Tag Archives: staining the rim

A Trio of BBB’s in need of topping!


Blog by Steve Laug

Tonight I went to work on a trio of BBB’s I just purchased. Two of them, those stamped BBB Tortoise (with the ivory stem) looked to have come from the same pipe smoker wielding the same torch lighter. He had in essence cut a trough across the top of the rim from front right to back middle. In the three photos below you can see the damages to the rims. The top photo shows the oval shank Canadian and the second shows the round shank Liverpool. The third one is a BBB Silver Grain and it looked to have been used as a hammer. The outer edges of the rim were rough and beaten and the rim itself was marred with dents. Besides the damage to the rim the Tortoise Liverpool had a cracked shank that I needed to repair. That repair will be the subject of another blog post.  

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I have a board on my desk that I attach a piece of 220 grit sandpaper to and use that to top the bowls. In the picture below it is to the right of the two Tortoise pipes. I hold the bowl flat against the sandpaper and rotate it to remove the damaged portions of the briar. It is important to keep the bowl perfectly flat against the board and paper so that the top remains flat. It is very easy to sand an angle to the bowl if you are not careful with this process. In the picture the two bowls have been sanded to remove the finish and the top layers of the darkening. Both bowls have a slight trench burned into the surface that moves from the front right to the rear centre. The topping will need to be deep enough to remove the damage yet not too deep to change the profile of the two pipes.

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In the next series of two pictures you can begin to see that the rims are returning to a normal and the troughs are disappearing under the sanding. The top photo is of the Canadian and it is pretty close to being finished in this photo. The second photo shows that the trough in the Liverpool is also disappearing though it will take a bit more sanding.

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The Silver Grain Liverpool also was topped using the same process to remove the damage to the outer rim and the top of the rim. The nicks and dents on the tops and the damage to the edges made it necessary to top this bowl as well. It was a much simpler process as the rim did not have a deep trough across it but rather rough edges on the outer edge of the rim. The picture below shows the final result of the topping on that pipe. Once it was topped with the 220 grit sandpaper I moved to a fine grit sanding block – 400 grit and then on to the micromesh pads to polish the sanding marks out of the rim. I finished the sanding by buffing it with Tripoli and White Diamond to remove any remnant of the sanding marks.

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I then used a small one inch square piece of sandpaper folded in half and held at an angle to sand a slight bevel into the inner rim of the two Tortoise pipes. This took care of the inner damage that remained after topping the bowl. I then sanded the two pipes in the same manner as described for the Silver Grain above. Finishing with 6000 grit micromesh and then buffing with Tripoli and White diamond. I stained the trio with a medium brown aniline stain applied to the surface with a dauber. It took two coats to cover the fresh briar of the repairs. The stain was wiped off and the pipes were taken to the buffer when dry.

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The three pictures below of the three pipes show the buffed rims before waxing. The stain matched exceptionally well. The inner bevel took care of the inner rim damage and the topping took care of the trough that went across the bowl. In both of the Tortoise pipes below the damage is virtually removed and the rim surface and edges look new. The rim on the Silver Grain also came out very well and is smooth and looks as good as new. The outer rim damage and the nicks on the top of the rim are gone and a smooth shiny surface is what remains.

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The final three pictures show the rims after they have been given several coats of carnauba wax and buffed to a sheen. The pipes are ready to smoke and look renewed and reborn. You can see from the process that is spelled out above that it is not difficult to do and the results are worth the effort. Take your time and proceed with caution, checking to make sure that enough of the damage surface has been removed but not too much. Once that is done it is a simple matter of sanding, staining and polishing.

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GBD Prehistoric Prince 357 Refurb


Blog by Al Jones

These old GBD’s just seem to follow me home. This one, a Model 357 in Prehistoric finish, wasn’t getting much action on Ebay and I bit. The Ebay pictures showed the briar was in pretty good shape and Perspex stems are generally pretty easy to restore. I didn’t have a Prince style pipe in my collection and this one looked like a suitable candidate. I weighed the pipe at 35 grams. That was also appealing and it should be comfortable in the mouth.

