Daily Archives: March 24, 2020

Another Peterson Shape 56 (9BC)


By Al Jones

For the 2nd time in less than one year, I found yet another Peterson Shape 56.  Last year, I discovered this shape, which was a bit of a puzzle.  It looked nearly identical to my favorite Peterson shape, the 9BC.  Thanks to some pipe sleuthing by Steve Laug, we learned that the shape 56 was indeed the Canadian version of the 9BC.  The Canadian importer, Genin, Trudeau & Co. used their own unique numbering system.   Full details for that first Shape 56 can be found at this blog entry:

https://rebornpipes.com/2019/07/25/peterson-shape-56-mystery/

One definite point of difference between the two shapes is that the shape 56 has a more slender profile of the stem near the button.  I’ve learned to prefer this slimmer profile.

This one was also a Kapruff and it had a splash of grain on one side.  The pipe was in very good shape.  The stem had light oxidation, the P stamp was deeply impressed and it was nearly bite free.  The briar was unblemised, including the bowl top and nomenclature.  There was only a slight hint of tobacco in the chamber and it looked well cared for.

The first step was to apply some white Gel nail polish to the P and the stem was set aside to dry for a day.  I used a piece of Micromesh to remove the excess nail polish.

There was no need to ream the pipe, so I used a piece of 320 grit paper on a reamer bit to clean up the bowl.  The pipe was soaked with alcohol and sea salt.  Following the soak, the stem was mounted and I started to remove the oxidation.  There was a small tooth indention on the underside of the button, which raised nicely with heat from a lighter flame.  The oxidation was removed with 800, 400, 1500 and 2000 grit wet paper.  The stem was buffed with White Diamond and Meguiars Plastic polish.

Below is the finished pipe.

 

Refreshing a Saucy Italian Aldo Velani Trio Bent Apple


Blog by Dal Stanton

The St. Louis Lot of 26 that my son, Josiah, found in an antique shop before last Christmas is where I landed the Aldo Velani now before me. He was impressed by the quality of pipes in the Lot and emailed me in Bulgaria with a proposition of going in together for the Lot of 26.  His business proposal would be that his part would be his Christmas present to me – I would choose a pipe for my own from the Lot.  My part of the purchase would be to acquire this Lot and posting them in my online collection, For “Pipe Dreamers” Only! for pipe men and women to commission to add to their collections benefiting the Daughters of Bulgaria.  It was a proposal hard to refuse and some weeks later I unwrapped the St. Louis Lot of 26 in Denver where our family had gathered for Christmas.  I chose as my gift from Josiah an unbelievable find in the picture below, a huge Champion Churchwarden.  The Aldo Velani Trio Bent Apple is situated on the right just under the Churchwarden stem.Pipe man Michael saw the Aldo Velani in the Dreamers collection.  Originally in the Lot, there were 4 pipes in the Aldo Velani Trio set.  A Rusticated Volcano already found a home with a new steward (See: Rebuilding a Rim and Chamber for an Aldo Velani Trio Rusticated Volcano).  The common characteristics of the set is the bright burgundy/reddish hue, the double-bumped gold banding and an assortment of acrylic stems.  The set is attractive.Michael was drawn to the Bent Apple and after communicating back and forth, he decided to commission it.  Here are more pictures taking a closer look at the Aldo Velani Bent Apple.  This line is a ‘bling’ line of pipes.  The fancy acrylic stems with the double-bumped gold-plated ring, and the shine of the finish – all together give a bling, after dinner pipe feel.  The Apple has an elegant presentation. The chamber shows moderate buildup of cake and some lava flow over the rim. The clear acrylic stem has a burgundy airway that through the stem some build up is detected.  I’m assuming that it’s burgundy colored and that its not supposed to be clear as well!  We’ll see.  Whenever I see a clear acrylic stem, the question is whether it’s a Perspex acrylic, an earlier more temperamental material that will not tolerate cleaning with alcohol and may craze or even shatter.  I don’t think I need to worry about this because Perspex would be on older GBD pipes and early acrylic.   The bit is in great shape – almost no detectable tooth chatter.The gold band I’m assuming is nickel plated as there are no markings showing a gold metal content.  The double-bumped ring or shank facing is attractive and adds a touch of class as it joins the acrylic stem and Apple bowl.  The ring will shine up nicely.The nomenclature on the left shank side is cursive script, ‘Aldo Velani’ [over] ‘TRIO’.  On the underside of the shank is the COM ‘ITALY’ and to the immediate right, the shape number ‘56’.The stem is stamped with a unique mark which I was able to figure out the last Aldo Velani I restored.The Aldo Velani stem stamp is interesting and takes a closer look to figure out.  I found in Pipedia’s Aldo Velani article, an example and details of the stamping on an original Aldo Velani box, courtesy of Doug Valitchka.  The stamp depicts a pipe as the front leg of the ‘A’ for Aldo and the back leg of the ‘A’ forms the front riser of the ‘V’ of Velani.From my earlier Aldo Velani post, the article cited from Pipedia provides helpful information understanding the provenance of the Aldo Velani name:

Most Aldo Velani pipes are made in Livorno, Italy, for the USA market by Cesare Barontini. They were previously imported by Lane Limited. Lane spokesman Frank Blews once described Velani’s stylish, intrinsically Italian designs as “Billiards with more ball, bulldogs with more jaw.” The name “Aldo Velani” is actually fictional.

Another Barontini 2nd is named “Cesare”.

I learn two interesting things from this information.  First, Aldo Velani is a faux name that does not describe an Italian pipe house but a specific pipe line.  Secondly, the Aldo Velani line is made by the Casare Barontini name based in Livorno, Italy.   Further information is available cross referencing to Casare Barontini in Pipedia:

In 1890 Turildo Barontini opened a factory for the production of briar. In 1925 his son Bruno began to produce the first pipes. Cesare Barontini, son of Bruno, started direction of the factory in 1955, and still runs it together with his daughters Barbara and Silvia.

Sub-brands & Seconds: Aldo Velani. Cesare, L’artigiana, Stuart, Cortina

Pipephil’s site has several examples of the Aldo Velani line depicted which tend to be very stylish and nice-looking pipes which confirms the Pipedia assertion that Casare Brontini produced the Aldo Velani lines primarily for export.  It is evident that there was not a consistency in the stem stamping or name style for Aldo Velani as different examples are given.  Here are the stem stamping variations provided by Pipephil:With a better understanding of the Aldo Velani Trio Bent Apple before me, I begin his refreshing by cleaning.  I start by disassembling the parts – I find that the gold ring easily is removed which will allow cleaning of each element to be easier.I then take the stummel and ream the chamber using the Pipnet reaming kit.  I use the 2 smaller blade heads then switch to the Savinelli Fitsall tool.  Then sanding the chamber wall is done with 240 grade paper wrapped around a Sharpie Pen to further clean away the remaining vestiges of carbon.  I wipe the chamber with a cotton pad wetted with isopropyl 95% and after inspection of the chamber, all appears to be healthy briar – I forgot to take a picture! Next, to clean the external surface undiluted Murphy’s Oil soap is used with a cotton pad.  The smooth surface is easily cleaned.  Using a brass wire brush and a little help from my thumb’s fingernail the remaining lava is cleared. The stummel is then transferred to the kitchen sink where the internal mortise is cleaned with shank brushes and anti-oil dish liquid soap.  After scrubbing, the bowl is thoroughly rinsed and returned to the worktable. Continuing with the internal cleaning, I use two pipe cleaners and one cotton bud wetted with isopropyl 95% to discover that the internals are essentially clean.  Nice for a change!Switching now to the acrylic stem, the shady areas inside the translucent airway I assume is build up which should be able to be cleaned.  I use a combination starting with isopropyl 95% and followed by a Soft-Scrub-like product I can find here in Bulgaria along with both bristled and soft pipe cleaners to clean the airway.  With the bristled pipe cleaners, after wetting them with the CIT, I insert it into the stem and then ‘crank it’ to rotate in the airway.  This does a good job.You can see that some of the burgundy color came off on the pipe cleaner as it cleaned.  There is still some coloration in the airway, but it seems to be clean.After the cleaning of both the stummel and the stem, it is apparent that they are in good condition and for both I move directly to applying Blue Diamond compound, a mild abrasive, to both the acrylic stem and stummel.  The compound will clear very small imperfections on both the stummel and acrylic surfaces.  At this point, the gold-plated ring is kept off the shank for the application of compound.  With a cotton cloth buffing wheel mounted to the Dremel and speed at about 40% full power, compound is applied to both stem and stummel.After the compound and after I wipe the pipe down with a felt cloth to clear the compound dust from the pipe, another cotton cloth buffing wheel is mounted with the same speed and carnauba wax is applied to only the stummel.  The acrylic stem cannot be improved with wax!  Following the application of wax, I use a microfiber cloth to give the pipe a vigorous hand buffing to raise the shine.A few more small projects are left.  The ‘AV’ stamping on the acrylic needs refreshing.  To match the gold ring, which is gold – the stamping in gold is a very nice touch.Using European Gold Rub’n Buff I apply a small amount of gold over the stamping.  And as the name says, I rub and buff!  The results are very nice. Before reattaching the double-bump ring to the shank, I clean it using 000 steel wool.Then, placing a small amount of Extra Thick CA glue to the inside of the ring, I attach it to the shank. I use thick CA glue and only a small amount so that it doesn’t run over the confines of the ring.With the ring reattached, the Aldo Velani Trio Bent Apple stummel and fancy acrylic stem are rejoined and enjoy another hand buffing with a microfiber cloth to raise the shine.

