Tag Archives: Bowls – refinishing

Refurb on a Dr. Plumb Tween Size Prince


Blog by Steve Laug

Off the workbench today is a nice little Dr. Plumb Tween Size Prince (that is what the stamping on this one says). It was pretty rough looking as can be seen from the before shots. I had reamed it before I remembered to take the photos, so the bowl is very clean in the photo below.

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The bowl, in fact, was very dirty with tars and crumbling cake as well as a thick white “gunk”, for lack of a better word, in the bowl and all the way through the shank. I have no idea what it was other than the fact that it had a plastic feel to it. It was stringy and literally all over the inside of the bowl and shank. I had never seen anything like this in the years I have been refurbishing pipes. It came out with the reaming of the bowl and out of the shank with alcohol soaked pipe cleaners and a shank brush. It took some time to clear it out. Many pipe cleaners later it was clean. The state of the bowl when I got it told me that obviously this little guy (5 inches long, group one sized bowl) was a great smoker.

I stuffed the bowl with cotton bolls and filled it with alcohol using an ear syringe.

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I removed the stem and put a cork in the shank so that the alcohol would go all the way into the shank. I wanted to make sure that all of the remnants of white stuff and tars were removed from the bowl before I went further in cleaning it. I left it overnight and the next morning removed the cotton bolls and plug and cleaned out the bowl and stem with pipe cleaners. The bowl smelled fresh and almost new once that final cleaning was done and the alcohol evaporated. The bowl was then dropped in an alcohol bath for a soak. While it was soaking I went to work on the stem.

The stem took quite a bit of work to restore as it was badly oxidized. I had soaked it in Oxyclean while I worked on the bowl so now when I took it out the oxidation had softened. I buffed it with Tripoli, sanded with 240 grit sandpaper, buffed again with Tripoli, sanded with 400 and 600 grit wet dry sandpaper until I was able to get the grit off and then polished with micromesh pads from1500-6000 grit. Each level of micromesh gives the stem a deeper polish and shine to the stem. In buffing a stem by itself, I always avoid the saddle area or the area next to where it joins the shank as it is very easy to over buff this area and make rounded shoulders on the stem and ruin the stem/shank junction. Once that was finished I laid it aside with a coat of Obsidian Oil and turned again to the bowl.

I removed the bowl from the alcohol bath and dried it off. The bath removed the remnant of finish and all of the oils and grime on the bowl. I used the 3200 and 4000 grit micromesh pads to sand down the bowl, being careful to not damage the stamping. Once it was smooth, I wiped it down with a soft cloth dampened with Isopropyl alcohol to remove the sanding dust and then stained the pipe with a light cherry coloured aniline stain. (I mixed the stain by adding Isopropyl to the oxblood stain until it was basically a light cherry coloured wash.) I flamed it and then put the stem on and buffed both the bowl and stem with White Diamond and finished it with several coats of carnauba wax. Here is the pipe ready to smoke!

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A Barlings Make Saddle Billiard


Blog by Steve Laug

I enjoy working on Barlings pipes. They are generally carved from great pieces of briar and clean up nicely. They are light weight pipes with one of the most comfortable bits ever made IMHO. I had picked up this little Barlings Make 1364 Billiard. I have no idea on this one’s age as I have not bothered to look it up yet. It is stamped Barlings in an arch over Make inside the arch and then 1364 below that. The other side is stamped with an L. It has the Barlings thin bit saddle stem bearing the Barlings cross on the top and nothing on the underside.
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This one came with an over reamed bowl leaving the bowl walls thin and the bowl out of round. The left side was considerably thicker than the other sides. We are not talking a huge difference but visually it was off. The thin sides are probably a 1/8 inch thick and the left side was about a 1/4 inch thick. I carefully rounded the bowl with a knife to bring the 1/4 inch side into sync with the remainder of the bowl. The result is a much more balanced look to the bowl. Then I sanded the bowl carefully so as not to affect the finish on the top of the bowl and then buffed and polished the whole pipe. I am happy with the results and with some careful smoking this one should be able to build a good cake and last a long time.

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In terms of the stem I wanted to preserve the Barling cross stamped on the top and the profile. It was not in too bad shape as can be seen from the photos though it was oxidized. The oxidation I worked on by soaking it in Oxyclean to soften it. I find that though it does not remove the oxidation it makes it easier to deal with. I then carefully sanded the stem with micromesh pads. I worked with the 1500 grit pad to sand around the cross and not lose it. I also worked over the surface of the entire stem with the 1500 grit. Then I worked through the rest of the pads from 1500 to 6000 to give the pipe stem a polish. The only thing left to do was to give the pipe a good buff with White Diamond and carnauba wax to finish it up.

