Tag Archives: sanding

Refurb on a Dr. Plumb Tween Size Prince

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Blog by Steve Laug

Off the workbench today is a nice little Dr. Plumb Tween Size Prince (that is what the stamping on this one says). It was pretty rough looking as can be seen from the before shots. I had reamed it before I remembered to take the photos, so the bowl is very clean in the photo below.

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The bowl, in fact, was very dirty with tars and crumbling cake as well as a thick white “gunk”, for lack of a better word, in the bowl and all the way through the shank. I have no idea what it was other than the fact that it had a plastic feel to it. It was stringy and literally all over the inside of the bowl and shank. I had never seen anything like this in the years I have been refurbishing pipes. It came out with the reaming of the bowl and out of the shank with alcohol soaked pipe cleaners and a shank brush. It took some time to clear it out. Many pipe cleaners later it was clean. The state of the bowl when I got it told me that obviously this little guy (5 inches long, group one sized bowl) was a great smoker.

I stuffed the bowl with cotton bolls and filled it with alcohol using an ear syringe.

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I removed the stem and put a cork in the shank so that the alcohol would go all the way into the shank. I wanted to make sure that all of the remnants of white stuff and tars were removed from the bowl before I went further in cleaning it. I left it overnight and the next morning removed the cotton bolls and plug and cleaned out the bowl and stem with pipe cleaners. The bowl smelled fresh and almost new once that final cleaning was done and the alcohol evaporated. The bowl was then dropped in an alcohol bath for a soak. While it was soaking I went to work on the stem.

The stem took quite a bit of work to restore as it was badly oxidized. I had soaked it in Oxyclean while I worked on the bowl so now when I took it out the oxidation had softened. I buffed it with Tripoli, sanded with 240 grit sandpaper, buffed again with Tripoli, sanded with 400 and 600 grit wet dry sandpaper until I was able to get the grit off and then polished with micromesh pads from1500-6000 grit. Each level of micromesh gives the stem a deeper polish and shine to the stem. In buffing a stem by itself, I always avoid the saddle area or the area next to where it joins the shank as it is very easy to over buff this area and make rounded shoulders on the stem and ruin the stem/shank junction. Once that was finished I laid it aside with a coat of Obsidian Oil and turned again to the bowl.

I removed the bowl from the alcohol bath and dried it off. The bath removed the remnant of finish and all of the oils and grime on the bowl. I used the 3200 and 4000 grit micromesh pads to sand down the bowl, being careful to not damage the stamping. Once it was smooth, I wiped it down with a soft cloth dampened with Isopropyl alcohol to remove the sanding dust and then stained the pipe with a light cherry coloured aniline stain. (I mixed the stain by adding Isopropyl to the oxblood stain until it was basically a light cherry coloured wash.) I flamed it and then put the stem on and buffed both the bowl and stem with White Diamond and finished it with several coats of carnauba wax. Here is the pipe ready to smoke!

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A Nice, Older Henley Billiard Restored

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This old Henley Billiard was made by Masta Pipe Company of England and came to me in pretty clean condition. It is older and the Bakelite stem has an orifice button/airway. You can see from the picture below that the bowl was a little out of round and a small burn on the rim near the shank. It also had an overturned bone tenon. The stem had several gouges and deep scratches. Other than the finish was in great shape and in need of a polish and buff.

I heated the bone tenon as I have described in other blog articles by heating it in a bowl of boiling water. I heated it and screwed it back into the shank and tried to twist it. I repeated the process until it freely turned. I lined it up straight and then ran cold tap water over it to cool it and set the glue again. I cleaned up the dents and gouges with heat to raise them as far as I could and then sanded and filled them with a small amount of clear super glue. Then I sanded them with 400 and 600 grit wet dry sandpaper until they were smooth and polished the stem using micromesh pads up to 4000grit.

I cleaned and reamed the bowl and cleaned the shank with cotton swabs, pipe cleaners and alcohol. I used a folded piece of sand paper to even out the inner edge of the bowl and bring it back into round. I did this carefully so as not to scratch the finish. When I had it back to round it was time to polish it. I put the stem back on the pipe and the entirety was taken to the buffer for a final buff with White Diamond. This one was in relatively good shape other than the stem.

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Here is the finished pipe, ready to load and smoke.

