A Bulldog with a Concussion – Emergency Surgery for a Brigham 526

Custombilt Convertibole

The elusive Convertibole, its taken two long years to hunt this oddity down. They were always just out of reach. I have an addiction to Custom-Bilt / Custombilt Pipes but I’m not willing to brake the bank to add one to my collection. So I was pretty happy when this one went out cheap on EBAY. The Convertibole first appeared in 1946 and was distributed by Eugene Rich, the interchangeable bowls made ease in changing between blends.

As Received

She was in rough shape, well used but the price was right and I was up for a challenge. The shank was cracked, a band would have easily fixed the problem but it would also take away from the pipe itself. So a little unconventional fix would have to do.

Starting with the bowls chamber and my Pipnet reamer, I reamed the cake back to briar starting with…

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Celebrating the Re-Opening of My Store with a Restoration

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Guest Blog by Robert M. Boughton
Member, International Society of Codgers
Member, North American Society of Pipe Collectors
http://www.naspc.org
http://www.roadrunnerpipesnm.biz
http://about.me/boughtonrobert
Photos © the Author

“The people like to be humbugged.”
“Unless a man enters upon the vocation intended for him by nature, and best suited to his peculiar genius, he cannot succeed.”
“Nobody ever lost a dollar by underestimating the taste of the American public.”
“The noblest art is that of making others happy”
― Phineas Taylor Barnum (1810-1891), U.S. showman, businessman, politician, celebrated hoaxer and founder of the Barnum & Bailey Circus

INTRODUCTION
P.T. Barnum was a man of contradictions, as the quotes above suggest, making him an obvious two-time Republican candidate for state legislator in the Connecticut General Assembly, both of which races (at different periods of his eventful life) were successful. Business, however, was always his first love, and by the age of 12, in Bethel, Connecticut, he earned enough money selling snacks and homemade cherry rum to buy his own livestock. By 21, he owned a general store and a newspaper called “The Herald of Freedom,” and ran a small lottery.

The Greatest Showman on Earth, who insisted his customers were willing participants in his obvious pranks and hoaxes, never said the line most attributed to him: “There’s a sucker born every minute.” Hence the first quote above. Barnum’s fame began with the 1835 purchase of a blind slave named Joice Heth, whom he advertised, in one of his greatest hoaxes, as being 161 years old and the one-time nurse of George Washington. During her tour of New York City and New England, throngs of gawkers paid to hear the old woman spin tale of “dear little George.” To heighten the already wild frenzy around Heth, Barnum later spread the rumor that she was, in fact, an automaton manipulated by ventriloquists. At Heth’s autopsy in 1837 – to which Barnum sold tickets – medical examiners determined that she was probably 80 at the oldest.

Despite his purchase of a slave, to whom he no doubt gave far better treatment than her former owners, as a legislator in later years Barnum was a strong advocate of equal rights for African-Americans. And likewise, giving up all liquor, including the cherry rum that started his long run in business, Barnum became a devout supporter of the Temperance Movement and remained committed to it until he died.

Other than Heth, three of Barnum’s best-known “exhibits” were a child dwarf he called General Tom Thumb, who was even granted a royal audience by England’s Queen Victoria; the Fejee Mermaid [see “The X Files,” S2, E20, “Humbug”], or the top half of a dead monkey sewn to the lower part of a fish, and his giant, six-ton African elephant named Jumbo, which was bought under wide protest from the London Zoölogical Society and led to the adjective jumbo, or large.

There are far too many more titillating examples of Barnum’s contradictory exploits and far too little space to go into any of them here, but you get the point. At least I hope you do. In a market-driven economy, advertising, publicity and flair are everything, and they form the unabashed purpose of this blog: to celebrate the grand re-opening of my online pipe restoration and sales business with the latest addition to its stock.

The selection has diminished in size during the past few months that the webstore was down, due both to continuing sales the old-fashioned way – hand-to-hand – and a plethora of personal issues, including moving again and several pressing legal matters in which I am prevailing through appeals despite being up against real attorneys, that have until recently eaten away at the time I prefer to devote to pipe work.

As the Steve Miller Band might have sung had they been writing of my better spent daily life:

This here’s a story about Bobby Mike and his stew,
One young lover with nothin’ better to do
Than sit around the house, smoke his pipes, and watch the tube
And here is what happened when he decided to cut loose….

With no further ado, I am pleased to call out in a booming voice, though it be in written words, “La-dies and gen-tle-men, who are children of all ages, welcome to the greatest, most amazing, daring, thrilling and spectacular show on Earth! The circus known round the world as pipe restoration! And now…in the Center Ring…turn your eyes toward the wonderful and awe-inspiring silver-banded bulldog ! All the way from England, measuring an astonishing six inches in length and a 6/8” x 5-1/4” chamber diameter, and called the Atwood Hall of Fame Natural #5, of the world-renowned Comoy’s family!”