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Renewed Brigham One Dot


Blog by Steve Laug

This old Brigham One Dot was on the shelf at a Movie Studio Clearance Store – they sell old set items and materials from movies and television shows. Over the years I have found quite a few nice old pipes there for sale at a low price. I paid $12 for this one. From the photos below you can see its condition clearly. The stem was very oxidized and worse at the button end. I think that it probably had a rubber bit protector on it and it was cut off or fell of when they put it up for sale. The rustication was still crisp and sharp. The stain had faded from the top to about mid bowl and would need to be restained. The rim was tarred but not dented or damaged. The inside of the bowl was caked with an uneven cake that smelled of sweet aromatics.

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I reamed the bowl and cleaned the shank and inside of the stem with pipe cleaners and cotton swabs and alcohol. I scrubbed down the exterior of the bowl and rim with Murphy’s Oil Soap to remove the grime and the tars on the rim. I have used oil soap for a long time now on the surface of pipes and found that it works best undiluted. I rub it on and rub it off. On the rim I use a soft bristle tooth brush to scrub the tars off. On this pipe since I was restaining it anyway I did not care about losing a bit of the stain or finish in the process. I finished cleaning the rim with an 1800 grit micromesh pad. I then restained it to match the colour of the smooth patch on the underside. I gave it a quick light buff with White Diamond to polish the stain.

I had put the stem in a bath of Oxyclean and hot water and let it soak while I was working on the bowl. I removed it and wiped it down and resoaked it. After the second soak I sanded it with 400 and 600 grit wet dry sandpaper and then 1500-6000 grit micromesh pads to polish it. The Brighams have an aluminum shank that holds the hard rock maple filter tube. The filter tube was shot so I used a new one. The aluminum was tarry so it needed cleaning and a polish with 0000 steel wool. (The Brigham system is pictured in the graphic below.)

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When the aluminum was clean and polished I put the pipe back together took it to the buffer and gave the stem a buff with Tripoli to take off the remnant of oxidization. Then I used some White Diamond on it to give it a clean polish. I finished buffing the whole pipe lightly with carnauba wax. The finished pipe is pictured below.

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A Nice, Older Henley Billiard Restored


This old Henley Billiard was made by Masta Pipe Company of England and came to me in pretty clean condition. It is older and the Bakelite stem has an orifice button/airway. You can see from the picture below that the bowl was a little out of round and a small burn on the rim near the shank. It also had an overturned bone tenon. The stem had several gouges and deep scratches. Other than the finish was in great shape and in need of a polish and buff.

I heated the bone tenon as I have described in other blog articles by heating it in a bowl of boiling water. I heated it and screwed it back into the shank and tried to twist it. I repeated the process until it freely turned. I lined it up straight and then ran cold tap water over it to cool it and set the glue again. I cleaned up the dents and gouges with heat to raise them as far as I could and then sanded and filled them with a small amount of clear super glue. Then I sanded them with 400 and 600 grit wet dry sandpaper until they were smooth and polished the stem using micromesh pads up to 4000grit.

I cleaned and reamed the bowl and cleaned the shank with cotton swabs, pipe cleaners and alcohol. I used a folded piece of sand paper to even out the inner edge of the bowl and bring it back into round. I did this carefully so as not to scratch the finish. When I had it back to round it was time to polish it. I put the stem back on the pipe and the entirety was taken to the buffer for a final buff with White Diamond. This one was in relatively good shape other than the stem.

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Here is the finished pipe, ready to load and smoke.

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Using Super Glue to Repair or Replace Putty Fills


Blog by Steve Laug

On one of the forums another member and I were chatting bemoaning the red putty fills that so often are a part of old time pipes. I have no idea why they choose to use the red putty but as the pipe ages and the stain mellows with age the putty sticks out in all of its awfulness! I really do not like the look of red putty fills. They have a look like pink/reddish bubble gum. On smaller ones I used to pick them out and refill them with briar dust and wood glue. I always over filled them a bit as the glue shrunk as it dried and I found that the wood glue did not take the colour of the stain well. I left that discussion behind and went to work the next day with other things on my mind. I came home that evening and a PM was waiting for me. Another member remembered that an old pipe repairman friend of his used to use superglue and briar dust to repair fills. He asserted that once the glue was dry it was invisible and the stains would cover it as well.

