Tag Archives: Petersons Pipes

New Life for a Peterson’s of Dublin Silver Mounted 1994 Sherlock Holmes Mycroft

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Blog by Steve Laug

The next pipe on the work table came to me in a group of six pipes I bought from a fellow in Eastern Canada. It included two Canadian made pipes – a Blatter of Montreal and a Trypis. In the mix was an English made Charatan second stamped Mountbatten and two Peterson’s and an Irish Second. The pipes were well used and all had been smoked. The seller sent me a photo of the pipes so that I could see what he was selling. We discussed some options together and arrived at an agreement and the pipes were on their way to me in Vancouver.There was something about the circular shanked, slightly-bent-Dublin, the bottom pipe in the right column that grabbed my attention and made me want to work on it next. It arrived in its original box and sock. I knew that the pipe had been restemmed by Charles Lemon with fishtail stem rather than the original p-lip stem it had come with when new. I brought it to the worktable and examined it before starting my work. I took photos of the original box that the pipe arrived in and what I saw when I opened the box. This is what I saw. It had a round shank, a stamped silver band and a vulcanite taper fishtail stem. The pipe is stamped on the right side of the shank and reads Peterson’s [arched over] of Dublin [arched over] SHERLOCK HOLMES in two lines. On the right side of the shank is stamped MYCROFT. On the fancy silver band on the shank end it is stamped on the left and has a profile of Sherlock Holmes with a pipe in his mouth and his deerstalker hat on his head. Arched over it is stamped PETERSON’S and under it is stamped STERLING SILVER. On the left side it is stamped Peterson over three hallmarks – a seated woman (Hibernia), an oval with 925 centered in it (quality of the silver used) and the italic letter I (the date letter). The finish had some grime ground into the finish on the bowl but still looked to be in good condition. The bowl was moderately caked with some light lava on the top at the back and some darkening on the top and the inner edge of the rim. The taper stem hand made by Charles Lemon had some light tooth chatter on the top and underside near the button. There was a silver “P” logo on the left side of the taper stem. It had promise but it was dirty. I took some photos of the pipe before I started my cleanup work. I took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the overflow of lava on the rim top. I also took photos of the top and underside of the stem to show the oxidation and the chatter and tooth marks. I took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime. I took photos of the stamping on the sides of the shank and on the band. It reads as noted above and is clear and readable.   I removed the stem from the shank and took a photo of the pipe to give a sense of the proportion of this round shank Dublin.I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s The Return of Sherlock Holmes Line. On page 184 it had the following information.

Even before O’Neill had settled in Peterson launched The Return of Sherlock Holmes, the second set of seven original shapes. These include the Rathbone…Hudson… Mycroft… Lestrade… Milverton…Strand…Hansom.

The chapter goes on to describe the Mycroft smooth as follows:

A circular shanked, slightly-bent-Dublin and the second design by Ian Harry Seiffert, the Mycroft (XL22) is named after Holmes’s brother, who appears in four stories, “The Greek Interpreter,” “The Final Problem,” “The Empty House” and “The Bruce-Partington Plans.”

I then turned to Pipedia and found a link to the Peterson’s Sherlock Holmes series of pipes (https://pipedia.org/wiki/A_closer_look_at_the_Peterson_Sherlock_Holmes_series_of_pipes). I quote the following information on the series as a whole then the section on the Return of Sherlock Holmes series

The subject for this pipe focus is the Sherlock Holmes issue of briar pipes, let us look more closely at the individual pipes in more detail.

Probably the most successful series of pipes ever introduced by Peterson in terms of numbers. They were first issued in 1987 to honour Sir Arthur Conan Doyle’s famous fictitious detective character, Sherlock Holmes.

Holmes is perhaps the most famous pipe smoking character in fiction. He is reputed to have kept a selection of favourite pipes – from plain black clay pipes to richly grained briar pipes – to which he frequently resorted to for inspiration, while unravelling a mystery, or solving a knotty problem. For solace, after bringing a difficult case to successful conclusion, and always for pleasure. A man who kept his tobacco in a Persian slipper has to be something of a character, and a colourful one to boot, as indeed was Mr. Holmes of 221B Baker Street, London.

The pipes, crafted in Ireland from selected Mediterranean sourced briar, are made to honour the novels original characters, places and items encountered by Sherlock Holmes in his various adventures.

I quote that portion of the article below. I have highlighted the portion on the Mycroft in red.

The Return of Sherlock Holmes Series

The second issue was called “The Return of” – and was based on the success of “the Original”, with seven additional new shapes and dedicated wooden rack being created. All similar to the first issue, with XL bowl sizes and similar sterling silver bands with the SH stamp.

  1. The first pipe in the “Return” series was “The Rathbone”‘ – a large elegant bent, with a large stack bowl. In honour of the actor who played Holmes in the old black and white pictures of the nineteen thirties and forties. This is shape XL20. A great comfortable bent shape with a good draw. Scoring a solid 8.
  2. Next pipe is “The Hudson” – a large quarter bent bulldog. A great classic bulldog shape that smokes as well as it looks. This is shape XL21. I would score this one 7.5.
  3. Third is “The Mycroft” – named after Holmes’s brother. A classy elegant horn shape that is an excellent smoker. This is Peterson shape XL22. Scoring a good 8 on the scale.
  4. The fourth pipe in the series “The Lestrade” – is my personal favourite of all of the Sherlock Holmes series. This is the instantly recognisable, full-bent apple shape XL23. It is the quintessential dangler/clench-er pipe. It is equally tactile in the hand when not dangling, in this form I prefer it with a tapered fishtail stem to maximise the draw and smoking pleasure. Being a wee bit biased in regard to this one, I have to give it a very worthy 9 score.
  5. Next is “The Milverton” – a large full bent with an angular stem. Peterson shape XL24. I have to admit, it is not one of my favourites. I just do not like the angular stem. In terms of smoking it is average by me. I would rate it a 7 on the scale.
  6. Number six is “The Strand” – a quarter bent apple, it is Peterson shape XL25. To my mind a very pleasing elegant flowing shape. Very tactile for a straighter stemmed pipe and an excellent smoker. I would score this one a credible 8.5 on the scale.
  7. Finally, the last of the seven is “The Hansom” – a shape I just cannot warm to. I find it seriously wanting in regard to it’s aesthetic appeal. A bent Rhodesian, Peterson shape XL26. I only have one to complete the collection. I find it neither pleasing to hold, or to look at. Others may feel differently, I can only award it a 7.

The information given I knew I was dealing with a pipe from the Return of Sherlock Holmes Line. The Mycroft smooth was one named after Sherlock’s brother. It also has a silver band on the shank that is stamped on the left side of the band with a profile of Sherlock Holmes with the words Peterson’s [arched over the profile] and Sterling Silver [arched under the profile]. On the right side of the band it is stamped Peterson [over] the three hallmarks as noted above.

