Tag Archives: Jobey Asti Pipes

Breathing New Life into a Jobey Asti 200 Bulldog


Blog by Steve Laug

The next pipe on the work table came to us from an antique auction mid-2019 from Huntington Station, New York, USA. It is a Bulldog shaped pipe with the mixed smooth and rusticated finish that I have come to associate with Jobey Asti pipes. The pipe has a saddle vulcanite stem. The pipe is stamped on the left underside of the shank and reads Jobey [over] Asti. On the right side it is stamped with the shape number 200. On the left side of the saddle stem was the inset Jobey brass oval logo. The finish had a lot of grime ground into both the smooth and rusticated portions and it was very dirty. The bowl was heavily caked and there was a thick lava coat on the flat rim top and the inner edge of the rim. It was hard to tell what condition of the inner edge was because of the lava coat. Only cleaning would make that clear. The stem was oxidized, calcified and had tooth chatter and marks on the top and underside near the button. The pipe showed promise but it was very dirty. Jeff took photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the condition of the rim top and edges. He also took photos of the top and underside of the stem to show the oxidation, calcification and chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like.   He took photos of the stamping on the shank and the logo on the left side of the saddle stem. It reads as noted above and is clear and readable.     I turned to Pipephil’s site for a quick review of the brand (http://www.pipephil.eu/logos/en/logo-j3.html). I quote a section of the post on the Jobey brand: These pipes are made in St Claude (France) by Butz-Choquin (Berrod-Regad group) since 1987. Before this date some were manufactured in England and Denmark (Jobey Dansk).

I turned then to Pipedia to gather further information regarding the brand and quote the first part of the article (https://pipedia.org/wiki/Jobey).

English – American – Danish – French… Sadly, solid information about Jobey is scant… Probably established in England around 1920(?) the brand hiked into the USA later. In the course of time owner, distributor and manufacturer changed repeatedly. As far as is known the following companies have been involved with the brand:

George Yale Pipes & Tobacco, New York (1942)

Norwalk Pipe Co., New York (1949)

Arlington Briar Pipes Corp., Brooklyn (when?)

Hollco International, New York (1969).

Weber Pipe Co., Jersey City, NJ (1970’s)

The Tinder Box, (1970’s – 80’s).

Throughout decades Jobey pipes were mainly sold in the USA, Canada and England but remained almost unknown in continental Europe. The bulk of Jobeys was predominantly made according to classical patterns and mainly in the lower to middle price range. The predominant judgment of the pipe smokers reads: “A well-made pipe for the price.” So there is hardly anything very special or exciting about Jobey pipes although a flyer from ca. 1970 assures: “The briar root Jobey insists upon for its peer of pipes is left untouched to grow, harden and sweeten for 100 years. […] Jobey uses only the heart of this century old briar and only one out of 500 bowls turned measures up to the rigid Jobey specifications.” 99.80% of cull… that makes the layman marveling!

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it.    The rim top and inner edge of the rim looked good with a bit of damage on the inner edge and on the rim surface on the front right. There was some burn damage on the front and right that made the bowl slightly out of round. The stem surface looked very good with some light tooth marks and chatter on both sides near the button. It also had some residual oxidation.  I took photos of the stamping on the shank. It is clear and readable as noted above.    I removed the stem and took a photo of the pipe to give a sense of the whole. The stem has a patented Jobey Link Tenon. I started my work on the pipe by working over the rim top and the inner edge of the bowl to clean up the damage. Once finished the rim top and edge looked much better.  I polished the smooth briar on the rim top and cap of the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a horse hair shoe brush. The product works to clean, enliven and protect the briar. I let the balm sit for a 15 minutes and then buffed with a cotton cloth to raise the shine.   I set the bowl aside and turned my attention to the stem. I scrubbed the stem with Soft Scrubb All Purpose cleaner to remove the residual oxidation. It works very well to remove deep oxidation.   I “painted” the surface of the stem with the flame of lighter to lift the bite marks on the vulcanite. Heat lift the marks to the surface of stem. I was able to lift the majority of them but there were a few left on each side. I filled them in with clear super glue and set it aside to let them cure.  When the repairs cured I sanded them smooth with 220 grit sandpaper and started polishing the stem with 400 grit wet dry sandpaper. I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.    This Jobey Asti 200 Bulldog with a vulcanite saddle stem is a great looking pipe now that it has been restored. The beautiful grain that shines through the polished smooth part of the finish and the dark rustication on the lower part of the bowl is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The grain just popped with the wax and the buffing. It is a beauty! The finished Jobey Asti Bulldog fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 35gr/1.23oz. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

