Tag Archives: Peterson Pipes

Reworking a Peterson’s Kildare X105


I picked up this old pipe primarily for the shape. It has the chunky look I like in a pipe. The bowl has some nice grain on it and that was attractive as well. The stamping was too faint to read in the shop but when I got home with a bright light and a loupe I was able to see the stamping more clearly – though it is very faint. The left side of the shank says Peterson’s over Kildare and the right side says Made in England and the shape number of X105 (at least that is what the stamping of the number looks like). The pipe was in decent shape and would clean up quite nicely. The finish was not too bad though the previous restorer had given it a coat of varnish or something that was quite heavy. There were finger prints still in the varnish coat. The bowl was reamed and clean and the shank quite clean. The rim had some buildup that had been varnished over which gave it a damaged appearance. The stem seems like a replacement but I cannot be sure as the fit is very well done. It was in great shape with minimal oxidation and slight pitting on the surface of the vulcanite. There were not any tooth marks or chatter.
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I decided to remove the varnish coat (it seems like I have had to do that a lot lately with the pipes I am reworking for the pipe club). I wiped down the bowl with acetone and cotton pads until I had removed the varnish and the stain. I scrubbed the rim with the acetone and pads as well to remove the buildup under the varnish. It came of quite easily and turned out to be undamaged. There was a slight darkening of the rim on the left side toward the front but no damage to the area.
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While I was working on it I remembered that I had picked up a Peterson sterling silver band that would probably fit this pipe very well. I dug it out of my box of bands and gave it a try on the shank. It fit perfectly on the shank. I like the look of the bling and the added perk of it being a Peterson stamped sterling silver band was bonus!
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I put wood glue on the shank to anchor the band (no repairs were necessary and the band was purely adornment) and pressed the band into place. I rotated it so that the Peterson engraving was on the top of the shank.
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I stained the bowl with MinWax Medium Walnut and Red Mahogany stain to get a reddish brown tint to the briar. I rubbed it on the pipe and then off again. I did the same with both colours. When it was dry I hand buffed it with a soft cotton cloth.
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The stem was lightly oxidized and slightly pitted so I decided to work it over with the micromesh sanding pads. I used the usual method I have developed as a habit over the years and wet sanded with 1500-2400 grit pads and dry sanded with 3200-12,000 grit pads. I buffed the stem with White Diamond and rubbed in some Obsidian Oil to preserve the vulcanite.
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When the stem was done I reinserted it into the shank and buffed the entire pipe with White Diamond. I avoided buffing the silver as I find that it darkens the wheels and also the wood and vulcanite on both sides of the band. So once I had finished buffing the pipe I gave it multiple coats of carnauba wax and then buffed it with a clean flannel buff. I took it back to the work table and polished the silver band with a jeweler’s cloth and then applied some wax on the band to slow down the oxidation of the silver. The finished pipe is pictured below. I also have included a picture of the finished rim to show the cleanup results. The pipe is cleaned and ready to be smoked. The addition of the silver band worked well in my opinion and I like the finished look of the old timer quite a bit.
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A Peterson Dating Guide; a Rule of Thumb – Mike Leverette


Blog by Mike Leverette

Many years ago now, Mike Leverette sent me a copy of this document. I have had it on the hard drive since sometime late in 2006. I am sure there are newer iterations of the material but I have found this little piece very helpful. I am looking forward with expectation to the book that is being worked on now by Mark Irwin and others. It will certainly be a definitive work on Peterson Pipes. Until then I use the Peterson forum and refer to this article by Mike.

A Peterson Dating Guide; a Rule of Thumb

This guide first appeared in pipelore.net on August 26, 2006 by: Mike Leverette

Introduction

The history of Ireland is an old and honorable one; steeped in warfare, family, racial and religious traditions. No other country can compete in comparison. However, the first couple of millennia of Irish history have no relevance to this dating guide. Should you wish to read more on the history of the Irish, I recommend “The Story of the Irish Race” by Seumas MacManus who gives a very vivid, and near as we can tell an accurate portrayal of their history.

