Tag Archives: polishing Cumberland stems

Moving another one of my own – an LHS Parklane De Luxe Billiard 19


Blog by Steve Laug

This is another pipe that I have taken out of my personal collection as I just do not use enough to warrant keeping it. This pipe was one that I purchased long ago but have no memory where it came from. I don’t think I ever smoked it to be honest. It is a pipe I should have smoked as it is attractive enough but did not. It is time to move it on to someone who will enjoy it. The airway in the shank and the mortise are very clean. The smooth finish and rim top were in good condition but it is dull and lifeless looking. The inner edge of the rim has a bit of damage on the backside. The stamping on the pipe on the left side of the shank reads Parklane [over] LHS in a diamond [over] De Luxe. On the right side it is stamped US PAT. 1,908,630. The shape number 19 or 61 is on the underside of the shank. The finish is a medium brown. Once it is polished the grain will show clearly. The colour of the stain goes well with the Cumberland or Bowling Ball stem. There is a white bar inset logo on the top of the stem. There is a threaded metal tenon and stinger apparatus on the stem. The stem is in excellent condition with no tooth chatter or marks on it. It is dirty from sitting in my cupboard but otherwise looks goo. I took photos of the pipe before I did my clean up work on it to prepare it for you. I took a photo of the bowl and rim top to verify the description above. The rim top is a bit of a mess with darkening and burn marks around the edges and heavier at the back of the bowl. The Cumberland style stem looks quite good on both sides. I took photos of the stamping on the sides of the shank. It is clear and readable as noted above. The white bar on the top of the stem also is clean and looks good.I took the stem off the bowl and took a photo of the pipe to give a sense of proportion of the pipe. You can also see shape of the pipe and some interesting grain on the briar. I decided to start my work on the bowl by dealing with the burn damage on the back inner edge of the bowl. I used a piece of folded 220 grit sandpaper to give the edge a slight bevel all the way around the bowl to blend in the damage. The top also had some damage so I gently topped it on a topping board with 220 grit sandpaper to remove the damaged portion of the rim top and give the backside some more thickness. Once finished, it looked quite good.    The shank and mortise were very clean and a quick run through with a pipe cleaner proved all that was necessary. I polished the rim top and the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. There was a small sandpit on the front of the bowl about mid-bowl. I wiped the bowl down with a damp cloth after each sanding pad to remove the dust and debris.     I gave the bowl and shank a coating of Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process.   I set the bowl aside and turned my attention to the stem. I polished it with micromesh sanding pads – 1500-12000 grit sanding pads and water to wet sand the stem. I wiped it down after each sanding pad with Obsidian Oil on a cotton rag after each sanding pads. But I find it does two things – first it gives some protection to the stem from oxidation and second it give the sanding pads bite in the polishing process.     After finishing with the micromesh pads I rub the stem down with Before & After Fine and Extra Fine stem polish as it seems to really remove the fine scratches in the vulcanite. I rub the Fine Polish on the stem and wipe it off with a paper towel and then repeat the process with the Extra Fine polish. I finished polishing the stem with a final coat of Obsidian Oil and set the stem aside to let the oil absorb. This process gives the stem a shine and also a bit of protection.  This LHS Parklane De Luxe Billiard 19 turned out to be a great looking pipe. With polishing, the grain shines through clearly. The Cumberland style taper stem is in excellent condition and works great with the polished briar. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished LHS Parklane De Luxe fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 32 grams/1.13 ounces. It is a great looking pipe that I will soon be adding it to the rebornpipes store in the American (US) Pipemakers Section. If you are interested in adding it to your collection let me know Thanks for reading this blog and my reflections on the pipe while I worked on it.

