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Restoring a Osman Tall Meerschaum Billiard with a Bakelite Stem

by Steve Laug

Last evening but for quitting for the night I decided to work on another pipe that I no longer know where or when we purchased it. It is another pipe from a large box of Meerschaum pipes that is sitting in my storage that I need to clean up and restore. I have honestly avoided them for years but now was the time to start my work on some of them. The one I chose was a Tall Billiard or almost a stack. It is a smooth meerschaum with what appears to be a Bakelite stem. It is a beautifully shaped meer with nicks and scratches from its journey and some nice patina developing around the shank and sides. The meer is very dirty from use with a thick cake in the bowl and an overflow of lava on the inner edge and rim top. The stem fit well against the shank end and had a threaded tenon in the shank that aligned with properly with the stem in place. The tenon was a Kaywoodie type threaded one that had been clipped. The stem was stamped OSMOND on the left side and the shank band has the marks of a repair band. On the underside of the name F. Wright was scratched into the surface but it was almost worn away. I took photos of the pipe before I started my clean up work on it. I took photos of the rim top and the stem to show the condition of the pipe when I brought it to the worktable. You can see the cake in the bowl and the build up of lava and debris on the edge and top of the rim top. It is another dirty pipe but still a charmer. The orifice button Bakelite taper stem has light chatter and deep tooth marks on both sides near the button. I took a photo of the stamping on the left side of the taper stem. It is clear and readable as noted above. I removed the stem from the shank and took a photo of the parts.I started my work on the bowl by reaming the thick cake out of the bowl. I started with a PipNet reamer and the 2nd and 3rd cutting heads to take back the cake to the walls of the bowl. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife and scraped the rim top at the same time. I sanded the bowl walls with a piece of dowel wrapped with 220 grit sandpaper. Once finished it looked much better. I scrubbed the bowl and shank with undiluted Murphy’s Oil Soap and a tooth brush. I rinsed off the soap and debris with warm water and repeated the process until the pipe was clean. I dried it off with a soft towel. It really began to look better. I cleaned out the airway in the shank and mortise as well as in the stem with pipe cleaners (both bristle and regular). I used a brass bristle wire brush to further clean up the metal tenon. It was much better.I polished the meerschaum with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cotton cloth. The bowl took on a shine by the last pads. I gave the bowl multiple coats of Clapham’s Wax that blends both carnauba and beeswax in a soft wax. I rubbed the wax on the bowl sides and the shank end with my fingers and set it aside to dry. Once the wax cured I buffed the bowl with a clean buffing pad and then with a soft microfibre cloth. The bowl has a rich glow. I polished the polished nickel band with a jeweller’s cloth to clean and protect the finish and to remove the remaining oxidation and dullness. I set the bowl aside and turned my attention to the stem. I filled in the tooth marks with some clear CA glue. When it cured I flattened the repairs with a small flat file to blend them into the surface of the stem. I then sanded it with 220 grit sandpaper to smooth it out. I continued sanding the stem surface with 320-3500 grit 2×2 inch sanding pads. I wiped the stem down after each pad with a damp pad to remove the debris. By the end it was quite shiny and ready for polishing.I polished the stem with micromesh sanding pads – wet sanding it 1500-12000 pads. I wiped it down with a damp cloth after each pad to protect it and preserve it. I polished it with Before After Pipe Polish – both Fine and Extra Fine. I am really happy with the way that this Osman Meerschaum Tall Billiard with a Bakelite Stem turned out. It really is a beautiful looking pipe with a unique shape and smooth meerschaum bowl. The taper stem is really nice. The rich patina on the meerschaum came alive with waxing and buffing. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of beeswax/carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Osman Meerschaum Tall Billiard really is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 ¼ inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 1 inch. The weight of the pipe is 51 grams/1.80 ounces. The pipe will be going on the rebornpipes store soon. It will be in the Ceramic and Meerschaum Pipes Section if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

Irish Seconds Made in the Republic of Ireland Rusticated Bent Billiard loose stem

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by Steve Laug

The next pipe on the work table came to us from a seller in Brazil, Indiana, USA on 11/12/2020. It is a nicely rusticated Irish Second Bent Billiard with a tapered vulcanite stem. The pipe is stamped on the underside of the shank and reads IRISH SECONDS [over] Made in the Republic of Ireland. Irish Seconds were a Peterson’s Second Line that usually did not make the grade because of flaws in the briar or sandpits. The rusticated finish hid any of those and there was a lot of grime ground into grooves on the bowl and shank. The bowl was heavily caked and there was lava on the rim top and the inner edge of the rim. The edges looked okay but we would know more after the cleanup. The stem was oxidized, calcified and had tooth chatter and deep tooth marks on the top and underside ahead of an on the button. There were not markings or a logo on the taper stem. The pipe showed promise but it was very dirty. Jeff took photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the condition of the rim top and edges. He also took photos of the top and underside of the stem to show the oxidation, calcification and chatter and tooth marks. Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is a great rustication under the grime. He took photos of the stamping on the shank. It reads as noted above and is clear and readable.I am including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). I have included a bit of the pertinent history here.

1950 – 1989 The Republic Era – From 1950 to the present time, the stamp for this era is “Made in the Republic of Ireland” in a block format generally in three lines but two lines have been used with or without Republic being abbreviated.

I knew that I was dealing with a Republic Era pipe made between 1950-1989. It was a Rusticated Bent Billiard with an interesting pattern. The finish was stained with a combination of brown and black stains. Now it was time to work on the pipe.

