Tag Archives: restaining

Had fun with this one – GBD International


I just finished this beauty – a GBD International. It is a beautiful little pipe. The shape #9456 says it is a bent apple – I suppose that is so. I did some work on what they originally looked like. They had a plateau (Faux?? not sure) top that was stained black and the bowl was a medium warm brown.

This one was pretty well stained with dirt and grit. The finish was blown and the bowl was caked and dirty. The stem was brown and it was a pretty gross mess. It was one I was going to put off but today I decided to work on it. I am glad I did as it was actually quite fun to work on.

I cleaned the stem as usual. It was tough and still shows some oxidation under the flash of the camera. I will do a bit more in brighter light. But it looks good to the natural eye. The bowl was reamed and cleaned and put in the alcohol bath. I removed any of the bits of left over stain left. Then I used a pipe cleaner and stained the plateau black. Once I did that I had the notion to stain the whole pipe black as well. I then wiped off the stain on the bowl and washed it with a damp alcohol rag to get it to the tone of brown I was looking for. I am really pleased with the stain and how it came out. I love the contrasts of the brown undertones and the black overstain. The wipe and then sanding with micromesh really worked to highlight the birdseye and grain in it.

Thanks for looking.

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Here is a final picture to give you an idea of the size.

 

 

   

You Just Found a Pair of Dad’s Old Pipes?


Blog by Steve Laug

They are both in very rough shape and need help but you want to keep them anyway. There is dried out old tobacco in both and the finish is about shot. The rims and sides of the bowls are both covered with dark grime and the mouth piece, or stem, is covered with bite marks and hard white lime like crust. The rest of the family tells you they are not worth saving and should just be thrown out but something inside you rebels against that. You still have memories of your father smoking those pipes and the associated feelings and smells still linger for you. It is hard to let go of these pieces of history. Something inside you wants to restore them but you just don’t know where to start. If this sounds like your situation, then you have come to the right place.

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You have already begun the first step in the process of refurbishing and that is to respect what you hold in your hands. These pipes are a piece of family history that can be passed down through future generations and when cleaned up and maintained, will last longer than any one of you. If they could speak to future generations can you imagine the stories they would tell? But if you listen to the wood, the old tobacco in the bowl, the dents and dings and the smells that still linger in it you will hear it speak. It will tell you what your Dad smoked. It will tell you how much he loved that old pipe and it still held the half smoked bowl of the last tobacco he smoked in it. It will tell you in the decimated finish where his fingers curved around the bowl. As you remember, you will know the stories that give meaning to dents – one from the fishing trip you took, one from the dash on the car when he laid it down and it hit the gear shift before bouncing off to the floor. All those bits and pieces add to the myth that surrounds story of a family. Be sure to take some photos of the old timers before you go to work on it. You will be amazed at the transformation that still respects the history of your Dad’s pipes.

The first step in the process is to do what I call field dressing of the pipe. It starts by laying out some newspaper on a table top where you can work on the pipe. Sit down with the pipe and begin to clean it. Use a small screw driver, ice pick or a dental pick, if you have one, to clean out the remnants of tobacco in the bowl. Put it to the side on the paper. You can purchase a pipe reamer on eBay for reaming the bowl or you can carefully use a knife with a rounded end to scrape out the old carbon. If you use a knife be sure to proceed slowly and carefully to ensure that bowl stays round. Scrape slowly, bit by bit, until you have a thin even cake all around the bowl. Once that is done you can wrap a piece of dowel with some sandpaper and use it to sand the bowl back to smooth. Use a paper towel or a soft cloth and some Isopropyl alcohol to wipe down the surface of the bowl and remove the dirt and oils of the past. This should also help to soften the remaining finish on the bowl. This cleaning will go deeper as we progress through the process but start with a cleaning of the outer surfaces of the bowl and the stem of each pipe. I have learned that it is always more pleasant to work with a clean pipe than one that is oily and tarred.

The stem needs to be separated from the shank. This may sound like an easy thing to do, but sometimes with the amount of tars and use the pipe has seen, the stem will be stuck in the shank. Put the pipe in the freezer. You don’t need to bag it or tag it, just sneak it in when the family is not paying attention and leave it there for an hour or so, long enough to sip a coffee and relax a bit. The different materials in the stem and bowl of the pipe make them contract at different rates and I have found that when I remove it from the freezer the stem is easily removed. If it is still stuck then put it back for another cup of coffee.

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Once the stem is removed I fill a jar with Isopropyl alcohol and place the pipe bowls in it and let them soak for awhile. The length of time depends on the depth of the grime. I put the lid on the jar and give it a bit of a shake to churn the alcohol through the pipe. I leave it and turn my attention to the stem.

