Tag Archives: stem work

This One is a Mystery Pipe – Is it a ?Dunhill?

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You will notice from the title of this blog piece that the Dunhill title is framed with question marks. The pipe is a mystery to me all the way around. There is nothing straightforward with it in terms of stamping or composition. It is composed of three distinct pieces (stem, shank and shank/bowl) that have been joined together at some point in the pipe’s history. From the pictures below you can see the junction of the bowl and the shank. The stem on the shank is a white dotted Dunhill stem. How did this pipe come to be and how did it incorporate at least two different pipes? It would be great if this old timer could tell its story because I am sure that it would be an interesting tale. Did the original owner break the shank on his pipe and then have a repair man do the fix? If so, did the repairman use a second pipe shank to add to the bowl for the repair or did the original owner take two of his pipes (both broken) and have them put together in this creative fashion? Did he take the bowl from one and the longer shank and stem from another and join them to form a new third pipe? Was the original of both pipes a Canadian or was the one that the bowl came from a billiard? I don’t think I will ever know the answer to those questions and even others if I took the time to think it out. But I do know that this is part of the pleasure I derive from working on estate pipes. I enjoy trying to put together the story of an old pipe.

I picked this one up from EBay. I was the only one bidding on it. I think the seller had marked it a Dunhill Canadian for sale so it had many viewers but no other bidders. I knew from a quick look at the pictures the seller provided that it was probably not a Dunhill. I could not be certain but the shape of the bowl did not quite measure up to other Dunhill Canadians that I have and the flow of the stem and bowl was different to my eye. Others may be able to point out other inconsistencies that they see but that is what I felt as I looked at the pipe. What caught my eye though and caused me to put in a minimal bid were the shank construction (reconstruction) and the flow of the pipe. I liked the looks of it. I was also curious to see how it was done. It looked like a well done repair, if indeed it was one. I wanted to see it close up and study it. The white spot on the stem was a bonus though I could see from the photos that it was not likely a Dunhill.

When it arrived I took it from the box and did a quick field dress cleaning of the pipe. Reamed the bowl, wiped down the outside with an alcohol damp cloth so that I could see the stamping or remnants of stamping that remained. The bowl portion (the section from the front to the union on the shank) has stamping on the bottom of the shank that looks to be what remains of a Sasieni stamp or at least the last few letters “ieni”. That is a bit mysterious to me in that the other Sasieni Canadian I have has the stamping running in the opposite direction. So my guess is that this one is upside down – not unheard of but interesting nonetheless. The shank and stem portion (from the junction backward to the stem) are definitely from the same pipe. The fit of the stem to the shank is absolutely perfect with no sanding or shaping marks, no gap and no change of profile to the stem. Under a bright light is possible to make out faint stampings on the shank remnant – and I do mean faint. They appear to be the last four letters of Dunhill – “hill” and under that there are the four letters “land” which could be then end of the word England. From that I would conjecture that what I have is a combination of a Sasieni and a Dunhill pipe. The Sasieni contributed the bowl and part of the shank and the Dunhill the rest of the shank and the stem. Whoever did the union of the two old pipes did a superb job as the joint is very well done. The grains of the two parts of the shank are very different and the staining does not match. But other than that it is a flawless union.

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With the mystery still unsolved I went to work on the ?Dunhill?/Sasieni. I gave it a better reaming and also cleaned it. The bowl had been very caked when I initially cleaned it so I did a deeper reaming taking it back to the wood. It had a very heady smell of Lakeland style tobaccos so I wanted to remove the remnant of that in the cake and prepare it for the tobacco that I would smoke in it. The shank and stem were tarry and restricted by the gunk inside them. I used a shank brush and many pipe cleaners to clear out the airway. I also tried to shine a light down the bowl to see if there was any evidence of how the repairman had done the union of the shank pieces. But the light would not shine that far down the shank. From the ease with which the pipe cleaners slid down the shank and the smoothness of the airway it was clear that the job was very well done. I also used a drill bit on my KleenReem reamer and ran it through the shank with no catches.