I had this old bulldog in my pipes to be repaired box. There were two large fills on it that had more or less fallen out over time. What remained were two rather large holes or divots in the right side of this old pipe. The top arrow points to the one on the shank about mid way between the bowl and the band. The lower arrow points to the on the lower portion of the bowl.

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I used a dental pick to clean out the remaining red putty from the pits. I wanted the holes to be clean of any remnant of the putty. I also used cotton swabs and Isopropyl alcohol to wash out the areas where there was any putty left. Between the pick and the swabs the holes were cleaned out and open as they appear in the picture above.

I then took a tin of briar dust I have saved from pipes I have worked on over the past months. I keep some on hand for patches like these. I wet the end of the dental pick and dipped it into the briar dust and move it around to form a ball of the dust on the end of the pick. I used my finger to move the dust ball into the hole on the shank and the bowl. I patted the dust into the hole with the tip of a knife blade as I wanted a good tight fill. I then squeezed a few drops of super glue into the dust in the hole. As I did this the dust would shrink a bit and I added more dust and more super glue. When I was done the holes were filled and both had a small bump over where they used to be. I always over fill the holes so that when I sand them down they are smooth and I can feather in the fills with the rest of the briar. I was fortunate in this case that the holes were lined up with the grain marking around them. Once the glue dried (very quickly by the way) I sanded and checked to see if I had missed any spots. I wanted the entire surface smooth to the touch and under a jewelers loop. I sanded the spots down and blended them into the bowl surface. Once that was done I wiped the bowl down with a cotton cloth dampened with Isopropyl alcohol to remove any remaining dust.

I then set up my stain area and stained the pipe with an oxblood aniline stain. In this case I did not let it dry but wiped it on and wiped it off. I wanted to make sure that I was getting good coverage on the fills. I repeated the staining until the colour was what I was aiming for. The picture below is of the same pipe after staining and buffing with White Diamond. It was finished with several coats of carnauba wax. Can you see the fills that were evident above? I assure you that in person it is just as hard to see them.

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Pulling a Broken Tenon


Over the years I have had my share of broken tenons to remove. Some of them came from carelessness on my part but others I purchased that way. I took pictures of the process I use on two different pipes recently. The first was a little Barling with a broken tenon and a chewed stem. I ended up restemming this one. The second one was a Peterson 999 with a broken tenon that I hope to reuse the stem by drilling/tapping and inserting a new tenon to refit it.

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Insert a screw part way into the airway on the broken tenon in the shank of the pipe. I use a dry wall or gyprock screw. I turn the screw in by hand. I do not want to expand the tenon at all I just want the screw to have a little bite to it so that I can use it to pull the tenon out by hand or with a pair of needle nose pliers. In this case in both pipes I was not able to pull out the tenon easily. Many times I am able to pull it out in a matter of seconds using this method. But both of these were exceptionally tight and immovable. I put them both in the freezer for an hour as I know that vulcanite and briar contract at different rates with a change in temperature. After an hour I removed the Barling from the freezer and was able to pull the broken tenon out very easily. I then unscrew the broken piece and lay it aside to use for a match on the new tenon I will cut as a replacement. It helps me to eyeball the fit. I also measure the mortise and set the tenon turner as closely as possible to the measurements. I then take the broken piece and slide it on the tenon turner to check the fit.

The tenon on the Peterson however, still did not budge after an hour in the freezer. I left it in for another half hour. Still it did not budge. I then dripped Isopropyl alcohol into the exposed mortise and hoped that it would work as a solvent to break the tenon free. I repeated this several times and left the pipe sitting with alcohol in it over night. The next morning the tenon still did not move.

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I decided to not fiddle around with trying to pull the tenon. I used my small drill bit and began to drill out the tenon. I never start with the exact size of the tenon but rather work with the size of the airway and work my way up. I have found that in the process of working through the bits the tenon inevitably breaks loose or crumbles to pieces. In this case, by the time I got to the third drill bit, when I reversed it the tenon came out with the bit. You will notice that I also flattened the broken portion of the tenon on the stem so that the surface was flat and smooth. I wanted it to be ready for when I would drill it out or tap to receive the new tenon that I have ordered.