RESTORATION

Sixty-three years after it was made and, my intuition tells me, loved by a single owner, there are numerous signs of wear and tear. Still, scratches on almost every inch of the stummel and bit, not to mention a few outright dings, are the pith of the blemishes, not counting the almost inevitable loose sterling silver band. These flaws are negligible considering the venerable pipe’s age and obvious regularity of use. Even the band – which, given the thinness of the inherently fragile material itself, invites heavy tarnish, bending and total obliteration of any hallmarks or stampings – was almost pristine, and is once more, still showing showing the single word of its substance, STERLING, and by more careful examination three hallmarks – something I can’t make out following by a T and a 5. Here is the first page of the original (and apparently only) Atwood U.S. Patent, showing the same design of the Hall of Fame 1953 Brandy.

Atwood pipes came with “a permanent aluminum cup at the base of the chamber, with a bore hole.” [http://www.pipephil.eu/logos/en/logo-a9.html] The cup and bore hole, after cleaning, indeed are intact.

Although, by virtue of Atwood being a Comoy’s second, I was not over-concerned with the possibility of finding fills in the wood if I were forced to strip the original polish and stain, but I nevertheless took every measure I could conceive to avoid that step. At worst, I was convinced, the reason for the oppressive stain was to hide unfortunate grain. As will be shown, this proved to be the case.

I began by removing almost all of the rim burn with concerted rubbing using 2400 and 3200 micromesh freshly cleaned by a long soak in purified water. An unsuccessful but still incomplete attempt to fix the remaining rim burn and scratching led me to an acceptance at that point of the fact that, though I might otherwise rid the rim of the remaining char, the remaining scratches, not just on the rim but everywhere else on the stummel, were sufficient to necessitate a low enough grit of sandpaper to take it down to bare wood. Having learned that sandpapering the entire wooden surface of a pipe can and often does lead to more problems, I chose the more efficient and reparable measure of an Everclear bath.

The Everclear was a complete success in revealing that there were, indeed, no fills, but even finer scratches than even my minute examination of the briar beforehand, using a jeweler’s magnifier headset, had caused me to suspect could exist. And so I tried the superfine 0000 steel wool first, which at least took off the rest of the old artificial color and some of the less pernicious scratches. But 200-grit paper was unavoidable, in careful spot sanding, to banish the rest of the marks and pocks, followed by another soft buffing with the steel wool.

The next steps seemed to be an easy crank or two of a 21mm reamer in the chamber followed by 320-grit and 500-grit paper, and a retort.

The retort required two test tubes full of Everclear, but only because of the way the first tube-full always seems to remain in the pipe’s inner bowels after a few boils. At any rate, immediately following the retort, I ran a bristly cleaner through the bit’s air hole, which came out remarkably light, and used both ends of a fluffy pipe cleaner on the inner shank to soak up the wet residue of various accretions still in the shank. I removed the cotton ball from the chamber and swabbed it thoroughly with small white cotton gun cleaning cloths. Then I finished the chamber with a final wipe using 500 paper and more thin cotton swabs soaked in Everclear. The chamber was silky smooth.

“This pipe is clean!” I said to myself, out loud in fact, thinking of the tiny lady of “Poltergeist” fame, who sought out and did her best to dispel dead but still malicious souls. At last, I turned my attention to the bit. It was in pretty good shape, but notice the bad scratch in the second photo below. Every micromesh pad I have, still damp after the soaking from which I removed them some time earlier, was employed to make the bit shine again.

The distinctive A for Atwood was perfectly ingrained and intact. I had made the rounded top of the bulldog bowl lighter than the rest of the stummel on purpose, and as the time for re-staining had come, I chose Fiebing’s Brown leather stain for the top and Lincoln Medium Brown (darker) for the rest. Applying the Fiebing’s with care to the top, I flamed it with my Bic, then did the same to the rest of the stummel with the Lincoln. After a short sit to cool off (both the wood and me), I gently buffed the whole surface with 3000 and 6000 micromesh.

The final step before buffing was re-attaching the band to the shank, mindful of placing the STERLING/SILVER stamp in small letters on the upper left side, where it had been. Oh, glorious moment! The time was nigh to retire to my office, wherein rests my electric buffers. Observing the clock on the wall, which told me it was already 2 a.m., I considered the neighbors opposite that side of the apartment and, understanding the way my building is laid out, realized they would hear nothing from their bedroom. I used the customary red and White Tripoli on the bit, with the clean buffer between each, and white Tripoli, White Diamond and carnauba on the stummel, again separating each with the clean buffer. For the band, I used a very fast turn on the clean buffer.

SOURCES
http://www.history.com/news/10-things-you-may-not-know-about-p-t-barnum
http://www.azlyrics.com/lyrics/stevemillerband/takethemoneyandrun.html
https://en.wikipedia.org/wiki/Ringmaster_(circus)

UPCOMING RESTORES

Reborn S.M. Frank Bakelite Bent Billiard

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Blog by Pam Otto

This week’s refurbing adventure comes courtesy of an eBay estate lot, for which the seller accepted my “Best Offer” bid. The transaction occurred on a Sunday and by Wednesday the pipes had arrived. This is the photo that accompanied the listing: All of the pipes appeared quite old, with orifice bits, and two of them really jumped out at me: a KB&B Blue Line that would need to be restemmed, but otherwise appeared to be in decent shape, and a C.P.F. Chesterfield that looked to be, and indeed is, positively enormous.