New Life for a Jobey Asti Classic 470 Bent Pot


Blog by Steve Laug

The next pipe on the work table is one that came to us from a pipe hunt along the Oregon Coast, USA. It is a nice looking bent pot shaped pipe with a mixed finish. It is stamped on the left side of the shank Jobey over Asti. On the right side it reads France [over] the shape number 470. The vulcanite saddle stem bears an inlaid brass Jobey oval. The pipe has an interesting mixed finish – smooth upper portion of the bowl and shank is smooth and nicely grained while the bottom of the bowl and shank have a tight dark rusticated finish. The finish is fairly clean so the grain stands out well. It has a shiny top coat of varnish which makes the finish look good on both halves of the bowl. There was a light cake in the bowl and some spots of lava onto the rim top. There were some nicks on the outer edge of the rim and the top itself but none were too bad. The stem was lightly oxidized and it had some shallow tooth marks and chatter on both sides near the button. The stem was screwed onto the shank with the Jobey Link system which was in excellent condition. I took some photos of the pipe before I did any clean up.    I took photos of the rim top and the stem. The photo of the rim top shows the cake in the bowl and the light lava on the top as well as the nicks in the flat top of the rim. The stem photos show light oxidation and some tooth chatter and tooth marks.   I took photos of the stamping on the right and left side of the shank. The stamping is clear and reads as noted above.   I removed the stem from the shank and took a photo of the parts to give an idea of the flow and form of the pipe. It is a nice looking bent Pot. I reread several of the blogs I have written on the brand in the past restorations of Jobey pipes and decided to include the material on the brand before I write about the cleanup of the pipe. Here is the link to the blog (https://rebornpipes.com/2020/04/03/restoring-jennifers-dads-jobey-asti-245-pot/). I quote:

I turned to Pipephil’s site for a quick review of the brand (http://www.pipephil.eu/logos/en/logo-j3.html). I quote a section of the post on the Jobey brand: These pipes are made in St Claude (France) by Butz-Choquin (Berrod-Regad group) since 1987. Before this date some were manufactured in England and Denmark (Jobey Dansk).

I turned then to Pipedia to gather further information regarding the brand and quote the first part of the article (https://pipedia.org/wiki/Jobey).

English – American – Danish – French… Sadly, solid information about Jobey is scant…

Probably established in England around 1920(?) the brand hiked into the USA later. In the course of time owner, distributor and manufacturer changed repeatedly. As far as is known the following companies have been involved with the brand:

George Yale Pipes & Tobacco, New York (1942)

Norwalk Pipe Co., New York (1949)

Arlington Briar Pipes Corp., Brooklyn (when?)

Hollco International, New York (1969).

Weber Pipe Co., Jersey City, NJ (1970’s)

The Tinder Box, (1970’s – 80’s).

Throughout decades Jobey pipes were mainly sold in the USA, Canada and England but remained almost unknown in continental Europe. The bulk of Jobeys was predominantly made according to classical patterns and mainly in the lower to middle price range. The predominant judgment of the pipe smokers reads: “A well-made pipe for the price.” So there is hardly anything very special or exciting about Jobey pipes although a flyer from ca. 1970 assures: “The briar root Jobey insists upon for its peer of pipes is left untouched to grow, harden and sweeten for 100 years. […] Jobey uses only the heart of this century old briar and only one out of 500 bowls turned measures up to the rigid Jobey specifications.” 99.80% of cull… that makes the layman marveling!

