Tag Archives: refinishing

What a Mess – A Vanguard Reg’d. Lumberman with a Bit of History


Blog by Steve Laug

I recently came across an EBay lot of bowls without stems and broken tenons still in the shanks. In the lot was one that intrigued me. It was the only one with a stem. The stem was short and tapered. It was very narrow and the button and slot made me think that it was old. The lot had the look of older English pipes but there was no information on the stamping. When the lot arrived in Vancouver, the stemmed pipe was stamped Vanguard over Reg’d on the left side of the shank. All other stamping, if there had been any, was lost.lot1 The bowls finish was gone. The colour was almost grey and there were spots all over this bowl and the others as can be seen in the photo below.lot3 From the third and fourth photo provided by the seller I could see that the shank was cracked and would need to be addressed. The rim appeared to be very thickly covered with lava and the outer edge had been damaged and rounded.Lot5 The next photo shows the large crack that was present in the shank of the pipe. It had started to open and the edge of the shank where it met the stem had some nicks.lot8 When the box arrived the pipe was actually in worse shape than the photos had shown. The bowl rim was not all that was caked with tars. The bowl itself was almost 1/3 full of half burned tobacco, dottle that was rock hard and filled the bottom of the bowl. The cake on the rest of the bowl was not thick but was very hard. The finish was not only grey and spotty but was dented and rough to the touch. I could feel the ridge where the sides of the crack in the shank had separated. The rim edges were not only damaged and rounded but were also rough from banging out the burnt tobacco against something hard. The stem had tooth marks and chatter on both sides of the stem at the button. The button and slot were intact. The stem appeared to be as old as or older than I first thought. This was going to be a challenge to bring back to life but the age of it made it something I could not wait to tackle.Van5

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Van8 I took some close up photos of the state of the rim and cracked shank once the pipe arrived. It was a mess that is for sure. The rim and bowl were in bad shape and smelled awful. The shank crack was worse than I had imagined. The first photo of the cracked shank is from the top and the second photo is from the side.Van9

Van10 I looked up the Vanguard name in Who Made That Pipe and found that there were two makers. There was a French maker and an English maker. The French pipe was made by Marchal, Rouchon 1907 and the English one was made by A. Oppenheimer/Bernhardt & Meyers. Given that I cannot be definitive as to which maker crafted this pipe. But the interesting thing is that the Marchal & Rouchon Cie which later became GBD France came under control of Oppenheimer in Great Britain. So you can see that though I may not know which one ultimately made the pipe the fact is that the two brands came together in 1902 when Marchal & Rouchon Cie sold out to Oppenheimer. I now have in my collection a pipe which may well have bridged the union of the two companies. The Vanguard thus could easily bear both the French and the English stamping. The lack of a “Made in…” stamp may well signify the years that the companies joined. That in itself made cleaning up and restoring this old-timer interesting for me.

I decided to start the clean up by reaming back the cake and cleaning out the dottle from the bowl. I used a PipNet reamer and started with the smallest head and worked up to the one that fit the bowl. I took the cake back to bare wood to check for damage to the inside walls of the bowl. With a pipe this worn I find that this is extremely necessary. I do not want any surprises after I have cleaned it up.Van11

Van12 To repair the damaged shank I opened the crack as much as possible without making it worse and used a dental pick to push super glue into the crack. I pressed it together until it dried. I then used the sanding drum on the Dremel to take down the shank slightly so that a band would fit snugly on the shank and hold the crack tightly together. I pressed the band onto the end of the shank and took the picture below before I heated the band and pressed it into place.Van13 I heated the band with a heat gun and then pressed it against a flat surface until the band was in place on the shank. I pressed it onto the shank and then used a folded piece of sandpaper to clean up the edge of the band and shank. I left about 1/8th of an inch of the band extending past the shank to deal with the chipped and damage shank end. The stem would not have had a clean fit against the shank because of the damage. When the stem was in place it fit inside of the band against he shank and looked great.Van14

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Van16 With the band in place the shank was repaired and the tenon would no longer fit in the mortise. The contraction of the briar by the band cleaned up the crack and tightened up the loose fitting stem. I lightly sanded the tenon with a sanding drum on the Dremel and then by hand to get a snug fit in the shank.Van17

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Van21 I scrubbed the surface of the briar with acetone and cotton pads to remove the grime, spotting and remaining finish. There was some interesting grain under the grime.Van22

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Van25 The damaged rim surface and outer edge required that the bowl be topped. I used the topping board and 220 grit sandpaper to remove the damaged surface and sharpen the edge of the bowl.Van26

Van27 I scrubbed the surface of the bowl down again with acetone and cotton pads to remove the dust and grime from topping.Van28

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Van30 I cleaned the inside of the shank and the stem with alcohol, cotton swabs and pipe cleaners. I used the drill bit from the Kleen Reem pipe reamer to clean out the airway from the mortise to the bowl. When I was finished I swabbed out the bowl with cotton swabs and alcohol and was pleased to find that the rank smell was gone.Van31 I sanded the bowl and stem with 220 grit sandpaper and a medium and fine grit sanding sponge to remove the tooth marks on the stem and scratches in the briar. I steamed the dents in the briar with a knife blade and wet cloth.Van32

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Van35 I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil between each grit and then continued sanding until I had worked through the lot of pads.Van36

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Van38 I wiped the bowl down with a light coat of olive oil and then sanded it with 1500-2400 grit micromesh pads and then continued through the rest of the grits of pads. I continued to polish the bowl with the remaining grits of micromesh.Van39

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Van42 I buffed the pipe with Blue Diamond polish on the wheel and then gave it several coats of carnauba wax. I buffed it with a clean flannel buff and then hand buffed it with a microfibre cloth. The finished pipe is shown in the photos below. It came out well for a pipe that potentially was made 108 years ago. Thanks for looking.Van43

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Procrastination & Restoration


Blog by James Gilliam of JSEC Pipes

What can I say, I really enjoy making pipes. The time I’m afforded for sitting in front of a sanding wheel, at the lathe and sitting at my desk doing detailed work are some of my most relaxing moments. The creative juices are flowing and at times I feel as if I’m breaking new ground with Shape X or Following Line Y, all the while the end goal is just to create a pipe that will become a cherished object of relaxation by its owner.

