Tag Archives: Oxidation

Restoring a 1923 cased Finest H.G. London Quality Briar Bulldog

by Steve Laug

One of the things I love about pipe hunting – whether in person in a shop or online at a sale. This is one of those interesting pipes that we picked up on 12/09/2024 from a seller on Facebook Pipe Exchange. It came from Wellsville, Kansas, USA. It is a smooth Bulldog with a Sterling Silver Band on the shank. It is faintly stamped on the top left side of the diamond shank and reads H.G. in an oval [over] London. The silver band is stamped H.G. in a lozenge followed by three hallmarks. The first cartouche holds an anchor which is the mark for Birmingham. The second cartouche holds a rampant lion which is the mark for Sterling Silver. The third cartouche holds a lower case y which gives the date of the pipe. The pipe was in good condition in terms of the finish on the bowl. The bowl had been reamed quite recently and there was some slight checking on the bowl walls. The rim cap was quite clean with some wear around the top and on the inner edge. Otherwise it was a beautiful pipe. There vulcanite saddle stem had light oxidation on the surface and some tooth marks and chatter on the surface. Jeff took photos of the case which bears a stamp that reads Finest Quality Briar in the outer ring of the oval. On the inside of the oval it is stamped H.G. He also took photos of the pipe before he started his clean up to capture the condition of the pipe when it arrived. It is a real beauty. He took photos of the bowl and rim top to show the damage on the top and inner edge of the bowl. It looks like a combination of burn damage and over reaming damage on the front and back mid bowl. The stem was very dirty with grime and sludge build up from the button forward on both sides of the stem. Jeff captured the smooth finish around the bowl sides of the bulldog and it is stunning. There are twin bands below the rim cap. The bowl shows some great grain. He captured the stamping on the top left side of the shank. The stamping is faint but readable. It read as noted above. He took a photo of a the silver band on the shank with the hallmarks that I noted above.I did some checking online on Pipedia and Pipephil for the HG brand and could not find anything about the stamping. I did however, find a silver Hallmark chart. I have included that below. I drew a red box around the section that includes the year stamp “y” on the band. It identifies the date as 1923. This is an old timer.Armed with that information I turned to work on the pipe itself. Jeff had done a great job cleaning up the pipe as usual. He cleaned up the inside of the bowl with a PipNet reamer and a Savinelli Fitsall Pipe Knife. The bowl walls looked very good. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with undiluted Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the stem exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the deoxidizer. The pipe looked far better. I took photos of the pipe when I received it before I started working on it. I took photos of the bowl and rim top to show how clean it was. The top and the inner edge of the rim show the damage that I mention above. It definitely has burn damage and also reaming damage on the front and back inner edge. The stem looks clean of debris and grime. The tooth marks and chatter are clear in the photos of each side ahead of the button.I took photos of the stamping on the top left side of the shank – it was faint but it read as noted above. I removed the stem from the shank to show the look of the pipe.I set the stem aside and started working on the bowl. I used a folded piece of 220 grit sandpaper to smooth out the nicks on the inner edge of the bowl and the top of the cap. It was looking better when I finished.I sanded briar bowl with 320-3500 sanding pads. I wiped the briar down with a damp cloth after each sanding pad. It began to look very good. I polished the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping it down after each sanding pad with a damp cloth. The grain of the briar began to shine. I worked some Before & After Restoration Balm into the surface with my finger tips. I let it sit on the bowl for 10 minutes and then buffed it off with a paper towel and soft cloth. The product is a great addition to the restoration work. It enlivens, enriches and protects the wood while giving it a deep glow. It is a product I use on every pipe I restore. I set the bowl aside and worked on the stem. I “painted” the tooth marks with the flame of a lighter to lift them. They come up very little. I filled in the remaining two deep marks with black rubberized CA glue and set it aside to cure. I recut the button edge with a small file and sanded the repairs smooth with a folded piece of 220 grit sandpaper. I continued to sand the stem with 320-3500 grit sanding pads. I wiped the stem down with an Obsidian Oil cloth after each sanding pad. The stem looked better at this point. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I gave it a final wipe down with Obsidian Oil to protect the stem from UV and slow down future oxidation. I don’t know what it is about finishing a restoration but I have to tell you that it is my favourite part of the process. It is the moment when everything that I have worked on comes together. I can compare it to where I started and there is always satisfaction that it does indeed look better than when we picked it up. As always, I put this Cased 1923 H.G. London Finest Quality Briar Bulldog back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished bowl looks like along with the polished clear acrylic stem. This 1923 H.G. London Bulldog is a great looking pipe and I am sure that it will be comfortable in hand when smoking as it is light and well balanced for a pipe of this size. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is .92 ounces/26 grams. It is another beautiful pipe and one that will be on the rebornpipes store soon. You can find it in the section of Pipes by British Pipe Makers. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Restoring a Byron Harwood Olivewood Apple Shaped Churchwarden

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by Steve Laug

The next pipe I chose to work on was one that we purchased on 12/28/2024 from as part of an estate that belonged to a pipeman and carver, Byron Harwood from Missoula, Montana, USA. This Olivewood pipe was one of Byron’s own handmade pipes. It is a lovely piece of olivewood that was shaped with an apple bowl that highlighted the grain. The bowl and shank were smooth and highlighted some beautiful grain around the bowl sides and shank. The airway in the mortise and shank are well executed and the draught is very good. The bowl was lightly smoked and there was debris in the bowl. There was some darkening around the inner edge of the bowl and top. The stem is a clear acrylic with spots or bubbles of white that look quite intriguing. It has a great fit to the shank, has been bent to fit the angles of the pipe. The tenon is a white Delrin that is screwed into the stem. The button is fishtail and well finished. The pipe fit well in the hand and had a small bowl but there was a charm to it! Here is what it looked like when Jeff received it. He took some photos of the rim top and bowl from various angles to give me a clear picture of the condition of the rim top and bowl. You can see the light cake in the bowl and the darkening and light lava coat on the inner edge and rim top. He also took photos of the stem. It is dirty and has light tooth chatter on both sides at the button. Jeff took some photos of the sides of the bowl to show the condition of the finish on the pipe. The photos showed grain around the bowl sides. Under the oils and grime it was a nice looking bowl. It is a large pipe with a smooth rim top and heel. Jeff did his usual thorough job cleaning the pipe which I really appreciate because of the freedom it gives me in dealing with pipes. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub and had a soak in Before & After Deoxidizer to remove the oxidation. One it was rinsed off, it came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it. I took a close up photo of the bowl and rim top to show how clean the pipe was. The stem looked good just some light tooth chatter and marks near the button. Overall the pipe is a beautiful looking piece.I also removed the stem from the shank and took photos of the pipe to show the look of the parts. The stem is long but the pipe is mini Churchwarden.I sanded the olivewood bowl with 320-3500 sanding pads. I wiped the briar down with a damp cloth after each sanding pad. It began to look very good. I polished the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping it down after each sanding pad with a damp cloth. The grain of the olivewood began to shine. I worked some Before & After Restoration Balm into the surface with my finger tips. I let it sit on the bowl for 10 minutes and then buffed it off with a paper towel and soft cloth. The product is a great addition to the restoration work. It enlivens, enriches and protects the wood while giving it a deep glow. It is a product I use on every pipe I restore. I set the bowl aside and worked on the stem. I sanded out the light tooth marks and chatter with 320-3500 grit sanding pads. I wiped the stem down with an Obsidian Oil cloth after each sanding pad. The stem looked better at this point. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I gave it a final wipe down with Obsidian Oil to protect the stem from UV and slow down future oxidation. I don’t know what it is about finishing a restoration but I have to tell you that it is my favourite part of the process. It is the moment when everything that I have worked on comes together. I can compare it to where I started and there is always satisfaction that it does indeed look better than when we picked it up. As always, I put this Byron Harwood Olivewood Mini Churchwarden back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished bowl looks like along with the polished clear acrylic stem. This Byron Harwood Olivewood Churchwarden is a great looking pipe and I am sure that it will be comfortable in hand when smoking as it is light and well balanced for a pipe of this size. Have a look at it with the photos below. The dimensions are Length: 7 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 5/8 of an inch. The weight of the pipe is 1.80 ounces/52 grams. It is another beautiful pipe and one that will be on the rebornpipes store soon. You can find it in the section of Pipes by American Pipe Makers. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring an A. Curtz 13 Amber Stemmed Churchwarden Sitter

