Tag Archives: Bowls – refinishing

Cleaning up a Mysterious Pot Shaped Pipes stamped only M-2

With a Little Work I have a DR Ardor Urano Fantasy Apple

Blog by Steve Laug

When I found this pipe on Ebay I wanted it. It actually does not happen too much anymore as it is becoming rarer that I want a pipe for myself. Generally I purchase pipes to repair that can teach me something or that I can repair and sell to someone I know is looking for a particular pipe. My brother will show me pipes that he finds and I look at them in terms of saleability or marketing. Rarely do I see one that I go “I want that one”. When I saw this one I wanted it. I don’t know what it is about the pipe but the combination of the blue Lucite stem and end cap, the flow and bend of the stem, the rusticated finish of the bowl and my favourite shape captured my imagination. Not even the chunk missing out of the right hand side rear top of the bowl deterred me from sending him a message to place a bid on it for me. That missing chunk would provide me with a challenge that I could imagine fixing. The pictures below came from the seller and gave a pretty accurate picture of the condition of the pipe.

The bowl had a thick cake that filled the bottom half of the bowl and closed it off. The top half of the bowl had an uneven thick cake and looked like the pipe man who had the pipe before had continued to smoke it even after the chunk came out of the bow side. It would be hard to know what the condition of the inner edge of the rim without removing the cake. The rim had a tarry buildup and overflow of lava. The stem had a lot of tooth marks and wear on the top and bottom surfaces and also on the top and bottom sides of the button. The stem was oxidized and dull. The finish was actually in quite decent shape and was pretty clean other than the rim. The stamping on the bowl was very clear. It was stamped in a column on the smooth underside of the shank DR in script over Ardor over Urano over Italy over Fatta A Mano over Fantasy. The stamping was clear and distinct.

When I got home from work I was excited to find that the package from my brother arrived while I was away. I had been looking forward to working on this one. When I removed it from the bubble wrap packaging that my brother had used there were no surprises. Things were pretty much as they had been described by the seller and shown in the photos. The stem had quite a few tooth marks and the sharp edge of the button was worn on both sides. The thin button would be comfortable but it needed to be cleaned up. Cleaning up the bowl and rim was going to be an interesting challenge. I wondered what I would find behind the thick cake. To have a chunk of briar break free like it had on this pipe made me wonder what was under the cake. I expected to find a fairly thin wall on the back of the pipe and around the broken area. I also wanted to see if there were any cracks running away from the broken area or if the break was clean. The interior of the shank looked pretty clean. The band on the end of the stem was oxidized and I wondered if it was brass or silver. I decided to start working on the bowl almost immediately. I needed to clean it up and see what I was dealing with. I reamed it using all four of the cutting heads on the PipNet pipe reamer. With the cake removed I could see the extent of damage to the rear wall of the bowl. The area on the left of the broken spot was thin and scored by what looked like a knife blade when it had been reamed before I got it. The top of the rim disappeared at the back of the bowl to the left of the break. The bowl was significantly out of round at the front as well.

In preparation for the bowl repair I sanded the inside of the rim with 220 grit sandpaper. I topped the bowl on the topping board to square up the rim. I cleaned out the edges of the break with a dental pick and then washed it with alcohol and cotton swabs.

I cut a piece of briar from an old broken bowl that I keep around for this purpose. I used the Dremel and sanding drum to shape the piece of briar to fit in the broken notch. It was still too tall for a good fit but you can see it in place in the next photo. I held it place and used the Dremel and sanding drum to shorten the plug to the same height as the bowl rim. It was too thick for the shape of the bowl so I sanded it with the Dremel to reduce the thickness.

I held it place and used the Dremel and sanding drum to shorten the plug to the same height as the bowl rim. It was too thick for the shape of the bowl so I sanded it with the Dremel to reduce the thickness.

I sanded the inside of the bowl with the Dremel and sanding drum to smooth out the inside edge of the repair. At this point in the process I set the bowl aside for a bit and worked on the stem. I cleaned the band on the stem with silver polish and the tarnish and brass look disappeared and underneath was a beautiful silver band with an oval 925 stamp. I cleaned out the inside of the stem with alcohol and pipe cleaners. It did not take too long before it was clean. I cleaned out the mortise and airway in the shank with alcohol, cotton swabs and pipe cleaners. I also used the drill bit from the KleenReem pipe reamer and cleared out the airway to the bowl. Once I ran the drill bit through the shank I cleaned it again with the pipe cleaners and alcohol. The finished pipe smelled clean.

I wet sanded the stem with 1500-2400 grit micromesh sanding pads. I dry sanded with 3200-4000 grit pads. I used a needle file to reshape the edge of the button and redefine the curve of the button from the end. I cleaned up the slot. I finished sanding the stem with 6000-12000 grit micromesh pads and then buffed the stem with Blue Diamond on the wheel.

