Tag Archives: stem work

A DadsPipe is Reborn! – Reinventing a Fletcher Billiard

Blog by Charles Lemon

I was just putting the finishing touches on this pipe refurb when Steve Laug invited me to write a guest blog for rebornpipes. Timing couldn’t have been better, as the restoration of this old Fletcher billiard epitomizes for me the spirit of rebornpipes – taking an old, worn pipe and creating from it a beautiful and functional smoking companion.

Thanks for having me drop in on rebornpipes, Steve. I hope you and your readers enjoy this restoration journey.
– Charles
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I’ve had this old billiard pipe in my refurb box for a while now, so I decided that it was time to do something with it. It’s stamped “Fletcher, Genuine Briar, 4” on the flat bottom. A search online turned up absolutely nothing about the brand, though I can surmise that it was made somewhere in the USA circa 1950 to 1970 or so.

The bowl had a worn sandblast finish, and though covered in dirt, appeared to be in decent shape. There was a bit of cake buildup and tar on the rim that would clean up easily enough, but the stem was another matter. At some point in its history, the button had broken or been bitten off, and the remaining stem had been crudely “MacGuyvered” to allow the piper to continue smoking it. A file had been used to roughly gouge a line across the top and bottom of the broken bit to give at least some purchase in the teeth, and it had been left like that until the piper again bit through the stem, this time removing a chunk from the bottom of the “new bit”. This guy was a real pitbull!

I decided that, with about 3/4 of an inch missing, the mangled stem was too far gone to attempt to save it so I dug about in my stem box and came up with a replacement that fit the bill. This stem is brother to the one I used on my first parts pipe. They were both salvaged from estate pipes with ruined bowls, and both have the large silver dot on the side. The tenon on the replacement stem needed only a bit of tweaking with sandpaper to fit snugly in the mortise. As you can see in this pic, the shank diameter is a bit larger than that of the stem, so there will be some reshaping to do to get the flow right from bowl to button, but I like the shape of things to come. With the stem problem sorted, I got to work cleaning both stem and stummel before I got too far ahead of myself. I used my Castleford reamer to take the cake in the bowl back to bare wood. Luckily there was no damage hiding underneath, so I moved to the exterior, scrubbing the sandblast finish with Murphy’s Oil Soap and an old toothbrush. This lifted an inordinate amount of gunk from the stummel, leaving the briar quite patchy in places. I decided that a complete stripping of the old finish was in order, so I dropped the stummel into an alcohol bath, the stem into a Oxyclean bath, and left them to soak overnight.

The following day I retrieved the stummel from its soak and rubbed it in an old towel. To my surprise, most of the black topcoat came off on the towel! My guess is that our intrepid DIY piper “fixed” his pipe’s worn finish with a liberal application of black shoe polish….. I wiped the stummel down with acetone to remove as much of the loose colour as I could and then finished the basic cleanup of the stummel by scrubbing the airway and shank with alcohol & pipe cleaners.

The stem cleaned up easily enough after its Oxyclean soak with a run of 600 – 2000 grit wet sandpapers and a few pipe cleaners dipped in alcohol. Removing the built-up wax and dirt from the stummel had revealed a flaw in the briar. A “fault line” of sorts wound its way across the lower front face of the bowl. There was no indication that the flaw extended through to the tobacco chamber, but I flowed some CA glue into the line anyway. This may or may not have been necessary, but at least this way I hope that the line won’t expand to a crack the first time I light the pipe.

I also found a small flaw in the rim, which I filled with CA glue and briar dust. I topped the bowl lightly after the fill cured to sand it down flush with the rim and remove a few small rim dents at the same time.

As I pondered how to refinish the pipe, I worked on the shank with various grades of sandpaper to reduce the diameter to match that of the stem and generally improve the flow of the shape from shank to stem. This smoothed out the sandblast on the shank, so I decided to rusticate the entire stummel to replace the texture and hopefully disguise the stabilized fault line on the bowl face. For this I used a round carving burr mounted in my rotary tool, working my way around the stummel until the entire surface had been carved, eradicating the sandblast. I then made a second pass with the burr, carving deeper lines and pits into the briar to give a chunkier finish and help blend in a few deeper pits left from the sandblasting process. I finished up the new rusticated finish by going over the entire stummel very lightly with a wood rasp to knock off a few sharp points and rough edges.

I left the stummel at this point and went back to the stem to address a few issues there. The bite area had several deep tooth dents top and bottom and the button was quite worn. I dealt with both issues by mixing up some CA glue and activated charcoal powder and layering this mixture onto the stem, filling the tooth dents and building up enough material to carve a new button.

This repair always looks plain nasty at this point, but quickly improves once the CA has cured and I can get at the rough lumps of material with a file. I start by cutting the sharp leading edge of the button. This establishes the demarcation point between button and stem. After I have a nice sharp line all the way around the stem, I use files and sandpaper to remove excess material and create an even button height that matches the curvature of the stem.

Now in the home stretch of this restoration, I cleaned up the dust generated by the stem repair and set up my workbench for staining the pipe. I applied a two-step finish to the briar, starting with a diluted mixture of Fiebing’s Saddle Tan and Brown leather dyes. This matched the original colour of the smooth area on the bottom of the stummel, which will help tie this area in with the new smooth area on the bowl rim. When the first stain coat was dry, I rubbed off the excess colour with an old towel and applied a topcoat of stain made with Dark Brown and a little Black dye mixed together. I let this dry fully before scrubbing the stain off the high areas with 0000 steel wool. This exposed the lighter tan colour underneath, but left the black in the low areas of the rustication.