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Using Super Glue to Repair or Replace Putty Fills

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Blog by Steve Laug

On one of the forums another member and I were chatting bemoaning the red putty fills that so often are a part of old time pipes. I have no idea why they choose to use the red putty but as the pipe ages and the stain mellows with age the putty sticks out in all of its awfulness! I really do not like the look of red putty fills. They have a look like pink/reddish bubble gum. On smaller ones I used to pick them out and refill them with briar dust and wood glue. I always over filled them a bit as the glue shrunk as it dried and I found that the wood glue did not take the colour of the stain well. I left that discussion behind and went to work the next day with other things on my mind. I came home that evening and a PM was waiting for me. Another member remembered that an old pipe repairman friend of his used to use superglue and briar dust to repair fills. He asserted that once the glue was dry it was invisible and the stains would cover it as well.

I had this old bulldog in my pipes to be repaired box. There were two large fills on it that had more or less fallen out over time. What remained were two rather large holes or divots in the right side of this old pipe. The top arrow points to the one on the shank about mid way between the bowl and the band. The lower arrow points to the on the lower portion of the bowl.

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I used a dental pick to clean out the remaining red putty from the pits. I wanted the holes to be clean of any remnant of the putty. I also used cotton swabs and Isopropyl alcohol to wash out the areas where there was any putty left. Between the pick and the swabs the holes were cleaned out and open as they appear in the picture above.

I then took a tin of briar dust I have saved from pipes I have worked on over the past months. I keep some on hand for patches like these. I wet the end of the dental pick and dipped it into the briar dust and move it around to form a ball of the dust on the end of the pick. I used my finger to move the dust ball into the hole on the shank and the bowl. I patted the dust into the hole with the tip of a knife blade as I wanted a good tight fill. I then squeezed a few drops of super glue into the dust in the hole. As I did this the dust would shrink a bit and I added more dust and more super glue. When I was done the holes were filled and both had a small bump over where they used to be. I always over fill the holes so that when I sand them down they are smooth and I can feather in the fills with the rest of the briar. I was fortunate in this case that the holes were lined up with the grain marking around them. Once the glue dried (very quickly by the way) I sanded and checked to see if I had missed any spots. I wanted the entire surface smooth to the touch and under a jewelers loop. I sanded the spots down and blended them into the bowl surface. Once that was done I wiped the bowl down with a cotton cloth dampened with Isopropyl alcohol to remove any remaining dust.

I then set up my stain area and stained the pipe with an oxblood aniline stain. In this case I did not let it dry but wiped it on and wiped it off. I wanted to make sure that I was getting good coverage on the fills. I repeated the staining until the colour was what I was aiming for. The picture below is of the same pipe after staining and buffing with White Diamond. It was finished with several coats of carnauba wax. Can you see the fills that were evident above? I assure you that in person it is just as hard to see them.

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Refurb on a Two Point Billiard – Gnawed Stem

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This is the second Two Point pipe that I had in my box to be refurbished. It obviously was owned by the same pipe man as the little Lovat as evidenced by the matching bite marks. The pipe had an uneven cake in the bowl making the bowl conical even though it was U-shaped in reality under the cake. The rim was dirty and tarred but not damaged with dents or knock marks. The finish was spotty and uneven so the bowl would need to be stripped and restained for good coverage. The biggest problem can be seen in the first two pictures below: the stem was very badly chewed. In the first picture it can be seen that the top of the stem had several deep bite marks and the button was eliminated on the left side. It was more of an upward slope to the tip than the sharp angular edge that was originally there. The round cap of the top of the p-lip button was smoothed out and no longer crowned. In the second picture you can see that the bottom tooth marks and bite throughs had been repaired with what appeared to be epoxy that was fairly caked on the stem tip to the point that the lip line and the button were gone. What remained was a working stem that had no beauty to my eye.

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The third and fourth photos show the profile of the button and it can be seen to have been virtually eliminated with the slope of the epoxy on the bottom edge and the chewed top edge. You can also see the state of the finish on the pipe. The spottiness and grime that covered the outside of the bowl are visible. Obviously this was a good smoking pipe that the previous owner cobbed a repair on so that he could continue to enjoy smoking it.

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The next two photos are enlarged to show the state of the stems. The first one shows the top of the stem and you can see the two large dents (interestingly they are in the same place as those on the other Two Point pipe).You can also see the wearing away of the edge of the button to a slope. The crown is also flattened. The second shows the underside of the stem and the remaining two dents – one next to the button on the bottom half of the stem and the second inward from that dent. You can also clearly see the epoxy patch that fills the bite through and the button. The usual line that separates the button on the p-lip from the stem is gone. To repair these two surfaces the dents need to be raised and the holes filled to the point where it is possible to cut a new button on the top and the bottom. The crown will need to be built up a bit and the epoxy patch hidden or blended into the black of the stem.