With the stem finished I turned my attention to the rim and the thin inner wall of the bowl at the back of the pipe. I used clear super glue and briar dust to build up the inner edge of the rim. My thinking at this point was that this would be my base coat. From here I would build it up until I was satisfied with the thickness. Once the glue dried I sanded it and took a picture of the rim to this point. I used a Dremel with several different burrs to rusticate the patch on the outside of the bowl. I was aiming to match the cuts and random pattern of the rustication on the rest of the bowl. It took several cylindrical burrs, pointed burrs and a ball burr to get the pattern I wanted. The photo below shows the finished rustication. I needed to clean it up and then stain it. The next two photos show the clean up and the staining process. I used a black Sharpie permanent marker to fill in the deeper grooves in my rustication and then went over the whole thing with a dark brown stain pen. I finished by touching it up with a medium brown stain pen.

I waxed the bowl with Conservator’s Wax and buffed it with a shoe brush. The next photo shows the bowl at this point in the process. All that remains is to work on the rim and the inner edge. At this point I have not done any work on the rim. I still need to clean up the rim top and the smooth edge on the outside of the bowl but it is getting there. I built up the inner edge with some JB Weld. I used a dental spatula to lay the mixture on the inner wall of the bowl. Once it is dry JB Weld is impermeable and does not disperse chemicals. My intention is to use this and then finish with a coat of pipe mud and a finish coat of bowl coating. I lightly topped the bowl once the JB Weld dried and gave the inner edge of the rim a light bevel. The bowl is slightly out of round but it far better than it was. I gave the bowl a hand buff with a shoe brush and a light rub down with olive oil. Once the oil was absorbed into the finish I hand buffed the bowl once more with the shoe brush. The finished pipe is shown in the photos below. The outside of the bowl looks excellent. The damage on the rim and the inner bowl wall made it very difficult to bring the bowl back to round. By and large considering where I started I am happy with the finished product. I am going to let the repair cure for another 24 hours before giving it a coat of pipe mud and then a bowl coating.

I took a few close-up photos of the repaired area so you can have a closer look at the repair. The first photo below is the right side. The repair is toward the back of the right side. The second photo shows the left side for comparison sake. The third photo is a top view of the rim repair. The final photos show the bowl with the stem out. Thanks for looking.

***ADDENDUM – I just finished a morning cigar and mixed a batch of pipe mud. I coated the inside of the bowl with a thick layer of pipe mud. It is now drying. Here is a photo. Ardor47

This one was a labour of love – A Custombilt Bullmoose

3 Replies

Blog by Steve Laug

My brother sent me a pipe that is a shape I have had two previous times and always sold or gifted. It is a Bullmoose or a Scoop shape. Tracy Mincer did a great job with this shape and it is one I have never seen repeated as chunky as he did them. This one was stamped on the right side of the shank with the words Custombilt over Imported Briar. The pipe was solid but dirty. The stem would not push into the shank and the grooves and trails in the briar were dusty. The bowl had a thin, uneven cake in it and the lava overflowed slightly onto the rim leaving a thin coat of tars and oils. There were some dings and dents in the smooth parts of the pipe and the finish was worn. There were some fills in the grooves that showed through the worn finish. Overall it was in good shape. The stem had tooth chatter on the top and bottom sides with a few deeper tooth marks near the button. The photos below show what the pipe looked like when I started working on it. I took a few close-up photos of the bowl rim, front and back views and the stem to show what I had to deal with in the restoration of this one. The stamping gave me a bit of information on the date of the pipe. The one word Custombilt stamping rather than the Custom-Bilt stamping would help to pin down the date a bit. I decided to pause a few moments and do a bit of reading to help narrow down the date. I looked on one of my go to resources – Pipedia.org. I also have Bill Unger’s book but it is packed away at the moment and this article on pipedia quotes extensively from the book. Here is the link to the article: https://pipedia.org/wiki/Custom-Bilt

Under the heading, Custom-Bilt History is the following information.

“The book (Bill Unger’s Book, my comment) opens up with an intriguing statement that unfortunately is never fully followed up: Before beginning this history, I need to emphasize an important fact and to ask the reader to keep it firmly. Spelling-Custom-Bilt, Custombilt, and other variations-is extremely important to the various aspects of the following discussions. It was not, however, important to many people in the company’s early days. [Emphasis mine] {Page 9}.”

“Tracy Mincer started the original Custom-Bilt pipes it appears in 1934. Bill meticulously details the start of the Company, how it was financed, the changes in the original ownership, how the company distributed its product, the manufacturing process, certain patented items, and other interesting stuff… In 1946, the name was changed to Custombilt after Mincer began an association with Eugene J. Rich, Inc. (my emphasis). There were some big changes in advertising and distribution. The slogan “AS INDIVIDUAL AS A THUMBPRINT” began at this time as well.”

“In the early 1950’s, Tracy Mincer developed severe financial problems that caused him to stop making the Custombilt, and he lost the name. In 1953, Leonard Rodgers bought the company and emphasized tobacco pouches and butane lighters. (However, it appears Mincer was working on his new pipe, the Doodler.) In 1968, Rodgers sold the Company to Consolidated Cigars. In the early 1970s, Wally Frank Co. bought the Custombilt trademark and began to produce their version of the pipe in 1974 or 1975. Hollco Rohr owned the Weber pipe factory, located in New Jersey, and produced the Custombilt pipes there. In 1987, the pipes were made out of the Butz-Choquin factory (France) and then Mexico until the late 1990s. Currently, the Custombilt name is owned by Tobacalera of Spain.”