Obviously this was a favourite pipe for the previous owner. It was well cared for, repaired and put together and well smoked. I cleaned it with Isopropyl 99% and then sanded out the tooth chatter on the mouth piece. I wiped down the bowl and shank with undiluted Murphy’s Oil Soap and scrubbed it with a tooth brush. It removed the grime from the bowl and the rim. Once dry I cleaned off the remaining lava on the rim with 400 and 600 grit wet dry sandpaper. Once the bowl and shank were clean I wiped the entirety down with acetone. I wanted to get as much of the stain out so that I could try to get a bit better match on the two parts. I re-stained it with a cherry stain I have in the shop as it seemed likely that it was that colour from what was under the grime. The union of the two is still very visible even with a re-stain. The two parts took the stain very differently. I finished by buffing it with Tripoli and White Diamond before giving it multiple coats of Carnuba wax. I am happy with the results. I have smoked it quite often since the refurbishing and find that it is a great smoker. It is lightweight and comfortable in the mouth and the hand. The only thing that would make it even better in my opinion is to have the whole story behind this pipe. Ah well… I am going to go and fire up a bowl of good Virginia and enjoy adding my story to this pipe.

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A BIC lighter and Oxidation

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Blog by Rob Hardy and Steve Laug

Thanks to a serendipitous discovery by a friend of mine, Rob Hardy (incoinnu on Smokers Forums), who also does refurbishing as a hobby we have worked out a very different method of dealing with oxidation on vulcanite stems. The long term effects of the procedure are still in the process of being worked out though it is hard to imagine any long term effects as the heat is not left on the surface of the stem for a significant amount of time at all. The short term benefit is pretty astounding.
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This is what he wrote regarding his new process with my additions and after thoughts. “Those of us who love refurbishing have spent too many hours trying to remove oxidation from vulcanite stems. We all longed for some magic solution that would reverse the process of oxidation. We have tried one or all of these products in our efforts to fight back the dreaded green brown, noxious discolouration of the stem – Oxyclean, sodium hypochlorite solution from 1-12%, Armorall, Armorall Tire Foam, olive oil, stem oil, automotive lens cleaner, eye of newt, toe of frog, etc. These liquids served to either soften the oxidation or disguise it. None of them remove the problem and under a strong light or magnification it was still there. Many of us have sanded using a variety of sandpaper grits both dry and wet, micromesh sanding pads or paper, and toothpaste with micro abrasives until our fingers were sore and raw. The overall effect of this process served merely to level the surface of the stem until the oxidation would be sanded away. It is very effective but also very time consuming. Over time the shape and sharp angles of the stem are changed. There had to be a better way of dealing with this that was still effective and less labour intensive. I was fortunate to be able to purchase a lot of 17 estate pipes from my local B&M, over half of them had heavily oxidized stems. After refurbishing the Savinelli Punto de Oro that was in the lot I was considering taking up refurbishing as a new hobby. I then started on the Dunhill and K&P Peterson. The Peterson was cleaned and reamed and was ready for the stem work. There was a minute tooth mark near the button that I wanted to remove so I was using Steve Laug’s technique of applying heat to the indentation to raise the dents. Usually I do this after I have removed the oxidation and work on a clean stem. This time however, for who knows what reason the stem had not been clean at all and was an oxidized mess. To raise the tooth dent I applied the heat from a BIC lighter with the flame 1/2″ from the stem. The indentation lifted…AND THE OXIDATION DISAPPEARED! Wow! I could not believe my eyes so I continued for the length of the stem and it worked – the oxidation was gone. I used short strokes with the flame of the lighter and wipes with a wet paper towel. After each wipe the paper towel came out with yellow stains. This seemed too good to be true. Out came my jewellers’ loupe for closer examination. I had to see this close up and personal. Under the magnification I could see that the heat had evened out the surface of the vulcanite and pitting and oxidation were gone. There was only BLACK vulcanite. I stayed up until one o’clock in the morning sanding the stem up through 8000 grit micromesh. I left the waxing until this morning. This stem now looks like it did when it left the factory over 60 years ago. I was and still am amazed at the results. I had to try it again this morning on a Stanwell stem. I used the same technique with the lighter and the wet paper towel. I used a lot of caution around the logo, covering it with a wet paper towel to protect it while heating with the lighter). It took only ten minutes to clean the stem of the oxidation! What a difference in the amount of time it took to clean this stem. It is cleaned and now ready for sanding and buffing. I tried it on a third stem. I moved over the stem with the lighter, six seconds per inch of stem, before wiping with a wet paper towel. Again the towel came out with the yellow colouring of the oxidation and all that remained behind was the black vulcanite. Each of the three stems took little time to clean and all that remained to finish them was to sand and smooth and then buff and polish.” Here are just a few important pointers that Rob and I have learned in the process:

