Tag Archives: Stanwell Pipes

What an incredible beautifully grained Ivarsson Design Danish Made Stanwell 75


Blog by Steve Laug

It is a cold day, but still sunny here in Vancouver and I decided to work on another pipe that was purchased on 01/26/2023 in a lot of pipes that came to us from Copenhagen, Denmark. This is a Danish oval shank Freehand with a smooth finish and great grain. It is another Made in Denmark Stanwell. The smooth finish on this pipe, around the bowl and shank has a mix of flame and straight grain highlighted by the rich brown stain. The pipe is stamped on the underside of the shank next to the silver band and reads STANWELL [over] Made in Denmark. On the underside mid shank, it is stamped with the shape number 75. The end of the shank sports a silver band that is decorative. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish. The mixture of brown stains highlights some beautiful grain under the dirt. The bowl was moderately caked and there was an overflow of lava on the smooth rim top. The inner edge looked quite good. The stem is vulcanite and was dirty, oxidized and had light tooth marks, chatter on both sides ahead of the button. There is an inlaid silver crown S logo on the top side of the taper stem. Jeff took photos of the pipe before he started his clean up work. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the lava coat on the rim top and the cake in the bowl. The inner edge looks to be okay. He also took some of the stem to show the condition of both sides. The photos of the sides and heel of the bowl show the uniquely stained grain around the bowl and shank. The mixture of brown stains adds depth to the finish on the pipe. Even under the grime it is a real beauty. The stamping on this one was on the underside of the shank and is shown in the photo below. It is clear and readable as noted above. You can also see the silver inlaid crown S on the top of the saddle stem. Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the line. I turned to Pipephil to see if there was any listing on the Stanwell pipes with a simple silver band (http://pipephil.eu/logos/en/logo-stanwell.html). There was nothing listed.

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand.

There was also a link to a shape article by Bas Stevens that I originally published on rebornpipes. I looked up the 75 shape number to see who had designed that shape and there was nothing there (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). The shape 75 is described as a Freehand, slightly bent, oval stem and mouthpiece, by Sixten Ivarsson.

Now it was time to work on the pipe. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here in Vancouver. I took close up photos of the bowl, rim and the stem. The rim top and inner edge cleaned up very well. There was some darkening on the left side and backside of the rim top. The stem looks clean but still has light tooth marks and some chatter as noted above.I took photos of the stamping on the shank. The stamping is readable as noted above. I took the stem off the shank and took a photo to give a sense of the flow and proportion of the pipe. It is a beautiful looking Freehand. I started my work on the pipe by polishing the bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I polished the silver band on the shank end with a jewellers cloth. It works to remove the tarnish and oxidation and also protects the surface from further tarnishing.I set the bowl aside and turned my attention to the stem. I polished the vulcanite stem surface and repairs near the button with a new product I am using. I ordered a set of 2 inch sanding pads for 320-3500 grit sanding pads from Amazon. They work amazingly well and are easy to manage and sand close to the sharp edge of the button.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set it aside to dry.This Ivarsson Design Stanwell Made in Denmark 75 Freehand with a vulcanite taper stem is a great looking pipe and really looks like an S. Bang shape. The mix of stains once cleaned up really highlights the grain and the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Made in Denmark 75 Freehand fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 40 grams /1.41 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us. 

Restoring another Truly Elegant Danish made Stanwell Brass Band 56 Canadian


Blog by Steve Laug

It is a cold but sunny day here in Vancouver and I decided to work on another pipe that was purchased on 01/26/2023 in a lot of pipes that came to us from Copenhagen, Denmark. This is a classic Danish Canadian with a smooth finish and an oval shank. It is another Made in Denmark Stanwell. The smooth finish on this pipe, around the bowl and shank has a mix of grain highlighted by the rich brown stain. The pipe is stamped on the topside of the shank and reads STANWELL [over] Brass [over] Band. On the underside it is stamped with the shape number 56 [over] Made in Denmark. The end of the shank sports twin brass bands sandwiching a Cumberland acrylic spacer. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish. The mixture of brown stains highlights some beautiful grain under the dirt. The bowl was moderately caked and there was a moderate overflow of lava on the smooth rim top. The inner edge looked quite good. The stem is vulcanite and was dirty, oxidized and had light tooth marks, chatter and scratches on both sides ahead of the button. There is an inlaid brass crown S logo on the top side of the taper stem. Jeff took photos of the pipe before he started his clean up work on it. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the lava coat on the rim top and the cake in the bowl. The inner edge looks to be okay. He also took some of the stem to show the condition of both sides. The photos of the sides and heel of the bowl show the uniquely stained grain around the bowl and shank. The mixture of brown stains adds depth to the finish on the pipe. Even under the grime it is a real beauty. The stamping on this one was on the underside of the shank and is shown in the photo below. It is clear and readable as noted above. You can also see the brass inlaid crown S on the top of the saddle stem.Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the line. I turned to Pipephil to see if there was any listing on the Brass Band Line (http://pipephil.eu/logos/en/logo-stanwell.html). There was nothing listed.