The stem will take a bit of work and will take the better part of a couple of hours to get back into shape. I clean the inside of the stem with pipe cleaners and cotton swabs until they come out clean. I dip them in the Isopropyl and run them through to remove all the grimes from inside the stem. Once I have it clean then fill a bowl with some water and put it in the microwave and set it to boil. I dip the end of the stem with the bite marks in the boiling water repeatedly to lift the bite marks a bit. Vulcanite, which is the material the stem is made of is said to have memory and will return to its original state. This method does wonders in lifting the bite marks. When they have raised as much as they are going to dump the water and take the stem back to your table. Using 240 grit sandpaper, remove the brown oxidation and calcified white stuff that are on the stem. Be careful as you sand to not round the sharp edges on the stem at the mouth end (button) or the pipe end (tenon). You want to leave a good tight fit with sharp clean edges when you are finished. You will find that the sandpaper scratches the surface but do not worry about it as the goal at the moment is to return it to a dull black. Once it is clean of the browns use 400 grit and then 600 grit wet dry sandpaper to smooth out the scratches and remove any remaining oxidation.

The stem should be a dull or flat black once you have finished with this step in the process. Now you have a choice to make. There are several steps that can be taken next depending on what choices you make. You can either use repeatedly higher and finer grades of wet dry sandpaper or you can use micromesh sanding pads – I use 1500, 1800, 2400, 3200, 4000 and 6000 grit pads to finish the stem to a gloss. These pads are readily available at woodworking shops or online – just Google Micro-mesh pads. If you use the sandpaper it works well but is a bit more labour intensive. After you have the stem restored to a gloss you can use a bit of olive oil to polish it – wiping it on and then off or you can use some softened beeswax or carnauba wax. I have even used Kiwi Neutral shoe polish which is a carnauba based wax.

I then set the stem aside and retrieve the bowls from the alcohol bath. Before I take them out I use the alcohol in the bath to scrub the bowls using an old tooth brush as it just gets into the cracks and crevices and gets the dirt out of the surface. Once that is done I dry off the pipe with a soft cloth and get to work on the finish. For the rough surfaced ones like the smaller pipe in the picture I will often use the tooth brush repeatedly to remove all the grime on the pipe. With the smooth pipes like the second pipe in the picture I wipe it down with alcohol dampened cloths until it is clean. I then sand the smooth one with either the 400 and 600 grit sand paper or the Micro-mesh pads to smooth out the finish. If the top is rough you will need to decide what to do with it. I have posted on the blog how I repair those issues so have a look on there for the article on topping a pipe bowl.

When both bowls are clean and free of dirt and tars I wash them down with a fresh alcohol cloth and then they are ready to stain. I use Feibings Shoe Dye for the stain and have found that the Medium Brown dye works well and matches most of the stains on these old pipes. Both pipes in the pictures were stained with the same Dye. I use the dauber that comes with the Dye (the dye is available at most shoe repair shops for about $4-$5). I coat the bowl while holding the stem. As the stain will turn your hands brown, wear rubber gloves for the staining. Once it is stained light the stain on fire with a match to set it. You will think I am nuts in suggesting this and think you will catch things on fire but like the alcohol in Baked Alaska it only burns blue for a short while and really sets the stain into the grain of the wood.

Set the pipe aside over night to let it thoroughly dry. The next day use the 600 or higher grit wet dry sandpaper to remove the excess stain on the exterior of the smooth bowl. Wipe it down regularly with a damp cloth to see what it is looking like. With the rough surfaced pipe I use a piece of flannel fabric and buff the surface until it glows. Once both pipes are finished and look acceptable to you give them a good coat of wax or polish. Some folks use Pledge on the bowls and have done so for years without ill effect. This gives them a rich glow. The only thing left to do is join the family heritage by smoking a bowl of your own tobacco in the pipe. When you are done with that smoke, wipe the pipe down with a soft cloth and clean it inside with a pipe cleaner. With a little care the finish that you have done will last until you own grandchildren need to refinish it once again. But take delight in smoking a piece of the family history and adding another generation’s story to the life of this old pipe. Enjoy.

If you have any questions on the process feel free to post a response or question here.

Here are the same pipes after finishing the process I laid out above.