  1. Do not leave the flame in one spot, keep it moving – burning vulcanite stinks and you will ruin the stem.
  2. Use a slow 1″ side to side sweep with the flame half an inch below the stem. Repeat until the stem is completely black and then sand.
  3. As the flame moves across the surface there is a light sulfur smell that is given off as the oxidation burns.
  4. In sanding the stem use a variety of grits of sandpaper (400 and 600 grit wet dry and higher grits if you choose) then micromesh pads or paper (1500, 1800, 2400, 3200, 4000, 6000) before buffing with Tripoli and White Diamond. I have also used 0000 steel wool and found that it is a good first step before the wet dry sandpaper is used.

A New Polishing Tool (at least to me)

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I received an email advertisement from Stewart-Macdonald the same company that sells black super glue. In it they were talking about a new product that is used in the guitar making industry. I have found that several of the tools and sanding blocks etc. work very well in refurbishing pipes. These particular tools are called Fret Erasers. They are flexible self-padded rubber blocks embedded with abrasive grits. They were being billed as “incredibly handy, to erase fine file marks and scratches”. The grits are color-coded for convenience. The ad went on to say that they polish the frets to a high gloss shine.

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They come in coarse, medium, medium fine, fine and extra fine. I ordered a pair of the two finest grits to try out in my work on stems. My expectations were that they would exceptionally well up against the angles of the button at the end of the pipe stem and also very well around inset logos and medallions. The edges are square and the block fits well in the hand and can be held against the angle of the button easily. I have sanding wedges and small sanding blocks that I used to work with around the button and always fought them a bit to keep the sand paper from slipping or getting worn thin at the crease. This product does not have that problem and they leave behind no sandy grit or particles of steel wool (as the advert promised).

I put them through their paces on the last batch of stems that I cleaned up and they worked nicely and left a smooth shiny surface. In my experimenting with them I used them between the wet dry sandpaper and the micromesh pads. I left the final polishing to the higher grits of micromesh pads. I also used them around the BBB Diamond and the GBD rondelles and they were easily maneuvered around those without compromising the relief of the stamping. I also want to try them around stamped logos and see how well they work. In the future I plan on using these two blocks in place of the 4000 and 6000 grit micromesh pads for the final polishing before I buff them on the wheel.

Here is the link to the Stewart-Macdonald website and the Fret erasers.
http://www.stewmac.com/npa/0472?utm_…_0472_20120423

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Anybody else ever used these?

 

 

 

 

Refurb on an Old BW Dog with Bling

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This one is another mystery to me. Because I am always picking up these old timers I have a habit of researching out as much information as I can once they have arrived and I can see the stamping and hallmarks up close. This one bears the hallmarking of the Anchor which tells me it is made or assayed in Birmingham, the Lion which tells me it is Sterling silver and the date letter that though worn looks to be a capital E which would date it as an 1850 pipe. That is as close as I can tell to the date and time frame for this old timer. There is also a Makers Mark in the silver stamped BW and the briar of the pipe is also stamped BW. I cannot find any information on that maker in all of my searching so that is where it stands. If anyone reading this can shed light on the initials and what they may refer to I would deeply appreciate it. Until then I have a nice old bulldog from 1850 that smokes exceptionally well and it is a mystery regarding its maker.

When the pipe arrived it was in rough shape. The silver was very tarnished and dull looking. It was also scratched and much worn in places. The bowl had a very spotty finish with just the remnants of the original stain. The rim was tarred and the bowl heavily tarred and caked. The stem is made of some amberoid substance or may be Bakelite. It seems to be a softer material than the hard Bakelite. It has a bone tenon that was over turned so the stem was off to the side. The button also has an orific hole in the button instead of the newer slotted button.