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by Steve Laug

The next pipe on the work table is a long flat-bottomed pipe with a long amber acrylic stem. We picked the pipe up from a seller in Ogden, Utah, USA on 12/12/2024. It is stamped on the underside of the shank and reads A. Curtz 13. I had heard about the name in connection with Jeanie’s Smoke Shop in Salt Lake City when I worked on the brand in the past. The finish is deeply rusticated and has some great grain on the top and bottom of the bowl and shank. It was quite dirty but still had a charm about it. The bowl was caked and there was a light lava coat and spots on the top and the inner edge of the rim. The stem was amber acrylic and was a tapered. There were light tooth marks and chatter on both sides of the stem. There was an interesting 2 circle logo on the topside of the taper that looked like a large white circle with an offset red circle inside of it. Jeff took some photos of the pipe to show the general condition of the pipe before he started his clean up.He took some photos of the rim top and bowl from various angles to give me a clear picture of the condition of the rim top and bowl. You can see the cake in the bowl and the darkening and lava coat. It is hard to tell if there was any damage to the edge at this point. The next two photos show the top and underside of the stem. It is dirty and has calcification on both sides at the button. There is also some tooth chatter and some light tooth marks. The third photo shows the condition of the slot while the final photo shows the curve of the full stem. Jeff took some photos of the sides of the bowl to show the condition of the finish on the pipe. The photos showed deep rustication around the bowl sides. Under the oils and grime it was a nice looking bowl. It is a large pipe with a smooth rim top and heel.He took some photos of the stamping on the underside of the shank. The stamping was clear and readable. My guess at this point is that the “13” is a grade stamp but I will do some digging into that. He also took a photo of the inset dual circle logo on the stem top. To learn a bit more about the brand I turned to Pipephil to see what I could find out (http://www.pipephil.eu/logos/en/logo-c8.html). It turns out the pipe was made by an artisan named Arley Curtz who was from Utah. I did a screen capture of the photo and have included that below. I also included the side bar information below the photo.Artisan: “Arley” Curtz, Utah (USA).The stems of the A. Curts pipes are also marked with 2 dots (a red and a white).

I then turned to Pipedia to find out some more dedtail (https://pipedia.org/wiki/Curtz). The information was brief but helpful. I have included that article below.

Arley G. Curtz retired the director of the Bountiful Davis Art Center (Bountiful, Utah) and is now a pipe repairman and pipe maker. He was formerly the pipe repairman at Jeanie’s Smoke Shop, and has been making pipes ever since.

He makes about 70 pipes a year using Greek and Italian briar. His pipes are available at Edward’s Pipe & Tobacco Shop in Denver, CO, at the Tinderbox in Salt Lake City, on the web at The Pipe and Pint, and at Curtz Handmade Pipes and Pipe Repair in Salt Lake City, Utah.

I did a bit more searching to learn more about the repairman/pipe maker. I came across a 2018 article on a site called Utahstories (https://utahstories.com/2018/05/arley-curtz-pipe-making-and-memory-collecting/). The article included a photo of Arley Curtz that I have inserted below. I am also including a short section of the article that makes me want to meet this gentleman.

For Arley Curtz, a pipe is more than just a way to smoke tobacco. It summons up a time when pipe smoking was both acceptable and part of a gentler civility in our culture.

Curtz is a pipe maker and collector of smoking pipes. He has over 300, ranging from simple corn cobs to handmade antiques. Each one has a story. As the smoke from a pipe curls upwards, it allows Curtz a time to pause and reflect. “A pipe,” he says, “is a keeper of memories.”

Just as a pipe cannot be smoked in haste, a handmade pipe requires patience to craft. Curtz forms his pipes from briarwood, which grows in countries bordering the Mediterranean Sea.

I only wish I had found this earlier before I met my brother in Salt Lake City and visited Jeanie’s Smoke Shop. I would have certainly made a point to visit Arley at his own shop and gotten to meet him. Until my next trip to Idaho to visit my Dad and brother I will leave this on my wish list. Now to get on with working on his pipe.