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I decided to work on the top side of the stem first and heated the surface of the vulcanite to lift the dents as much as possible. Once that was finished I filled what remained of the two dents with black super glue (see the first photo below). The dent next to the button I over filled so that I could have room to recut the edge of the button. When the glue had dried I sanded it back with 240 grit sandpaper to even the surface. I also recut the button edge to give it more of a sharp distinction. The sanded top surface can be seen in the second photo below.

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On the underside of the stem I decided to recut the button and the line with needle files before I refilled the dents and the epoxy patch. I sanded off the extra epoxy to get the surface smooth and level with the surface of the stem. I used 240 grit sand paper to bring the surface down and the needle files to cut the edge on both sides of the line. You can now see that line in the picture below and there is a definite break between the bottom of the p-lip and the stem. It is a duplicate of the button on the Two Point Lovat.

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Once I had that recut the button area I filled the surface of the stem with black super glue as seen in the picture below. I propped it with a pen to keep the surface level as I did not want the super glue to run and pool. I also built up the epoxy patch on the edge of the button as well. Once the glue was dry I sanded the surface and did a bit of work with the needle files to redefine the edges. The second picture below shows the sanded stem with a smooth surface.

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I finished sanding the stem with 400 and 600 grit sandpaper and water and then moved through the micromesh pads from 1500-6000 grit. The trick was to build a black coating on the epoxy patch. This took repeated coats of the black super glue. Once that was complete then the stem could be polished by hand until I finished with the bowl refinishing.

While I had been working on the stem the bowl had been soaking in the alcohol bath. Before dropping it in the bath I had wiped it down with a soft cloth and acetone (fingernail polish remover works very well) to remove the finish and the grime. It was time for it to be removed from the bath so that I could work on it. The three pictures below show the bowl after it has dried off from the alcohol bath. It now needed to be sanded with micromesh to remove any surface scratches and the rim needed to be thoroughly wiped down in preparation for the staining. I sanded and then wiped it down with a soft alcohol soaked cloth and set up the staining area.

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The next four photos show the restained bowl. I used a medium brown aniline based stain (Fiebings Leather Dye) to stain the pipe. Once it was stained I flamed it and buffed it to polish the briar and make the grain stand out. The patterns of birdseye and swirls is quite unique. This is a clean piece of briar – no fills and no problem areas.

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I then put the stem on the pipe and buffed the entirety with White Diamond and carnauba wax to bring it back to a shine. The final four photos show the finished pipe. Pay attention to the stem and button areas as they are now very distinct in the profiles and the build-up on the top and bottom give it back its original shape.

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Rebuilding a chewed and dented stem with super glue

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I just finished reworking this old stem from an Imperial Two Point Made in London Lovat. The stem was very unique in that it is a p-lip design though slotted in the airway. I have a second one that I am working on that has the same stem so I believe this is one of the hallmarks of the Two Point. That being the case I decided to restore the stem rather than cut a new one. You can see the state of the vulcanite from the three pictures below. The first picture is of the top of the stem. There were three major tooth dents in the surface of the stem, two chunks out of the edge of the button and a piece missing out of the edge of the lip of the slot. The second picture is of the underside of the stem. There you can see one major dent from teeth and also several smaller dents. There is also a dent in the edge of the lip of the pipe that has moved the straight line with a dip in it. The third picture shows the slot in the end of the stem, it is a bit out of focus but you can see the missing piece at the left side of the top edge.

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I used my heat gun set on low to lift the dents as much as possible before working on the stem with sandpaper and superglue patches. I cleaned the surfaces of both the top and bottom of the stem after heating and then sanded them with 240 grit sandpaper to remove oxidation and anything that would prohibit the glue from sticking. In the first photo below you can see the two patches on the dents that remained after heating on the underside of the stem and the work that has been done straightening the line. I decided to work on the underside first as it needed a bit less repair. Once the glue was dry I turned the stem over and patched the top side. In the second photo below you can see the super glue patches on the surface of the stem, the two dents on the edge of the button to build up the edge. Once it was dry I planned on using needle files on both top and bottom to sharpen the edge of the button to a crisp restored look.