I reamed the bowl and cleaned it with Isopropyl alcohol and many pipe cleaners and cotton swabs. I sanded the bowl to remove a bit more of the cake and take it back to the wood. I then put the bowl in an alcohol soak to remove the remnants of finish and the grime that was worked into the surface of the pipe. Once I removed it from the alcohol bath I re-stained it with Cherry stain. The stem was crackled a bit – lots of tiny spidering all over the surface so I did not want to chance using alcohol on it as it can cause more spidering and cracking. So I cleaned it with Gojo an all purpose hand cleaner with grit suspended in liquid soap. I ran it through the stem repeatedly to remove the tars and grime inside the airway. When it was clean I rinsed it with warm water to remove any residual soap. I sanded the tooth chatter and used my needle files to recut the button as it was pretty worn. I sanded and polished the stem with micromesh pads 1500-6000 grit as is my usual practice. I also heated the bone tenon with hot water and readjusted the fit to the shank. Upon completion of the refurbishing above the pipe and stem were given a final buff with carnauba wax. I also gave the black leather pipe case a cleaning with leather renewer and a coat of wax as well.

Here is what it looked like when I got it from EBay

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Here is what the pipe looks like today

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Refurb on an old Morell Mackenzie Bent

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Blog by Steve Laug

Yes a Morell Mackenzie. That is how the pipe is stamped and I had no idea what I was dealing with. I have a thing for collecting late 1800 and early 1900 pipes so when this one came up on EBay I just naturally hit the bid button. When it arrived I decided to do a bit of research on it and uncovered the following information. This is taken from a paper on BBB pipes by Jacques Cole:

“Probably one of the first filter pipes (paper filter) was the BBB “Sir Morell Mackenzie‘. That this pipe was made before 1900 is shown by a letter dated August 27, 1891 from Sir Morell Mackenzie regarding these models with longer mouthpieces. The brand survived into the 1960s.”

That is pretty clear information and fascinating as well. I had no idea of the time frame of the introduction of the paper filter in pipes. But this is a nice little pipe. It has the orific button on the mouthpiece (the round hole instead of the slotted airway). It is also a military mount stem. Inside there is a reservoir for the paper filter to sit in. It has a sterling silver shank cap and is stamped Morell Mackenzie. The briar is a nice flame grain and the bowl is well done and well drilled.

I cleaned out the reservoir and the airway to the bowl. Took a bit as I had to work a paper clip through the airway and then a shank brush and finally bristle and fluffy pipe cleaners. The shank and reservoir are now clean!! The stem was an interesting proposition. It was pretty clean as it is built to hold the other end of the paper filter. I cleaned and swabbed it out. The stem needed to be sanded to remove tooth chatter and oxidation. Then I sanded with micromesh pads and buff with Tripoli, white diamond and finally carnauba.

Here are pictures of the pipe before the cleanup:

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Here it is after the refurbishing

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GBD 9438 Tapestry Refurb

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Blog by Al Jones

I am truly honored that forum owner, Steve, asked me to write a guest article on his wonderful blog. Just a little over one year ago, I made the transition from occasional cigar smoker to an avid pipe smoker/collector. Pretty early on, I discovered that access to better quality pipes could be had through the estate market. It was also about that time I found the SmokersForums.uk forum and quickly made that venue my go-to spot for pipe information. While reading the “Restoration & Maintenance” section, it became apparent to me that even finer estates could be found if I was willing to put in a little elbow-grease and restore them. If one reads the “Stickies” in that section, pipe restoration techniques can be quickly learned thru contributions from professionals and amateurs. I was fascinated and dove in.

My tools evolved from simple sandpaper and some buffing wheels mounted in a hand drill to a bench mounted buffer, micromesh sanding papers, reamers, needle files etc. Making some of the tools to save a few bucks was all part of the fun and learning process. I favor Vulcanite stems, so occasional maintenance will be a part of my pipe smoking experience.