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs, shank brushes and pipe cleaners. He soaked the stem in Briaville’s Pipe Stem Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it. The fit of the stem to the shank was off and shank end had some damage from scuffing and some sanding it looked like. Because of that the stem did not seat against the shank end in a clean way. I decided to clean up the shank end by fitting it with a thin brass band that would provide a straight edge for the stem surface to sit against and also give the rusticated bowl a bit of bling. There were no cracks in the shank so it was purely a cosmetic fix. I chose the band from my bands and pressed it on the shank end to have a look at the pipe with the band. I liked what I saw so I removed the band and coated the inside with a layer of white glue and pressed in place on the shank. I fit the stem on the shank and took photos of the pipe with stem and band in place. I turned my attention to the damage on the inner edge of the rim. The bowl was quite out of round with burn damage on the front right and the back left. I used a folded piece of 220 grit sandpaper to smooth out the edge and remove the roughness. I was able to make it look better even thought it is still not perfect. You can also see the burn damage on the right front rim top where the rustication is quite smooth.I used a Philips Screwdriver that I had converted into a four-prong rustication tool to rework the smooth portion of the rim top. It looked better when I had finished. I touch up the stain on that portion of the rim top with a black stain pen to blend the work into the surface. I was happy with the progress. Though it did not change the damage on the rim edge it did hide it a bit and make it less visible.I rubbed the bowl and rim down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips and with a shoe brush to get into the grooves. The product works to clean, enliven and protect it. I let the balm sit for 10 minutes and then buffed with a cotton cloth to raise the shine. I really like watching the Balm do its magic and bring the briar alive. I set the bowl aside and turned my attention to the stem. I filled in the deep grooves on the surface of the stem with black rubberized CA glue. Once it cured I flattened the repairs and recut the button edge with small needle files. I sanded the repaired areas further to blend them in with 220 grit sandpaper. It really began to look quite good. I sanded the stem with 320-3500 grit 2×2 inch sanding pads. I wiped the stem down after each sanding pad with Obsidian Oil. I blended in the tooth marks and chatter in the surface and after the final pad a deep shine began to develops.I polished the stem with 1500-12000 grit micromesh sanding pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. Once again at this point in the restoration process I am excited to be on the homestretch. I look forward to the final look when the Republic Era Peterson’s Irish Seconds Bent Billiard is put back together, polished and waxed. I put the bowl and stem back together. I lightly polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up nicely. The depths of the rustication really pop along with the thin brass band after the wax and polish. The shiny black vulcanite stem is a beautiful contrast to the browns of the bowl and thick shank. This Republic Era Peterson’s Irish Second Bent Billiard was another fun pipe to work on. The pipe feels great in the hand will be better when warmed up while smoking. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 2.36 ounces/67 grams. I will be putting it on the rebornpipes store in the Irish Pipemakers Section if you would like to add it to your rack and carry on the previous pipeman’s legacy. This is an interesting estate to bring back to life.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Rejuvenating a Peterson’s Republic Era System Standard 307 Huber Munchen

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by Steve Laug

The next pipe on the work table is Peterson’s System pipe that we purchased from our contact in Copenhagen, Denmark on 04/11/2023. It was stamped Peterson’s [over] System [over] Standard on the left side of the shank vertically below the nickel ferrule. On the right it is stamped Made in the Republic of Ireland (in three lines) [over] the shape number 307. The underside of the shank was stamped Huber [over] Munchen. It has a smooth finish around the bowl and shank have oils, debris and grime ground into the finish. There was a thick cake in the bowl and a lava overflow on the rim top that was heavier toward the back side. The top and edges of the rim were well hidden under the tars and lava. There was a very beautiful pipe underneath the buildup of years of use. The ferrule on the shank end was oxidized and is stamped on the top and left side K & P [over] Peterson. The stem was a Peterson’s style P-Lip. It was oxidized and calcified toward the end with some tooth marks and chatter. There were tooth marks on the button itself as well. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took photos of the bowl and rim top to show the thick, hard cake in the bowl and lava build up on the top of the rim and the edges of the bowl. The front outer edge has some damage from being knocked against a hard surface. Only clean up would tell the full story. Jeff took photos of the top and underside of the stem showing the tooth chatter, scratching, calcification and oxidation on the stem surface and wear on the edges of the button. Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the grime around the sides of the bowl and shank. Even under the dirt and debris of the years it looked very good. Jeff took photos of the stamping on the underside of the bowl and shank. The stamping was faint but readable as you can see from the photos. It read as noted above. The nickel Ferrule is clearly stamped and readable. I have included the information on the shape number on this pipe that I picked up on researching the previous pipes. I have included a page from a Petersons Catalogue that I have on rebornpipes (https://rebornpipes.com/tag/peterson-hallmark-chart/). I have put a red box around the 307 shown in the catalogue page shown below. That should give a clear picture of the size and shape of the pipe. I am also including the information from Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson). I have included a bit of the pertinent history here.

During the 1950’s and 60’s the Kapp & Peterson company was still in the ownership of the Kapp family. However, 1964 saw the retiral of the company Managing Director Frederick Henry (Harry) Kapp.

Pipedia also included a section of information on the System pipes including a diagram of the systems look (https://pipedia.org/wiki/Peterson#Republic_Era_Pipes). I quote a section of the article in part and include a link to another article on Pipedia on the System pipe.

The Peterson System pipes are the standard bearers of the Peterson pipe family, famous for the excellent smoking pleasure they provide. Often imitated but never equalled, the Peterson System smokes dry, cool and sweet, thanks to the scientiﬁc effectiveness of the original design. The heart of the System is the unique graduated bore in the mouthpiece. This makes the suction applied by the smoker 15 times weaker by the time it reaches the tobacco chamber. The result is that all the moisture ﬂows into the reservoir and, thus cannot reach the smoker’s mouth. The Peterson Lip further enhances the effectiveness of the graduated bore by directing the ﬂow of smoke upwards and away from the tongue. This achieves a uniquely even distribution of smoke and virtually eliminates any chance of tonguebite or bitterness. Furthermore, the shape is contoured so that the tongue rests comfortably in the depression under the opening. Each “PLip” mouthpiece is made from Vulcanite. For the Peterson System pipes to work properly, the stem/tenon has to have an extension, the tip of which will pass by the draft hole from the bowl and into the sump. Upon the smoker drawing in smoke, this extension then directs the smoke down and around the sump to dispense a lot of the moisture before the smoke enters the extension and stem. On the System Standards and other less expensive systems, this extension with be made of Vulcanite turned integrally with the stem. On the more expensive System pipes this extension will be made of metal which screws into the Vulcanite stem. This extension on the earlier pipes will be of brass and the newer pipes will be of aluminium. Most smokers not knowing this function of the metal extension, assumes that it is a condenser/stinger and will remove it as they do with the metal condensers of Kaywoodie, etc. Should you have a System pipe with this metal extension, do not remove it for it will make the System function properly and give you a dryer smoke (https://pipedia.org/wiki/A_closer_look_at_the_famous_Peterson_Standard_System_Pipe).