I wanted to be able to interpret the hallmarks on the silver band. I have captured a portion of the chart that include below that helps to clarify the meaning of each of the three hallmarks. I like the Hallmark feature on the higher end Peterson pipes with Sterling silver bands. It helps to pin down the date even further.

“Hibernia” seated, arm on harp represents Ireland (country of manufacture). There have been minor design changes over the years.

The “Harp Crowned” is the fineness mark denoting the high quality (purity) of the silver, and was used in a variety of designs until October 1992 when it was replaced by the new European Standard or Millesimal mark which gives the purity or quality of the silver in parts per thousand.

The Date Letter Code for the year in which the silver was hallmarked (see the chart below). In certain years a fourth hallmark is applied – for example 1966 – a Sword of Light for the 50th anniversary of the Easter Rising 1973. There were also other marks used for the fourth hallmark.

I turned to a blog I wrote on rebornpipes that had a Peterson’s catalogue and a hallmarking chart (https://rebornpipes.com/tag/peterson-hallmark-chart/). I have included it below. On the chart I looked for an upper case italic F in a hexagonal cartouche. I also included a enlargement of the chart and drawn a box around the “I” in green in the second photo below showing a close up of the dates. From that I am able to date the  pipe to 1994. Now I knew I was dealing with a pipe made in 1994. It really is a beautiful pipe. Now it was time to work on the pipe itself.

I started my work on the pipe by reaming the bowl the pipe with a PipNet Pipe Reamer using the first and second and third cutting heads to remove the cake. I cleaned up the remnants of the cake on the walls with a Savinelli Fitsall Pipe Knife. I finished by sanding the bowl smooth with 220 grit sandpaper wrapped around a piece of dowel. I cleaned up the inner edge of the rim with a folded piece of 220 grit sandpaper. I was able to remove almost all of the darkening with the sandpaper. I scrubbed the externals of the pipe with undiluted Murphy’s Oil Soap with a tooth brush. I rinsed it under running warm water to remove the soap and grime. The bowl and rim top cleaned up really well with the lava coat removed. The inner edge of the rim was in good condition.  I cleaned out the inside of the mortise, shank and the airway in the stem with isopropyl alcohol, cotton swabs and pipe cleaners. The pipe had a strong aromatic smell just like the other two Petersons I just completed. It smelled like a mix of fruit and vanilla so it needed to be deghosted. I filled the bowl with cotton boles and twisted a plug into the shank end. I used and ear syringe to fill the bowl with alcohol. The alcohol will eventually evaporate from the bowl wicking out the oils and tars in the briar into the cotton. I let it sit over night and in the morning pulled it out and took photos of the cotton at that point. I polished the smooth briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped it down with a damp cloth after each sanding pad. By the end of the last set of three the bowl took on a rich shine. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I wiped down the surface of the stem near the shank with Soft Scrub to remove the light oxidation that was present for the first inch up the stem from the shank end.I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I polished the stem with Before and After Stem Polish – both Fine and Extra Fine. I rubbed it down with some more Obsidian Oil. It was great to finish this 1994 Peterson’s of Dublin Sherlock Holmes Mycroft. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with deep sandblast all around it. Added to that the polished black, vulcanite, fishtail stem was beautiful. This Silver Banded Return of Sherlock Holmes Series Mycroft is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 ½ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 61 grams/2.15 ounces. It is a beautiful pipe and one that will soon be on the rebornpipes store in the Irish Pipe Makers Section of the store. If you want to add it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

New Life for a Petersons of Dublin Silver Mounted Kildare 268 Zulu with a Fishtail Stem

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Blog by Steve Laug

The next pipe on the work table came to me in a group of six pipes I bought from a fellow in Eastern Canada. It included two Canadian made pipes – a Blatter of Montreal and a Trypis. In the mix was an English made Charatan second stamped Mountbatten and two Peterson’s and an Irish Second. The pipes were well used and all had been smoked. The seller sent me a photo of the pipes so that I could see what he was selling. We discussed some options together and arrived at an agreement and the pipes were on their way to me in Vancouver.There was something about the classic Zulu, the top pipe in the right column that grabbed my attention and made me want to work on it next. It arrived in its original box and sock. I brought it to the worktable and examined it before starting my work. It had an oval shank, a stamped silver band and a vulcanite taper fishtail stem. The pipe is stamped on the top side of the shank and reads Peterson’s [arched over] of Dublin [over] Kildare. On the right side of the shank is stamped the shape number 268. On the fancy silver band on the shank end it is stamped on the top and reads Peterson [over] Dublin. On the underside it is stamped Peterson over three hallmarks – a seated woman (Hibernia), an oval with 925 centered in it (quality of the silver used) and the letter D (the date letter). The finish had some grime ground into the finish on the bowl but still looked to be in good condition. The bowl was thickly caked with some light lava on the top at the back and some darkening on the top and the inner edge of the rim. The stem had some calcification and tooth chatter on the top and underside near the button. There was a “P” logo on the top of the stem. It had promise but it was dirty. I took some photos of the pipe before I started my cleanup work. I took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the overflow of lava on the rim top. I also took photos of the top and underside of the stem to show the oxidation and the chatter and tooth marks.    I took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime.  I took photos of the stamping on the sides of the shank and on the band. It reads as noted above and is clear and readable.   I removed the stem from the shank and took a photo of the pipe to give a sense of the proportion of this oval shank Zulu.I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Kildare Line. On page 314 it had the following information.

Kildare (1965-) First issue of line with matte-finish in Classic Range shapes, P-Lip and fishtail mouthpiece. Second issue C.1979 as Kildare Patch, with rusticated patches on pipe surface. Third issue 2010, matte-brown, P-Lip or fishtail mouthpiece, no band. Fourth issue 2011-, burgundy sandblast finish, nickel army mount, fishtail mouthpiece, exclusive to smokingpipes.com.

The information given above has an element of confusion for me. It seems that the pipe in question is from the second issue C.1979 as this one is probably made after than date. It says that the pipes were issued as Kildare Patch with rusticated patches. However this one does not have the patches it is smooth around the bowl sides. It also has a silver band on the shank rather than a nickel one.

I wanted to be able to interpret the hallmarks on the silver band. I have captured a portion of the chart that include below that helps to clarify the meaning of each of the three hallmarks. I like the Hallmark feature on the higher end Peterson pipes with Sterling silver bands. It helps to pin down the date even further.

“Hibernia” seated, arm on harp represents Ireland (country of manufacture). There have been minor design changes over the years.

The “Harp Crowned” is the fineness mark denoting the high quality (purity) of the silver, and was used in a variety of designs until October 1992 when it was replaced by the new European Standard or Millesimal mark which gives the purity or quality of the silver in parts per thousand.