Can this one be brought back to life? Dunhill Amber Root 3103 Billiard


Blog by Steve Laug

Sometimes on a pipe hunt you have a surprising find. We look for pipes wherever we go so we go through a lot of shops and look at a lot of pipes. Many are just junk we leave behind but there are always some good ones. The next one was purchased on 10/20/22 from an antique store in Vancouver, Washington, USA. Jeff found it and excited when he saw it and more excited when he picked it up. It is a filthy looking Billiard with a Cumberland stem. It turned out to be a Dunhill pipe. It is stamped on the left side of the shank and reads Dunhill (in an oval). To the left of it the shape number 3103 is stamped. On the right side of the shank it is stamped AMBER ROOT [over] Made in England35. The 35 identifies the date of the pipe. The pipe was in rough shape. The outside of the bowl and shank were heavily coated in thick oils that were almost black. The bowl had a thick cake that overflowed as lava onto the rim top. The Cumberland stem was oxidized, calcified, coated in sludge but had little or no tooth damage on the stem top or underside. The shank was so coated with internal sludge that the stem did not fit the shank well. Jeff took photos of the pipe when he found it and before he started the clean up. Try to imagine how the pipe smelled and felt. Even your imagination cannot begin to capture the smells or feelings of the briar in your hand. The heavy cake in the bowl flows from the bottom up and all over the rim top and edges. It was impossible to know what the condition of the top and edges was underneath that thick, rock hard coating. The Cumberland stem was dirty, oxidized and calcified but had only light tooth chatter on both sides. Jeff took photos of the bowl, rim top and the stem to show the condition of both. The photos of the sides and heel of the bowl show the grain peeking through but it is almost impossible to see what the finish is underneath the thick sludge. I am hoping that underneath the thick grit it is a real beauty.  The stamping on the sides of the shank are shown in the photos below. It looks very good with portions of it faint but readable. It reads as noted and explained above. Jeff captured the detail in the photos below. I wanted to unpack the Dunhill stamping on the shank and work to understand each element of the stamp. I generally use the Pipephil site to gather as much initial information as possible (http://pipephil.eu/logos/en/dunhill/amber1.html). The stamping is interpreted as follows: The number 3103 is the shape number that unpacks as follows: the 3 is the bowl size, 1 is the normal identifier for a taper stem, 03 is the shape designation – a billiard. The Amber Root stamp refers to the finish. The superscript 35 following the D of England would give the date the pipe.Pipephil also has some helpful dating keys on the site that are basically flow charts that you can walk through to date your pipe (http://pipephil.eu/logos/en/dunhill/cledat-en1.html). I turned to Part 1 of the Dating Key and followed the chart. This pipe has a superscript 35  following the D in England. There was no patent number so that took me to the section on the chart below (column one) which instructed me that the pipe could be dated as being made “posterior to 1954”.I followed the link under “Your pipe is posterior to 1954. Narrow down your dating”. That took me to Page 2 of the dating key (http://pipephil.eu/logos/en/dunhill/cledat-en1a.html). The second column (suffix 1…4) or (11…39) led me to the section with a 35 after the D in England. There was a directive for dating the pipe spelled out as follows: 1960 + suffix which gives the pipe a date of 1995. From that I knew that the pipe was made in 1995 but since the last digit was covered I could not identify the exact year. I then turned to Pipedia’s section on Dunhill Cumberland to get a bit of background on the Dunhill finishes (https://pipedia.org/wiki/Dunhill#Root_Briar). I quote:

Amber Root – Introduced in 1995. A warm yellow-orange stain, reminiscent of the original Root Briar finish. Cumberland stems were used, although recently, Amber Root pipes have appeared with black stems. This is also a limited production pipe that is found in mainly Company stores and Principle Pipe Dealers. Straight grained pipes are made available in this finish under the name Amber-flame and are graded from one to three flames.

Note: While the Amber Root finish existed in the past with Cumberland and black Vulcanite mouthpieces (now we use usually the black Vulcanite variety only)[32].