And here we are, writing up a little story for Steve’s Blog. It isn’t often that I venture down the restoration path, and when I get stumped I end up asking Steve a question or two. So, on to my story……. Our neighbor’s husband recently passed away and soon after the funeral she come over and gave me his pipes. I was elated that she even considered that and wanted to do them justice by addressing some minor cosmetic issues the pipes had.

The trio consisted of (from top to bottom): a Davidoff 152 Sandblasted Bent Billiard, a Charles Fairmorn – Made in Denmark Bent Egg, and a Charatans Make 4402DC Silver Banded Lovat. And as you can see by the first picture, they were enjoyed by their previous owner. They all had been taken care of but It had been a few years since they had been smoked. They were lovingly displayed in his corner of the living room. A remembrance, I guess, for those days when he did smoke his pipes. He still enjoyed them, just didn’t smoke them anymore.James1

James2 The first order of business was addressing the oxidation on the stems. And I was stumped, as I’ve never seen oxidation this bad before. So after reading through the rebornpipes blog posts and contacting Steve I found what I needed to give the stems a little bath. I’m glad I sent Steve the email, as the bath that was enjoyed by all the stems made my efforts for oxidation removal rather easy. The best part is “most” of the stamping on the stems was savable, albeit on some a little fainter and not so pronounced as before. Had I just sanded the oxidation off, as I was inclined, there would be nothing else there. The oxidation really took its toll on the Davidoff stem, and about 1mm of diameter was no longer there after it was removed with a light sanding….. and I personally don’t find the new stem-shank junction off putting even though it was no longer flush.James3

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James6 The next issue to tackle was outer appearance. The Fairmorn Egg and the Charatan Lovat were the easiest to address as they simply needed an alcohol bath and scrubbing to remove some dirt and grime. A light sanding was in order for the Fairmorn Egg and that was followed by restaining. The best part was the Charaton retained it’s original color. A buffing with various pastes made them shine.

The Davidoff Bent Billard was a different story. Color wise It is, in my opinion, one of the ugliest pipes I’d seen. I scrubbed and scrubbed and scrubbed with alcohol to remove the underlying stain as best I could, to no avail. So I just decided to restain it a light brown….. and am glad that I did as the result came out rather nice…. At least I think so.James7

James8 All in all, I’d say the pipes cleaned up rather well. Below is a picture of the complete set that I was gifted. My neighbor was more than elated to see them returned to their previous luster, and I was pleased that I could restore something from someone who meant so much to her.

The leather pipe stand still needs a foot/let on the rear left side, as the original fell off at some time in the past and the tobacco jar needs cork reapplied inside the top of the lid. It’ll get done, as the tobacco jar is the cat’s meow…..

Sorry it took so long to write up the story Steve and may you all have a joyful Christmas Season. Surround yourself with those you love, enjoy the time you are able to spend with them, and smoke a bowl in remembrance of those that were close to you and your family. Oh yea, and overlook Uncle Rufus this year… just chuckle and relight.

Merry Christmas and Happy New Year
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Restoring a White Cloud Imported Briar Pot


Blog by Steve Laug

The next pipe up for refurbishing is a small pot shaped pipe. It is stamped on the left side of the shank with the words White Cloud over Imported Briar. There are no other stampings on the right side and underside of the shank. I have looked for the brand in WMTP and found the name but that it is an unknown maker from the US. I also on PipePhil’s site and found no additional information. I also did some searching on the web for information and found absolutely no information on the brand. Do any of you know anything about it? Any information would be greatly appreciated. Thank you.

The pipe was in good shape underneath the thick coat of varnish. The stem was oxidized and dirty. The varnish on the rim was peeling and bubbling. There was damage to the rim in terms of darkening and potential burn. The bowl had some cake but it was bare wood at the bottom third of the bowl. The stamping was very clean and readable. There were some dings and fills on the bowl sides but nothing huge. They would clean up adequately. The metal tenon and stinger were a very interesting looking piece of plumbing. They were dirty and tarred. The inside of the shank and stem also had a lot of grime. The stinger was stuck in the tenon so it would need to be heated to be able to clean the airway in the stem thoroughly.Cloud1

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cloud3 I took the close up photo of the rim and bowl to show the damage to the rim surface and the cake that was present.cloud4 The next photo shows the stinger apparatus. It is a unique set up that is different from the collection of other stingers that I have here.cloud5 The stem was slightly underclocked so I heated the tenon with a lighter and corrected the fit of the stem in the shank.Cloud6 I removed the stem and dropped the bowl in an alcohol bath to soak overnight. I wanted to loosen the varnish on the bowl and knew that while the alcohol would not remove it, it would soften it and make it easier to sand off.cloud7 In the morning I removed the bowl from the bath and dried it off. The shiny coat of varnish was unscathed by the alcohol but I knew that it would be easier to remove. You can see the interesting grain on the bowl sides in the photos that follow. You can also see the nicks and fills that would need to be dealt with in the restoration.cloud7

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cloud11 I sanded the rim and the bowl with a medium grit sanding sponge to begin the process of removing the varnish. It worked well to break the seal on the varnish coat. Once that is done it comes off quite easily with acetone.cloud12

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cloud15 I needed to lightly top the rim to remove the burn mark and rounding on the front outer edge of the rim. It did not take much to clean up the rounded edge and give the rim a crisp profile.cloud16

cloud17 I wiped the bowl down with acetone on a cotton pad and was able to completely remove the varnish coat. The alcohol had softened it and it came off very easily.cloud18

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cloud21 I heated the stinger in the tenon until I was able to wiggle it free of the airway. One side of the two prongs that held in place in the tenon was cracked so I repaired it and set it aside to dry. I cleaned out the shank and the stem with pipe cleaners, cotton swabs and alcohol.cloud22 I sanded the stem with 220 grit sandpaper to remove some of the wavy marks from previous repairs to tooth damage. I sanded until the stem was smooth and then sanded it with a medium and a fine grit sanding sponge. I also sanded the bowl with the same sanding papers and sponges to minimize the dents and scratches in the finish.cloud23