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As I close this essay I want to just mention a couple of reminders:

  1. Do not turn the screw into the airway to deeply as it does expand the airway and can actually crack the shank on the pipe. BE CAREFUL and go slowly.
  2. Do not use a tool to turn the screw into the airway – do it by hand so you can feel the progress and the bite before damage is done.
  3. If the tenon is stuck and immoveable in the first try put the pipe in the freezer for an hour or more to expand and contract the tenon and mortise. This usually works to break it free.
  4. Should you have to drill it out – use a bit a little larger than the airway to begin the process and work your way up to larger bits. Do not use a drill bit that is the size of the mortise lest you damage the mortise.
  5. Use a T handle hand drill not a power drill to do this as you can easily drill right through the bowl and ruin the pipe.

Using a Buffing Wheel


Blog by Steve Laug

Using cloth buffing wheels to buff the finish on a refurbished pipe can work wonders by smoothing the surface giving the pipe a “like new shine”. However, a disclaimer needs to be stated up front – buffing will not remove scratches or imperfections and buffing can make things a mess if not done properly.

I use The Beall System buffing wheels on two bench grinders that I have stripped down. The system employs a three-step procedure using three different 8 inch buffing wheels. The first wheel uses Tripoli as a buffing compound; the second uses White Diamond (aluminum oxide). The third is used to apply carnauba wax and bring the finish to its final luster. So that I do not have to change the wheels between buffs I use the two bench grinders that I have stripped down. I removed the grinding stone wheels, the guards and left only the arbor on each side. I used the washers from the grinder stones and an extra washer to hold the pads/wheels firmly. I put the pads I use for White Diamond and Tripoli on one buffer and the carnauba and added a fourth clean felt pad on the other. I thus can work down the row – Tripoli, White Diamond, carnauba and then a clean flannel wheel to bring up the shine. The picture below shows the Beall system. It includes three buffing pads – clearly stamped for the product they are designed to apply, one bar each of Tripoli, White Diamond and carnauba. The cylinder standing in the centre is an arbor that can be attached to a single shaft motor so that the wheels can be spun on and off quickly. The long shank in the bottom of the picture is an extension that can be attached to the arbor to give some distance from the motor should you need it. If you use a bench grinder those two parts are not necessary.

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The photo below shows the wheels with the mounting screw that can be either screwed into the arbor unit as pictured in the one wheel on the buffer or they can be removed and the pads turned on to the spindles of the bench grinders as I picture in my setup.

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The kit can be purchased through the Beall Tool Company through their website at www.bealltool.com or Lee Valley Tools through their online catalogue at http://www.leevalley.com/en/wood/page.aspx?p=20092&cat=1,190,43040,43042 Both sites provide the ability to order individual components of the system. The Beall website also has a description of the system along with instructions. There are links to videos where Jerry Beall gives lessons on buffing.

In the essay below I will describe my set up and how I use it along with some quick reminders for you as you work with your buffer.

MY SETUP

I use two 6 inch bench grinders that I bought from a tool liquidator near my home for my buffers. They are both 1750 RPM motors mounted on a stand with an arbor on each end. The stand that is part of the grinder keeps the wheels above the surface of the work table and at a comfortable height. I place my buffers on my work table so that they are at waist height for ease of buffing and because I don’t want to have to stoop down to buff. I stand to buff because I have more control over the angles which I hold the pipe against the wheel. Each wheel is held in place by a cup washer on each side and a nut that threads on to the end of the arbor. The shaft is the same size as the holes in the buffing wheels so I place the first cup washer on, twist the wheel in place, put a simple washer and then the cup washer on the outside to get a good tight fit. If the wheel is loose it can move around the spindle or shaft and do damage to the wheel and allow it to shift on the spindle.

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The blue buffer above is my work horse – the left side holds the White Diamond wheel and the right side the Tripoli wheel. You can see from the picture that the pads have worn down and are the way I like to use them. There are no more loose strings or fabric. The wheels are charged in the picture above with the amount of both products that I use on them. I find that if I over charge them with product it just gums up on the stem and makes a mess of things rather than polishing them.

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The yellow buffer above is my secondary or polishing buffer. The wheels are not as worn as the ones on the blue grinder because I use them less frequently in the process of buffing. It is used for the final polishing. The left side is a clean flannel wheel with no product on it. It still loses strings when I buff with it. It is soft and gives the carnauba a real shine. The right side is the carnauba wheel. It too is charged with wax and ready to use. I am careful how much wax I load the wheels with as too much can really make a mess.