I have also included a chart from the site spelling out the Standard Pipe Finishes and giving a timeline. You can see that the Amber Root Finish (a smooth polished medium stain) was introduced in 1995 so this is definitely from the first year of the release of that finish from the factory. I turned to work on the pipe itself. Jeff had done an amazing cleanup of the pipe. He reamed the light cake with a PipNet reamer and cleaned up that with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and rinsed the bowl off with running water. He soaked the stem in Briarville’s Pipe stem Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and rubbed it down to remove any oxidation that was still on the stem. The pipe looked very good when I received it. I took a photo of the rim top to show the condition. You can see the clean bowl. The rim top and inner edge are damaged and the bowl is slightly out of round. The stem came out looking quite good. There are some scratches, light tooth marks and chatter on both sides ahead of the button.  I took a photo of the sides of the shank to show the stamping. The photo shows the stamping and is actually more readable in person.I removed the stem from the shank and took a photo of the pipe parts to show what I was working with. It is a nice looking pipe.I worked on the inside and top of the rim with a piece of 220 grit sandpaper and a wooden ball to clean up the damage on the rim top and edges. I used a folded piece of 220 to clean up the inner edge even more. It would take some work but this was a good start. I polished the cleaned up rim top and edges with micromesh sanding pads – dry sanding with 1500-12000 grit pads and wiping the bowl down with a damp cloth to remove the dust. The rim top came out looking very good.   I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar comes alive with the balm. I set the bowl aside and turned to address the stem issues. I “painted” the surface of the stem with the flame of a Bic lighter to lift the tooth marks. I was able to lift them considerably. I filled in what remained with clear CA glue. Once the glue cured I flattened the repairs with a small flat file. I sanded them with 220 grit sandpaper to blend them into the surface and started polishing the stem with 400 grit wet dry sandpaper. I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This 1995 Dunhill Amber Root 3103 Billiard with a Cumberland taper stem has a beautiful, unique Dunhill smooth finish with great grain. The medium orange brown finish highlights some great grain around the bowl and shank. It has a unique finish and the polished Cumberland taper stem adds to the mix. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Dunhill Amber Root 3103 Billiard is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 1/8 inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.20 ounces/33 grams. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I will be adding it to the rebornpipes store soon in the British Pipe Makers Section. If you want to add it to your collection let me know. Thanks for your time.

Breathing Life into A Pipe Maker 16 Lovat with a Cumberland Stem


Blog by Steve Laug

This past January Jeff and his wife Sherry and Irene and I made a pipe hunting trip down the Oregon Coast. At least that is what Jeff and I called it. We stopped in a lot of the small towns up and down the northern part of the coast and picked up some nice pipes. When I saw this little Lovat with a Cumberland stem I was hooked and we picked it up and added it to the finds of the trip. This pipe is stamped on both sides of the shank and on the underside at the shank/stem union. On the left side it is stamped with the Pipe Maker. On the right side it is stamped Imported Briar. On the underside it is stamped with the shape number 16. It was a very dirty pipe with a dull and lifeless finish that hid the grain around the bowl. There was a very thick cake in the bowl and a thick lava coat on the rim top and the inner edge. It was hard to see what the condition of either the inner or outer edges with the lava and grime. The pipe had a rich medium brown stain with a reddish tint that highlighted nice grain on the bowl sides under the grime and the finish appeared to be in good condition. A lot would be revealed once Jeff had worked his magic on it. The Cumberland style saddle stem was in good condition with oxidation and light tooth chatter and marks on both sides ahead of the button and on the button surface itself. Jeff took photos of the pipe before he started his cleanup work. Jeff has gotten very good at capturing the condition of the bowl and rim top with his photos. You can see the work that is ahead of us in terms of the lava and grime on the rim and the cake in the bowl. This pipe is a real mess. The next set of photos show the grain on the sides and heel of the bowl. It is an interesting combination of grain – cross grain and birdseye predominate. I look forward to seeing what this one looks like once it is clean and restored. He took photos of the faint stamping on the sides of the shank. The Pipe Maker stamp on the left side is faint but readable. The Imported Briar stamp on the right side is also faint but readable.  On the underside is the shape stamp 16 which is very clear readable. The fourth and fifth photos below show the logo on the left side of the saddle stem. The next photos show the stem surface. It was very dirty, oxidized and calcified. It had pitting, light tooth marks and chatter on both sides ahead of the button.  Jeff removed the stem from the shank and the photo shows the interesting stinger apparatus and threaded tenon on the pipe. I was certain that the brand was American because of the Imported Briar stamp on the shank but I wanted to learn more about it. I turned first to Pipephils site to see if there was any information on the brand (http://www.pipephil.eu/logos/en/logo-p3.html). I did a screen capture of what was on the site and I include that below.I turned to Pipedia see if there was any further information to help me with hunt for this pipe manufacturer. There was no listing for that pipe company so I had as much information as I could find online.