From this information I am pretty sure my pipe is made after the change in 1946 and before Tracy Mincer lost the name in the early 1950s. It has the characteristic Mincer like rustication patterns and shape. It could very well be from the Rich era of the brand.

I went to work cleaning up this old timer. I scrubbed the bowl with a toothbrush and Murphy’s Oil Soap. I was able to clean out the rustication and the grooves with this method. I rinsed the bowl under warm water to remove the soap and the grime. The first picture shows the soap on the bowl and the second through the fifth picture that follows show the cleaned and dried bowl. You can see the putty fills in the grooves. Fortunately all of them were in the grooves and not in the smooth portion of the bowl. I scrubbed out the airway in the shank, mortise and stem with alcohol, pipe cleaners and cotton swabs until they came out clean. I thought about using the retort but chose not to on this pipe as it smells sweet and clean. To clean up the scratches and lava on the rim of the bowl I used a medium grit sanding sponge and “topped” the bowl on it. I find that this sponge removes the grime and leaves the rim intact with no briar removed. I worked it on the sponge until it was clean and then used a cotton swab and alcohol to clean up what remained. I sanded the stem with 220 grit sandpaper to remove the tooth chatter and deeper tooth marks as well as the small gouges and oxidation on the vulcanite. With the internals of the shank and mortise cleaned I was able to put the stem back in place. I reamed the bowl with a PipNet pipe reamer and took the cake back to briar. I used a Black Sharpie Permanent Marker to stain the rustication patterns on the bowl and shank. Once I finished with that I wiped the bowl down with alcohol to soften the black and prepare the surface for the contrast stain. I warmed the briar with a blow dryer and then stained it with Feibings Dark Brown that I had thinned with alcohol 1:1. I applied the stain and then flamed it with a lighter to set it. I repeated the process until I got good coverage. I buffed the pipe with Blue Diamond on the wheel to give it a shine and even out the stain coat. The next photos show the bowl at this point in the process. The contrast of the dark in the grooves with the brown really gives the briar a bit of pop. I was careful with buffing around the stamping as I did not want to damage the pristine stamping on this pipe.With the bowl done I turned my attention to the stem. I wet sanded with 1500-2400 grit micromesh sanding pads until the majority of the scratches left behind by the sandpaper were gone. I rubbed the stem down with Obsidian Oil. I dry sanded it with 3200-4000 grit micromesh pads and gave it another coat of oil. I finished by sanding it with the 6000-12000 grit micromesh pads and giving it a final coat of oil. I set it aside to dry while I worked on another pipe. I buffed the pipe with Blue Diamond to raise the shine and then gave the stem multiple coats of carnauba wax. I gave the bowl several coats of Conservator’s Wax and then buffed both the bowl and stem with a clean flannel buff. I hand buffed the pipe with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. I love the finished look of this old timer and the feel of the hefty bowl in the hand. In my opinion it turned out to be a beautiful pipe. Thanks for looking.

Simple Restoration of a Stanwell Freehand

8 Replies

Blog by Aaron Henson – 2/20/16

I have had my eye on this pipe for several months. It has been languishing in a local antique shop since last summer and was priced as if it were fully restored. To my surprise it was still there at the end of January and the shop had lowered the price. I talked with the owner for a while and eventually got his rock bottom price (which was my top end price). After all, it is a beautiful piece of briar.

This is big pipe: the chamber is 7/8” (22 mm) diameter and 1¾” (45 mm) deep and the walls are more than 3/8” (10mm) thick. Inspecting the pipe I did not find much wrong. The stem was heavily oxidized and had very little tooth chatter. The briar was free from dent, gouges and the like. A few minor scratches and the worn stain was all that needed to be addressed. And there was only a light cake in the bowl. As for markings, there were none on the stem and some double markings on the bottom of the shank. It read STANWELL over de Luxe (double stamped) over MADE IN DENMARK (also double stamped). From what I could find, I estimate this pipe was made sometime in the 1970’s. If anyone can date it better please let me know. I set the stem to soak in an Oxyclean solution and began working on the stummel. I cleaned the outside of the briar with a tooth brush and Murphy’s oil soap, rinsing with water then quickly drying with a paper towel. I repeated the process on the plateaux several times. Next I reamed the chamber back to bare wood and inspected the internals. Then the internals of the shank cleaned up easily with cotton swaps and bristled pipe cleaners.

All-in-all, other than a micro crack on the outer surface, the briar was in great shape. There was one long scratch near the stamping but I didn’t want to touch that and risk damaging the stamps. I wanted a very smooth finish so I sanded the outside of the pipe with 1500 – 3200 micromesh pads and set it aside.

Returning to the stem, I scrubbed off the oxidation with a green pad and scrubbed the airway with a series of alcohol soaked pipe cleaners – bristled then soft. The tooth chatter was raised with heat from a lighter and the deepest tooth mark was filled with black superglue. When cured, the stem was sanded and polished with 1500 – 12000 micromesh pads. I wet sand with the first six pads and dry polish with the last three. A little mineral oil between sets of three pads seems to help too.