I finished the staining by wiping the stummel with mineral oil to add depth to the finish and moisturize the briar. Then it was off to the buffer for a run of White Diamond and several coats of Carnauba wax. This old Fletcher pipe is unrecognizable as the pipe I started with. I rather like the chunky rustication and the new stain. The grain on the rim and flat bottom really pops. A side benefit of old briar like this is the light weight. The pipe tips the scales at a mere 32 grams or 1.1 ounce. This rejuvenated old soul will be a comfortable all-day companion to its next piper. Here’s the finished pipe:

Breathing New Life into a mystery pipe and in the process finding out that it is a GBD

1 Reply

Blog by Steve Laug

I picked up this bowl in a purchase of bowls on EBay recently. All of them had a broken tenon in the shank and this one was no different. All of the bowls had stamping that was pretty unreadable or not present at all. This one had very faint stamping. When I first looked at it I put it aside and was in no rush to restem another bowl. Yesterday I took it out of the box and had a look at it through a lens with a bright light. I was pretty surprised to see that there was a faint GBD in an oval and underneath that it was stamped PREMIER and under that London Made. The shape number on the other side of the shank and any other stamping was gone. In the next three photos below it is circled in red – in the first it is the second bowl down in the left hand column. In the second it is the second one down and in the third it is at the top of the photo in the middle.

It was in pretty rough shape but underneath the grime there was a classic shaped billiard that was just waiting to be reborn. The finish on the bowl was worn, tired and water spotted. The rim was very rough from tapping out and was rounded on the edges. The bowl was caked but it also had about a half bowl of unsmoked tobacco. It also had the tenon broken off in the shank of the pipe. It almost looked as if the owner had dropped it mid smoke and the stem broke off and he just laid it aside. There were some serious deep gouges in the bottom right side of the bowl. It looked as if it was part of the fallout when the pipe was dropped. The photos below show what the pipe looked like when I received it. You can also see why I missed the stamping on the side of the shank.

When it arrived I used my usual process and pulled the broken tenons from all of the shanks. I used a screwdriver, pliers and a drywall screw. I thread the screw into the airway on the broken tenon and then use the pliers to wiggle it free. You can see how it works in the photos below. I removed five broken tenons in a matter of moments.

At this point I put all five bowls away and did not look at them for almost a month. The past two days I have been through them and already restemmed the tiny apple. This one came out next from the box. I wet the stem and looked at it through a lens with a bright light. That is when I discovered that the mystery pipe was a GBD. There was no shape number but it was a petite billiard. I had a stem in my stem can that was nearly perfect for the pipe. It did not have a GBD logo but it fit really well. I only needed to shorten the length of the tenon and the left side of the stem to get a perfect fit.

I wiped down the bowl with acetone to see what I was working with under the grime. I took a few photos of the bowl to show what it looked like.

I shortened the tenon and the fit was great against the shank. Now all that remained was to sand and clean the stem. I used a dental pick to remove the dottle from the bowl. You can see the amount of unburned tobacco that remained in the bowl. I think my theory of being dropped mid smoke was pretty accurate. I reamed the bowl with a PipNet reamer and took the cake back to bare briar. The bowl was between the smallest sized cutting head and the second one so I could only do a part of the job with the reamer. The round bowl made it not feasible to work with the KLEENREEM reamer. I cleaned up what remained with a pen knife to smooth out the walls of the pipe.

In the photo above shows the damage to rim top and the inner and outer edge of the rim. I decided to top the bowl to clean up as much as possible of the rim damage.

I repaired the deep gouges on the right side of the bowl with superglue and briar dust. I would have tried to steam them out but they had sharp edges on all of the marks and steaming would not have raised them. I sanded the dried repairs with 220 grit sandpaper to blend them into the surface of the briar. You will see in later picture what that looked like. I started to clean out the shank and stem with pipe cleaners, cotton swabs and alcohol and soon began to realize that it was far dirtier than I initially expected.

I put the stem on the shank and set up the pipe retort. I boiled three test tubes of alcohol through the bowl and stem until it finally came out clear. The second photo is a cool picture of the boiling alcohol. I had to include it!

I ran pipe cleaners, a shank brush, cotton swabs and alcohol through the stem and shank to remove what was left behind by the retort and was pleased to see how clean it was. One surprise to me was the red stain that came out of the shank. Evidently the pipe had originally been stained with a oxblood stain. You would never have guessed that looking at what I started with. Now that the internals were clean I took a series of photos of the pipe to show where it stood at this point. In these photos you can see the repairs on the right side of the bowl.

Now it was time to polish the stem and work on the finish of the pipe. I worked on the stem with 220 grit sandpaper and a medium and fine grit sanding sponge to remove the grime and the oxidation on the stem. I don’t know what was on this stem but it was tacky, gummed up the sandpaper and was hard to clean. I wiped it down with alcohol and then repeated the sanding. I was able to remove the oxidation and the tooth chatter at the button. I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and then giving the stem a coat of Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of oil. I finished with 6000-12000 grit pads and gave it a final coat of the oil. I let that dry.

