Monthly Archives: September 2015

Peterson Pre-Republic K Briar Restoration


This pipe was sent to me by a friend on the Brothers of Briar forum. This was his first pre-Republic Peterson and I think he chose well. The pipe was in very good shape, with some just minor stem oxidation.

Here’s the pipe as received.

Peterson_K-Briar_Before (1)

Peterson_K-Briar_Before (2)

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The pipe is only stamped “Eire” which according to Mike Leverette’s Peterson Dating Guide, was used between 1938 and 1941. The nomenclature is weak, but visible. I’ve found that my Samsung S5 camera is the best choice for taking close-up pictures of nomenclature, as below. One day I’ll add a macro lens to my wife’s digital SLR camera.

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The pipe had only the slightest cake, which was removed with a reamer bit and a piece of sandpaper wrapped around the bit. It was so clean, the owner and I decided against the alcohol and sea salt soak. I did clean the shank with alcohol and a bristle brush, but it was also very clean.

I tried to lift some of the dents with steam, but most were too deep. So, the briar was polished with white diamond and several coats of carnuba wax. The stem was soaked in a mild mixture of Oxy-Clean (dry powder mix) and then sanded with 600, 1500 and 2000 grit wet paper. 8,000 and 12,000 micromesh sheets were used next followed by a polishing with White Diamond rouge and then Meguiars Plastic Polish.

Below is the finished pipe. It still has a few bruises, but I think some patina on an old pipe is a good thing.

Peterson_K-Briar_Finished (1)

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Update – 9/14/15
I posted this blog entry to the PipesMagazine.com forums and one member (rblood) provided this feedback regarding the date and unique Country of Manufacture (COM) stamp:

First, we know that Eire came into being in late 1937 so we can assume that as a starting point. Peterson tends to use old stampings, sometimes much later than we expect – Eire and other odd stampings possibly through 1948 from what I have seen, so that gives you a range of 1937 – 1948.

The “P” in Peterson is the old fork style, so still good on that count. Here is where it get’s interesting – The “Peterson Dublin” (with no “of”) and the single “K” in non-serif font to me points to an early Eire pipe.

Add to that the odd COM stamp. You would expect to see an Eire pipe COM in circle format with “made” on top, “in” in the center and “Eire” at the bottom of the circle. A very odd COM stamp indeed – can’t say that I have ever seen this before. I am guessing here, but it is possible that they just did not have the circle stamps ready if this was early production – That would narrow it to late 1937 – 1938 in my mind.

The stem in this era would have had the “P” stamp, not the “K” stamp – the K stamp I believe came into use with the “A Peterson Product” pipes in the 1960’s. The 1960’s pipes also got the “‘K’-Briar” stamp, not just the “K”.

Quick & Easy Removal Of Heavy Rim Cake


Thanks for the simple how to with the Scotch Brite. Got some here and will have to give it a go. I have been using the 0000 steel wool trick and it doing well so this will be another tool for the kit. Thanks Troy.

Troy W's avatarBaccy Pipes

I thought i would post my simple way to clean up heavy rim cake . Its the fastest and easiest way I’ve found.

This is a old  E.Wilke poker I’m working on .

I will use Oxy Clean as my cleaner because its a natural finish and I’m not worried about preserving a factory stain finish. I will soak the stem of this pipe in it as well ,so i will be killing two birds with one stone.

If i was preserving a pipe and wanted to be careful i would substitute Oxy Clean for a mild detergent and water such as a drop of dawn in warm water, or just water. It will remove the cake  slower but will do just as well with out removing stain . Oxy Clean will strip stain and finish if applied like i will be  doing on this rim. If you do this…

View original post 582 more words

Cleaning Up a Kaywoodie “500” Canted Billiard


Looks really good. I have not used the Tan before but I like it. I always dilute the dark brown to get whatever colour I am looking for 🙂

Charles Lemon's avatar

This old Kaywoodie “500” came in a recent auction lot and arrived in fair condition for a pipe that was likely never expected to last as long as it has. On the other hand, the 500 and 600 lines from Kaywoodie were cheap, low-end pipes manufactured between 1959 and 1967, so perhaps my specific 500 wasn’t doing too badly for its age. It did have a few things going for it to increase its longevity: a nowadays unheard of quality of briar for an entry-level pipe (I couldn’t find any factory fills), and a flexible nylon pipe stem, which doesn’t oxidize and can take quite a beating and still clean right up.