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cloud27 I reamed the bowl with a PipNet reamer to remove the cake on the upper portion of the bowl.cloud28

cloud29 I sanded the bowl and rim with micromesh sanding pads- wet sanding with 1500-2400 grit pads. I wiped the bowl down with a light coat of olive oil before proceeding to sand with 3200-4000 grit pads. I rubbed it down a second time and then sanded it with 6000-12000 grit pads. I buffed it by hand to see what the finish looked like at this point.cloud30

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cloud37 I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and then rubbed it down with Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of the oil. I checked the stinger and for some reason there was some dark grime that appeared in the slot in the stinger. I cleaned it again with pipe cleaners before sanding some more with 6000-12000 grit pads. I gave the stem a final coat of Obsidian Oil and set the pipe aside to dry.cloud38

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cloud40 I buffed the pipe with Blue Diamond on the buffing wheel and then gave the bowl and stem multiple coats of carnauba wax. I buffed it to a shine with a clean flannel buffing wheel. When I finished buffing it on the wheel I took it back to the work table and buffed it by hand with a microfibre cloth. The finished pipe is shown in the photos below. It should deliver a good smoke to whoever adds it to their rack. The briar is certainly interesting to look at now that the finish has been stripped and the bowl polished. Thanks for looking.cloud41cloud42cloud43cloud44

 

Repairing and Restoring a1929 Irish Free State Billiard


Blog by Aaron Henson – 11/29/15

I think the thrill of the hunt is part of what makes this hobby so enjoyable. Going into a new store or happening upon a pipe in an unlikely place, never knowing just exactly what you are going to find and always keeping a lookout for that forgotten gem.

This past summer I was on vacation with my family in Seaside, Oregon. Between Seaside and Astoria I visited 14 different antique stores and only two had any pipes at all. And of those, they were all on the pricy side; too rich for me.

Partly on a whim and partly out of desperation, I went into a second-hand store that I had passed by several times. It was more “junk” than “antique” and of course that is where I made my score although I didn’t think so at first. Three pipes: the first was a non-briar volcano with “Italy” stamped on the bottom, the second was a Medico that was in such bad shape it could only be used for parts but the third was intriguing with a silver band. I could not read the markings for all the filth on the pipe. I negotiated with guy behind the counter and walked out will all three for $15.Aaron1 It was clear that this had been a very nice pipe in its day. The wood grain that could be seen through the grime was beautiful and the Army Style push stem I thought gave the pipe a classy feel. When I got it back to the house and looked it over in better light, I noticed that the band had been rotated on the shank so the writing was upside down and in the dim light of the store I could not read it. Now I could see that it clearly said “Peterson” and “Dublin” stamped in the silver band.

A Peterson, my heart skipped a beat. I was well aware of Peterson’s long history of making quality pipes and now I had picked up an early model for 5-bucks!Aaron2

Aaron3 The bowl had a good build up of cake and a fair amount of unburned tobacco in the bottom. Some build up of tars on the rim but otherwise seemed to be in good condition. The shank had clearly been broken, however and the glue used for the repair was spread all over one side of the bowl. The stamping on the band, as stated before, were worn and not very readable. The stem was oxidized and had a hole in the top near the button. This must have been a favorite pipe of the previous owner.

When I got home from vacation, I tried to understand the symbolic hallmarks on the band. Not being familiar with Peterson marking I sent a picture to Steve Laug to ask his opinion. Steve very graciously referred me to his Peterson expert, Mark Irwin. With Mark’s help I was able to understand Peterson’s hallmarking and dated the pipe as 1929 – placing it in the Irish Free State era: 1922 – 1937. At least, that was my interpretation of the third hallmark, an “O”.Aaron4

Aaron5 I began by reaming out the cake with a Castleford reamer and took the interior back to bare wood. There were some burn marks under the tar on the rim so I elected to top the bowl with some 220 grit paper laid on the flat work bench.Aaron6 Next I heated the band with a flame and then using leather jawed pliers and carefully rotated the band back into correct alignment.Aaron7 The outside of the bowl I wiped down with a cotton pad soaked in acetone. This removed the grime and the glue. I had been worried that the glue was covering a crack in the bowl but it turned out that the person doing the shank repair had just been sloppy. The glue came away and revealed pristine briar underneath. In just the right light, I also could see a very faint IRISH FREE STATE stamped into the bottom side of the shank – Confirmation!Aaron8 The break between the bowl and the shank had been complete. I could see the seam all the way around the shank but it had been a clean break. There were no gaps, rounded edges nor missing pieces; so far, so good.

At this point I turned my attention to the stem. I put the stem to soak in a mild chlorine bath to raise the oxidation. A light sanding with some worn 400 grit paper removed the oxidation completely. I picked the loose material out of the hole, made backing plug out of toothpicks and slipped it into the airway. This would hold my patching material in place. Next I mixed up some StewMac black super glue with some activated charcoal powder and worked it into the hole with another tooth pick. I set the stem aside to cure over night.Aaron9

Aaron10 When I came back to the stem I sanded down the fill with 220 grit paper. The plug blended nicely and I proceeded to polish the stem with 1500 – 12000 micromesh pads. Cleaning the inside of the stem was quite simple, four of alcohol soaked pipe cleaners (2 bristled and 2 soft) took care of the insides and the stem was done.Aaron11 Returning to the stummel, I began to work the bowl-shank joint back and forth with ever increasing force. I caught myself holding my breath, afraid of breaking the pipe beyond repair but dismissed that thought as fear of the unknown and pushed on. Eventually the crack began to open up and the shank and bowl were separated. I was surprised to see that the original repair had included two small brads – or pins – set on either side of the air hole to strengthen the break. Since the brads were already in proper alignment I decided to reuse them in my repair.Aaron12 After some research, I settled on the J-B Kwik Weld as my epoxy of choice. Its resistant temperature is less than that of original J-B Weld (300 vs 550 degrees); however, I do not think the shank should reach 300 degrees during a smoke. But the real advantage in my minds was that the set time is only 6 minutes compared to 4-6 hours. I didn’t want to have to come up with a way to hold the two parts together for several hours and risk the parts slipping.