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The next two photos show the top and bottom surfaces of the stem after sanding with 240 grit sandpaper to bring the glue patches flush with the surface and using the needle files to sharpen the edges of the patched button.

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The next picture (I apologize for the blurriness but I think it still is clear enough to see the point I am making) shows the work that was needed to rebuild the lip of the button on the topside where the chip was. I carefully layered in black superglue making sure not to close off the airway. I used a greased pipe cleaner folded in half in the airway of the slot to provide a base to build on. Once the base was buildt I stood the stem on end and gradually layered in super glue to build up the top edge of the slot. The goal was to return it to a smooth rounded crown with a clean straight slot for the airway.

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The next two pictures show the build up area on the end of the button. It is a shiny black spot in the photo at the bottom right edge of the button. Each one shows a bit more of the build up to give an idea of the process. I would have to recut the edge of the button on the top side when the build up was complete.

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When I had the surface filled to satisfaction I recut the edge of the button with the needle files and also sanded the surface with 240 grit sandpaper and 400 and 600 grit wet dry and water to smooth out the fill. I then proceeded to use my normal list of micromesh pads from 1500-6000 grit to finish the stem. I put the stem back on the pipe and buffed it with White Diamond. I took it back to the work desk and gave it a coat of Obsidian Oil, wiped it off when dry and gave the stem a final coat of carnauba wax. The pictures below show the finished stem. The first one shows the topside and the rebuilt crown of the button. The glare and shadows on the picture do not allow you to see clearly the recut edge but it is straight and clean. The second picture shows the underside of the stem and the crisp straight edge of the button. The final picture is an end shot to show the slot and the curve and flow of the crown of the button.

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Overall I am pleased with the repair and now have a renewed pipe.

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Black Super Glue Repair to a Damaged Stem

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Blog by Steve Laug

Using the stem on the little Barling I repaired earlier as an example I thought I would post the process of repairing bite marks with Black Super Glue. The glue is available online at a variety of sources, though I purchased mine from http://www.stewmac.com/shop/Glues,_adhesives.html a company that is a supplier for stringed instrument repairmen. They offer super glue in several colours and viscosities. I order the black super glue from them that comes with whip tip nozzles as I find that it is easy to control the size of the drops used. I also have used the clear super glue and it works very well in several other applications including repairing and replacing fills on older pipes. They also carry a wide variety of micromesh sanding pads and papers. It is a great resource for hard to find items (at least in Canada) that I use regularly in my repairs.

I always seek to repair a stem in the least intrusive manner possible. In the case of the stem below I heated the tooth dents to try and lift them as much as possible before any other method was used. This can be done carefully with a heat gun – I stand the gun on its stand, turn it on its lowest setting and move the damaged part of the stem in the heat about 4-6 inches above the tip of the gun. If it gets too close the vulcanite is damaged through burning. The other method that I have used avoids this problem – it involves putting a cup of water in a microwave and boiling it. Once it is hot place the stem button end down in the boiling water and leave it. Repeat as often as necessary or until there is no more lift on the dents of marks in the stem. Note if the dents have sharp edges, or are cuts, the heat will not lift the dents at all. It also will not work on holes or bite throughs on the stem.

In Photos 1 and 2 the stem is pictured as I received it on the pipe. The first photo shows the top of the stem and shows the damage to the button and the surface – mostly dents. The second photo shows the underside of the stem. It was significantly worse that the top. The dents were very deep and the button was virtually destroyed. At this point it is probably pertinent to ask whether the stem should have been replaced or not. Several things went against doing that in my opinion. The first was that this is an original Transition Era Barling stem. It is hard to find replacements that have the slab look and slight taper on the saddle that are hallmarks of the Barling stem. The second was that the tenon on this one is very tiny. I did not have a tool that allowed me to turn that small of a tenon. Thus I decided to give it a repair. Then of course, if you have followed this blog for long you will understand, there was the challenge. Could I possible restore the stem to at least a semblance of its original “glory” and functionality?  

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So with the decision made I turned to work on this stem. I used my heat gun to lift the marks as much as I could on the top and the bottom of the stem. The two pictures below show the effect of the heat on the stems. The first photo shows the top of the stem – the heat actually lifted those bit marks quite a bit. It took out the rounded edges of the dents. What is left was actually sharp edges or cuts from the teeth on the button and on the surface. You will also notice that some of the oxidation burned off in the process. I also sanded the surface with 240 grit sand paper to better see what I was dealing with on this stem. The second photo shows the underside of the stem – the heat lifted the dents significantly but not totally. The sharp edges on the dents still remain, as does the destroyed button and the hole is very visible. I repeated the heating process several times (to be honest I lost count) until there was no more visible improvement in the dents. It was time to prepare for the patching process.