Next the pipe was assembled and taken to the alcohol retort. Even thought I had scrubbed the internals thoroughly, it took 3 test tubes of Everclear until I no longer smell the ghosts of the previous owner’s tobacco. In my research of the Stanwell pipes, I found that Stanwell used a walnut stain. This was consistent with the remnants of stain that I found on this pipe and I wanted to restore the original look. I began by applying and undiluted Feibing’s dark brown. After it set I realized that Feibing’s brown dye have too much of a red base and it was not direction I wanted to go.

I wiped as much off as I could with an alcohol soaked cotton pad and sanded the surface with the 2400 micromesh pad again to remove a bit more. Returning to my local Tandy Leather, I searched for a walnut stain. After looking at stain samples on leather (which responds much differently than briar) I placed my bets on Eco-Flo’s Bison Brown. This time the results were much more like what I had seen in pictures of similar Stanwell pipes. I applied the stain at full strength and flamed it. After the second coat dried I wiped the excess off with an alcohol soaked pad.

With the smooth surfaces done I stained the plateaux with Feibing’s black dye. Once it dried, I wiped the entire wipe down with mineral oil then set it aside to soak in. It was two days later that I found time to return and take the pipe to the buffing station. I buffed the entire pipe with red diamond then applied three coats of carnauba.

Thanks for reading and I would like to hear your comments.

Restoring an Interesting Older XXXX’d out Sitter

5 Replies

Blog by Steve Laug

When my brother Jeff sent me the photos of this pipe I could see what had attracted him to purchasing it. The unique sitter shape with the angled bottom, the interesting grain patterns and the clean though oxidized stem all pointed to a pipe that would clean up very well. The stamping on the left side of the shank was XXXX’d out so he could not read it to see who had made the pipe. There was something about it however, that niggled at my memory and the shape had a quintessential British made pipe look. When it arrived I examined it under a bright light and was able to make out the stamping under the XXX’s. It read MAJESTIC over Danish Crown. From research on the web I found that the brand was made by Ben Wade in England. In person the pipe was quite nice. There were scratches and nicks in the bowl that would need some work. On the left side toward the bottom of the bowl were two marks joined by a line. At first glance it looked like a crack but it was not. There were two flaws in the briar and a long horizontal scratch in the surface of the briar. Even if it had been a crack the two flaws stopped it from spreading so it was not a problem.

There was beautiful grain on the sides and bottom of the bowl. The dirty rim promised some interesting grain underneath the tars and lava build up. The outer edge of the rim had damage on the front and the rear. It had been tapped out on something solid and had rounded and damaged the edge. The inner edge looked good though the crumbling cake would need to be reamed to know for sure.

I reamed the bowl with the PipNet reamer and completely removed the cake. I wanted to clean up the inner edge of the rim and check the bowl walls for cracks or damage. (In the top view photo you can see the rounding on the front and back outer edges of the rim.)

I cleaned out the airways from button to bowl with pipe cleaners, cotton swabs and alcohol. I used a dental pick to clean out the slot.

I scrubbed the exterior of the bowl with acetone on cotton pads to remove the grime and the damaged finish.

I scrubbed the rim and then used the topping board to remove the damaged top of the rim. A light topping took the surface down and sharpened the edges on the front and back side of the bowl.

I used the dental pick to clean up the line and the two end points that marked the bowl on the left side. I used clear super glue to fill in the flaws and the groove in the line. I sanded the repairs to the bowl until the surface was smooth. I sanded it and the rim with micromesh sanding pads 1500-6000 grit. I used a black marker and a dark brown stain pen to prepare the bowl for staining. I decided to use a Cherry Stain and Danish Oil on the briar on this one. It would highlight the grain and make it shine.

I laid the pipe aside to dry over night. In the morning I buffed it with some Blue Diamond and then gave it a coat of carnauba wax. I buffed it with a flannel buffing pad and then took the next photos.

The stem still needed attention. I sanded it with 220 grit sandpaper to remove the nicks and deep oxidation in the vulcanite. I followed that by wet sanding it with 1500-2400 grit micromesh sanding pads and rubbing it down with Obsidian Oil. I dry sanded with 3200-4000 grit pads and repeated the oil. I finished by dry sanding it with 6000-12000 grit pads and gave it a final coat of oil. I set it aside to let the oil soak into the vulcanite.

I buffed the pipe with Blue Diamond and then gave it several coats of carnauba wax. I buffed it with a clean buffing pad and then with a microfibre cloth. The finished pipe is shown in the photos below. The unusual shape and the unique grain on the briar really stand out with the finish I chose. The slight bend to the stem gives it a jaunty look. The stem is too heavy for the bowl to sit flat on the angled base but it balances on the point.

Thanks for looking.

Easy Restoration of a 3-Star Pipes by Lee Rhodesian

14 Replies

Blog by Aaron Henson – 2/20/16

I have found that writing up my pipe restorations is handicapped by my in-ability to remember to take pictures as I am working. On this Pipes by Lee Rhodesian I did a little better job at taking pictures. Although this was a simple restoration I thought I would take the opportunity to share my experience.