In order to keep the airway clear during the repair, I pushed a pipe cleaner through the airway before smearing the epoxy on the both surfaces with a tooth pick. With the clock running on the set time, I pushed to the two parts together using the old brads as alignment pins. Looking back I think it would have been better if I had only used one of the pins. The fit was tight and I was fighting against the pins to get the two parts tight together when the time ran out on the epoxy. I was left with a larger gap between the pieces than I thought was right; I had been hoping for a flush fit. Before setting the pipe aside to cure I wiped off the excess epoxy and removed the pipe cleaner.Aaron13 I let the pipe sit overnight and the next day I used a dental pick to remove some of the epoxy from the gap between the stummel and bowl. The gap was very small, less than a 1/32 of an inch on top and near flush on the bottom. When the crack was as clean as I could get it, I filled it with briar dust and placed drops of clear super glue on top to hold the dust in place. When the super glue dried I smoothed out the repair with 220 grit sand paper.Aaron14 There were some minor dents in the bowl and I decided to steam them out by wrapping the bowl with a damp terry cloth rag and going over the rag with a clothes iron set on high. If you used this method I would advise keeping your figures well clear of the iron. Speaking from personal experience, you don’t have to be very close to the iron get burned by the steam. Fortunately, I did not drop bowl!

I sanded the entire bowl with 400 – 2000 grit paper to remove all the dents and scratches but being sure to stay clear of the marking on the shank. The markings were faint but I wanted to preserve as much of them as I could.

The bowl had beautiful grain and I wanted to use a light brown stain to highlight it. I used one part Fiebing’s light brown mixed with 2 parts isopropyl alcohol applied with a cotton swab in layers until the color looked just right. I flaming each layer and wiped off the excess with a cotton pad moistened with alcohol.

The next to last step was to polish the sterling silver band. For this I tried a new technique that I had recently learned on this blog using a small amount of cigar ash and saliva. I was careful not to polish too much – or at all – around the hallmarks. The final step was a trip to the buffer for three coats of carnauba wax on the briar and stem. I hand applied a light coat of Walker Briar Works carnauba wax sealer on the silver band and I buffed the pipe with a micro fiber cloth to bring up the shine.Aaron15

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Bringing a Dr. Grabow De Luxe 9704 Bent Billiard Back to Life


Blog by Steve Laug

I just finished cleaning up the last of the pipe I picked up from the antique malls while I was in Idaho Falls. It is a little Dr. Grabow bent billiard. It is stamped on the left side of the shank Dr. Grabow over De Luxe over Imported Briar. On the right side near the stem shank union it is stamped with the shape number 9704. From what I can find on the Grabow shape charts the 04 shape is the bent billiard. This one was in rough shape. The finish was basically worn off and the bowl had spots of sticky grime on the sides and shank. There were also spots of paint on the shank and bowl. There were scratches all over the bowl. There were a lot of small fills on the right side of the bowl and the top of the shank as well as a large one on the lower part of the front of the bowl. Because of the missing finish these stood out. The top of the rim had a buildup of tars that looked flaky and hard. The bowl had a thick cake that made it impossible to see if the inside of the rim was in decent shape. I would need to ream it back to be sure. The stem was oxidized and the dirty with light tooth chatter on the underside near the button.Dr1

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Dr4 I took a close up photo of the top of the rim to show what I had to work with in cleaning up the bowl and rim.Dr5 When I took the stem off the pipe it had the usual Dr. Grabow shovel stinger apparatus. This was a little unique in that it was not inserted into the metal tenon but was an integral part of the tenon. The two were cast together which made removing it impossible. It was covered in tars and in a tobacco coloured lacquer that was rock hard.Dr6 The next two photos show the stamping on both sides of the shank. The right side shows the clear shape number stamp and the left side the Dr. Grabow stamping. The Imported Briar stamping is weak but visible.Dr7

Dr8 I reamed the bowl back to bare wood with a PipNet reamer. I started with the smallest cutting head and worked my way up to one that was the same diameter as the inside of the bowl. Once the cake was cleaned out I used a pen knife to clean up the small ridge that shows up in the second photo below.Dr9

Dr10 I used a sanding sponge to lightly top the bowl. The tars and lava on the top were hard and this was the way I chose to remove it without damaging the finish to the rim. I worked on it until the rim was clean and smooth. It would still need to be scrubbed to remove the darkening.Dr11

Dr12 I scrubbed the rim and the bowl with acetone on a cotton pad to remove the grime and oils left in the finish. I scrubbed until the rim and bowl were clean.Dr13 I scrubbed the shovel stinger with 0000 steel wool to remove the buildup on the aluminum and polish it at the same time.Dr14

Dr15 I cleaned out the shank with alcohol, pipe cleaners and cotton swabs until it was spotless. I then worked on the stem. It was made a bit more difficult with the built in stinger but I was able to get it clean with a bit of effort.Dr16 With the inside clean I sanded the bowl and rim with 220 grit sandpaper and a medium and fine grit sanding sponge to clean up the finish. I was able to remove the darkening on the rim and also the dark spots on the sides of the bowl.Dr17

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Dr20 I screwed the stem back on the shank and then sanded the stem with the same sandpapers as I had sanded the bowl. I removed tooth chatter and the calcification on the first inch of the stem. I worked on the slight tooth marks on the button itself and cleaned them up. The pipe was beginning to take shape. Much more sanding would need to be done to the bowl to remove all of the scratches left behind by the sandpaper and a lot of polishing would need to be done on the stem before the pipe was finished.Dr21

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Dr24 I rubbed the bowl down with olive oil so that I could wet sand the finish and work out the scratches.Dr25

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Dr27 I sanded the bowl with micromesh sanding pads and the olive oil until I was able to remove the scratches. I started with 1500-2400 grit pads and sanded until the scratches were minimized and then rubbed it down with olive oil once again before sanding with 3200-4000 grit pads. Each successive micromesh pad brought more of a shine to the briar. The fills became smooth and blended into the briar better and began to disappear into the briar as the scratches around the edges were smoothed out.Dr28

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Dr33 I gave it a final rub down with oil and then finished sanding it with the last three grits of micromesh – 6000-12000. The bowl was smooth to the touch and had a shine to it that once was buffed and waxed would glow.Dr34

