Daily Archives: July 12, 2014

Restoring and Restemming a Peterson’s Kapmeer 999S


Blog by Steve Laug

I just finished working on the second of the three pipes that I picked up on Ebay in the lot of three Petersons. It is the third bowl in the photos below. It is stamped Peterson’s over KAPMEER on the left side of the shank, 999S on the underside of the shank and Made in Great Britain on the right side of the shank. It is actually the reason I bid on this lot of pipe bowls. I love the older 999 shape with the thick shank. I like the way it feels in hand and the look of it. As you can see it was in rough shape. There was no stem for it. The finish was rough and worn, the bowl had a thick uneven cake in it and the top of the rim was thick with a cake build up. From what little I knew the KAPMEER was a meerlined pipe. There was something unique about its design but that escaped me at the moment.

While I waited for it to arrive I did a bit of digging into the KAPMEER line. The first thing I found was a quote that said, “The line was introduced for those who preferred to smoke their tobacco in a meerschaum bowl, but still have the looks and advantages of a briar pipe”. That was not altogether helpful to me. It is much the same advertizing info that is included in most of the sales material for meerlined pipes. What was the difference between those pipes and the KAPMEER? The meerschaum lining ended just before the draw hole, so you do not have the problem of deterioration in the bottom of the meerschaum insert in the tobacco chamber. It was believed that this would reduce the possibility of a burn out on the sides of the bowl. I found the two photos below online that clearly show the design of the KAPMEER bowl. The first photo shows the bottom edge of the insert just above the draught hole. The bowl bottom is briar. The second photo shows the contrast between the meerschaum lining and the briar on the bottom of the bowl. In looking at these photos I think I understand the idea of combining the best of meerschaum and briar pipes. The theory would be that the meerschaum lining would deliver a meerschaum style cool smoke and the briar bottom would give the durability and strength of briar.
Kapmeer bowl top view

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or early 1970s. The pipe in the second photo is a later design. The early pipes had a regular stem/shank junction rather than the faux military stem. The one that I had came from a period in time where the stem was most likely a tapered stem with an aligned fit. The pipes were made in Great Britain on the Isle of Man. I found out that though Peterson had maintained a factory in London since 1899, the ‘Made in England’ stamp was discontinued with the closing down of the London-based factory (1969/70). That puts my bowl pre-1970 in terms of date. The thick shank on the 999 bowl dates it earlier than that period.

I gently reamed the bowl, being careful to not damage the meer lining. I wanted to take the cake back as far as possible with the reamer and would do the rest with sandpaper. I sanded the meer lining with 220 grit sandpaper until the entire cake was gone and the meer was once again smooth. It was darkened and would not be white again do to use. I gently topped the bowl with a topping board to remove the cake and smooth out the rim damage before working on the rest of the bowl. I wiped the bowl down with acetone on cotton pads, carefully avoiding the meerschaum lining on the top of the rim. The acetone removed the grime and the spotty stain on the bowl and would form the base for restaining the bowl later.

The bottom of the bowl had been over reamed and the briar damaged with deep gouges on the bottom. The bottom was still thick so there were no worries about burn out. I mixed a batch of pipe mud from cigar ash and water and applied it to the bottom of the bowl to bring the bottom up to the airway entrance. I tamped it in place with a pipe nail. I put some mud on the side walls below the end of the meerschaum lining. I set it aside to cure.
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Once the mud had cured I wiped out the inside of the bowl with a damp cotton pad to clean any of the mud that had gotten on the meer lining. I wiped down the outside of the bowl with acetone and cotton pads a final time. I had a stem set aside from my can of stems that would fit the shank once the tenon was turned and the diameter of the stem reduced. I turned the tenon with a PIMO Tenon Turning Tool slowly until it fit the shank. I sanded the tenon with a sanding drum on a Dremel to finish the fit. I sanded the casting marks on both sides of the stem and on the end of the button with the Dremel as well. When all was finished the fit against the shank was snug and clean.

IMG_7243 IMG_7244 IMG_7245 IMG_7246As can be seen from the photos above the diameter of the stem was bigger than that of the shank. I used the sanding drum on the Dremel to take it down as close as possible to the shank diameter without damaging the shank. Once I had it close I did the rest of the work with 150 grit sandpaper and followed that with 220 grit sandpaper. When the transition between the two was smooth to touch I used a medium and a fine grit sanding sponge to remove the scratch marks from the stem. Since I was planning on restaining the pipe I sanded the shank gently to make sure that the transition would be smooth and the flow correct. I have found that this is the only way to keep the stem and shank matching without and shift in height on either material.
IMG_7247IMG_7248IMG_7249IMG_7250I wiped off the sanding dust with a damp cloth and gave the stem a wipe down as well. The photos below show the look of the stem and shank union at this point in the process. I also gave the rim a light sanding with the sanding sponges as well. There is one small sandpit in the top left side of the rim. I decided to leave it rather than fill it.