The pipe had also been given reasonable care, or at least not been outright abused, unlike other estate pipes I’ve come across. The internals were relatively clean, though the original lacquer finish was chipped and peeling, and the rim had…

View original post 694 more words

I don’t know if I improved this old meer or just made it worse


Blog by Steve Laug

Sometimes when I take on a project it is a no win situation. Or at least it appears that way! This is one of those times. In the box of recent pipes that I am working on cleaning up to sell was an older no name meerschaum calabash shaped pipe. The meer was in passable shape – some nicks and scratches and some run over on the rim but it should have been an easy clean up. If you look at the first set of photos below you may well wonder about the comments that follow. It actually looks far worse than the pictures depict. The stem shank joint does not match even though it the photo it looks great. If I went just be the photo I would have been better off to leave well enough alone — still even having the pipe in hand I may have been smarter to just polish and sell it as is.

Here is my diagnosis and the assessment I did that led me to the conclusions that it was worth fussing with the pipe to see if I could at least improve upon it. Starting with the bowl I could see that it was slightly out of round but I am not sure it did not come that way. The whole pipe has a bit of a lopsided look to it – a slant towards the left. I pulled the stem and there were more issues that needed to be addressed. Someone had installed a push tenon and mortise replacement. The mortise insert had not been set all the way into the shank but it had been epoxied in place. The tenon was deeply set into the hollowed out end of the stem to accommodate the lip that had been left on the mortise insert. The end of the push tenon had been cut off at an angle and the end was constricted from the cutter. This seriously hampered the clear airflow through the stem.

At this point you will have to trust my assessment because the pictures do not clearly show a pipe that fits this description. But honestly – the stem was slightly smaller in diameter than the shank so with the fiddling that had been done to the stem it was a loose fit. It was wobbly in the shank. The stem was bent in such a way that it was cocked to the left and just irritated me. Looking back after the fact I can honestly say that at this point I should have made the decision to just lightly clean this one up and let somebody have it as a bargain. I certainly would have saved me a lot of grief as you will see if you follow this tale to the end.Mess1

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Mess5 Sadly I have to tell you that what I should have done and what I ended up doing are two singularly different tales. I decided that I could definitely improve the draw on the pipe, clean up the tenon and mortise area, and maybe give the pipe a bit more distinguished appearance. So…I took the Dremel and sanded down the shank to slightly smaller than the diameter of the stem so that I could add a nickel band and dress this pipe up. This is where the first issue became apparent. It became clear that the bowl was pressed rather than block meerschaum. When I removed the “shiny” surface coat the underneath meerschaum was a different, almost tan colour. The shiny coat was like an egg-shell over the tan undercoat. What had been a simple project just changed. I had planned to hand shape the shank to the bowl and remove the new hump that I had created and make the shank a bit more delicate looking and in keeping with the flow of the band and stem. But now, the top shiny coat removal left me with a bit of a dilemma. If I removed more of the shape to bring it into line I would also remove more of the shiny coat. What to do? Honestly at this point I put the pipe back in the box and almost decided to just bite the bullet, buy it myself and scavenge a few parts from it. It looked that bad to me. I left it and cleaned up the Stanwell Volcano Sitter that I posted about earlier on the blog.Mess6

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Mess9 After I finished working on the other pipe, I decided to pull the meerschaum out and have another look at it. It was bad. No it was actually worse than that – it was downright ugly. However, I don’t give up easily – though I wonder if in this case I should have. You will have to ask if my stubbornness was a good thing in this case as you read the rest of the process. All I know is that each step I took to improve the pipe ended up making more work for me. Each adjustment led to more adjustments. But at this point, for better or worse, I decided to work on the shape and see what I could do. Maybe I could bring out the shape in such a way that it incorporated the different tan coloured portion of the bowl and the rim. I sanded the shank with 220 grit sandpaper to shape it and round it out. I smoothed out the roughness left behind by the Dremel and worked on the fit of the stem. It was still crooked but at least I could get it to sit straight against the shank and just inside the band. I also lightly topped the bowl to remove the tars and some of the rim damage.Mess10