Dr35 I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and then rubbing it down with Obsidian Oil. I continued to dry sand with 3200-4000 grit pads and gave it another coat of the oil. I finished by sanding it with 6000-12000 grit pads and then gave it a final coat of oil and let it dry.Dr36

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Dr38 I buffed the pipe on the wheel with Blue Diamond polish and then gave the bowl and stem multiple coats of carnauba wax. I buffed it with a clean flannel wheel to give it a shine and finished by buffing it with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. It is a beautiful old Grabow that has a lot of life left in it. Whether I keep it or pass it on to someone else it should last much longer than I will. It should continue to give companionship to whoever’s rack it graces. Thanks for looking.Dr39

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ADDENDUM: I received the following message on FaceBook from Christopher Chopin. It adds much to the information on this pipe so I add it here:

A favorite shape. Nice job as always Steve. And yes, 04 is the shape code, 97 was the finish code for deluxe. Also 92 and 98, there was more than one De Luxe, and 97 was the natural variegated finish. Dating on that if I’m not mistaken is between 1944 and 1953, at which point the spade was rotated so that the tip pointed to the bowl instead of the mouthpiece, after the company was purchased by HL&T. That is a true Linkman’s grabow, they just discontinued the Linkman’s stamp in ’44. I suspect it’ll find a place in your regular rotation.

Restoring a Windsor De Luxe 13106 Unique with a Horn Stem


Blog by Steve Laug

When I saw this old horn stem pipe on Ebay UK I immediately put in a bid and I won the pipe. It had a great striated horn stem that had lots of deep colours. The area in behind the button on the top and the bottom of the stem was really damage with large chunks of horn missing. On the underside of the stem there was a dark red stain in the striations of the horn near the button. The stem has a metal push tenon with a twisted stinger apparatus screwed into the end of the tenon. The metal ring between the shank and the stem was attached to the stem. The stem had a faint crown stamped in the horn. The bowl had a thick cake and the rim was heavily covered with lava that flowed over from the bowl. The underside of the bowl had a half-dozen fills in it that were shrunken and filled with white putty. The stamping on the shank said Windsor in a script with a flouring line underneath. Stamped under that was De Luxe. On the underside of the shank next to the stem it was stamped 13106. I have no clue as to the provenance of the pipe – WMTP says that there are several makers in England that made the brand. All have stamping that is slightly different. The finish on the bowl looked to be in decent shape under the grime and build up on the sides of the bowl. (Anyone have any ideas on the maker let me know).horn1

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horn4 I took close up photos of the stem to give an idea of the damage that I would be working with on this pipe. On both sides of the stem there was serious damage in the form of missing chunks of horn. These chunks were missing in the sharp edge of the button and in the surface of the horn itself. The first and second photos show the top and bottom sides of the stem. In the second photo below there is a dark line at the bottom edge of the stem next to the button – that is the red mark that was in the surface of the horn. The third photo below shows the profile of the stem and clearly shows the missing chunks in the horn.horn5

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horn7 The close up photo of the rim below shows the overflow of lava on the surface that would need to be removed to assess damage to the bowl and rim.horn8 The twisted aluminum stinger apparatus was hefty and at first glance seemed to be stuck in the tenon. I tried to turn it and pull it and it would not budge. I would need to heat it to see if I could loosen the tars that bound it to the tenon.horn9

horn10 I decided to work on the stem first. I enjoy working on and repairing horn stems. I find great satisfaction in bringing them back to life and bringing out the rich glow that come from a polished piece of horn. In this case I sanded out the damaged areas with 220 grit sandpaper to smooth the edges of the holes and to clean up the debris. I wiped it down with a cotton pad and alcohol to clean off all the debris. I decided to add a little colour to the horn before filling in the hole so that the darker striation would continue to the button. I used a black permanent marker to colour in a stripe from the place it ended on the undamaged portion back to the button. I filled in the damaged areas on the surface of the stem and on the button with clear super glue. The area on the underside where the red spot was cleaned up a bit but the red bled through. I added multiple coats of the glue to build up the areas. I overfilled them so that I had material to work with in reshaping the button and the stem surface.horn11

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horn14 Once the glue dried I used a needle file and a coarse sanding stick to recut the edge of the button and clean up the top face of the button. I wanted a clean defined area that matched the undamaged part.horn15 I sanded the entire stem, carefully avoiding the area of the stamping with 220 grit sandpaper to blend the repair into the surface of the stem and to shape the button. I heated the metal tenon with a lighter and was able to unscrew the stinger from the end.horn16 I worked on the shape of the button and the flow into the button with sandpaper and sanding sticks. The shiny areas in the photo below next to the button are the patches of superglue. Much polishing still remains to be done at this point but the surface is smooth to the touch.horn17

horn18 I cleaned up the stinger with 0000 steel wool to remove the tars and tarnish. I cleaned out the inside of the stinger with pipe cleaners, cotton swabs and alcohol.horn19

horn20 I reamed the bowl with the PipNet reamer and took the cake back to bare wood. I wanted to check out the inside of the bowl for damage or cracks. Fortunately it was very clean.horn21

horn22 I scrubbed the rim with alcohol and cotton pads to remove the tars. It was very hard so I also used a 1500 grit micromesh sanding pad. I was able to get most of the build up off the rim. There was some darkening that I would need to sand with a more aggressive grit of sandpaper. I scrubbed the exterior of the bowl down with acetone on cotton pads as well to remove the grime and old finish.horn23With the basic work done on the exterior I cleaned out the shank and the airway in the stem. I also scrubbed out the inside of the bowl with alcohol, cotton swabs and pipe cleaners.horn24

horn25 I put the pipe back together to get a look at how things were coming along. I wanted to see what the repaired stem looked like. In the photos below you can see the new look of the stem from all angles. I am pleased with the overall repair of the stem.horn26

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horn29 I took the stem off the pipe and worked on it with the micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil between each pad as I have found when working with horn that the oil gives it a better bite into the material and helps raise the shine.horn30

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horn34 I lightly buffed the stem with Blue Diamond and then gave it several coats of carnauba wax. I buffed it with a soft flannel buff and then hand buffed it with a microfibre cloth.