When I first mounted the wheels the recommendation that I was given was to “clean” the wheels initially by backing a sheet of 100-grit sandpaper with a small board and touching the sandpaper to the wheel. I chose not to do so, because the description of the mess deterred me. It said that the air around the buffer would be filled with fibers and lint. I decided to live with this while I broke them in with the polishing compounds.

Some people have built enclosures around the wheels to attach a dust collector to catch whatever comes off the wheels. I have added a picture below to show the shield that can be used. It is a pretty elaborate shield. I have used cardboard boxes in the past to catch the lint and dust and the pipes that occasionally fly away! I generally do not use a shield because I find that it was in the way when I work on the pipes. I want a fully open wheel to work with. Besides there was far less debris produced after the wheels were put in service and loaded with compound. I do however put a thick towel or a piece of carpet under the buffer wheel as it picks up the dust, etc. and can easily be vacuumed for cleanup.

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The first thing to do when you set up your buffing system is to charge the wheels with buffing compound. They key to remember is that it doesn’t take much for a wheel to be fully charged. Many people overdo on the charging and gum up the wheels and make a mess of the pipes they polish. Less is more is the rule of thumb. With the wheel rotating at speed, touch the bar of compound to the wheel only for a second or two and without forcing the bar into the fabric. The Tripoli is a dark reddish-brown color so you get a visual indication of the amount that’s been applied. With the white diamond and wax, it’s harder to judge. In the picture below you can see the White Diamond on the left, the Tripoli in the middle and the carnauba wax on the right side. Those bars should last a long time. I have found over the 10 + years that I have had my buffer that I had to replace the Tripoli at about year 5, followed a year later by the White Diamond. I still am using the same bar of carnauba.

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My suggestion is to do a bit of experimenting with a pipe that you are not afraid to damage or have thrown across the room. Try differing amounts of charge on the Tripoli wheel and note the effect. Begin with “obviously too little” and work your way to “probably too much.”  Do a similar test with the White Diamond and the carnauba wax. If you suspect you have too much charge on the wheel, some of it can be removed by lightly touching the sharp edge of a board to the wheel.

I hold the pipe in my left hand with a thumb or finger in the bowl so that I have a good firm hold on it. Practice buffing the pipe with each of the materials to get a feel for them. Each one is on a slightly different pad so they handle differently and the materials are different in their feel on the wheel. If you happen to put too much of any of the materials on the wheel and the pipe gums up you can wipe it down with Isopropyl alcohol and restart the process. Practice until you are comfortable with the feel of the pipe in your hand.

When you are buffing use a light touch. Pressing the pipe bowl against the wheel with considerable force only increases the heat generated where the wheel contacts the bowl. Pressing it hard against the stem can cause the vulcanite to burn or melt and make more work for you rather than less. A light touch is critical to getting a good finish and polish. Keep the pipe bowl moving as you are buffing, turning it so every surface get a good buff, with the stems the same thing is true so that the heat production is not concentrated in one area. I never buff a pipe bowl and stem separately. The buffer can round edges on the stem or the shank and the junction between the two is permanently damaged and the value and look of the pipe is affected.

A FEW SIMPLE REMINDERS

  1. Pay attention carefully and focus on the work. The equipment can hurt you so be careful! In regard to personal safety, just use common sense. A buffing wheel can grab loose sleeves, long hair, or dangling jewelry very quickly, so pay attention and be careful.
  2. While your safety is a potential hazard the greater one is the wheel can grab the pipe and take it out of your hands in a heartbeat. That is why I hold it the way I do – both hands, one with the thumb or finger in the bowl. This is a real issue; do not take it lightly.
  3. Always keep a firm grip on the pipe. It takes some thought and practice to grip the pipe firmly while applying it to the wheel with a light touch. The tendency is to hold it lightly, in keeping with the light touch.
  4. Be careful when buffing a pipe around the rim and bowl opening because the wheel can grab the edge of an opening.  Also, be alert when buffing near the rim because the reddish powder from the Tripoli and a white powder from the White Diamond gets into the inside of the bowl. It will need to be wiped out carefully with a cotton swab.
  5. The wheels can grab a small-diameter stem because the strings of the fabric tend to wrap around it if you press it too far into the wheel. The safest way to present the stem is with its length pointing in the direction the surface of the wheel is moving.
  6. Don’t try buffing metal bands, stingers or metal caps or rims.  It will work but will permanently discolor the buffing wheels.