Now it was time to work on the pipe. I reamed the pipe with a PipNet Pipe Reamer and took the cake back to bare briar. I cleaned up the remnants of the cake in the bowl with a Savinelli Fitsall Pipe Knife. I sanded the bowl with a piece of 220 grit sandpaper wrapped around a dowel.   I used a folded piece of 220 grit sandpaper to clean up the damaged inner edge of the rim. I cleaned up the edge and removed the damaged briar on that portion of the bowl. Once I finished it looked much better than when I started.  With the externals cleaned I moved onto the shank. I scrubbed the internals of the shank and mortise, the vulcanite stem and the shank with pipe cleaners, cotton swabs and alcohol. I worked on them until they were clean.     I polished the bowl and rim top with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping the briar down with a damp cloth after each sanding pad.     I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the rustication on the underside of the bowl and shank and the smooth portion of the bowl and shank with my fingertips to clean, enliven and protect it. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine.   I set the bowl aside and turned my attention to the stem. I sanded it with 220 grit sandpaper to remove the tooth marks and chatter and blend them into the surface of the vulcanite. I started polishing the stem with 400 grit wet dry sandpaper.    I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.      Once again I am the part of the restoration that I always look forward to – the moment when all the pieces are put back together. I put the Jobey Asti Classic Pot back together and buffed the bowl and stem with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the combination of rustication and smooth finishes. The black vulcanite stem stands out as a shiny black contrast to the colours of the bowl. It is a light weight pipe that could be clenched and smoked while doing other things. Have a look at it with the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 58grams/2.01oz. This one will soon be on the rebornpipes online store. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.

Restoring Jennifer’s Dad’s Jobey Asti 245 Pot


Blog by Steve Laug

I decided to change things up a bit and work on another of Jennifer’s Dad’s pipes. For the next pipe from the estate of George Rex Leghorn I have chosen a Pot shaped pipe. You may not have read about this estate before, so I will retell the story. I received an email from Jennifer who is a little older than my 64+ (65 now – sheesh, I forget how old I am) years about whether I would be interested in her Dad’s pipes. My brother Jeff and I have been picking up a few estates here and there, so I was interested. Here is the catch – she did not want to sell them to me but to give them to me to clean up, restore and resell. The only requirement she had was that we give a portion of the sales of the pipes to a charity serving women and children. We talked about the organization I work for that deals with trafficking and sexual exploitation of women and their children and she decided that would be a great way to carry on the charitable aspect of her Dad’s character. With some great conversation back and forth she sent the pipes to Jeff and he started the cleanup process on them. Once he had finished cleaning them all he sent them to me to do my work on them.

The pipe on the table is stamped on the left side of the shank Jobey over Asti. On the right side is the shape number 245. The tapered stem bears an inlaid brass Jobey oval. The pipe has an interesting mixed finish – smooth lower bowl and shank with a band of rustication and a smooth inwardly beveled rim top. The finish was very dirty, making it hard to see beyond that to the nice grain underneath that. There was a thick cake in the bowl and it had overflowed with lava onto the rim top. It was hard to know at this point the condition of the rim edges. The pipe was a dirty and tired looking old pipe. The stem was badly oxidized and there were George’s usual tooth marks and chatter on both sides just ahead of the button. It had been sitting in boxes for a lot of years and it was time to move ahead with the restoration. Jennifer took photos of the pipes she was sending. I have included the photos of this pipe below. When the box arrived from Jennifer, Jeff opened it and took photos of each pipe before he started his cleanup work on them. This pipe was a real mess but showed some promise under all of the grime of the years. The shape was a pot with the mixed finish as noted above and visible in the photo below. The briar appeared to be in good condition underneath the grime. The finish was spotty and seemed to be peeling which indicated to me that there was some sort of varnish or shellac coat on top of the finish. The pipe really was covered with the grime and oils on the bowl sides from George’s hands. The bowl had a thick cake that had hardened with time. The lava overflow on the rim top filled in much of the beveled rim top. It was very thick but it could very well have protected the rim from damage. We won’t know what is under it until Jeff had cleaned it off. The stem was oxidized and there were deep tooth marks on both sides just ahead of the button. Jeff took photos of the pipe before he started working on it. I include those below.  Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the rim top and dust and grime on the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. The lava coat looks horrible but it points to a well-used, favourite smoking pipe. George must have enjoyed this old timer a lot judging from the condition of the pipe.   Jeff took a photo of the side and heel of the bowl to show the condition of the finish – the grime and grit all over the sides and bottom of the bowl. The rustication around the midbowl is deep and dirty but it is interesting.  The peeling varnish/shellac coat is also visible in the photos. Jeff took a photo of the stamping on the left and right sides of the shank. It is very clear and readable. On the left it reads Jobey Asti and on the right it reads 245. The top of the tapered stem has a brass inlaid Jobey oval logo.Jeff took photos of the top and underside of the stem showing the scratching, oxidation and tooth marks on the stem surface and button. The tooth marks are quite deep on both sides of the stem. I turned to Pipephil’s site for a quick review of the brand (http://www.pipephil.eu/logos/en/logo-j3.html). I quote a section of the post on the Jobey brand: These pipes are made in St Claude (France) by Butz-Choquin (Berrod-Regad group) since 1987. Before this date some were manufactured in England and Denmark (Jobey Dansk).