With the stem done I turned to the finish on the bowl. I used a dental pick to remove the putty fills from the bottom of the bowl and shank. I wiped the bottom of the bowl down with alcohol and then packed briar dust into the holes where I had removed the putty. Once the dust was packed in I put a drop of clear super glue on top of the dust and then packed it down with the pick. I added more briar dust to top up the fill.horn35

horn36 When the patches had dried I sanded them with 220 grit sandpaper to remove the excess material and blend the surface of the patch into the bowl surface.horn37 I heated the briar and then stained it with a medium brown aniline stain. I flamed the stain to set it in the briar. I buffed the bowl with Blue Diamond on the wheel and then gave it several coats of carnauba wax to give it a shine. I hand buffed it with a microfibre cloth.horn38

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horn41 I pushed the stem back in place and gave the entire pipe a final coat of wax and then buffed it with a clean flannel buff. I finished by buffing it by hand with the cloth. The finished pipe is shown in the photos below. It is a beautiful pipe and the horn just shines. I am looking forward to enjoying it in the days ahead. What would you call this shape? Any ideas?horn42

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horn48 Thanks for looking.

Cleaning up Two Sisters – A pair of Beaver Cut Genuine Briar Pipes


Blog by Steve Laug

I received this pair of pipes from Charles Lemon of Dad’s Pipes Blog. He picked them up as part of an estate from London, Ontario, Canada. They are both stamped on the bottom of the shank on a smooth surface with the words Beaver Cut in script over a block script Genuine Briar. He did some hunting on the web and could find nothing that gave any sense of history of the brand. When I got them I did the same and found absolutely nothing. The Genuine Briar stamping tells me it is post WW2 and is made in the USA. I found another Beaver Cut for sale on Worthpoint but it also did not have any information. From what I can find that is the extent of the information available.

The top pipe in the photo is Prince. The rustication was dirty and a lot of dirt and debris had collected in the grooves. It had a rustication pattern that I had not seen before. It is like rows and rows of birdseye cuts in the surface of the briar. There is a smooth patch on both sides and on the bottom of the shank. The bowl had a thick cake and the shank had a lot of debris and oils in it. The rim had an overflow of lava and oils on the top of the bevel. The inner and outer edge of the rim was in great shape and the bowl was still in round. The brass band on the shank appeared to be factory as it was on both pipes and was identical. It was scarred and had tarnished. When it was installed the installer had made a mess of the shank. He had cut the shank back farther than the length of the band so that when it was installed it left a groove between the edge of the band and the rustication on the shank. It looked almost as if the band was an afterthought. I am pretty certain that it was sent out from the factory with that look. The stamping had been cut in two by the chopping of the briar to fit the band. The stem did not fit the shank due to the buildup internally. The stem was also missing a large chunk on the right side near the button and someone had cut a groove in the top of the stem to begin cutting a new button but had not finished the work.

The lower pipe is a Billiard with the exact same grain pattern. It was in a bit better shape than the Prince. The grooves in the unique rustication were actually clean. There was a varnish coat on the smooth parts of the bowl even though there were several sandpits in each smooth spot. The bowl had a thick cake and the rim had an overflow of tars and lava which obscured the bevel. The fit of the band to the shank on this one was better though looking at it from the end of the mortise it was clear that the shank was out of round. The brass was also scratched and marred on this pipe. The stamping on this one was clean and deep. The stem diameter extended further on the right side than on the left though the stem was of equal diameter all the way around. There were some light tooth marks on the top and the bottom of the stem near the button and there was tooth chatter. The stem was oxidized but was faintly stamped with a B in a circle.Beaver1

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Beaver4 I took a close up photo of the rim on each of the pipes. The first photo below shows the rim on the Prince and the second shows the rim on the Billiard. The buildup and the uneven cake are visible in both pipes. It is hard to see the bevel on the rim in the Prince but it matches the one on the rim of the Billiard.Beaver5

Beaver6 I also took some close up photos of the stems on both pipes to show the state of the stem. The first two photos show the stem on the Prince. You can see the damage of the broken area on the side of the button and the cut off button. You can also see the groove or divot that had been cut in the stem to make the pipe useable. The third and fourth photos show the stem on the Billiard and you can see the tooth marks and chatter on the stem surface. It is also clear that it does not fit well against the side of the band.Beaver7

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Beaver10 I decided to restem the Prince so I found a stem in my can of stems that was the same diameter as the shank and slightly longer than the broken stem to account for the missing button. I turned the tenon with a sanding drum on a Dremel to get a close fit and then hand sanded until it push snuggly into the mortise.Beaver11 To deal with the badly fit shank band I cleaned the area with a dental pick and then pressed briar dust into the groove just ahead of the band. I dripped clear super glue into the briar dust and then as it settled add more glue and more briar dust. I wanted the transition between the shank and the band to be smooth. I sanded the repair with a folded piece of 220 grit sandpaper and then with a medium and a fine grit sanding sponge to smooth out the scratches in the surface.Beaver12 I reamed both bowls back to bare wood with a PipNet reamer. I sanded the beveled rim on the Prince to clean off the oils and lava and to show the bevel. More work would need to be done on both rims.Beaver13

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Beaver15 I worked on the bevel of the rims with 220 grit sandpaper to remove the buildup and also to smooth out the bevel. It took quite a bit of sanding on both rims to get the angle consistent all the way around the bowl and also to remove the burn damage on the inner edge of both. I sanded both with a medium and fine grit sanding sponge to finish the cleanup.Beaver16 I stained the newly cleaned surfaces of the rim with a light brown stain pen to approximate the colour on the smooth portions on the bowl sides and bottom of the shank.Beaver17 I sanded them both with 400 grit wet dry sandpaper to smooth out the remaining scratches that showed up with the stain. It also lightened the stain enough that the match was perfect.Beaver18

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Beaver21 With the rims finished it was time to scrub the rustication. I used Murphy’s Oil Soap and a tooth brush to scour the rustication pattern on both bowls. I scrubbed them and then rinsed them under warm running water.Beaver22

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Beaver24 To address the difference in diameter of the stem and the band on the shank on the Billiard I used a Dremel and sanding drum to take down the top, bottom and right side of the saddle stem. I repeatedly checked the fit until I had it very close then I finished adjusting the fit by hand with 220 grit sandpaper. I sanded the stem on the Prince with 220 grit sandpaper to remove the oxidation and the calcification on the end of the stem.Beaver25