The Date Letter Code for the year in which the silver was hallmarked (see the chart below). In certain years a fourth hallmark is applied – for example 1966 – a Sword of Light for the 50th anniversary of the Easter Rising 1973. There were also other marks used for the fourth hallmark.

I turned to a blog I wrote on rebornpipes that had a Peterson’s catalogue and a hallmarking chart (https://rebornpipes.com/tag/peterson-hallmark-chart/). I have included it below. On the chart I looked for an upper case italic F in a hexagonal cartouche. I also included a enlargement of the chart and drawn a box around the “F” in blue in the second photo below showing a close up of the dates. From that I am able to date the  pipe to 1991. Now I knew I was dealing with a pipe made in 1991. It really is a beautiful pipe. Now it was time to work on the pipe itself.

I started my work on the pipe by reaming the bowl the pipe with a PipNet Pipe Reamer using the first and second and third cutting heads to remove the cake. I cleaned up the remnants of the cake on the walls with a Savinelli Fitsall Pipe Knife. I finished by sanding the bowl smooth with 220 grit sandpaper wrapped around a piece of dowel. I scrubbed the externals of the pipe with undiluted Murphy’s Oil Soap with a tooth brush. I rinsed it under running warm water to remove the soap and grime. The bowl and rim top cleaned up really well with the lava coat removed. The inner edge of the rim was in good condition. I cleaned up the inner edge of the rim with a folded piece of 220 grit sandpaper. I was able to remove almost all of the darkening with the sandpaper. I cleaned out the inside of the mortise, shank and the airway in the stem with isopropyl alcohol, cotton swabs and pipe cleaners. The pipe had a strong aromatic smell just like the Peterson’s Lovat I just did. It smelled like a mix of fruit and vanilla so it needed to be deghosted. I filled the bowl with cotton boles and twisted a plug into the shank end. I used and ear syringe to fill the bowl with alcohol. The alcohol will eventually evaporate from the bowl wicking out the oils and tars in the briar into the cotton. I let it sit over night and in the morning pulled it out and took photos of the cotton at that point. I polished the smooth briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped it down with a damp cloth after each sanding pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I sanded out the tooth marks on the stem with 220 grit sand paper and started the polishing with 400 grit wet dry sandpaper. I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped the stem down with Obsidian Oil after each sanding pad. I polished the stem with Before and After Stem Polish – both Fine and Extra Fine. I rubbed it down with some more Obsidian Oil. I touched up the P stamp on the stem with White Acrylic Fingernail polish. I worked it into the stamp with a tooth pick. Once the acrylic hardened I scraped off the excess and buffed the stem with  3000-6000 grit micromesh pads. I wiped the stem down with some Obsidian Oil.It was great to finish this 1991 Peterson’s of Dublin Kildare 268 Zulu. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with deep sandblast all around it. Added to that the polished black vulcanite stem was beautiful. This Silver Banded Petersons of Dublin Kildare 268 Zulu is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 40 grams/1.41 ounces. It is a beautiful pipe and one that will soon be on the rebornpipes store in the Irish Pipe Makers Section of the store. If you want to add it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

New Life for a Republic Era Irish Second, Silver Banded Lovat

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Blog by Steve Laug

The next pipe on the work table came to me in a group of six pipes I bought from a fellow in Eastern Canada. It included two Canadian made pipes – a Blatter of Montreal and a Trypis. In the mix was an English made Charatan second stamped Mountbatten and two Peterson’s and an Irish Second. The pipes were well used and all had been smoked. The seller sent me a photo of the pipes so that I could see what he was selling. We discussed some options together and arrived at an agreement and the pipes were on their way to me in Vancouver.There was something about the chunky Lovat, the second one down in the right column that grabbed my attention and made me want to start with it. I brought it to the worktable and examined it before starting my work. It had a thick shank, a stamped silver band and a vulcanite saddle, fishtail stem. The pipe is stamped on the underside of the shank and reads IRISH SECONDS [over] 2. On the fancy silver band on the shank end it is stamped Peterson [over] Dublin. To the right of that there are three hallmarks – a seated woman (Hibernia), an oval with 925 centered in it (quality of the silver used) and the letter F (the date letter). There are a few fills in the bowl so it is clearly a Peterson’s second, but it is odd that the band is Sterling Silver. The finish had some grime ground into the finish on the bowl but still looked to be in good condition. The bowl was thickly caked with some light lava on the top at the back and some darkening on the top and the beveled inner edge of the rim. The stem had some calcification and tooth chatter on the top and underside near the button. There were not markings or a logo on the stem. It had promise but it was dirty. I took some photos of the pipe before I started my cleanup work. I took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the overflow of lava on the rim top. I also took photos of the top and underside of the stem to show the oxidation and the chatter and tooth marks.    I took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime.  I took photos of the stamping on the underside of the shank and on the band. It reads as noted above and is clear and readable. I removed the stem from the shank and took a photo of the pipe to give a sense of the proportion of this thick shank Lovat.I turned to Pipedia to read the article on Irish Seconds (https://pipedia.org/wiki/Irish_Seconds). I quote it below in full.

Irish Second pipes begin life alongside Peterson pipes in Dublin, but at some point a flaw appears making future life as one of those celebrated pipes impossible. At this point the pipes were roughly finished, given a standard vulcanite stem instead of a P-Lip, and stamped only with “Irish Second” and “Made in the Republic of Ireland”. These pipes were sold at a far more affordable rate than Peterson pipes, but are believed to no longer be sold new.

I also wanted to be able to interpret the hallmarks on the silver band. I have captured a portion of the chart that include below that helps to clarify the meaning of each of the three hallmarks. I like the Hallmark feature on the higher end Peterson pipes with Sterling silver bands. It helps to pin down the date even further.

“Hibernia” seated, arm on harp represents Ireland (country of manufacture). There have been minor design changes over the years.

The “Harp Crowned” is the fineness mark denoting the high quality (purity) of the silver, and was used in a variety of designs until October 1992 when it was replaced by the new European Standard or Millesimal mark which gives the purity or quality of the silver in parts per thousand.

The Date Letter Code for the year in which the silver was hallmarked (see the chart below). In certain years a fourth hallmark is applied – for example 1966 – a Sword of Light for the 50th anniversary of the Easter Rising 1973. There were also other marks used for the fourth hallmark.

I turned to a blog I wrote on rebornpipes that had a Peterson’s catalogue and a hallmarking chart (https://rebornpipes.com/tag/peterson-hallmark-chart/). I have included it below. On the chart I looked for an upper case italic F in a hexagonal cartouche. I also included a enlargement of the chart and drawn a box around the “F” in blue in the second photo below showing a close up of the dates. From that I am able to date the  pipe to 1991.Now I knew I was dealing with a pipe made in 1991. I am not sure how it became an Irish Second rather than one of the first grade lines. Perhaps it is the small fills in the bowl and shank but I have seen others that are full grade that have more fills than this one. It really is a beautiful pipe. Now it was time to work on the pipe itself.