Wow – what a party pipe!  This pipe certainly has flare and bling and it’s the type of pipe that one wears matching cuff links!  The Bent Apple shape provides a touch of elegance and the ensemble works well with the striking burgundy – reddish finish, the gold double-bumped ring and acrylic stem – with its matching airway running the length.  Michael commissioned this Aldo Velani Trio Bent Apple and he will have the first opportunity to acquire it from The Pipe Steward Store benefiting the Daughters of Bulgaria.  Thanks for joining me!

A Repair and Restore for Jennifer’s Dad’s Jarl TV pipe


Blog by Steve Laug

I decided to change things up a bit and work on another of Jennifer’s Dad’s pipes. For the next pipe from the estate of George Rex Leghorn I have chosen a shape I would call a Churchwarden. You may not have read about this estate before, so I will retell the story. I received an email from Jennifer about whether I would be interested in her Dad’s pipes. My brother Jeff and I have been picking up a few estates here and there, so I was interested. Here is the catch – she did not want to sell them to me but to give them to me to clean up, restore and resell. The only requirement she had was that we give a portion of the sales of the pipes to a charity serving women and children. We talked about the organization I work for that deals with trafficking and sexual exploitation of women and their children and she decided that would be a great way to carry on the charitable aspect of her Dad’s character. With some great conversation back and forth she sent the pipes to Jeff and he started the cleanup process on them. Once he had finished cleaning them all he sent them to me to do my work on them.

The pipe on the table is stamped on a smooth panel on the underside Jarl Made in Denmark T.V. The bowl is sandblasted with a smooth band on the rounded shank end and panel underneath for the stamping. The finish was very dirty, making it hard to see beyond that to the nice grain underneath that. There was a thick cake in the bowl and it had overflowed with lava onto the rim top. It was hard to know at this point the condition of the rim edges. The pipe was a dirty and tired looking old pipe. The stem was badly oxidized and there were George’s usual tooth marks and chatter on both sides just ahead of the button. Due to the dirtiness of the pipe the stem did not seat in the shank. It had been sitting in boxes for a lot of years and it was time to move ahead with the restoration. Jennifer took photos of the pipes she was sending. I have included the two photos of this pipe below. When the box arrived from Jennifer, Jeff opened it and took photos of each pipe before he started his cleanup work on them. This Jarl T.V.pipe was a nicely shaped pipe. The shape was interesting and though I have worked on quite a few Jarl pipes over the years this is the first one that I have seen marked T.V. pipe. It is really a nice little Churchwarden. This was going to be an interesting restoration. Jarl pipes are well made and I have found that they not mentioned much in the online pipe communities that I frequent. I enjoy working on them. The sandblast finish on the pipe looks really good on this piece of briar. The shank end is rounded and the stem is smaller and sits against the end of the shank. The briar appeared to be in good condition underneath the grime. The finish looked intact under the grime and oils on the bowl sides from George’s hands. The bowl had a thick cake that had hardened with time. The lava overflow on the rim top filled in much of the sand blast. It was very thick but it could very well have protected the rim from damage. We won’t know what is under it until Jeff had cleaned it off. The stem was heavily oxidized and there were deep tooth marks on both sides just ahead of the button. Jeff took photos of the pipe before he started working on it. I include those below.  Jeff took photos of the bowl and rim top to show the cake in the bowl and the lava build up on the rim top and dust and grime on the bowl. It was thick and hard but hopefully it had protected the rim and edges from damage. The lava coat looks horrible but it points to a well-used, favourite smoking pipe. George must have enjoyed this old timer a lot judging from the condition of the pipe.    Jeff took a photo of the side and heel of the bowl to show the condition of the finish – the grime and grit all over the sides and bottom of the bowl. The sand blast is deep and dirty but it is interesting. Jeff took a photo of the stamping on the left side of the shank. It is very clear and readable. It reads Jarl Made in Denmark T.V.Jeff took photos of the top and underside of the stem showing the scratching, oxidation and tooth marks on the stem surface and button. The tooth marks are quite deep on both sides of the stem.I turned to Pipephil’s site for a quick review of the brand (http://www.pipephil.eu/logos/en/logo-j1.html). I did a screen capture of the section of the site that showed the Jarl T.V. pipe. It says that the brand was carved by Jorgen Larsen. I turned then to Pipedia to gather further information regarding the brand (https://pipedia.org/wiki/Jarl).   :