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Beaver27 With the fit finished on the stems it was time to clean out the internals of the stems and shanks. I used alcohol, cotton swabs and pipe cleaners to scrub the insides until they were clean.Beaver28

Beaver29 I wet sanded the stem and the brass with a 1500 grit micromesh sanding pad for the first round of sanding on both. It worked to remove many of the scratches and marks in the brass and the vulcanite.Beaver30 I worked on the stem with the micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I rubbed the stem down with Obsidian Oil between each set of three pads. When I finished sanding with the 12000 grit pad I let the oil dry on the stem.Beaver31

Beaver32 In the final sanding I sanded the brass and it carried over onto the top portion of each stem giving it a bit of a brown look in the next photo. This all came off when I buffed the stem with red Tripoli and White Diamond.Beaver33 I heated the stem on the Prince and gave it a slight bend to give it a more finished looked. I buffed the stems and rims with White Diamond and Blue Diamond and then gave them multiple coats of carnauba wax. I also waxed the smooth portions on the bowl sides, shank bottoms and the rims. I buffed these with Blue Diamond as well. I wiped the rustication down with a light coat of olive oil to bring some life back to the briar. The finished sisters are shown below.Beaver34

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Beaver41 Thanks for looking. Does anyone have any information about this brand? It would be great to be able to get a little information. Please post anything you know in the comments below. Thanks.

A Mysterious Little Bent Billiard Brought to Life


Blog by Steve Laug
This is another pipe I picked up at the antique mall in Idaho Falls. It is a bit of a mystery pipe in that the stamping is faint on the left side of the shank. On the right side it is stamped Made in England. On the right side it is missing some of the first letters but is stamped _ ANTE_ over London. Searching through Who Made That Pipe the best option I found for that combination of letters was a CANTERBURY. The brand was made by Comoy’s. There is a very faint C in a Circle on the stem that also matches the CANTERBURY stamping so I think that may well be the stamping on this mystery pipe. The pipe was in pretty rough shape. The previous owner was in the antique mall when I bought it and he walked me through its deficiencies as he saw them. He had wrapped a piece of Teflon tape around the tenon to hold it in the shank. The stem itself had deep bite marks on the top and a large bit through on the underside near the button. The bowl had some fills on the left side and the underside that were quite large. The finish was shot and was dirty with lots of dents and dings. The rim was smooth but had tars and lava overflow. The bowl was heavily caked and the cake was as hard as rock. The inner edge of the rim was slightly damaged and out of round. The outer edge was clean with a small fill on the front of the bowl near the rim.Cant1

Cant2

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Cant4 I took the next photos to give a clear picture of the bite through on the underside of the stem and a close up of the thick cake in the bowl.Cant5

Cant6 I tried to ream the bowl with a PipNet reamer and barely made a dent in it. It was very hard. I decided to let it soak in an alcohol bath to soften the cake. I left it in the bath overnight.Cant7

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Cant9 When I took it out of the bath the finish was clean. The briar looked pretty good. The grain was quite nice. The fills softened and were white putty that would need to be removed and refilled.Cant10

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Cant13 The softened cake came out easily with the PipNet reamer and then I scraped it further with a pen knife. The next photo shows the cleaned out bowl. I wiped down the rim with a soft cloth to remove the tars.Cant14 I lightly topped the bowl with a medium and fine grit sanding block to clean up the rim surface. The cleaned up rim looked very good.Cant15

Cant16 I cleaned out the bowl and shank with alcohol, cotton swabs and pipe cleaners.Cant17 I picked out the putty fills with a dental pick. I filled in the holes with briar dust and then covered that with super glue. I added more briar dust to smooth out the repairs.Cant18

Cant19 I sanded the bowl repairs with 220 grit sandpaper and then with a medium and a fine grit sanding sponge. I forgot to take photos after sanding the bowl.

I set the bowl aside and worked on the stem. I cleaned out the bite marks on the top of the stem and the underside with a dental pick, alcohol and cotton swabs. Once they were clean I put some charcoal powder and black superglue on the bite marks on the top of the stem and leveled the repair with the edge of the dental pick. I set it aside to dry.Cant20 Once the topside repair was cured I put Vaseline on the point of an old nail file that I use to repair bite throughs. I inserted it in the slot on the button. I mixed some black super glue and charcoal powder and filled the hole in the stem with the mixture. I spread it and leveled it with a dental pick. When the repair was finished I set the stem aside to cure once again.Cant21

Cant22 The next morning I sanded the repairs on the top and bottom of the stem with 220 grit sandpaper and with a series of sanding sticks to smooth out the surface. The sanding sticks allowed me to get a good angle on the sharp edge of the button. I started with the coarse stick and worked my way up to the fine stick.Cant23

Cant24 I cleaned out the inside of the stem to remove the Vaseline and the dust from sanding using alcohol, pipe cleaners and cotton swabs. I heated the tenon with a lighter and inserted an ice pick in the airway in the tenon to expand the tenon enough to get a good solid fit in the shank.Cant25 With the stem repair complete and the pipe clean inside and out I decided to do some contrast stain work on the bowl. I stained it with a black aniline dye for the first coat. I wanted to blend in the fills a bit and also highlight the grain. I was aiming for a darker colour in the finished product so this was the first step.Cant26 I applied the stain and then flamed it. I wiped it off with alcohol on cotton pads to lighten the surface coat while leaving the black in the grain and the fills.Cant27

Cant28 I sanded the bowl with micromesh sanding pads to remove more of the finish and then gave it a top coat of a medium brown stain. I applied it and flamed it before hand buffing it.Cant29

Cant30 The colour of the pipe was still too dark to really make the grain pop so I sanded it with a medium and a fine grit sanding sponge to further remove some of the dark colour and to also minimize the scratches in the briar. I wiped it down with acetone to lighten it further.Cant31

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Cant34 With the finish on the bowl complete I sanded the stem with micromesh sanding pads. I wet sanded with 1500-2400 grit pads and dry sanded with 3200-12000 grit pads. Between each set of three pads I rubbed the stem down with Obsidian oil. On the last rub down I let it sit until it was absorbed.Cant35

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Cant37 I buffed the pipe with Red Tripoli and White Diamond to further lighten the top coat of stain and to polish the stem. I then buffed the pipe with Blue Diamond and gave it multiple coats of carnauba wax. The finished pipe is shown below.Cant38

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Revival of a Globetrotter: LHS Sterncrest 14K


Blog by Dave Gossett
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Dave2 A great pipe is reborn, the ad should read. This old LHS has been an extensive traveler throughout its long life. Plucked from the Mediterranean soil and carved in Brooklyn New York, traveling to the west coast, back to the east coast once more. From there it made its way to British Columbia, then again back to the east coast of America where it currently resides.