Due to my Welsh heritage, I’m a big fan of anything British, primarily cars and motorcycles. So, it seemed natural to be attracted to the classic shapes produced by the British masters. I’m a fan of GBD brand pipes and those estates can be readily found at reasonable prices thru Ebay, etc. The 9438 Author shape is a particular favorite and I have several models of that shape. The pipe I chose to document in this article is in Tapestry finish. I was intrigued by the turned stem and after a little research, I found it was a “chair-leg” stem used on certain Tapestry models. My joy in finding this pipe quickly evaporated when I opened the box and saw the level of oxidation on the many curves and crevices. I tend to purchase estates with saddle stems, but this one ramped the difficulty notch up significantly. Indeed this stem proved to be the most difficult I’ve encountered.

Some “before” shots of the pipe:

Typically, it takes me about an hour or so to restore a stem. This one took nearly twice that long. Fortunately, the previous owner had left no teeth indention issues to resolve. I soaked the stem in a mild Oxyclean solution as the first step. In badly oxidized stems, I think this step pays off in removing oxidation from the inside of the stem as well. Next up, I used some 1500 and than 2000 grit wet paper until the brown was removed. Getting oxidation from the chairleg creases was frustrating and finger aching. I almost gave up at one point, but sitting the project down for a few hours strengthened my resolve. I’m always eager to smoke an estate I’ve cleaned up, so there is always that pot at the end of the rainbow. I found wrapping the sandpaper around a thin kitchen knife allowed me to get the oxidation from those thin crevices. Next up, was a polish with each of the final four grades of “micromesh” (4000, 6000, 8000 and 12000). Micromesh comes in pads and sheets. I found the larger, 6” x 2” sheets last longer and are easier to fold into creases, etc. Following the micromesh, the stem had a deep, black shine that I enjoy on my mostly Vulcanite stems.

The next step was to buff the stem lightly with some White diamond and then “Blue Magic Plastic Polish”, each product getting it’s own cloth wheel. The Blue Magic product is made for the automotive industry and available at most autoparts stores (Megiuars also makes a similar product). Some folks are adverse to putting an automotive product on their stems, but so far, I’ve found no adverse tastes, etc. I do think the product helps “seal” the Vulcanite as oxidation seems to either not occur or very slowly. James Upshall pipes are noted for their fast oxidation, but so far my restorations using this product has kept my collection shiny. I also gave the pipe a light coat of “Obsidian Stem Oil”.

The bowl wasn’t in bad shape, but had the usual tobacco/tar buildup on the bowl top. I used my Castleford reamer set to remove the thin cake than soaked the bowl with Sea Salt and Everclear for a few hours. This was done while I was working on the stem. Following the soak, the draft hole was thoroughly cleaned with a series of bristle pipe cleaners soaked in Everclear. I’ve had success eliminating ghosts by cleaning this area of the pipe until the cleaners come out nearly white. I gave the bowl a light buff on the wheel with some white diamond, then Carnuba wax. A hand polish with Paragon wax completed the briar clean up. The wood on the bowl top was a little lighter in color, but I knew smoking it would even out and darken that area. (plus I was not looking forward to prepping and staining the mixed “Tapestry” finish..)

The completed pipe:

It may be a combination of the pipe shape and the effort required to refurbish it, but this particular pipe has become a favorite. I swore that I’d never purchase another chairleg stemmed pipe, but won an Ebay auction last night for another GBD Tapestry pipe with a chairleg stem……

Smoke safe!
Al Jones

Stem Bite through repair – Savinelli Punto Oro Prince

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Blog by Steve Laug

I picked up this little Savinelli Prince because I really like the shape of the pipe and the spigot style stem. I bid knowing full well that the stem had a bit through on it. Once it arrived I could have replaced the stem but decided to do a stem patch on it. The pipe itself was in great shape other than the bite through near the button on top of the stem. The underside of the stem was clean with no tooth marks or chatter. As I examined it I also noticed that the previous owner seemed to have done a halfway patch on it and in the process had broken a chunk out of the button and repaired with white glue. The white glue may have been applied by the seller to keep the pieces together while he sold it. I will never know for sure, but the glue would not hold for long as it is water soluble. The two pictures below show the extent of the damage in the stem and give a good idea of the state of the pipe as a whole. It was a great pipe with some unfortunate damage to the stem.