I sanded the bowl with 1500-4000 grit micromesh to smooth out the sanding marks. I wiped the bowl down with a tack cloth and then gave it a coat of Cherry stain mixed with Danish Oil. I buffed it by hand and gave it a second coat. I set it aside to dry. Once it was dry I buffed it by hand with a soft microfibre cloth.

I put the stem on the pipe and then buffed the stem and bowl with Blue Diamond on the wheel and then gave the bowl and stem several coats of carnauba wax. I buffed it with a clean flannel buff to raise the shine. I hand buffed it with a microfibre cloth to give a deeper shine to the pipe. The finished pipe is shown in the photos below.The cherry stain brings out the grain and at the same time hides the repairs. While the pipe will never win any contests for beauty or perfection that must have once accompanied the PREMIER it is nonetheless fully functional and should deliver the next pipe man who owns a decent smoke at a decent price. Thanks for looking.

Cleaning an American Made Selected Bulldog

5 Replies

Blog by Steve Laug

I have had a straight bulldog in the refurbishing box for a long time now. It is an interesting older pipe that has the characteristic worm trail rustication on the sides of the bowl and cap but total only 5 trails. The rest of the bowl is a nice piece of briar. The shank is smooth with no rustication. It appears to be unstained and natural or if stained a light tan colour. The trails on the bowl sides and cap are slightly darker in colour. The bowl was lightly smoked and the bottom half still clean briar. There was no cake in the bowl. There was some burning on the inner edge of the rim on the back left side of the bowl. The stamping on the shank of this bulldog is standing lion inside of a shield and next to that – SELECTED – over Imported Briar. I have searched on the web and in my books for this logo and cannot find it or the company it refers to. Any help would be appreciated. The stem was in good shape with a little oxidation but no teeth marks except for two on top of the button itself. There was an internal stinger apparatus and a metal threaded tenon. The tenon screwed into a metal insert in the shank. The airway from the mortise to the back of the bowl was quite open to give room for the stinger apparatus. I took the following photos of the pipe when I brought it to the work table this morning.

I took the pipe apart to show the inner apparatus on the stinger. It is unusual in terms of shape. The spear end is very sharp! It is pressure fit into the stem so it should come out for a thorough cleaning of the stem. The briar was dirty and had what appeared to be the gum from a price tag stuck to it in several places. I scrubbed the bowl and rim with a tooth brush and Murphy’s Oil Soap to clean off the grime. I wiped it down with a paper towel. A lot of grit and grime came off. I rinsed it with warm running water and dried it off with a towel. The photos below show the grime on the paper towel and the clean bowl.

I heated the stinger with a lighter to soften the tars that held it in the threaded tenon. Once it was warmed I wiggled the stinger free and was able to clean it and the tenon. I scrubbed the inside of the tenon and the airway in the stem with pipe cleaners and alcohol. I used a brass bristle brush to clean the stinger and the threads on the tenon. The inside of the shank was wide open and served as a chamber for the stinger. It worked like a condensation chamber to collect the moisture before the smoke move through the holes and slot in the stinger and up the stem. Because of that it was very dirty. I cleaned the bowl and the shank with pipe cleaners, cotton swabs and alcohol until no more grime would come out. The photo below shows the first batch of swabs. There were about that many more used before it was clean. I lightly sanded the stem with 220 grit sandpaper to break up the oxidation and then with a medium and a fine grit sanding sponge. I wet sanded it with 1500-2400 grit micromesh sanding pads and then gave it a coat of Obsidian Oil. I dry sanded the stem with 3200-4000 grit micromesh pads and then gave it another coat of oil. I finished sanding with 6000-12000 grit pads and gave it a final coat of Obsidian Oil. I set it aside to dry.

I put the pipe back together and buffed it on the wheel with Blue Diamond and gave it several coats of carnauba wax. I buffed it with a clean flannel buff to give it a shine. I brought it back to the work table and hand buffed it with a microfibre cloth. The finished pipe is shown below. Thanks for looking.

A Tiny Apple Reborn – new stem and new finish

Reshaping and Restemming a no name Oval Opera Pipe

2 Replies

Blog by Steve Laug

I bought a group of pipe bowls on Ebay a while ago and one of them was an oval bowl Opera pipe. The stamping was non-existent, whether worn off by over buffing or never present it was no longer on the shank on either side. It is shown in the photo below marked with a red oval. It is an interesting shape and this one was a normal sized pipe. There was nothing of the typical small size of the pipes like this that I have worked on in the past. The stem was long gone and the broken tenon was stuck in the shank. The finish was rough and had deep dents and nicks all over the bowl. The cake in the bowl was thick and the rim was damaged on the inner edge and had burn marks on the front top and left side. There were two large fills on the bowl; one on the left side shank near the bowl junction and the other on the underside mid-shank. I pulled the broken tenon by my usual method. I use a drywall screw and insert it in the airway. I use a screwdriver to turn it into the airway just enough to be tight in the tenon. You need to be careful to not turn it in to far as it will expand the tenon and crack the shank. Once it is in place I use needle nose pliers to wiggle it free of the shank. It usually comes free with little effort. That was true in the case of this tenon.
I took the next set of photos to show the state of the pipe when I started this project. Note the damaged rim top and inner edge.