History pertinent to our purposes began in the year 1865; the year Charles Peterson opened a small tobacco shop in Dublin. Later in 1875, Charles Peterson approached the Kapp brothers, Fredrich and Heinrich, with a new pipe design and with this, a very long-lived partnership was formed, Kapp & Peterson. This new pipe design is the now famous Peterson Patented System Smoking Pipe. By 1890, Kapp & Peterson was the most respected pipe and tobacco manufacturer in Ireland and rapidly gaining followers in England and America. In 1898 another of Peterson’s remarkable inventions became available, the Peterson-Lip (P-Lip) mouthpiece, also known as the Steck mouthpiece. So for the purpose of this dating guide, we will study Irish history, relevant to our pipe dating needs, from 1870s until now.
Before we start with this Peterson dating guide, an observation; the Kapp Brothers were making pipes as early as the 1850s and in many of the shapes we now associate with Peterson since the Kapp Brothers simply took their existing shapes and incorporated Charles Peterson’ s patented design into them. From their inception, Kapp & Peterson’s goal was to make a good smoking pipe that the ordinary, common working man could afford and we believe they have, very admirably, lived up to this.

Explanation of Title

The vagaries of Peterson’s processes do not allow for an accurate dating guide so this guide is a ‘rule-of-thumb’ guide only. For example; Peterson did not take up the old Country of Manufacture stamps as new ones were issued so depending on which one the various workers happen to pick up, the stamps can and do cross over the boundaries of the various Eras. Some of the pipes of the Sherlock Holmes Series of the 1980s have pre-Republic stamps, as well as other pipes produced in 2000. However, there will not be too many of these missed stamped pipes. For silver anomalies, see the section on silver marks.

Stamping of Bowls

During the years of Kapp and Peterson’s business operations, the country of Ireland has undergone several name changes and K&P’s stamping on their pipes reflects these changes. Knowing these changes, a Peterson pipe can be roughly dated and placed in “eras.”
• The Patent Era was between the years of K&P’s formation until the expiration of the patent; 1875 through approximately 1910. Though for our purposes we will list this era as 1875 through 1922. Peterson pipes made during the majority of this period had no “Country of Manufacture” (COM) stamped on them. However, later in this period, say around 1915/16, Peterson began stamping their pipes “Made in Ireland” in a block format.
• The Irish Free State was formed on 15 January 1922. So the Free State Era will be from 1922 through 1937. Peterson followed with a COM stamp of “Irish Free State” in either one or two lines, either parallel or perpendicular to the shanks axis and extremely close to the stem.
• Eire was formed on 29 December 1937. The Made in Eire Era will be from 1938 through roughly 1940? or 1941?. For dates with ?’s, see below. Peterson now stamped their pipes with “Made in Eire” in a circle format with “Made” and “Eire” in a circle with the “in” located in the center of the circle. This COM was used during the years of 1938 – 1940?/41?. Later they stamped their pipes with “Made in Ireland” in a circle format (1945?-1947?) and still later with “Made in Ireland” in a block format (1947?-1949). The “Made in Ireland” block format came in either one line or two lines.
• The Republic Era is from 1949 until the present. The Republic of Ireland was formed on 17 April 1949. From 1949 to present the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.
•English made Peterson pipes actually spans between the pre-Republic and Republic eras. In 1895, Peterson opened a shop in London England that lasted until the late 1950s or early 1960s. So the English Era, for a simplified date, will be from 1895 through 1959. The stamps Peterson used in London and that we have seen are:
Made in England – block format
Made in England – circle format
Made in London
Made in London England
Simply, London England
Great Britain

Though there are a couple of more, the above will give one the general idea. We believe the earliest stamp of this era was the “Made in England” in a block format since Peterson was using the “Made in Ireland” block format at about the same time on their Irish production pipes. The “Made in England” circle format was used during the same time frame as the “Made in Eire” and “Made in Ireland” circle formats.

As one can see this is pretty straightforward but there have been inconsistencies within this method of stamping. Peterson was never very energetic in removing their old stamps from the work stations so the older stamps can and did cross-over into the newer Era’s.