I started my work on the pipe by reaming the bowl the pipe with a PipNet Pipe Reamer using the first and second and third cutting heads to remove the cake. I cleaned up the remnants of the cake on the walls with a Savinelli Fitsall Pipe Knife. I finished by sanding the bowl smooth with 220 grit sandpaper wrapped around a piece of dowel. I scrubbed the externals of the pipe with undiluted Murphy’s Oil Soap with a tooth brush. I rinsed it under running warm water to remove the soap and grime. The bowl and rim top cleaned up really well with the lava coat removed. The inner edge of the rim was in good condition. I cleaned up the inner edge of the rim with a folded piece of 220 grit sandpaper. I was able to remove almost all of the darkening with the sandpaper. I cleaned out the inside of the mortise, shank and the airway in the stem with isopropyl alcohol, cotton swabs and pipe cleaners. The pipe had a strong aromatic smell like a mix of fruit and vanilla so it needed to be deghosted. I filled the bowl with cotton boles and twisted a plug into the shank end. I used and ear syringe to fill the bowl with alcohol. The alcohol will eventually evaporate from the bowl wicking out the oils and tars in the briar into the cotton. I let it sit over night and in the morning pulled it out and took photos of the cotton at that point. I polished the smooth briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiped it down with a damp cloth after each sanding pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I used a folded piece of  220 grit sandpaper to smooth out the repair and then started polishing it with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. It was great to finish this Peterson’s Made Irish Seconds 1991 Lovat. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with deep sandblast all around it. Added to that the polished black vulcanite stem was beautiful. This Silver Banded Irish Seconds Lovat is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 39 grams/1.41 ounces. It is a beautiful pipe and one that will soon be on the rebornpipes store in the Irish Pipe Makers Section of the store. If you want to add it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Moving one of my own – a Pre-Republic Peterson’s System 0, Made in Ireland 317 Bent Billiard

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Moving one of my own – a Pre-Republic Peterson’s System 0, Made in Ireland 317 Bent Billiard

Blog by Steve Laug

This is another pipe that I have taken out of my personal collection as I just do not use it too much. It is a classic Peterson’s Bent Billiard shaped pipe with some nice grain around the bowl and a nickel ferrule. It is another pipe that I smoked solely Virginia tobaccos in so it is very clean. The airway in the shank and the mortise were quite clean. The smooth rim top and edges were in excellent condition. The smooth finish was very clean but dull and quite lifeless. There were a few small fills the bowl sides. The grain is mixed but still quite nice around the bowl and shank. It is stamped on the left side of the shank and reads Peterson’s [arched over] System [arched over] 0. On the right side of the shank it is stamped Made in Ireland in a circle with the “In” mid circle. There is a faintly stamped number above that which seems to read 317. The nickel ferrule is stamped K&P [over] faux hallmarks (a clover leaf, an Irish wolfhound laying down and a tower). Next to that it reads Peterson’s. The bowl was quite clean with light damage to the inner edge and the front outer edge of the bowl. The nickel ferrule was in great condition and was dull looking. I took photos of the pipe before I did my clean up work on it. I took a photo of the bowl and rim top to verify the description above. I also took photos of the stem surface showing that there were no tooth marks on either side. I took photos of the stamping on the sides of the shank. It is faint but readable as noted above. The stamping on the ferrule is also very readable.I took the stem off the bowl and took a photo of the pipe to give a sense of proportion of the pipe. It is a beauty.I turned to Pipedia (https://pipedia.org/wiki/Peterson) and read through the article there. I found an interesting note in the middle of the page. I quote the pertinent section below and have highlights some important information in red below.

As usual when trying to get accurate facts in regard to Peterson history, something will jump up and get in the way. They are missing many of their records. The following is the best that we can do for a guide to the myriad markings during the period 1922 – 1949. Prior to 1920 it was rare for a country of origin to be stamped on the pipe, just Peterson’s Dublin on the band. After 1921/22, if it is stamped “MADE IN IRELAND” and the “Made in” is stacked over “Ireland” or “MADE IN EIRE” or several other forms, it was made between 1922 and 1938. A considerable number of Peterson pipes were stamped “Irish Free State”. From about 1930 to 1949, most of the pipes (those which were stamped) were stamped “Made in Ireland”.” If the stamp reads “MADE IN IRELAND” in a circle, the pipe was made between 1939 and 1948. These are all “pre-republic” pipes. I can tell you that the mark “Irish Free State” was adopted in 1922;and replaced by “Eire” in 1937 and then by “Republic of Ireland” in 1949.

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s System 0 Made in Ireland stamp. On page 126 it had the following information.

The stamp reads IRISH over FREE STATE, in small letters, usually perpendicular to the line of the shank, very close to and parallel to the seam where the shank meets the mouth piece. On banded pipe, this often hidden under the band itself. At the same time, they issued a smaller number of pipes stamped MADE IN over IRELAND. Today’s collector may encounter specimens of these with mountings hallmarked for every year from 1922-1937.

On page 301 of the above book I found a listing on System pipes that referred to the 0 stamp. I quote:

System Pipes (1937-59) The 1937 catalog only slightly changed the grading hierarchy for System pipes. The De Luxe model, described as “the finished possible quality obtainable” would be assigned no grading subscript, but neither would the First Quality. Below these were 0 Grade, 2nd Grade and 3rd Grade, all stamped with numbers and PETERSON’S over SYSTEM or PETERSON’S over DUBLIN. Grades 0 and 2nd were fitted with sterling mounts, 3rd grade with nickel. Each of these grades were sometimes stamped below and sometimes to the right of the model name. Sometimes these numbers were circled, sometimes not. The location of the number and whether it was circled or not was rather random from the onset of its use until discontinued in 1959, and by itself only indicates that a given pipe was made between ’37 and ’59.  

On page 302 there was a listing on the nickel mounted markings. I quote:

Nickel-Mount Markings. Often called faux hallmarks or faux marks by Peterson collectors, this set of three little images of a shamrock, an Irish wolfhound and a round tower appear within rectangular shapes as decorations on nickel mountings. Very early nickel mounts (1891-c. 1920) had no such decorations, only the same stamps used on sterling but without the hallmarks. As a stamp, the set of decorations began to appear at the beginning of the Irish Free State era, sometimes alone but often under K&P and over block lettered PETERSON over DUBLIN, although the  three emblems appeared on K&P’s Irish Carving Shamrocks pipes since 1896. The stamp was used until about 1963, when hand soldered nickel bands and ferrules were replaced by pressed ferrules and premade bands…The shamrock is the emblem of Ireland; the Irish wolfhound has long been used for both hunting and protection, and is an emblem of strength; the round tower a symbol of Ireland’s early religious power. These decorations were stamped at the factory on non-sterling mounts only, and the assay office has nothing to do with…

The information was very helpful. I have highlighted the pertinent reference to regarding the stamping, the shape 0 number and the faux hallmarks above. I knew that I was dealing with a Pre-Republic period pipes stamped Made in Ireland in a circle made between 1939-1948.