The other two pipes were older S.M. Franks. One is stamped Genuine Amber on the shank but as the stem on it is quite dark I’m going to guess it’s a replacement. The second one is stamped Frank Bakelite on the shank. It has a lovely bent red stem, way overturned, and a metal band stamped EP Silver. A few dings and a couple scratches on the bowl, and no tooth marks on the stem. I’m thinking this one, for whatever reason, was not a favorite.

Even though I’m anxious to get the Blue Line and Chesterfield cleaned up and smokable, the Frank Bakelite, with its simple needs, beckoned. It moved to the front of the queue.

I don’t know old this particular pipe is, but if it dates to the same era as the KB&B Blue Line, it could well be past the century mark. Thoughts, anyone?

At any rate, the stem of this old boy seemed like a logical place to start. I took a couple of pictures of it in its overturned state, then unscrewed it completely to see if an internal problem was to blame. Thankfully, the bone tenon was clean and solid.

Knowing I’d read how to tackle overturned stems, I looked to Steve’s blog and, sure enough, there it was in clear, easy-to-follow directions. Following the steps he listed, I filled a cup halfway with water, leaned the stem against the side of the cup and put it in the microwave. I used the highest setting and, because the cup was only half full, set the time for 1 minute—plenty of time to get the water boiling.

In those 60 seconds, two things happened that I hadn’t really counted on. One, it worked (not that I had any doubts in the recommendation; it’s just that I rarely get things right the first time). And two, whether because of the vigorous bubbling of the boiling water, or because my microwave is a carousel, or even because the Bakelite was so smooth, the stem fell all the way into the water.

The material itself was fine; in fact, some of the debris from the airway got cleaned out by the bubbling water. However, the heat caused the bent stem to straighten.

Reheating the stem to restore the curve was no big deal; all I had to do next was re-bend it over a rounded object. But as I hadn’t foreseen this step, I didn’t have many options from which to choose. Paper towel tube? Nope, too flimsy. Peanut butter jar? Too big.

Then I saw it, sitting amid the excelsior of a near-empty holiday gift basket: a small summer sausage. It had a slightly narrower diameter than I’d hoped for, but it was a solid cylinder and certainly convenient. I heated the stem in boiling water again, laid it across the curve of the sausage, and applied slow, steady pressure.

The results weren’t perfect, but they could be worse. Or wurst, har har. The stem feels good in my mouth, and the curvature looks okay. However, it’s not quite as deep as it was originally, and that bothers me just a wee bit. If I can find the rolling pin I know I used to have, I may try re-curving the stem at some point in the future.

To make the tenon fix on the stem permanent I dunked the tenon-stem assembly once again in boiling water—this time holding onto the stem so it couldn’t submerge completely. I twisted it tightly onto the pipe, counting on the slightly swelled tenon to grab hold inside the shank and the slightly softened glue in the stem to let go. I untwisted and, sure enough, the stem came off while the tenon stayed in the shank.

I dried the tenon with a soft pipe cleaner and applied super glue sparingly to the narrow threads, then twisted it back into the stem. Satisfied with the alignment, I put the pipe down to let the glue cure.
The following evening I unscrewed the stem from the bowl and the tenon withdrew from the shank just fine. I screwed it back in to make sure the repair held, then removed it once again and set it aside.
I took the bowl over to the sink and scrubbed the outside with a toothbrush dipped in Murphy’s Oil Soap. I wiped it down, then took it back to the table and rubbed it good with cotton balls soaked in 91% isopropyl alcohol.

The rim had a pretty good chip—maybe 1mm or so deep–missing at about the 8 o’clock position as you look at the bowl from the shank. While an extreme topping of the bowl would smooth things out, I felt it could also compromise the bowl’s shape. So after sizing it up from all angles, and finding that there really wouldn’t be much chance of tobacco being in contact with that area, I decided to try filling it instead.

Before proceeding with the fill, I thought it might be good to first address the inside of the bowl, which had minimal cake but a troubling bit of what looked like fuzzy mold or fungus. I didn’t want any spores getting into the fill, so I wiped everything down with 190 proof alcohol, then wrapped a piece of 220 grit sandpaper around my finger and sanded the interior thoroughly. More alcohol, then the addition of a flame. Take that, moldy fungus! After another heavy swabbing with Everclear I declared the inside done.

Back to the rim patch… I cleaned the area to be filled with alcohol, then scrubbed it with a green Scotch Brite pad to remove any dirt and debris. I was glad I used a wide pad like that because the briar on either side of the chip was loose and came off when I scrubbed.

The fill would need to be a little wider but not any deeper—not a big deal. I packed some briar dust along the rim, then reached for the super glue to drip onto the patch.

I’ve done this many times but am still perfecting the technique. This time I learned an important lesson: Don’t attempt a maneuver like super glue-dripping, which requires a certain degree of precision, with a parrot perched on your shoulder.

(Time out for a side note: I have a large macaw named Tom who is a frequent observer of my pipe renovations. I don’t let him near smoke or fumes but other than that he’s close by pretty much all the time. He normally sits on his stand and looks down on the proceedings, but this particular night he was on my shoulder.)

Anyway, Tom shifted just as I was letting a little drip drop onto the pipe. I totally missed the briar dust and watched as the dribble made its way down the inside of the bowl. Shazbot.

