Daily Archives: August 31, 2019

Refreshing another unsmoked 1910-1915 C.P.F. Chesterfield – a Military Mount Billiard

Blog by Steve Laug

This afternoon I was going through my boxes of pipes hunting for a specific stem and came across this old, unsmoked C.P.F. Chesterfield Military Mount Billiard. What made it interesting to me was the fact that though it was unsmoked the brass ferrule was oxidized to the point of disintegration. If you have followed my blog for long you know that I love older C.P.F. pipes and I really am a sucker for them as I have a small collection of them. This one rang all the bells for me with the unsmoked bowl, the gold stamp on the shank, even the disintegrating brass band and the P-lip style stem. I am pretty sure from working on other C.P.F. pipes that the pipe was from the time period of the 1910s and before 1920, which also made it attractive to me. When I brought it to my work table this is what I saw (it did not disappoint). It was a bit shop worn from sitting – nicks and grime on the finish. The brass ferrule was loose and in rough condition. The stamping on the left side of the shank read Chesterfield in an arch over the C.P.F. in an oval logo. On the right side of the shank it read French Briar. The stem read Chesterfield over the C.P.F. oval logo on the topside of the taper. On the underside it read Solid Rubber. The bowl was raw briar and totally looked new and unused. You have to admit this is a beauty – I guess that is subjective but it is to me! I took photos of the pipe as it looked on the table. I took close up photos of the bowl, rim top and stem to show the overall condition of the pipe. The bowl was pristine as noted above. The rim top was very clean and undamaged. There were a few small nicks on the inner edge.  The shank ahead of the band was discoloured from the brass ferrule and the ferrule itself had a lot of cracks in surface all around. The stem was in excellent condition – no oxidation. There were a lot of minute scratches in the surface on both sides. The stamping on the stem top and underside was very readable.     The next photos show the stamping on the shank. You can see that they are all quite clear.   I wrote a piece on the background to the C.P.F. brand earlier on the blog and include the link to that here (https://rebornpipes.com/2013/04/14/some-reflection-on-the-historical-background-on-cpf-pipes/). I quote a pertinent part of the blog below:

From my reading and research it seems to me that C.P.F. brand was discontinued sometime in the 1910-1920 range. Again, turning to Bill Feuerbach I found that he notes the following, which pins down the time frame of the discontinuation of the brand more specifically, “I have a C.P.F. Chesterfield in our office display that has a nametag from way before my time that says 1900 C.P.F. Chesterfield. It looks like most other Chesterfields you’ve seen, including the military type push stem, except this stem is horn and not vulcanite. As far as I have gathered the C.P.F. brand was phased out sometime around 1915.” Interestingly, he noted that the Chesterfield name and style was later introduced in the KB&B, Kaywoodie and Yello-Bole lines. He says that the 1924 KB&B catalog shows KB&B Chesterfields…

… From my research I believe that we can definitively assert that the C.P.F. logo stands for Colossus Pipe Factory. The brand was purchased by KB&B sometime between 1884 and 1898 and that it continued until 1915. That time frame gives help in dating some of the older C.P.F. pipes you or I might find. It can be said that prior to the dual stamping it is fairly certain that the pipe is pre-1884 to 1898. After the dual stamping it can be placed post 1898 until the closure of the brand line in 1915. C.P.F. made beautiful pipes.

From that information I dated this pipe to the peroid metnioned above. I would further refine the 1910s period to a time between 1910-1915. At any rate it is an old pipe to remain unsmoked for this long. How this old timer has been around this long and is still unsmoked is a bit of a mystery to me.