I received this pipe in an estate lot from California with the tenon and stinger broken off in the mortise. Someone had crudely tried to remove the broken tenon without success. I thought the pipe was a lost cause, but with little hope for a remedy I put out the bat signal for help. Steve Laug himself from Reborn Pipes answered the call. Off to British Columbia it went to undergo surgery from the master repairman.Dave3

Dave4 Here is the link to Steve’s great repair/rescue and stem replacement on this pipe.

Removing a Broken Metal Tenon from a LHS Sterncrest 14K

Back from surgery, Steve had sent me a fully functioning usable pipe.Dave5

Dave6 I started in on the usual ream and clean. Next I lightly topped the bowl and began working out the dents and scratches.Dave7

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Dave10 Once I had a smooth clean stummel, I mixed up some Fiebings and tried to match the original finish.Dave11

Dave12 Sanding with 2500 grit I lightened the stain until I was close to the shade I wanted. I used a rag dampened with alcohol around the stampings to lighten those areas and blend in with the rest of the stummel.Dave13

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Reviving a Reinhard’s Natural Billiard


Guest Blog by Robert M. Boughton
Member, International Society of Codgers
Member, North American Society of Pipe Collectors
http://www.naspc.org
http://www.roadrunnerpipes.com
http://about.me/boughtonrobert
Photos © the Author

Reinhard: Old Germanic male name meaning brave, hardy; fox
― From “Behind the Name”

INTRODUCTION
After searching in every nook and crevice of the Internet I could conceive, in search of a single clue, even, as to the origin of this Reinhard’s natural billiard, I had to concede defeat and turn to my friend and mentor, Chuck, for any suggestions he might have. I was certain this sleek gentleman’s pipe, with its classic form and fine engineering that from the general look and color hinted at a vintage make, must be an established brand, however limited its period of manufacture. The crispness of the nomenclature in particular threw me. Although the possibility that the Reinhard’s could be the creation of an independent pipe shop somewhere had crossed wires somewhere in my mind, I wanted to believe the elegant piece of briar was descended from a higher pedigree. When Chuck came back with a scenario that was not only viable but likely, therefore – that the derivation of my pipe indeed was probably a small shop somewhere, but with the added conjecture that it was likely of mid-western U.S. descent, from a place with a high concentration of German or other Teutonic immigrants – my spirits were somehow bolstered. Maybe the Reinhard’s was something more than the variety of pipe commonly relegated to the classification of “no-name” after all.

The natural, dark brown color of the pipe, reminiscent of staining popular during the 1950s and ’60s and into the ’70s, had grown more pronounced with age and regular use. As with all such pipes I come across, I wanted to bring out more of the natural grain I was sure was hidden beneath a thin layer or two of decades of accreted grime on top of the original finish. The bowl is slightly canted, suggesting a Canadian except for the longer bit. And so I settled on a sweet, alternative billiard. Please correct me if I’m wrong. I still have trouble with the whole Canadian-Lovat-Lumberman-Liverpool mess.

RESTORATIONRein1

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Rein4 First, there was the typical carbon buildup in the chamber and the rim cleaning to confront.Rein5 A 17mm fixed reamer started the process of dispending with the cake, and followed up with sanding, using 150-grit paper to even out the chamber interior after which I smoothed it with 320-grit paper, the result was chamois-smooth. The basic cleaning with Everclear-soaked bristly cleaners and a thorough retort was easier than I feared, but still necessary, of course. I’m always happy when a pipe only needs two or three infusions of strong boiled alcohol through its innards to leach out the buildup of tobacco juices and other elements of regular enjoyment; it shows that the previous owner cared for the pipe.

After a bath with distilled water on small pieces of cotton cloth, wet micromesh paper from 1200-3600 did a nice job on the rim. The soft, brown, more natural exterior of the bowl and shank came out with delicate use of superfine steel wool.Rein6

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Rein8 Almost done, I used the same wet micromesh progression that cleaned up the rim to smooth the exterior of the pipe.Rein9

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Rein11 The bit was in exceptional shape, but I still rinsed it in a OxyClean solution and micro-meshed from 1500-3600. Finally, I buffed the bit with red and White Tripoli, with the clean wheel in between, and used white Tripoli, White Diamond and carnauba on the wood.Rein12

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Rein14 CONCLUSION
I achieved the effect I wanted, without over-removing the darker stain, to maintain the integrity of the maker’s – whoever he might have been, God bless him – plan.

Being somewhat of a known easy touch when it comes to gifting pipes to deserving individuals, I found myself at my tobacconist with a small box of finished pipes, including the Reinhard’s, and some that still needed work. Candice, the lovely young worker on duty, had told me she had her eyes on a golden-orange The Pipe for sale. As it was to be her first foray into the world of pipe enjoyment, in my judgment, that just would not do.

Candice, cropped from a photo with her in the background

Candice, cropped from a photo with her in the background

Perhaps a bit impetuously, I laid out my wares, separated so that Candice could choose from the restored samples. The good lady did protest, of course, citing the old it’s-too-generous excuse and even offering to pay something, but I would have none of it. They weren’t moving on my business website, after all, and Candice (who was named for Candice Bergen by her thoughtful parents) looked them all over and concluded she could not make up her mind, and she would be happier if I chose one. Isn’t that just like a woman? I love it!

And so, with a slight pang, my hand went on its own volition to the Reinhard’s, which I handed to Candice. Something in her reaction told me it was the one she would have chosen, had push come to shove, so to speak.

In my humble opinion, the Reinhard’s fits her always helpful, friendly, sparkling personality to perfection.