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Reworked Old Apple


Blog by Steve Laug

I had this old apple with very faint stamping that looked like it could have been stamped Edwards but not clear. I decided yesterday to rework it. The old stem had a split in the button and was shot. I decided to fit a new stem for it. I reamed and cleaned the bowl and fit the stem. While I worked on the stem I dropped the bowl in my alcohol bath for an hour. Once it was done I sanded the bowl and cleaned it some more. There were a couple of spots on it where small fills had fallen out so put some briar dust in them and then a spot of super glue. Once dry I sanded them smooth so that the stain would take around and in them. I put the stem on and stained the bowl with an oxblood stain as I figured that would match what was originally on the pipe. Once it was all polished it reminded me of an old timer that I had seen and been hunting for – a straight shanked BBB apple. Well that got me thinking and I dug through my box of bands and sure enough I had an old BBB silver band hallmarked 1909 that fit perfectly. The stem and pipe look older so the band added some more age to it. I really like the final look of this one.

Before pictures:
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And the finished pipe:
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Unique old pipe – “The Rubywood”


Blog by Steve Laug

I enjoy working with alternative woods that over the years have been used in pipes. I have worked with pear wood, cherry, walnut, manzanita and mountain laurel. But last evening I finished restoring an old pipe that revealed more than I expected as I worked away the old finish. It became more than speculation that I was not working with briar. It was too light in weight and just felt different. Once the black grime was gone I could see graining that was very different. The pipe is stamped “the Rubywood” that is all. I researched a bit and found that ruby wood is red sandal wood that is very hard and used for fine furniture. I don’t know about that but this is amazing looking wood. It has dark graining that is deep and then swirls that go through the grain as well. There are dark spots of ruby/red colouration that have come out in the refinishing. I turned the tenon and fit a stem for this one. Then restained it with an oxblood stain to highlight the natural reddness of the pipe.

Here are some pictures of the wood with the finish removed.
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Here are some pictures of the refinished pipe:

I wondered about toxicity of the wood so I posted it on Smokers Forums to see if anyone knew about this wood. I got this reponse from a friend there:
“I found quite a few pipes (made in China and India) made from Red Sandal Wood. Apparently parts of the tree are used in herbal medicine. Heck, if it gets rid of wrinkles I wouldn’t mind smoking that pipe

Pterocarpus Santalinus Uses : It is an astringent and a cooling agent and is used in several skincare preparations. It is used in the treatment of pimples, acne, wrinkles etc. It us also used internally in chronic bronchitis, gonorrhoea and gleet, chronic cystitis with benzoic and boric acids. Much used as a perfume for different purposes. The wood is used for making fancy articles and is much carved. It has been used in Ayurvedic medicine as an anti-septic, wound healing agent and anti-acne treatment. A paste of the wood is used as a cooling external application for inflammations and headache. A decoction of fruit is used as an astringent tonic in chronic dysentery.”

Thanks for looking.

From Sow’s Ear to Silk Purse


Blog by Steve Laug

This morning I decided to do a few more refurbs on pipes from my box. It is getting low on options as I have reworked the majority of the interesting ones. There are about 25 or so pipes to choose from now and many are in a real state of disrepair. As I sorted through them I came upon this one. I took it out of the box and turned it over in my hands. The bowl was clogged with the remnants of the last smoke – dried tobacco and sticky tars. I decided that this was the first pipe I would work on today. It would be a challenge to see if anything beautiful could come from this mess. It was a beat up old pipe. I think the previous owner must have always had it in mouth and chewed on it like a piece of straw and then used it to hammer nails. The top was chipped and dented with valleys and mountains and the whole covered in a thick coating of tars – pipe lava. The stem was gnawed on had deep dents and tooth marks. It was oxidized to a rich brown that stank of sulfur.

The first step in the process for me is always to ream the bowl and clean out the detritus of the past. I used a dental pick to get the remaining dottle out of the bowl and to make way for my reamers. I find that the dental pick works well as it is sharp enough to break into the hardened ball of tobacco remnant and remove it quickly. I work it around to clean out any loose leftovers so that I can work on the hardened cake that is left in the bowl. This one had a thick cake that was a bit crumbly and soft once the tobacco ball was removed. It would need to be reamed back quite a bit. I generally ream back to bare wood on these old timers as I want to start a hard cake that is not built upon the old crumbling base cake that was in the pipe when I started. I used the PipNet reamer on this one. I fit the cutting head into the T handle and began to carefully turn the reamer into the bowl. I generally do this over a plastic bucket as it is a mess. The coarse dust of the carbon that is cut away is a black cloud if you are not careful. I proceed slowly as it is easy to angle the cutting head and take the bowl out of round. Once it is done I tap out any dust that remains before moving the pipe to my work desk.

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On the desk I had placed a work surface that was washable and then took out the soft cotton wash cloths that I use to remove grime and stains and wet them with Isopropyl. I washed down the outside of the bowl including the rim. It removed much of the dirt the first pass and I continued to scrub until the cloth came back clean. For this part of the process I leave the old stem in place as it serves as a handle for me to hang on to while I am working with the bowl. I picked at the grime on the top of the bowl a bit with the dental pick and decided that indeed this one was a candidate for topping. The two pictures above show the pipe after the reaming and cleaning of the bowl. It is ready to be topped.