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Before I use super glue to patch a hole or fill dents in the stem I prepare the surface to be clean and debris free in order to get a good bond on the glue. I sand the surface with 240 grit to remove the oxidation as much as possible. I want the area under the patch to be black so that the glue matches. Oxidation on the edges of the patch makes that match impossible. Once I have the surface sanded I buff it with Tripoli to take a bit of the roughness out. I don’t want a glossy finish as a little roughness gives surface for the glue to bite into. But I do want it clean. I wash the stem with isopropyl alcohol to remove any debris that still remains, including any of the Tripoli. I use a dental pick to make sure that the edges of the hole are not cracked or broken. Doing this often opens the hole a bit larger but it also removes chips or cracking that will not provide a good base for the patch. I finish the cleanup with yet another wash with alcohol and a cotton swab. The surface should have solid edges to bind to and no extraneous sanding dust or debris that will be in the way of the patch.

On this stem the easiest part to patch was the top of the stem so I started with that part. I used the whip nozzle on the super glue and dripped it on the stem. I smoothed the drop out with the end of the whip. I want the dent and cut to be totally filled so I moved the glue back and forth until it was all covered and then set it aside to dry with the end of the stem propped up to keep the patch level. The first picture below shows the patch after the glue had dried. It formed a solid patch on the stem. I always layer the patch doing multiple layers until I have built up the hole and dent. In this case I also used the glue to build up the button. While the picture does not show it clearly, the glue is actually level with the top of the button and small spots of glue are moved into the dent marks in the button surface itself. In the second photo the stem shows the patch after sanding with 240 grit sandpaper. The object was to get a smooth surface on the stem. The dent marks in front of the button are gone. The brown spot on the stem is some oxidation that has not been sanded out yet. The button is also repaired and you can see a bit of the bulk that is now there. The button will need to be shaped and recut with needle files once the underside of the stem is also patched.

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Once I had the top surface of the stem to the point it is pictured above I turned the stem over to work on the underside. This part of the stem was really the challenge on this one. It had deep tooth cuts and a bite through that needed to be repaired. The first step for me was to repair the bite through. I fold a pipe cleaned to fit the flared slot on the button. I greased it with olive oil and inserted it in the slot. I wanted it to be smooth and not pucker through the bite hole, so I tucked it down with my dental pick. Once it was set I put in the first drops of black super glue. Remember at this point I am not work on the surface detail of the holes only the bite through. Once it was patched I went on to fill the other deep dents and marks on the surface and build up the button. I set aside the stem on a level surface and raise the tenon end to keep the bubble of glue level so it would dry.

Once the glue dried I removed the pipe cleaner from the slot. This is always the moment of truth for me – did I grease it well enough that the pipe cleaner did not permanently bond to the slot. In this case it worked perfectly and it came out easily! Whew! Once it was removed I filled the rest of the dent marks with the super glue and also built up the non-existent button. I forgot to take pictures of that step. So the verbal description and the picture of the topside fill will have to suffice. I set the stem aside again and leveled the glue so that it would dry and not run up the stem. Super glue dries very hard and is a lot of work to sand off the surface. Once it was dry I sanded the surface with 240 grit sandpaper once again to level out the surface. The picture below shows the stem at that stage in the process. The fills appear to be white but that is the sanding dust on the surface. You can clearly see the three large patches on the underside of the stem in this picture as well as the rebuilt portion of the button. Again I over filled the patch to the level of the top of the button to provide a solid new surface for me to work with when I recut the button with the needle files.

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The next two photos show the result of the sanding process with the 240 grit sandpaper on the top and the bottom of the stem. I wanted to make sure that the patches blended into the surface of the stem. You will note that in the first photo of the top of the stem, that the patch is virtually invisible. Though it is not very clear, I had also recut the button with the needle files to give it a good sharp edge against the surface of the stem. I use wedge shaped file and a rectangular file to cut that edge cleanly and the result is a button that looks original. In the second photo you can clearly see that the patches are fairly well hidden. The one against the button and the large one at the top of the photo were the deepest ones. After this sanding and recleaning the surface I refilled those two spots, let them dry and sanded them again. Once that was completed the underside of the stem looked exactly like the topside of the stem at this point.