Now it was time to work on the pipe. I started working on the pipe with a folded piece of 220 grit sandpaper to smooth out the nicks in the inner edge. It did not take too much work to get it round again. I also used the sandpaper to smooth out the outer edge of the bowl.I rebuilt the front outer edge of the bowl with clear CA glue and briar dust to remove damaged area that was a flattened angle on the top bowl front. Once the repair cured I flattened it with a small flat file and then topped the bowl with a topping board and 220 grit sandpaper. I sanded the repair with a folded piece of 220 grit sandpaper to smooth it out. I wiped down the bowl sides and top with isopropyl alcohol on a cotton pad. I touched up the sanded rim top and the repaired area on the front of  the bowl with a Walnut stain pen to match the surrounding briar on the bowl and the shank. I cleaned up the light cake in the bowl with a Savinelli Fitsall Pipe Knife. I sanded the bowl walls with a piece of dowel wrapped in 220 grit sandpaper.I cleaned the shank and sump in the shank with cotton swabs, pipe cleaners and isopropyl alcohol to remove the debris and tars from my smoking. You can see that it was not too bad as I tend to keep my pipes clean.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I polished the nickel domed ferrule with a jeweler’s cloth to raise the shine and give it some pop. It looked much better after the polishing. Since the stem was in new condition I rubbed it down with some Obsidian Oil and buffed it off. It is a beautiful stem. I am excited to put the final touches on this Pre-Republic, Made in Ireland Peterson’s System 0 Bent. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem and nickel ferrule combined with the bowl and made a stunning pipe. This smooth Classic Older Peterson’s System 0 Bent is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 47 grams/1.66 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Irish Pipe Makers section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring a Republic Era K & P Dublin 69 Bent Billiard

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Blog by Steve Laug

This is another pipe that I have taken out of my personal collection as I just do not use it too much. It is a classic Peterson’s Bent Billiard shaped pipe with some nice grain around the bowl and a nickel ferrule. It is another pipe that I smoked solely Virginia tobaccos in so it is very clean. The airway in the shank and the mortise were quite clean. The smooth rim top and edges were in excellent condition. The smooth finish was very clean but dull and quite lifeless. There were a few small fills the bowl sides.The grain is mixed but still quite nice around the bowl and shank. The stamping on the shank is clear and readable. The left side is stamped K & P[over] Dublin. On the right side it was stamped Made in the Republic of Ireland (3 lines) followed by the shape number 69. The nickel ferrule is dull but stamped K&P [over] Petersons. The original Fishtail stem was quite clean with no oxidation or tooth marks. I took some photos of the pipe before I started my work on it. I took close up photos of the bowl and the stem. You can see the light cake in the bowl and the clean rim top and edges. The fishtail stem surface was clean and free of tooth marks or chatter on both sides. I took  photos of the stamping on the sides of the shank and ferrule. It is clear and readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. It is really quite nice looking. I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). I have included a bit of the pertinent history here.

1950 – 1989 The Republic Era  – From 1950 to the present time, the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.

During the 1950’s and 60’s the Kapp & Peterson company was still in the ownership of the Kapp family. However 1964 saw the retiral of the company Managing Director Frederick Henry(Harry) Kapp.

With that information in hand I knew what I was dealing with in terms of the stamping and the age of this pipe. I knew from the information that the pipe was made during the Republic Era between 1950 and 1989. Pipedia then qualifies the dating as follows: From 1950 to the present time, the stamp for this era is “Made in the Republic of Ireland”. Now it was time to work on the pipe.

I reamed the bowl with a Savinelli Fitsall Pipe Knife. I sanded the walls on the bowl with a piece of 220 grit sandpaper wrapped around a piece of dowel to take the walls back to smooth once again.I cleaned out the sump, the shank and the airway in the stem and shank with pipe cleaners, cotton swabs and isopropyl alcohol. The pipe was clean and it smelled significantly better.I polished the rim top and edges with micromesh sanding pads – dry sanding with 1500-12000 grit pads to raise a shine. I wiped it down with a damp cotton pad to wipe off the debris after each sanding pad. I polished the nickel ferrule with a  jeweler’s cloth. The cloth is impregnated with polish that not only raises a shine but protects the metal.  I worked some Before & After Restoration Balm into the surface of the briar with my fingertips. It works to clean, enliven and protect the briar. I let it sit for 15 minutes then buffed it off with a soft cloth and raised the shine. The bowl looks great at this point.   The stem was in such good condition that I wiped it down with some Obsidian Oil to polish and protect it. It is a great looking fishtail stem with a faux military mount.I put the stem back on the Republic Era Peterson’s Made K&P Dublin 69 Bent Billiard and buffed the pipe with Blue Diamond on the buffing wheel. I polished the briar and the vulcanite of the stem until there was a rich shine. This classic Peterson’s shape and finish really highlights a proportionally well carved pipe. Once I buffed the pipe the briar came alive and popped with polishing. The black vulcanite stem has a rich glow. This K&P Dublin 69 Bent Billiard fits well in the hand and sits right in the mouth. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼  inch, Chamber diameter: ¾ of and inch. The weight of the pipe is 1.59 ounces/45 grams. It was one I chose for my own collection and enjoyed, but I am happy to pass it on to the next pipe man or woman. This beauty will be going on the rebornpipes online store in the Irish Pipemakers Section. If you are interested let me know. Thanks for walking through the restoration with me as it was a pleasure to work on.

Restoring a Peterson’s System 3 Bent Billiard 3170

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Blog by Steve Laug

This is a pipe that I have taken out of my personal collection as I just do not use it too much. It is a classic Peterson’s System Bent Billiard shaped pipe with some nice grain around the bowl and a nickel ferrule. It is another pipe that I smoked solely Virginia tobaccos in so it is very clean. The inside of the shank, the system sump and the shank was quite clean. The smooth rim top has some damage on the inside edge of the bowl and is out of round. The smooth finish was very clean but dull and quite lifeless. The grain is mixed but still quite nice around the bowl and shank. The stamping on the shank is clear and readable. The left side is stamped Peterson’s [arched over] System [over] the number 3 in a circle. On the right side it was stamped with the shape number 3170. The nickel ferrule is dull but stamped K&P [over] three faux hallmarks [over] Peterson [over] Dublin. The stem was quite clean with no oxidation or tooth marks. I took some photos of the pipe before I started my work on it. I took close up photos of the bowl and the stem. You can see the light cake in the bowl and the darkening and damage on the inner edge of the rim top. The stem surface was clean and free of tooth marks or chatter on both sides. I took a photo of the stamping on the sides of the bowl and shank. It is clear and readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. It is really quite nice looking. I turned to Pipedia (https://pipedia.org/wiki/Peterson) and read through the article there. It was a great reminder of the history of the brand.