In preparation for topping the bowl I use a flat surface – either a hard flat board or a piece of glass to which I anchor the sand paper. This time however I wanted to try out a new trick that I had learned from a friend on one of the online forums so I anchored a piece of 240 grit sand paper on a Masonite clipboard and put the clipboard on the desk top. Topping the bowl is a careful process that involves keeping the rim flat on the sand paper and turning it either clockwise or counter clockwise until the chips and dents are minimized. The trick is to take if far enough to remove the majority of the dents and chips without changing the overall profile of the bowl. Too much of the top removed changes the pipe rather than merely restoring it. As I sand the top of the bowl I stop to check it regularly to see if I have removed enough of the damage to the bowl. On this particular pipe it took me quite a bit of time to take it down slowly to the point it was smooth enough to do the next step in the process.

Often once the top is close to being smooth enough the last remaining dents can be steamed out and then a minimal amount of sanding will finish the job. On this particular pipe the top was smooth after sanding it. There was no need to remove any further dents. However there were some major chips out the outer edge of the rim. To remove them would have involved sanding off a fairly significant amount of the top and would have changed the overall look of the pipe. I decided instead to chamfer the edges on the outer portion of the rim. I used a piece of sand paper held at an angle that I maintained throughout the sanding. The idea was to hide the battered edge and remove some of the damage while minimizing some of the larger chips. Once I had the outer rim repaired to my satisfaction I did the same to the inside rim to regain some of the roundness of the bowl. The previous owner seemed to have used a knife to remove cake so there were major chunks taken out of the inside edge. Chamfering the inner edge took care of most of the damage and made the rest relatively invisible to a quick glance.

I then cut a stem to fit – turning the tenon on a precast stem and also taking off the excess vulcanite on the area where the stem joined the shank. I wanted to get the fit to be precise without gaps. Once I had the fit correct and just needed to sand out the scratches I put the bowl in the alcohol bath to let it soak and remove the stain. I continued to work on the stem while it soaked. I generally leave the bowl in the bath for a minimum of 30 minutes and have even left them over night in an extremely dirty bowl. Once I take it out of the bath I wipe it down with a dry cotton cloth and let it dry. I then sand the bowl down to remove any scratches in the surface. I start with a 400 grit wet dry sand paper and work my way through the Micro-mesh pads 1500, 1800, 2400, 3200, 4000, and 6000 to get a good smooth surface. As I worked on the shank I noticed a fine crack that became evident as I removed the grime from the inside of the shank. I heated a nickel band and pressure fit it to the shank to take care of the crack.

I finished the bowl by re-staining it with a medium brown stain as an undercoat and then buffed and sanded it yet again. A top coat of oxblood stain followed that sanding. I find that the two coats of stain complement each other and add some depth and patina to the pipe that only the one colour does not give. It was then polished on the buffing wheel with White Diamond and then given several coats of carnauba wax. I had also finished the stem and put it on the bowl and buffed and waxed the entirety.

This is the finished product. I think you would agree it has ceased to be a sow’s ear and has become a silk purse!

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Plugging a burnout


Blog by Steve Laug

I picked up an old Dunhill Root Briar off eBay that I knew would have to have a lot of work done to make it smokeable once again. It was obvious that it would need a plug as it was burned out. Many probably would not have bid on it but I got it for cheap and thought it would be worth learning how to do a briar plug to repair it. With not a huge amount invested in it I figured it was worth the education I would get doing a repair. I often will buy pipes on eBay that are rejects for the sole purpose of learning a new skill in the repair department.

When the old Dunhill arrived I opened the package for the initial inspection of the pipe. I wanted to have a clear picture of what I would be dealing with in the repair. On the underside of the bowl there was some kind epoxy fill that had been injected into small burnout spot. It had been also daubed on the bowl to provide a layer of “insulation” or something. It was really a mess in terms of the application of the epoxy. No amount of wiping the bowl down with alcohol or acetone would remove the goo from the surface of the pipe. I sanded it until the bottom was back to briar alone and the glue was gone. I then used a dental pick to check the integrity of the bottom of the pipe. I wanted to find out from the outside how far the damage had gone into the briar. If it was charcoal like and soft I would know the extent to which I would have to drill out the bottom of the bowl. I marked the extent of the damage with a permanent marker to show how far the burnout had damaged the briar.