In December of 2010 Ellen Jarl wrote that Jarl pipes were made by her grandfather, Niels Mogens Jørgensen in a little factory in the town of Bramdrupdam, just outside Kolding, Denmark. We have no reason to doubt that Niels Mogens Jørgensen is the maker of these pipes.

There was a difference regarding the maker of the pipes. Pipephil identified the maker as Jorgen Larsen and Pipedia says it is Niels Mogens Jorgensen. It appears that the information on Pipedia has more proof that the maker is Niels Mogens Jorgensen. I am proceeding with that information in this restoration.

Before I get on to cleaning up the pipe I thought I would once again include the tribute that Jennifer wrote to her Dad for the blog. She also sent some photos and an article that her Dad wrote for Jeff and me to be able to get a feel for him. I have included those below. Note in each of them that he is holding a pipe in his left hand. I asked her to also send me an email with a brief tribute to her Dad. Here is her tribute from an email to me.

Steve, I want to thank you again for accepting my dad’s pipes.  They were so much a part of my dad’s life that I could not simply discard them. But as his daughter, I was not about to take up smoking them either. *laughing* I think my dad would like knowing that they will bring pleasure to others.  I know that I do.

I’m not sure what to say about his pipes. I always remember Daddy smoking pipes and cigars.

First a bit about my dad. Though my father, George Rex Leghorn, was American (growing up in Alaska), he managed to join the Canadian Army at the beginning of WWII, but in doing so lost his American citizenship.  He was fortunate to meet a Canadian recruiting officer who told him the alphabet began with “A” and ended with “Zed” not “Zee”, and also told him to say that he was born in a specific town that had all its records destroyed in a fire.  When the US joined the war my dad, and thousands of other Americans who had made the same choice*(see the link below for the article), were given the opportunity to transfer to the US military, and regain their citizenship.

After WWII, my dad, earned his degree at the University of California Berkeley and became a metallurgist. There is even a bit about him on the internet.

He loved taking the family out for a drive, and he smoked his cigars on those trips. (As a child, those were troubling times for my stomach.)

I most remember my father relaxing in his favorite chair with a science fiction book in one hand and a pipe in the other… Sir Walter Raleigh being his favorite tobacco… and the pipes themselves remind me of him in that contented way.  If I interrupted his repose, he’d look up, with a smile on his face, to answer me.

It seemed he smoked his Briarwood pipes the most, though he had others.  At the time, it was only the Briarwood I knew by name because of its distinctive rough shaped bowl.  And it was the Anderson Free Hand Burl Briar, made in Israel, which I chose for his birthday one year, because I thought he might like that particular texture in his hand.

At least two of his pipes, he inherited from his son-in-law, Joe Marino, a retired medical laboratory researcher (my sister Lesley’s late husband)… the long stemmed Jarl (made in Denmark), and the large, white-bowled, Sherlock Holmes style pipe.  I believe Joe had others that went to my dad, but Lesley was only sure about those two.

The Buescher, corncob pipe my older sister Lesley bought for Daddy while on one of her travels around the States.