The explanation for the question marks in the 1940’s dates is, during the Second World War briar was hard to come by for obvious reasons, so no one can say for sure what years Peterson produced briar pipes and how many briar pipes were produced in those years. Why the switch from “Made in Eire” to “Made in Ireland” is anyone’s guess since the country was still technically Eire until 1949. As a point of interest and due to the shortage of briar, Peterson did make clay and Bog Oak pipes during the war years though they had ceased clay pipe production in the Patent Era and Bog Oak production back in the early 1930s.

P1 The “Made in Ireland” block format (above) can be another headache in dating Peterson pipes since this stamp was used in the late Patent Era as well as the late 1940s. So for a guide we must take into consideration the style of lettering Peterson used on their pipes. From the start of the Patent Era until somewhere in the early 1930s, Peterson used the “Old Style” lettering that used a forked tail “P” in Peterson.

P2From then until now, Peterson used the more familiar script “P” (above) intermixed with a plain block letter “P.” Later in the 1970s, Peterson began production of “commemorative” pipes, often referred to as “replica” or “retro” pipes and these will also have the old style lettering but according to the pipes that we own and have seen, most of these will have a small difference in the original forked tail “P”. Again, there appears to be a cross-over with the old style forked tail and the later forked tail P’s(below). However, these commemorative pipes generally have a silver band with hallmarks so one can date these pipes by the hallmark.

P3Also, we must address the stamp “A Peterson Product.” During the last few years of the Pre-Republic era and throughout the Republic era, Peterson began stamping their other lines, such as Shamrocks and Killarneys, with “A Peterson Product” over the COM stamp. So a pipe stamped thusly will have been made say from 1948 to the present with the COM stamp identifying it as a pre-Republic or a Republic pipe.

Silver Band Dating

Silver hallmarks are placed on the silver after an assay office, in Peterson’s case, the Dublin Assay Office, has verified that the silver content is indeed sterling, in other words 925 parts of silver per 1000 parts of the metal. The silver hallmarks on Peterson pipes are a group of three marks, each in an escutcheon; the first is a seated Hibernia denoting Dublin Ireland, the second is a harp denoting the silver fineness, and the third is a letter denoting the year. The style of letter and the shape of the escutcheon the letter is in, will determine the year in which the assay office stamped the metal band and not necessarily the year the pipe was made. Peterson orders these bands by the thousands and sends them to the assay office for hallmarking. The assay office will stamp the date of the year in which they received the bands and it may be a year or two or three before Peterson’s employees happen to place one of these bands on a pipe though generally the bands are placed on a pipe in the year they were stamped. The Dublin hallmarks can be found in any book on silver markings or on one of several websites.

For the one year, 1987, the Dublin Assay Office added a fourth mark to commemorate the City of Dublin’s founding in 988. However, the Peterson pipes we have and have seen with silver dates of 1987 and 1988 generally do not have this fourth mark.

Here again, we must add a “maybe” to the above hallmarks. On 1 June 1976, certain countries attended an international conference on silver markings and decided to adopt an entirely different mark for sterling silver. This mark is an Arabian numeral, 925, located between the scales of a balance beam and in Peterson’s case may or may not have the Hibernia and Harp marks to either side. These particular pipes can only be said to date between 1976 and the present, and were stamped as such for shipment to the different countries involved in the conference. For pipes shipped to all other countries, Peterson still uses the old style hallmarks. Peterson pipes with a sterling silver band that does not have hallmarks could have been made for the United States market since the United States only requires sterling silver to be stamped “sterling silver” or “sterling.”

Before we close this section on silver hallmarks, we must address the marks that many people refer to as hallmarks. Peterson uses three marks on some of their pipes that are not silver hallmarks but are rather another Peterson logo (below). These marks are:
• A Shamrock for the many shamrocks found in Ireland
• A Prone Fox representing the famous fox hunts in Ireland’s history, and
• A Stone Tower for the many hundreds of stone towers spotted throughout Ireland
P4 Again these are not genuine silver hallmarks: Also many of the newer pipe smokers think that Kapp & Peterson’s official logo of “K&P,” each in a shield shaped escutcheon, are hallmarks but, of course, they are not. They are simply Kapp & Peterson’s initials.

