Tag Archives: polishing meerschaum with micromesh sanding pads

Restoring an older BRC Meerschaum Bulldog

Blog by Steve Laug

Jeff and I picked up old cased Bulldog on a pipe hunt on the Oregon Coast. We asked at the counter if the clerk knew if they had any pipes in the store. She opened the counter display and took out this pipe case. The case looked old enough to get my heart going. Generally they have something interesting in them – though I have had the disappointment of opening an empty case. When she handed it to me I felt the weight and knew that there was a pipe inside. I took a deep breath and opened the case and let out a sigh of relief. The pipe looked good and it looked old. Jeff came to the counter then and I showed it to him. A deal was struck and the pipe left the store with us. I left it with Jeff so he would work his cleanup magic on it. Jeff took a photo of the case and with it opened to reveal the pipe and in doing so I was able to relive this find. I still remember the two older women who ran the store and the conversation that the pipe initiated. It was a good day! Jeff opened the case and took a photo to show the embossed label in the cover of the pipe case. It was an oval that with a circle holding BRC split into three quadrants in the centre. On either side it was flanked by Genuine Meerschaum. The case was lined with plush red material and the exterior was covered in a worn brown leather.He took a photo the pipe as he removed it from the case and after he laid it on the table before he did the clean up. The pipe is actually very dirty. There is a thick cake in the and an overflow of lava on the rim top. There appear to be scratches in the rim top surface as well. The bowl is dirty and heavily scratched. The twin rings around the bowl are damaged and filed in with grit and grime. The shank and the lower part of the bowl was starting to get a nice patina. The silver band was very dirty and oxidized. There is no stamping on the shank or the band. The stem is not amber nor is it newer acrylic. I believe it is Amberoid – a man made amber material that was a material consisting of small pieces of amber or sometimes other resins united by heat and pressure. It appears to be the original stem as the fit to the shank is perfect and it is threaded for the bone tenon. There are light tooth marks and chatter on the surface of the stem ahead of the button. Otherwise it is a clean looking stem.Jeff took close-up photos of the bowl and rim top from various angles to capture the condition of the bowl and rim top edges. There was a very thick cake in the bowl and you can see the overflow of lava and scratches in the rim top and edges. You can also see the nicks and damage to the cap of the bowl.Jeff took photos of the sides and heel of the bowl to show condition of the meer. You can see the damage to the rings on the right side and the many scratches around the sides and heel of the bowl.Jeff took photos of the shank stem junction with the tarnished silver band. The shape of the stem is perfect for the shank and band. If it is a replacement stem it is very well done. The next photos of the stem to show the general condition of the amberoid stem shape. The flow of the stem is perfect for the diamond shank Bulldog. He took photos of the top and underside of the stem to show the light tooth chatter on both sides near the button.  He also shows the orific button on the end of the stem. I looked for the BRC brand on Pipedia and on Pipephil with no luck. I have no idea if the pipe is English, French, Austrian or otherwise. There was nothing to help me identify the maker. Ah well it is a well made mystery. If any of you can help out with information on the make I will greatly appreciate your help. Thank you.