Once I had the outside of the bowl cleaned up and the burn out clearly marked I turned my attention to the inside of the bowl. Once I had cleaned out the grit and grime from the inside of the bowl I found that the previous owner had reamed far too aggressively and compromised the thickness of the bottom of the bowl. It was almost ¼ inch below the bottom of the airway. The bottom of the bowl was in fact very thin. Using my dental pick I probed the bowl bottom to identify the extent of the damage around the burn out hole. It was virtually the same as the outside. With that information in hand I was ready to drill out the spot on the bowl.

I sanded out the inside of the bowl with a dowel and sandpaper to smooth out the hack job on the bottom. I then drilled out the burned out spot from the outside of the bowl with a drill bit slightly larger than the area I had marked with the marker. I was careful to get all the burned wood. Once the hole was open I again tested the soundness of the surrounding briar with my dental pick. I wanted to make sure that the damaged briar was removed. I re-drilled it a second time with a slightly larger bit to remove what remained of the damage. I then cleaned the pipe yet again. I wanted to make sure that the inside of the bowl was reamed and sanded to bare wood and that the bottom of the bowl that remained was free of carbon and dirt. I washed the entirety with isopropyl alcohol and then let it dry out.

I measure the outer diameter of the hole in the bottom and the inner diameter of the bowl. I then cut a piece of briar to those dimensions. The briar plug was shaped like a “T” and was actually significantly bigger than the pin hole that was originally in the bottom of the bowl. I had decided to create a new bottom for the bowl and a plug for the hole I had drilled. I used some wood glue and coated the bowl bottom and the inside of the hole. I then inserted the plug in the top of the bowl and used a rubber mallet and a piece of dowel to drive peg to the bottom of the bowl. The leg of the T extended through the hole in the bottom of the bowl that I drilled out. I had purposely made it longer than the thickness of the bowl so that it would extend below the bottom of the bowl. Once it was in place it not only was glued but in essence was pressure fit. I laid it aside to dry over night before I worked on sanding the leg of the T flush with the bottom of the pipe. The next morning I sanded it flush with the bottom of the bowl. It was a great fit as can be seen from the pictures that are included in this essay.

Once the exterior was smooth and ready to go I turned to the inside of the bowl. The top of the T formed a new thicker bottom for the bowl. I had made it thick enough to provide a new briar bowl. Because of the thickness I had used a spade bit to re-drill the bottom of the chamber and give it a concave feel like the original bowl. I also re-drilled the airway so that it would come out in the bottom of the new bowl. I again used the dowel and sand paper to smooth out the junction between the new surface and the old surface of the chamber walls. I wanted the transition between the two pieces to be smooth.

The final touch for this old timer was a good coating of pipe mud on the walls and on the bowl bottom. The mix I use for the mud is cigar ash and water. Others have used pipe tobacco or a mix of various things but I like cigar ash. The bonus is I get to smoke a good cigar in the process. I mix a good thick paste that I apply with a brush and a pipe nail. I brushed it on and tamped it into place with the brush and the nail. It gave a nice grey ash look to the inside of the bowl. The inside looked as good as new. I left it to dry through the night.

I sanded the rest of the bowl be careful to not damage the stamping. Once it was smooth and the scratches and nicks were gone I stained the outside of the bowl. I gave it a second and third coat with a Mahogany and then a brown stain. Between each coat of stain I flamed the stain by lighting it with a lighter. I find that this sets the stain a bit better than an air dry. I also buffed between coats of stain to make sure the coverage was even. The final coat of stain was applied, wiped off and then buffed with white diamond and then carnuaba.

I let the pipe mud cure for several days before I fired up the pipe. I was curious to see how hot the bottom of the bowl became. Success!! It smoked cool and dry to the bottom with no heat to the hand. The patch worked well. Next time I do a patch I will try to blend the flow of the grain a bit more!

I have been smoking it for a long time now and continue to be pleased with it. The patch is starting to blend in a bit more as it gets a patina. The pipe still smokes dry and cool throughout the bowl.

03/30/2012

 

 

This week my computer died!!! I was forced to dig out a very old laptop that I have sitting in the basement  so that I could at least have access to the internet. While I was cleaning up the hard drive I found these old photos of the same pipe. The repair may be a bit more visible in these photos if you are interested to have a look.

Re-staining Estate Pipes – A Pictorial Essay


Blog by Steve Laug

I am often asked by other hobbyist pipe refurbishers how I go about re-staining the pipes that I refurbish. I have answered the question in different ways over the years as I have worked out my own process. This past weekend I had some time and a box of pipes to work on so I decided to document the process I use. I took photos of four old pipes that I was reworking; these photos take you through my methods from start to finish. I have added written commentary to explain what I have done. The method I describe is how I work with estate bowls like these. I am certain that there are other methods that can be used with equal success. This is the one I have arrived at over the past ten years as I have been reworking estate pipes. I am sure that it will continue to evolve in the years ahead as it has over the past years. Here it is for your perusal and use. Feel free to use it, enjoy the process of rejuvenating the finish of an old pipe, adapt it and modify it as you will. Email your modifications and additions to the method to as we work to keep the fire alive in the home based pipe restoring hobby – slaug@uniserve.com.