I tried again, Tom shifted again, and I dripped on the outside of the bowl. Arrrr!

Fool me once, fool me twice… I wiped up the outside drip as best I could and put Tom over on his stand. I sat down and, with steadier hands, I dripped the glue a third time—on target—and after sprinkling on a little more briar dust, set the bowl aside to cure overnight. The next morning I took a flat needle file to the overfilled fill to jump start the removal of material. After that a thorough sanding with 220 grit sandpaper, first with the paper in my hand and then on my topping board, got the fill flush with the side of the bowl as well as the adjoining rim surfaces.

Follow-up sandings with 400 and 600 grit smoothed things out even more, but also revealed a couple of small holes in the fill. I probably had left some small air pockets in the briar dust; I couldn’t pack it down as tightly as I normally would due to its location on the rim. I refilled the fill using minute amounts of briar dust and applying the superglue with a toothpick. While these tiny patches dried, I took on the task of shining up the metal band. I wiped it down with white vinegar, then ran through the sequence of 1500-12000 micromesh pads to make it good and shiny. Using the same pads, I polished the stem as well. To give the patches a little more time to cure, I set about cleaning out the shank. Two—count ‘em, TWO—pipe cleaners, one bristle and one regular, dipped in alcohol was all it took.

I don’t know why the former owner didn’t smoke this pipe much, but as I set about sanding the patches I started coming up with scenarios. One, maybe it’s a crappy smoker. Only time will tell on that one. But other situations came to mind too. Maybe the stem was a problem from the get-go. Maybe it overturned after only a few smokes. Maybe the bend didn’t feel right. (Not that that will be problem any more. Ha.) Maybe it gurgled.

Whatever the reason for its nearly new condition, the pipe was rapidly coming back together again. Even with a 20 minute detour to sand off my super glue mistake inside of the bowl, the end was in sight.

I sanded the outside of the bowl and shank with 400 and 600 grit paper and followed up with the 1500 micromesh pad to take care of some slight scratches and dings. Next I got out the aniline stains to even up the color of the briar. Although much of the bowl was still quite dark, it was lighter on either side of the rim patch. I wiped on some oxblood stain, flamed it, wiped on dark brown and flamed again. A little bit of dabbing here and there with the dark brown and the staining was complete.

I slipped the metal band on the shank, screwed on the stem, smiled when it stopped right where it should, and headed over to the buffer.

(New development here at Casa Otto: Aided by a couple of gift cards from my brother, I invested in a Foredom M.BL—a small bench lathe with a variable speed motor that tops out at 7,000 rpm. I haven’t gone over what I estimate is about 1,200 rpm, based on the intervals marked on the speed control, and the results have been outstanding. Not only is it a fabulous machine, but it’s also small and fits nicely on the kitchen counter. It’s a huge improvement over my jerry-rigged drill press buffing station in the garage, and on a day like today when the outside temp is 2°F, a heck of a lot warmer too. Next step: Setting up the buffer in a spare bedroom. Upside to this will be getting counter space back. Downside is that the spare room is quite a distance from where the beer and snacks that fuel all good pipe projects are stored.)

I first buffed the assembled pipe with White Diamond, wiped it down with a flannel rag, then gave it three coats of carnauba, buffing with a clean wheel after each application.

This old pipe didn’t see much action during its go-around. But today, chip-free, moldy fungus-free and with a stem that sits where it should, it stands ready for a new century of service. Pam15 Pam14 Pam13

What is he looking at? A Portrait of a Pipeman

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Blog by Steve Laug

I love looking at old paintings and framed prints while I am out hunting for pipes. I have found some pretty interesting old pieces that are now in various rooms in our home. My brother came across this painting in an antique shop near where he lives in Idaho. He said it just stood out to him while he walked around the shop. It is certainly a picture that I would have spent time looking at and enjoying. I would also have asked the owner what he was willing to sell it for and my brother did the same. The owner quoted him a price and my brother countered with an offer. The seller accepted the offer and my brother walked out as the new owner of the painting.
He showed it to me on Facetime and I was struck by what a great photo it was. He took a picture of the painting and sent it to me. He said he cut off a bit of the hat and the smoke from the pipe but the general idea was still clear. The great thing to me was that he said that he was going to send it to me. I can’t wait to see the portrait in person.

When I see old paintings like this I always am drawn to reflect on the subject of the painting and the setting. I think it comes from the remnant of those art history courses I took in university some 40 years ago. I like to look at the style of the painting and the perspective of the artist. From there I try to figure out a bit about the person in the painting.

From the angle of the face I wonder if this is not a self portrait of the painter. The perspective of the way he looks out from the painting leads me to think that he was looking at himself as he painted this piece. To me the character of the old man who comes through those eyes. He has a certain whimsical air about him almost as if he is quietly chuckling around the bit of the pipe. The wrinkles around the eyes and the creases in the forehead should a man who loved to laugh. He obviously enjoyed life. The pipe appears to be clay with a reed stem and mouthpiece. To me it looks like a bit of a homemade pipe – using and old bowl and then inserting a hollow reed to make it usable.