I tried to remove the ferrule and as I touched it the metal disintegrated into a pipe of very fragile pieces of metal. The metal was whitened on the outside and inside. The oxidation had made the metal very brittle.I wiped the bowl down with acetone on a cotton pad to remove the spotty varnish coat and break down the remnants of glue left behind by the crumbled ferrule. I sanded the shank end with 220 grit sandpaper to remove the heavy spots. I polished it with 1500-2400 grit micromesh sanding pads.    I went through my box of bands and ferrules and found a nickel ferrule that was a good fit on the shank end. I put some Weldbond white glue around the shank end and pressed the band onto the shank. I aligned the “hallmarks” with the gold stamping on the left side of the shank.I scrubbed the briar with Before & After Briar Cleaner. I rubbed it into the surface of the briar ahead of the ferrule and around the shank and bowl. I let the cleaner sit on the briar for 10-15 minutes and then rinsed it off to remove the cleaner and the grime that it had picked up. I took photos of the pipe after I had dried it off.  I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on.  I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry. I love these old C.P.F. pipes. There is some serious thought that they were carved by European trained craftsman who were skilled pipemakers. They were brought to the US by the C.P.F. Company to make pipes. Many of the shapes, bands and stems have the kind of workmanship involved that I really think there is truth to this story. This is little chubby billiard with a classic shape that reminds me of some of the older Peterson’s Sraight billiards that I have restored. The stem is a Peterson style P-lip with the airway on the top of the stem. I polished stem and the bowl with Blue Diamond polish on the buffing wheel carefully avoiding the stamping on the shank. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The contrasting grain really began to stand out; it seemed to take on life with the buffing. The rich contrasting brown colour works well with the silver ferrule and the polished black vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: ¾ of an inch. This one will be joining my collection as it fits in the C.P.F. niche group that I have been building. The shape and feel in the hand is perfect. Now I have to make a hard decision – do I leave it unsmoked or do I load it up with some aged Virginia and break it in. Thanks for walking through the restoration with me as I restored and reworked this old billiard from 1910-1915. It is always a treat for me to work on a piece of pipe history especially when I have learned a bit of the story behind it.

Restoring a Beautiful Grade 12 Apple by John Calich that has a Great Story

Blog by Steve Laug

Early in August I received an email from an interesting woman on Vancouver Island regarding some pipes that she had for sale. She was looking to sell the pipes from her late husband Ken and one from her Great Grandfather. Here is her email:

I have 5 John Calich pipes that date from 1979 to 1981. One is graded 11 and the other four are graded 12. I had bought them as Christmas and birthday gifts for my late husband. He was a very light smoker for a 3 year period.

I am a wood sculptor and always admired the grain and shapes of John’s best pipes. John was a friend as well. We exhibited at many exhibitions together for over 25 years.

I am wondering if you can provide any information on how I might be able to sell them.

Thanks you for any help you might be able to provide

I wrote her back and told I was very interested in the pipes that she had for sale and asked her to send me some photos of the lot. She quickly did just that and we struck a deal. I paid her through an e-transfer and the pipes were on their way to me. They arrived quite quickly and when they did I opened the box and found she had added three more pipes – a Brigham, a Dr. Plumb and a WDC Milano. There was also a wooden cigar box in the package that housed the Calich pipes. They are all lovely looking freehand style shapes – even the two apple shaped pipes had a freehand twist to them. The package also had the BBB Gourd Calabash that I have written about earlier (https://rebornpipes.com/2019/08/27/breathing-new-life-into-a-bbb-gourd-calabash-with-an-amber-stem/).I wrote to Pat and asked her if she would be willing to write short remembrance of her late husband and her Great Grandfather. She wrote that she would be happy to write about them both. In her email she included a story about John Calich that I really enjoyed. I decided it was well worth including in this first blog about these Calich pipes.

My best John story is one you won’t likely be able to print.  We were set up beside each other in the late seventies at the Ottawa Tulip Festival in army tents. It was cold and wet. John always had a jar of good tobacco that he shared with past and prospective customers.  One morning a guy that looked like he was dirt poor started chatting with John. He pulled out his cheap pipe and stuffed it too full of the expensive tobacco and then asked John for a light. As he walked away John muttered under his breath to me “I’d like to give him a kick in his pants to get him puffing”

I had to laugh because in conversations I had with John we had some great laughs. He was a real character and this was truly a fitting reminder for me as I was preparing to work on the pipes.

I wrote to Pat again and told her I was thinking of restoring her husband, Ken’s pipes next. She is working on a piece for me but sent along a great story and a photo in case I “need some inspiration while you work”. I have also included that photo and the story below. It indeed was an inspiration and gave me an idea on what pipe to work on first. Here are Pat’s words:

I’d like you know that Ken was an incredibly talented and creative man with a smile and blue eyes that could light up a room. His laugh was pure magic. He could think outside the box and come up with an elegant solution to any problem.

I remember the day he had to “fess up” about burning a hole through the pocket in his new sports jacket that was bought for an upcoming gallery opening of our work…….of course the “real culprit” was that damn small John Calich pipe that he favoured above all others, because it felt so good in the palm of his hand and tucked neatly into a pocket.