Having seen the before pictures on this pipe I did not know what to expect when I unpacked the most recent box Jeff sent to me. The pipe was present in the box with other cased pipes so as I took each one out and opened it I waited to see if it was this one. When I finally opened a case and this pipe was there I did not know what to expect. I put the worn and tired case on my desk and opened it to see what was there. I opened the case and took a photo of the pipe inside.I was astonished to see how clean the pipe was. The pipe appeared to be very clean. The scratches in the meerschaum looked to have lessened a bit but I was not sure. Now it was time to take it out of the case and have a look at it up close and personal. Jeff had done another incredible job in cleaning up this meerschaum. He had carefully reamed the bowl with a Savinelli Fitsall Pipe Knife, scraping away the thick cake on the walls of the bowl. He also scraped off the lava on the rim top. Though there were still scratches it was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime on the bowl and rim and was able to remove much of the grime and dirt. He cleaned out the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol until they came out clean. The rim top looked much better when you compare it with where it started. There is some still some darkening and scratching but the bowl was clean. He cleaned the stem with Soft Scrub to remove the grime on the exterior and cleaned out the airway with alcohol, cotton swabs and pipe cleaners. I took some photos of the pipe as I saw it. To show how clean the rim top and stem really was I took a close-up photo of the rim and stem. The bowl was clean and cake free. The rim top is quite clean and the inner edge of the bowl has all of the lava removed. There is still some scratching in the meerschaum on the rim top that I would like to remove but it is very clean. The rich golden amber coloured stem looks very good. The surface and the button edge look really good. There are no issues that are there to address. The tarnished silver band had a rich shine to it now as well.I removed the stem from the bowl and took photos of the parts. When I unscrewed it the stem came off the tenon. In this case it was made that way. It was older style bone tenon and it had been anchored in the shank of the pipe. The stem was threaded and screwed on and off the stationary tenon.I decided to address the darkening and scratching on the rim top and edges first. I also worked over the bowl and shank to polish out the scratching as much as I could. I polished it with  the micromesh sanding pads – wet sanding with 1500-12000 grit pads to remove the darkening and the scratches on the rim top and bowl. I wiped it down with a damp cloth to remove the sanding dust. When I finished the bowl and rim top looked significantly better. I have had a jar of Clapham’s Beeswax Polish here for quite a while. I have used it quite often on meerschaum pipes in the past and it works great. I just had forgotten about it until today. I applied several coats to the meerschaum and buffed it out by hand. The bowl was finished so I set it aside and turned my attention to the stem. Since it was quite clean I decided to polish it with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the stem down after each sanding pad with a cloth containing some Obsidian Oil. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. Even though the stem is amberoid I decided to give it a coat of Briarville’s No Oxy Oil to preserve and protect it. I put the bowl and stem back together again and buffed it with a microfiber cloth to raise the shine on the meerschaum and the acrylic stem. The hand buffing adds depth to the shine. I had already given the bowl multiple coats of Clapham’s Beeswax Polish so I buffed the stem with some Carnauba on the buffing wheel. The Beeswax Polish is a soft wax that I can apply with a soft cotton pad and buff with a microfiber cloth. The colours of the pipe came alive and looked great to me. It has a great feel in the hand and the interesting patina should continue to develop as the pipe is smoked. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 5/8 of an inch. This Meerschaum Bulldog has some age on it and it is a beauty whose scratches and dings tell a story of its journey. To me they make it interesting. It should make someone a great pipe. It is one that will be on the rebornpipes store very soon. If you are interested let me know. Thanks for reading this blog and my reflections on the pipe while I worked on it.

Restoring a Meerschaum Bent Billiard from Bob Kerr’s Estate

 Blog by Steve Laug

The next pipe I have chosen to work on from Bob Kerr’s estate is one of his unique meerschaum pipes. The family notes identified this as Peterson Meerschaum and the crater finish on the meer certainly is very similar to some of the Peterson’s Meers that I have worked on. However, there is no stamping or marking on the meerschaum and no nickel ferrule on the shank end. The shank is lined with a vulcanite or acrylic tube that strengthens the shank and that is not something I have seen on Petersons. The vulcanite stem is a fishtail rather than a Peterson’s  P-lip stem. There is an identifying stamp on the left side of the saddle. It is a logo stamp that looks like a walking pipe with a wisp of smoke curling out of the top of the bowl. The top of the bowl has a flumed black rim top that extends down the side of the bowl for about a ¼ inch. It is part of the estate that I am cleaning up for the family and moving them out into the hands of pipemen and women who will carry on the trust that began with their father, Bob. In the collection there were 19 Peterson’s pipes along with a bevy of Dunhills, some Comoy’s and Barlings as well as a lot of other pipes – a total of 125 pipes along with a box of parts. This is the largest estate that I have had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.

I really am enjoying working on the Peterson’s in the estate. This meerschaum was interesting to me in that it is a bit of a mystery and has some patina and wear that tell a story. Even if it is not a Peterson, it is a nice meerschaum bent billiard. When I took it out of the box of cleaned up pipes that Jeff sent back I could see that it had of the typical crater finishes that some Peterson’s Meers had in the past.. It has some patina developing around the bowl and shank under the thick grime, chips and tarry spots. The shank is quite thick and the finish is dirty. There was a thick cake in the bowl with remnants of tobacco stuck on the walls. There was a lava overflow on the rim. The top and edges of the rim are dirty. The stem was oxidized and calcified toward the button end. Surprisingly it did not have the deep tooth marks that I have come to expect from Bob’s pipes and even the button edges were in decent condition. Jeff took photos of the pipe before he started his cleanup work on it.     Jeff took photos of the bowl and rim top to show the thick, hard cake in the bowl and the lava build up on the top of the rim and the edges of the bowl. There were some nicks on the outer edge of the bowl but it was hard to tell if there was any damage to the inner edge of the rim as it had a thick cake lining it. Hopefully it protected it.Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the scratches and pitting in the meerschaum finish in the craters and on the smooth surfaces of the bowl underneath the dirt and debris of the years. Jeff took photos of the shank showing the chips on the top edge and the stamping on the left side of the stem. The chips are around vulcanite or acrylic insert in the shank. The stamping on the stem was readable as you can see from the photos. Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button. I am pretty sure the pipe was made by the Laxey Pipe Ltd. on the Isle of Man for either another export company or for Peterson’s in Ireland (https://pipedia.org/wiki/Laxey_Pipes_Ltd). I quote from the Pipedia article in full:

Laxey Pipe Ltd. resided in a historical 19th century four-storey Man stone building at The Quay, Old Laxey, Isle of Man, which thankfully has been preserved. The company specialised in the production of Meerschaum Pipes using the Meerschaum mined by the Tanganyika Meerschaum Corporation in the Amboseli basin in Tanganyika (since 1964 part of the United Republic of Tanzania). Please note: you may often find names like “Manx Pipes Ltd.”, “Man Pipe Co.” and others more, but there is no indication of another Isle of Man pipe producer other than Laxey Pipe Ltd. at any time!

Laxey Pipe Ltd. marketed own brands like “Manxpipe”, “Manxman”, “Manxland” e.c. Names like “John Bull”, “White Knight” (unwaxed), “Domino” (black, or lined) indicated some shapes / colours of Laxey’s own series. The stems either showed the astronomical sign for “male” or “man” (circle + arrow), or the crest of the Isle of Man, the 3-legged X in a circle. Manxpipes and Laxey’s other brands were available through pipe retailers in general, but also were sold (mainly) to tourists through their own shop in Laxey.

Furthermore Laxey Pipe Ltd. manufactured the meer bowls for Peterson, Barling, Nørding and others from the later 1960’s until 2001. Man Pipe e.g. was a brand distributed by Comoy’s. The bowls usually showed no nomenclature indicating the orderer. “Genuine Block Meerschaum” was engraved frequently. Often, just the stems were different, while bowls were the same.

Supply of meer from East Africa run out (Kenya / Tanzania exhausted, Somalia inaccessible), and thus the last Laxey meers were supplied to trade in May, 2001. Laxey Pipe Ltd. tried to survive continuing with briar pipes – mainly in the Danish style -, but to no success. It closed down business in July, 2002.

I looked for the stem logo on Pipephil and online and was not able to find any verification for who made the pipe. I suppose that I will never know for sure but it appears that the pipe was made on the Isle of Man for export for another European pipe company. I am guessing that like Bob’s other pipes, this one came from the time period of the late 60s or early 70s. That was as much as I could figure out.

With over 125 pipes to clean from Bob’s estate I am very glad for Jeff’s help cleaning them. He cleaned this filthy pipe with his usual penchant for thoroughness that I really appreciate. This one was a real mess and I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with great looking grain around the bowl and shank. Jeff soaked the stem in Before & After Deoxidizer to remove the oxidation on the rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour I was amazed it looked so good. I took photos before I started my part of the work.     I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. I also wanted to show that the damage to the rim top was more extensive than I had originally thought. The rim top was worn and the flumed finish was rubbed off There were some small nicks and scratches around the top and outer edge. I also took close up photos of the stem to show the lack of tooth marks and the light oxidation on the stem surface. You can also see the wear to the button. I took some photos of the shank end to highlight some of the issues with this pipe and to show the stamping on the left side of the saddle stem. Where the vulcanite or acrylic insert was in the shank there were some chipped areas. There was one on the top right and two on the top left side. These chipped areas would need to be repaired. I circled the areas of concern with red on the first photo. The second photo shows the logo of the pipe with smoke curling out of the top on the left side of the stem.Since this is another pipe Bob’s estate I am sure that some of you have read at least some of the other restoration work that has been done on the previous pipes. You have also read what I have included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them (see photo to the left). Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words including one of Bob’s carvings. Once again I thank you Brian and tell your wife thank you as well.

I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!