Finally, on the underside of the shank it is stamped Huber [over] Munchen. From a past restoration I did a lot of work on the stamping (https://rebornpipes.com/2023/10/14/petersons-kildare-special-hg-republic-of-ireland-10-canadian/). Have a look if you are interested.

To learn more about the Huber Munchen stamp I turned to page 300 of “The Peterson’s Pipe” by Mark Irwin and Gary Malmberg as noted by him in the previous blog and found a great paragraph on the stamping. I quote in full.

GH Retailer’s Monogram (c. 1960s) George Huber of Munich, Germany, a Peterson distributor and retailer for decades, stamped their monogram on pipes sold in their store, G overlaid on H. Peterson shared in the 1988 commemoration of Huber’s 125^th year in business by producing a special pipe with a sterling rim cap, stamped HUBER over CELEBRATION.

The pipe I have is one that does not bear that monogram and does not appear to have ever had the sterling rim cap and was not stamped HUBER over CELEBRATION. It was however, stamped Huber [over] Munchen – the city where the shop was located. With that information I turned my attention to working on the pipe.

Jeff cleaned this filthy pipe with his usual clean up process. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks very good with great looking grain around the bowl and shank. Jeff soaked the stem in Briarville’s Pipe Stem Deoxidizer to remove the oxidation on the vulcanite. When the pipe arrived here in Vancouver for the second stop of its restoration tour I was amazed it looked so good. I took some close up photos of the rim top and also of the stem surface. I wanted to show what an amazing job Jeff did in the cleanup of the rim top. The rim top and inner edge were in good condition. There was some darkening and slight damage to the inner edge. The rim top also had some roughening on the front edge. I also took close up photos of the stem to show the condition of the vulcanite. It was quite clean and the tooth marks on the button and on the stem ahead of the button were very visible in the photos.One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. The stamping on this one was faint in spots to start with so I was worried that it would disappear altogether with the cleanup. He was able to preserve and maintain its condition in the process. It did not become worse but the photos give an accurate picture of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. I would like to encourage all of us to be careful in our work to preserve this as it is a critical piece of pipe restoration! I took the stem off the shank and took a photo of the pipe. I decided to start my work on the pipe by cleaning up the rim top and inner edge of the bowl with a folded piece of 220 grit sandpaper. I removed the damage on the inner edge and the nicks on the rim top. I worked on the damage on the rim front – not removing it but minimizing it. The rim looked significantly better. I wiped the bowl and shank down with cotton pads and alcohol to further remove some of the darkening in the bowl and to better blend the stain that was present on the bowl. I sanded the bowl and shank with 320-3500 grit 2 x2 inch sanding pad. I wiped the bowl down after each sanding pad with a damp cloth. The grain can be seen through the finish. I polished the briar with micromesh sanding pads – dry sanding it with 1500-12000 grit sanding pads. I wiped it down with a damp cloth after each sanding pad to remove the dust. The briar was really shining by the final pad. I rubbed the bowl and rim down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for 10 minutes and then buffed with a cotton cloth to raise the shine. I really like watching the Balm do its magic and bring the briar alive. I sanded the stem with 320-3500 grit 2×2 inch sanding pads. I wiped the stem down after each sanding pad with Obsidian Oil. I blended in the tooth marks and chatter in the surface and after the final pad a deep shine began to develop.I polished the stem with 1500-12000 grit micromesh sanding pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. Once again at this point in the restoration process I am excited to be on the homestretch. I look forward to the final look when the Huber Munchen Peterson’s System Standard 307 is put back together, polished and waxed. I put the bowl and stem back together. I lightly polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up nicely. The depths of the grain really pop with the wax and polish. The shiny black vulcanite stem is a beautiful contrast to the browns of the bowl and thick shank and polished nickel ferrule. This Republic Era Peterson’s System Standard 307 Bent Billiard was another fun pipe to work on. The pipe feels great in the hand will be better when warmed up while smoking. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 6 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 2.43 ounces/69 grams. I will be putting it on the rebornpipes store in the Irish Pipemakers Section if you would like to add it to your rack and carry on the previous pipeman’s legacy. This is an interesting estate to bring back to life.