New Life for a Yello Bole Canadian


On a recent trip to the US to visit my parents I also visited several antique malls in their city. I have three that I usually have on my list when I go there. The one I want to focus on in this post is in an old grain elevator and has three floors of many “antiques” which always surprise me because many are the same age as I am!  Anyway, on the second floor I found a booth with two pipe racks containing over a dozen older pipes. Most were junk in that they had cracked bowls and broken shanks etc. But also in the midst of it was this old Yello Bole Canadian. It had some beautiful briar in it. Yello Bole is the grade down the line for KayWoodie, or so I am told. Pipes that don’t make the grade for KW will often be stamped with the Yello Bole brand. This one was stamped KBB in a cloverleaf on the top of the shank and next to it Yello Bole over honey cured, over imported briar. The stem has the yellow circle inlaid in the vulcanite. If memory serves me correctly this is one of the older pipes in the line.

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The bowl was in pretty clean shape. The yellow coating was still visible in the bowl and the bottom half of the bowl was very clean with just a bit of darkening to the yellow coating. The rim was dirty and dented. There were tars on the rim and some deep scratches to go along with the dents. The bowl however, was still round, it had not been ruined by a reamer going a muck. The stem was oxidized and was slightly brown. There was light tooth chatter but no dents on the surface of the stem. The overall finish of the pipe had light spots and dark spots where the finish seems to have been exposed to light or was wiped down and finish removed. There was no over coat of varnish or of lacquer just solid clean briar with a spotty stain.

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I broke the pipe down as seen in the pictures below. The stinger apparatus can be seen in the pictures. It is an aluminum shovel like contraption with the hole near the tenon and a long shovel like extension that extends through most of the shank. I cleaned out the bowl with an alcohol scrub on cotton swabs and cleaned out the shank with a shank brush, bristle pipe cleaners and fluffy pipe cleaners and alcohol. When they came out clean I worked on the outside of the bowl. I used cotton balls and acetone to wipe down the outside of the bowl and shank. I wanted to remove the rest of the finish so that I could prepare it for restaining. I applied the acetone until the bowl was free of the stain and finish. The pictures below show the cleaned surface of the bowl. I also used the acetone and some 400 and 600 wet dry sandpaper to clean the top of the bowl and rim. A folded piece of sand paper was used on the inner edge of the rim to clean the beveled edge. Before I stained the pipe I decided to clean and polish the stem. I used the Bic lighter method mentioned in an earlier blog post to get rid of the oxidation. In the pictures below the stem has the majority of the oxidation removed using that method. I then used 400 and 600 grit wet dry sandpaper with water and my usual list of micromesh pads from 1500-6000 grit to polish the stem.

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Once the stem was cleaned and polished by hand I inserted it into the bowl and used it to hold the pipe while I restained it. I used a medium brown aniline stain on this pipe to approximate the original stain and to highlight the grain. I applied it with the dauber that came with the stain and then flamed it to set the stain. I then took it to the buffer and buffed it with Tripoli to remove some of the opacity of the medium brown stain and bring the grain to life. Once that was done it was buffed with White Diamond. Both the stem and the bowl were buffed. Care should be exercised in the buffing process to not obliterate the stamping. I use a light touch when buffing around the stamping. The four pictures below show the finished pipe – ready to load with a favourite tobacco and enjoy!

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Refurb – A Pair of Custombilt Look A Likes


I just finished up on these two Custom Bilt look a likes. The Rhodesian shaped pipe has no stamping other than Imported Briar. The bent pot is stamped Aged Imported Briar on one side and Ben Rogers on the other side. I am not familiar with the brand. So if anyone has information on it please post it here. I would appreciate learning about the twosome.

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Both pipes needed quite a bit of work to make them smokeable once more. The bowls had a thick cake and each one of them still stuffed with half a bowl of tobacco. The stems were rough and pitted from the oxidation and had a white lime like coat on them. They were very dirty inside and out. I cleaned them with a shank brush, bristle pipe cleaners and finished with fluffy ones all dipped in isopropyl alcohol until they came out clean. I buffed the stems with Tripoli after cleaning them to try and break down the coat of oxidation. It did not do much so I put them both in a bath of Oxyclean to soak. I find that though it does not remove the oxidation it does soften it considerably and makes sanding and buffing it off much easier.