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s System 0 Made in Ireland stamp. On page 301 of the book I found a listing on System pipes that referred to the 0-3 stamps. I quote:

System Pipes (1937-59) The 1937 catalog only slightly changed the grading hierarchy for System pipes. The De Luxe model, described as “the finished possible quality obtainable” would be assigned no grading subscript, but neither would the First Quality. Below these were 0 Grade, 2nd Grade and 3rd Grade, all stamped with numbers and PETERSON’S over SYSTEM or PETERSON’S over DUBLIN. Grades 0 and 2nd were fitted with sterling mounts, 3rd grade with nickel. Each of these grades were sometimes stamped below and sometimes to the right of the model name. Sometimes these numbers were circled, sometimes not. The location of the number and whether it was circled or not was rather random from the onset of its use until discontinued in 1959, and by itself only indicates that a given pipe was made between ’37 and ’59.  

On page 302 there was a listing on the nickel mounted markings. I quote:

Nickel-Mount Markings. Often called faux hallmarks or faux marks by Peterson collectors, this set of three little images of a shamrock, an Irish wolfhound and a round tower appear within rectangular shapes as decorations on nickel mountings. Very early nickel mounts (1891-c. 1920) had no such decorations, only the same stamps used on sterling but without the hallmarks. As a stamp, the set of decorations began to appear at the beginning of the Irish Free State era, sometimes alone but often under K&P and over block lettered PETERSON over DUBLIN, although the  three emblems appeared on K&P’s Irish Carving Shamrocks pipes since 1896. The stamp was used until about 1963, when hand soldered nickel bands and ferrules were replaced by pressed ferrules and premade bands…The shamrock is the emblem of Ireland; the Irish wolfhound has long been used for both hunting and protection, and is an emblem of strength; the round tower a symbol of Ireland’s early religious power. These decorations were stamped at the factory on non-sterling mounts only, and the assay office has nothing to do with…

The information was very helpful. I have highlighted the pertinent reference to regarding the stamping, the circle 3 number and the faux hallmarks above. I knew that I was dealing with a pipe made between 1937 and 1959.

I reamed the bowl with a Savinelli Fitsall Pipe Knife. I sanded the walls on the bowl with a piece of 220 grit sandpaper wrapped around a piece of dowel to take the walls back to smooth once again. I worked on the pipe with a folded piece of 220 grit sandpaper to remove the damage on the rim top and edges of the bowl. It looked better but would need a bit more work.I cleaned out the sump, the shank and the airway in the stem and shank with pipe cleaners, cotton swabs and isopropyl alcohol. The pipe was clean and it smelled significantly better.I polished the rim top and edges with micromesh sanding pads – dry sanding with 1500-12000 grit pads to raise a shine. I wiped it down with a damp cotton pad to wipe off the debris after each sanding pad. I touched up the rim top and inner edge of the bowl with a Walnut stain pen to match it to the rest of the of the bowl. It blends in very well.I polished the nickel ferrule with a  jeweler’s cloth. The cloth is impregnated with polish that not only raises a shine but protects the metal. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips. It works to clean, enliven and protect the briar. I let it sit for 15 minutes then buffed it off with a soft cloth and raised the shine. The bowl looks great at this point.   I polished the stem with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. I wiped the stem down with Obsidian Oil after each pad. I polished it with Before & After Pipe Polish – both Fine and Extra Fine and gave it a final coat and set it aside to dry.  I put the stem back on the Peterson’s System 3 Bent Billiard 3170 and buffed the pipe with Blue Diamond on the buffing wheel. I polished the briar and the vulcanite of the stem until there was a rich shine. This classic Peterson’s shape and finish really highlights a proportionally well carved pipe. Once I buffed the pipe the briar came alive and popped with polishing. The black vulcanite stem has a rich glow. This Peterson’s System 3 Bent Billiard fits well in the hand and sits right in the mouth. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 inch, Chamber diameter: ¾ of and inch. The weight of the pipe is 1.48 ounces/42 grams. It was one I chose for my own collection and enjoyed, but I am happy to pass it on to the next pipe man or woman. This beauty will be going on the rebornpipes online store in the Irish Pipemakers Section. If you are interested let me know. Thanks for walking through the restoration with me as it was a pleasure to work on.

Restoring a Republic Era Peterson’s System 31 Billiard

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Blog by Steve Laug

This is another one of those pipes that has been here for a long time and I have no memory where it came from. It had been cleaned and reamed. The inside of the shank, the system sump and the shank was quite clean. The smooth rim top was damaged and had some darkening. The edges – both inner and outer had some damages by burning and the bowl was out of round. The smooth finish was very clean from Jeff’s scrubbing. The stamping on the shank is clear and readable. The left side is stamped Peterson’s [arched over] System. On the right side it was stamped Made in the Republic of Ireland (3 lines). To the right of that stamp is the shape number 31. The nickel ferrule is oxidized and dull but it has the K & P stamp over three symbols. Next to that it was stamped Peterson’s. The stem was quite clean and free of tooth marks and chatter on both sides. I took some photos of the pipe before I started my work on it. I took close up photos of the bowl and the stem. You can see the reamed bowl and the darkening and damage on the rim top. The stem surface was clean and free of tooth marks or chatter on both sides. I took a photo of the stamping on the sides of the bowl and shank. It is clear and readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. It is really quite nice looking.I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). I have included a bit of the pertinent history here.

1950 – 1989 The Republic Era  – From 1950 to the present time, the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.

During the 1950’s and 60’s the Kapp & Peterson Company was still in the ownership of the Kapp family. However 1964 saw the retiral of the company Managing Director Frederick Henry(Harry) Kapp.

I found a great description of the System 31 shape on smokingpipes.com (https://www.smokingpipes.com/pipes/new/peterson/moreinfo.cfm?product_id=192182). I am including a portion of that below.

Peterson’s “31” shape is the only straight pipe featured in the System Standard line, yet it still features system drilling. Featuring a push-style tenon and a long, tapering metal tube, it houses a condensation chamber just under the bowl itself — providing the same gurgle free smoke you’d expect of a bent System configuration.

Paresh had worked on System 31 pipe so I went back and reread his work on that smooth pipe. It was very helpful for the background information included (https://rebornpipes.com/tag/peterson-system-31-pipe/).