Restoring a Mystery Made in Denmark Freehand

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by Steve Laug

This particular smooth Freehand pipe was purchased on 05/01/2022 from an antique store in Bozeman, Montana, USA. It is a bit of a mystery Freehand that combines a plateau rim top and shank end with a smooth bowl and shank. It is stamped on the left side of the shank and reads Made in Denmark. That is the first part of the mystery – Made in Denmark by who? The second part is the wood of the pipe. It does not feel like briar and is very light and oddly grained. I am truly unclear as to the wood. The dark finish is dirty and spotty with shiny varnish on the plateau on the shank end and rim top. The pipe had a thick cake in the bowl and a lava overflow in the plateau rim top and inner edge of the bowl. There was grime ground into the smooth finish and dust and debris in the plateau valleys on the top and the shank end. The fancy vulcanite saddle stem was heavily oxidized, calcified and had some deep tooth marks and chatter on both sides ahead of the button. The pipe must have been a great smoker judging from the condition it came it. Jeff took photos of the pipe before he started his work on it. Jeff took photos of the bowl, rim top and the stem to show the condition of the pipe when we received it. You can see the cake in the bowl and the lava on the plateau rim top and inner edge of the bowl. The stem was dirty and had chatter and tooth marks on both sides near the button. He took photos of the sides of the bowl and the heel to give an idea of the shape and condition of the wood around the bowl. As you look at it do you have any ideas on what the wood is? Please let me know. It really is a nicely shaped pipe that has the classic look of a Danish Freehand. The next photo Jeff took shows the stamping on the left side of the shank. The stamping is faint in places but still readable as noted above. Jeff had cleaned up the pipe following his normal cleaning process. In short, he reamed the bowl with a PipNet pipe reamer and then cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior of the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He worked over the lava and debris on the plateau rim top and shank end and was able to remove it. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs, shank brushes and pipe cleaners. He scrubbed the stem with Soft Scrub and cotton pads to remove the debris and oils on the stem. He soaked it in Briarville’s Pipe Stem Deoxidizer to remove the remaining oxidation. He rinsed it with warm water and dried it off. I took photos of the pipe once I received it. It looked much better at this point. I took close up photos of the stem and the rim top to show both how clean they were and what needed to be addressed with both. The rim top and bowl look good. The stem looked better and the tooth marks and chatter were still present. I would need to remove those to bring the stem back.I took a photo of the stamping on the left side of the shank. You can see from the photo that it is faint but readable. It is clearer on the top half of the stamp than the lower but it is still readable. I removed the stem from the bowl and took a photo of the parts to give a sense of the beauty of the pipe. I also took a photo of the plateau on the rim top and shank end. I started my work on the pipe by wiping down the bowl and shank with acetone on a cotton pad to remove the heavy dark stain and release the grain through the more transparent stain on the finish. I sanded the bowl and shank with 320-3500 grit 2 x2 inch sanding pad. I wiped the bowl down after each sanding pad with a damp cloth. The grain began to show through the finish. I polished the bowl and shank with 1500-12000 grit micromesh sanding pads. I wiped the bowl down after each sanding pad with a damp cloth. The pipe is beginning to look very good. I worked some Before & After Restoration Balm into the surface of the briar with my finger tips and a horse hair shoe brush to get into the crevices of the plateau portions. The product is incredible and the way it brings the grain to the fore is unique. It works to clean, protect and invigorate the wood. I set the bowl aside and started working on the stem. I filled in the tooth and chatter marks with black, rubberized CA glue. Once it cured, I used some small flat files to flatten out the repairs. I cleaned up the flattened spots with a folded piece of 220 grit sandpaper to finish blending it into the surface of the stem. I sanded the stem with 320-3500 grit 2×2-inch sanding pads. I wiped the stem down after each sanding pad with an Obsidian Oil cloth. I polished the stem with micromesh sanding pads – dry sanding it 1500-12000 pads. I wiped it down with Obsidian after each pad to remove the dust and polishing debris. I polished it with Before After Pipe Polish – both Fine and Extra Fine. I gave it another coat of Obsidian Oil. I am happy with the way that this unique wood Made in Denmark Freehand turned out. It really is a beautiful looking pipe with a great shape and mix of smooth and plateau on the rim top and shank end. The rugged plateau on the rim top and shank end are beautiful. The fancy original vulcanite saddle stem works well with the black and brown of the stained mystery wood. The pipe really came alive with the buffing. The rich stains of the finish gave the pipe a sense of depth with the polishing and waxing. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Made in Denmark Freehand really is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 7 ¾ inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ½ inches wide x 2 ¼ inches long, Chamber diameter: 7/8 of an inch. The weight of the pipe is 65 grams/2.26 ounces. The pipe will be going on the rebornpipes store in the Danish Pipe Makers Section if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

New Life for a Preben Holm Hand Cut Circle 2 Freehand Copenhagen Denmark

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by Steve Laug

This particular Freehand pipe was purchased from a seller in Santa Cruz, California, USA on 05/28/2024. It really is a very Preben Holm style Freehand pipe that is Dublin like in its shape. It is carved in a way that chases the grain and a rounded shank extension. It is stamped on the underside of the shank and reads Preben Holm [over] Hand Cut [over] Hand Made [over]In [over] Denmark. On the left side of the shank it is stamped near the bowl with a 2 enclosed in a circle. The smooth Dublinish shaped pipe is dirty but the grime does not hide the beautiful looking combination around the bowl and shank. The stain is a black understain that brings out the grain highlighted by a top coat of walnut stain. The pipe had a thick cake in the bowl and a thick lava overflow on the plateau rim top and inner edge of the bowl. There was grime ground into the smooth finish. The shape of the rim is a narrow rectangle that is concave/bevelled into the bowl. It is smooth around the inner edge and plateau on the rest. The fancy vulcanite saddle stem is oxidized. Added to that the stem surface was also calcified and had light tooth marks and chatter on both sides near the button. The pipe must have been a great smoker judging from the condition it came it. Jeff took photos of the pipe before he started his work on it. Jeff took photos of the plateau rim top and the stem to show the condition of the pipe when we received it. You can see the thick cake in the bowl and the lava on the plateau rim top and inner edge of the bowl. The turned vulcanite stem was dirty and had light chatter and tooth marks on both sides near the button. He took photos of the sides of the bowl and the heel to give an idea of the shape and the condition of the briar around the bowl. It really is a nicely shaped pipe that has the classic look of a Freehand carved by Preben Holm. The next photos Jeff took shows the stamping on the underside of the shank. It is clear and readable as noted above. He did not get a photo of the circle 2 stamp on the left shank side.There is some great historical information on Pipedia regarding the Preben Holm carved pipes and the history of the brand and the maker (https://pipedia.org/wiki/Holm,_Preben). Take some time to give the article a read. There was nothing specific on the Hand Cut line like this one was stamped. But it is a great read. I took close up photos of the stem and the rim top to show both how clean they were and what needed to be addressed with both. The rim top and bowl looked great and the valleys in the plateau were faded and washed out. The stem looked better and the tooth marks and chatter though light were still present. I would need to remove those to bring the stem back.I took photos of the stamping on the underside of the shank and the left side ahead of the bowl. You can see from the photos that it is clear and readable. I removed the stem from the bowl and took a photo of the parts to give a sense of the beauty of the pipe. I started my restoration work on this pipe by retaining the valleys and low spots on the plateau rim top with a black Sharpie pen. It really looked good.I sanded the smooth finish on the rim top and the sides of the bowl and shank with 320-3500 grit sanding pads. I also sanded the rounded shank end at the same time. It worked very well. I wiped the bowl down with a damp cloth after each pad to get a sense of the progress in the process. I sanded the smooth briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped it down after each pad with a damp cloth. It really began to take on a rich shine. I rubbed down the briar Before & After Restoration Balm. I worked it into the surface with my fingertips and into the plateau rim top with a shoe brush. The product works to clean, enliven and preserve the briar. I let it sit for 15 minutes then I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the finished bowl aside and turned my attention to the stem. I filled in the few deeper tooth marks that showed on the stem with black CA glue. Once it cured I used a small flat file to recut the button edge and flatten the repairs. I sanded the repairs further with a folded piece of 220 grit sandpaper. I wiped the stem down with Obsidian Oil and took the following photos of the stem. I sanded out the scratches in the vulcanite with 320-3500 grit sanding pads. I wiped the stem down after each sanding pad with a cloth impregnated with Obsidian Oil. It started to take on a deep shine.I polished the stem with micromesh sanding pads – 1500-12000 grit pads to remove them. I wiped the stem down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I rubbed it down with a final coat of Obsidian Oil and let it dry. I am really happy with the way that this Preben Holm Hand Cut Circle 2 Hand Made in Denmark Freehand turned out. It really is a beautiful looking pipe with a great shape and smooth finished bowl and smooth spots in the plateau of the rim top. The fancy original acrylic saddle stem is really nice. The black vulcanite colour of the stem works well with the briar. The briar really came alive with the buffing. The rich black and brown stains of the finish gave the pipe a sense of depth with the polishing and waxing. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Preben Holm Hand Cut Circle 2 Freehand really is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 2 inches long x 1 ½ inches wide, Chamber diameter: 7/8 of an inch. The weight of the pipe is 54 grams/1.90 ounces. I will be adding it to the rebornpipes store in the Danish Pipe Makers Section if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