I went through my can of stems for a donor stem and found a bent saddle stem that I could straighten and fit to this pipe. I turned the tenon with the PIMO tenon turning tool to a close fit and hand sanded it to get a snug fit. The shank was slightly oval and the stem round so I would need to work on the shank to get a good fit.
I used 220 grit sandpaper to clean up the finish on the bowl and shank. I did preliminary shaping of the rim to clean up the damage at the top. I used a PipNet reamer to ream the bowl. I use the smallest head and work it in the centre of the oval first and then move it to the front and back of the oval to ream those areas. I cleaned up the reamed bowl with a pen knife to get rid of the cake. I needed to take the cake back to bare briar so that I could reshape the inner edge. I sanded the bowl with 220 grit sandpaper to remove as much of the damage to sides of the bowl as possible. You can see from the photo below the dip in the top edge of the bowl about middle. That is where the burn damage is on that side. I wiped the bowl down with acetone on cotton pads to remove any remaining finish and to see where I stood in terms of removing damage to the bowl.
The next photo shows the extent of the damage to the top and inner edge of the rim. You can see the rough cut marks on the inner edge from a previous owners attempt to ream the bowl. You can also see the burn marks on the left and right top and sides of the rim.
To remove the dips where the burn marks were in the rim top and to remove the damaged briar I decided to top the bowl. I would need to reshape the rim to match the original but I would deal with that later. I used a Dremel and sanding drum to shape the outside edge of the rim and bowl.
I put the stem in place in the shank, aligned it correctly and sanded the shank to clean up the fit. I wanted the shank to be more round and consistently shaped as it originally was not completely oval – it was only that shape on the left bottom side. The rest of the shank was round. I sanded until I had the shank rounded and matching the stem.
I continued to shape and sand the rim and flow into the bowl. I worked on the slight bulge in the stem at the saddle to get the alignment and flow right. Since I had a clean slate to work with on this old briar I figured to get it as close as I could to a clean flowing look. I wanted it to look better than before not just cleaned up. It would take a lot of sanding and shaping before I was finished with it.

The fill on the bottom of the shank was solid except for one small spot in the centre of the repair so I sanded it, wiped it clean and filled in the spot with clear super glue. Once it dried I sanded it smooth to match the rest of the shank. The small rough spot was gone and the fill was smooth and dark. I cleaned out the shank and airway with the KLEENREEM drill bit to remove the buildup in that area. The draw on the shank was constricted so this was necessary to open it and give an easy draw to the pipe.
I cleaned out the shank and the airway in both the bowl and stem with alcohol, cotton swabs and pipe cleaners until it was clean. I sanded the edges of the stem and the scratches in the saddle portion with 220 grit sandpaper to shape and define the edge and fit of the stem. I left a slight bend downward in the stem when I had straightened it and like the look of it.

I put a cork in the bowl of the pipe and prepared to stain it with the black undercoat. I wanted to highlight the interesting grain and the black would bring that out. It would also serve to mask the repair on the shank and the fill next to the bowl. I applied and flamed the black stain and repeated the process to get good coverage on the bowl. I wiped the bowl down with alcohol soaked cotton pads to remove the stain that did not settle into the grain.

I sanded the bowl and shank with a medium and fine grit sanding block to further remove the black stain. The contrast is beginning to show and the grain stand out.

I sanded the bowl and shank with 1500-1800 grit micromesh sanding pads to remove the scratches on the briar.
I wiped it down with alcohol on a cotton pad and then set it up for the top coat of stain. I chose to use a Cherry Danish Oil on the top coat. I applied it with a cotton pad and set the bowl aside to dry.
While the bowl dried I worked on the stem. I wet sanded with 1500-2400 micromesh sanding pads to further fine tune the shape of the stem. I worked to remove the remnants of scratching left behind by the initial shaping done with the lower grits of sand paper. I rubbed the stem down with Obsidian Oil and then dry sanded it with 3200-4000 grit pads. I gave it another coat of oil and finished sanding it with 6000-12000 grit pads. I gave it a final coat of Obsidian Oil and let it dry.

The bowl was dry by the time I finished with the stem so I buffed the bowl and stem with Blue Diamond on the wheel and then gave both several coats of carnauba wax. I buffed the pipe with a clean flannel buffing pad and then hand buffed it with the microfibre cloth. The finished pipe is shown in the photos below. I really like the way the contrast stain came out and the way it hid the fills on the shank. The pipe really has some stunning and interesting grain all the way. Not one side looks the same. There is birdseye, cross grain and swirled grain. I think the finished pipe is a great improvement from when I started it. Thanks for looking.

My Second C.A. Sander of Swansea Bent Bulldog Restemmed and Restored

8 Replies

Blog by Steve Laug

When I was working on the previous C.A. Sander of Swansea straight bulldog that I restored (https://rebornpipes.com/2015/12/13/an-interesting-welsh-pipe-find-a-c-a-sanders-sandhurst-bent-bulldog/) I was looking for information on the brand. In my search on the internet I came upon this small bulldog bowl on eBay. I had found that there were at least two different names stamped on these pipes – both the ones I found were sandblast finishes. The earlier one was stamped Sandhurst and this one is stamped Oxford. Other than that the stamping on both is the same – the name then CA Sander over Swansea. I wrote the seller to see if he had any information on the brand and he replied that he did not. I put a bid on the pipe and ended up winning it. It arrived here on Tuesday this week. I have included the photos that the seller had posted on eBay below. It appeared to be in very good shape even though it did not have a stem.