A note on the spelling of my sister’s name…

My dad met my mother, Regina, during WWII and they married in Omagh, Ireland.  My mother was English and in the military herself.  The English spelling of Lesley is feminine, and Leslie masculine, in the UK… just the opposite of here in the United States.  I guess my mom won out when it came to the spelling of the name…

This pipe was a real mess just like the other ones in the collection. Somewhere in the process of cleaning it the tenon snapped off in the shank of the pipe. I remember Jeff telling me when it happened but don’t remember the circumstances. Needless to say that will need to be addressed in the restoration of this pipe. Other than that I did not know what to expect when I unwrapped it from his box. He reamed it with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish on the bowl looked really good when I got it. The rim top looked much better and the inner and outer edges were flawless. Jeff had cleaned the internals and scrubbed the exterior of the stem and soaked them in Before & After Deoxidizer bath to remove the oxidation. The stem looked very good other than a few tooth marks and chatter in the surface. When the pipe arrived here in Vancouver for the second stop of its restoration tour it looked very good. I took photos of the pipe before I started my part of the restoration. I took photos of the bowl and rim top to show how well it had cleaned up. The edges and top were very clean and in excellent condition. The stem had some tooth chatter and light marks just ahead of the button.I decided to address the broken tenon first. The first photo below shows the shank end with the broken tenon in place. The broken tenon was pretty close to the end of the stem. I used a Dremel and sanding drum to smooth out the sharp edges of the tenon on the stem end. I put the bowl in the freezer and let it sit for 30 minutes. When I took it out of the freezer I turned a drywall screw into the airway on the tenon in the shank and wiggled it free of the shank.   You can see from the broken tenon that it was quite short. I decided that rather than drilling out the stem and inserting a replacement tenon I would just turn the stem end a create an integral tenon. I set up the PIMO tenon turning tool and slowly cut back the diameter of the end of the stem to create a tenon. I adjusted the cutting head on the tool to take back the first cut. The second photo shows the stem after that cut. I adjusted the cutting head again and took the cut back to as close to the diameter of the tenon as I could. The third photo shows the tenon after that cut. The rest would be hand fitting. I fine tuned the fit of the tenon in the shank with a needle file. I carefully took an equal amount of material all the way around the new tenon. It is getting close at this point.I sanded the tenon with a rolled piece of 220 grit sandpaper to smooth it out. Once I had it adjusted the fit in the shank was perfect. The first photo shows the tenon. The following photos show the stem in place on the shank. The fit of the tenon in the mortise is perfect. The pipe looks pretty good at this point.   With the tenon turned I set the stem aside and directed my attention to the bowl. Since it was clean and in good condition I worked some Before & After Restoration Balm into the finish of the bowl and the rim top and shank with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I find that the balm really makes the briar come alive again. The contrasts in the layers of stain really made the grain stand out. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The bowl really looks good at this point. I set the bowl aside and went back to the stem. I sanded the stem to remove the oxidation that was on the surface and the tooth marks and chatter neat the button. I used a folded piece of 220 grit sandpaper and a piece of 400 grit wet dry sandpaper. At this point the stem is looking better and the tooth marks are gone.  I rubbed the stem down with Denicare Mouthpiece Polish and a cotton pad to remove remnants of oxidation and to further blend in the sanding. The stem was showing some promise at this point in the process. I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads. I polished it further with Before & After Pipe Stem Polish – both fine and extra fine. I finished by wiping it down with Briarville’s No Oxy Oil and buffing it to a shine.    I always look forward to this part of the restoration when all the pieces are put back together. I put the pipe back together and buffed the bowl and stem with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the sandblast standing out clearly and the smooth rounded shank end contrasting well. The newly fitted black vulcanite stem stands out as a shiny black contrast to the colours of the bowl. This Jarl T.V. pipe or Churchwarden is beautiful and feels great in my hand. It is one that could be clenched and smoked while doing other things as it is very light weight and well balanced. It must have been a fine smoking pipe judging from the condition it was when we received it from Jennifer. Have a look at it with the photos below. The dimensions are Length: 10 inches, Height: 2 inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. This is one that will go on the rebornpipes online store shortly. If you want to carry on the pipe trust of George Rex Leghorn let me know. Thank you Jennifer for trusting us with his pipes. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.