The pipe as I received it from the seller:

GBD_357_Prehistoric_Prince_Ebay ad (2)

GBD_357_Prehistoric_Prince_Ebay ad

GBD_357_Prehistoric_Prince_Ebay ad (3)

Using my Castleford tool, I reamed the light cake in the bowl and let it soak with some Sea Salt and Everclear. The Everclear took some of the finish off the bowl top and revealed some scrapes as well. I decided the blast was too nice to leave it in that condition and I knew the nicks on the bowl top would polish smooth. A smooth, beveled GBD bowl top looks great in my opinion and that feature is an attractive aspect of these pipes.

While the bowl was soaking, I worked on the Perspex stem. It had a few tooth marks that I was able to sand out starting with some 1500 than 2000 grit wet paper. I than buffed it with the 8,000 and 12,000 grade micromesh pads. I ran some bristle pipe cleaners with Everclear thru the stem. I’d been advised previously to run a dry cleaner thru following the Everclear as to not cloud the stem draft hold of Perspex material.

Then, as with the stem, I used some 1500 than 2000 grit wet paper on the polished bowl top, than the last two grades of micromesh. Next up, re-staining, which is still a little nerve-wracking to me.

I reviewed Steve’s past blog entries on re-staining a bowl. I had previously completed that step only two other times. I soaked the bowl in a small container of isopropyl alcohol for several hours. I used an old brass bristle brush to help remove the stain and any wax. Than, I let it soak for another few hours. Once the finish was removed, I prepared to re-stain it. I really liked the light brown factory finish and used some Fieberlings Medium Brown stain, but thinned it considerably. On my first two re-stain jobs, my finish came out too dark. This time, I nailed it and the color is just what I desired. I used the dauber supplied by Fieberlings to apply the stain, held by a bent pipe cleaner. After the first coat dried, I applied a second coat. This time I set the stain with a flamer from a lighter. Be sure to not have the pipe sopping with stain, as that burns too long and could leave a burn mark on the briar.

Applying the stain:

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GBD_357_Prehistoric_Prince_Restain (2)

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The next step was on the buffing wheel with some White Diamond rouge. A light touch is used as to not damage the bowl or add any unnecessary wear. Carnuba wax was then applied using a dedicated loose cotton buff. The bowl following the White Diamond and Carnuba wax applications:

GBD_357_Prehistoric_Prince_Finished (8)

The final step was a hand polish with Halycon wax and she was ready to smoke. I’m dedicating this one to Orlik’s “Golden Sliced” blend, which is a good smoke in the hot summer months of Maryland.

The finished pipe:

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GBD_357_Prehistoric_Prince_Finished (3) Cropped

GBD_357_Prehistoric_Prince_Finished (1) Cropped

From Sow’s Ear to Silk Purse


Blog by Steve Laug

This morning I decided to do a few more refurbs on pipes from my box. It is getting low on options as I have reworked the majority of the interesting ones. There are about 25 or so pipes to choose from now and many are in a real state of disrepair. As I sorted through them I came upon this one. I took it out of the box and turned it over in my hands. The bowl was clogged with the remnants of the last smoke – dried tobacco and sticky tars. I decided that this was the first pipe I would work on today. It would be a challenge to see if anything beautiful could come from this mess. It was a beat up old pipe. I think the previous owner must have always had it in mouth and chewed on it like a piece of straw and then used it to hammer nails. The top was chipped and dented with valleys and mountains and the whole covered in a thick coating of tars – pipe lava. The stem was gnawed on had deep dents and tooth marks. It was oxidized to a rich brown that stank of sulfur.

The first step in the process for me is always to ream the bowl and clean out the detritus of the past. I used a dental pick to get the remaining dottle out of the bowl and to make way for my reamers. I find that the dental pick works well as it is sharp enough to break into the hardened ball of tobacco remnant and remove it quickly. I work it around to clean out any loose leftovers so that I can work on the hardened cake that is left in the bowl. This one had a thick cake that was a bit crumbly and soft once the tobacco ball was removed. It would need to be reamed back quite a bit. I generally ream back to bare wood on these old timers as I want to start a hard cake that is not built upon the old crumbling base cake that was in the pipe when I started. I used the PipNet reamer on this one. I fit the cutting head into the T handle and began to carefully turn the reamer into the bowl. I generally do this over a plastic bucket as it is a mess. The coarse dust of the carbon that is cut away is a black cloud if you are not careful. I proceed slowly as it is easy to angle the cutting head and take the bowl out of round. Once it is done I tap out any dust that remains before moving the pipe to my work desk.