Now it was time to work on the pipe itself. Jeff had cleaned the pipe with his usual penchant for thoroughness that I really appreciate. It looked far better than what it was like when we found it. He reamed the bowl with a PipNet Pipe reamer and took the cake back to bare briar. He cleaned up the bowl walls with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the beveled rim top. The finish looks very good with good looking grain around the bowl and shank. Jeff scrubbed the stem with Soft Scrub and then soaked it in Before & After Deoxidizer to remove the oxidation on the Cumberland style rubber. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked very good. I took photos before I started my part of the work. I took some photos of the rim top and stem. Once Jeff removed the lava on the top and inside of the rim top was a wreck. Both the inner and the outer edge of the bowl showed damage. There were deep nicks and gouges to the surface of the rim and a lot of darkening. The close up photos of the stem shows that is it very clean and there is some tooth chatter and marks on the button surface and just ahead of the button.I removed the stem from the bowl and worked on the rim surface. The rim was beveled so topping it on a topping board was out of the question. I used a folded piece of 220 grit sandpaper to smooth out the inner and outer edges of the bowl. I also used it to smooth out the rim top to remove the damage.I was happy with the way the rim top and edges looked so I did not need to do anymore except to polish them. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. The grain really began to stand out and the finish took on a shine by the last sanding pad. The photos tell the story! I touched up the rim top to match the rest of the bowl with a blend of Maple and Cherry stain pens. The blend works really well with this colour of bowl. I am happy with the work so it is time to move on.I worked some Before & After Restoration Balm into the surface of the briar with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for about ten minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside at this point and turned my attention to the stem. I filled in the tooth marks on the button edge and along the edge on both sides with clear super glue. When the repairs had cured I used a needle file to recut and sharpen the edges of the button and the button surface. I paused in my work on the stem to realign the stem in the shank. I heated the tenon with a lighter to soften the glue that holds it in place. I screwed the stem back in the mortise and aligned it while the glue was soft. Once it had set I removed the stem and continued to work on it.I blended the repairs into the surface of the stem and reshaped the button with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper.I continued the polishing using Denicare Mouthpiece polish. It is a red gritty paste that feels a lot like Tripoli to me. It works very well  to polish out remnants of oxidation and smooth out fine scratches in the rubber stem.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with a cloth containing some Obsidian Oil. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. This small Pipe Maker American Made Lovat is a bit of a mystery. I know that Frankau made them in England and Pipe Maker made them in the US but that is the extent of the information available on the brand. The shaping and carving follows the grain and highlights the mix of grains around the bowl. The finish on the pipe is in excellent condition and the contrasting stains work well to highlight the stunning grain on the pipe. The Cumberland saddle stem adds its reds to the mix. With the grime and debris gone from the finish and the bowl it was a beauty and the grain just pops at this point. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel. I carefully avoided the stamping on the shank and stem during the process. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad on the buffer. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Lovat is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. I can only tell you that it is much prettier in person than the photos capture. The dimensions of the pipe are Length: 5 ¼ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. Thanks for walking through the restoration with me as I worked over another interesting pipe. This pipe will be added to the American Pipe Makers section of the rebornpipes store soon. If you want to add it to your collection send me an email or a message! Thanks for your time.