Whoever this anonymous painting is by and whoever it is who sat for the portrait – whether the painter himself or a photo or friend it is a well done piece of pipe art. I am looking forward to seeing he print/painting in person one day. I know that it will find itself in a place or prominence in my study overlooking the desk I use as a worktable for pipe restoration. Somehow I think that is a fitting spot. I will have to watch myself as I am sitting under the watchful eye of this old gentleman. He looks like he knows more than he is saying.

My Supply List

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This is a well designed list of supplies that are used in refurbishing. My list is much the same. I have blogged it earlier on rebornpipes but this is a great refresher. Thanks

PipesRevival

A great post for this site would be one highlighting the different tools, products, etc. that y’all use.

Recently I received a question a on my supplies. Everyone who’s into estate pipe refurbishing has his or her own list if tools and products ,these are the products and tools I reach for in the restoration of my pipes. I try to keep things as cheap as possible. I didn’t list prices as they have changed some since my purchasing them. Also my equipment was purchased over a five year period as it was needed it was added.

Castleford Reamer(EBAY)– I started out with this reamer, was on my second when I switched to a Pipnet.
Shank Brushes(plastic tips) – Smokingpipes.com / Pipes&Cigars.com
Retort(EBAY)– seller 4Ziggy20
Pipnet Reamer– Smokingpipes.com I as well as many others recommend this reamer.
Round Tip Jewelry Pliers– Big box store. I…

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A Peterson’s Product 268 Zulu Restemmed and Restored

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Blog by Steve Laug

This pipe came to me with the Meerschaum Sultan that I restemmed. It is stamped Shamrock on the top of the shank and “A Peterson’s Product” Made in the Republic of Ireland on the underside. On the right side near the bowl shank union it was stamped 268. I looked the number up and it is the shape number for a Zulu shape. The gentleman in Chile wrote: “I only have the bowl (I’m not acquainted with the minor brand) with an inappropriate mouthpiece which makes it impossible to smoke. I don’t remember how it got into my collection and certainly it’s not a pipe I purchased myself. It has a heavy cake and is a second-hand. If a proper mouthpiece could be made and a proper tune-up, it could make a fine pipe.” He included the following pictures. When it arrived I took it out of the box to deal with when I had finished repairing the Sultan Meerschaum pipe. It was a nice piece of briar with mixed grain and a worn finish. The stamping on the top of the shank was clear and sharp. The stamping on the underside showed clearly on the left side as you read it but as you got to the right side it was fainter. The rim was dirty and had a flaky coat of lava overflowing from the inside of the bowl and the thick cake there. The inner and outer rim looked good with no dents or chips. The bowl sides, front and back had some light dents in the finish. The stem was a billiard stem that had been stuck in the shank. It fit snugly but absolutely did not match the oval shank.

I took a close up photo of the rim and the bowl to show the thickness of the cake. Toward the bottom of the bowl it got thicker and reduced the size of the bowl at the airway. I looked at several Peterson shape # 268 Zulus to get an idea of what the stem looked like originally on this pipe. I went through my can of stems and found several that would work on this pipe. The one that was the closest to matching the diameter of the shank of the pipe was a brand new stem blank that still had the castings on the sides and end of the button. The slot was constricted but the length and shape would be easy to match to the shank. I drilled open the airway to accept the rod of the PIMO tenon tool. And then set up the tenon tool on a cordless drill. The current tenon was too long for the tool to cut all the way to the end of the tenon so I used the Dremel and sanding drum to shorten the tenon. I put it on the tool and adjusted the set screws and took off the first round of material. I did three adjustments to turn the tenon down to a fit in the mortise. I fine tuned the fit with 220 grit sandpaper.

The fit in the mortise was snug. The diameter of the new stem was large on the sides and the bottom. The top would take the least adjustment to get the fit correct.

I took off the majority of the excess vulcanite with the Dremel and sanding drum. I put it back in the shank and the fit was better. The rest of the work would have to be done by hand sanding. I hand sanded the stem until it was smooth and the transition between the shank and stem needed some fine tuning then set the stem aside and worked on the bowl. Contrary to my normal pattern I wiped off the outside of the bowl and shank with acetone on cotton pads to remove the finish and the grime that had been ground into the briar. Once it was gone there was some nice grain showing through.

I put the stem in place and took a few photos so that I could see where I stood at this point in the process. The pipe was looking good and with a few tweaks would look even better.

The top of the bowl was caked and the lava was very hard. I tried to scrape it carefully with a pen knife and gave up. I resorted to lightly topping the bowl on the topping board to remove the thick lava build up.

I reamed the bowl with a PipNet reamer starting with the first cutting head. I finished with the second cutting head which was the same diameter as the inside of the bowl. I cut the cake back to bare briar so I could assess the inner bowl walls. They looked very good with little burn or damage. The cake had protected them.

I fine tuned the sanding on the stem and shank fit with 220 grit sandpaper and shaped the stem to match the oval of the shank. The flow of the bowl and stem were looking really good at this point in the process.