IMG_7253 IMG_7256IMG_7254IMG_7255I sanded the shank with 1500-2400 grit micromesh sanding pads to remove scratches in the finish and wiped the bowl down with alcohol on a cotton pad. Greg sent me a set of staining pens to work with so I decided to try them out on this pipe. I tried the light and medium pens and found that they did not match the stain on the pipe so I settled for the dark pen. I drew on the unstained surface of the shank and then blended it into the rest of the bowl. I also did the same on the rim, blending it downward into the sides of the bowl. The pen was very easy to control and keep off the meer lining on the inner edge of the rim.

IMG_7262 IMG_7263 IMG_7264 IMG_7265When the stain had dried I buffed the bowl with White Diamond and then gave it a coating of carnauba wax to seal it and give it a shine. I had done enough of the early sanding on the stem by that point to set up a heat gun to heat and bend the stem. I held it over the heat until the stem was soft and then bent it over a rolling pin that I use for bending stems. I have a thick cardboard tube that I slide on the rolling pin to provide a softer surface than the old rolling pin when I am bending the heated vulcanite.

IMG_7268 IMG_7272 IMG_7273The photo above shows the first attempt at the bend in the stem. It was not bent enough to my liking so I reheated it and bent it again. Once the bend was correct I set it in cool water.

IMG_7276I took the pipe back to the worktable to sand the stem. I wet sanded with 1500-2400 grit micromesh sanding pads and dry sanded with 3200-12,000 grit pads. I rubbed the stem down between each of the three grits with Obsidian Oil and let it soak in before moving on to the next series of three grits.

IMG_7278 IMG_7279 IMG_7280I rubbed it down a final time with the Obsidian Oil and then buffed the pipe and stem with White Diamond on the wheel. I gave the pipe multiple coats of carnauba wax and between each coat buffed it with a soft flannel buff. The finished pipe is shown in the photos below. All that is left is to load a bowl of some aged Louisiana Red and enjoy a bowl.

IMG_7281 IMG_7284 IMG_7285 IMG_7289For comparison sake, I have included a photo of the newly reworked KAPMEER with the earlier KILDARE that I restemmed from a piece of Cumberland rodstock that I purchased from Todd Bannard of Briar, Sweat and Tears Pipes http://www.briarsweatandtears.com/ . Todd cut the length and did the drilling and shaping on that piece before sending it to me to finish. As you can see both have the thicker old style shanks that are no longer used on Peterson 999 pipes. This pipe is the third one that I have from that earlier time period. It is the shape of the 999s that I favour.

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Using Charcoal Powder and Black Super Glue to Repair a Bite Through on a Nylon Stem