I need to make a final confession before I jump ahead to describe and document the process. I totally forgot to take pictures of the state these old pipes were in when I received them. As is often the case for me, the cleaning process took on a life of its own and once it is moving along I find it hard to slow it down. So, with that out of the way, I begin with pictures of the pipes after I removed them from an hour soak in an alcohol bath.

Out of the alcohol bath
Once I have chosen the pipes to restore I remove the stems and place them in a soak of Oxyclean and water while I work on the bowls. I place the bowls in an alcohol bath. I use a plastic jar with a screw on lid to hold the 99% isopropyl alcohol for the bath. It is roughly a large mouthed quart sized jar and will hold four bowls. The size also allows me to reach in and retrieve them when they are finished. I reuse the alcohol in the bath for a long time. I find that it turns dark from the stains and the sediment settles to the bottom of the jar. I pour off the alcohol regularly and wash the jar so that there is no sediment remaining. I also top up the jar with fresh alcohol to keep the levels high enough to cover the bowls.

The first two pictures below show the four bowls after they have been removed from the bath and have been dried. (In each photo the bowls will be in the same order for ease of recognition.) Starting at the top left and working left to right you will see the effects of alcohol bath in removing finish. I have found that it does not remove all the stain but it removes the finish, waxes and oils that are over the stain. When the bowls are removed they have a flat finish look to them. The top left bowl has a slightly yellow stain once the varnish coat was removed. The top right bowl has a reddish stain that was also under a coat of varnish. The bottom left is a prehistoric GBD finish/sand blast with a dark red/brown stain. The pipe on the bottom right has a dark brown stain and had a coat of shellac or varnish over it. The varnish on the last pipe had turned milky white even before I put it in the bath and increased when I took it out of the alcohol bath. The fourth bowl will take the most work to remove the finish. All will need more hand work with an alcohol soaked soft cloth and a soft bristle tooth brush to remove the residual finish. The smooth bowls will be sanded and further cleaned.
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Washed and sanded
The pictures below show the bowls after they have been washed in alcohol and sanded and rewashed and re-sanded repeatedly. The stain colour is removed as much as it will be at this point in the process. There is still a lot of work to do on each bowl before staining can be done. The top coat of varnish, wax and the grit and grime have all been removed at this point. From the pictures you can see that there is still some varnish on the bottom right pipe but the majority has been removed and the others are getting ready to go to the next step in the process. Once I finished this stage of sanding I washed them a final time with a tack (soft cotton material) cloth to remove dust and such and also let me see any remaining shiny spots on the finish.
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Two of my favourite tools are shown in the following pictures (I use both constantly in the process of refurbishing and always have them near at hand) – a tooth brush and a dental pick. The dental pick allows me access to the rings on the bulldogs. I carefully use it to follow the rings around the bulldogs and clean out the grit that gets stuck in them. I follow that up with the tooth brush which allows me to rub the alcohol into the rings and to scrub other places in the blast on the prehistoric and stubborn shiny spots on the smooth pipes. They both are used in cleaning rims and the dental pick also precedes my pipe cleaners in the shank. I have straightened one end to make access to the shank easier. These pictures show the bowls after the third sanding and alcohol wash. I also sand the rims with 400, 600 and then finally with 1200 to remove any grit or rough spots on the finish. All the bowls have been sanded with 1200 grit sand paper. I sand them one more time with the 1200 grit sandpaper and then I use micromesh pads to get a good smooth surface on the bowl. If you choose to go for a scratch-free finish you can examine the bowls with a jewellers loop under a bright light and re-sand as necessary to remove any noted scratches. For the majority of the old timers that I refurbish, I sand until they are scratch free to the naked eye in a bright light. To my mind some of the deeper nicks and such lend character to the old pipe and contribute to the look of age. My main requirement is that they are smokeable when I am finished and that they look good for their age. Should you choose to go further with the finish the choice is yours as you re-work them.
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The next picture shows the foursome after all the smooth pipe bowls and smooth rim on the sand blast have been sanded with 1800/2400/4000 micromesh pads. They are smooth to the touch and have a rich shine to them. This is a good time to give them an inspection for any marks or scratches that you want deal with further. After I inspect them this last time, I wipe them down with an alcohol damp cloth to get any residual grit or dust off the bowls and set them aside. The bowls are ready to be re-stained.
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Re-staining the bowl
In preparation for staining each pipe bowl, I insert folded pipe cleaners in the shanks to enable me to manipulate them with ease while I am applying the stain. This gives me some flexibility in turning the bowl at different angles to apply the stain coat. You will note the Fiebing’s stain in the previous picture – that is the stain I use. It comes in a variety of colours and is an aniline (alcohol based) stain. It works extremely well on wood. All of these bowls were given a first coat of Fiebing’s Dark Brown stain applied heavily. While it is still wet I use a match to light the stain to set it in the grain. It does not light the bowl on fire at all but only burns off the alcohol in the stain coat. For these four bowls, I started with the blast and liberally applied the stain to the bowl. I start with the bowl held bottom up and let the stain flow toward the tops. I follow the flow of the stain to ensure that I have thoroughly and evenly covered the entire bowl surface. I finish the first coat using the dauber pictured in the lid below to stain the rim. I reapply the stain to make sure the coat is even and not streaked.
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The picture below was taken after the second application and flaming of the stain. After the first coat of stain is dry to touch, I give each bowl a second coat of stain and set it aflame with a match or lighter. After flaming the stain the bowls are basically dry to the touch and I set them aside until they are thoroughly dry. (I often let the bowls sit over night to dry.) The next day (or later the same evening if I get impatient or curious) I take them to my buffers and see what they will look like with a light touch on the buffing wheel. I generally use the Tripoli buff with a light touch, though I have also used the White Diamond buff as well. For those who do not have a buffer I have also sanded the bowls at this point with 1200 grit sand paper or higher. If the stain is too dark to my liking I wipe the bowls with an alcohol damp cloth until I get the colour the way I want it on each pipe. That is one of the beauties of aniline stain! The briar in each pipe bowl will make them quite unique looking once the stain is buffed.
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While the bowls are drying I turn to work on the stems. Throughout the process described above, the stems have been soaking in an OxyClean bath. I put a mixture of once scoop of OxyClean into a one quart plastic covered jar and mix it with hot tap water. I shake it until the powder is all dissolved and the liquid is a milky white. Then I place the stems in the bath to soak. Generally I soak them a minimum of two hours but often will leave them in the wash over night. They remain in the bath the entire time I am working on the bowls.