I cleaned out the inside of the mortise and the airway in the stem and shank with alcohol, cotton swabs and pipe cleaners. I used the dark brown stain pen to touch up the rim and the end of the shank to match the stain colour on the rest of the pipe. I rubbed it down with a light coat of olive oil to give some life to the dry wood. I gave the bowl a quick buff with Blue Diamond and then gave it one coat of carnauba wax and hand buffed it with a microfibre cloth. The “new” look of the bowl is shown in the photos below.

With the bowl stained and oiled I used a heat gun to bend the stem and get the proper angles that I had found online on the 268 shaped pipes. I heated the stem until it was pliable and then bent it over a round can to get a smooth angle. I took photos of the pipe with a bent stem to give a feel for the finished look.

I fine tuned the fit of the stem to the shank by beveling the inner edge of the mortise in the shank and then cleaning the area around the tenon stem joint. I wet sanded the stem with 1500-2400 grit micromesh and then rubbed the stem down with Obsidian Oil. I dry sanded it with 3200-4000 grit micromesh pads and gave it another coat of oil. I finished sanding with 6000-12000 grit micromesh pads and gave it a final coat of Obsidian Oil. I laid the stem aside to dry.

I put the stem on the pipe and buffed the entirety with Blue Diamond and then gave it multiple coats of carnauba wax. I buffed it with a clean buffing pad and then by hand with a microfibre cloth. The finished pipe is shown in the photos below. It is ready to go back to Chile. Sometime early this week I will pack the two repaired pipes up and make the trip to FEDEX to send them back. I look forward to hearing what the two of them smoke like for the Chilean pipeman. I like the new looks of both of these pipes and I think he will as well. But I have to tell you I am a sucker for the Zulu shaped Petersons. This one is a beauty!

Fixing a Botched Repair on a Bearded Sultan Meerschaum

7 Replies

Blog by Steve Laug

I received and email from a pipe smoker in Chile regarding a meerschaum and a Shamrock pipe that he had that needed repairs and he was wondering if I would be interested in working on them. The Shamrock was straightforward in that all it needed was a cleanup and a new stem. The meerschaum though had some real issues. He wrote me explaining the details of the meerschaum’s problems as follows:

Actually – I now realize – the mouthpiece IS broken at the band. Though the slice seems clean, I realize it is not perfect. The band looks nice though I don’t know if it came that way originally or not. It does cover the slice of the stem. The whole mouthpiece is amber; nothing holds it together except the band. Not glued nor cemented.

The misalignment isn’t only due to the slice but even if I make an effort at aligning the pieces once screwed in, it just won’t be straight.

The pipe needs a new mouthpiece, apart from cleaning. I don’t know if a new beeswax dip is a good idea…It seems dry as marble…no glow… There is a small chip on the rim of the bowl, but the rest seems to be OK.

It’s not your everyday meerschaum but it doesn’t seem unsmokable. I did smoke it once years ago and as I said, it leaks, leaves a mess. I realize why now, but I don’t think it’s only due to the broken stem but also at the screw point.

Can you help me? You tell me. He included the next photos. I wrote him back and said I believed I could help.

He sent the package to me by FEDEX and I picked it up this morning. When I opened the package and looked over the meerschaum pipe that was sent repair. I made a list of the issues that I was looking at with this pipe. It was actually far worse and far better than I thought when we corresponded.
1. The stem indeed was broken about one inch up from the shank. It almost looked like it was sliced rather than broken.

2. The broken piece with the metal stinger apparatus obviously had broken into further pieces when the tenon insert was put into it. There were several smaller chips that had come off the broken piece and had been glued on. The smaller cracks still showed.

3. The stem is not amber at all, but appears to be Bakelite or some kind of acrylic material. That explains the clean break on the piece and the rest of the stem.

4. The stem that I was looking at was not the original stem. It is actually an oval stem while the shank of the meer is round. Someone fiddled with the stem to make a poor fit.

5. The “silver band” serves two purposes on this stem – first it is cosmetic to cover the broken stem and secondly it hides the fact that the stem is not round.

6. The shank had been cut off – probably had cracks in it as there are still several that have been repaired showing. Looking at the end of the shank with a lens shows rough meerschaum.

7. Sometime during the lifetime of the pipe someone had threaded a metal mortise into the shank of the pipe. It is like the ones that can be found in Kaywoodie pipes or Willard pipes – those that have a threaded tenon and a metal shank insert. In turning it into the shank the meerschaum had split on one side and slivered on the other. This had been repaired when the insert was glued in place.

8. The threaded tenon apparatus matches the insert in the mortise but is misaligned. It also has been epoxied in place so it is not movable. It is obviously not the correct tenon for this kind of pipe. I am pretty certain that both the mortise insert and tenon are incorrect and were later additions on this pipe. The original would have had either a threaded tenon or I think, more likely in this pipe due to age, a nylon insert and a push tenon. Both were replaced when the original stem was lost.

9. The carving on the face was actually quite nice but the sides and smooth portions were not nearly as well done. The back edge of the turban and beard still had carving marks that are usually removed by the better carvers.

10. The bowl had a chip out of the front edge of the rim as noted and had scratches and rim darkening.

11. The meerschaum itself was actually very dirty and dry. There was a fine metallic dust on the grooves of the turban and the beard. It was silver coloured and gave the meerschaum a grey look.