Once again I had to laugh because I have also burned a hole in a pocket and more than few shirts from sparks from a lit pipe. I went through Ken’s pipes and found the pipe I think that she was referring to in the above story. I sent her a picture of the pipe and she confirmed that it was indeed the one she was talking about. Now I knew which one I was going to work on first. I brought the nice little bent apple pipe to my work table and took some photos before I started the clean up on the pipe.

Pat sent me this reflection on her husband Ken’s life. Thanks Pat for taking time to do this. I find that it gives another dimension to the pipes that I restore to know a bit about the previous pipeman. Pat and Ken were artists (Pat still is a Sculptural Weaver) and it was this that connected them to each other and to John Calich. Here are Pat’s words.

Here is the write up for Ken. We meet in University and it was love at first sight. I consider myself blessed to have shared a life together for 37 years.

Ken graduated from Ryerson University with Bachelor of Applied Arts in Design in 1975.

Ken lived his life with joy.  Each day was a leap of faith in the creative process. His smile would light up the room and the hearts of the people he loved.

He combined the skilled hands of a master craftsman, with the problem solving mind of an engineer, and the heart and soul of an artist. He used his talents to create unique and innovative wood sculptures. Using precious hardwoods, he incorporated the techniques of multiple lamination and three dimensional contouring to create sculptural pieces that captivate the eye and entice the hand to explore.

His career was highlighted by numerous corporate commissions,  awards and public recognition in Canada and abroad.

A quote from Frank Lloyd Wright sums up Ken’s approach to design.  “Form follows function – that has been misunderstood. Form and function should be joined as one in a spiritual union.” 

A friendship with John Calich developed over years of exhibiting their work at exhibitions. How could a wood sculptor resist some of John’s finest creations…

Pat had included the top of a box that Ken had kept from the pipes he had purchase from John. I used the box top as a back drop for the photos of the pipe. The pipe had a very interesting shape. It is an apple with beautiful grain and a dull finish due to sitting unused in storage. The bottom of the bowl was plateau that had been sanded down to knock off the high points. It appeared that the finish was oil cured and unstained – I like that about John’s pipes as with age and use they take on colour. The bowl had a cake in it and there was slight lava overflow on the rim top. There were some small nicks in the rim top and inner edge of the bowl on the right front side. The stamping on the left side of the shank read CALICH over Hand Made. Below the stamping was the number 12 which was the grade number. The stem was lightly oxidized as was the single metal dot in the top of the saddle. There was light tooth chatter on both sides of the stem on both sides near the button. The shank and stem were dirty inside.  I took a photo of the bowl and rim top to show the cake in the bowl and the lava build up on the edges of the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. There appears to be a little damage on the right front inner and rim top of the bowl. There was some darkening on the back edge and top of the rim top. Otherwise it looks pretty good. I also took photos of the stem to show the oxidation on both sides and the light tooth chatter on both sides near the button.   I took a photo of the left side of the shank to show the condition of the stamping. You can see the faint Calich stamp over Hand Made. Below that is the number 12.I decided to include a bit about John Calich the pipemaker as I have loved John Calich’s pipes for over 25 years now and have collected a few of them. I have restored quite a few of them and written blogs about them that can be read if you are interested in seeing the kind of pipes that John made. They are unique and beautiful. Each one of them is a work of art to me. I am including the links to the previous blogs that have written about his pipes.





Each of the blogs reflect on John’s pipes if you want to get a feel for them take a few minutes and read them.

When John was living I spoke with him several times via phone and had him make some new stems for some of his pipes that I picked up off eBay. He was a very kind gentleman and was always helpful when I spoke with him. He was always ready with encouragement and when I needed to know how to do something when I was first learning to repair pipes he was willing to help. He was one of the old guard of Canadian Pipe makers. I miss him. I am including a short piece from Pipedia on John to give details on his work and the grading of his pipes. The second paragraph below is highlighted in blue as it gives some information on the Grade 12 Apple that I am working on with the single silver dot now.

John Calich, courtesy Doug Valitchka

John Calich was one of Canada’s finest carvers. He died in July 2008. John was a full time pipe maker for the last 40 years. Calich pipes were mostly traditional shapes. His signature style is rustication and smooth on the same pipe along with his unique skill to stain a pipe in contrasting colors. He used only top quality Grecian and Calabrian briar. The mouthpieces are hand finished Vulcanite “A”. Each pipe was entirely made by hand. John Calich was featured in the summer 2005 issue of Pipes & Tobacco.