Now, on to the rest of the restoration of this Crater Finished Bent Billiard. It was great that I did not need to clean the pipe. I decided to start the process by addressing the damage area surrounding the insert in the shank. I filled in the areas around the shank insert with clear super glue until they were even with the top of the rounded shank end. I spread the glue around the edges of the shank insert. I let them cure and then refilled them until the surface was even. The photos show the process and the shank end after I had filled in to an acceptable point where the condition of the shank end was good.    I sanded the repair with 220 and 400 grit sandpaper until the end of the shank was smooth and the repairs were blended into the shank surface. I used the sandpaper to clean up the scratching and nicks in the rim top surface. I cleaned the meerschaum bowl with Mark Hoover’s Before & After Briar Cleaner to remove the debris left behind by the sanding of the rim top and to blend the repairs into the briar. I rubbed it into the surface of the briar and let it sit for 10 minutes. I rinsed the bowl off with warm running water to remove the product and the grime. The mottled finish really stood out. Once the bowl dried the finish looked really good. I polished the meerschaum rim top and shank end as well as the smooth high spots on the bowl sides with micromesh sanding pads. I wet sanded it with 1500-12000 grit pads and wiped it down with a damp cloth after each pad. I touched up the rim top and edges with a Black Stain pen to match the colour of the top and the flume down the sides of the bowl. Once it was polished with the Before & After Balm and buffed with a microfiber cloth the stain would blend perfectly. I rubbed the meerschaum down with Before & After Restoration Balm. I worked it into the surface of the meerschaum with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on. I decided to touch up the logo stamp on the left side of the shank. I use PaperMate liquid paper for doing this. I worked it into the stamp with a tooth pick. Once the material had hardened I used the tooth pick to scrape off the excess material.     I sanded the stem with 220 grit sandpaper to break up the remaining oxidation and smooth out the file marks. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.   I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry.   As usual at this point in the restoration process I am excited to be on the homestretch. I look forward to the final look when it is put back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the meerschaum and the vulcanite. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The meerschaum has a rich glow with the wax and polish. The shiny black vulcanite stem is a beautiful contrast to the rich developing patina of the bowl. This Peterson’s style meerschaum is probably made by the Manx Pipe factory on the Isle of Mann. The crater style finish on this pipe made it another fun pipe to work. The repair on the inserted liner in the shank gives the shank a smooth finish. It really is a quite stunning pipe whose shape and finish make it stand out. The thick/chubby shank makes it a very comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. This beautiful pipe will be going on the rebornpipes store if you would like to add it to your collection and carry on Bob’s legacy. If not, I have a lot more of Bob’s estate to work on of various brands. Perhaps one of those will catch your attention. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.

Cleaning up an Echt Bernstein Dublin Shaped Meerschaum

Blog by Steve Laug

Something about the shape of this old meerschaum canted Dublin or Zulu that caught my brother’s eye so he picked it up and added it to the lot he was cleaning up to send my way. The worn red leather case had gold letters embossed on the edge just above and below the latch. At first I thought Echt Bernstein was the brand name but after a bit my high school German kicked in and I realised that it was not. The name was German and it read on the top edge of the case Echt Bernstein which means Genuine Amber and on the lower edge read Echt Naturmeerschaum which translates as Genuine Natural (Block) Meerschaum. The pipe is quite probably of Austrian origin and could have been made by Strambach. That is not provable because the pipe is not marked at all. But the German stamping on the fitted case lends itself to that idea.I looked up Strambach on Pipedia to see if there were any hints about the pipe I had in hand (https://pipedia.org/wiki/Strambach). I quote from that article some of the pertinent information.

In 1904 Edmund Jolitschke founded a company that, at the begining, produced cigar and cigarette mouthpieces and later meerschaum pipes. In 1922, Robert Strambach became the leader of the company and he expanded the business. He produced meerschaum pipes and Calabash pipes, and he developed a system to produce the meerschaum mass (this is a convolute of small sepiolite pieces, grinded down, and pressed together with a bonding agent). In 1974, Edith Corrieri succeeded to her father. She is a master-turner, and today, she is the only producing high quality calabashes and meerschaum pipes in Europe…

…(ed. quoting Edith Corrieri, current owner) My company was started in 1904 by my uncle Edmund, and in 1922 my father Robert took over the firm. In the following fifty years my father expanded the firm with many ideas e.g. he developed a special technique to transform raw meerschaum into workable material (so-called meerschaum masse), the secret formula to which he revealed to me shortly before his death. As I was the only child I had the chance in 1974 to become one of the first females in the field of pipe making. After three years of training I received a diploma as Master of Pipemaking. Today we are the only manufacturer of Meerschaum and Calabash Pipes in the European Union and are still making our pipes according the same age-old formula. In 1981 STRAMBACH PIPE CO. was awarded the Austrian “State Seal” for exceptional quality.”

