cleaned up the estate. We emailed back and forth and I had my brother Jeff follow up with her as he also lives in the US and would make it simpler to carry out this transaction. The long and short of it is that we purchased her Dad’s “Malaga” pipes. There are some beautiful pipes in that lot. I have never seen this many “Malagas” together in one place in all of my years of pipe restoring and refurbishing. They varied from having almost pristine to gnawed and damaged stems that will need to be replaced. Many of the pipes already had replacement stems or maybe George had the staff at the Malaga shop in Michigan put Lucite stems on them because he was such a gnawer. I don’t know if we will ever know the answer to that as Kathy did not know for sure. She did know though that he loved the brand and that most of the pipes he smoked he purchased from the shop. These were some well used and obviously well loved pipes. Cleaning and restoring them will be a tribute to this pipeman. (Here is a link to some history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. There are also links there to a catalogue and the maker George Khoubesser.) Knowing about the pipeman who held the pipes in trust before me gives another dimension to the restoration work. This is certainly true with this lot of pipes. I can almost imagine George picking out each pipe in his assortment at the Malaga shop in Michigan. I may well be alone in this, but when I know about the person it is almost as if he is with me work on his pipes. In this case Kathy sent us not only information but also a photo of her Dad enjoying his “Malagas”. Once again, I am including that information so you can know a bit about the pipeman who held these pipes in trust before they are passed on to some of you. I include part of Kathy’s correspondence with my brother as well…

Jeff…Here is a little about my dad, George P. Koch…I am sending a picture of him with a pipe also in a separate email.

Dad was born in 1926 and lived almost all his life in Springfield, Illinois. He was the youngest son of German immigrants and started grade school knowing no English. His father was a coal miner who died when Dad was about seven and his sixteen year old brother quit school to go to work to support the family. There was not much money, but that doesn’t ruin a good childhood, and dad had a good one, working many odd jobs, as a newspaper carrier, at a dairy, and at the newspaper printing press among others. He learned to fly even before he got his automobile driver’s license and carried his love of flying with him through life, recertifying his license in retirement and getting his instrumental license in his seventies and flying until he was grounded by the FAA in his early eighties due to their strict health requirements. (He was never happy with them about that.) He was in the Army Air Corps during World War II, trained to be a bomber, but the war ended before he was sent overseas. He ended service with them as a photographer and then earned his engineering degree from University of Illinois. He worked for Allis Chalmers manufacturing in Springfield until the early sixties, when he took a job at Massey Ferguson in Detroit, Michigan. We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all.  He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack. Dad quit smoking later in life and so they’ve sat on the racks for many years unattended, a part of his area by his easy chair and fireplace. Dad passed when he was 89 years old and it finally is time for the pipes to move on. I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

Kathy, once again I thank you for providing this beautiful tribute to your Dad. We will appreciate your trust in allowing us to clean and restore these pipes. I am also trusting that those of you who are reading this might carry on the legacy of her Dad’s pipes as they will be added to the rebornpipes store once they are finished.

The seventh of the pipes that I chose to work on is another “Malaga” Canadian. This one is a smooth pipe with a flat bottom so that it is a sitter. It had a chewed and ruined vulcanite stem. Some great grain peeks through the grime around the bowl. The warm brown finish on the bowl appeared to be good condition under the dust and tars of time. I am pretty certain that Malaga pipes must have been oil cured. The uniform finish and the light weight lead me to think that is the case. Once more there are no fills in the bowl or long shank. I have yet to find a fill in any of the bowls I have worked on in this lot and looking through what remains I think it is fair to say I won’t find any in them either.