I found this 3-star Lee with two other pipes (a Mastercraft and a Grabow) in a lot at a local antique shop. I wanted to know more about the Lee brand but I found there is not much out there. But here is what I found:

The Pipes by Lee brand was distributed by Stewart-Allen Co, Inc., NY. The pipes were graded by stars: 1 to 5 stars (5 being the high end). Early pipes have seven pointed stars; the middle run have five pointed stars and later pipes are stamped with colored gold stars. (the preceding content from the “Pipes: Logos & Markings” website and the 1947 Ad, courtesy Doug Valitchka).

This pipe has three 7-point gold/brass stars set in a line in the top of the stem. I could not find the dates of the different runs/eras mention above but based on the ad I would have to guess my pipe dates to the late 1940’s to 1950’s.

The Pipe
The outside of the pipe was in very good condition. The briar was clean and the stem was moderately oxidized. The stamps on the shank were very clear: left side read ‘Pipe by Lee’ over ‘Limited Edition’. The right side of the shank is stamped ‘An Authentic’ over ‘Imported Briar’. The stem was slightly over-clocked and the previous owner had placed a couple of sheets of paper between the stem and shank to act as a spacer. There was one divot in the bottom stem near the button but otherwise was free from tooth chatter.

The internals were a different story; the chamber had a healthy cake buildup and good amount of tar on the rim. The shank was full of tar and the stinger was coated in dried tar. The internals of the stem itself were not as bad as the shank and I will attribute this to the removable filter/stinger. I began the restoration by cleaning the rim. I moistened a little powdered Oxyclean and placed it on a damp green-pad. I laid the pad on a flat surface and worked the bowl much like I was topping it. I don’t have a picture of the result but this worked very well.

The cake was very hard and resisted my attempts with the reamer so set the bowl to soak in alcohol overnight. I also set the stem to soak in an Oxyclean bath using a pipe cleaner to hold the stinger out of the solution.With the cake nice and soft, I reamed the bowl back to bare wood with little difficulty. An inspection of the inside of the chamber showed that the briar to be sound and without burnouts or cracks. The airway was clear and located precisely at the bottom center of the chamber. The alcohol soak also removed much of the stain and revealed three small pink fills that would have to be addressed.I finished up the internals by cleaning the shank with cotton swabs and pipe cleaners until they came out as clean as they went in.

I neglected the pictures during this next part but in summary I used a dental pick to remove fills and packed the voids with briar dust. A dab of clear CA (cyanoacrylate) glue set the dust in place. After drying, the fills were sanded smooth. I also sanded the entire bowl (except around the stamps) with 1500-3200 micromesh pads.

Returning to the stem, I removed the aluminum ‘filter’ and cleaned it and the threads with 0000 steel wool and alcohol. Then I tried to raise the divot out of the stem with flame from a lighter. I didn’t expect to completely eliminate the divot but wanted to reduce it as much as possible before filling it. The fill was made with black CA glue and charcoal powder then sanded smooth when cured.

I polished the stem by wet sanding with 1500-4000 micromesh pads, rubbing down with mineral oil after each group of the three pads. A plastic washer was placed between the stem and the stummel at this stage to prevent damaging the wood and to keep from rounding the shoulder of the stem. At this point I set up the alcohol retort. It took three test tubes until the alcohol was clean; note that I left the filter off during the retort. I won’t describe the retort process because that can be found in other posts but I do want to comment on one point. I have found that heating the alcohol often time lead to an explosive boiling – not a very controlled process. The smooth surface of the test tube and purity of the alcohol does not provide a surface for bubble to form on. However, if I add a small foreign object to the bottom of the tube the boil is much more controlled. I small piece of cake or charred candle wick gives the bubbles a place to form and eliminate the possibility of super-heating the alcohol.Now that the pipe was cleaned and sanitized I finished the stummel by applying two coats of Feibing’s light brown aniline stain. I flamed the stain to set it and then wiped off the excess with a cotton pad and alcohol. While reassembling the pipe I heated the threaded tenon and re-align the stem. Then I coated the entire pipe with mineral oil and set it aside to soak in before applying three coats of carnauba wax.

Thanks for reading and please let me know what you think.

This one was a challenge for me – a 1981 CAO Bekler A La Rodin No. 7 of 100

2 Replies

Blog by Steve Laug

A fellow Canadian contacted me about working on a Bekler that he had picked up. He said it was pretty rough. He sent me these photos for a quick look. I loved the look of this pipe. It is stamped CAO Bekler on the darkened shank. On the foot it is stamped ’81 over A La Rodin no. 7 of 100. Above the darkened shank is an insert of carved roses. Above that is a bi-colour spool. The stem was pushed into the spool. There are threaded connectors between each piece of the shank. When the pipe arrived it was in worse shape than I had expected. Joe had said that the stem needed work but I did not expect the mess that came. Someone had hacked the stem with files and left behind an uneven surface with many deep file marks and scratches. Some of the flaws were raised and some were indents. It looked as if they had tried to thin the mouthpiece down and narrow the width of the stem. The button was intact but had file marks. The file marks went every direction across the stem. The slot in the end of the stem was off centre with the drilling in the slot slightly to the left. The stem itself was twisted to the left as well. The inside of the stem had a dark sludge in it that pretty well hid the tortoise shell look of the Lucite. The bowl and shank were badly scratched and the rim was a mess. The bowl was out of round and the same person had used the file on the rim leaving behind deep gouges in the top of the rim. On top of the scratches there was a thick coat of lava that covered the top from the inner edge out to about the middle of the top. The foot had some nicks out of it. This would take some tedious work to clean up.