Jeff took photos of the pipe as he opened it and removed it from the case. All of the previous and the following photos were taken before he cleaned up the pipe. Inside the lid of the case it read in English the same thing that had been stamped on the exterior of the case – Real Block Meerschaum in an arc over a six point star and Genuine Amber in an arc under the star.Jeff removed the pipe from the case and took some photos of it fresh from the case. The shape of the bowl was quite beautiful and there was colour beginning to happen on spots on the bowl and rim edge. The rim was exceptional dirty with a lava overflow from the cake that had formed in the bowl. The stem appeared to be a replacement – not genuine amber but an acrylic amber that obviously had been added later in the life of the pipe. The stem showed tooth marks and chatter on both the top and underside near the button. The slot in the button was not smooth but looked to be much like the slot cut in stem blanks that I purchase currently. The shape and the colour seem older but I cannot be certain of that. I know that it is not Bakelite as the colour goes all the way down into the bite marks and does not lighten as it goes deeper. Jeff took a close up photo of the rim top to show the build up and the darkening – not colouration of the meerschaum but burn and tars that was on the surface of the meer. The second photo below shows the shape of the bottom of the bowl. The meerschaum is quite clean and shows little scratching and damage. The smooth and gentle curves show a quality of carving that is not seen too much in more current production meers.The tenon on the pipe is a metal threaded tenon that screws directly into the mortise of the meerschaum and directly into the stem. The tenon has the same threads on both ends so it is reversible and interchangeable. It was incredibly dirty and caked with tars, oils and debris. The airway in the tenon was quite plugged with the tars.The stem itself had tooth chatter and marks on both the top and the underside near the button. In the photos it appears to be white but in reality as the stem is cleaned up the acrylic material is the same colour all the way through the bite marks. Jeff cleaned the pipe with his usual thoroughness – he reamed the bowl and cleaned out the internals with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior with Murphy’s Oil Soap. And worked over the rim top to remove the cake and lava on the surface of the meerschaum. He also removed the marks and grime that was on the exterior of the bowl and shank. When it arrived in Vancouver it was in clean shape and ready to be restored. I took some photos of the before I started to work on it to show its condition. While Jeff was able to remove the tars and lava buildup on the rim top there was still some debris and buildup on the surface. As I examined it I could see that it sat on top of the rim surface rather than down in the meerschaum itself. The surface of the meer was smooth and undamaged so cleaning off the layer on the rim top should come off easily.Jeff was also able to remove the debris around the bite marks in the top and underside of the stem surface. You can see from the photos that the stem material remains the same deep into the marks.I used a fine grit sanding sponge to gently top the bowl. It is a flat surface and I turned the bowl into the sanding sponge. I carefully kept the rim flat against the surface of the sanding block. I worked it on the sanding block until all of the remaining buildup was gone. I polished the bowl and rim with micromesh sanding pads – wet sanding with 1500-2400 grit pads. I wiped the meer down with a damp cotton pad. I dry sanded it with 3200-12000 grit pads and wiped it down with the damp cotton pad after each micromesh pad. The photos below tell the story. I lightly sanded the area around the tooth marks to provide a rough surface to provide a surface for the repair to bond to the stem material. I cleaned out the tooth marks with a dental pick and alcohol on a cotton swab to remove any debris on the surface. I repaired both sides of the stem with amber super glue and set the stem aside to dry in the block of ebony.When the glue had cured I filed the repairs close to the surface of the stem and sanded them with 220 grit sandpaper to blend them into the surface. The repair on the underside of the stem still showed some damage so I refilled it with amber superglue and smoothed out the repair. When it dried I sanded it with 220 grit sand paper. The third photo below shows the underside after the touch up repair was blended into the stem surface.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and wiping it down after each pad with Obsidian Oil. I dry sanded it with 3200-12000 grit pads and continued to wipe it down after each pad. When I had finished polishing it with the 12000 grit pad I gave it a final coat of oil and set it aside to dry. I put the stem back on the pipe and buffed the bowl and stem lightly with Blue Diamond polish on the buffing wheel. I gave the stem multiple coats of carnauba and the bowl several coats of Clapham’s Beeswax Polish. I buffed the pipe with a clean buffing pad to raise a shine and hand buffed it with a microfiber cloth to deepen the shine. The dimensions on this pipe are Length: 5 ½ inches, Height: 2 inches, Bowl diameter: 1 ½ inches, Chamber diameter: 3/4 inches. The photos below show the finished pipe. It looks far better in person than in these photos. If you are interested in adding the pipe to your collection contact me at slaug@uniserve.com or send me a message on Facebook. It will be going on the rebornpipes store shortly. Thanks for looking.