Once they were soaking I turned to the bowls. First I reamed them both to remove the crumbling and uneven cake. I generally take them back to bare wood when they are in this state or at the most leave a thin bit of cake on the walls. I cleaned the rims with alcohol and a soft cloth and sanded it with 600 wet dry sandpaper to remove the tar deposits and carbon on them. Once that was done I dropped them in the alcohol bath to wet them and scrubbed them with a soft bristle toothbrush. I find that on the smooth and semi-rusticated finish of these pipes the tooth brush works very well to remove deep seated grime and loosen oils and dirt.  I then left them to soak while I went back to the stems.

After the soak the stems came clean pretty easily with 240 grit sandpaper, 400 and 600 wet dry sand paper and a finishing buff with Tripoli. I worked on them for a while with the sandpapers and Tripoli and then used White Diamond for the final polishing buff. I was careful to not buff the last bit around the stem edge that would meet the shank. I would finish it once the bowls were stained and ready. Then I would buff them together with carnauba wax.

By the time I was done with the stems the bowls were ready. I took them out of the bath and wiped them down. Once they were dry I restained them both with a medium brown aniline stain, flamed the stain and then buffed them with White Diamond to remove excess stain and give a contrast between the smooth portions and the rustication. I hand waxed them both with Halcyon wax and buffed with a soft cotton cloth.

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Custom-Bilt Saddle Billiard Comes Back to Life


Blog by Steve Laug

It was a pleasure to refurbish this original Custom-Bilt (note the hyphenated title). I have always loved the rugged individualism of Tracy Mincer’s pipes. They are like none of their imitators in terms of character and sheer smoke-ability. They feel great in the hand; have and open draw and generally a comfortable stem. They are nothing pretty to look at yet there is something endearing about their “ugliness”. This old pipe was in very rough shape when I started to work on it. I apologize up front in that I forgot to grab the camera to take pictures of the pipe when I began the work. My words will have to suffice as I tell you about it. There was still a dry and almost petrified dottle of tobacco left in the bottom of the bowl. The cake that was on the walls was filled with cracks and major chunks of it were missing. The only way to remedy that was to ream it. The exterior of the bowl had a very tarred and sticky rim and the finish was gone and flecks of white paint were all over the crevices of the rustication. The stem was dull brownish green with a white crust around the button and up the stem a good half inch. This stuff was like concrete.

I always start my refurbishing process by addressing the issues of the bowl. That way as it soaks I can work on the stem. I scraped out the petrified dottle and reamed the broken cake back to bare wood. I cleaned the inside of the shank with a shank brush and bristle and fluffy pipe cleaners and isopropyl alcohol until they came out clean. I wiped down the exterior of both the shank and bowl with a rub of alcohol. When finished it was dropped in the alcohol bath for most of the morning while I worked on the stem.

I went to work on the stem. I decided to buff it with black Tripoli (coarse polishing compound) to address the hard crust on the front of the stem and the general oxidation on the blade of the stem before the saddle. I did not want to work on the saddle with it off the shank as it is too easy to round the edges and spoil the fit. After buffing it was sanded with 240 grit sandpaper to finish breaking through the white crust. Once it was gone the rest of the stem was cleaned up with my normal list of 400, 600 grit wet dry (with water), and then micromesh pads – 1500, 1800, 2400, 3200, and 4000 grit. I also used the wet dry sandpaper and the pads to careful work on the saddle portion of the stem. Upon completion the entirety was given a coat of Obsidian Oil and then waxed with carnauba.

I set the stem aside and retrieved the bowl from the alcohol bath. As I took it from the bath I scrubbed it with a brass bristle tire brush to get into the crevices on the pipe and the rustication. It was a mess with some paint in the rustication. The alcohol had removed the grime and the wire brush removed the paint flecks. Just a reminder – I use a soft bristled brass white wall tire brush in these instances as the bristles do not damage the surface of the briar. When the bowl was clean I wiped it down with isopropyl on a cotton boll. It was ready to restained with a medium brown aniline stain. I applied the stain with the dauber that comes with the Fiebings Shoe Dye (aniline stain), flamed it and set it aside to dry thoroughly. Once it was dry I buffed it with White Diamond on my buffer and then applied a coat of Halcyon Wax and buffed it by hand with a cotton cloth.

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