Giving a Yorkshire Natural Billiard a new look – Restain & Cumberland Stem


Blog by Steve Laug

I am slowly but surely working my way through the gift box of pipes I received. The next one that I chose to work on was a billiard. It is stamped Yorkshire in an arch over Natural and another reverse arch with the words Algerian Briar.York1 The stem on it was a replacement and did not fit well on the shank. It was slightly smaller in diameter and also had rounded shoulders. The angles and flow of the stem did not work well with the pipe in my opinion as the taper on the top of the stem was different from the one on the bottom side. The bowl itself was clean but and the finish dirty. The rim had been damaged around the outer edge on the front of the bowl rounding it slightly. The stamping was clear and distinct. From what I can find on the internet the Yorkshire brand is a US Made pipe that came from Barnaby Briars (smoking pipe retailer) that was located at 28 Powell St. in Brooklyn (NY). They also made pipes stamped Barnaby. The Germanic Script differentiates it from the other Yorkshire Brand that was made in Italy by Gasparini for Sears and Roebuck.York2 The right side of the bowl had the only fills present on the pipe – and there were about five of them visible. The largest is almost in the middle toward the back. These fills were hard, smooth and tan in colour.York3

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York5 The close-up photo of the rim below shows the rounding of the edges on both the front and the back sides of the rim.York6 I absolutely hated the look of the stem on this pipe so I went through my can of stems until I found one that would work well. It was a well broken in stem that had a lot of oxidation and calcification on the top and bottom of the stem. There were no tooth marks which were a bonus and the stem was Cumberland! Once I had cleaned up the bowl and the stem the combination would look really good.

The tenon was slightly larger than the mortise so I used a Dremel with a sanding drum and took some of the Cumberland material off the tenon. I worked on it until it was close to fitting. Then I took it back to the work table and use a folded piece of sandpaper to get a good snug fit in the mortise. I had no idea that there was a brass band that was a part of the stem until I began to clean it up.York7

York8 When the stem was in place I sanded the stem and the junction of the shank and stem to make sure that the fit was smooth and the transition was as seamless as I could make it. I sanded with 220 grit sandpaper to even things out. As I did it I found that there was a brass coloured band that was a part of the stem. I removed the stem and cleaned off the face of the stem and found the band extended across the face of the stem like a washer around the tenon. I really liked the way the stem tapered quickly to from the shank to the button.York9

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York12 I topped the bowl on a topping board to remove the damage on the rim and clean up the outer edges. I wanted to remove the damaged, rounded edges. I also sanded the scratches on the underside of the bowl.York13 I sanded the stem and shank with a medium and a fine grit sanding sponge. I also sanded the brass shank adornment to remove the scratches and polish it. I wiped it down with a wet cloth to remove the sanding dust. The Cumberland is coming to life the more I sand it and remove the oxidation and buildup. The lines of red and burgundy flow through the stem horizontally along the taper and the sides.York14

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York17 I took a picture of the pipe and stem with the old stem beside it for comparison sake. The stem is about ¼ inch longer than the old one and the taper more radical. The Cumberland looked better with the briar than the old as well.York18 I wiped down the bowl and shank with acetone on cotton pads to remove the oils and grime that was on the surface of the briar. I wanted to bring the rest of the briar as close to the colour of the sanded rim and shank.York19

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York22 I cleaned out the shank and the stem with cotton swabs, pipe cleaners and isopropyl alcohol to remove the tars and oils.York23

York24 I sanded the stem and shank with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12,000 grit pads. I rubbed the stem down with Obsidian Oil between each set of three pads. I did not let the oil dry between rub downs as I find that the oil gives the micromesh some cut on the surface of the stem. The translucence of the Cumberland really shows through the shine.York25

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York27 I rubbed the bowl and down with olive oil and let it soak into the briar. The oil brought out the reddish brown tones of the briar and made the grain stand out. Sadly it also made the fills on the right side of the bowl stand out as well.York28

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York31 While the brown tones stood out well I wanted to bring out some of the red tones in the briar. To highlight the reds I stained the bowl with a coat of oxblood stain. Before I stained the briar I used a permanent black marker to darken the fills on the side of the bowl. When it had dried so that it would not rub off when I put the stain coat on the bowl. I applied the stain with a cotton pad and then flamed it. Once it dried I polished the bowl with White Diamond on the buffing wheel. The finished pipe is shown below.York32

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York35 The rich colours of the briar work really well with the reds of the Cumberland stem. The light brass band that separates the stem and the shank adds a light brass coloured horizontal line that breaks up the vertical Cumberland and the horizontal grain of the briar.York36

York37 The sharp edges of the rim and the grain on the surface look far better than the round outer edge of the bowl.York38

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