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand. There was also a catalogue page courtesy of Doug Valitchka that showed the line. I have included that below.There was also a link to a shape article by Bas Stevens that I originally published on rebornpipes. I looked up the 56 shape number to see who had designed that shape and there was nothing there (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). The shape 56 is described as a Canadian with a tapered stem.

Now it was time to work on the pipe. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here in Vancouver. I took close up photos of the bowl, rim and the stem. The rim top and inner edge cleaned up very well. The stem looks clean but still has light tooth marks and some chatter as noted above.I took photos of the stamping on the shank. The stamping is readable as noted above. I took the stem off the shank and took a photo to give a sense of the flow and proportion of the pipe. It is a beautiful looking Danish Canadian.I started my work on the pipe by polishing the bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I set the bowl aside and turned my attention to the stem. I polished the vulcanite stem surface and repairs near the button with a new product I am using. I ordered a set of 2 inch sanding pads for 320-3500 grit sanding pads from Amazon. They work amazingly well and are easy to manage and sand close to the sharp edge of the button.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad.I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set it aside to dry. This Stanwell Brass Band 56 Canadian with a vulcanite taper stem is a great looking pipe and really looks like an S. Bang shape. The mix of stains once cleaned up really highlights the grain and the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Brass Band Canadian 56 fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 35 grams /1.23 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us. 

A Restored Stanwell Made in Denmark Black n’ Silver Lovat 98.


Blog by Steve Laug

I moved on to work on another pipe. The next one I chose was another Stanwell in a Pipe Sock that came to us from our connection in Copenhagen, Denmark 01/26/2023. The stamping on the pipe was very clear and readable. On the underside of the shank it is stamped ahead of the black and silver band and reads Stanwell [over] Made in Denmark [over] Black ‘n [over] Silver. the right side of the shank it is stamped with a shape number 98 mid-shank. The end of the shank had a combination silver and black fancy band on it. The stem had a brass Crowned “S” Stanwell logo inlaid on left side of the saddle stem. The bowl had a moderate cake and there was some lava, dust and debris on the rim top and inner edges. The finish was in okay condition with oils and grime ground into the briar around the bowl sides. The acrylic stem has light tooth marks on the top and a bite through on the underside next to the button. It showed a lot of promise through the grime. Jeff took photos of the pipe as he saw it at this stage of his clean up. Jeff took photos of the bowl and the rim top to show their condition. You can see the moderate cake in the bowl and the heavy overflow of lava on the top and the inner edge of the bowl. It is hard to know the condition of the inner edge because of the lava coat. The stem is also shown in the photos and you can see the bite through in the underside of the stem in the third stem photo below. He took photos of the sides and the heel of the bowl to show the amazing grain that stands out through the grime on the finish. It is a beauty!      He took photos of the stamping on the underside of the shank. It is clear and readable as noted above. He also took a photo of the band and Crown “S” logo on the stem side. There was not much information available on the Black’n Silver Line but I did find a listing on Google when I searched. Smokingpipes.com had on listed that was an Ivarsson design billiard (https://www.smokingpipes.com/pipes/estate/denmark/moreinfo.cfm?product_id=284389). I have included the description below:

We see it here in the ‘Black N Silver’ series, with a smooth, walnut finish, along with a neat, metal-accented jet-black stem. There are some dings and scratches around the bowl, but otherwise condition is good.