Jeff did his usual thorough job cleaning the pipe which I really appreciate because of the freedom it gives me in dealing with pipes. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub and had a soak in Before & After Deoxidizer to remove the oxidation. One it was rinsed off, it came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it. I took a close up photo of the bowl and rim top to show how clean the pipe was. There was some spotty varnish on the rim top and darkening on the inner edge of the rim on the back of the bowl. The stem looked good just some light tooth chatter and marks near the button. Overall the pipe is a beautiful looking piece.I took a photo of the stamping on the underside of the shank. It read as noted above. It is very clear and readable. I also removed the stem from the shank and took photos of the pipe to show the look of the parts. The stem is long but the pipe is really not a full Churchwarden, perhaps it is a mini warden.I decided to address the issues with the rim top first. I worked on the darkening on the inner edge of the rim. I worked over the edge to smooth out the rim edge and remove the darkening.I wiped down the rim top and the heel of the bowl with acetone on a cotton pad to remove the spots of varnish that remained.With the varnish removed a flaw in the heel of the bowl. It was a small flaw that followed the grain mid-bowl. I filled it in with some clear CA glue and set it aside to cure. Once cured I sanded it with 220 girt sandpaper to smooth it our and blend it into the surrounding briar.I sanded the smooth portions of the rim top and the heel of the bowl with 320-3500 sanding pads. I wiped the briar down with a damp cloth after each sanding pad. It began to look very good.I polished the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping down the briar after each sanding pad with a damp cloth. The briar began to shine. I worked some Before & After Restoration Balm into the briar with my finger tips and a horsehair shoe brush. I let it sit on the bowl for 10 minutes and then buffed it off with a paper towel and soft cloth. The product is a great addition to the restoration work. It enlivens, enriches and protects the briar while giving it a deep glow. It is a product I use on every pipe I restore. I set the bowl aside and worked on the stem. I sanded out the light tooth marks and chatter with 320-3500 grit sanding pads. I wiped the stem down with an Obsidian Oil cloth after each sanding pad. The stem looked better at this point. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I gave it a final wipe down with Obsidian Oil to protect the stem from UV and slow down future oxidation. I don’t know what it is about finishing a restoration but I have to tell you that it is my favourite part of the process. It is the moment when everything that I have worked on comes together. I can compare it to where I started and there is always satisfaction that it does indeed look better than when we picked it up. As always, I put this A. Curtz 13 Rusticated Churchwarden back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished bowl looks like along with the polished amber acrylic stem. This Arley Curtz Rusticated Sitter CW is a great looking pipe and I am sure that it will be comfortable in hand when smoking as it is light and well balanced for a pipe of this size. Have a look at it with the photos below. The dimensions are Length: 8 inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 1.80 ounces/53 grams. It is another beautiful pipe and one that will be on the rebornpipes store soon. You can find it in the section of Pipes by American Pipe Makers. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Cleaning up a Dunhill Tanshell Quaint Tomato

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by Steve Laug

The next pipe on the table is one that came to us from the group of pipes that Jeff and I purchased from a seller of an estate collection in Superior, Montana, USA on 12/28/2024. It is another Dunhill sandblast that is in good condition. It is stamped on a smooth panel on the heel of the bowl with the Group size of the pipe 4 in a circle. Underneath is a Dunhill in an oval [over] Tanshell. Under that it is stamped Made in England with the date number 05 after the D in England. The stamping is clear and readable as noted above. The original box bears the label Tanshell 4 QNT. The pipe has a mix of tan and brown stains on a sandblast finish and some amazing grain that the shape follows well. The finish was dusty around the nooks and crannies of the sandblast but otherwise fairly clean. The rim top was in excellent condition with a little darkening around the inner edge. The bowl had a moderate cake and there was lava on the sandblasted rim top or edges. The taper stem was lightly oxidized, dirty and had light chatter ahead of the button. It came with the original double box, a pipe sock and original paperwork that came in the box. Jeff took photos of the pipe to show what it looked like before he started working on it. Jeff took photos of the bowl and rim top to show the condition. There is a moderate cake in the bowl and darkening around the inner edge of the bowl. He also captured the condition of the stem when it arrived. There is a tooth mark on each side ahead of the button. He took photos of the sides of the bowl and the heel to show the beautiful grain in the sandblast around the bowl. It really is a beautiful piece of briar that has a shape that follows the grain. The finish is nice but it also dirty with dust ground into the finish.Jeff took photos of the stamping on the heel of the bowl. It is clear and readable and reads as noted above.One of the first things I like to do is to unpack the stamping and understand each element in it. I turned to Pipephil helpful site (http://pipephil.eu/logos/en/dunhill/tanshell1.html). The stamping is interpreted as follows: The pipe has no shape number on it but the box is stamped with QNT which means QUAINT. The Tanshell stamp refers to the finish. The size of the pipe is given by the 4 in a circle making it a Group 4. The ⁰⁵ following the D of England gives the date the pipe. Pipephil also has some helpful dating keys on the site that are basically flow charts that you can walk through to date your pipe (http://pipephil.eu/logos/en/dunhill/cledat-en1.html). I turned to Part 1 of the Dating Key and followed the chart. This pipe has a superscript ⁰⁵ following the D in England. The chart below (column one) instructed me that the pipe could be dated as being made posterior to 1954. I followed the link following the “Your pipe is posterior to 1954. Narrow down your dating”. That took me to Page 2 of the dating key (http://pipephil.eu/logos/en/dunhill/cledat-en1a.html). The fourth column (suffix 00, 01, 02…) led me to the section with a 0 followed by a number after the D in England that is the raised above the D. It is a ⁰⁵. There was a directive for dating the pipe spelled out as follows: 2000 + suffix which gives the pipe a date of 2005.I then turned to Pipedia’s section on Dunhill Root Briar to get a bit of background on the Dunhill finishes (https://pipedia.org/wiki/Dunhill#Root_Briar). I quote:

Tanshell

The first lot was distributed in 1952 (usually made using Sardinian briar). The prototype was called “Root Shell “, produced in 1951. The Tanshell is a light tan sandblast. Sardinian briar was used for this sandblast. There is a distinct contrast in the sandblasts using Sardinian as opposed to Algerian briar. The Sardinian is much denser and much harder. The resulting pattern, when blasted, is far more even and regular both in terms of the surface texture and the finish.

The TanShell was Dunhill’s fourth finish and its first major post-war line addition. Introduced in 1951/1952 the TanShell was a naturally stained sandblasted pipe made exclusively from Sardinian briar through the 1960s. The TanShell apparently was not simply a light stained Shell but rather was also the product of “certain processes [unrevealed] not previously employed.” Initially, it appears that the pipe was to be named the Root Shell and a stamp to that effect was ordered and received by Dunhill in May 1951. Ultimately, however, the name TanShell was settled upon but the stamp for the TanShell name was not received by Dunhill until the beginning of December. Thus while the Tanshell was in production in 1951 it appears that most if not all TanShells made in that year did not enter into retail distribution until 1952 and were given a 1952 date code. Loring, J. C., The Dunhill Briar Pipe, The Patent Years and After (self-published, Chicago, 1998).