With that long list of issues with the pipe I wrote to the shipper with my suggestion. I concurred with his assessment that it needed to be restemmed. It would be an interesting challenge as I could not remove the metal shank insert without damage to the meerschaum so I would have to figure out some kind of compromise that would work with that mortise. I suggested a stem that I had that came with a meerschaum pipe similar to this one. It is a yellow unique stem with a push tenon. I tried it with the metal mortise insert to see if it would work and it fits really well. The new stem was about an inch longer than the one that arrived with the pipe and looked really good on the pipe.

I took some photos of the pipe with the stem attached so that you could see the state of the fit of the stem when it arrived. You can see that the band is also quite poorly done – all the edges are not even or smooth.

I also removed the stem and took the pieces apart. The stem was indeed broken under the band. It definitely was not amber. You can see the sliced piece and the remainder of the stem as well as the metal mortise edges in the shank in the photo below. I took a photo of the end of the broken piece to show that it was oval while the shank was round. The second photo below shows the cracks and chips that had been repaired on the piece underneath the metal band. Obviously this is not the original stem. The third photo shows the end of the shank – it is round – and the metal threaded mortise insert.

I took the next two photos to show the damage to the shank and the poorly done job of adding the threaded mortise insert. The small crack is about a half inch long and can be seen running from the metal insert edge about mid-shank edge on the left side. There are also chips of meerschaum that had been reglued.

I went through my can of stems and found a new stem whose length and shape was right for this pipe. The diameter of the stem at the shank was slightly larger than the shank on the right side and top. It would also need to be bent slightly more but I liked the look of the pipe with the new stem.

I used a topping board to flatten the metal disk on the top of the mortise insert as it had curled at the edges and would not allow the new stem to seat against it properly. I sanded the sides of the stem on the saddle with 220 grit sandpaper to align it with the diameter of the shank of the pipe. I removed the push tenon from the stem and cleaned out the airway with cotton swabs, pipe cleaners and alcohol to remove all of the tars and staining on the inside. It looked like a dark brown striped up the middle of the stem when I started and when I was finished it looked very clean.

I heated the stem with a heat gun until it was flexible and then bent it to match the curve of the shank and allowed the pipe to sit horizontally when in the mouth. I set the bend with cool water and then pushed it into the mortise insert and took the following photo to show the new look of the pipe. I scrubbed the meerschaum with a soft tooth brush and Murphy’s Oil Soap. I rinsed it carefully with cool water to remove the soap and scum. I dried it off with cotton pads and was able to remove more of the grime in the grooves.

I waxed the meer with white beeswax and hand buffed it with a shoe brush. It has begun to take on the glow that comes to a well waxed meerschaum. I took the full facial photo to show the clean look of the pipe. With the bowl cleaned I turned my attention to the new stem. I had sanded the saddle area with 220 grit sandpaper and needed to polish that portion. I used a medium and a fine grit sanding sponge to remove the scratches. I wet sanded the stem with 1500-2400 grit micromesh and then dry sanded it with 3200-12000 grit pads.

I buffed the stem with Blue Diamond and hand buffed the pipe with some beeswax and a shoe brush. I took the photos below of the finished pipe. Considering the many issues of this pipe when I started working on it, the finished pipe looks really good. I left many of the gouges and scratches in the meerschaum as they add character and to remove them would change the shape of the carving. I like the new stem – the bend is perfect for it to hang effortlessly in the mouth when smoking. The draw is wide open and should smoke really well. The push tenon works well with the metal mortise and sits snug against the shank. Soon it will go back to Chile and it owner. He will have the pleasure of finally smoking this old pipe and enjoying it.

Restemming and restoring an oval shank billiard with issues

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Blog by Steve Laug

I was gifted an oval shank billiard with a broken tenon and no stem by a fellow pipe refurbisher. He knows I like a challenge so he thought that maybe this would be a fun one for me to fiddle with. I looked at it when I unpacked it and spent more time looking at it over the weekend. When I first picked it up I put it in the bin of pipe to be refurbished and pretty much figured it would be one of those that I picked up when I had nothing else to work on. I have a few of those sitting in the bottom of the box. On Sunday I was going through the box trying to decide which pipe I would work on next and picked it up. There was something about it that drew me to work on it next. I can’t tell you what that was; I have no words to describe it. I know though that those of you who refurbish pipes know the feeling and the call of certain pipes. This was one of those. So it came to my work table.

Now that I had made a decision to work on it I took time to look it over and assess it. That is what I always do when I work on a pipe. I look it over and list out what needs to be addressed if I am to bring this pipe back to life. I like to enter into the work with a clear idea of what needs to be done. Doing this keeps me from finding those issues that surprise you in the process – at least most of the time it does. There will always be exceptions to the rule. For this pipe it was pretty straight forward.
Here is a list of the issues:

1. The finish was very rough and the darkening of the briar around the middle of the bowl was worrisome. It was hard to tell if it was potential burnout starting to happen – thus darkening the briar or if it was dirt and grime. I was pretty sure it was just soiled and stained but could not tell for sure until I had reamed the bowl.

2. There were scratches and dents all over the surface of the bowl.

3. There was one large fill on the right side of the bowl, mid-bowl that would need some work. I would either need to pick it out and refill it or repair it.