I knew that I was dealing with a Republic Era pipe made between 1950-1989. The K&P mark on the nickel band ties to Kapp & Peterson brings the date to the time between 1950-1964. It was a smooth Straight billiard with a unique shape and chamber beneath the bottom of the bowl. The finish was stained with a combination of rich reddish brown stains. Now it was time to work on the pipe.

The bowl had been reamed and cleaned. I started working on the pipe by topping the damaged rim top on a topping board with 220 grit sandpaper to remove the damage on the rim top and edges of the bowl. I used a folded piece of 220 grit sandpaper to smooth out the inner edge of the bowl. I gave the inner edge of the bowl a slight bevel. I polished the rim top and edges with micromesh sanding pads – dry sanding with 1500-12000 grit pads to raise a shine. I wiped it down with a damp cotton pad to wipe off the debris after each sanding pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips. It works to clean, enliven and protect the briar. I let it sit for 15 minutes then buffed it off with a soft cloth and raised the shine. The bowl looks great at this point.   I polished the nickel ferrule with a  jeweler’s cloth. The cloth is impregnated with polish that not only raises a shine but protects the metal.   I polished the stem with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. I wiped the stem down with Obsidian Oil after each pad. I polished it with Before & After Pipe Polish – both Fine and Extra Fine and gave it a final coat and set it aside to dry.  I put the stem back on the Peterson’s System 31 Straight Billiard and buffed the pipe with Blue Diamond on the buffing wheel. I polished the briar and the vulcanite of the stem until there was a rich shine. This classic Peterson’s shape and finish really highlights a proportionally well carved pipe. Once I buffed the pipe the briar came alive and popped with polishing. The black vulcanite stem has a rich glow. This Peterson’s System Straight Billiard fits well in the hand and sits right in the mouth. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of and inch. The weight of the pipe is 1.20 ounces/34 grams. This beauty will be going on the rebornpipes online store in the Irish Pipemakers Section. If you are interested let me know. Thanks for walking through the restoration with me as it was a pleasure to work on.

Restoring and Restemming a Republic Era Peterson’s System Standard 307

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Blog by Steve Laug

Jeff and I often purchase pipe bowl/stummels of brands that we like and want to restore. These have included a lot of different bowls. If you have followed us for long you know that some of these have included Peterson’s, Dunhill’s, and a wide range of Danish and English pipes. The next pipe I chose to work on is another Peterson’s System Standard. It is stamped on the left side of the shank and reads Peterson’s [arched over] System [arched over] Standard. On the right side of the shank it is a Made in the Republic of Ireland (in 3 lines) [over] the shape number 307. The nickel ferrule is stamped K&P [over] three faux hallmarks. That is followed by the stamping Peterson’s. The bowl was a dirty with some light cake and an overflow of lava on the rim top. The inside edge of the bowl was in good condition but I would know more once I remove the cake and lava. It did not have a stem so I would go through my stock and find one that would fit. The nickel ferrule was lightly oxidized but otherwise looked pretty good. I took a close up photo of the rim top and bowl. I wanted to show how the thickness of the cake in the bowl and the lava on the rim top. You can see that somewhere recently it had been reamed and then resmoked enough to start building a new cake in the bowl. The inner edge was in good condition as was the outer edge. I took photos of the stamping on the sides of the shank. It is readable as noted above.  I took some photos of the stem that I had chosen for the bowl. It is a properly shaped new Peterson’s Fishtail stem that looks great on the bowl.I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s System Line. On page 314 it had the following information.

Peterson’s over System – Pipes stamped Peterson’s System have been documented as early as 1920. A ’20 brochure is the earliest printed reference to the Peterson System. The pipe came in three quality grades (no mark, 2, or 3) until 1959, thereafter as De Luxe (no mark), Premier (the old 2) and Standard (the old 3).

Peterson’s over System over Standard (c1945-)

From this I learned that I was dealing with a late Republic Era System Standard 307 that because of the stamping was made between 1945 and the present. Now it was time to work on the pipe.

I set the stem aside as it was in perfect condition and turned to work on the bowl. I decided to clean up the bowl first. I reamed it with a Savinelli Fitsall Pipe Knife and then sanded the bowl walls with 220 grit sandpaper wrapped around a piece of dowel.I scrubbed the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime around the bowl sides and top. I rinsed it off with warm water and dried if off with a towel. I used a folded piece of 220 grit sandpaper to remove the lava on the rim top and smooth out the inner edge of the bowl.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. There was a dark spot on the top of the shank toward the bowl that appears to be a deep stain rather than a burn mark. It is solid and makes me wonder if the was just a spot on the briar that took the dark understain more deeply than the rest. At this point it suddenly dawned on me that I had not cleaned out the shank and sump on the bowl. Sometimes when I get captivated by the way the grain is coming alive and the pipe is coming together this can happen. Oh well! I backed up and cleaned the shank and sump with pipe cleaners,  cotton swabs and isopropyl alcohol. I worked on them until the cleaners showed no more tars or oils and the pipe smelled clean. I polished the nickel ferrule with a jeweler’s cloth to raise the shine and to protect the metal. The shine of the metal is a great contrast between the black of the stem and the rich browns of the briar.I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. Since the stem was new condition the pipe was basically finished. I am excited to put the final touches on this Made in the Republic of Ireland Peterson’s System Standard 307 Bent Billiard with a Fishtail Stem. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem combined with the bowl and made a stunning pipe. This smooth Classic Peterson’s System Standard 307 is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 55 grams/1.94 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Irish Pipe Makers section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Rebirthing a Lovely Late Republic Era Peterson’s Kapet 14S Saddle Stem Billiard

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Blog by Steve Laug

The next pipe I have chosen is a smooth Peterson’s pipe, a straight, saddle stem Billiard. It was also incredibly dirty. This Billiard is a real beauty under the grime with some great grain around the bowl. The grime was ground into the finish on the bowl sides. The contrast of the brown stains gave the grain a sense of depth. It was stamped on the left side of the shank and read Peterson’s [over] Kapet. The right side had the shape number 14S stamped near the bowl. Centered on the right side of the shank is stamped Made in the Republic of Ireland (in three lines). Neither Jeff nor I remember where we got the pipe or when. So we have no photos of the pipe before clean up. Judging from the damage on the rim top and edges I would guess it had been a mess. The stem had tooth marks and some oxidation. But Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Before & After Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top photo looks good but there is some burn damage on the inner edge at the back of the bowl and all around the inner edge there is darkening. I also took close up photos of the stem to show the light tooth marks and chatter on the surface near the button. I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable. He took photos of the stamping on the sides of the shank. It is clear and readable and reads as noted above. I took the pipe apart and took a photo of the pipe. It is a good looking pipe and has some great cross grain on the sides of the bowl. I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). There was a short note toward the bottom of the page about the series. It is definitely referring to the newer line that came out later. I quote:

I turned to Pipedia (https://pipedia.org/wiki/Peterson) to first pin down a date that the pipe was made. I knew that the Made in Ireland stamp would give me that. I quote:

As usual when trying to get accurate facts in regard to Peterson history, something will jump up and get in the way. They are missing many of their records. The following is the best that we can do for a guide to the myriad markings during the period 1922 – 1949. Prior to 1920 it was rare for a country of origin to be stamped on the pipe, just Peterson’s Dublin on the band. After 1921/22, if it is stamped “MADE IN IRELAND” and the “Made in” is stacked over “Ireland” or “MADE IN EIRE” or several other forms, it was made between 1922 and 1938. A considerable number of Peterson pipes were stamped “Irish Free State”. From about 1930 to 1949, most of the pipes (those which were stamped) were stamped “Made in Ireland”.” If the stamp reads “MADE IN IRELAND” in a circle, the pipe was made between 1939 and 1948. These are all “Pre-Republic” pipes. I can tell you that the mark “Irish Free State” was adopted in 1922; and replaced by “Eire” in 1937 and then by “Republic of Ireland” in 1949.