See more examples here: Dunhill Tanshell
See more about the patents applied here: Shellbriar & Tanshell, Patents 1917-1954

I have also included a chart from the site from Dunhill spelling out the Standard Pipe Finishes and giving short information and a timeline. Armed with that information I turned to work on the pipe itself. Jeff had done a great job cleaning up the pipe as usual. He cleaned up the inside of the bowl with a PipNet reamer and a Savinelli Fitsall Pipe Knife. The bowl walls looked very good. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the deoxidizer. The pipe looked far better. I took photos of the pipe when I received it before I started working on it. The photos show the box within the box and the pouch and pipe itself it is a beauty. I took photos of the bowl and rim top to show how clean it was. The top and the inner edge of the rim look very good. The stem looks clean of debris and grime. There are two tooth marks – one on each side of the stem ahead of the button.I took a photo of the stamping on the heel of the bowl. The stamping is clear and readable. I took a photo of the pipe with the stem removed to show the overall look of stem, tenon and profile of the pipe. The pipe was in excellent condition with a deep blast around the bowl. It was clean and free of debris. I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I worked it into the briar with my finger tips and a horsehair shoebrush to make sure that it covered every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point mark the progress in the restoration. I set the bowl aside and turned my attention to the stem. I filled in the two deep marks on the stem surface with black CA glue. I set it aside to cure. Once cured I smoothed out the repairs with a small file. I sanded it further with a folded piece of 220 grit sandpaper. I sanded the stem with 320-3500 grit sanding pads to break up the remaining oxidation. I wiped it down after each sanding pad with an Obsidian Oil impregnated cloth. It began to look good.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of Obsidian Oil and set it aside to dry. This 2005 Dunhill Tanshell QNT Group 4 Tomato with a Taper Stem has a beautiful, unique Dunhill Sandblast finish that was deep and craggy and crisp. The Tanshell finish highlights some great grain around the bowl and shank through the depths of the blast. It has some great rugged sandblast that Dunhill specialized in making. The polished black vulcanite taper stem adds to the mix. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Dunhill Tanshell QNT Tomato is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ¼ inches, Outside diameter of the bowl: 2 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.34 ounces/38 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I have a friend who has the right of first refusal for this pipe. It is totally in his wheelhouse.

Restoring a Strangely, Unique Metal Pipe – a Regal Poker

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by Steve Laug

In the latest box of pipes, I received from Jeff was interesting and somewhat strange Pipe to work on. The pipe on the table has a briar bowl with the shank going through it. The shank has cooling fins and the briar bowl has rustication. It is a shape that I would call a Poker with a crowned rim top and unique rustication pattern. We purchased it on 12/12/24 from a seller in Ogden, Utah, USA. The grain on the smooth portions of this pipe is beautiful on the crowned rim top and the heel of the bowl. It was obviously a favourite of the previous pipeman. It is stamped on the left side of the shank and read Regal. The finish was dirty and worn. There were tars and oils ground into the surface of the briar. The bowl had a moderate cake that flowed over the top of the rim top. There was lava flowing over the inner edge. It was hard to clearly assess the damage to the inner edge. The condition of the rim edge and top would become clear in the cleaning process. The vulcanite fancy saddle stem was oxidized, calcified and there was chatter and heavy tooth marks on the top and the underside of the stem ahead of the button. Jeff took photos of the pipe before he started his clean up on the pipe. You can see the condition and the uniqueness of the pipe in the photos below. Jeff took photos of the rim top and bowl to give a sense of the thickness of the cake and the lava overflow on the rim top. It should clean up well as the edges do not seem damaged. The stem photos also show the tooth chatter and marks on the stem. I think it is vulcanite but I am unsure. He took photos of the rustication around the Poker shaped bowl sides. Both the rim top and heel of the bowl were smooth. The rustication is almost “Tracy Mincer” like in it patter in each groove. It is a unique finish. Jeff took a photo of the stamping on the metal shank Barrel of the pipe. It is readable though the RE are a bit faint. The next two photos show the part of the pipe. It has some unique plumbing. There is a plunger tube not unlike the plunger in Kirstens. However, the end of the plunger has a fitting that serves to close off the shank and has two rubber o-rings around it. It is quite different. The plunger and o-rings are very tarry and grimy.Before I started my clean up work on the pipe I wanted to know more about the brand. I turned to my go to site on metal pipes – Smokingmetal to see if they listed it and what information they gave on it (http://www.smokingmetal.co.uk/pipe.php?page=137). I have included the photos and the information below.

REGAL – Department : METAL STEM & Plug in bowls

Whilst not strictly speaking an easily replaceable bowl pipe, the principle is the same for cooling the smoke, a two cycle radiator stem of machined Dural with cooling vanes. The pipe is cleaned after the manner of the Spiral Kool, i,e, the bit is pulled out and with it comes a plunger with neoprene wedge shaped piston rings, cleaning the cylinder in one movement.

The Sportsman, in the lower image advert is a version that incorporates its own lighter. Jeff had cleaned up the pipe using his usual procedure. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime from around the bowl sides. It looked better but the rim top and outer edge was darkened and burned. He cleaned out the inside of the shank and the airway with alcohol, cotton swabs and pipe cleaners. The stem looked better but there were a lot of tooth marks on both sides were still visible and would need work. I took photos of the pipe once I received it. I took a photo of the rim top and the stem to show their condition. Jeff was able to clean up the cake and the lava overflow that was shown in the rim and bowl photos above. The rim top and edges looked very good. The stem looked better, though there were many tooth marks and much chatter on both sides ahead of the button.I removed the stem and plunger and took photos of it from various angles. It is truly unique with the rubber o-rings on the end of the plunger. It is very clean now. The barrel has some darkening and wear on the inside but is clean. I started my work on the pipe by addressing the bowl. I sanded the rim top and inner edge with 320-3500 sanding pads. I wiped the briar down after each sanding pad. By the end it looked very good and the rim top really had some great grain. I polished the bowl sides and the smooth rim top with micromesh sanding pads. I dry sanded it with 1500-12000 grit micromesh pads. I wiped it down after each pad. It really began to be beautiful. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I worked it into the plateau on the rim top and shank end with a shoe brush to get deep in the valleys. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I set the bowl aside and turned my attention to the stem. I sanded the stem surface with 220 grit sandpaper to blend them into the stem.I sanded the stem with the 2 inch square 320-3500 grit sanding pads to remove the remnants of oxidation on the vulcanite. I wiped down the stem after each sanding pad with Obsidian Oil. I was able to remove the majority of the oxidation on both sides with the pads. The stem looked very good.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I did a final hand polish of the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from further oxidizing. I set it aside to dry. I put the stem and plunger back on the Regal Metal Poker with a rusticated Briar Bowl and took it to the buffer. I buffed the bowl and stem with Blue Diamond to polish the briar and the vulcanite. Blue Diamond does a great job on the smaller scratches that remain in both. I gave the bowl and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. I am amazed at how well it turned out. The finished pipe is shown in the photos below. This is beautiful smooth finished Regal Metal Poker, the metal barrel, and vulcanite saddle stem combine to give the pipe a great look. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.55 ounces/44 grams. This is another pipe that I will be putting on the rebornpipes online store in the American Pipe Makers and Pipemaking Companies Section shortly, if you are interested in adding it to your collection. Thanks for walking through the restoration with me on this beauty!