Restoring and Cleaning a Clogged Savinelli Tortuga 128 Billiard yet again

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by Steve Laug

Last week I received a phone call from Brian in Victoria about a few more clogged pipes. He sent them by courier and I received them on Wednesday this week. The first pipe I worked on was a Lorenzo that I restemmed and blogged on (https://rebornpipes.com/2025/10/24/restoring-and-restemming-a-clogged-and-filthy-italian-lorenzetti-billiard/). The second one was a Savinelli Tundra 802 Canadian that was clogged and had no airflow once again. I had restored and cleaned it for him and written a blog on July 29, 2025 (https://rebornpipes.com/2025/07/29/restoring-and-cleaning-a-clogged-savinelli-tundra-802-canadian/). It is finished and has been blogged.The third one is a Savinelli Tortuga that I had also restored at the same time and written a blog on (https://rebornpipes.com/2025/07/30/restoring-and-cleaning-a-clogged-savinelli-tortuga-128-billiard/). He asked if I would clean and open them up for him once again.

I chose to work on the last of the three, a Savinelli Tortuga Billiard. I had restored it late in July and it had been a wreck. Other than being clogged it was better. It was stamped on the left side of the shank and read Savinelli [arched over] Tortuga. On the right side it has a Savinelli S shield followed by Italy [over] the shape number 128. The finish was still pretty clean. The bowl already had a thick cake and some wet sticky dottle that completely covered the airway at the bottom of the bowl as it had before. The rim top had was covered by light coat of lava that was sticky. The taper stem was amber coloured acrylic. There were deep tooth marks that were once again on the top and underside ahead of the button. The shank and airways in both the mortise and stem were very dirty. I blew through the stem and it was clear and unclogged. I tried to blow through the shank and it was constricted with tars. I took photos of the pipe before I started my work. It amazed me how quickly the pipe had clogged again. I took photos of the rim top and the stem to show the condition. You can see the cake and dottle in the bowl and the clean rim top. The photos of the stem show that the repairs on the tooth marks and chatter on the top looks to be in great condition.I took photos of the stamping on the sides of the shank to capture it. The was faint in spots but readable as noted above. I removed the stem and took a photo of the parts to give a sense of the look of the pipe. I started my work on the pipe by cleaning out the dottle in the bottom of the bowl. It was thick and wet. I reamed the bowl with a PipNet reamer. I used the first cutting head and took the cake back to bare briar. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife and removed all the remnants of the cake. I sanded the walls of the bowl with a piece of dowel wrapped in 220 grit sandpaper. The walls look very good at his point in the process. I used the drill bit in a Kleen Reem pipe reamer and twisted it into the shank in the shank until it went to the bowl. It cleaned out more of the debris and opened the airway. I cleaned out the shank, the airway and the mortise as well as the airway in the stem with alcohol, cotton swabs, hard bristle and soft bristle pipe cleaners. It was a very dirty pipe which just meant that Brian really enjoyed it. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. With the shank clear and the airway open it was time to work on the stem. It was clear once again just dirty and I needed to clean up my repairs on the stem. Once the repair cured I used some small files to recut the button edge, reshape the surface and flatten the repair on the stem surface on both sides. I sanded it with 220 grit sandpaper to minimize the visibility of the solid repair. I sanded the surface of the acrylic taper stem with the 2 x 2-inch sanding pads – 320-3500 grit pads to clean up the sanding marks on the stem surface. By the final 3500 grit pad the stem started to really shine. The repairs are visible but they are smooth. It is hard to patch Cumberland style stems.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I gave the stem a final polish with Before & After Pipe Stem Polish both Fine and Extra Fine. I rubbed the stem with them and then gave them a final coat of Obsidian Oil. I set it aside to dry. I finished reworking Brian’s Savinelli Tortuga 128 Billiard with an acrylic taper tortoise shell stem. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and then by hand with a microfibre cloth to deepen it. It is fun to see what the polished bowl looks like with beautiful grain on the smooth bowl and shank. The polished grain on the pipe looks great with the repaired acrylic stem. This reworked Savinelli Tortuga 128 Billiard is has a wide open airway now and feels great in the hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 42 grams/1.45 ounces. This third pipe that Brian sent is another beautiful pipe. I will soon be sending all three pipes back to him. I look forward to hearing what he thinks of hese resurrected beauties. Both should be great smoking pipes.