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I cleaned off the broken chunk with a dental pick, which was surprisingly easy and makes my above assertion about the seller doing a quick patch up more likely. I cleaned off the debris on the chunk (it was not very big, but was an essential piece of the button). I washed it with Isopropyl alcohol. Then I re-glued it with clear super glue. I purposely over filled the crack and pushed the piece in place until it held. I would sand off the excess glue once I had dealt with the bite through on the stem.

The bite through was a mess as well. There was oxidation in the hole as well as some built up dust and dirt. I picked the hole clean with the dental pick (by now you know that this is one of my indispensable tools in the refurbishing process). I wiped it down with a cotton swab and Isopropyl alcohol to get a good clean hole. By this point it was black and clean. I used a small round needle file to clean up the rough edges on the hole as I wanted a solid surface to work with. I washed it yet again with the alcohol to remove the grit from filing.

This time, instead of using the greased pipe cleaner in the slot I used a small nail file that fit the slot perfectly and gave a base to the glue. The hole was too big for just a pipe cleaner to provide the coverage. I greased both surfaces of the file and inserted it in the slot in the button. I gradually built up the hole with repeated applications of super glue. I let the layers dry before adding a new coating of glue. I have found that if I build it slowly around the edges it gives a better repair. Once it was built up I over filled the hole to make sure it is well covered and the hole is no longer visible. On this particular pipe I used clear super glue because I was out of the black super glue. Both versions work exceptionally well but the black has the benefit of being the same colour as the stem and is a little less visible.

After the glue was dried I used the flat blade needle file to rework the button back into shape and give it the nice sharp edges that it should have. I sanded the stem smooth, removing the excess glue and the roughness of the glue. I went on to sand it with 400 and 600 wet dry sandpaper and a bit of water to remove the scratches left by the 240 grit paper. Then I used the full range of micromesh pads, 1500, 1800, 2400, 3200, 4000 and 6000 grit to smooth it out. As usual I had a bowl of water near at hand to dip the pads as I sanded and to wash them of the slurry that comes as I sanded. Once they were smooth and shiny, the last three grits of micromesh really do a nice job giving the stem a sheen, I took the pipe to my buffer I finished it with White Diamond polishing compound.

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I have been asked in the past how long the stem patches hold up and the durability of the patch. I have no long term proof of their durability but I have had this pipe for about two years and have smoked it quite a bit and the patch shows no sign of giving way. I clean it as I would any other pipe with pipe cleaners after use and then periodically breaking it down to give it a thorough cleaning inside and out. I would say that is a pretty good track record for a patched pipe. Time will tell but in the meantime it is very smokeable and looks great in my opinion.

 

 

Rebuilding a Button on a BBB Bulldog

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Blog by Steve Laug

I picked up this older BBB Bulldog on EBay because I liked the shape of it. The bowl definitely needed some work as the lava had erupted over the front rim and down the contours of the pipe. The pictures below show the state of the bowl when it arrived. But that was not why I am writing about this pipe. That kind of refurbishing is part and parcel of buying older pipes on EBay. They always are pretty much in the state that this one was in. All of them require the same kind of procedures to clean them up and return them to a state of readiness for the new owner. But have a look at the button on the last three pictures below. It was virtually gone. I could have fit a new stem on the pipe but I wanted to retain the brass BBB logo and did not want to move it to a new stem. I also wanted to try to build up the button and see what I could do with it.