Blog by Steve Laug

With all of the blog posts recently on repairing stems I decided to do a little work on one I had here. I wanted to use a black superglue and carbon mixture to see what I could do with this seriously damaged stem. It was a Medico pipe stem bearing the stamping F. The F stamping is a Medico brand mark but this stem was a different diameter than the shank of the pipe that it had come attached to so I replaced the stem on that pipe. I was left with this one and almost threw it away because the hole was large and on both sides of the stem. That combined with the fact that the stem was nylon would make it less desirable to repair for me. There were also deep tooth marks all around the holes. But I figured it was a perfect stem to do experiments on so went ahead with the repairs. I sanded the stem with 220 grit sandpaper to highlight the tooth marks and the holes. The button itself had dents in it as well and the crease had been flattened.
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I cleaned out the debris from the hole with a dental pick (rather than the Dremel and bur that Joyal uses) and sanded around the edges of the hole with 220 grit sandpaper. I removed all of the loose or damaged material from the hole so that the edges were solid. I sanded them to roughen the edges slightly to provide a surface for the glue to bond to. I used a cotton pad and alcohol to clean out the dust from sanding and picking. I cut a piece of cardboard the same shape as the slot in the stem and greased it with Vaseline. I slipped it into the slot. I made sure that the Vaseline did not ooze out into the hole on either side.
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I used Stew Mac Black super glue to build up the edges of the holes. I find that I get a much stronger patch/repair if I slowly build up the patch with multiple layers of the glue. I mixed in some carbon powder taken from a charcoal digestive capsule. I put the glue on the edges of the hole; mixed in the carbon and then more glue more carbon to build the first layer. The next series of four photos show the gradual build up of the glue and carbon. The glue was allowed to cure over night between each layer of the repair. I sanded lightly between the layers to roughen the surface of the patch and smooth out some of the pitting. I find that doing so provides a surface for the new layer to bond to.
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Once the patch had thoroughly cured and hardened I sanded it. I test the hardness by pressing a fingernail into the patch. If it is not hard I let it sit longer. Once it is hard I sanded it with 220 grit sandpaper to smooth out the patch. I used a small needle file to redefine the edge of the crease. Nylon turns white when sanded and so did the patch fortunately. The patch was slightly darker than the stem at this point but would blend in with further sanding.
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I sanded the stem with a medium and fine grit sanding sponge to remove the scratches. I further redefined the crease to sharpen it. The repairs are visible in the photos as slightly darker than the stem colour at this point.
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In the process of the sanding I noticed that the dents in the button itself were not filled enough so I cleaned them out and filled them with black super glue. I also used black super glue to refill some spots on the surface of the blade that seemed to be pitted after the sanding. I sanded these after they were dry using 220 grit sandpaper followed by medium and fine grit sanding sponges. Once the surfaces were flat and smooth to my liking it was time to turn to sanding with the micromesh sanding pads. I wet sanded with 1500-2400 grit pads and dry sanded with 3200-12000 grit pads. I went back to the sanding sponges several times when I found that some of the scratches were not adequately removed. I then repeated the wet and dry sanding with the micromesh pads until the surface was shiny and smooth and the patches blended into the stem.
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I rubbed the stem down with Obsidian Oil and when it was dry hand buffed the s tem and then resanded with the 3200-12,000 grit micromesh sanding pads.
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I polished the finished stem lightly with White Diamond. You have to have a very light touch when buffing nylon as the heat the buffing creates melts the nylon and creates a mess. In this case I just lightly touched it and then gave it a light coating of carnauba wax and then hand buffed it. I gave the stem several coats of Paragon Wax and hand buffed it. The finished stem is shown in the photos below.
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GBD 9242 #1 Holy Grail – Restored


If you follow my restorations on Steve’s blog, you already know I love the Rhodesian shapes made by classic British pipe makers. I have a “Holy Grail” list of desired shapes and marques. The GBD 9242 has been at the top of that list for three years. In the past few years, this shape has been hotly contested and infrequently sold. I had resigned to myself that the probability of finding one, within my means, was slim. This week, a somewhat tired New Standard grade 9242 was listed and I was surprised to win the auction at a modest price. The pictures were fuzzy and showed it would need a lot of work. The stem did look quite promising and I hoped the tars and cake build-up on the bowl top would come off. The nomenclature, button, rondell and bowl beading all looked to be in very good condition.

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I used some distilled water and a rag to remove the tars from the bowl top, which did come off. That revealed a few dents and dings. I then removed the cake with my Castleford reamer and was pleased to find some very solid wood inside the bowl and a nicely drilled pipe. The shank was filthy inside and required a lot of cleaning with brushes and alcohol.

I worked on removing or minimizing some of the dings and marks on the briar. I used a kitchen knife, heated with a propane torch and a wet rag to steam out the dents. Some of the crease could not be removed, but I was able to minimize them.

The bowl and shank were then packed with sea salt and alcohol to soak. The bowl and shank came out very clean inside, which should help reduce any ghosts. The stem was soaked in a mild Oxyclean solution, with a dab of grease on the rondell.

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After the bowl soak was complete, I started to work on the stem. It had a pretty rough layer of oxidation near the button and I used 600 grit wet paper on that area. Then, progressively, I used 1000>1500 and finally 2000 grade wet paper on the rest of the stem, button and crease. Miraculously, the stem only had some mild teeth chatter under that oxidation. I then moved to Micromesh sheets in 8000 and 12000 grades. The stem was then polished, mounted on the pipe, with White diamond rouge (lightly!). The briar was also polished with White Diamond, but I was careful to stay away from the all important (to me) nomenclature.

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Below is a comparison shot with a GBD 9438 New Standard. The 9438 weighs 55 grams and my scale shows the 9242 comes in at 45 grams. Now I can see why this shape was so appealing to me, and others. That tapered shank and stem really make the pipe.

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The pipe still has a few “character marks”, but I’m quite pleased to add this one to my collection. A piece I thought was almost unattainable.