Restoring a Block Meerschaum Apple with a Twin Bore Stem

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by Steve Laug

This afternoon I decided to work on another pipe that I no longer know where or when we purchased it. I have a large box of Meerschaum pipes that is sitting in my storage that I need to clean up and restore. I have honestly avoided them for years but now was the time to start my work on some of them. The one I chose was a ball or apple shaped smooth meerschaum with a Twin Bore vulcanite stem. It is a beautifully shaped meer with light scratches from its journey and some nice patina developing around the shank and sides. The meer is dirty from use with a thick cake in the bowl and an overflow of lava on the inner edge and rim top. The stem fit well against the shank end and had a threaded tenon in the shank that aligned with properly with the stem in place. The tenon was a Kaywoodie type threaded one without a stinger and was oxidized and pitted. There were no identifying logos on the bowl or shank. I took photos of the pipe before I started my clean up work on it. I took photos of the rim top and the stem to show the condition of the pipe when I brought it to the worktable. You can see the cake in the bowl and the build up of lava and debris on the edge and top of the rim top. It is another dirty pipe but still a charmer. The TWIN BORE vulcanite taper stem has light chatter and deep tooth marks on both sides near the button. I took a photo of the stamping on the inside of the case. It is clear and readable as noted above. I removed the stem from the shank and took a photo of the parts. I removed the stem from the shank and took a photo of the parts. I took photos of the end of the stem to try to show the threads on the end that sat against the shank end and the twin bores in the button.I started my work on the bowl by reaming the thick cake out of the bowl. I started with a PipNet reamer and the 2nd and 3rd cutting heads to take back the cake to the walls of the bowl. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife. I sanded the bowl walls with a piece of dowel wrapped with 220 grit sandpaper. Once finished it looked very good. I cleaned out the airway in the shank and mortise as well as in the stem with pipe cleaners (both bristle and regular). It was much better.Now it was time to work on the scratches on the bowl and rim top. I started my work by sanding with 320-3500 grit 2×2 inch sanding pads. It smoothed out the scratches and revealed more and more of the patina around the bowl and shank. It is a beautiful looking pipe. I polished the meerschaum with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cotton cloth. The bowl took on a shine by the last pads. I gave the bowl multiple coats of Clapham’s Wax that blends both carnauba and beeswax in a soft wax. I rubbed the wax on the bowl sides and the shank end with my fingers and set it aside to dry. Once the wax cured I buffed the bowl with a clean buffing pad and then with a soft microfibre cloth. The bowl has a rich glow. I set the bowl aside and turned my attention to the stem. I filled in the tooth marks with some clear CA glue. When it cured I flattened the repairs with a small flat file to blend them into the surface of the stem. I then sanded it with 220 grit sandpaper to smooth it out. I continued sanding the stem surface with 320-3500 grit 2×2 inch sanding pads. I wiped the stem down after each pad with a damp pad to remove the debris. By the end it was quite shiny and ready for polishing.I polished the stem with micromesh sanding pads – wet sanding it 1500-12000 pads. I wiped it down with a damp cloth after each pad to protect it and preserve it. I polished it with Before After Pipe Polish – both Fine and Extra Fine. I am really happy with the way that this Meerschaum Apple with a Twin Bore Stem turned out. It really is a beautiful looking pipe with a unique shape and smooth meerschaum bowl. The vulcanite taper stem is really nice. The rich patina on the meerschaum came alive with waxing and buffing. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of beeswax/carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Meerschaum Apple really is a beauty and feels great in the hand and looks very good. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 59 grams/2.08 ounces. The pipe will be going on the rebornpipes store soon. It will be in the Ceramic and Meerschaum Pipes Section if you would like to add it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. It was a fun one to work on!

Restoring and Restemming an Angelo Saddle Stem Bulldog

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by Steve Laug

While I was travelling Rob stopped by with a bag containing a pipe that was gift from his daughter. It was a mess with a very thick cake in the bowl, burns and damage to the rim top and inner edge of the bowl. The finish was very worn and the shiny varnish coat was spotty and very damaged. The shank end was coated with a lot of grime and oils and had cracks on the topside of the diamond shank on both right and left sides. The tenon was stuck in the shank and the stem was wrapped in electrical tape to hold it in the shank. The button on the top side was chomped and showed a lot of tooth marks. The underside of the button was cracked and a chunk was missing. The pipe appeared to be a basket pipe from Italy and bore the stamp Angelo on the top left side under the dirt and debris. The crack ran through a portion of it and obscured it. It was a brand I was familiar with and had worked on before. Here are some photos of the pipe as it was initially fit together. I removed the stem from the shank and took a photo of the parts. I also removed the tenon from the shank using a pair of pliers and took a photo of the parts.I took a photo of the stamping on the left topside of the shank and captured crack on that side of the shank as well.Before I started my cleaning up the and crafting a new stem for the pipe I wanted to have a bit of information on the Angelo brand. I personally like to have the background so that when I am working on a pipe I know who carved or made it originally. Then as I work on it I can carry on a dialogue with them (at least in my mind) about my changes. I turned to PipePhil’ site for information (http://www.pipephil.eu/logos/en/logo-a6.html#angelo). I have included a screen capture of the pertinent section and the sidebar information below the photo.Second brand used by the Rovera family (Angelo and Damiano) who produces Ardor, Roverart and Rovera.

I started my work on the pipe by reaming the bowl. You can see the spotty varnish coat of the finish on the bowl and shank in the photos. I started the reaming with a Pipnet Pipe Reamer using the second and third cutting heads to take back the cake to the bare walls. I cleaned up the reaming with a Savinelli Fitsall Pipe Knife to scrape the remnants. I sanded the bowl walls with 220 grit sandpaper wrapped around a piece of dowel. It looked. much better. I decided to try and remove the spotty varnish coat. I wiped the bowl down with acetone on cotton pads to remove as much as I could. I would need to do some sanding on it as there were still dark spots on the finish that would need to be removed. I went through my bands and found a ferrule style diamond band from the shank end. It was a good fit from the look of it. I heated it with a lighter and pressed it onto the cracked shank. It fit very well and brought the cracks together. It slight covered the “o” on the end of the Angelo stamping. I sanded the top of the bowl with a folded piece of 320 sandpaper to clean up the rim damage and the inner edge. Once it was flattened I used a wooden sphere to further clean up the rim top and to minimize the damage on the inner edge of the bowl. I sanded to remove the darkening around the rim and inner and outer edge of the bowl. It is frustrating, but I forgot to take photos at this point so I posed the bowl after my polishing to show what I had done.I stained the bowl with dark brown aniline stain (Feibings Shoe Dye) and flamed it to set it in the briar. Once the stain cured, I sanded the bowl with sanding pads – 320 -3500 to smooth out the finish and remove all the scratches and excesses. Once again, I forgot to take these photos. I think I am out of the habit of photographing the pipes as I work on them. After sanding the bowl with the 320-3500 grit sanding pads I moved on to polish the briar with 1500-12000 grit sanding pads. I wiped it down with a damp cloth to remove the dust and debris left behind. I rubbed the bowl down with Before & After Restoration Balm and set it aside to let the product do its work. After about 10 minutes I buffed it off with a soft cloth to polish the briar. The pipe bowl and polished band looked very good. I really am rusty after a month of not restoring any pipes. I forgot to clean out the inside of the shank. I used cotton swabs, pipe cleaners – both bristle and fluffy and isopropyl alcohol to work over the inside of the shank. It is much cleaner now that I remembered to do it!I polished the nickel band on the shank with a jeweller’s cloth to give it a shine and protect it from oxidizing. It looked much better with the shine. I set the bowl aside and turned my attention to the new stem I needed to fit on the pipe. The previous stem (origianal??) had many cracks in the saddle portion, the tenon was loose and the whole thing had been wrapped tightly with electrical tape. I went through my stems and found one that would work well wit the bowl. In the photo it looks longer but it is actually about the same length. The tenon will need to be reduced in diameter and the casting marks removed but the stem should look great once it is finished.The next phojto showed the bowl before I had finished it. I started fitting the stem to the shank before I worked on the bowl finish. I used two files to reshape the tenon. I shortened the tenon to match the depth of the shank with the Dremel and sanding drum. Once I had the length correct and the fit of the tenon correct I put it on the shank and took photos of the pipe to show the new look it had with the new stem. It still needed much more work to smooth out the stem surface but it looked good on the shank with the band. I sanded the stem surface with 220 grit sandpaper. I smoothed out the castings on the sides of the stem and the button surface. I sanded the saddle portion and the top and underside of the blade with the 320 sandpaper. It looked better and the fit to the band on the shank end was very good.I sanded the stem further with 320-3500 sanding pads. I worked on the surface of the stem to give it a smooth finish. The finish on the stem was getting smoother with the work.I polished the stem with 1500-12000 grit micromesh sanding pads. It began to take on a rich glow and the surface was very smooth. This reworked and restemmed Angelo Straight Bulldog has a beautiful finish now that the varnish coat has been removed and the bowl restained. It truly has a new lease on life. The medium brown/black finish gives depth to the grain around the bowl and shank. The newly fit polished black vulcanite stem adds to the mix. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Angelo Straight Bulldog is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.66 ounces/49 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. The fellow who dropped it off will pick up his pipe on the weekend. I am looking forward to seeing what he thinks of it.