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Mess12 I sanded the pipe outside in the yard while Spencer played so as not to make a mess of white dust all over my work area. I finished the rough shaping and went over it with a medium and a fine grit sanding sponge and a fine grit sanding block before I brought it back inside. Once I had it back at the work table I sanded the shank with 1500 micromesh sanding pads to smooth out the surface and shape it even more. All the sanding was merely fine tuning. It turned out that the “shiny” coat was actually quite thin so you can see the flame like extensions up the shank toward the bowl. The nice thing was that the micromesh was giving the meer a bit of a shine. I worked on the scratches on the stem and fit in the band with the micromesh 1500 grit pad as well and the stem was beginning to shine.Mess13

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Mess16 So far what do you think of my major make work project? This is a refurb that did not have to go this way. Those of you who are refurbishing pipes learn from this tactical error and think twice before having the audacity of thinking you can make something better when really all it needs is a quick clean up. You will save yourself a lot of headaches if you learn from my poor example on this “deadly” meer.

Today after work I went back to the meer. I probably should never have touched it again. I am telling you this thing is a nightmare. I removed the stem so that I could heat it and rebend it. I set up things as normal and held the stem about 6 inches above the heat gun. I was worried about melting the plastic stem. I should not have worried about that because I never even had the opportunity to try to bend it. Within seconds I heard a small pop – the stem crack horizontally across the top about an inch from the button. I could not believe it. Now I would have to make a new stem for it. Ah well that should not be a problem. I took out some new push stems to see if they would work in the shank insert in the meer. They were too large. That meant that I would need to pull the shank insert and replace it with another one. The trouble was that it was epoxied into the shank and I could not turn it out of the threads.

That basically left me with one choice. I would need to drill out the existing mortise push insert so I could put a new one in place. I set up the drill with a bit that would work and hand turned the shank on to the bit. It did not take long to drill through the old insert but cleaning out the epoxy in the threads was another story. It was like rock. I decided to use the next size drill bit and just remove the threads. This pipe was now destined for a push tenon on a regular vulcanite stem. That would solve the draw and make the thing a lot better smoking pipe.Mess17

Mess18 Here is a picture of the newly drilled out shank. It is open and clean. I used a small needle file to clear out the debris from the drilling and a wet cotton swab to remove the dust from the walls and base of the mortise. Now I had to turn a tenon to fit the mortise. Again that should have been quite simple.Mess19 I found a stem in my can of parts that would do the trick and turned the tenon down to the measurements of the mortise. This finally was going great! I should have been warned that another ugly turn in events was about to happen. With the fit perfect I turned the stem into the shank and felt a pop on my fingers. I removed the stem and could see two small hairline cracks in the pressed meer. What made this humorous was that I had just read an email from Troy about how easily pressed meer crack under pressure. No worries the band had already been pressed into place and the crack was contained.Mess20

Mess21 Then I examined it around the other side of the band and on the left side saw some fine spider web like cracks – so tiny that formed an arch from the edge of the band at the top and curved down the side to the bottom. The issues with this old pipe never seemed to end. I cleaned out the crack and used some of the meer powder and superglue to fill in the crack. I sanded the crack with micromesh pads to smooth things out once again. I sanded the stem with 220 grit sandpaper to make the fit right. The next series of photos show the improved look – repairs and all.Mess22

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Mess25 I put the pipe away and called it a night. To say I was frustrated is probably an understatement. I can’t tell you how many times in this process I came close to throwing the pipe away and scavenging the parts for later use. In the morning I worked some more on the stem to make the stem/band junction smooth. I thought I would take the next two photos of the new stem along side of the original stem to show the changes. The first shows the deep inset of the push tenon in the original. The second photo shows the crack across the top of the stem. It appears as a white line.Mess26

Mess27 At this point I think the pipe looks great! The new stem fits well and the look is improved – from a distance. You can see the repaired crack next to the band on the left side if you look carefully at both pictures. I think that this one will end up staying with me or being a giveaway. It is a shame really as the shape looks far better.

I worked over the stem and the bowl with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil and then continued to sand it through the next three grit pads. I finished the last grit and gave it a final coat of the oil and set it aside to dry.Mess28

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Mess30 I buffed the stem and the bowl lightly with Blue Diamond polish and then gave the stem multiple coats of carnauba wax. I hand buffed it with a microfibre cloth. The photos below show all of the flaws of this old pipe. There is nothing hidden. The small web of cracks on the left side of the shank, the areas on the sides of the rim and on the shank where the shiny coat disappeared when I sanded it are all visible. It is a great looking shape. The stem and the flow of the pipe are greatly improved but it is sadly not one that will be for sale. My improvements ended up making the pipe different from the original. I think the verdict is still out in terms of if I made it better or worse. Maybe it is just a difference in terms of degree of worse! It certainly is a better smoking pipe now. The draw is easy and open so I gained that in the process. I think this one will end up being a shop pipe here. What do you think?Mess31