His pipes are graded 3E – 7E. Retail prices range from$ 145.00 to $ 500.00 Each pipe is stamped “CALICH” 3-8E, his earlier pipes were graded from 3-14, and a single, tiny silver dot is applied to the top of the stem (https://pipedia.org/wiki/Calich).

I summarize the dating information from those blogs now: From my research and conversations I learned that John’s his later pipes were graded 3E – 8E. The retail prices for them ranged from $145.00 to $500.00. Each pipe was stamped “CALICH” and given an E grade. His earlier pipes were graded from 3-14 and had a single, tiny silver dot applied to the top of the stem. More information can be found at the Pipedia article above. All of this information told me as expected that the pipe I had was an earlier one.

Armed with Pat’s story of the pipe and Ken’s coat and information about John’s grading system it was time to work on the pipe. I reamed the bowl with a PipNet Pipe reamer using the third cutting head. I took the cake back to bare briar so that I could check out the inside walls. I used a Savinelli Fitsall Pipe Knife to scrape back the remaining cake. I finished my cleanup of the walls by sanding it with 220 grit sandpaper wrapped around a piece of dowel.  There was some darkening and damage on the inner edge of the rim that needed to be addressed. I sanded it with a folded piece of 220 grit sandpaper to remove and minimize the damage to the edge. I continued by starting to polish it with 400 grit wet dry sandpaper. I wiped the rim edge down with a damp cloth to remove the sanding dust on the briar. The finished rim top looked much better than when I started. I was able to minimize the damage on the front inner edge of the rim. It is still damaged but it looks considerably better. I took a photo of the sanded rim top and also the inside of the bowl. The rim looks very good but there is also a large flaw/split in the right side of the bowl.     I decided to repair that flaw with some JB Weld (steel weld that dries hard and impervious and is heat resistant). I mixed the two parts on an old envelope with a tooth pick and press it into the flaw on the wall of the bowl. I used a dental spatula to spread out the mix across the surface around the flaw. Once it had cured I would need to sanded it smooth and minimize the footprint on the wall of the bowl. I scrubbed the briar with Before & After Briar Cleaner and rinsed it off with warm running water. I dried the bowl off with a soft microfiber cloth and gave it a light buffing. The photos show the cleaned briar and the grain is really beginning to pop. John really followed the grain on the shaping of this pipe.      I polished the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped the bowl down after each sanding pad with a damp cloth.     I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on.   With the externals cleaned I worked on the internals. I scraped the inside of the mortise with a dental spatula to remove the hardened tars and oils that lined the walls of the shank. Once I had that done I cleaned out the airway to the bowl, the mortise and the airway in the stem with pipe cleaners, cotton swabs and alcohol. When I finished the pipe smelled very clean.  I called it a night and set the repaired bowl aside to cure. I turned the lights out and went upstairs. In the morning I sanded the repaired bowl wall with 220 grit sandpaper to remove the excess repair. I wanted to leave only the repair in the crevice in the wall and not on the rest of the wall.I set the bowl aside and turned my attention to the stem. I sanded the stem with 220 grit sandpaper to break up the oxidation. I started the polishing with 400 grit wet dry sandpaper to remove the scratching. It is starting to look good.         I have one more tin of Denicare Mouthpiece Polish left from a few that I have picked up over the years. It is a coarse red pasted that serves to help remove oxidation. I polished the stem with that to further smooth out the surface of the vulcanite (and to be honest – to use it up).       I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it final coat of oil and set it aside to dry. This is the first Calich from Ken’s Estate that I am working on. It is a beautifully grained apple shaped Hand Made. It has the kind of beauty I have come to expect from John’s pipes with the carved groove on the right side of the bowl and the plateau on the underside of the bowl. I am excited to be on the homestretch with this beauty from Ken’s pipes. This is the part I look forward to when it all comes back together, polished and waxed. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. There is straight and flame grain around the sides of the bowl is quite stunning. There is birdseye on the top and underside of the shank and on the rim top. The polished smooth finish look really good with the black vulcanite. This Calich Hand Made was fun to bring back to life because of the story that Pat shared with us. The connection between Ken and Pat and John Calich adds colour. The natural finish really makes the pipe look attractive. It is another comfortable pipe to hold in the hand. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 inch, Chamber diameter: 7/8 of an inch. Thanks for reading this blog and my reflections on the pipe while I worked on it. This is an interesting estate to bring back to life.