The best I can determine is that the Black ‘n Silver stamp refers to the colour of the band on the shank end. It has a combination of a black and silver pattern on the surface. Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took photos of the bowl and rim top as well as the stem to show how clean they were. You can see that rim top and edges look very good. There are some darker spots on the rim top that should come off with polishing. The stem is clean and there are tooth and chatter on both sides ahead of the button. On the underside of the stem there is a small bite through and wear that is visible in the photo.I took photos of the stamping on the sides of the shank and on the brass plaquette. The stamping is clear and readable. I removed the stem from the shank and took a photo to give a sense of what the pipe looked like and also what the band was like on the shank end. I decided to switch things up a bit on this pipe. I started with the repair to the bite through on the underside of the stem first. I greased a pipe cleaner with Vaseline and inserted it into the slot under the bite through. This prevents the repair from seeping into the airway. I filled in the hole and wear around it with black CA rubberized glue. I filled in the tooth marks next to the button on the top side at the same time. I set the stem aside to let the glue cure. I sprayed it with an accelerator and removed the pipe cleaner from the airway. The airway was clear and the airflow was perfect.Several hours later I came back to the stem. The repair had cured and I used a small file to flatten out the repaired areas on both sides. I further smoothed out the repairs with a folded piece of 220 grit sandpaper to blend them into the surrounding surface area. It was looking much better at this point. I polished the vulcanite stem surface and repairs near the button with a new product I am using. I ordered a set of 2 inch sanding pads for 320-3500 grit sanding pads from Amazon. They work amazingly well and are easy to manage and sand close to the sharp edge of the button.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil.I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set the stem aside and turned my attention to the bowl. I started my work on the pipe by polishing the briar with 1500-12000 grit micromesh sanding pads. I wiped the bowl down after each sanding pad with a damp cloth. I polished the black and Sterling Silver band with a jewellers cloth to restore the shine and remove the tarnish. It really glows now. I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I am excited to put the finishing touches on this unique Stanwell Made in Denmark Black’n Silver 98 Lovat. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with microfiber cloth to deepen the shine. It is fun to see what the polished bowl looks like with the brass plaquette and the polished vulcanite stem. This Stanwell Black’n Silver 98 Lovat is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.20 ounces/34 grams. It is a beautiful pipe and one that I will be putting in the Danish Pipemaker Section on the rebornpipes store. Thanks for walking through the cleanup with me as I worked over this pipe.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us. 

Breathing New Life into a Danish Design Stanwell Royal Guard 32 Bulldog


Blog by Steve Laug

The rain has stopped for the moment here in Vancouver and I am up early so I decided to work on another pipe that was purchased on 01/26/2023 in a lot of pipes that came to us from Copenhagen, Denmark. This is a classic Danish Straight Bulldog with a mixed finish and a diamond shank. It is another Danish Design Stanwell. The finish on this pipe is smooth and almost a matte finish. The brown stains highlight grain. The pipe is stamped on the left underside of the diamond shank and reads STANWELL [over] Danish Design [over] Royal Guard in script. On the right underside of the shank it has the shape number 32 stamped. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish. The mixture of brown stains highlights some beautiful grain under the dirt. The bowl was moderately caked and there was an overflow of lava on the smooth rim top. The inner edge looked quite good. The stem is acrylic and was dirty and had light tooth marks, chatter on both sides ahead of the button. There is a stamped white crown S logo stamped on the top side of the diamond saddle stem. Jeff took photos of the pipe before he started his clean up work on it. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the lava coat on the rim top and the cake in the bowl. It is interesting that the bowl bottom is clean. The inner edge looks to be okay. He took photos of the stem to show the condition of both sides. The photos of the sides and heel of the bowl show the uniquely stained grain around the bowl and shank. The mixture of brown stains adds depth to the finish on the pipe. Even under the grime it is a real beauty. The stamping on this one was on the underside of the shank and is shown in the photos below. It is clear and readable as noted above. You can also see the white stamped crown S on the top of the diamond saddle stem. Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the line. I turned to Pipephil to see if there was any listing on the Danish Design Royal Guard Line (http://pipephil.eu/logos/en/logo-stanwell.html). There was nothing listed.

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand. But there is nothing specific on the Danish Design Royal Guard.

I did a Google search for the Danish Design Royal Guard 32 Bulldog. I wanted to find out why the additional stamp “Danish Design” was present. I found a listing on smokingpipes.com that I am including below.

Stanwell’s “32” Bulldog is an old shape, given a bit of a revamp back in the 1990s by Tom Eltang. The plumper style of bowl works wonderfully with the hard lines of the diamond shank, and its overall compact size makes it an easy choice when searching for that smoker to take with you wherever you go.