What a Great Looking Bari Matador hand made in Denmark Freehand

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by Steve Laug

The next pipe on the work table is a pipe that came to us from Long Island, New York, USA on 04/16/2024. It is stamped on the underside of the shank and read Bari [arched over] Matador. Underneath it read Handmade [over] In Denmark. The finish on the pipe was a classic Matador style finish combining smooth and sandblast. The bowl is smooth and the shank is sandblast. There is a smooth band on the underside of the shank that has the stamping on it. The plateau rim top and shank end was dirty with grime and also lava overflowing from the thick cake in the bowl. It was an intriguing pipe with a combination of sandblast and smooth finishes. The fancy saddle stem was vulcanite and had light tooth marks and chatter on both sides ahead of the button. It was oxidized and had some calcification on the end. Jeff took some photos of the pipe to show the general condition of the pipe before he started his clean up. Jeff took some close-up photos of the rim top and bowl to show the overall condition. There is dust and lava in the grooves of the plateau. The edges have a lava overflow but underneath it appears to be in good condition. The fancy turned vulcanite stem is dirty and has calcification on both sides at the button. There is also some light tooth chatter and some tooth marks. Past the turning the stem is a tapered flair. Jeff took some photos of the sides and heel of the bowl to show the condition of the finish on the pipe. The photos show the beautiful grain around the bowl. Under the dust and grime it was a nice looking bowl. I think it will be a beautiful Freehand pipe once it is restored. He took a photo of the stamping on the underside of the shank. The stamping is clear and readable as noted above.I have worked on quite a few Bari’s in the past and did the work on the brand information so rather than rework all of that I am including the information I found while working on a Bari De Luxe Freehand. I quoted a section from Pipedia on Bari pipes (https://pipedia.org/wiki/Bari). I am including the material that I found previously on the brand. It is good to be reminded of the fact that Viggo Nielsen was the pipe maker. I quote:

Pipedia states that Bari Piber was founded by Viggo Nielsen in Kolding, Denmark around the turn of 1950/51. His sons Kai and Jørgen both grew into their father’s business from a very young age and worked there till 1975. Both have become successful pipe makers.

Bari successfully adapted the new Danish design that had been started mainly by Stanwell for its own models. Bari was sold in 1978 to Van Eicken Tobaccos in Hamburg, Germany though the pipes were still made in Denmark. From 1978 to 1993 Åge Bogelund and Helmer Thomsen headed Bari’s pipe production.

Helmer Thomson bought the company in 1993 re-naming it to “Bari Piber Helmer Thomsen”. The workshop moved to more convenient buildings in Vejen. Bogelund, who created very respectable freehands of his own during the time at Bari got lost somehow after 1993. Bari’s basic conception fundamentally stayed the same for decades: series pipes pre-worked by machines and carefully finished by hand – thus no spectacular highgrades but solid, reliable every day’s companions were what they turned out. The most famous series are the smooth “Classic Diamond” and the blasted “Wiking”.

Now that I was reminded about the Viggo Nielsen connection it was time to work on the pipe on my end. When I received it Jeff had once again done an amazing job cleaning the pipe. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners, cotton swabs, shank brushes and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub and soaked in Before & After Deoxidizer. It came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it. I took a close up photo of the plateau rim top to show how clean it was. The inner edge of the rim and the ridges and valleys of the plateau looked good. The stem looked good just some light tooth chatter and tooth marks ahead of the button.One of the things I appreciate about Jeff’s cleanup is that he works to protect and preserve the nomenclature on the shank of the pipes that he works on. He was able to preserve and maintain its condition in the process. I took some photos to show the clarity of the stamping. I have noticed that many restorers are not careful to protect the stamping in their cleaning process and often by the end of the restoration the nomenclature is almost destroyed. Be careful in your work to preserve this critical part of restoration! I took the stem off and took a photo of the pipe. The pipe was in decent condition so I started with the bowl. I polished the smooth portions of the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping down the briar after each sanding pad with a damp cloth. The briar began to shine. I worked some Before & After Restoration Balm into the smooth briar with my fingertips and the plateau and sandblasted side with a horsehair shoe brush. It enlivens, enriches and protects the briar while giving it a deep glow. I appreciate Mark Hoover’s work in developing this product. I buffed the pipe with a micro fiber cloth to raise the shine and took photos of it at this point it the process. It is a beautiful looking pipe. I set the bowl aside and turned my attention to the stem. I sanded the stem with the 2 inch square 320-3500 grit sanding pads. I wiped down the stem after each sanding pad with Obsidian Oil. I polished out the scratch marks left behind by the sandpaper. The stem looked very good.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I wiped the stem down with Obsidian Oil to preserve and protect the stem surface. I am on the homestretch with this Viggo Nielsen Made Bari Matador Freehand. As always, I am excited to finish a pipe that I am working on. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I used a gentle touch on the sandblast portion of the bowl. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished bowl looks like along with the polished vulcanite stem. This Bari Matador Freehand is a nice looking pipe. It is quite comfortable in hand and should be so when smoking. It is quite light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 ½ inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 1.94 ounces/55 grams. It is another beautiful pipe and one that will be on the rebornpipes store soon. You can find it in the section of Pipes by Danish Pipe Makers. If you are interested in adding it to your collection let me know.