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UPDATE: I just came in from sitting int he backyard with my dog giving this pipe an inaugural smoke. I loaded up a bow of Kohlhase & Kopp Easter Edition and enjoyed it for over an hour sitting and watching Spencer play with sticks. It delivers a flavourful smoke with effortless draw. The stem is comfortable in the mouth and I actually enjoyed smoking the pipe. Who knows what it will deliver over the days ahead. Worst case scenario I will have pressed meer to smoke that I will not care about damaging…

An Easy Refurb – A Stanwell Royal Danish 166 – Volcano Sitter


Blog by Steve Laug

On to the next pipe in the lot that will be sold for the benefit of Smoker’s Forum online community. It is a beautiful Stanwell Royal Danish shape 166 which is a volcano sitter. It had a gold end plate and narrow band on the shank that was distinctive and tasteful but oxidized. The stem and the shank were drilled for a 9mm filter. It also had the gold S and crown on the left side of the shank. Underneath the surface dirt the pipe had some gorgeous grain. The finish looked to be in great shape with no dings or dents to be found. There are no fills or flaws visible in the briar. The rim had a slight build up of lava and the bowl was caked. It is a deep bowl but somewhat narrow and drilled at an angle toward the shank. Stanwell1

Stanwell2 I reamed the pipe with a PipNet reamer and took the cake back to a thin coat on the walls of the bowl.Stanwell3

Stanwell4 The mortise and the empty 9mm tenon had some loose debris that led me to believe they would be extremely dirty. I used the 0000 steel wool on the rim and was able to clean off the tar build up and leave the rim spotless.Stanwell5 I scrubbed down the bowl with alcohol on cotton pads to remove the grime and get a good view of the grain on this beauty. It was something – not a fill and not a pit in the briar. It was a great piece of briar.Stanwell6

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Stanwell10 I cleaned out the shank and the 9mm tenon and was surprised how quickly they cleaned up. I expected them to be far worse but the debris was loose inside both and it took very little to swab them out and leave them clean.Stanwell11 The stem also was not in bad shape. It is Lucite/acrylic and thankfully that does not oxidize. It had some sticky substance on it that was like the residue from tape and that came off with a little alcohol. I wet sanded the stem with 1500-2400 grit micromesh sanding pads and dry sanded with 3200-12000 grit pads.Stanwell12

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Stanwell14 I used the higher grits of micromesh to work on the gold band and plate until they shone. I buffed the bowl and stem with Blue Diamond plastic polish on the wheel and then gave the pipe multiple coats of carnauba wax. I buffed it to a shine with a soft flannel buff and then finished by hand buffing it with a microfibre cloth. The finished pipe is shown in the photos below. It is one stunning pipe!Stanwell15

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Restoring a Millville Premiere Large Billiard


Blog by Steve Laug

The next pipe on the worktable is another that will be for sale for the benefit of Smokers Forum online community. It is a truly beautiful piece of briar that is stamped Millville Premier on the left side of the shank and Made in London over England on the right side. I have had a few Millville pipes come across my table over the years but this is by far one of the most stunning. The grain on it is beautiful. When I got it the finish was dirty and the grain did not stand out clearly. The stem was rough and porous feeling and was oxidized. There seemed to have been a softee bit in place at one time on the stem as it had left behind the characteristic calcification on the vulcanite. There were two light tooth marks on the top and bottom of the stem near the button. The fit of the stem is perfect to the shank and there is a very faint characteristic M that graces this brand of pipe. It is almost gone from over-buffing but I am hoping it will still show when I have finished cleaning up the pipe. The finish was lightened at the shank stem junction and would need to be darkened. The rim had what appeared to be a gouge across the top surface at the backside of the bowl.

I wanted to know more about the brand so I did a bit of searching on the web to see what I could find out about Millville pipes. Dennis Marshall started the brand in 1980. He had worked for Barling and Charatan for many years. His son John now makes all of the Millville pipes as Dennis is retired. Their pipes still very closely follow the artistic, freeform designs and grading of the old Charatan lines. The pipes are sold almost exclusively in Piccadilly, London in a stall in the market in front of St. James’s Church. Though you can sometimes find them online at British pipe sellers such as Bond’s of London. According to Pipedia the prices of their pipes “start at about 20 £ – hardly the price of a cheapish Stanwell. These were made from pre-turned bowls. The better pipes, entirely hand-made freehands in the old Charatan style, are made from a stock of very old briar, as John stresses. They use several grades like “Unique” or “Executive”. A “Bamboo” can make it up to 500 £.”