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I failed to take pictures of recutting the button on the underside of the stem but you can see the new button in the pictures below. I cut and shaped it with the same needle files that I used on the top of the stem. I like the clean angles of a new button so I was aiming for that with just a little wear or rounding to match the age of the pipe. I finished the sanding and polishing of the stem using 400 and 600 grit wet dry sandpaper and then used the normal list of micromesh sanding pads from 1500-6000 grit. I keep a bowl of water close by to dip both the paper and the pads in as I sand as I find it more effective in removing the scratches and remaining oxidation. Once the stem was finished I put it on the pipe bowl and gave it a buff with Tripoli and White Diamond to get a good sheen to the surface. I never buff a stem apart from a pipe as I do not want to damage the stem shank junction by rounding the clean edge of the stem. The top two photos below show the top and bottom of the stem respectively. You can see the repair is complete and the button is very clean and present. The second two photos below show the stem from the right and left profile so you can see the flow of the stem surface – uninterrupted from either side with the tooth dents as before and also the profile of the button. It is distinctive and present. The stem was finished with several coats of Obsidian Oil and then carnauba wax to protect the surface.

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A Tiny Pair – Refurbishing and repairing an old couple

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Blog by Steve Laug

This morning I decided to work on these two old timers – a little mini bulldog and a mini bent billiard. Both are old as is clear from the orific button on the stems and the shape of button on both (the round hole in a crowned surface of the button – see the photo below).

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The first is a no name bulldog with a gold band on it. It has EP on the band which I believe means Electro Plated. The stem was in pretty fair shape though the previous owner had cut a small groove in the stem about a 1/8 inch ahead of the button on the top and the bottom. The bowl was in pretty good shape though it was darkened near the band and there was a deep cut on the shank about mid way along toward the bowl and on the bowl side – both on the right side and visible below. The photo with a penny (1 cent piece) gives a good picture of the size of this little dog. The bowl was pretty clean so all I needed to do was wipe it out with a cotton swab and isopropyl alcohol. I did the same with the shank and the stem as well. It was pretty black and tarry on the inside of the stem and shank. I had to use a paper clip to break through the clog that was in the shank about mid way to the bowl and also in the stem.

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I worked on the bowl and shank exterior with sand paper to remove the finish around the two cuts in that I was going to work on. I washed off the surface after sanding with acetone to clean off the briar dust and the remaining finish. Once it dried I decided to fill the cuts with clear super glue. The process is pretty straight forward – I drip a drop in both holes and lay it aside until it dries. Then I add another drop, lay it aside and repeat until the cut is filled. I find that the clear super glue is a great way to fill the cuts or pits as it allows the briar to show through clearly and once it is stained it virtually disappears. Once the super glue dried I sanded the spots with 240 grit sandpaper and then with 400 and 600 grit wet dry and water to smooth off the spots and remove any of the over flow around the spots. I want the super glue to fill only the spot and not carry over onto the clean briar so I sand it down level with the surface it is filling. I then sanded the entire bowl with micromesh pads from 1500-6000 grit and then wiped the bowl down with isopropyl alcohol on a soft cloth.

I then worked on the stem and sanded down the grooves to make the stem smooth once again. I used the same pattern of sanding – 240, 400, 600 grit sandpaper and micromesh – 1500, 1800, 2400, 3200, 4000 and 6000 grit. Once I had the grooves and the stem clean and pretty polished I took it to the buffer and used White Diamond on both the stem and bowl. I took it back to the work table and gave it a coat of Obsidian Oil and set the stem aside while I stained the bowl. I wanted to keep a lighter look to the bowl so I used some oxblood stain and wiped it on and off before it had time to dry. I gave it two coats and then flamed it. I buffed the bowl with White Diamond and then gave it a coat of carnauba wax. I also polished the band and gave it a coat of wax. Here is the finished pipe. The two cuts or pits have disappeared on the right side of the bowl (top picture).

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I finished it and put it aside to work on the bent billiard. It was in a bit rougher shape than the bulldog. It is also a no name old timer with a gold band – very tarnished. The bowl was very grimy on the outside and the finish was cloudy and dark. The stem was grooved in the same manner as the bulldog – probably same owner making his own comfort bit to enable him to clench these little guys.