Restoring a Gorgeous Well Worn Viggo Nielsen Hand Finished

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by Steve Laug

The next pipe I have chosen is aa classic Danish style freehand with a smooth rim and a plateau shank end. The pipe has a mixed finish of sandblast and smooth finishes. The bowl has a sandblast patch on the left side of the bowl and the rest is smooth other than the shank end. We purchased it from the seller on 06/05/2021 in Chicago, Illinois, USA. The contrast of the brown stains on this pipe makes the smooth grain and depths of the sandblast stand out. The dark stained sandblast on the sides of the bowl worked well with the stain on smooth portions. The pipe is stamped around Viggo [arched over] Nielsen high on the left side of the shank. Under that toward the bottom left side is stamped Hand [over] Finished. On the right side of the shank it is stamped Made in Denmark. The bowl had been reamed recently but there was light lava on the rim top and chipping damage on the inner edge. The plateau on the shank end was dusty and soiled. The black vulcanite saddle stem was heavily oxidized, calcified and had tooth chatter and marks on both sides of the stem ahead of the button edge. There was no stamping on the top or sides of the stem. Jeff took photos of the pipe before his cleanup work. They tell the story and give a glimpse of the pipe. Jeff took close up photos of the bowl and rim to capture the condition of the pipe before he started his cleanup work. The bowl walls are clean in the photo showing that they have been reamed recently. The lava on the rim top and on the edges and the damage to the inner edge are visible. The next photos show the stem surface. There is oxidation, calcification and tooth marks and chatter on both sides near the button and wear on the button surface and edges. He also took a photo of the bottom of the bowl and shank to show the beautiful grain around the bowl and shank sides and the sandblast patch on the left side. It is very dirty but this is another beautiful pipe. He took photos of the stamping on the sides of the shank. It is clear and readable as noted above. I turned to Pipedia to learn about Viggo Nielsen. I had memory about him being somehow connected to Kai Nielsen but I was not sure of the relationship of the two. In Pipedia I learned that Viggo, now deceased, was born in 1927. I believe that during World War II he worked for Stanwell making pipes out of birch due to a shortage of briar. In 1948 he opened the Bari pipe factory and in 1951 began to make briar pipes. He carved both classic and freehand pipes.

In 1978 Bari was sold to a company in Germany and he and his two sons, Jorgen and Kai started making Faaborg pipes. Now I knew the connection between the two names that I remembered. https://pipedia.org/wiki/Nielsen,_Viggo

I turned to address the pipe itself. Jeff cleaned up the pipe for me. He reamed the bowl with a PipNet pipe reamer and cleaned it up with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy’s Oil Soap and a tooth brush to clean off the grime off the finish and the overflow of lava on the rim top. There was still damage on the inner edge of the rim and some burn marks. He cleaned up the internals of the shank, mortise and stem with pipe cleaners, cotton swabs and alcohol to remove all of the oils and tars in the pipe. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and was able to remove much of the oxidation. When it arrived here in Vancouver it was a clean pipe and I knew what I had to work with. I took photos of it before I started my part of the restoration. I took photos of the rim top and the stem to show their condition once it arrived in Canada. Jeff was able to clean up the inside of the bowl and lava overflow that was shown in the rim and inner edge of the bowl in the photos above. He was also able to get rid of the grime and grit in the surface of the briar. The rim top and edges looked better but there was still some damage. The stem also looked better. The oxidation and calcification was gone and the tooth marks were obvious on both sides.I took photos to try and capture the stamping on the shank sided. It was clear and readable as noted above. I removed the stem and took a photo of the pipe sans stem to show the proportions of this unique beauty. I decided to start with addressing the damage on the top and inner edge of the rim. I used a folded piece of 220 grit sandpaper to begin. I followed that up with a half sphere and a piece of 220 sandpaper to clean up the damage on both and round out the bowl edge and remove the damage. I sanded the smooth portions of the briar with 320-3500 grit 2 x 2 inch sanding pads. I wiped it down with a damp cloth after each sanding pad. It began to look very good. I polished the smooth briar with micromesh sanding pads. I dry sanded it with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. The bowl began to take on a rich shine and grain was beginning to stand out. I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it into the smooth part of the finish with my fingers to get it into the briar. I used a horsehair shoe brush to work it into the sandblast part of the finish. After it sat for a little while I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside and worked on the stem at this point in the process. The deep tooth marks on both sides were too deep for heat to work on. I filled them in with some Black rubberized CA glue. Once it cured I used the file to flatten the repair and sanded it with a piece of 220 grit sandpaper. I sanded the stem further with 320-3500 grit 2 x 2 inch sanding pads. I wiped the stem down after each pad with some Obsidian Oil. It began to take on a rich look. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the vulcanite even after the micromesh regimen. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. I put the stem back on the Viggo Nielsen Hand Finished Freehand and took the pipe to the buffer. I carefully buffed the bowl and stem with Blue Diamond to polish the briar and the vulcanite. Blue Diamond does a great job on the smaller scratches that remain in both. I gave the bowl and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up really nicely with a great contrasting stain look to the briar. The finished pipe is shown in the photos below. This is a unique Viggo Nielsen Hand Finished Freehand – the turned saddle stem gives the pipe a great look. The polished and repaired black vulcanite stem looks really good with the reds and browns of the finish. The dimensions of the pipe are Length: 6 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches w x 1 ¾ inches l, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.69 ounces/49 grams. This is another pipe that I will be putting it on the rebornpipes online store in the Danish Pipe Makers Section shortly, if you are interested in adding it to your collection. Thanks for walking through the restoration with me on this beauty!