I took some photos after I initially sanded the stem. I wanted to document the condition of the pipe. I sanded the stem with 220 grit sandpaper to smooth out all of the cuts and file marks. It took a lot of sanding and shaping to smooth out the stem surface. I found that under the file marks there were some tooth marks in the underside of the stem. I sanded that surface smooth and wiped it clean. I used a clear super glue to fill in the divots. Once the glue dried I sanded the entire stem once again and blended the patch into the surface of the Lucite. I reshaped the button and the edge with the sandpaper and cleaned up the slot with needle files.

Once the surface was smooth I cleaned out the inside of the stem with pipe cleaners and alcohol. I scrubbed the interior with both smooth and bristled pipe cleaners. I was able to clear out the darkening and tar in the airway. With the stem cleaned up and the surface smooth I took a picture of all of the parts on this pipe. The connectors look rough but upon examination I found that they were solid and needed to be cleaned up. You can also see the file marks on the top of the rim and the tars and lava that filled them.

I scrubbed the spool insert with Murphy’s Oil Soap and then rinsed it off with water. I cleaned out the inside of the spool and the threaded connector with alcohol, cotton swabs and pipe cleaners. I used a topping board to clean up the ends of the connector as it was poorly done. It looked like someone had shortened it with a pair of cutters and left the residual chips and flakes on the connector. The tars had caught on them giving the end a rough look. The threads were also caked with tars and oils. I scrubbed the next shank insert, the carved rose piece with the Oil Soap and a tooth brush and rinsed it with water. I cleaned out the interior with pipe cleaners, cotton swabs and alcohol. I also cleaned the longer connector inside and out. I used a dental pick to clean out the threads. I also used the topping board to smooth out the ends.

The next photo shows the two shank inserts joined together with the smaller of the two connectors. I gave them a light coat of Conservator’s Wax and buffed them with a shoe brush to raise a shine. I decided to work on the stem with the micromesh pads to see what the surface looked like with some shine. I find that the first three grits of micromesh pads – 1500-2400 – tell a lot. I could see the spots that I needed to still work on but I could also see the lovely tortoise shell Lucite beginning to show its colours. I put the stem on the two inserts to get a feel for the look of this part of the pipe. I took the next two photos to show the progress. The stem was getting there. I still needed to heat it and straighten out the twist in the bend and bend it slightly more as it did not fit snugly in the case. Before I heated the stem I examined it carefully. There was a small flaw in the swirls of the material on the top surface of the stem at the bend so I would need to be careful in the heating and bending. Fortunately the flaw did not go too deeply into the stem material but sat on the surface. I heated the tip of the stem and straightened out the twist in it as I bent it slightly to match the case. I repaired the flaw with super glue and sanded it with 20 grit sandpaper to smooth out the repair.

I cleaned the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol. I set the bowl aside to dry out and I sanded the stem with micromesh sanding pads. I wet sanded with 1500-2400 grit pads and rubbed the stem down with Obsidian Oil. I dry sanded it with 3200-4000 grit pads and gave it another coat of oil. I finished with dry sanding it with 600-12000 grit pads and gave it one last coat of oil.

I polished the stem with Meguiars Scratch X2.0 and then gave it several coats of wax. I scrubbed the surface of the bowl with the Scratch X2.0 and hand buffed it with a cloth. I sanded the file marks on the rim to bring it back to smooth. The deep gouges were blackened and took quite a bit of sanding to remove them. I started sanding with 220 grit sandpaper and worked on the surface of the rim. I was careful to not change the profile of the bowl or the angles of the rim. I sanded the rim with micromesh pads from 1500-12000 grit to smooth out the surface and give it a shine. I gave the bowl several coats of Clapham’s Beeswax Polish and buffed it by hand with a cloth.

With the buffing the bowl began to shine. The carving on the foot of the bowl stood out clearly. The rim surface looked far better than when I began.

I lightly buffed the bowl with Blue Diamond on the wheel being careful around the blackened shank. The shine rose in the meerschaum and the pipe looked good. Though there were still nicks and scratches they now looked like marks of honour and age rather than abuse. To me it is always a fine balance between restoring a pipe and reworking a pipe. On a beautiful pipe like this one I opted to work on the big issues and leave some of the war wounds on the sides of the bowl. To me the pipe has been around long enough to earn those marks. I want a pipe that is finished to look better than when I started but I am not aiming at making a 35+ year old pipe look new. I want it to look cared for and well smoked. The finished pipe is shown in the photos below.