Restoring a Magnum Sized “Malaga” Custom Carved Freehand

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by Steve Laug

In the latest box of pipes I received from Jeff was a large Malaga Freehand Pipe to work on. The pipe on the table is an interesting Malaga I would call a large Freehand with a plateau finish on the shank end and rim top. We purchased it on 10/23/2024 off eBay from a seller in Madison, Indiana, USA. The grain on the smooth portions of this pipe is beautiful and there are some small rustications on the heel of the bowl and the underside of the shank. It is a pattern of rustication that I have seen before on the Malaga pipes that I have worked on. It was obviously another favourite of the previous pipeman. It is stamped on the underside of the shank and read “MALAGA” [over] Custom Carved. The finish was dirty and worn. There were tars and oils ground into the surface of the briar. The bowl had a moderate cake that flowed over the top of the plateau rim top. There was lava flowing over the edges down the first 1/4 inch of the bowl. It was hard to clearly assess the damage to the inner edge. The condition of the rim edge and top would become clear in the cleaning process. The vulcanite fancy saddle stem was oxidized, calcified and there was chatter and tooth marks on the top and the underside of the stem ahead of the button. I have included photos that the seller provided on the pipe that caught our attention. You can see the condition and the amazing grain around the bowl. When the pipe arrived, it was in pretty much the condition that we expected and as I noted above. Jeff took photos of the pipes before he started his clean up work. It is even bigger in person than in the photos.Jeff took photos of the rim and bowl to show the cake and lava on the rim top and edges. The inner edge of the rim showed thick cake coming up to the top and flowing over the edge. The pipe was a dirty one but still a beauty. The vulcanite fancy saddle stem had tooth marks and chatter on the top and underside of the stem ahead of the button. The photos of the sides and heel of the bowl hint at the damage around the bowl sides from the rim top downward. The briar is quite nice all around the pipe. The oil curing/finish makes the grain really stand out on the bowl and shank. Jeff took a photo of the stamping on the underside of the shank. It read as noted above “MALAGA” [over]Custom Carved. The stamping was faint but still readable. For those of you who are unfamiliar with the brand, I am also including the link to a blog that I wrote that gives some of the history of the Malaga brand and the Malaga Pipe Shop in Royal Oak, Michigan in the USA. Here is the link – https://rebornpipes.com/2013/02/09/george-khoubesser-and-malaga-pipes/. That blog also includes links to a catalogue and the history of the pipemaker George Khoubesser. If you are interested to learn more then I invite you to follow the link to get a feel for the brand and the pipemaker.

I am also am including a link to some printed material on the Malaga brand that came to me from the daughter of George Koch (we purchased George’s pipes from his daughter) to help identify the particular stamping on the pipe. The link takes you to the entire collection of materials that were sent to me (https://rebornpipes.com/2019/02/27/malaga-pipes-catalogue-of-pipes-and-tobaccos/).

Jeff had cleaned up the pipe using his usual procedure. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime from around the bowl sides. It looked better but the rim top and inner edge was darkened. He cleaned out the inside of the shank and the airway with alcohol, cotton swabs and pipe cleaners. The stem looked much better and the light tooth marks on both sides were still visible and would need a little work. I took photos of the pipe once I received it. I took a photo of the rim top and the stem to show their condition. Jeff was able to clean up the cake and the lava overflow that was shown in the rim and bowl photos above. The rim top and edges looked very good and the plateau was very clean. The stem looked better, though there were tooth marks and chatter on both sides ahead of the button.I took a photo of the stamping on the shank to show that the clean up had not damaged it at all. It looked was faint but still readable. I removed the stem from the shank and took a photo of the parts to give a sense of what the pipe looks like. To try and capture a sense of how large this pipe is I put a Rhodesian next to it. The Rhodesian is an average Group 4 sized pipe. It is dwarfed by this large Malaga. I wiped the bowl down with a damp cloth and sanded it with 320-3500 grit sanding pads to remove the surface scratches in the finish. I carefully avoided the stamping so as not to damage it. The briar began to have a rich shine and the bowl looked very good. I polished the bowl sides and the smooth rim top with micromesh sanding pads. I dry sanded it with 1500-12000 grit micromesh pads. I wiped it down after each pad. It really began to be beautiful. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I worked it into the plateau on the rim top and shank end with a shoe brush to get deep in the valleys. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I set the bowl aside and turned my attention to the stem. I “painted” the tooth marks with the flame of a lighter to lift them. I was able to lift them significantly. Even the ones on the button surface and edges lifted. I reshaped the button and sanded the stem surface with 220 grit sandpaper to blend them further into the stem. I sanded the stem with the 2 inch square 320-3500 grit sanding pads to remove the remnants of oxidation on the vulcanite. I wiped down the stem after each sanding pad with Obsidian Oil. I was able to remove the majority of the oxidation on both sides with the pads. The stem looked very good.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I did a final hand polish of the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from further oxidizing. I set it aside to dry. I put the stem back on the Magnum Sized “MALAGA” Custom Carved Freehand and took it to the buffer. I buffed the bowl and stem with Blue Diamond to polish the briar and the vulcanite. Blue Diamond does a great job on the smaller scratches that remain in both. I gave the bowl and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. I am amazed at how well it turned out. The finished pipe is shown in the photos below. This is beautiful smooth finished “MALAGA” Custom Carved Freehand and the fancy vulcanite saddle stem combine to give the pipe a great look. The dimensions of the pipe are Length: 8 ½ inches, Height: 3 inches, Outside diameter of the bowl: 2 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 4.30 ounces/122 grams. This is another pipe that I will be putting on the rebornpipes online store in the American Pipe Makers and Pipemaking Companies Section shortly, if you are interested in adding it to your collection. Thanks for walking through the restoration with me on this beauty!

Cleaning up the final pipe of the Rob’s 12 – A Royal Danish 981R Saddle Stem Billiard

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by Steve Laug

This is the last of the pipes I received from Robert with a group 12 pipes that needed to be restored in various ways from cleanup to restemming. So it is the only one to choose to work on this Royal Danish 981R Large Billiard with a vulcanite saddle stem. The bowl and shank were very dirty with oils and tars on the surface of the sandblast finish and the two smooth panels on each side. There were also some worn spots. The bowl had a thick cake and an overflow of lava in the sandblast of the rim top. The pipe was stamped on the underside of the shank and read Royal Danish [followed by] Made in Denmark [followed by] 981R. There was a Crown logo on the left side of the saddle stem. This one came with the original stem in place on the shank. The stem was a push stem. It was oxidized and had notches on each side ahead of the button. There were light tooth marks on the top and underside of the stem near the button. The button edges were also worn quite thin. I took some photos of the pipe to show its condition before I started my work on it. I took some closer photos of the bowl and rim top to show its condition before I started my work on the pipe. You can see the cake in the bowl and the thick lava coat filling in the sandblast on the rim top. The stem photos also show the general condition of the stem as noted above. I tried to capture the stamping on the underside of the shank. It is clear, though faint, still readable and reads as noted above. I removed the stem to give a sense of what the pipe looked like with two parts shown side by side. It is a large Billiard shape with a saddle stem.Before I started working on it I did a bit of research on the brand to get a feel for where it fit in the Stanwell line. I was sure that it was a second but wanted confirmation. I turned to Pipephil’s site to see if I could get a feel for it (http://www.pipephil.eu/logos/en/logo-r6.html). I did a screen capture of the information on the site. I found that the brand was indeed made by Stanwell and was one of many second lines that they made. I did a screen capture of the pertinent information and have included it below.I then turned to Pipedia and found that it was also listed as a second or a sub-brand made by Stanwell (https://pipedia.org/wiki/Stanwell#Sub-brands_.2F_Seconds). I have included the list of seconds from the site below. I have highlighted the Royal Danish in blue in the text.