I turned then to Pipedia to gather further information regarding the brand and quote the first part of the article (https://pipedia.org/wiki/Jobey).

English – American – Danish – French… Sadly, solid information about Jobey is scant…

Probably established in England around 1920(?) the brand hiked into the USA later. In the course of time owner, distributor and manufacturer changed repeatedly. As far as is known the following companies have been involved with the brand:

George Yale Pipes & Tobacco, New York (1942)

Norwalk Pipe Co., New York (1949)

Arlington Briar Pipes Corp., Brooklyn (when?)

Hollco International, New York (1969).

Weber Pipe Co., Jersey City, NJ (1970’s)

The Tinder Box, (1970’s – 80’s).

Throughout decades Jobey pipes were mainly sold in the USA, Canada and England but remained almost unknown in continental Europe. The bulk of Jobeys was predominantly made according to classical patterns and mainly in the lower to middle price range. The predominant judgment of the pipe smokers reads: “A well-made pipe for the price.” So there is hardly anything very special or exciting about Jobey pipes although a flyer from ca. 1970 assures: “The briar root Jobey insists upon for its peer of pipes is left untouched to grow, harden and sweeten for 100 years. […] Jobey uses only the heart of this century old briar and only one out of 500 bowls turned measures up to the rigid Jobey specifications.” 99.80% of cull… that makes the layman marveling!

Before I get on to cleaning up the pipe I thought I would once again include the tribute that Jennifer wrote to her Dad for the blog. She also sent some photos and an article that her Dad wrote for Jeff and me to be able to get a feel for him. I have included those below. Note in each of them that he is holding a pipe in his left hand. I asked her to also send me an email with a brief tribute to her Dad. Here is her tribute from an email to me.

Steve, I want to thank you again for accepting my dad’s pipes.  They were so much a part of my dad’s life that I could not simply discard them. But as his daughter, I was not about to take up smoking them either. *laughing* I think my dad would like knowing that they will bring pleasure to others.  I know that I do.

I’m not sure what to say about his pipes. I always remember Daddy smoking pipes and cigars.

First a bit about my dad. Though my father, George Rex Leghorn, was American (growing up in Alaska), he managed to join the Canadian Army at the beginning of WWII, but in doing so lost his American citizenship.  He was fortunate to meet a Canadian recruiting officer who told him the alphabet began with “A” and ended with “Zed” not “Zee”, and also told him to say that he was born in a specific town that had all its records destroyed in a fire.  When the US joined the war my dad, and thousands of other Americans who had made the same choice*(see the link below for the article), were given the opportunity to transfer to the US military, and regain their citizenship.

After WWII, my dad, earned his degree at the University of California Berkeley and became a metallurgist. There is even a bit about him on the internet.

He loved taking the family out for a drive, and he smoked his cigars on those trips. (As a child, those were troubling times for my stomach.)

I most remember my father relaxing in his favorite chair with a science fiction book in one hand and a pipe in the other… Sir Walter Raleigh being his favorite tobacco… and the pipes themselves remind me of him in that contented way.  If I interrupted his repose, he’d look up, with a smile on his face, to answer me.

