Daily Archives: November 8, 2020

Breathing Life into a 1972 Dunhill Red Bark 6P F/T Group 4 Bulldog


Blog by Steve Laug

The next pipe on the table came to us in a group of pipes that we purchased from a fellow in Los Angeles, California, USA. It is a Dunhill Red Bark Bent Bulldog that is in good condition. It is stamped on a smooth panel on the underside of the shank. On the heel of the bowl it is stamped with the shape number 6P F/T followed by Dunhill [over] Red Bark followed by Made in England 12. That is followed by 4 in a circle followed by R/B for Red Bark. Interpreting that stamp it is as follows: The 6P is the shape for a bent saddle stem Bulldog and the F/T is the designation for the button shape – a Fish Tail. The Dunhill Red Bark is the finish which is corroborated the R/B at the end of the stamping. The 12 following the D of England gives the date the pipe was made and identifies it as 1972. The stamping is clear and readable. The age of the pipe and the oils in the sandblast finish has given the pipe a rich reddish brown finish. There is also some amazing grain that the shape follows well. The finish was dirty with dust around the nooks and crannies of the sandblast. There was a thick cake in the bowl and tobacco debris stuck to the walls of the bowl. The rim top showed darkening and some lava in the sandblast. The vulcanite saddle stem was oxidized, calcified and had light tooth marks and chatter ahead of the button.  Jeff took photos of the pipe to show what it looked like before he started working on it.  He took photos of the bowl and rim top to show the thickness of the cake and the darkening and light lava overflow on the rim top. The photos of the stem show the oxidation, calcification and tooth marks and chatter on the surface on both sides.  The photos of the sides and heel of the bowl show the deep sandblast grain on the pipe. It is a beauty under the grime and dust.    The stamping on the underside of the shank is shown in the photos below. It looks very good and readable. It reads as noted and explained above. The third photo shows the white spot on the stem.   I turned to Pipedia’s section on Dunhill Red Bark Pipes to get a bit of background on the Dunhill finishes (https://pipedia.org/wiki/Dunhill#Root_Briar). I quote:

Red Bark

Red Bark: Introduced in 1972, the Red Bark is a reddish stained sandblast, and is the most famous of Dunhill’s retired finishes. Originally, the stain was a medium red. A couple of years later the stain was changed to a brighter red, almost pinkish in colour. The almost pink colour caused pipe sales to plummet. In 1976, the stain was changed back to the original darker medium red finish. The Red Bark finish was officially retired in 1987. The County and Russet finishes have also been retired.

I turned to Pipephil’s dating guide to show how I arrived at the date of manufacture for this pipe (http://www.pipephil.eu/logos/en/dunhill/cledat-en1a.html). I am including the chart that is provided there for the dating a pipe. I have drawn a red box around the section. Since the pipe I am working on has a 12 it points to the 1960+ suffix line on the chart below.I now knew that I was working on a Red Bark that came out in 1972 which was the first year that the line was introduced. It was retired in 1987 and was one of the most famous of Dunhill’s retired finishes. It also had the medium red stain of the first pipes introduced from Dunhill in the Red Bark line.