Sub-brands / Seconds – Bijou (discontinued), Danish Quaint, Danish Sovereign, Danske Club, Henley (discontinued), Kong Christian (discontinued), Majestic, Reddish (discontinued), Royal Danish, Royal Guard, Royal Sovereign, Sailor (discontinued), Scandia, Sorn (discontinued), Svendson.

Now it was time to clean up this pipe and get it restored. I reamed the bowl with a PipNet Pipe Reamer using the 2^nd and 3^rd cutting heads to trim back the cake to bare walls. A lot of carbon powder came out of the bowl. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife and sanded the walls of the bowl with a dowel wrapped with 220 grit sandpaper. Once finished the bowl look quite good. I worked over the sandblast on the rim top with a brass bristle wire brush to remove the lava coat that was in the blast. The rim began to look much better and you can see the texture of the blast. I scrubbed the internals and externals of the bowl with undiluted Murphy’s Oil Soap and a tooth brush. I rinsed off the soap and grime with warm water. I repeated the process several times until the water came off clear. It is a great looking pipe. There is definitely some wear on the outer edge of the rim top but it still should look fine. I touched up the raw briar and faded areas on the rim edges using a Walnut stain pen. It took a short amount of time but the dividend it great. The rim top looks better with the new stain and it matches the rest of the bowl very well.I cleaned out the internals of the shank, mortise and the airway in the stem with alcohol, cotton swabs and pipe cleaners – both regular and bristle. It was a dirty pipe but it cleaned up very well.I polished the smooth patches on the left and right side of the bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the areas down with a damp cloth after each pad to remove the sanding debris. The panels took on a rich shine.I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I worked it into the briar with my finger tips to make sure that it covered every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point mark the progress in the restoration. I set aside the bowl and turned my attention to the stem. This stem was in rough shape. There were tooth marks on the button top on both sides and also on the stem surface. There were notches carved on each side of the stem ahead of the button. I am not sure of the purpose but they were oddly present. I wiped down the stem end and filled in the damaged areas with black rubberized CA glue. Once it cured I recut the button with a small file. I smoothed out the repairs on the stem surface with a folded piece of 220 grit sandpaper. I scrubbed the stem surface down with Soft Scrub to address the oxidation that remained. I finished and wiped it down with an Obsidian Oil cloth. I continued to sand the stem with 320-3500 grit sanding pads. I wiped the stem down after each pad with an Obsidian Oil impregnated cloth to remove the sanding debris. It began to take on a shine.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down with some Obsidian Oil after each sanding pad. I polished it further with Before & After Stem polish – both Fine and Extra Fine and then wiped it down another time with the oil. I put the Royal Danish 981R Saddle Stem Billiard back together. I polished the bowl and stem with Blue Diamond to polish the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. There were some spots of oxidation around the logo on the stem that I left so as not to damage the stamping. The original brown stains gave depth to the beautiful grain around the smooth bowl patches, the sandblast finish and worked amazingly well with the polished vulcanite saddle stem. The grain around the bowl and shank and looks quite remarkable. There are still some nicks for the pipe’s journey that I left as it is part of the story of the pipe. This is truly a beautiful Royal Danish 981R Large Billiard. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 6 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 1.69 ounces/48 grams. This final pipe will be put in the box and will be mailed back to him early next week. Thanks for walking through the restoration with me. Cheers.

Cleaning up another of the 12 – A Wire Rusticated Dr. Grabow Belvedere Slim Dublin

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by Steve Laug

This is another of the pipes I received from Robert with a group 12 pipes that needed to be restored in various ways from cleanup to restemming. I have just two left now so I chose to work on this Dr. Grabow Belvedere Yachtsman with a vulcanite taper stem. The bowl and shank were very dirty with oils and tars on the surface of the smooth finish. There were also some worn spots. The wire rusticated bowl had been reamed recently so the bowl was almost free of cake other than a light ridge of carbon mid bowl. There was a light overflow of lava on the rim top. The pipe was stamped on the underside of the shank and read Belvedere [over] Dr. Grabow. There was a Grabow logo on the left side of the stem. This one came with the original stem in place on the shank. The shank end had an aluminum fitting that provided a mortise of the threaded metal stinger/tenon on the pipe. The stem overclocked to the right leaving I crooked in the shank. It was oxidized and had what looked like pliers’ marks on the stem side. There were light tooth marks on the top and underside of the stem near the button. I took some photos of the pipe to show its condition before I started my work on it. I took some closer photos of the bowl and rim top to show its condition before I started my work on the pipe. You can see the relatively clean bowl with no cake and the thick lava coat on the rim top. The stem photos also show the general condition of the stem as noted above. I tried to capture the stamping on the underside of the shank. It is clear, though faint, still readable and reads as noted above. I also unscrewed the stem to give a sense of what the pipe looked like with two parts shown side by side. It is a Dublin shape with a taper stem.I turned to Pipephil (http://www.pipephil.eu/logos/en/logo-drgrabow.html) to see if I could find any information on the line and background on the brand. I have included that in the paragraph below. There was nothing listed on the Belvedere line.

Dr. Grabow pipes began with Louis B. Linkman († 1957), of the M. Linkman and Co. of Chicago in 1932 (Pat # 1 896 800). Linkman and Co. ceased producing the Dr. Grabow pipes around 1953. After this date the brand was owned by Henry Leonard and Thomas (HLT), Inc. of Queens, New York and produced by Sparta Pipes Inc. In 1969, US Tobacco acquired Sparta Pipes and rights to Dr. Grabow. Lane Ltd. acquired the Dr. Grabow property from US Tobacco. Lane Ltd. came under ownership of RJ Reynolds and British American Tobacco in about 2000. Dr. Paul E. Grabow died in 1965 at age 97. Production (2006): ~250,000 pipes/year.

I then turned to Pipedia to an article on the Grabow Models. I have included the link below. (https://pipedia.org/wiki/Dr._Grabow_Models_(Series,Line)_Names_Through_the_Years). I quote from the information listed on the Belvedere below:

BELVEDERE (c1955?) – One of the early RJR pipes. Some, perhaps the earlier ones, have #76 cleaner (“Rook” shape). Others use the #72b cleaner (“spoon” shape on end). Eventually, this pipe was dropped from the offers.

From that information I knew That I was dealing with an early RJR (RJ Reynolds) pipes as it had the “Rook” shaped stinger/tenon apparatus. That is known as a #76 cleaner. I also learned that it had been a coupon pipe and was dropped from the offers. It appears to have come out in or around 1955. Now it was time to work on the pipe.