4. There was a burn mark on the underside of the shank mid-shank.

5. There appeared to be a small crack on the bottom of the shank at the place the stem and shank meet. It extends inward about a quarter inch. It was hard to see as it was hidden in the dings on the bottom of the shank from when the pipe had been dropped and the stem broken.

6. The bowl had a thick cake in it to the point that the tip of my little finger was about all that would fit in the bowl.

7. The rim had nicks and damage to the surface as well as a lava overflow from the cake in the bowl.

8. The stamping was virtually nonexistent. All that remained was a faint stamp on the left top side of the shank near the end – it read Made in London. It would definitely disappear if I banded the pipe to deal with the crack.

9. The airway in the shank and mortise was dirty and clogged. I could push air through it but barely when I blew through the end of the shank.

10. There was a broken tenon stuck in the shank. Generally these are pretty straight forward so I was not too worried about removing it.

11. There was no stem to work from as a model and the oval shank would make matching it a challenge.

Here is what the pipe looked like when I brought it to the work table.

I started the cleanup by pulling the broken tenon. I used the normal drywall screw and had the tools handy. In this case I threaded the screw in gently and was able to pull the tenon out by hand very easily.

I turned to my can of stems for a potential stem. I actually had one that was a decent fit. The tenon was perfect and the fit against the shank end was ideal. The diameter of the stem on the bottom of the oval was too big and would need to be sanded to a correct fit. It happened to be the only oval stem I had at the moment and it was a twin bore bite proof stem. I was careful in fitting the stem because of the small crack in the shank.

I used the Dremel and sanding drum to take off the excess rubber on the bottom of the stem. This may be a funny thing to say but as I examined the stem after I fit it to the shank I noticed it had a small hole near the button. When I turned it over to check it out then I noticed that I was dealing with a bite proof stem – a stem with two airholes coming out of the button from the single airway in the stem. Picture the letter Y and you have a good picture of the stem. I inserted a greased pipe cleaner in the airway on left airhole and then repaired the hole in the underside of the stem. I used black super glue to fill it and built it up to give a good base. When it dried I sanded it smooth with 220 grit sandpaper to blend it into the surface of the stem.

Reaming the bowl took some effort and several different reamers. I used the PipNet reamer to start and then worked on the bowl with a KLEENREEM reamer. I finished by using a pen knife to clean out the last remnant of carbon in the bowl. I cleaned out the airway in the shank and the stem with pipe cleaners, cotton swabs and alcohol.

I topped the bowl on my sanding board and lightly sanded the cracked area and damage on the bottom of the shank end.

I sanded the stem with 220 grit sandpaper and then with a medium sanding sponge to smooth out the scratches. I wiped the bowl down with acetone on cotton pads to remove the grime and the remaining finish. The new stem fit really well and I only wished that the shank did not have the small crack that mad banding a necessity.

I cleaned the area around the fill on the right side and repaired it with super glue. I sanded it smooth and then sanded the bowl with a medium grit sanding sponge. I heated the briar with a heat gun and then applied a coat of cherry stain to it. The stain took well and sat deeply in the grain of the bowl.

With the stain in place the crack on the underside of the shank was very visible. It was mid shank and extended about ¼ inch. At this point I had to decide how to address this crack. I could do a shank insert and do an internal repair or I could band it. In looking over the shank I realized that the tenon was already quite thin and I would be hard pressed to make it smaller to fit inside of a shank insert. I would need to band the pipe. I had a round band that would fit once I flattened it. I opened the crack with a dental pick and filled it with glue to repair the crack and then pressed the band into place on the shank.

I lightly sanded the tenon as the band made the fit in the shank too tight. I put the stem in place and took the next photo to get an idea of the new look. I set the bowl aside and worked on the stem. I sanded it with micromesh sanding pads. I did my usual routine with the micromesh pads – wet sanding with the 1500-2400 grit and dry sanding with the rest of the pads up to 12000 grit. I used Obsidian Oil as usual.

I buffed the nickel band with a jeweller’s cloth and buffed the pipe on the wheel with Blue Diamond polish. I gave the bowl and stem multiple coats of carnauba wax. I buffed it on a clean flannel buffing wheel and then by hand with a microfibre cloth to raise the shine. The finished pipe is shown below. I think that taking the time to recondition and restore this pipe paid off with a beautiful oval shank billiard. Thanks for looking.

Kaywoodie HandMade

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Love this chubby apple shape. This is a great clean up. Good work.

PipesRevival

I’m a sucker for a fat bottom and that’s exactly what we have here in the Kaywoodie Hand-Made Over-size line of pipes. They’re getting harder to find, so when one pops up I have to jump on it. My search for a chunky Kaywoodie lead me to this line of pipes and about a year ago I had the pleasure of refurbishing two, there thick walls and chunky shape not only make it comfortable in the hand but it produces a cool smoke.

As Received

The nomenclature was lightly stamped or worn.

Over all she was in nice condition and seemed well cared for. Heavy stem oxidation, chatter and a little rim tar&char.

I started by reaming the chamber with my Pipnet reamer, first with the smallest attachment and working up to the third taking it back to briar, the chamber was free of any imperfections. I smoothed out the…

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