When the pipe arrived it was in excellent shape. The seller’s photos were absolutely correct. The bowl had a light cake in it and the rim was dirty with lava overflow and carbon. The shank was dirty and the finish had dust in the crevices of the blast. The stamping was exactly the same as the Sandhurst I restored other than the Oxford name that was present. I took the next series of photos to show the pipe on arrival before I started working on it.

I went through my can of stems to find one that would work on this bowl. Diamond shanks are notoriously hard to match a stem to as each side and angle is very individual and hardly ever align with used or estate stems. I would have to find one that had a close fit and modify it to match the angles. With that in mind I found several stems that could have worked. In looking at the tapered stems I pulled all seemed too long to go with the petite size of this bowl. None quite aligned at the shank and modifying them was not an option as one or more of the sides did not have enough material to modify. I had several saddle stems that had the same issues. Then in the bottom of my can I remembered that I had a Lucite saddle stem that might very well work. I took it out and measured the sides of the diamond. I have to tell you I was very surprised – this stem was almost a perfect fit. I would need to shorten the tenon slightly and take a little material off to get a snug fit. Only the bottom right side was a little larger than the shank. Everything else matched. The stem is a pearlised cream coloured Lucite that actually would go well with the colour of the bowl once I had it cleaned up. I used the PIMO tenon turning tool to reduce the diameter of the tenon to get a close match and finished the fit by hand sanding. I shortened the length of the tenon with a Dremel and sanding drum to the same length as the mortise. In doing so I removed the damaged end of the tenon and the rounded right side. Once I had the work done I put the stem in place in the shank and took the photos below. You can see the great fit that the stem had in terms of the width of the sides of the diamond. I was fortunate in terms of the amount of work that would need to be done to fine tune this one. It would take very little work to make a good fit.

I took a photo of the end of the shank and the end of the stem and put them side by side for comparison sake to show how close the two diamonds came to matching each other. This is a very rare occurrence in my experience. I sanded the bottom right side with 220 grit sandpaper to adjust the fit on that side. I needed to remove enough material to align the bottom of the diamond with the bottom of the diamond on the shank. All others point on the diamond aligned perfectly but this one. It did not take too much sanding before I had the alignment and the fit against the side of the shank perfect. I reamed the cake in the bowl with a PipNet reamer and took it back to bare briar. I scrubbed the bowl with Murphy’s Oil Soap and a tooth brush on the sides and bottom of the bowl and shank and with a brass tire brush on the rim.

I put the stem on the bowl, put a cotton ball in the bowl and then set up the retort to clean out the internals of the pipe. I boiled alcohol through the pipe and after two tubes of alcohol the airways were clean. The retort also removed some of the staining in the stem airway. I removed the retort and scrubbed the internals of the bowl and shank with pipe cleaners and cotton swabs to remove the remaining alcohol and grime in the shank. In the end the shank and airway were clean and the pipe smelled fresh. I cleaned the stem with pipe cleaners and alcohol and also pipe cleaners dipped in Bar Keepers Friend powder to scrub out the tar stains in the airway. It took a lot of scrubbing but I got the majority of the stains out. I did not want to darken the stain on the bowl but wanted to highlight the contrasts in the finish. The combination of dark brown and medium brown on the high spots worked well for me. To keep that and add life to the bowl I wiped it down with a light coat of olive oil and rubbed it into the blast pattern. I took the following photos with the stem in place on the bowl. The pipe is taking shape.

The stains at the button were stubborn and hard to remove. I found that there was a small lip where the slot in the button met the airway in the stem and it collected tars and oils. The pipe cleaners and scrubbing did not touch that as it did not reach into the small crevice there. I used a needle file to flatten out the lip at the junction. With that gone I was able to remove more of the stain from the stem. All that remain was a small spot on the top and the bottom that I could not get out no matter how hard I worked it. I sanded the stem with micromesh sanding pads to polish and remove the scratching. I wet sanded with 1500-2400 grit pads and dry sanded with 3200-12000 grit pads. As I sanded the stem with each successive micromesh pad it left a richer luster in the pearlised stem.

I buffed the bowl and stem with Blue Diamond on the wheel (lightly on the sandblast bowl as I did not want to flatten the blast) and gave the stem several coats of carnauba wax. I hand waxed the bowl with Halcyon II wax and then buffed the bowl and stem with a shoe brush and a microfibre cloth to raise the shine. The finished pipe is shown in the photos below. It is a petite bulldog – only 5 inches long from bowl to button and 1 3/8 inches tall from rim to point on the bowl bottom. The drilling on the bowl is 5/8 inches. I like the contrast that the Lucite stem gives with the blast on the bowl. The colours work well for me. The stem length works on this bowl and the overall effect is a balanced small sandblast pipe that looks great. At least it does to me! Thanks for looking.

Addendum: 06/06/18 I received an email from Andrew in answer to a question I asked in my two blogs on CA Sander pipes. I quote in full his email because of the information that it includes.