Below are some photos of the pipe when I received it. It is a beauty that needed some TLC but it would soon be shining again.Mill1

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Mill4 I reamed the bowl with a PipNet pipe reamer to take the cake back to the briar. I wanted to clean up the inner edge of the rim before I worked on the mark on the surface.Mill5

Mill6 I took the next photo to show what appeared to be a gouge in the top of the rim. It went at an angle from the inside of the bowl across the back surface of the rim.Mill7 I used some alcohol on a cotton pad to scrub down the surface of the briar. Once the grime was removed you can see the stunning grain on this beauty!Mill8

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Mill11 I spent some time examining the rim with a loupe to check how deep the gouge went and if I could steam it or if I would need to sand it to repair it. To my surprise I found that it was not a gouge at all but rather a fill. Somehow along the way the fill had shrunken and left the divot in the surface of the rim. I decided to top the bowl and see if I could minimize the divot. I started with a medium grit sanding sponge to see if that would do the job. I hate to use the extreme of topping the bowl with a full topping.Mill12

Mill13 While it worked to some degree it did not remove the dip in the surface of the bowl. I decided to lightly top the bowl with the sandpaper on the topping board.Mill14 In the next photo you can clearly see the fill in the rim. I was able to flatten the surface of the rim so that it is smooth to touch.Mill15 I sanded the inner edge of the rim with a folded piece of 220 grit sandpaper to smooth out the nick in the rim. Then it was time to clean out the bowl, shank and stem. I used pipe cleaners, cotton swabs and alcohol to remove the tars and oils in the pipe. It did not take a lot of scrubbing before the pipe was clean.Mill16

Mill17 To smooth out the rough texture of the stem and remove the oxidation I sanded it with 220 grit sandpaper and then with a medium and a fine grit sanding sponge.Mill18 For a change of pace, I turned my attention to the bowl finish. I used a stain pen to touch up the lighter areas of the finish at the stem shank junction and on the rim that I had topped. I blended two of the stain pens – the medium and the dark stain pen – to get the colour to match the bowl. I then buffed the bowl with White Diamond on the wheel to smooth out the blend. I would also need to use the micromesh sanding pads in the higher grits to bring the finish to a nice blend.Mill19

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Mill22 I worked on the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and then rubbed the stem down with Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of oil. This time I let the oil dry on the stem before I took it to the buffer.Mill23

Mill24 I buffed the bowl and stem with White Diamond and then finished sanding with 6000-12000 grit micromesh sanding pads. I gave the stem a final coat of Obsidian Oil and let it dry.Mill25 I buffed the pipe with Blue Diamond and then gave it multiple coats of carnauba wax. I buffed it with a soft flannel buffing pad and then hand buffed it with a microfibre cloth to add depth to the shine. The finished pipe is shown in the photos below.Mill26

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Investigating a Melting Stem While Refreshing a Willard Imported Briar


That turned out really well. I wanted to pass on the results of your experiment and the heads up with regard to alcohol! Great work Charles.

Charles Lemon's avatar

This smaller pipe came to me in pretty rough cosmetic condition. Marked “Willard” over “Imported Briar”. Pipedia tells us this:

“The Willard pipes were made by Sparta Industries in Sparta, N.C from 1963 to 1975 (about 60,000 pipes per week). Some were distributed by the Post and Base Exchanges that serviced the military during the Vietnam War. Others were produced for R. J. Reynolds Tobacco.”