Dunhill Bulldog Gets a Facelift

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Blog by Dutch Holland

I had been looking for a small Dunhill Bulldog and recently found this one. It’s a 1962, style 148, Bruyere, Group 3 in need of some TLC. It’s quite petite, almost delicate compared to the GBD Rhodies I’m usually drawn to but the price was right so I pulled the trigger and several days later it arrived. Although not in really bad shape, it had some issues that would need attention. The bowl top hadn’t seen a cleaning in some time, carbon build-up had migrated onto the upper outside of the bowl and the tobacco chamber had a significant build-up of cake. At some point the pipe had apparently been dropped because there was a nasty crease and some dents surrounding it on the front. The shank had several tones of color, the cause is uncertain. After cleaning the rim area I discovered a number of edge scars and some charring on one side that made the inner edge look out of round. There would be no saving the finish, a stripping would be necessary. The nomenclature was clear and strong so attention to method would be important to preserve it. Dave G’s stripping formula worked out exceptionally well but who would expect anything less? I slightly topped the rim after beveling the inner edge to minimize the amount that needed removal. Topping was done with 1000 grit sandpaper on a flat surface following the application of some steam. The steam had all but eliminated the edge scars and a little softening of the outer edge did the rest. Treating the inner edge with a slight bevel took out the majority of the scorch so almost nothing needed to be removed. Preserving that classic profile was important. That came at the expense of giving the top a somewhat different look. One that seems to better compliment the delicate style of this pipe but that’s just a personal opinion.

The crease and dents on the front were steamed out and the entire pipe stripped of wax and stain. I really wanted something darker than the original stain so I mixed 2 parts of medium brown with 1 part oxblood and applied it. After the color set I buffed it to a rich dark mahogany and then applied four coats of carnauba wax, giving each a chance to harden in between. The stem was worked with Micro-Mesh and then a final buff with white diamond to bring up the gloss. There are some who would consider changing the color of a Dunhill to be heretical but I’m not so constrained. This one’s for my pleasure, the next guy can restore it for authenticity. I really like the color and overall the pipe looks better than it did at the start so I don’t feel the slightest bit guilty. Burn me at the stake if you like, I’m unrepentant.

A Sparkling Metallic Dr. Grabow Viking with Three Bowls

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Blog by Steve Laug

This older Dr. Grabow Viking came to me as a gift from a Facebook friend. He gave it to me along with some other pipes for me to enjoy restoring. This one is stamped next to the heel of the metal base – Viking Pat. Pend. The metal is sparkling metallic silver. It has flecks throughout the paint that make it sparkle and shine. When it came it was together in a plastic sandwich bag. The base unit was tired and dirty. The bowl on the base was caked with an over flow of lava onto the rim. The other two bowls had been reamed and cleaned. The finishes on all three were dirty and dull. The rims on all three bowls show damage from burns or being knocked out on a hard surface. When I removed the bowl the interior of the base was caked with the thick lacquer of the juices of tobacco as it burns. It looked to me like it had not been cleaned in a long time and the black thick oils had hardened like rock in the base. The airway was clogged with debris. The stem had collapsed from being bitten on. The tooth marks were deep but did not go through into the airway. The sharp edge of the button was worn almost smooth. I was not able to push a pipe cleaner through the airway from the button or from the airway in the bottom of the base.

I took a few close-up photos. The first shows the inside of the base and the build up there. The second and third show the bite marks on the stem. The second photo shows the top of the stem and the bite mark on that surface, though not looking bad in the photo, collapsed the airway and made it impossible for a pipe cleaner to pass through. The fourth photo below shows the stamping on the bottom of the base.

I scrubbed out the inside of the base with pipe cleaners, cotton swabs and alcohol. I also used a brass bristle brush. I opened the slot and airway in the stem with a flat needle file. I inserted the needle file and pushed the indentation on the top of the stem upward to clear the airway. It took a lot of fiddling with the file to open the slot completely. I cleaned the airway and stem with pipe cleaners and alcohol.

I repaired the tooth marks with black super glue and set the pipe aside for the evening to allow the glue to cure. I have not had good luck with this kind of fill using the accelerator as it tends to cause air bubbles in the dried glue.

G10

I reamed the cake in the one bowl with a Pipnet reamer and took the cake back to bare briar.

G11 G12

In the morning I sanded the repairs on the stem with 220 grit sandpaper to smooth the surface of the repair and blend it with the stem. I used a needle file to sharpen the edges on the button.

G13 G14 G15 G17

Once I had the surface smooth I sanded the stem with micromesh sanding pads. I wet sanded the stem with 1500-2400 grit pads and then rubbed it down with Obsidian Oil. I dry sanded the stem with 3200-4000 grit pads and gave it another coat of oil. I finished dry sanding it with 6000-12000 grit pads and gave it a final coat of Obsidian Oil. I set it aside to dry.

G18 G19 G20

With the base finished I set it aside and turned my attention to the bowls. I topped all three bowls on the topping board. The short bowl that I reamed had some dents and rim damage. The other two had burn marks and rounded edges that needed to be cleaned up.