I turned to work on the pipe itself. Jeff had carried out his usual thorough cleanup of the pipe. He had reamed it with a PipNet reamer to remove the cake and cleaned the reaming up with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and rinsed the bowl off with running water. He soaked the stem in Before & After Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and rubbed it down to remove any oxidation that was still on the stem. The pipe looked very clean when I received it.  I took a photo of the rim top to show the condition. You can see the darkening on the rim top on the back right. It is roughened and chipped and out of round. The saddle stem came out looking quite good. There are light tooth marks and chatter on both sides near the button as well as some remaining oxidation.     I took a photo of the underside of the shank to show the stamping. It is clear and readable as noted above.I removed the stem from the shank and took a photo of the pipe parts to show what I was working with. It is a nice looking pipe.I decided to start the restoration on this one by working on darkening on the right rear of the rim top. I scrubbed it with a brass bristle wire brush to remove the darkening. I also scrubbed the front of the bowl where there was some darkening. After scrubbing it the bowl and the rim top looked much better.   With the repair completed I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips and a horsehair shoe brush to work it into the nooks and crannies of the sandblast finish. The product works to clean, enliven and preserve the briar. I let it sit for 15 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. It turned out to be a 6mm filter stem. It had some underlying oxidation that needed to be dealt with. I put it in a bath of Briarville’s Pipe Stem Oxidation Remover and let it soak for half a day. I took it out of the bath, dried it off and scrubbed the remaining oxidation with Soft Scrub All Purpose Cleanser.    I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Dunhill Red Bark 6P F/T Bent Bulldog is a beautiful sandblast with the unique Sandblast finish made in 1972. It is a great looking pipe that came out looking very good. The Red Bark finish has a great rugged sandblast that Dunhill specialized in making. The finish on the pipe is in excellent condition. The oils off the smoker’s hands and the mahogany/medium red stain on the bowl works well to highlight the grain. The polished black vulcanite saddle stem adds to the mix. With the dust gone from the finish and the bowl it was a beauty and is eye-catching. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished 6P F/T Red Bark Bulldog is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. I can only tell you that like the other pipes I am working that it is much prettier in person than the photos capture. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 37grams/1.31oz. Thanks for walking through the restoration with me as I worked over another beautiful pipe. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.

Restoring a Chunky, Rusticated Tom Howard Panel Billiard


Blog by Steve Laug

The next pipe on the table came to us in a group of pipes that we purchased from online auction on in 2018 from Dearborn Heights, Michigan, USA. It is a rusticated Panel Billiard that is in good condition. It is stamped on the sides of the shank. On the left side it is stamped Tom Howard. On the right side it is stamped Imported Briar. The stamping is clear and readable. I have worked on at least one Tom Howard pipe in the past and later in the blog will give a bit of the history. At this point I have to say that the pipe is well made but it is clunky looking and feeling. It does not have the rugged beauty or finesse of a Tracy Mincer Custom-Bilt in my opinion. It has its own charm, to be sure but it is not the same. The age of the pipe and the oils in the finish has given the pipe a rich reddish brown finish. There is also some nice grain that the shape follows well. The finish was dirty with dust around the nooks and crannies of the worm trail rustication. There was a thick cake in the bowl and the rim top showed darkening and some lava. The inner edge showed some potential damage that would only become clear once the pipe was cleaned. The vulcanite taper stem was oxidized, calcified and had tooth marks and chatter ahead of the button on both sides.  Jeff took photos of the pipe to show what it looked like before he started working on it. He took photos of the bowl and rim top to show the thickness of the cake and the darkening and lava overflow on the rim top. The photos of the stem show the oxidation, calcification and tooth marks and chatter on the surface on both sides.  The photo of the side and heel of the bowl shows the carved worm trail rustication and the grain on the pipe. It looks quite nice under the grime and dust.    The stamping on the sides of the shank is shown in the photos below. It looks very good and readable. It reads as noted and explained above. Before I started my work on the pipe I wanted to refresh my memory of the brand. I remembered that Tom Howard was a notable figure beyond pipe making. I also remembered that Dal Stanton had worked on one and done a great job ferreting out the history of the brand and the maker. I turned to his blog on the brand and read what he had written during his restoration of one of the Howard pipes (https://rebornpipes.com/2018/09/16/the-vintage-notoriety-of-tom-howard-and-his-jumbo-squat-rustified-tomato/). I have included the portion of the blog on the history below for ease of reference. (Thanks Dal!)