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On the desk I had placed a work surface that was washable and then took out the soft cotton wash cloths that I use to remove grime and stains and wet them with Isopropyl. I washed down the outside of the bowl including the rim. It removed much of the dirt the first pass and I continued to scrub until the cloth came back clean. For this part of the process I leave the old stem in place as it serves as a handle for me to hang on to while I am working with the bowl. I picked at the grime on the top of the bowl a bit with the dental pick and decided that indeed this one was a candidate for topping. The two pictures above show the pipe after the reaming and cleaning of the bowl. It is ready to be topped.

In preparation for topping the bowl I use a flat surface – either a hard flat board or a piece of glass to which I anchor the sand paper. This time however I wanted to try out a new trick that I had learned from a friend on one of the online forums so I anchored a piece of 240 grit sand paper on a Masonite clipboard and put the clipboard on the desk top. Topping the bowl is a careful process that involves keeping the rim flat on the sand paper and turning it either clockwise or counter clockwise until the chips and dents are minimized. The trick is to take if far enough to remove the majority of the dents and chips without changing the overall profile of the bowl. Too much of the top removed changes the pipe rather than merely restoring it. As I sand the top of the bowl I stop to check it regularly to see if I have removed enough of the damage to the bowl. On this particular pipe it took me quite a bit of time to take it down slowly to the point it was smooth enough to do the next step in the process.

Often once the top is close to being smooth enough the last remaining dents can be steamed out and then a minimal amount of sanding will finish the job. On this particular pipe the top was smooth after sanding it. There was no need to remove any further dents. However there were some major chips out the outer edge of the rim. To remove them would have involved sanding off a fairly significant amount of the top and would have changed the overall look of the pipe. I decided instead to chamfer the edges on the outer portion of the rim. I used a piece of sand paper held at an angle that I maintained throughout the sanding. The idea was to hide the battered edge and remove some of the damage while minimizing some of the larger chips. Once I had the outer rim repaired to my satisfaction I did the same to the inside rim to regain some of the roundness of the bowl. The previous owner seemed to have used a knife to remove cake so there were major chunks taken out of the inside edge. Chamfering the inner edge took care of most of the damage and made the rest relatively invisible to a quick glance.

I then cut a stem to fit – turning the tenon on a precast stem and also taking off the excess vulcanite on the area where the stem joined the shank. I wanted to get the fit to be precise without gaps. Once I had the fit correct and just needed to sand out the scratches I put the bowl in the alcohol bath to let it soak and remove the stain. I continued to work on the stem while it soaked. I generally leave the bowl in the bath for a minimum of 30 minutes and have even left them over night in an extremely dirty bowl. Once I take it out of the bath I wipe it down with a dry cotton cloth and let it dry. I then sand the bowl down to remove any scratches in the surface. I start with a 400 grit wet dry sand paper and work my way through the Micro-mesh pads 1500, 1800, 2400, 3200, 4000, and 6000 to get a good smooth surface. As I worked on the shank I noticed a fine crack that became evident as I removed the grime from the inside of the shank. I heated a nickel band and pressure fit it to the shank to take care of the crack.

I finished the bowl by re-staining it with a medium brown stain as an undercoat and then buffed and sanded it yet again. A top coat of oxblood stain followed that sanding. I find that the two coats of stain complement each other and add some depth and patina to the pipe that only the one colour does not give. It was then polished on the buffing wheel with White Diamond and then given several coats of carnauba wax. I had also finished the stem and put it on the bowl and buffed and waxed the entirety.

This is the finished product. I think you would agree it has ceased to be a sow’s ear and has become a silk purse!

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