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I have used Super Glue or Krazy Glue to repair bite throughs in the stem but had not use it to do repairs this extensive. I love the process of trying to devise a workable fix and so I decided to give it a go. I greased a fluffy pipe cleaner with olive oil and inserted it in the airway at the button. I do this so that the glue does not fill the airway and grease it so that the pipe cleaner is not a permanent feature of the stem as the super glue will stick to anything including your fingers if you get it on them. (By the way there is a solvent that is available should that happen to you.) The surface of the button was dirty and oxidized so I cleaned that with my dental pick and some acetone. I clean the surface before putting in the glue. I also sanded it to roughen the surface so the glue would bond well. In the top picture of the stem you can see that the top of the button is indented and the lip is worn smooth. The second stem photo shows the underside and you can see the major dent that needed work and the lip that was pretty well gone. I filled the hole on the underside first so that it would bond. Then I gradually built up the dent, letting it dry between applications of the glue. I believe it took 5 or 6 applications of the glue. Once it was filled I added more to build it up so that I could re-cut the button. In the picture below the patch is clear. It is a very rough surface but it is ready for the sanding and filing that will go into restoring the stem to normal. I built up the deep dent and also built up the missing portion of the button. On the top side of the stem I also built up the button in the same fashion.

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I set the stem aside to dry until the glue patch was very hard and turned my attention to the bowl. You can see in the pictures below that I took off the lava and tars on the top and cleaned the inside and outside of the entire bowl. By the time I was finished with the exterior of the bowl and shank and cleaned out the bowl and the inside of the shank with pipe cleaners and a reamer the stem was ready to work on. I reassembled it for the picture below.

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You can see from the two profile pictures above that the button is present once again. The idea is to build up the end of the stem to the degree that the profile shows the button as it would have been on a pipe of this age. It took a layering process with the super glue to get it to the point it is in the above pictures.

The two photos below show the bottom of the stem as I worked on it with the files and the sandpapers. I used my small files, both the flat and the wedge file to cut away the material that I had built up to give a sharp button edge as differentiated from the surface of the stem. In the first picture you can see the initial cuts and the smoothing that I did to the surface of the stem with the files. I used 220 and 240 grit sandpaper to remove the rough surface of the glue on the stem and bring it to the right profile. The glue is very hard and it takes quite a bit of sanding to smooth it out. In the second picture you can see the final shaping that was done to the button and the surface of the stem is once again smooth. From this point all that remained was to sand it with 400 and 600 grit wet dry sand paper and then use the micro-mesh pads 1500, 1800, 2400, 3200, 4000 and 6000 grit on the stem. As usual I kept a bowl of water next to me to keep the pads wet as I sanded the stems. Each progressive grit polished the stem and button to a more clean and shiny stage. I also reworked the surface of the entire stem. Once that was done I took it to the buffer and used the Tripoli buff followed by the White Diamond buff to bring it to a sheen.

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The last three pictures show the finished pipe – both the bowl which had been cleaned and polished with White Diamond and a light touch and then finished with some carnauba wax to complete it. The stem is completed in terms of bringing back the button and the stem profile. The area around the logo on the stem will need to be worked on with the edges of the micro-mesh pads to get in close and remove the remaining oxidation. Then the entirety will need to be lightly buffed and waxed. The main reason I posted these pictures is to show that the profile is now clear and the new button is clearly visible. The last picture shows the top of the stem and the button is clearly visible. There is a bit of oxidation in the button that I will need to work on with the pads as well but at least the old BBB Bulldog is now very smokable.

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Lifting Tooth Marks from a Lucite Stem with a Heat Gun

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A normal pattern of behaviour for me in my refurbishing work is that once I figure something out that works on one kind of material I want to try it on a variety of similar items. In this case once I had used the heat gun to lift the tooth dents on a vulcanite stem I wanted to experiment with Lucite stems. I had no clue whether it would work or even if Lucite had some kind of memory that would bring the dents back to a smooth surface on the stem. There was only one way to find out since I could find no answers online and that was to give it a try. I figured the worst that could happen if I was careful was that the stem would remain the same – dented or a bit melted and I would have to do a different kind of repair. I had a nice little Stanwell bulldog that was given to that had a Lucite stem that had some tooth dents in the stem – just ahead of the button. There was one dent on top and one underneath.

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The two pictures below show the depth of the marks (Again I ask your forgiveness the poor quality of the photos, several of them are a bit blurry but I think that they give you a good idea of the nature of the problem. The dents look far worse in person than the pictures show). The top photo shows the top of the stem and the second photo the underside. I decided to continue my experiment with lifting the tooth dents with my heat gun on this Lucite stem as it seemed like a good candidate for the trial.