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I scrubbed the bowl down with acetone on a cotton boll and removed the finish and the grime. The top was a bit dented so I gave it a very light topping and then sanded out the inside of the bowl and worked on the roundness of the inner rim as it was a bit out of round.  I used a small piece of sandpaper to bevel the edge enough to repair the roundness. I cleaned out the shank and the stem. This pipe was also clogged in both the stem and the shank so I use a paper clip in the shank and to open the end of the stem from each end. I then used small pipe cleaners soaked with alcohol until they came out clean. I set the bowl aside to work on the stem.

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The stem needed the same treatment as the one on the bulldog to remove the grooves from the previous owner. Fortunately on both pipes they were not very deep so it did not change the profile of the stem. I sanded the entirety of the stem down and used the same pattern of sandpaper and micromesh as above. I buffed this one with Tripoli before finishing with the micromesh. I gave it a coat of Obsidian Oil and set it aside to stain the bowl.

I cleaned the bowl exterior one last time and then stained it with oxblood stain – wipe on and wiped off pretty quickly several times to get good coverage. I polished the gold band with the highest grit micromesh pad (6000) and then gave the bowl and band a coat of wax by hand and once it dried buffed it by hand with a soft cloth. I put the stem back on and took it to the buffer and buffed the entirety with White Diamond followed by carnauba wax.

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Here is a picture of the pair together so their diminutive size is clearly seen. They are incredibly light with group one sized bowls. They are clean and ready to smoke.

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Refurb LHS SEC system pipe – strange one

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Blog by Steve Laug

In my ongoing quest to collect pipes that are unique and give a picture of the history of interesting inventions and modifications to the simple smoking pipe I wanted to post this refurb that I finished. It is a LH Stern (LHS) SEC pipe. It is a system pipe as can be seen from the blown out pictures and the diagrams from the patent office. It is an interesting piece of history. The apparatus inside is quite elaborate. The stem is green perspex that serves as a collection chamber for sediments before the smoke goes to your mouth. I cleaned and reamed the bowl and polished it with carnauba wax. The stem had some tooth marks and cuts. I lifted the majority of them with my heat gun and finished by sanding them  and buffing them smooth.

Here are pictures of the pipe when it arrived:

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Here are pictures of the pipe after I cleaned it and polished it:

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Here is the pipe taken apart – it has an amazing assortment of parts. I have also included a copy of the patent information for those interested in the background of this pipe.

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One of my favourite refurbs – 1919 BBB Bent Calabash

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I was going through some old pictures on my hard drive the other day and found this one that I bought on EBay for a very reasonable price early in 2008. I finished refurbishing it in March of 2008. It was and is one of my favourites. You can see from the picture below what kind of shape it was in when I got it. In the pictures on EBay it looked worse than it does in the picture below. I opened the box when it arrive expecting far worse. I bid on it because I liked the shape of the pipe and I figured it would be a challenge.

The stem was oxidized to the brown white coloration that appears below. It almost appeared to be a horn stem – but it was not. When I removed it from the shank – which took a bit as it was stuck by the goop in the shank and the oxidation that portion was black. I put it in the freezer for a short period of time to cause some expansion and contraction in the stem that would loosen it from the shank. When I took it out of the freezer it was easily removed. I went to work on the inside of the stem with shank brushes and pipe cleaners, both bristle and fluffy dipped in alcohol. I worked on the stem until the cleaners came out white and clean.

I then mixed a batch Oxyclean and soaked it in the solution overnight to soften the oxidation. I find that the Oxyclean solution (warm water and a half scoop of Oxy in a pint jar) works wonders in softening the oxidation. It does not remove it but it made it easier to remove. Once I took it out of the solution the next morning to work on it I used 240 grit sandpaper to remove the oxidation. It worked well to take off the brownish white coating on the stem. Once that was finished it was a dull brown and I continued to work on it with the 400 grit wet dry sandpaper until it was a dull black. I then progressed to 600 grit wet dry sandpaper to further remove the grime. I used both of these sandpapers with water as I find it gives the grit more bite on the stem. I had not discovered micromesh at this time so I used 800 and 1000 grit sand paper and continued to sand the stem clean. By the time I used the 1200 grit wet dry sandpaper the stem was looking like new. I took it to my buffer and used the Tripoli and White Diamond to finish the job.