That pretty well captured the description of the pipe I have in my hands.

There was also a link to a shape article on Pipedia written by Bas Stevens that I originally published on rebornpipes. I looked up the 32 shape number to see who had designed that shape (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). I quote that below

  1. Two versions of this shape number:
    a) Straight bulldog with a saddle stem; Stanwell’s first pipe shape (originally designed in 1942).   
  1. b) Bent Dublin-strawberry hybrid with a rounded rim and saddle stem, by Sixten Ivarsson. Redesigned by Tom Eltang in the early 1990s.

Further down the article there was this note on the shape 32a. I quote it below:

32: Poul Stanwell’s 32(a), the first shape designed for Stanwell, a classical straight bulldog, released in 1942. It was reworked by Tom Eltang and given a facelift in the 1990s.

Somewhere along the way in my reading I came across discussions on when the stamping changed from Made in Denmark to Danish Design. It is linked to the move from Denmark to Italy. I did a bit of searching for where I may have come across the information and found this discussion on Pipesmagazine Forum (https://pipesmagazine.com/forums/threads/italian-stanwell.20233/). There was discussion on the change in locale and the change in stamp. I quote some sections of the discussion below.

Brief summary of Stanwell:
1942-1982 the family era
1982-2003 Rothmans International (absorbed by British American Tobacco in 1999)
2003-now Scandinavian Tobacco Group
Italian produced pipes began 01/01/10.

Essentially the whole issue boils down to perspective, either that of a pipe-collector or a pipe-smoker.

The pipe-collector is very interested in nomenclature, as well as timeframes of production periods. Such is the case with Pre-Transition Barling’s or Pre-Lane Charatans. There’s also a romantic side on the emotive level which invests heavily in tradition and mystique. These are important considerations of course, but has not much to do with the actual smoking qualities of the pipe itself.

The pipe-smoker simply wants a well-performing pipe and in this case I’d say the Danish Design pipes are pretty close to equal with the final years of Stanwell production, what I call the “decal era”.

Now I knew that the pipe was made after the move to Italy. It was an Italian Made Stanwell that came out after 2010. Now it was time to work on the pipe.

Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here in Vancouver. I took close up photos of the bowl, rim and the stem. The rim top cleaned up very well. There is some slight darkening and some nicks on the smooth rim top. The stem looks clean but still has light tooth marks and some chatter as noted above.I took photo of the stamping on the undersides of the diamond shank. It is clear and readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. The briar is quite beautiful and the brown stains really make the grain stand out.I started my work on the pipe by addressing the darkening on the rim top and the inner edges. I used a folded piece of 220 grit sandpaper to clean up the top and the edges.I polished the smooth portions bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips and a horsehair shoe brush to get into the two rings around the bowl cap. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks on the vulcanite stem surface near the button with a piece of 220 grit sandpaper. I was able to remove them all. I started polishing the stem with 600 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set it aside to dry. This Stanwell Danish Design Royal Guard 32 Straight Bulldog and an acrylic saddle stem is a great looking pipe with a beautiful grain. The stain once cleaned up really highlights the grain around the bowl. The polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Danish Design Royal Guard 32 Bulldog fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 40 grams /1.41 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Restoring a Very Recognizable Stanwell Golden Contrast Made in Denmark 125 Scoop


Blog by Steve Laug

I have always been intrigued by the Stanwell Golden Contrast finish regardless of the pipes it has been applied to. The contrast of dark and light playing across the grain is beautiful. To me the lines and the elegance of the pipe are stunning and the contrast stain makes the lay of pipe with the grain gorgeous. The stain highlights the birdseye and the flame grain and makes them pop from the surface of the bowl and shank. The slight flare of the shank and the saddle on the stem to the pinch of the blade behind the saddle all pointed to a hand that I had seen before. I did a little digging because I wanted to confirm my guess/my suspicions about the designer. What I found out confirmed what I was thinking. This Freehand with an oval shank and saddle stem was designed by Tom Eltang. For a list of various Stanwell Shape numbers and who they are attributed to you can read this list compiled by leading Stanwell Collector, the late Bas Stevens on rebornpipes at: https://rebornpipes.com/2013/09/03/stanwell-shapes-compiled-by-bas-stevens/