I decided to begin by addressing the fit of the stem to the shank. The stem fit against the shank perfectly but was over clocked by about ¼ turn. I would need to deal with that. I used an old trick I learned from one of the old timers on ASP. I heated the metal stinger tenon with the flame of a lighter to soften the glue in the stem. I screwed it into the stem and tried to turn it. I repeated the process until the glue softened. I then was able to align the stem properly on the shank. I set it aside to let the glue reharden before I took the stem off. It looked very good at this point in terms of alignment. I used a brass bristle wire brush to clean up the lava on the rim top and the tars on the aluminum Rook style stinger.I scrubbed the exterior of the with undiluted Murphy’s Oil Soap and a tooth brush. I worked on edges of the rim top along with the rest of the bowl and the shank. I rinsed it off with warm running water and dried it off with a cotton towel. It is definitely looking better. I used a walnut stain pen to touch up the finish on the rim top, bowl edges and the shank end. I worked it into the wire brush rusticated finish on the bowl.I cleaned out the airway in the stem and shank, the mortise and the entry of the airway into the bowl. I used alcohol, cotton swabs and pipe cleaners. It was dirty but cleaned up well.I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I worked it into the briar with my finger tips to make sure that it covered every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point mark the progress in the restoration. I set aside the bowl and turned my attention to the stem. I sanded out the oxidation on the stem surface with a folded piece of 220 grit sandpaper. I wiped it down with an Obsidian Oil cloth.I continued to sand the stem with 320-3500 grit sanding pads. I wiped the stem down after each pad with an Obsidian Oil impregnated cloth to remove the sanding debris. It began to take on a shine.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down with some Obsidian Oil after each sanding pad. I polished it further with Before & After Stem polish – both Fine and Extra Fine and then wiped it down another time with the oil. I put the Dr. Grabow Belvedere Slim Dublin and the stem back together. I polished the bowl and stem with Blue Diamond to polish the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The original brown stains gave depth to the beautiful grain around the bowl and worked amazingly well with the polished vulcanite saddle stem. The grain around the bowl and shank and looks quite remarkable. There are still some nicks for the pipe’s journey that I left as it is part of the story of the pipe. This is truly a beautiful Dr. Grabow Belvedere Dublin. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.16 ounces/35 grams. This pipe will be put in the box while I work on Rob’s remaining pipe in the 12 pipe lot. Once I finish them I will be mailing the lot back to him. Thanks for walking through the restoration with me. Cheers.

Cleaning a stubbornly Frozen Quiet Companion Metal pipe from the lot of 12 pipes

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by Steve Laug

Back in January I received an email from Robert with a group 12 pipes that needed to be restored in various ways from cleanup to restemming. I chose to work on second metal pipe next. It is a nice looking straight pipe with an apple style bowl and a metal base. It was a smooth bowl with no rustication. The rim top and the base of the bowl were both very dirty. The bowl had been reamed at some time so there was no cake in it. The rim top had an overflow of lava on it and some darkening around the inner edge. The underside of the bowl was dirty and it was coated with a varnish coat. The stem and bowl were stuck on the base and could not be removed at this point. The underside of the metal base was stamped Quiet Companion. The stem was dirty and had a lot of tooth marks and chatter on the top and underside ahead of the button. I took some photos of the pipe to show its condition before I started my work on it. To capture the condition of the bowl and rim top along with the stem I took the following photos. You can see the tar in the bottom of the bowl and the entrance to the shank is quite large. The bowl is not removable at the moment so once I am able to remove it I can do a better assessment of the condition. The rim top has a thick lava coat that is heavier on the back side. The stem is well chewed but none of the marks are too deep. The stem is also not removable at this point. I will need to see what I can find out about the internals so that I can take it apart.I tried to capture the stamping on the heel of the base. It read The [over] Quiet [over] Companion. It was clear and readable.This is a brand I had not seen before, let alone worked on. I had no idea how it came apart and it was solidly stuck. I could not remove the stem from the shank or the bowl from the base. Before I started to work on it I decided to see if I could find out how the parts were held together. Here is the link (http://www.smokingmetal.co.uk/pipe.php?page=83). I quote the information that was included along with the photos.

QUIET COMRADE

Department : METAL STEM & Plug in bowls

QUIET COMRADE stamped under cup and on the base of the bowl. The filter holder is designed such that smoke has to travel three time the length of the shank, the last run is enabled to take an absorbtion filter.

The bowl is retained by the filter holder locking into the bowl, this has to be pulled out before the bowl is released. Attempting to unscrew the bowl can have disastrous effects

Variety of bowls , smooth and carved.

Overall length is 5 3/8 inches (137 m/m)

19 Feb 1974 – US patent # 3,792,705 Inventor Robert J Frederick , Ashtabula, Ohio and manufactured by Mech.Tech.Inc., PO box 487 – 3128 State Road – Ashtabula, Ohio 44004 – USA I also found a link on another site selling the pipe that showed the way the pipe fit together (https://eliesfreehandpipes.com/Elie%27s_Comrade.html).Now I knew how to take it apart… I thought. Now the hard work began. I tried all the tricks up my sleeve from years of working on pipes. I tried the freezer trick – letting it sit in the freezer for repeated periods of time and having absolutely no success. I tried heating the shank with boiling water to try to loosen the internals from the metal base – I repeated the process of heating it several times to loosen it. Again – I had no success. I heated it with a heat gun repeatedly to remove the internals – no success. The only thing that worked at this point was that I was able to remove the stem. I soaked the shank in a bath of alcohol for several days hoping to break things loose. It did not work. I heated it again to combine the alcohol and heat. It did not work. I tried plugging the shank end and soaking the internals with acetone. It still did not work. I am stumped at this point. I decided to clean up the pipe as best as I could without taking it apart. So that is what I did today after work.