G21 G22

I wiped the bowls down with acetone on cotton pads to remove the finish and the grime.

G23 G24

I stained all three rims with the light brown stain pen for the first coat. I then gave all three bowls several coats of Cherry stain Danish Oil and buffed them to a shine.

G25 G26 G27 G28 G29

I finished the restoration by buffing the bowls with Blue Diamond and then giving the bowls and the stem several coats of carnauba wax. I buffed the whole pipe with a clean buff and then with a microfibre cloth to raise the shine. The finished pipe is shown in the photos below. Each photo shows a different angle and includes the base with all of the bowls in place.

G30 G31 G32 G33 G34 G35 G36 G37 G38 G39

I love these old timers – this one is a GC Bulldog

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Blog by Steve Laug

When I found this old bulldog on EBay I was drawn to it and immediately put in a bid. I won it as no one else saw the charm in this one. It was a hard to see the stamping in the photos and many of the photos the seller included were out of focus which even made it harder to figure out the state of the pipe. The seller identified the pipe as a GC Bulldog. The seller’s photos that I have chosen below show the condition of the pipe. The finish is dirty and there are definitely dings and nicks in the briar. The bead around the cap of the bowl is a nice touch and it too is worn. The stem is oversized and is larger in diameter than the bowl so it makes one wonder if it is original. The threaded bone tenon in the stem fits perfectly in the shank with the alignment matching. The angles of the shank and the stem match. The vulcanite stem is just slightly larger than the shank on the left side of the pipe but works on the right side. The button is rounded and has an orific opening that shows that it is the proper age for this pipe. All that I saw was enough for me.

When the pipe arrived my assessment from the photos was correct. The stem was a good fit but it was larger than the shank on the left side. The bone tenon was in excellent shape with no wear and tear on it. It was stained with the tobacco juices of the long smoking. The shank was dirty and the airway in the stem was dirty. The airway in the bowl was clogged so no air would go through it no matter how hard I blew on the shank. The rim had serious damage on the right side front. There was a chunk of briar missing from the inner edge of the bowl and there was a scar running part way down below that. The rim had a divot at that point and also on the front itself that looked to have been caused by overzealous lighting from the exact same point every time the pipe was smoked. The bowl had been reamed and looked clean and smooth other than the damage on the right top side. The finish was dark and dirty. The stem had tooth marks on the underside near the button and tooth chatter on the top side. The next four photos show the pipe when I brought it to the work table.

The next photo is a close-up of the rim to show the damage. I decided to top the bowl so I used the topping board and 220 grit sandpaper to remove the top surface damage to the rim edge. When I had topped as much as I could without changing the profile of the bowl it was time to decide how to address the damage. I set that aside for a bit and worked on the fit of the stem.

I sanded the stem sides with 220 grit sandpaper to bring it to the same height and dimensions as the shank. It took work on the left sides and some adjustments to the right side. I also needed to work over the points of the diamond to make the alignment straight and flowing. I sanded the tooth marks and tooth chatter at the same time and was able to remove it.

I wiped the bowl down with acetone on cotton pads to remove the damaged and dirty finish that remained on the bowl. With these old finishes the grime and some of the clouded top coat disappears and the grain begins to poke through as the bowl is scrubbed.

I worked on the internals of the mortise, airway and the airway in the stem. Since the airway in the mortise was plugged I used a round dental pick to push through the grime that plugged the airway. I reamed out the airway with the pick and then scrubbed it with pipe cleaners and a shank brush until it was clean. I scrubbed out the mortise with pipe cleaners, cotton swabs and alcohol until it was clean and smelled fresh. I swabbed out the inside of the bowl with cotton swabs and alcohol. I used pipe cleaners and alcohol in the stem airway and cleaned the threads on the bone tenon with cotton swabs.

With the interior of the bowl clean I lightly sanded the inner edge of the bowl in the damaged area. I put some small drops of super glue on the rim and inner edge and used a dental spatula to press briar dust into the glue.

I retopped the bowl to smooth out the repair and sanded the inside with a folded piece of 220 grit sandpaper to smooth out the curve of the inner edge.

I sanded the top and rim edge with 400 grit wet dry sandpaper and then with 1500 grit micromesh in preparation for staining. I stained the areas where I had sanded the shank to match the stem and the rim with a dark brown stain pen.

I hand buffed the stained areas and the rim and took the following photos.

I wet sanded the stem with 1500-2400 grit micromesh sanding pads and then rubbed the stem down with Obsidian Oil. I dry sanded the stem with 3200-4000 grit pads and gave it another coat of oil. I finished sanding with 6000-12000 grit pads and gave it a final coat of oil. I set the stem aside until the oil dried.

I gave the bowl and stem several coats of Conservator’s Wax and hand buffed the pipe and stem with a shoe brush and a microfibre cloth to raise the shine. The finished pipe is shown in the photos below. There are still some dents and dings on the sides of the shank and bowl that I chose to leave there. Some of them are the very faint stampings that remain on the right and left topside of the diamond shank. Some of them are beauty marks that came with the long life and hard travel of this little pipe. I chose to leave them as they were and imagine the stories that go along with them. Thanks for looking.