Dating by Series

Dating by series or numbers is an area in which we are having a difficult time of establishing. For instance, the 300 series are all shapes used during the Patent Era and we believe Peterson started using this number system when the original patent expired. In the case of the 300 series and without looking at the COM stamp or silver hallmark, one can only say that they were made between 1910 and today. The 300 series was not in Peterson’s 1905 catalogue.

Though we are still trying to find the start dates of many series, here are some that we are pretty positive about:
• Centennial Edition – 1975 (for K&P’s Centennial)
• Great Explorers Series – 2002
• Harp Series – 2002
• Mark Twain Numbered Edition – 1979 (numbered 1 through 400)
• Mark Twain 2nd Numbered Edition – 1981 (numbered 1 through 1000) Mark Twain Un-numbered Edition – 1983 to c1989 (There must be a fourth production of Mark Twain pipes for there a couple of men who own Mark Twain pipes with a silver date of 1998; we are still trying to pin down the dates of this fourth production.)
• Emerald – c1985 to 2003
• Millennium Edition – 1988 (for the City of Dublin’s founding)
• Sherlock Holmes Series – 1987 to c1989
• Return of Sherlock Holmes Series – c1991
• Sherlock Holmes Meerschaums – 2006

Peterson Clay, Bog Oak and Cherry Wood Pipes
Peterson Clay, Bog Oak and Cherry Wood pipes were offered in the Patent Era with or without a formed case, as also offered with their briar and meerschaum pipes.

Peterson made clay pipes during the Patent Era with only two shapes being offered and depicted in their 1905 catalogue. During this period their clay pipes were stamped/molded “Peterson Patent” and could be purchased with either a silver or nickel band. How long and in what years Peterson made these clays is not known but as stated above two shapes were offered in their 1905 catalogue. Then during World War II, Peterson again made clay pipes due to the understandable shortage of briar. The clays of this period are stamped “Peterson System” and were only offered with nickel bands. This later production of clay pipes ended with the closing of Peterson’s London Shop in the late 1950s or early 1960s.

Also during World War II, Peterson again made bog oak pipes and again, this was due to the shortage of briar. They had previously ceased production of bog oak pipes in the 1930s during the Irish Free State Era. On the subject of bog oak pipes, Peterson’s bog oaks will always have a metal band with either amber (early production only) or vulcanite stems and will have the appropriate COM stamp. As with their clay pipes, Peterson offered a silver or nickel band on their early bog oak pipes of the Patent Era and just a nickel band on their WWII bog oak pipes.

Peterson made pipes of cherry wood during their Patent Era in both the smooth finish and the bark-left-on finish; and as with their clay pipes, Peterson used both amber and vulcanite stems and choice of silver or nickel bands. And like their clay pipes of the Patent Era, the introduction and termination dates are not known. Peterson Cherry Wood pipes were offered with or without a meerschaum lining.

Metal Ferrules of Military Mounted Pipes

As pipes get older, wear will, with all the handling, cleaning and polishing, take its toll on the nomenclature which will eventually disappear, thus, making it harder to determine the age of your Peterson. A good thorough cleaning of old hand oils, dirt and ash will sometimes bring out a faint outline of the nomenclature but sometimes the nomenclature has completely worn away and even this cleaning will not bring it back. So where do we go from here to determine the pipe’s age? The shape of the metal ferrule on Peterson pipes with the military mount will give you some hint though not a precise date.

During the Patent Era, the metal ferrules of Peterson military mounts will have a more ‘acorn-ish’ shape, that is, the bend will have a larger radius as it turns down to meet the stem. This larger radius gradually(?) changes to a smaller radius, more abrupt bend, during the Irish Free State Era and even more abruptly after World War Two when the bend takes on the modern day shape.

The metal ferrules on Peterson clay pipes during the Patent Era are angular while their clay pipes of World War Two will have the bend shape as do most of the Peterson pipes from then until now.

As with everything pertaining to the dating of Peterson pipes, this method can only give us a hint to the age of the pipe but it is better than nothing at all. The years of these changes in the metal ferrule shape are, we are sure, lost to the ages. However, someone with a larger number of Peterson pipes than we may be able to check the silver dates for more precise age boundaries. Well, this is a very short dating guide and we hope that you will be able to date more accurately your favorite Peterson with this information.