That gave me a date for the pipe – it was made between 1922 and 1938 as can be proved by the Made in Ireland stamp on the right side of the shank.

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Kapet line. On page 305 it had the following information.

Kapet (1925-87) Line first described in 1925 brochure and featured in occasional catalogs through ’87. Early specimens will be stamped IRISH over FREE STATE. Described in 1937 catalog as available in dark plum or natural finish. Featured an aluminum “inner tube” or stinger until ’45. Mid-century specimens may be stamped MADE IN over IRELAND. Specimens from 1970 on may have mounts with hallmarks.

I knew that I was dealing with a Late Republic Era Kapet. Now it was time to work on the pipe.

I decided to address the rim top damage first. I used a folded piece of 220 grit sandpaper to give the edge a slight bevel to further minimize the damage to the rim. I then used a piece of sandpaper and a wooden ball to even the bevel and give the rim a uniform look. I think that it is definitely better once I finished. I wiped down the bowl and rim top with acetone on a cotton pad to remove the spotty finish on the bowl and make blending in the sanded rim top simpler. I polished the briar rim top and edges along with the rest of the briar with micromesh sanding pads –dry sanding with 1500-12000 grit pads and using a damp cloth after each pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I “painted” the tooth marks with the flame of a lighter to lift them. They came up significantly. I filled in the tooth marks that remained on both sides with clear super glue. I let the repairs cure. Once they had cured I recut the edge and flattened the repairs with a flat file. I sanded them with 220 grit sandpaper. I started the polishing with 400 grit wet dry sandpaper. I wiped it down with some Obsidian Oil. I touched up the “P” stamp on the stem with an acrylic white fingernail polish. I worked it into the stamp with a toothpick. I let it sit for a few minutes then scraped off the excess.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I am always excited to finish a restoration and this Peterson’s Kapet 14S Saddle Stem Billiard is no exception. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black vulcanite stem. This Classic looking Peterson’s Kapet 14S Billiard feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 30 grams/1.09 ounces. It is a beautiful pipe and one that will be on the Irish Pipe Makers Section of the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

New Life for a Republic Era Peterson’s Emerald 150 Bulldog

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Blog by Steve Laug

The next pipe I have chosen is smooth finished Peterson’s Emerald pipe. This one is a smooth 150 Straight Bulldog. It has a triple band on the shank – 2 thinner brass bands separated by and emerald green acrylic band. This pipe was purchased off eBay on 03/01/17 from Rochester, New York, USA. The pipe was very dirty with grit and grime on the bowl and shank. The mix of brown stains gives depth to the grain around the bowl. It was stamped on the top left side of the shank and read Peterson’s [over] Emerald. On the right side it reads Made in the Republic of Ireland in three lines and the shape number 150. The bowl was heavily caked with a thick overflow of lava on the rim top. The edges of the bowl appeared to be in good condition under the lava. The stem was oxidized, calcified and had tooth chatter and marks on the top and underside on and near the button. Jeff took photos of the pipe before his cleanup work. They tell the story and give a glimpse of the pipe.Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl is heavily caked with a thick overflow of lava on the top and edges. The stem is calcified, oxidized and has tooth marks and chatter on the top and underside near the button. Jeff took photos of the bowl sides and heel to show the grain around this bowl and shank. Underneath all the grime it is a nice looking pipe. He took photos of the underside of the shank to show the stamping. The stamping is readable in the photos below and is as noted above. I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). I have included a bit of the pertinent history here.

1950 – 1989 The Republic Era – From 1950 to the present time, the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.

During the 1950’s and 60’s the Kapp & Peterson Company was still in the ownership of the Kapp family. However 1964 saw the retiral of the company Managing Director Frederick Henry(Harry) Kapp.

I knew that I was dealing with a Republic Era pipe made between 1950 and the present. Now it was time to work on the pipe.

I turned to The Peterson Pipe book by Mark Irwin and Gary Malmberg for more information. On page 299 there was a summary of the Emerald Pipe. I quote

Emerald (1987-) Moderate-priced  line in Bordeaux and black rustic finish with a shank band of green acrylic between brass rings, P-lip mouthpiece; smooth walnut version added in ’91. Fishtail mouthpiece added in ’97. Identical line and finishes named Jade from early eighties until ’87.

This information narrowed down the date even further. The smooth walnut finish was added in 1991 so this one came out before 1991 and has a P-lip style mouth piece.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Before & After Stem Deoxidizer. He rinsed it off with warm water to remove the Deoxidizer. It looked very good when I brought it to the worktable. The briar was very clean with some darkening on the rim top and inner edge. The stem had light oxidation and tooth marks. I took close up photos of the rim top and the stem surface. I wanted to show how well it had cleaned up. The rim top looked very good. The beveled inner edge and top had some darkening that would need to be cleaned up in the next steps of the process. I took photos of the stem to show the tooth marks on the surface ahead of the button and the light oxidation on the stem surface.I took a photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable.I took the pipe apart and took a photo of the pipe. It is a good looking pipe and has beautiful grain around the bowl and shank.I began my work on the pipe by dealing with the rim top and beveled inner edge of the bowl. I used a folded piece of 220 grit sandpaper to smooth it our and lessen the darkening. It cleaned up well and looked very good. I  polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiping the bowl down after each sanding pad. The grain really began to shine through. It is a beautiful pipe. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and worked on the stem. I sanded out the tooth marks and chatter in the surface and the button edges with 200 grit sandpaper. I started the polishing with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I am excited to finish this Republic Era Peterson’s Emerald 150 Straight Bulldog.  I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the rugged rustication all around it. Added to that the polished triple brass and emerald acrylic band and the black vulcanite stem was beautiful. This Classic Peterson’s Emerald is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 42 grams/1.48 ounces. It is a beautiful pipe and one that will be on the Irish Pipe Makers Section of the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.