The pipe was covered in blobs of sticky gunk and general grime, the lacquer finish was chipped and peeling, and the rim was covered in a hard, flaky layer of “lava flow” – tars and other crud produced through heavy use. The stem had considerable tooth chatter in the “bite” area, both above and below, though otherwise it seemed in good shape, with little to no oxidation. The stinger was intact and, somewhat remarkably, the stem was not overturned, lining up perfectly with the shank. The lack…

View original post 889 more words

Restoring and Restemming a Large Edward’s Bent Billiard with a Vulcanite Ferrule


Blog by Steve Laug

Label Logo_medium The last of the foursome of Edward’s pipes that I cleaned up for the fund raiser on Smoker’s Forums is a large Billiard with a vulcanite ferrule. It came to me without a stem so I would need to go through my stem can and see if I had any stem that would work with this bowl. The pipe is stamped Edward’s in script on the right side of the shank. On the left side it is stamped Algerian Briar in block letters. On the underside of the stem there is a large + sign and the shape number 42 near the ferrule. The bowl was in rough shape. The finish was dirty and there are some large and small fills along the shank from the bowl shank union to the ferrule. The ferrule was oxidized. The internals of the bowl and shank were dirty. The bowl was caked with the same heavy soft cake as the other Edward’s pipes. The tars had flowed over the beveled inner rim of the pipe and hardened into a dark hard cake. The briar itself was quite beautiful under the grime so a good cleaning would reveal some excellent grain as it had in the other three pipes.

I found a stem in my stem can that fit the shank well and looked pretty decent. It would need to be bent slightly and the roughness of the stem would need to be sanded down to make the fit right but I took photos of the pipe with this stem to get an idea of how it would look. At this point the pipe has not been cleaned up or reamed.Free1

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Free4 I took one close-up photo of the bowl to show the state of the rim and the cake in the bowl. It would take some work to clean off the lava and bring the finish back to pristine.Free5 I reamed the bowl with the PipNet reamer and took it back to bare wood to remove the crumbling, soft cake in the bowl.Free6

Free7 Once I had the bowl reamed I took a photo of the stem and then took it to the heat gun to soften and rebend it to fit the bend of the pipe. There was a slight wave in the top of the stem that needed to be straightened as a part of the new bend.Free8

Free9 I heated it until the vulcanite was pliable and then straightened it before rebending it to match the curve of the bowl and when held in the mouth was horizontal with the top of the bowl.Free10

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Free13 I liked the look of the stem with the new bend so I set it aside and went to work on the bowl. I used 0000 steel wool on the rim to remove the lava overflow and repolish the rim. I am finding that this works really well as Troy shared in various blog posts he has done here and on his own site. There is always something new to learn and add to the refurbishing skill set.Free14 With the rim cleaned up I wiped down the bowl with acetone on a cotton pad to remove the grime in the finish and refresh the briar.Free15

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Free18 I cleaned out the bowl, shank and the airway in the stem with pipe cleaners, cotton swabs and alcohol. It was pretty clean which is amazing when you consider the condition of the rim and the cake.Free19

Free20 I sanded the stem with 220 grit sandpaper to clean up the shape and smooth out the angles and make the sides proportionally the same when the stem was in the mortise. I finished by sanding it with a medium and fine grit sanding sponge to smooth out the scratch marks left behind by the sandpaper.Free21

Free22 I lightly sanded the bowl and the rim with micromesh sanding pads – wet sanding with 1500-2400 and dry sanding with 3200-4000. I also sanded the vulcanite ferrule at the same time to remove the oxidation.Free23 I sanded the stem with the micromesh sanding pads as well – wet sanding with 1500-2400 grit pads and then rubbing it down with Obsidian Oil. I also used the oil on the ferrule. I dry sanded with 3200-4000 grit pads and rubbed it down again with the oil.Free24

Free25 I buffed the stem with Tripoli and White Diamond before sanding it with the final grits of micromesh pads. I finished with 6000-12000 grit pads and then gave the stem and ferrule a final rub down with the Obsidian Oil. I let it soak in and dry before taking it to the buffer.Free26 I gave the bowl a light coat of olive oil to bring life back into the briar and then gave it a buff with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax and then buffed it with a clean flannel buff. I finished by hand buffing it with a microfibre cloth to bring depth to the shine. The finished pipe is shown below. The first photo is of the pipe with the Edward’s large apple to give a sense of the size of the pipe. It is a large piece of briar.Free27

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Cleaning up an Edward’s Brandy Shaped pipe


Blog by Steve Laug

Label Logo_mediumThe third Edward’s pipe that came to me in the box of pipes to clean up and sell for the support of Smokers Forums is stamped Algerian Briar in block print on the left side of the shank and on the right side Edward’s in script. There is a large 7 toward the bowl end of the underside of the shank. Near the shank it is stamped 13L which according to Edwards shape charts generally has a 7 as the first number. I think this is the same age as the previous pipes I have been working on and it only has the two digits and the letter L. That numbering is called a large apple. On the original pipes it appears that the pipe originally had a taper stem. That would explain why this stem is slightly loose and does not perfectly match the diameter of the shank.