The rim top on this Canadian was originally smooth and flat but it was covered with an overflow of lava from the thick cake in the bowl. The rim top at the back of the bowl was more thickly caked than the front. The rim top, along with the inner and outer edge of the bowl was heavily damaged. There were some nicks and rounding of the outer edge and there was some darkening on the inner edge. The bowl was out of round from previous reaming. The rim top and outer edge showed signs of being knocked against a hard surface to empty the dottle from the bowl. The stamping on the topside of the shank was clear and read “Malaga” and on the flat underside it read Imported Briar. There were no shape numbers on the pipe. The black Lucite stem was ruined with bite marks on the top and a long slice on the underside of the stem. It would need to be replaced. The interior of the pipe was dirty. I know that George thoroughly enjoyed his pipes as is evidenced by the wear that all of them show. Jeff took these photos before he started the cleanup work on the pipe. Jeff took close up photos of the bowl and rim to show the condition of the pipe before he started to work his magic on it. The exterior of the bowl and shank were dirty. You can see the lava on the rim top, the cake and remnants of tobacco in the bowl and the nicks on the rim top and bowl around the outer edge of the rim. The second rim top photo shows the damage on the front edge of the rim. It is dirty but in otherwise good condition. He also took photos of the sides and underside of the bowl and shank. He also took a photo of both sides of the shank to show the stamping on both the topside and the underside. You can see the overall condition of the shank before cleanup.The next photo shows the fit of the stem against the shank. The stem was obviously a replacement and was poorly fit. The second and third photo shows the damage to both surfaces of the stem near the button, the worn and chewed down button and the missing underside of the stem. The stem is a write off – misshapen and ruined.Working on this seventh pipe followed pretty much the same pattern as all of these pipes. Jeff had reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the bowl, rim and shank. He rinsed it under running water. He dried it off with a soft cloth. The lava mess on the rim was thoroughly removed without harming the finish underneath it. The slight bevel to the rim was visible once the pipe was clean. Without the grime the finish looked really good. As noted above the stem was a write off and would need to be replaced with a suitable one. I took photos of the pipe to show its condition before I started my work on it.   I took a photo of the rim top to show the condition it was in after the cleanup. Jeff was able to remove all of the lava on the rim top and edges. There is still some darkening on the rim top. You can see the damage on the top itself and around the outer edges from knocking out the pipe on a hard surface. The inner edge of the bowl had a lot of nicks and cuts and was out of round. The stem was clean and you can see the tooth chatter and marks on the surface near the button and the large deeper tooth mark on the underside.I went through my can of extra stems and found one that was suitable for a replacement on this Canadian. It was the same shape and size as the replacement that had been chewed through. Once it was cleaned up it would work nicely. The tenon was the right size which was a bonus. I put the stem on the shank and took the following photos. This is the part of restemming that is always a challenge. Like the sixth pipe I finished a bit ago it needed to be shaped. The new oval stem is always slightly off because the shank is never truly oval or round. Either the shank needs to be taken down slightly to accommodate the fit of the new stem or the stem needs to be taken down to meet the shank. In this case you can see from the following photos that the stem was a poor fit on the sides while the top and the underside of the shank were very close. In the photo of the top side you can see that it is slightly smaller. That tells you that the shank is not perfectly oval and adjustments will need to be made.I sanded off all of the calcification on both sides of the stem with 220 grit sandpaper and cleaned up the area around the button edge. I sanded the surface of the button to reshape it on both the top and underside.I decided to work over the rim top next. I topped the bowl to remove the damaged areas on the top of the rim and minimize the damage to the inner and outer edges. Once that was finished there was still some damage to the rim from previous reaming and lighting. I took care of it by reshaping the bevel and the inner and outer edge of the rim with 220 grit sandpaper. I was able to remove all of the damage to the rim surface and reshape both then inner and outer edge of the rim. The gentle bevel that was originally present was restored. With the rim reshaped I turned my attention to fitting the stem to the shank. I carefully sanded the shank to reduce the diameter to match the stem. It was interesting that most of the work had to be done on the sides of the shank with a little on the top and bottom. In essence I made the shank more oval to match the stem. The photos below show the fit of the new stem at this point. I sanded the rim top repairs and the stem/shank junction with a medium and a fine grit sanding sponge to make sure that the scratching was reduces but more importantly that the transition at the shank and stem was smooth and flowing. It is easy to create issues with a folded piece of sandpaper (in terms of dips in the briar or vulcanite) because the two mediums have different hardness. The sanding sponge minimizes that for me. I polished the briar with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the briar down after each pad with a damp cloth to remove the sanding dust. I rubbed the bowl down with Before & After Restoration Balm to deep clean the briar and particularly the reshaped areas. The product works to clean, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl with a horsehair shoe brush to polish it. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. I cleaned out the stem with alcohol, pipe cleaners and cotton swabs. It took a bit of scrubbing but before too long the airway was clean.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the brass and the vulcanite. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. I the polished stem and bowl with Blue Diamond to polish out the remaining small scratches. I gave the bowl multiple coats of Conservator’s Wax and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. This is the seventh of the many “Malaga” pipes that I am restoring from Kathy’s Dad’s collection. I am looking forward once again to hearing what Kathy thinks once she sees the finished pipe on the blog. I will be posting it on the rebornpipes store very soon. It should make a nice addition to the next pipeman’s rack and in purchasing it you can carry on the trust from her father. The dimensions are Length: 6 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 inches. Thanks for walking through the restoration with me as I worked over this Malaga from George’s estate. More will follow in a variety of shapes and sizes.