Comment: You asked about C A Sander

C A Sander were tobacconists based in Wind Street Swansea. I don’t know exactly when the business started but it it passed to my Grandfather from his father (both were C A Sander) and by the 1920 was a successful and well established retail business with shops all over south wales. They were importers and blenders (if that is the term) of tobacco and the shops sold smoking paraphernalia. At my grandfathers retirement late 60’s to business went to my uncle again C A Sander but known generally as Jim. He developed a business supplying cigarette machines around South Wales and moved out of retail he eventually sold the business to Rothermans and went into other business ventures, I expect that was when the limited company you found was formed. Uncle Jim has now retired but still lives in the area.

Hope this helps with your research.

Andrew I received this followup email from someone who would like to get in touch with you. Here is her email

Hi there – I stumbled upon your website when looking for anything to do with C.A. Sander tobacco shop and I saw the pipe you restored – which is amazing! and then saw the comment below left by Andrew. Since that shop was owned by my grandfather, and Andrew’s grandfather – it would seem that we are cousins – but we have never met. I would love to get into contact with Andrew. Would you be able to assist in that? If possible, could you ask him to contact me at my email address pianokey88@hotmail.com?
Many thanks for your help! Georgina

A Dr. Grabow Color Duke Billiard Renewed

4 Replies

Blog by Steve Laug

Most of the Dr. Grabow Color Duke pipes that have come across my worktable have been in rough shape. The paint has been chipped and the finish ruined. This is the second one lately that I have worked on. The first was the Cherry Apple Red Dr. Grabow Viscount that my brother found for me. This second one is a White Billiard with a saddle stem. It is one that was made for a paper filter rather than a stinger/spoon apparatus. The pipe is stamped Color Duke over Dr. Grabow on the left side of the shank and Imported Briar over Adjustomatic over Pat. 2461905. The Patent Number is for the Adjustomatic tenon.

The pipe came to me from a friend quite awhile ago and I just got around to working on it. It was in pretty decent shape other than being dirty. The finish has some dents in the bottom of the bowl on the right side. There was some staining on the right side of the shank at the stem/shank junction. The rim was dirty and had some darkening and a few spots where the finish was worn off. The bowl had a cake that would need to be removed. The screw in tenon was dirty but the stem aligned with the shank perfectly. The stem itself was dirty inside and out. There was tooth chatter on the top and underside of the stem near the button. On the underside was a deep tooth mark in the center about ½ inches from the button. The next photos show the pipe when I brought it to the work table.

I took some close-up pictures of the rim and the dents on the bottom of the bowl to give a clear picture of the issues with this pipe.

I reamed the bowl with a PipNet reamer and took the cake back to the bare briar. I used a pen knife to clean up remaining cake that the reamer left behind.

I scrubbed the finish with cotton pads and Murphy’s Oil Soap as I did not want to use anything that potentially would damage the painted finish on the bowl. My intent was to get the grime off the finish and to remove as much of the rim darkening as possible without compromising the paint on the rim or edges.

I rinsed the bowl with warm water and dried it off with a towel. Here are some photos of the cleaned bowl.

I cleaned the inside of the shank and the stem with pipe cleaners, cotton swabs and alcohol until they came out clean. With the bowl cleaned inside and out it was time to address the stem. I sanded the surface of the stem to clean off the dirt and tooth chatter. I wiped it down with a cotton swab and alcohol to remove the dust and to examine the dent on the underside. After the deep dent was cleaned I filled it with a few drops of clear super glue. Once the glue dried I sanded the repair to make it flush with the stem surface using 220 grit sandpaper. I sanded the entire stem with medium and fine grit sanding sponges. The repair spot is beginning to blend in very well.

I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and then rubbing it down with Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of oil. I finished by dry sanding it with 6000-12000 grit pads. I gave it a final coat of Obsidian Oil and let it dry.

In the past buffing the painted bowls and the Grabow stems has caused me a lot of grief. I have found that these stems can take very little heat that the buffing pads generate so I hand buff them with Paragon Wax and a shoe buffer. I buff the bowls the same way using the shoe buffing brush and a microfibre cloth. The finished pipe is shown in the photos below. If you are interested in this pipe email or message me and make an offer. It could easily join your rack. Thanks for looking.

An Easy Restoration – an Unsmoked Meerschaum Billiard

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Blog by Steve Laug

I picked up two meerschaum pipes – neither bearing any stamping or markings that give a hint to the carver. The one I am working on now is the second one in the two photos to the left. It has a flumed bowl (darkening on the top and the top third of the bowl fading as it goes down the sides. The second third is a bit lighter and the bottom third is natural). It had a metal reverse tenon – the tenon was set in the shank of the pipe and the stem is pushed over that. In this case the stem is similar cheap nylon/plastic as the ones I replaced in the two previous blog articles noted below.

Prom Night – Dressing up a Cheap Meerschaum Apple

Another dressed for the Prom… maybe the Prom King – Cheap Meer Given a New Look

The similarity in tenon and stem setup leads me to believe that I was dealing with the same carver that I noted in the second article above. There I quote a fellow on the Dr. Grabow Collectors Forum who said “They were excellent pieces of meerschaum with bad stems. The bowls were carved by Robert Strambach in Vienna.” Looking at the stems that I kept from the pipes they are identical in look, feel and composition. All three have the casting marks on the sides of the stem and are thin at the button. The difference in this one is that the pipe was unsmoked so the stem had not tooth chatter or damage. It was merely dull and dirty from sitting in someone’s collection for years.