With this foursome I grew impatient and was curious to see the finished product once I buffed the stain off the bowls. The bowls were dry so I took them to the buffer. The following pictures show the bowls – stained, buffed and polished. At this point in the process, I still need to wax them with carnauba but the pictures give you the idea of what they look like. Each pipe bowl took the dark brown stain in its own way. To me one of the joys of the process is arriving at this step and seeing the freshly stained bowls. I love the contrasting colours and grain that comes through in the pipes.
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The final pictures in this essay show the finished product using two of the pipes. I finished working on the stems while the stain was drying. They are both WDC pipes. The apple is an Aristocrat shape 11. The bulldog is a Royal Demuth shape 79. Both are screw mount stems with interesting diffusing apparatus in them.
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Topping a Bowl – A Pictorial Essay


I finally used my camera to take photos of the process I use when I top a pipe. I decided to put together this pictorial essay to show the steps on topping a pipe bowl. It is an easy process and can return an otherwise beat up pipe bowl top to new or at least a cleaner vintage look. In the following essay I will take pictures throughout the process from beginning to the finished product with the bowl restored to an acceptable look for me.

The pipe is a Marxman Super Briar billiard. The bowl overall is in pretty rough shape, but the top looks like it was used for a hammer. All the outer edges of the bowl are chipped and rough. To clean and polish it as it stands would leave a very rough looking bowl top and no one clean edge. It was a perfect candidate to benefit from a slight topping.

Before taking it to the sand paper I reamed the bowl and cleaned up the inside so I was working with something a bit cleaner. I also did a quick buff with Tripoli to remove the external chunks of dirt and stickiness that were on the bowl. A clean surface gives me a clearer picture of what I have to work with and how far I will be able to go in the topping process.