 

Kathy’s Dad’s Pipes #6– Restemming &Restoring George Koch’s “Malaga” Carved Canadian


Blog by Steve Laug

This is the sixth of the “Malaga” pipes that I am working on from Kathy’s Dad’s pipes. For those of you who have not read the other blogs let me tell the story. Last fall I received a contact email on rebornpipes from Kathy asking if I would be interested in purchasing her late Father, George Koch’s estate pipes. He was a lover of “Malaga” pipes – all shapes and sizes and she wanted to move them out as she cleaned up the estate. We emailed back and forth and I had my brother Jeff follow up with her as he also lives in the US and would make it simpler to carry out this transaction. The long and short of it is that we purchased her Dad’s “Malaga” pipes. There are some beautiful pipes in that lot. I have never seen this many “Malagas” together in one place in all of my years of pipe restoring and refurbishing. They varied from having almost pristine to gnawed and damaged stems that will need to be replaced. Many of the pipes already had replacement stems or maybe George had the staff at the Malaga shop in Michigan put Lucite stems on them because he was such a gnawer. I don’t know if we will ever know the answer to that as Kathy did not know for sure. She did know though that he loved the brand and that most of the pipes he smoked he purchased from the shop. These were some well used and obviously well loved pipes. Cleaning and restoring them will be a tribute to this pipeman. (Here is a link to some history of the Malaga Brand if you are interested: https://rebornpipes.com/tag/malaga-pipes/. There are also links there to a catalogue and the maker George Khoubesser.)Knowing about the pipeman who held the pipes in trust before me gives another dimension to the restoration work. This is certainly true with this lot of pipes. I can almost imagine George picking out each pipe in his assortment at the Malaga shop in Michigan. I may well be alone in this, but when I know about the person it is almost as if he is with me work on his pipes. In this case Kathy sent us not only information but also a photo of her Dad enjoying his “Malagas”. Once again, I am including that information so you can know a bit about the pipeman who held these pipes in trust before they are passed on to some of you. I include part of Kathy’s correspondence with my brother as well…

Jeff…Here is a little about my dad, George P. Koch…I am sending a picture of him with a pipe also in a separate email.

Dad was born in 1926 and lived almost all his life in Springfield, Illinois. He was the youngest son of German immigrants and started grade school knowing no English. His father was a coal miner who died when Dad was about seven and his sixteen year old brother quit school to go to work to support the family. There was not much money, but that doesn’t ruin a good childhood, and dad had a good one, working many odd jobs, as a newspaper carrier, at a dairy, and at the newspaper printing press among others. He learned to fly even before he got his automobile driver’s license and carried his love of flying with him through life, recertifying his license in retirement and getting his instrumental license in his seventies and flying until he was grounded by the FAA in his early eighties due to their strict health requirements. (He was never happy with them about that.) He was in the Army Air Corps during World War II, trained to be a bomber, but the war ended before he was sent overseas. He ended service with them as a photographer and then earned his engineering degree from University of Illinois. He worked for Allis Chalmers manufacturing in Springfield until the early sixties, when he took a job at Massey Ferguson in Detroit, Michigan. We lived in Livonia, and that’s where his love for Malaga pipes began. After a few years he returned to Allis Chalmers and we moved back to Springfield. I remember that when we went back to Michigan to visit friends, Dad had to go to the Malaga store and acquire a few new pipes. Many a year I wrote to Malaga and they picked out a pipe for me to purchase that I could give Dad for a Christmas or birthday present. He was always pleased. His favorites were the straight stemmed medium sized bowl pipes, but he liked them all.  He had some other pipes, but the Malagas were his favorites. I remember him smoking them sitting in his easy chair after work, with feet up on the ledge by the fire burning in the fireplace.  Growing up it was my job to clean them and he liked the inner bowl and stem coated with Watkins vanilla, leaving a little of that liquid in the bowl to soak in when I put them back on the rack. Dad quit smoking later in life and so they’ve sat on the racks for many years unattended, a part of his area by his easy chair and fireplace. Dad passed when he was 89 years old and it finally is time for the pipes to move on. I’m very happy they are being restored by you and your brother and hope they find homes who enjoy them as much as Dad did. Thank-you for your care and interest. — Kathy, the oldest daughter

Kathy, once again I thank you for providing this beautiful tribute to your Dad. We will appreciate your trust in allowing us to clean and restore these pipes. I am also trusting that those of you who are reading this might carry on the legacy of her Dad’s pipes as they will be added to the rebornpipes store once they are finished.

The sixth of the pipes that I chose to work on is a “Malaga” Carved Canadian with some different rustication. There are trails around the pipe and the top of the shank is rusticated in an unusual and interesting pattern. It had a chewed and ruined vulcanite stem. Some great grain peeks through the grime between the trails carved around the bowl. The warm brown finish on the bowl appeared to be good condition under the dust and tars of time. I am pretty certain that Malaga pipes must have been oil cured. The uniform finish and the light weight lead me to think that is the case. Once more there are no fills in the bowl or long shank. I have yet to find a fill in any of the bowls I have worked on in this lot and looking through what remains I think it is fair to say I won’t find any in them either.