When Mike sent this to me it had the following addition at the bottom of the page:
This guide was first posted in Pipe Lore on August 26, 2006 by Mike Leverette. Should you have a correction or addition to any of the above, please do comment.

A Peterson Pipe Finds Its Way Home


I don’t think I have ever had a pipe I gave a way or sold come back to me years later. Usually they are gone from my radar. I have a record of the pipes I have sold but rarely record the ones I give away. They are gifts and as such the moment they leave my hand they are no longer on my radar. There has been times when I wished they would come home but never truly expected it to happen. That is until yesterday!

The pipe that came home has been there and back again! Its residence with me began when I visited Mike Glukler in Aldergrove many years ago. Periodically I would visit and look through the pipes he had for sale through Briar Blues. This time I looked through and was drawn to a Peterson Special in a rusticated Dublin shape. I checked it out and the purchased it. I brought it home with me and smoked it a couple of times but never quite enjoyed it enough to make it a regular in my rotation. So it sat neglected for a while. On day I was going through my rack and deciding which pipes to sell and which to keep and I came across this one. I almost put it in the “to be sold pile” but instead I cut a new fishtail stem for it. I smoked it more often then.

I have always had a curiosity about the estate pipes that I purchase. I want to find out as much as possible about them. In the case of this Peterson that meant I would contact Mike Leverette. I wanted to get an idea of what I had in my hands. I wanted to know a bit about the age and details of the pipe. Mike was excited when he heard about this pipe. He said he had never seen a Special in this shape. I sent him photos of it and he sent back replies about it that were very helpful to me. I had it in the rack and smoked it occasionally with the new fishtail stem but never truly seemed to reach for it that often.

Through my work I would travel to Atlanta several times a year and stay for a week or more at a time. I always took along pipes and tobacco that I would gift to other pipemen that I would call and meet for a bowl and a chat. I met John Offerdahl and Mike Hagley on some of those trips. But I would always get together with Mike Leverette. He would drive up from his home to Atlanta where I was staying in a hotel by the airport and we would have lunch or dinner together. We would talk about all kind of things – history, Vikings, architecture, pipes, history, pipes. WE kept in touch by email and phone over the years and when he was diagnosed with cancer and underwent surgery we talked and afterwards we met together. When I was diagnosed with cancer and was scheduled for surgery we talked and met together. Mike was my friend and a kindred spirit in terms of pipes, history, writing and many other things. If you have a picture in your mind of two old gents sitting together over dinner chatting and later adjourning to the open space near my hotel to smoke our pipes and talk some more you have the right image in your mind. I always enjoyed those visits. Several times John Offerdahl would join us for dinner and a pipe. I have missed those visits and conversations since Mike died.

LTR: John Offerdahl, your’s truly, Mike Leverette

LTR: John Offerdahl, your’s truly, Mike Leverette

It was on one of those trips, quite a few years ago now, that I gave that Peterson’s Special Dublin to Mike when I visited him in Atlanta, Georgia. I remember sitting in an Italian restaurant near the hotel and each of us pulled out our gift pipe and tobacco to exchange. It had become a bit of a ritual with us. We would exchange our gifts before even opening the menu! I remember on this particular occasion Mike gave me two old sandblasted Barling Canadians that needed to be restemmed and a tin of Virginia Flake tobacco. My gift to him was wrapped like most of my presents (at least that is what my daughters tell me) in a grocery bag. When he opened it and took out the Pete Dublin the look on his face was a mixture of surprise and excitement. He turned it over in his hands and read the stamping and commented on the history of the pipe. He took it apart and looked down the long shank and examined the stem. He loved that pipe a lot. I had included a tin of Latakia Flake for him as it was a favourite of his.

We finished our dinner that evening and went back to the hotel and adjourned to the bench out front. He loaded up the pipe with some of his own tobacco and I loaded mine. He smoked it and thoroughly enjoyed the smoke. I am sure there was much more that went on that evening but this is what my memory brings up. That evening was in the pre-cancer days for both of us so we did not have a care in the world or a worry on our minds. I remember a bit of the conversation that evening – we spoke of the route of the Exodus of Israel from Egypt. Mike had done a lot of work on that in a paper he sent me and he wanted some feedback. It was a great evening and we talked and smoked until the sun went down. We parted company that evening both richer for the conversation and friendship. That was the last I saw of the Dublin.