While the stem was soaking in the oxy I reamed and cleaned the pipe bowl and shank. I worked on it until the pipe cleaners came out clean. It took many bristle cleaners and many fluffy one to get it clean. I also used cotton swabs in the shank to remove the tars and build up there. I scrubbed the outside of the bowl and rim with Murphy’s Oil Soap to remove the grime and deep seated dirt on the bowl. After I finished the scrub and clean I put the bowl in a bath of Isopropyl alcohol to remove any remaining dirt and grime and the badly damaged finish on the bowl. That was the first night of my working on the pipe. I went to bed that evening with both the bowl and the stem soaking in their separate baths.

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The next morning I finished up the stem and set it aside as I described above. I turned my attention to the pipe bowl. I removed it from the alcohol bath and dried it off. I used a wet cloth and a butter knife heated over a flame to raise the dents in the outer rim of the pipe and the sides of the bowl. The process is quite simple. You wet a cloth, wring it out so it is not dripping wet yet still wet. Then fold it and put it over a dent. Heat the knife (I use our gas stove to do it but have also used an alcohol lamp). I then lay the flat blade of the knife on the dent. You will hear a hiss as the heat causes steam to rise from around the blade. The steam causes the dent to rise. I applied the blade repeatedly until the dents were minimized. Then I took it to my work table and used a flat board and a piece of sandpaper to top the pipe just enough to remove the remaining dents and damage. I do that on a flat surface to maintain the flatness of the rim without changing the angle. When that was finished I wiped down both the bowl and rim with an alcohol damp cloth to remove any residual sanding dust.

I then used an aniline stain, in this case medium brown as I had researched and found that the colour matched the colour of the pipe when it was new. I used the dauber that came with the stain and applied it to the rim and the body of the pipe. I started at the bottom of the bowl and worked my way up to the rim. The rim always the last part I do. Once it was completely covered with stain I ignited it with my lighter to set the stain. The process is called flaming the stain (at least that is what I call it.) I let it dry while I put a coat of wax on the stem.

When the stain was dry I took the bowl to my buffer and gave it a buff with Tripoli and White Diamond to remove the top coat of the stain and the opacity of the stain. The result can be seen in the picture below. I also used some silver polishing compound applied with a soft cloth to remove the tarnish on the end cap. I finished that process with a silver polishing cloth to give it a good shine. When that was completed I gave the bowl and cap a good buff with carnauba wax then reinserted the stem and gave the entire pipe an extra coat of wax for a finish.

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I still smoke it today and it delivers proudly! The last two pictures below show what the pipe looks like today after 4 years of use. It has developed a deep patina to the bowl and the warmth of the medium brown stain has mellowed into a richness that is really nice. Repeated waxings over the years have helped mellow the finish and also deepen the black of the vulcanite stem. This is one of my favourite old pipes. It truly is a reborn pipe. In 7 years it will be 100 years old. Some days I wish it could talk because I can’t even begin to imagine the stories it could tell.

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A New Polishing Tool (at least to me)

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I received an email advertisement from Stewart-Macdonald the same company that sells black super glue. In it they were talking about a new product that is used in the guitar making industry. I have found that several of the tools and sanding blocks etc. work very well in refurbishing pipes. These particular tools are called Fret Erasers. They are flexible self-padded rubber blocks embedded with abrasive grits. They were being billed as “incredibly handy, to erase fine file marks and scratches”. The grits are color-coded for convenience. The ad went on to say that they polish the frets to a high gloss shine.

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They come in coarse, medium, medium fine, fine and extra fine. I ordered a pair of the two finest grits to try out in my work on stems. My expectations were that they would exceptionally well up against the angles of the button at the end of the pipe stem and also very well around inset logos and medallions. The edges are square and the block fits well in the hand and can be held against the angle of the button easily. I have sanding wedges and small sanding blocks that I used to work with around the button and always fought them a bit to keep the sand paper from slipping or getting worn thin at the crease. This product does not have that problem and they leave behind no sandy grit or particles of steel wool (as the advert promised).

I put them through their paces on the last batch of stems that I cleaned up and they worked nicely and left a smooth shiny surface. In my experimenting with them I used them between the wet dry sandpaper and the micromesh pads. I left the final polishing to the higher grits of micromesh pads. I also used them around the BBB Diamond and the GBD rondelles and they were easily maneuvered around those without compromising the relief of the stamping. I also want to try them around stamped logos and see how well they work. In the future I plan on using these two blocks in place of the 4000 and 6000 grit micromesh pads for the final polishing before I buff them on the wheel.

Here is the link to the Stewart-Macdonald website and the Fret erasers.
http://www.stewmac.com/npa/0472?utm_…_0472_20120423

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Anybody else ever used these?