The rim top on this Canadian was lightly beveled inward and was covered with an overflow of lava from the thick cake in the bowl. The bevel was almost invisible. The rim top at the back of the bowl was more thickly caked than the front.  The rim top along with the inner and outer edge of the bowl was damaged. There were some nicks on the outer edge and there was some darkening on the inner edge. The bowl was out of round from previous reaming. The rim top and outer edge showed signs of being knocked against a hard surface to empty the dottle from the bowl. The stamping on the underside of the shank was clear and read “Malaga” near the stem/shank junction. There were no shape numbers on the pipe. The black vulcanite stem was ruined with bite marks on the top and a major portion of the underside of the stem missing. It would need to be replaced. The interior of the pipe was dirty. I know that George thoroughly enjoyed his pipes as is evidenced by the wear that all of them show. Jeff took these photos before he started the cleanup work on the pipe. Jeff took close up photos of the bowl and rim to show the condition of the pipe before he started to work his magic on it. The exterior of the bowl and shank were dirty. You can see the lava on the rim top, the cake in the bowl and the nicks on the rim top and bowl around the outer edge of the rim. It is dirty but in otherwise good condition. He also took a photo of the sides and underside of the bowl and shank. He also took a photo of both sides of the shank to show the rustication pattern on the topside and the stamping on the underside. You can see the overall condition of the shank before cleanup.The next photo shows the damage to both surfaces of the stem near the button, the worn and chewed down button and the missing underside of the stem. The stem is a write off – misshapen and ruined.Working on this sixth pipe followed pretty much the same pattern as all of these pipes. Jeff had reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the bowl, rim and shank. He rinsed it under running water. He dried it off with a soft cloth. The lava mess on the rim was thoroughly removed without harming the finish underneath it. The slight bevel to the rim was visible once the pipe was clean. Without the grime the finish looked really good. As noted above the stem was a write off and would need to be replaced with a suitable one. I took photos of the pipe to show its condition before I started my work on it.   I took a photo of the rim top to show the condition it was in after the cleanup. Jeff was able to remove all of the lava on the rim top and edges. There is still some darkening on the rim top. You can see the damage on the top itself and around the outer edges from knocking out the pipe on a hard surface. The inner edge of the bowl had a lot of nicks and cuts and was out of round. The stem was clean and you can see the tooth chatter and marks on the surface near the button and the large deeper tooth mark on the underside.I went through my can of extra stems and found one that was suitable for a replacement on this Canadian. It was the same shape and size as the replacement that had been chewed through. Once it was cleaned up it would work nicely. The tenon was the right size which was a bonus. I put the stem on the shank and took the following photos. This is the part of restemming that is always a challenge. The new stem is always slightly off because the shank is never truly oval or round. Either the shank needs to be taken down slightly to accommodate the fit of the new stem or the stem needs to be taken down to meet the shank. In this case you can see from the following photos that the stem fit the underside of the shank perfectly. In the photo of the top side you can see that it is slightly smaller. That tells you that the shank is not perfectly oval and adjustments will need to be made.I sanded off all of the calcification on both sides of the stem with 220 grit sandpaper and cleaned up the area around the button edge. I sanded the surface of the button to reshape it on both the top and underside.I decided to work over the rim top, reshaping the bevel and the inner and outer edge of the rim with 220 grit sandpaper. I was able to remove all of the damage to the rim surface and reshape the inner edge of the rim. The rounded flowing bevel that was originally present was restored.With the rim reshaped I turned my attention to fitting the stem to the shank. I carefully sanded the shank to reduce the diameter to match the stem. It was interesting that most of the work had to be done on the sides of the shank with a little on the top and bottom. In essence I made the shank more oval to match the stem. The photos below show the fit of the new stem at this point. I polished the briar with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the briar down after each pad with a damp cloth to remove the sanding dust. I rubbed the bowl down with Before & After Restoration Balm to deep clean the nooks and crannies of the rustication paths and patches as well as the smooth areas. The product works to clean, enliven and protect the briar. I hand rubbed it with my fingers and wiped it off with a soft cloth. I buffed the bowl with a horsehair shoe brush to polish it. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. I cleaned out the stem with alcohol, pipe cleaners and cotton swabs. It took a bit of scrubbing but before too long the airway was clean.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the brass and the vulcanite. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. I the polished stem and bowl with Blue Diamond to polish out the remaining small scratches. I gave the bowl multiple coats of Conservator’s Wax and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. This is the sixth of the many “Malaga” pipes that I am restoring from Kathy’s Dad’s collection. I am looking forward once again to hearing what Kathy thinks once she sees the finished pipe on the blog. I will be posting it on the rebornpipes store very soon. It should make a nice addition to the next pipeman’s rack and in purchasing it you can carry on the trust from her father. The dimensions are Length: 6 inches, Height: 1 7/8 inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: 3/4 inches. Thanks for walking through the restoration with me as I worked over this Malaga from George’s estate. More will follow in a variety of shapes and sizes.