Now jump ahead about 12 or more years. I was on the phone with a buddy who is selling Mike’s pipes for Mike’s widow, Jeanette. We were talking about the pipes in the lot that he was selling. There were several of them that he wanted to send me to recondition and document the process I used on them. As we talked I asked him in passing about the Peterson Special Dublin. I was curious as to what happened to that pipe after Mike died. I told him a bit of the story I have written above. He laughed and said that he happened to have that pipe in his hand at just that moment. I asked him about its condition and what he thought of it. It was at that point he offered to send it back to me. He would call Jeanette and tell her about our conversation and then ask her about the pipe coming back to me. She told him she was more than happy to have it come home! He let me know that it would be shipped out to me soon!

I knew it was coming but not when. Today I came home from work and found a package waiting for me. It was addressed from my buddy in Texas. I excitedly opened it and carefully unwrapped “Mike’s Pipe”. It had come home to Canada. As a kindness my friend had include a small bag of HH Dark Flake tobacco for me to try. I know he had said it was too strong for his liking but the funny thing is I think it is just the tobacco that Mike would have loved. I took the pipe down to my work table and gave it a thorough examination. It was actually in great shape. The cake was minimal, just the way I like it. The finish was in excellent shape with no dings or scratches. There was a little darkening and dust on the rim but that would clean up easily. The stem had some oxidation around the P stamp and on the underside as well (to be honest I think this was there when I gave it to Mike, or at least it looked like I remembered it). There was some small tooth chatter on the top of the stem and on the underside just ahead of the button and the shelf, but none of it was too deep. I decided to clean up the pipe right then. The next three photos show the pipe as it looked when I took it from the box.

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I used a Bic lighter and passed the flame over the tooth chatter on the top and underside of the stem. I then sanded it lightly with 1500 grit micromesh to make the tooth marks very visible. I used 220 grit sandpaper to remove the tooth ridges and remnants left after the heat of the lighter raised the dents. I wet sanded it with the 1500 grit micromesh to smooth out the scratches left by the 220 grit. I also decided to add some white to the stamping on the stem. I use a whiteout pen to do that. I apply the whiteout heavily to the stamping and once it is dried I sand it off with the 1500 grit micromesh sanding pad.

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The next series of three photos show the progress of polishing the stem with the micromesh sanding pads from 1500-12,000 grit. The recoloured stamping is also visible. At this point in the process I scrubbed the top of the bowl with warm water and a tooth brush. The darkening and light build up was easily removed by this method. I then buffed the stem with White Diamond to give it a final polish and lightly buffed the bowl. I buffed the stem with carnauba to protect it from oxidizing and then took the pipe back to my table. I gave the bowl a coat of Halcyon II wax and hand buffed it with a shoe brush. I have found that this keeps the rustication crisp and fresh where a buff on the buffer can flatten the rustication and change the feel in the hand.

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The next series of four photos show the rejuvenated pipe. The stem is a bright black and the tooth marks are gone. The bowl and internals are also cleaned and the pipe is ready to load up with the HH Dark Flake and smoke. This pipe will always be “Mike’s Pipe” to me. I raise the bowl in his honour!

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Refurbished Peterson Sherlock Holmes 1994


I worked on this Peterson Sherlock Holmes pipe with hallmarks on the silver band that date it to 1994. It has since found a new home and is being smoked and enjoyed by the new owner. The stamping on it was very light but still visible. The finish is in decent shape but very dirty. All of the crevices on the pipe were filled with grime and grit. The stem had oxidation and a light brown undercoating of brown throughout. The band was in great shape and just needed polishing. The bowl was a real question mark for me. It appears to have been drilled significantly larger. The bowl sides are smooth and they are still straight and clean. There was some blackening at the bottom of the bowl. I am thinking that the previous owner decided to open the bowl up and make it larger in order to hold more tobacco. The new owner says that it still smokes well so the drilling did not ruin the pipe.
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I scrubbed the bowl surface with some undiluted Murphy’s Oil Soap and a soft bristle tooth brush to get the grime out of the crevices. I repeated it until it was clean the grime was gone. I know many people do not like oil soap as it removes some of the stain on a pipe. But in this case it worked wonders. Once I had finished scrubbing it I washed it off with warm water and dried it with a soft cotton cloth. When it was dry I polished it with Halcyon wax and buffed it on my buffer with a soft clean flannel buffing pad. The oxidation on the stem came off easily with my buffer and Tripoli and White Diamond. I finished the stem by buffing it with carnauba wax.
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Restoring a unique Peterson 10


