Blog by Steve Laug
Not too long ago I received an email from a fellow in Kitchener, Ontario regarding some pipes he needed cleaned up. He had been referred to me by my local pipe and cigar shop. While I am not currently adding more pipes to my queue of repairs I have made a commitment to the shop to work on pipes for their customers. Generally they have one or two pipes that need a bit of work. This fellow sent me the following email:
I just came across my smoking pipes that I’ve had in storage for about 40 years. I’m wondering what you’d charge to have them refurbished. There are 17 in total (11 are Brighams and 6 are various).
It turns out he said he had 17 pipes. That was certainly more than I expected but I communicated that there was a large queue ahead of him and I would have to fit them in as I could. He was fine with whatever time it took. He sent me the following photos of his collection that he wanted restored. The first photo shows his eleven Brigham pipes – all very interesting shapes. The second photo shows the six various pipes in the collection – A Republic Era Peterson’s System 1312 (Canadian Import), A Bjarne Hand Carved Freehand, a Comoy’s Everyman London smooth billiard, a GBD Popular Dublin 12, an English made Kaywoodie Rustica 72B, a Kriswill Bernadotte 60 with a broken tenon. When the box arrived there were two additional pipes included for a total of 19 – a Ropp 803 Deluxe Cherrywood Poker and a Comoy’s Sandblast Everyman Canadian 296. It was a lot of pipes! I have been randomly choosing the next pipe to work on and chose the Brigham that I have drawn a green box around in the photo below.When I unwrapped it the pipe it was a nice looking rusticated pot that was lighter in colour than the other rusticated Brighams in the collection. It was stamped on the smooth underside of the shank. The stamping is faint but part of it was readable. The shape number 314 is on the heel of the pipe and identifies the shape. It is followed by the Can. Pat. 372982 and then the Brigham stamp in script. It had a rusticated bowl and shank with a smooth rim top. The rim top had a lava overflow from the medium cake in the bowl. The bowl was in decent condition, slightly out of round on the inner edge. There was some darkening around the top and inner edges of the bowl. It was a dirty pipe but the finish appeared to be in okay condition under the grime. The 3 Dot saddle stem was oxidized and had tooth marks and chatter near the button on both sides. There was also some calcification for about an inch up the stem. I took close up photos of the bowl and rim top to show the condition of the bowl and damage to the rim edge as well as the cake and lava overflowing onto the rim top. I also took close up photos of the stem to show its condition as mentioned above. I took a photo of the faint stamping on the underside of the shank to show what I was speaking about above. It is very clear and readable. The 314 shape number is on the heel followed by the Can. Pat. 372982 number then the Brigham script logo.I removed the stem from the shank to reveal the aluminum tube/tenon that held the Rock Maple Distillator. The distillator was dirty and tightly jammed in the tube. It would need to be replaced. Before starting my clean up work on the pipe I turned to a chart that Charles Lemon of Dad’s Pipes sent to me on the patent era Brighams. There were made from 1938-1980. As the pipe I am working on is a Patent pipe, it’s more accurate to refer to its grade by name (the post 1980 grading scheme refers to Dots). Here is the chart that Charles sent me. The pipe I am working on is thus a Brigham Exclusive with the 3 brass pins arranged in a triangle. With this pipe I am continuing to work on another Can Pat Brigham pipe from the nineteen pipe installment. This is tenth of the eleven Brighams. I went to work on it immediately. I reamed the bowl with a PipNet pipe reamer using the second cutting head to take the cake back to bare briar so I could inspect the walls. I cleaned up the remnants with a Savinelli Fitsall Pipe Knife. I sanded the bowl walls with 220 grit sandpaper on a piece of dowel to smooth them out and further examine them. I was happy that the walls looked very good. I worked on the darkening on the rim top and the rough inner edge of the bowl with a folded piece of 220 grit sandpaper. I was able to remove the darkening and smooth out the inner edge of the bowl. I cleaned out the mortise area and airway to the bowl and the interior of the metal tube and airway in the stem with pipe cleaners, cotton swabs and alcohol. The aluminum tube was dirty because it was missing the distillator and had been smoked sans filter. I scrubbed the surface of the bowl with undiluted Murphy’s Oil Soap and a tooth brush to remove the grime and grit as well as the remnants of the shiny finish on the smooth portions of the bowl. I wet sanded the rim top and edges of the bowl with micromesh sanding pads – 1500-12000 grit sanding pads. I wiped the bowl surface down with a damp cloth after each sanding pad to remove the sanding dust. Once I finished the bowl looked good. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. I set the bowl aside and turned my attention to the stem. I rubbed the stem down with Soft Scrub on with a cotton pad and it removed the oxidation and the calcification build up. It looked a lot better. I sanded out the tooth marks, chatter and oxidation with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper. I rubbed down the stem with Denicare Mouthpiece Polish and a cotton pad to remove the remnants of oxidation and to blend in the sanding. The polish is a red gritty paste that works wonders on removing stubborn remnants of oxidation in the crease. The stem is starting to show promise at this point in the process. Before I finished the polishing stem I decided to fit it with a new Rock Maple Distillator. I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads. I wiped the stem down after each sanding pad with a cotton pad to remove the sanding debris. I finished polishing the stem with Before & After Pipe Stem Polish – both fine and extra fine. I finished by wiping it down with Briarville’s No Oxy Oil and buffing it to a shine. I am excited to finish another of the lot as it moves me one pipe closer to being finished. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with the grain popping through on the rim top and the rustication coming to life. Added to that the polished black vulcanite stem with the shining brass pins was beautiful. This mixed smooth and rusticated finish Brigham Exclusive Pot is nice looking and feels great in my hand. It is light and well balanced. Have a look at it with the photos below. This is the smallest of the Brigham pipes that I have worked on in this collection. The dimensions are Length: 5 inches, Height: 1 5/8 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. This is the 16th of the 19 pipes sent to me from Eastern Canada for restoration. Once again I am looking forward to what the pipeman who sent it thinks of this restoration. Lots more to do in this lot! Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.