This particular pipe was another of the interesting pipes in the recent shipment of estate pipes we purchased from a fellow in Copenhagen, Denmark on 01/26/2023. We have gotten some amazing Stanwell pipes from him. This Golden Contrast was in pretty decent shape. The finish was dirty but in great shape. The rim showed some darkening and a build-up of tars and oils. There was a thick cake in the bowl with tobacco debris on the walls. The internals were dirty with tars and oils. The stem had some light oxidation and calcification on the top and bottom of the stem from the button forward. There was some tooth chatter as well but no deep tooth marks. The brass crown S on the left side of the saddle appeared to be lightly oxidized as well but would take little to make it shine. The various photos that follow are ones that my brother took before he cleaned the pipe. They show the amazing grain on this beauty. The next photos of the rim and the shank show the condition of the pipe at arrival in Idaho. The grain around the rim top is quite stunning to me. You can see the cake in the bowl and the thick lava on the top. It was a mess but the contrast stain makes the grain even show through the lava on the rim top. Jeff took photos of the grain on the sides and heel of the bowl. It really is a stunning piece of briar. The contrast stain really makes it stand out clearly. The next photos show the various stamping on the underside of the shank. It reads shape number 125 [over] Stanwell [over] Golden [over] Contrast in script [over] Made in Denmark. All the stamping is sharp and clear. He also captured the golden Crown “S” Stanwell logo on the left side of the saddle stem. I turned to Pipedia to see if I could find specific information on the Golden Contrast line of pipes (https://pipedia.org/wiki/Stanwell). There was a short note there that I have included in full below.

Golden Contrast:  An old series. The blocks are cut on the cross grain. The pipes from this series exhibit Birds Eye grain only. Brass band and brass S in the stem. The pipes have a two-tone staining which really shows the beautiful bird’s eye grain. However, this staining simply takes too much work so the series is discontinued.

With that information I now knew about the discontinued Golden Contrast line. The pipe I was working on did not have a brass band but it did have the kind of staining and colour on the grain on the pipe. It was definitely a two tone stain on the pipe. Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took photos of the bowl and rim top as well as the stem to show how clean they were. You can see that rim top and edges look very good. The stem is clean and the tooth and chatter on both sides ahead of the button is very light.I took photos of the stamping on the sides of the shank. The stamping is readable as noted above. I took the stem off the shank and took a photo to give a sense of the flow and proportion of the pipe. It is a beautiful looking pipe.  I started my work on the pipe by polishing the briar with micromesh because it was in such good condition. I polished it with 1500-12000 grit micromesh sanding pads. I wiped the bowl down after each sanding pad with a damp cloth. I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks against the button edge with 220 grit sandpaper and started the polishing with 600 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. This Tom Eltang designed Stanwell Golden Contrast 125 Freehand Scoop with a saddle vulcanite stem turned out very nice. The mix of brown stains highlights the grain around the bowl sides and bottom. The rim top and edges look very good. The finish on the pipe is in excellent condition. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Golden Contrast 124 is very nice and feels great in the hand. Give the finished pipe a look in the photos below. It is a nice pipe whose dimensions are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 50 grams/1.76 ounces. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will be going on the rebornpipes store, in the Danish Pipe Makers Section shortly. If you are interested in adding it to your collection let me know by message or by email to slaug@uniserve.com. Thanks for your time.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

New Life for a Made in Denmark Stanwell Vario Straight Bulldog 32


Blog by Steve Laug

The rain has stopped for the moment here in Vancouver and I am up early so I decided to work on another pipe that was purchased on 01/26/2023 in a lot of pipes that came to us from Copenhagen, Denmark. This is a classic Danish Straight Bulldog with a mixed finish and a diamond shank. It is another Made in Denmark Stanwell. The finish on this pipe combines patches of smooth and sandblast portions. The brown stains highlight both the smooth and blasted portions. The pipe is stamped on the left underside of the diamond shank and reads STANWELL [over] Made in Denmark [over] Vario in script. On the right underside of the shank it has the shape number 32 stamped. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish. The mixture of brown stains highlights some beautiful grain and deep sandblast portions under the dirt. The bowl was moderately caked and there was a moderate overflow of lava on the smooth rim top. The inner edge looked quite good. The stem is vulcanite and was dirty, lightly oxidized and had light tooth marks, chatter on both sides ahead of the button. There is a stamped white crown S logo stamped on the top side of the diamond saddle stem. Jeff took photos of the pipe before he started his clean up work on it. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the lava coat on the rim top and the cake in the bowl. It is interesting that the bowl bottom is clean. The inner edge looks to be okay. He took photos of the stem to show the condition of both sides. The photos of the sides and heel of the bowl show the uniquely stained grain and sandblast portions around the bowl and shank. The mixture of brown stains adds depth to the finish on the pipe. Even under the grime it is a real beauty. The stamping on this one was on the underside of the shank and is shown in the photos below. It is clear and readable as noted above. You can also see the white stamped crown S on the top of the diamond saddle stem. Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the line. I turned to Pipephil to see if there was any listing on the Vario Line (http://pipephil.eu/logos/en/logo-stanwell.html). There was nothing listed.