I personally like working with a clean surface when I am doing this kind of work so I scrubbed the tip to clean it of any grime or grit that might be in the dents. I used a soft cloth dampened with Isopropyl alcohol to clean the surface then I buffed it with a quick light touch on a White Diamond wheel.  The pictures below show the stem just before I used the heat gun on it. You will see in the photos that there are small pits close to the button as well as the larger dents on both sides. The crevice between the button and stem body also has some scratches that would need to be sanded out once the tooth dents were dealt with.

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As I explained in the post on the vulcanite stem I once again stood the heat gun on its end pointing upward. I used the wire stand built into the handle to stabilize the gun in this position (see the picture previous post on lifting tooth marks from vulcanite). I wanted to be able to have both hands free to maneuver the stem over the heat so having the gun positioned in this manner allows me to do that. I set the heat gun on low heat as before because I did not know how the heat would affect the Lucite. I have found that high setting can too easily burn the vulcanite so I was assuming the same thing would be true of the Lucite.

I worked the stem over the heat keeping it about 4-6 inches above top of the gun tip as it allows it to thoroughly heat the Lucite. I move the stem constantly back and forth across the heat. I kept the stem on the pipe as before and used the bowl as a handle. In this instance I worked to just keep the first 3/4 inches of the stem from the button forward in the heat. I stopped frequently to check on the progress and see if there was any blistering on the stem. It took a bit longer for the heat to work on the Lucite. I think it must be the density and hardness of the Lucite that makes the difference. With the application of heat the Lucite began to return to its original smoothness. I kept the heat on the stem until all the dents were gone. The reason I believe the process worked was because the dents in the Lucite were not cuts in the surface but actual dents. The application of the heat did the trick.

Once the surface was smooth I took it off the heat and cooled it the same way I did the vulcanite. I did not want the stem to bend accidentally while it was soft so I dipped the tip in some running cool water to set the new surface. I dried off the tip and then sanded the area with 400 and 600 grit wet dry sandpaper (with water on the stem as I sanded) and then moved through the grades of micromesh pads – 1500, 1800, 2400, 3200, 4000 and 6000 grit. By the 3200 grit micromesh pad I found that the Lucite was beginning to have a smooth and glossy finish. The sanding with the final two grades of the pads really polished the stem and gave it the glassy finish that polished Lucite has. I finished by giving it a final polish on the buffer with White Diamond polishing compound and a coat of carnauba wax.

Here are some pictures of the top and the underside of the finished stem.

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Refurb on an Old “The Regent” – fit a horn stem

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Just finished up with this pipe. I had a lot of fun with this one! It is an old horn shaped pipe. It is stamped The Regent and has a sterling silver band on it. The hallmarks are the reclined lion (sterling silver) the Anchor (Birmingham) and a mystery stamp – a five point star (no date sign like that on the British sterling sites). I was reading in Gary Schrier’s Calabash book this evening and came across a calabash with the same hallmarks. He said it was a Faux Birmingham made pipe. The calabash he had was a Manhatten made in New York City. The question is do I also have a Faux Birmingham pipe??

It was dirty and I reamed and cleaned the bowl and shank. It had a thick cake and a bit of cob webs in the bowl and shank. It also did not have a stem. It came to me as a bowl without a stem. I had an old horn stem in my can of scavenged pipe parts that was that right shape and whose tenon fit perfectly. It was about a 1/4 to large in diameter. I used my dremel to bring it close to a fit and then sanded it until it was a perfect fit. While I worked on it I removed the silver band in order to get the stem fit to be flush with the briar. When I was finished with the fit I polished the horn stem until it glowed with 400 and 600 girt wet dry sand paper, micromesh pads up to 4000 grit and then Tripoli and white diamond. Then I reset the band with a bit of superglue and then put on the stem and gave the silver a polish and the pipe a buff.

I have included a pic of the stem first to show you the look of the beautiful old horn stem. It has an orific button (single round hole in the button). It seemed to match the age of the pipe in terms of look.

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The rest of the pics are of the finished pipe. Thanks for looking.

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