I picked up this old Peterson shape number 10 at a flea market for about $12. This one needed cleaning inside and out as well as reaming. The finish was quite good. I just used a soft bristle tooth brush to get into the crevices. The shank had a crack in it so I banded it with a silver band. The bowl was caked and very narrow. I used a battery terminal brush and an old adjustable reamer to get inside of it. The stem on it was obviously not the original but a smaller diameter replacement stem that did not fit well. The shank had been sanded smooth but was not tapered to meet the misfit stem but it was perfect for setting the band. Before doing that I used some super glue to squeeze the crack in the shank together. I held it until it was dry. I then heated the band with my heat gun and pressure fit it on the shank. I flattened the bottom edge of the band to match the flat bottom where the stamping is. I fit and shaped a new stem. Once it was fit I bent it to a comfortable fit for the mouth. Then I sanded and polished it with my usual regimen of micromesh pads from 1500-6000 grit.

Peterson Mark Twain shank repair using a copper band


Blog by Bryan

Bryan, SenatorXMG, on Smokers Forums posted this photo essay on a repair he did on a cracked shank on a Peterson Mark Twain that he purchased. I asked for permission to post it here for information and passing on a great trick to others who would choose to use his method. He gladly granted that permission and I include it below for your use.

Well…today was the day to fix my Peterson Mark Twain with the cracked shank. I had previously posted on Smokers Forums regarding the problem and looking for advice on repairing it. I include the text and picture that I posted below.

I bought a Peterson Mark Twain off of eBay and when it arrived I discovered there was a crack in the shank. With the silver cap on the shank it was not easy to see and I believe the seller that he was unaware. You can only see the crack from inside the shank…with stem in place, it’s evident that it expands a little as the stem sits more deeply in the shank and is not quite so secure. Other than this crack, the pipe is in pretty good condition. The seller offered either a full refund or a partial one of $55 (he increased from the original $40 he offered). If I could have this adequately fixed, I’d be interested in that.

I’ve included a picture of where in the shank the crack is. It actually runs from the top of the shank down to the air hole.

I’m wondering if this is something I could repair myself. Any repairmen out there who could give me a basic step by step idea of how I would approach this fix? I was considering the following:
– remove cap (this is fairly straight forward. I’ve done this before)
– add appropriately-sized shank ring. Might have to sand down an area so that the ring is flush with the remaining shank? (I have no idea how this part is done and how I’d get a tight fit of the shank ring).
– re-install cap (easy to do)

While I’m pretty handy, this seems like it could be a job for someone with skills greater than mine. Would the $55 the seller has offered me back cover this type of repair from someone with experience?

Crack location marked in red/black indicated on silver cap (actual location is seen on the inside)

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I decided to repair the pipe myself and created a small photo essay on the work done in repairing the pipe. Here it is:

The silver cap was removed with use of heat. Once it is removed the crack is very visible. Copper piping will act as source of repair band.

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I sanded down repair area where copper band will be installed.

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The copper piping is marked and ready to be cut.

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Copper band cut and filed smooth:

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Heat for installation. No blow-torch to heat…had to use my propane space heater (it worked!):

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Cooper band installed…with a little bit of gentle force:

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To the grinder to clean it up a little:

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Ahhhh…that’s a little better:

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All finished!! Silver cap re-installed. With the installation of the repair band, the crack is much tighter and the stem now sits much more nicely!!

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All in all…wasn’t a terribly difficult repair. The hardest part was determining how much to sand down the area where the band would go. But, it all worked out fine!

Bryan