Below are three pictures of the pipe when I picked it out of the box. Note the grime that needs to be removed before cleaning and the rough edges around the top and the deep chunks missing on it. Many of these go to a depth of about 1/8th to 1/16th of an inch so it is in need of topping to clean it up. The decision that needs to be made is how far to go without changing the profile of the pipe too much. I will decide that as I work with the bowl sanding off the roughness. It is hard to say how much will need to come off without actually starting the process. I may have to stop at some point and bevel the outer edge a bit to keep the profile in tact but time will tell.
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When you are topping a bowl it is important to maintain the flat and straight profile of the bowl top. It is easy to change the angle if care is not exercised. I use a flat desk top or a piece of wood to ensure that the flatness is maintained. I put a piece of sand paper, usually 240 grit, on the board or desk top. Others use a piece of glass to provide the hard surface. Sometimes I sand it on a desk pad like the one pictured below. I hold the sand paper with one hand to make sure it does not move. The desk pad helps keep it from slipping as I work the bowl on it. The bowl is held top down and tightly placed on the surface of the sand paper. I move the bowl in a rotating pattern, turning clockwise, always applying equal pressure on all points to keep it flat on the paper. The process is pictured below.
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As I sand the top, I repeatedly check to see if it is staying level and to see progress in removing the rough edges. I have found that as I work the process the rough edges are highlighted by the freshly sanded bowl top. They really are clearly visible as most of the time they are either blackened or at least more stained than the fresh wood. I give me a constant picture of what needs to come off on each edge of the top. The picture below clearly shows the rough edges on the outside of the bowl. I continue to sand until I have minimized those and the outer edge begins to return to round. I sand until the top is smooth and round. I generally have to make a decision regarding when to stop based on the depth of the chips and rough edges and whether I should bevel the edge to finish the work.
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In the next two pictures the bowl is at the point of decision. Either I continue to sand and take out more of the roughness or I will do a slight bevel on the outer edge of the pipe. I take the overall look of the pipe into consideration in this decision. How much will more sanding change the profile of the pipe? How much will a slight bevel change or maintain that integral look and flow? Those are considerations that I make at this point in the topping process. I check the depth of the remaining spots on the bowl and from there come to a decision.
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This bowl is finished with the topping and I have decided to bevel the edge to minimize the remaining chips on the edge. To do that I take a small piece of sandpaper and fold it in half and place it at an angle to the bowl edge between my fingers. I am aiming for an even bevel at this point and must be careful to maintain the angle the entire circumference of the bowl. To facilitate this I work the entire circumference each time I go around the bowl. Between each time around I check to see that the angle is maintained and to see what remains to be removed in order to give a new smooth surface to the bowl. The two pictures below show that angle and the general work of the beveling.
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The four pictures below show the first turn of the beveling. You can see from the first picture that the roundness of the bowl top is coming into shape. The other three pictures show the two sides and the front of the bowl from the side to show the angle of the bevel – it is subtle as I do not want it to look to rounded. I am aiming for the roundness that comes with age and wear on a pipe.
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The four pictures below show the beveling process completed. You will note that a few deep chips still remain on the edge of the bowl. The stain will hide most of these and those that remain give character to the old pipe in my opinion.
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When I have finished beveling the pipe I will often sand the entire bowl with 1200 grit sand paper to even out the rough spots from the bowl sides, front and back. It also allows me to better match the new stain that will be applied to the entire bowl. After sanding I wipe the bowl down with 99% isopropyl alcohol (less water content with more percentage). The wipe down removes a bit of the colour of the original stain which aids the match on the restain. It also highlights areas that I need to give more attention to with sanding. The pictures below show the pipe after sanding and the alcohol wipe down.
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The prepped bowl provides a few challenges to a good restain. The very visible pink fill on the back of the bowl will need to be blended in with stain. I will also have to blend the edges that have been beveled with the colour of the bowl sides and top. My goal is to make that transition look natural and original. Before staining it I wipe the entirety of the bowl with isopropyl alcohol one final time. This wipe will take off any remaining dust on the wood and ready it for the stain. I will be using a black cherry aniline stain on the bowl as I hope it will blend in the fill and make it a bit less noticeable. I apply the stain with a q-tip and then light it on fire with a match or lighter to set the stain. This process is called flaming the bowl and burns off the alcohol but does not harm the briar. Once it has been flamed I wipe the bowl off with a soft cloth and completing the staining process. Further application of stain is an option that will darken the bowl. I applied the stain a second and third time to the fill and surrounding areas to see if I could blend it a bit more. The fifth picture below shows the fill. It still shows in the picture but in hand it looks more subtle and subdued. From the pictures you can see the effect of beveling the edge very clearly. The top shows some nice grain and a gentle curve to the sides of the bowl. The overall effect is to restore the clean and well broken in look of the pipe. The colour brings out the natural patina in the briar and blends the older and the newly stained freshly sanded briar. Here are pictures of this step in the process.
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Once the stain is well dried the pipe is taken to the buffer and given a good buff with white diamond. The idea is to polish and give a bit of depth to the pipe bowl. Carnuaba wax is then applied for a final shine to both pipe and the stem. For the sake of this essay I have not done much with the stem. I still need to sand and clean off the remaining oxidation. But I wanted to show the flow of the entire pipe in its topped, finished and stained form. The stem still needs work at this point but that will come next.
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