I had never heard of a Tom Howard stamp on a pipe and after I put the name in search tool on Pipedia I was surprised to find what I found.  Tom Howard was a vintage celebrity in America during the 1940s and 50s.  Here’s what Pipedia said about Tom Howard the man:

Tom Howard was a popular comedian and personality in the 1940s/50s, known for vaudeville stage and radio work. But he also was a skilled pipe maker. In a Popular Mechanic article from 1947 he is written up as the “Hobbyist of the Month, Tom Howard.” He made pipes in his workshop outside his home in Red Bank, NJ. Starting about 1939 and looks like into the late 1940’s or later. He purchased briar blocks by the bag as well as stem blanks, and in his well-equipped shop he handcrafted his pipes, in about three hours on average. He was a true craftsman, also specializing is intricate model boats, trains and brass canons, all built to scale.

I was intrigued – this vaudeville and stage comedian made pipes and this pipe came from his workshop made by his hands.  How cool is that?  Desiring to find out more about Tom Howard the man, I searched Wikipedia and found a fun and informative article about his professional life and how he hosted a I was intrigued – this vaudeville and stage comedian made pipes and this pipe came from his workshop made by his hands.  How cool is that?  Desiring to find out more about Tom Howard the man, I searched Wikipedia and found a fun and informative article about his professional life and how he hosted a zany Q&A game show that was spoofing the ‘serious’ Q&A game shows.  It was called “It Pays to Be Ignorant”.   Here is what the Wikipedia article said:

It Pays to Be Ignorant was a radio comedy show which maintained its popularity during a nine-year run on three networks for such sponsors as Philip Morris, Chrysler, and  DeSoto. The series was a spoof on the authoritative, academic discourse evident on such authoritative panel series as Quiz Kids and Information Please, while the beginning of the program parodied the popular quiz show, Doctor I.Q. With announcers Ken Roberts and Dick Stark, the program was broadcast on Mutual from June 25, 1942 to February 28, 1944, on CBS from February 25, 1944 to September 27, 1950 and finally on NBC from July 4, 1951 to September 26, 1951. The series typically aired as a summer replacement.

Snooping a bit more, I found an online site that had the July 5, 1951 episode of ‘It pays to Be Ignorant’ available for viewing.  I watched it and it was like I was in a time machine!  The video also included period advertising for cars and tobacco and Tom Howard in form, dawning a professorial gown and a gravelly 1950s vaudeville tin can voice.  It’s great! I clipped a picture of the episode.  If you want to see it yourself, here’s the link:  The Internet Archive.

The Pipedia article I included above, referenced one more source to learn a bit more about Tom Howard.  In a 1947 Popular Mechanics edition he was named ‘Hobbyist of the Month’ – but it didn’t say which month!  With a little bit of help from Google, I found Archive.org that housed old editions of many periodicals including Popular Mechanics.  I started in January and started searching – thankfully they had a search tool I utilized for each month.  Finally, I found the article in the Popular Mechanic 1947 June’s edition.   For the absolute nostalgia of it, and for the interesting information it adds about Tom Howard and especially his pipe production, I’m including the pages here for you to read – including the cover page!  I couldn’t pass it up!  Armed with the great information Dal had provided I turned to work on the pipe itself. Jeff had carried out his usual thorough cleanup of the pipe. He had reamed it with a PipNet reamer to remove the cake and cleaned the reaming up with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and rinsed the bowl off with running water. He soaked the stem in Before & After Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and rubbed it down to remove any oxidation that was still on the stem. The pipe looked much better when I received it.  I took a photo of the rim top to show the condition. You can see the darkening and the damage to the inner edge of the rim on the back right. It is roughened and chipped and out of round. The taper stem came out looking quite good. There are tooth marks and chatter on both sides near the button and some damage to the button surface itself.     I took photos of the sides of the shank to show the stamping. It is clear and readable as noted above.  I removed the stem from the shank and took a photo of the pipe parts to show what I was working with. It is a nice looking pipe.I decided to start the restoration on this one by working on the damage and darkening on the right rear of the rim top. I sanded the rim top with 220 grit sandpaper and gave the inner edge of the bowl a slight bevel to remove the damage and blend it into the rest of the rim edge. I polished the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each sanding pad.  I touched up the sanded rim top and edge with a Maple stain pen to blend it into the surrounding briar. The match is perfect and once the bowl is buffed it will disappear.With the repair completed I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips and a horsehair shoe brush to work it into the nooks and crannies of the rusticated finish. The product works to clean, enliven and preserve the briar. I let it sit for 15 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. I filled in the bite marks on both sides of the stem and button with clear super glue and set it aside for the repairs to cure. I reshaped the button with a file and then sanded it with 220 grit sandpaper to smooth it out. I started the polishing with a piece of 400 grit wet dry sandpaper. I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Tom Howard Panel Billiard turned out to be a nice looking pipe. The rusticated finish looks quite good while not obscuring the grain around the bowl. The stain used on the bowl served to highlight the grain on the bowl. The polished black vulcanite taper stem adds to the mix. With the dust gone from the finish and the bowl it was a beauty and is eye-catching. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Tom Howard Panel Billiard is a large pipe and feels great in the hand. Give the finished pipe a look in the photos below. I can only tell you that like the other pipes I am working that it is much prettier in person than the photos capture. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 71grams/2.50oz. Thanks for walking through the restoration with me as I worked over another beautiful pipe. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.