When I received this pipe it was unsmoked. The bowl had darkened from grime and dirt. The fumed rim had a few nicks on the top and inner edge of the rim where the pipe had been knocked about. The meerschaum itself was dirty and had ground in soil on the sides of the bowl and the top and bottom of the shank. There were also a few light spots on the side of the bowl where something had been dripped on the fumed portion and lightened it. I took a close-up photo of the rim and the bowl to give an idea of the state of both. The bowl is darkened from sitting but has not been smoked. The rim has some of the nicks I spoke about on the inner edge and the top.I scrubbed the meerschaum with cotton pads and Murphy’s Oil Soap to clean off the grime. I rinsed the bowl with warm water to remove the soap. I dried it with a cotton cloth.I sanded the bowl with micromesh sanding pads – wet sanding with 1500-2400 grit pads to remove some of the scratching on the top of the shank and some of the ground in dirt on the sides of the bowl. I dry sanded with 3200-4000 grit pads. I buffed the bowl with Blue Diamond on the wheel and then gave it several coats of soft white beeswax and buff it with a soft flannel buff. The photos below show the cleaned and polished bowl. I was careful in how much of the patina I removed in the process of cleaning the bowl. I wanted it clean but it still needed to look its age. To polish the dullness of the plastic stem I wet sanded it with 1500-2400 grit micromesh and dry sanded it with 3200-12000 grit pads. I gave it several coats of Paragon Wax and hand buffed it with a microfibre cloth. I put the stem on the bowl and buffed the bowl and stem by hand with the microfibre cloth to give it a shine. The finished pipe is shown in the photos below. This was a simple clean up which is greatly appreciated after the last few hard jobs. Thanks for looking.

A Passion for Rhodies and Dogs – Stem Repair on a Dunhill 52081 Rhodesian

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Blog by Dutch Holland

With this blog it is my pleasure to introduce you to the work of Dutch Holland. His work comes highly recommended to us by Dave Gossett who has been a contributor to rebornpipes for a while now. Welcome to the blog Dutch. It is great to have you here.

A number of years back I had the good fortune to acquire a Dunhill 52081 Bent Rhodesian. I readily admit to a passion for Rhodies and Dogs that borders on obsession. Several years later I came across a second pipe of the same year and style but a different finish. The temptation was overwhelming and I succumbed. The problem was this second pipe not only had been poorly used but it had a nasty chip in the top center of the bit at the button. But the price was right and at worst, I could always invest in a replacement bit. These Rhodies were only offered for a few years and they don’t come on the market very often so I made the decision to buy. That pipe sat in the “Awaiting Action” box in my shop for a number of years. I really wasn’t sure just how to deal with the repair but last year I decided to give it a shot and to my pleasant surprise found it was neither difficult nor complicated. As you can see from the picture above it’s all but invisible. It requires very close inspection by a knowledgeable eye to detect.

I’ve broken the process down into steps outlined below. Being able to fix a broken bit can do for you what it’s done for me, allowed me to rescue a pipe I really wanted. So here’s one way to do it.

Repairing damage to a pipe stem is an easy five step process. This kind of repair can be done by the hobbyist and makes an old pipe serviceable again at a very modest cost. The outcome is very dependent on the skill of the repairman so a few tries on an old stem for practice is recommended. The better your skill set, the better the final result but it’s neither difficult nor complicated, just time consuming. Some question the durability of this kind of repair but my experience is that they hold up to normal use quite well. I don’t recommend the use of harsh chemicals for cleaning but with reasonable care the repair will last a very long time and for the hobbyist it’s more than adequate for your average project.

What you will need:

Supplies
CA Glue, Activated Charcoal, a small drink bottle cap, light cardboard, Pipe cleaners, Scotch tape and some tooth picks

Tools
A small file set, Sandpaper (400, 600 & 1000 grit) and a set or Micro-Mesh pads (1500 to 12,000 grit)

The Process

Step 1, Rough Sanding.
Sand the area to be repaired with the 400 grit sandpaper, beveling the area of the break to provide the maximum bonding area for the repair mixture. I like the courser grade as it scores the area around the break and reduces the stark contrast between the repair area and the rest of the bits surface making the repair difficult to detect. Clean the area to be repaired well and make sure it is free of any contaminants which might inhibit the bond of the glue/charcoal mixture. I usually use a high proof alcohol (Wild Turkey 101)

Step 2, Support the repair.
Insert support into the airway to prevent the mixture from invading it. A piece of light cardboard will do the trick. First rap the cardboard in Scotch tape (mixture won’t stick to the tape) and slide it into the slot. Then slide a pipe cleaner into the slot under the cardboard to force a snug fit up against the repair area.

Step 3, Making and applying the repair mixture.
Place a portion of the activated charcoal in the drink cap. I use a spoon on a Czech pipe tool as about the right amount. To that I add the CA glue until I have about a 50% Glue mixture and then gently stir until the charcoal is completely mixed with the glue. I like to let the mixture set for 15 seconds to allow any air bubbles caused by the mixing to escape. Using the tooth pick apply the mixture to the repair area until the build-up is higher than the bit surface. There is some shrinkage when the mixture dries so extra depth is essential to getting a smooth, flat surface when finished. Work quickly as the CA glue thickens rapidly. If necessary repeat this step to get the surface level to where you want it. In the example shown below I added mixture twice. First to fill the gap and a second time to rebuild the button area.