It is about the same size as the Dublin and the apple that I just finished restoring. It has similar grain. The back and front of the bowl are cross grain and the sides are birdseye grain. The top and the bottom of the bowl and the shank are cross grain as well. The finish on the bowl was in rough shape. The briar was dry and lifeless looking. The surface of the pipe was dirty and grimy. The rim was covered with an overflow of lava like the other pipes in the lot. The bowl had a thick cake that had the same sticky and crumbling consistency as it had in the other bowls. The stem was oxidized and had some tooth chatter on the top and the bottom of the stem. The internals of the stem and the shank were very dirty and covered in a thick tar. There were quite a few fills in the bowl. There was a large on the back right side near the top of the bowl. There were several smaller fills on the front of the bowl and on the underside at the bowl shank junction. There were also some small sandpits that were not filled. Like all of the Edward’s pipes that I have worked on this one was natural briar. Once it was cleaned up it would have a rich natural look that would darken over time and use.Brandy1 Brandy2 Brandy3I took a close-up photo of the bowl to show the build up on the rim and also the odd configuration of the cake.Brandy4 Brandy5I reamed the bowl with a PipNet pipe reamer and started with the smallest cutting head and worked my way up to the head that was the same diameter as the bowl. I reamed it back to bare wood and cleaned out the debris that was left with a pen knife.Brandy6 Brandy7I scrubbed the rim with 0000 steel wool to remove the lava overflow that had hardened on the rim. I have used the steel wool on the last two pipes and I am impressed with how easy it makes this process. Of course it helps that the bowl is a natural finish so I am not damaging any of the original finish on the bowl with the steel wool.Brandy8I cleaned the internals with pipe cleaners, cotton swabs and alcohol until the inside was clean and sweet smelling. I swabbed out the bowl with a cotton swab and alcohol to clean up any of the dust left behind by the steel wool.Brandy9I scrubbed the exterior of the bowl with acetone on cotton pads to remove the ground in grime in the finish. I scrubbed it until the finish was clean and lifeless looking.Brandy10 Brandy11 Brandy12I gave the bowl a light coat of olive oil and rubbed it in to bring some of the original colour back to the briar and give it a little life. The photos below show the bowl after this treatment. It has some awesome grain – along with a few sandpits and fills.Brandy13 Brandy14 Brandy15 Brandy16With the bowl finished it was time to work on the stem. I am pretty certain that this is a replacement stem as the fit is not quite right and according to the charts it was supposed to be a taper stem. However, I decided to go with the stem that came with it in the box I received and clean it up and make it fit as best as possible. I sanded the stem with a medium and a fine grit sanding sponge and then went on to sand with micromesh sanding pads. I wet sanded with 1500-2400 grit pads and then rubbed the stem down with Obsidian Oil. I went on to dry sand it with 3200-4000 grit pads and gave it another coat of oil.Brandy17 Brandy18I buffed the stem with Tripoli and then White Diamond before sanding it with the final three grits of micromesh – 6000-12000 grit.Brandy19I buffed the pipe with Blue Diamond Plastic polish on the wheel and then gave bowl and stem multiple coats of carnauba wax. I buffed it with a clean flannel buff and then took it back to the table and hand buffed it with a microfibre cloth. The finished pipe is shown below. I kind of like the saddle stem as it gives the pipe a bit of an English flair.Brandy20 Brandy21 Brandy22 Brandy23 Brandy24 Brandy25

Rehabilitating a Worn Jarl 852 Sitter


Nice work on this one – lots of valuable tips.

Charles Lemon's avatar

This Jarl Sitter pipe (pictured third from the top in the left-most column in the pic below) is stamped “Oil Hardened” on the top shank and “Jarl” over “Made in Denmark” on the bottom shank. Across the shank at the mortise end is stamped “852”, and the stem sports a nicely defined “crowned J” Jarl logo.

Estate Pipe Lot

The pipe was DIRTY when it came out of the box. Greasy and grimy from head to toe, the pipe was caked up to the point of blocking off the airway, and sported a number of dents and dings on the rim underneath a nice lava flow of tars. The stem was heavily oxidized, especially at the button, which was also covered with a heavy whitish salt/calcium buildup.

Apart from its generally neglected state, this old Jarl showed two major signs of previous trauma – the shank had cracked off the bowl and been…

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