Sasieni Ashford Walnut – the Band is Back Together!


By Al Jones

Al_Pipes_@SMALL

Wow, things have changed at WordPress!  It’s been several months since my last submission and the new format is going to take some getting used to.

I wasn’t necessarily looking for another Sasieni Ashford, but this Four Dot Walnut appeared in my Ebay search engine and it looked like a great candidate to join  my three other Ashfords. I previously had a Walnut Ashford, but sold it several years ago, to fund the purchase of my Ashford Natural, which was unsmoked and by my standard, pricey.  Selling that Walnut was always one that I regretted.

This example, shown below looked well loved, but solid.  There were some dings around the bowl, and build-up on the bowl-top.   The most problematic would be the deep tooth indention on the bottom of the button.  Stem fitment was excellent as was the nomenclature.

Sasieni_Ashford_Walnut_Before_01Sasieni_Ashford_Walnut_Before_02Sasieni_Ashford_Walnut_Before_03

Sasieni_Ashford_Walnut_Before_04

I used a worn piece of Scotch-Brite and a Micromesh sheet to remove the build-up on the bowl top.  The briar had some small handing dings. I used an electric iron an a wet cloth to raise them, which worked well. The bowl was then soaked with alcohol and sea salt. Following the soak, the shank and draft hole were scrubbed with a bristle brush dripped in alcohol. 

The tooth indention on the bottom of the stem was deep, and the rubber protruded into the draft hole.  I used a heat gun to soften the vulcanite and using a small needle file, I was able to push the material back into it’s original shape. There was only a scratch underneath.  I used some black superglue to fill that in and give the button some extra stability.  It seemed solid, and under magnification, there was no break, so that was precautionary.

The oxidation was removed with 400, 800, 1200 and 2000 grade wet paper, followed by 8,000 and 12,000 micromesh sheets.  The stem was then buffed with White Diamond and Meguiars Plastic Polish.

The briar was buffed lightly with White Diamond and several coats of Carnuba Wax.  Below is the finished pipe.

Sasieni_Ashford_Walnut_01Sasieni_Ashford_Walnut_02Sasieni_Ashford_Walnut_03Sasieni_Ashford_Walnut_04Sasieni_Ashford_Walnut_05Sasieni_Ashford_Walnut_06Sasieni_Ashford_Walnut_07Sasieni_Ashford_Walnut_08Sasieni_Ashford_Walnut_09Sasieni_Ashford_Walnut_11

Sasieni_Ashford_Walnut_12

Below is the Fab Four of Ashfords, as I’ve taken to calling them. I liken the Natural to Paul, the Walnut to John, the Ruff Root to George and the Rustic to Ringo (so far, my favorite to smoke)

Sasieni_Ashford_Collage