Step 4, Rough sanding & Shaping
Once the repair mixture has cured, (I usually leave it for several hours, probably overkill but I find it shapes better if it’s well cured) start with the files and reduce the excess mixture and get a rough shape. Do not try to get a close finish to the shape you want as the files are quite course and will leave significant scratches on the surface. Allow for this by leaving some surplus material in place. Now with the sandpaper progressively contour the surface starting with the 400 and moving to 600 and then 1000 grits. Slow, careful sanding works best using the sandpaper to contour the fine details. Sometimes air bubbles get caught in the repair mixture and will leave a tiny void in the surface. Should this happen add a thin touch of the CA glue to the void and re-sand. The imperfection will become un-noticeable. Keep in mind that any irregularities in the surface will become traps for contaminants so don’t be too forgiving of them.

Step 5, Finishing the bit
Now you’re ready to restore luster to the bit. Here Micro-Mesh is a great solution for the task. Progressively sand the bit starting with the 1500 grit and progressing up to the 12,000 grit. The human eye cannot detect scratches left by the 12,000 grit pad so the surface looks shiny. I don’t recommend buffing as an alternative. You can quickly undo all the painstaking work you have just completed. As a final step in the process a light buff with white diamond followed some carnauba wax will give you a great shine and inhibit future oxidation.
So there you have it. Give it a try. You can’t make a broken bit much worse than it already is so there’s little at risk. Who knows, you might like the results and there’s something very satisfying about being able to rescue a pipe others would consider a lost cause. This technique was shared with me by Dave G and it works well so I pass it on with my recommendation.

Note
In subsequent tries I’ve found this solution works invisibly Vulcanite but is more detectable on acrylics.

Wm Wales Billiard Restemmed and Restored

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Blog by Steve Laug

This is yet another pipe that my brother Jeff picked up in Montana and sent my way. It is stamped Wm Wales on the left side of the shank and on the right side it is stamped Grecian in script. The stamping though a different script than that found on the Carey Magic Inch pipes is similar in the way it is stamped and the stamping of Grecian on the right side of the shank. I did some digging on the internet and found nothing about the brand other than several pipes with the same stamping for sale. There is nothing about the brand on the various pipe information websites. There is nothing about the brand on Who Made That Pipe or in Lopes book so I am left with a bit of a mystery.

The pipe has some pretty decent grain on it. The sides of the bowl have some interesting birdseye grain and the front and the back of the bowl have cross grain on them. The stem is a mix of grains. The finish was worn and dirty. The rim had a cake of tar and grit on the top of the bowl. The inside of the bowl had a hard, thick cake that almost filled the bowl. The rim itself was undamaged and showed no burn marks or damage to either the outside edge of the rim or the inside bevel of the rim. The stem was at first glance workable but upon examination it had a crack in the centre of the button on both the top and bottom sides. There were also tooth marks that were deep and one split the button. The surface of the stem was wavy and rippled from the way it had been buffed. The slot in the stem was clogged and no air would go through the airway.

In the photo above to the left the pipe is the second one down from the top. The next set of four photos show the pipe as was when it arrived at my work table.

I took a close up photo of the bowl and rim to give a clear picture of what I started with in my clean up. The two photos following that give a good view of the stamping on the shank.

The next two photos show the damage to the stem. The more I looked at the damage the more I realized that a replacement stem would be less work than fiddling around with repairing the damage on that one.

I tried to ream the bowl with a PipNet reamer and found that the cake was so hard that reamer did not even cut into the surface of the cake. I tried a KLEENREEM reamer and made no headway either so I dropped the bowl in an alcohol bath to soak. It would soften the cake and clean up the grime on the finish of the rim and bowl as a bonus. While it soaked I looked for a new stem in my can of stems and found one that would work quite well. It was a little larger in diameter but once I fit it to the stem some sanding and shaping would take care of that. In the morning I took the bowl out of the alcohol bath and worked on it to ream it. I used the PipNet and the KLEENREEM reamer on the bowl. I also used a pen knife to work at cutting away the hard cake. In the process of reaming I found that the bowl was conical in shape rather than U shaped. I used the drill bit from the KLEENREEM tool to open the airway in the shank.

Once I had cleaned out the shank and the bowl with alcohol, pipe cleaners and cotton swabs I fit the new stem to the shank. I sanded it with 220 grit sandpaper to clean up the tooth chatter and the oxidation. I sanded it with a medium and a fine grit sanding sponge to further remove the scratching and oxidation. I wiped the stem down with Obsidian Oil.

I scrubbed the briar with acetone on cotton pads to remove the finish and the remaining grime on the rim and bowl.

I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads on the briar and the stem and then rubbed down the stem with Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of oil. I finished by dry sanding the stem with 6000-12000 grit pads and gave it a final coat of Obsidian Oil.

I buffed the bowl and stem with Blue Diamond polish on the wheel and then gave it multiple coats of carnauba wax. I buffed it with a clean flannel buff to raise the shine. The finished pipe is shown in the photos below. The grain really shines through in the photos. It is a beautiful piece of briar. I would love to know more about the history of the brand to give more depth to my understanding of the pipe.