I wiped off the debris from the soaking that bowl had received and reamed it with a Savinelli Fitsall Pipe Knife. I took the cake back to bare briar and it looked much better. I cleaned out the airway in the shank and the inside of the bowl and the entrance of the airway at the bottom of the bowl with alcohol, pipe cleaners and cotton swabs. I also cleaned the airway in the stem at the same time. It was beginning to look very good.With the internals clean I turned my attention to the briar bowl. It had started the heating/cooling process I described above with a thick varnish coat. One of the benefits of the long process was that the varnish had bubble and peeled off. I sanded it with a folded piece of 220 grit sandpaper to remove the remnants of shiny varnish on the sides and top of the bowl. It actually had some nice grain underneath the coat. I continued to sand the bowl with 320-3500 grit sanding pads. I wiped the bowl down after each pad with a damp cloth to remove the debris from sanding. By the last pad the bowl had begun to shine. I polished the briar bowl with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the debris. By the end the grain just popped. It is a pretty bowl. I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I worked it into the briar with my finger tips to make sure that it covered every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point mark the progress in the restoration. I turned my attention to the other end of the pipe. I sanded out the oxidation and scratches in the surface with 320-3500 sanding pads. I wiped the stem down after each sanding pad with an Obsidian Oil saturated cloth. Once finished it revealed deep marks and gouges in the surface.I filled in the marks and nicks on the surface of the stem with black, rubberized CA glue. I pressed it into the marks on the surface with a tooth pick. Once the repairs cured I sanded them smooth with a folded piece of 220 grit sandpaper. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down with some Obsidian Oil after each sanding pad. I polished it further with Before & After Stem polish – both Fine and Extra Fine and then wiped it down another time with the oil. The frustratingly frozen pipe looked better. Even though I could not break down the internals I worked over the internals with alcohol and pipe cleaners. I put the Quiet Comrade Metal Pipe and stem back together. I polished the bowl and stem with Blue Diamond to polish the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The original brown stains gave depth to the beautiful grain around the bowl and worked amazingly well with the polished vulcanite saddle stem. The grain around the bowl and shank and looks quite remarkable. There are still some nicks for the pipe’s journey that I left as it is part of the story of the pipe. This is truly a beautiful Quiet Comrade Apple on a metal base. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.45 ounces/41 grams. This pipe will be put in the box while I work on Rob’s remaining pipes in the 12 pipe lot. Once I finish them I will be mailing the lot back to him. Thanks for walking through the restoration with me. Cheers.

Cleaning up another of the 12 – An Imported Briar Lovat Style Pot

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by Steve Laug

This is another of the pipes I received from Robert with a group 12 pipes that needed to be restored in various ways from cleanup to restemming. I have just a few left now so I chose to work on this Kaywoodie like Lovat Style Pot with a short saddle stem. The bowl and shank were very dirty with oils and tars on the surface of the smooth finish. The bowl had been reamed recently so the bowl was free of cake. There was an overflow of thick lava on the rim top. The lava was thick and there as darkening on the inner edge. The pipe was faintly stamped on the left side of the shank and read Imported Briar. There was no other stamping on the shank sides though there may well have been some originally. This one came with the original stem in place on the shank. The shank end had an aluminum fitting that provided a mortise of the threaded metal stinger/tenon on the pipe. The stem did not fit tightly against the shank for some reason that clean up would reveal. It was oxidized and calcified on the button end. There were light tooth marks on the top and underside of the stem near the button. The surface of the button is also tooth marked. There were no logos on the stem sides. I took some photos of the pipe to show its condition before I started my work on it. I took some closer photos of the bowl and rim top to show its condition before I started my work on the pipe. You can see the relatively clean bowl with no cake and the thick lava coat on the rim top. The stem photos also show the general condition of the stem as noted above. I tried to capture the faint stamping on the left side of the shank but it is not clear. I also took a photo of the right side to look for stamping. There was nothing visible in the photos. The left side had a faint stamp that read as noted above. I also unscrewed the stem to give a sense of what the pipe looked like with two parts shown side by side. It definitely is a pot but the long shank and the saddle stem give it the look of a Lovat. Since there was no stamping on the pipe there was really nothing to be learned about its history. It is kind of a mystery pipe. It could be a Kaywoodie I suppose but again there is no proof of that. I decided to begin my work by addressing the fit of the stem to the shank. There was a thick rubberized glue around the stem end of the threaded tenon. It filled in the last thread and also on the top of the stem face. This accounted for the fit to the shank at this point. I used a small pen knife to cut away the rubberized glue and cleaned up the tenon a bit. I turned it into the stem and found the answer to my question of why the rubber! The stem fit against the shank perfectly but was over clocked by about ¼ turn. I would need to deal with that.I used an old trick I learned from one of the old timers on ASP. I heated the metal stinger tenon with the flame of a lighter to soften the glue in the stem. I screwed it into the stem and tried to turn it. I repeated the process until the glue softened. I then was able to align the stem properly on the shank. I set it aside to let the glue reharden before I took the stem off. It looked very good at this point in terms of alignment.Once the stem cooled and the alignment was set I removed it from the shank and cleaned out the airway in the stem and shank, the mortise and the entry of the airway into the bowl. I used alcohol, cotton swabs and pipe cleaners. It was dirty but cleaned up well.I scraped the lava off the rim top with the edge of the Savinelli Fitsall Pipe Knife. It is better but there is still a lot of work to do on the inner edge and top. I sanded the inner edge of the bowl and rim top with a folded piece of 220 grit sandpaper to clean it up. I wiped the briar down with some acetone on cotton pads to remove the shiny varnish coat and allow me to work on the rest of the bowl. It is finally beginning to look better. I scrubbed the exterior of the with undiluted Murphy’s Oil Soap and a tooth brush. I worked on edges of the rim top along with the rest of the bowl and the shank. I rinsed it off with warm running water and dried it off with a cotton towel. It is definitely looking better. I worked on the bowl, rim top, edges and shank with 320-3500 grit sanding pads to further remove the darkening on the briar. I also worked over the aluminum shank/mortis piece at the same time. It is improving with each pad. I wiped the top down with a damp cloth to remove the sanding debris. I polished it with 1500-12000 grit sanding pads and wiped it down with a damp cloth after each pad. The pipe looked very good. I rubbed the bowl down with Before & After Restoration Balm. It is a paste/balm that works to deep clean the finish, enliven and protect the briar. I worked it into the briar with my finger tips to make sure that it covered every square inch of the pipe. I set it aside for 10 minutes to let it do its work. I buffed it with a cotton cloth. The briar really began to have a deep shine. The photos I took of the bowl at this point mark the progress in the restoration. I “painted’ the surface of the stem with the flame of a lighter to try and lift the bite marks. It worked very well. There were two small marks left on the surface – one on each side. I filled them in with some black rubberized CA glue. Once it cured I sanded out the repairs with 220 grit sandpaper to blend them into the stem surface. I sanded the stem with 320-3500 grit sanding pads. I wiped the stem down after each pad with an Obsidian Oil impregnated cloth to remove the sanding debris. It began to take on a shine.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down with some Obsidian Oil after each sanding pad. I polished it further with Before & After Stem polish – both Fine and Extra Fine and then wiped it down another time with the oil. I put the Imported Briar Lovat Style Pot and the stem back together. I polished the bowl and stem with Blue Diamond to polish the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The original brown stains gave depth to the beautiful grain around the bowl and worked amazingly well with the polished vulcanite saddle stem. The grain around the bowl and shank and looks quite remarkable. There are still some nicks for the pipe’s journey that I left as it is part of the story of the pipe. This is truly a beautiful Imported Briar Pot. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.55 ounces/44 grams. This pipe will be put in the box while I work on Rob’s remaining pipes in the 12 pipe lot. Once I finish them I will be mailing the lot back to him. Thanks for walking through the restoration with me. Cheers.