It seemed he smoked his Briarwood pipes the most, though he had others.  At the time, it was only the Briarwood I knew by name because of its distinctive rough shaped bowl.  And it was the Anderson Free Hand Burl Briar, made in Israel, which I chose for his birthday one year, because I thought he might like that particular texture in his hand.

At least two of his pipes, he inherited from his son-in-law, Joe Marino, a retired medical laboratory researcher (my sister Lesley’s late husband)… the long stemmed Jarl (made in Denmark), and the large, white-bowled, Sherlock Holmes style pipe.  I believe Joe had others that went to my dad, but Lesley was only sure about those two.

The Buescher, corncob pipe my older sister Lesley bought for Daddy while on one of her travels around the States.

A note on the spelling of my sister’s name…

My dad met my mother, Regina, during WWII and they married in Omagh, Ireland.  My mother was English and in the military herself.  The English spelling of Lesley is feminine, and Leslie masculine, in the UK… just the opposite of here in the United States.  I guess my mom won out when it came to the spelling of the name…

This pipe was a real mess just like the other ones in the collection. I was curious to see what it would look like when I unpack it. I was surprised at how good it looked. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish on the bowl looked really good when I got it. The rim top looked much better and the inner and outer edges were looking good. Jeff had cleaned the internals and scrubbed the exterior of the stem and soaked them in Before & After Deoxidizer bath to remove the oxidation. The stem looked very good other than the deep tooth marks and chatter in the surface. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked very good. I took photos of the pipe before I started my part of the restoration. I took photos of the bowl and rim top to show how well it had cleaned up. The edges and top were very clean and in excellent condition. There was some darkening on the inner edge but it was still round. The rim top had some light nicks and dents. The stem had some deep tooth marks just ahead of the button.The stem was held in the shank with the Jobey link connector. I is pressed into the stem and threads into the shank. It makes it easily replaceable and also easy to align.I decided to clean up the darkening on the inner edge of the rim top and the dents and nicks on the top itself. I used a folded piece of 220 grit sandpaper to remove the damage and 400 grit wet dry sandpaper to smooth out the sanding. I was happy with the overall look. The finish will show as I polish the pipe with micromesh pad shortly.  I polished the briar with micromesh sanding pads – wetsanding it with 1500-12000 grit sanding pads. I wiped it down with a damp cloth after each sanding pad. It looked better after each pad and the top blended into the colour of the rest of the bowl without staining. I worked some Before & After Restoration Balm into the finish of the bowl and the rim top and shank with my fingertips and a horsehair shoebrush to clean, enliven and protect it. I find that the balm really makes the briar come alive again. The contrasts in the layers of stain and the separate finishes really made the grain stand out. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The bowl really looks good at this point.   I set the bowl aside and turned to the stem. I filled in the deep tooth marks with clear super glue. I built up the edge of the button at the same time. I set it aside to dry. Once the repairs had cured I used a needle file to cut a sharp edge on the button on both sides and to flatten the repaired areas. I sanded the stem to remove the oxidation that was on the surface and to smooth out the repaired areas. I used a folded piece of 220 grit sandpaper and a piece of 400 grit wet dry sandpaper. At this point the stem is looking better and the tooth marks are gone.  I rubbed the stem down with Denicare Mouthpiece Polish and a cotton pad to remove remnants of oxidation and to further blend in the sanding. The stem was showing some promise at this point in the process. I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads. I polished it further with Before & After Pipe Stem Polish – both fine and extra fine. I finished by wiping it down with Briarville’s No Oxy Oil and buffing it to a shine. Once again I am the part of the restoration that I always look forward to – the moment when all the pieces are put back together. I put the pipe back together and buffed the bowl and stem with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the combination of rustication and smooth finishes. The black vulcanite stem stands out as a shiny black contrast to the colours of the bowl. While this is not one of my favourite finishes as it seems busy to me, it came out looking good. It is a light weight pipe that could be clenched and smoked while doing other things. It must have been a fine smoking pipe judging from the condition it was when we received it from Jennifer. Have a look at it with the photos below. The dimensions are Length: 5 ¼ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. This is one that will go on the rebornpipes online store shortly. If you want to carry on the pipe trust of George Rex Leghorn let me know. Thank you Jennifer for trusting us with his pipes. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.