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand. But there is nothing specific on the Varios. I did a quick Google search and came up with a link for Smokingpipes.com that had a description for a Vario (https://www.smokingpipes.com/pipes/estate/denmark/moreinfo.cfm?product_id=345545). I have included that description below:

Stanwell’s Vario finish is characterized by a dark-stained sandblast interspersed with smooth, lighter-stained briar. The dual tone and mix of textures are found here on this classic “32” Bulldog — a rendition that caters to lovers of pipe chart standards and offers versatile appeal in its convenient size and light weight.

That pretty well captured the description of the pipe I have in my hands.

There was also a link to a shape article on Pipedia written by Bas Stevens that I originally published on rebornpipes. I looked up the 32 shape number to see who had designed that shape (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). I quote that below

  1. Two versions of this shape number:
    a) Straight bulldog with a saddle stem; Stanwell’s first pipe shape (originally designed in 1942).    b) Bent Dublin-strawberry hybrid with a rounded rim and saddle stem, by Sixten Ivarsson. Redesigned by Tom Eltang in the early 1990s.

Further down the article there was this note on the shape 32a. I quote it below:

32: Poul Stanwell’s 32(a), the first shape designed for Stanwell, a classical straight bulldog, released in 1942.

Now it was time to work on the pipe. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here in Vancouver. I took close up photos of the bowl, rim and the stem. The rim top cleaned up very well. There is some slight darkening and some nicks on the smooth rim top. The stem looks clean but still has light tooth marks and some chatter as noted above.I took photo of the stamping on the undersides of the diamond shank. It is clear and readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. The briar is quite beautiful and the brown stains really make the grain and the sandblast stand out. I started my work on the pipe by addressing the darkening on the rim top and the inner edges. I used a folded piece of 220 grit sandpaper to clean up the top and the edges.I polished the smooth portions bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips and a horsehair shoe brush to get into the nooks and crannies of the sandblast. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks on the vulcanite stem surface near the button with a piece of 220 grit sandpaper. I was able to remove them all. I started polishing the stem with 600 grit wet dry sandpaper.I touched up the white stamp on the left side of the saddle stem with White Acrylic Fingernail polish. Once it dried I scrapped of the excess and sanded the surface until the excess was all gone.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set it aside to dry. This Stanwell Vario 32 Straight Bulldog and a vulcanite saddle stem is a great looking pipe with a beautiful combination of finishes. The mix of stains once cleaned up really highlights the grain and the depth of the blast. The polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Vario 32 Bulldog fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 32 grams /1.16 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Restoring a Truly Elegant Danish made Stanwell Brass Band 179 Apple


Blog by Steve Laug

It is a cold and rainy day here in Vancouver and I am up early so I decided to work on another pipe that was purchased on 01/26/2023 in a lot of pipes that came to us from Copenhagen, Denmark. This is a classic Danish Apple with a smooth finish and a rectangular shank. It is another Made in Denmark Stanwell. The smooth finish on this pipe, around the bowl and shank has a mix of grain highlighted by the reddish brown stain. The pipe is stamped on the underside of the shank and reads STANWELL [over] Brass [over] Band [over] Made in Denmark. Next to the Stanwell stamp it has the shape number 179 stamped. The end of the shank sports twin brass bands sandwiching a Cumberland acrylic spacer. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish. The mixture of brown stains highlights some beautiful grain under the dirt. The bowl was moderately caked and there was a moderate overflow of lava on the smooth rim top. The inner edge looked quite good. The stem is vulcanite and was dirty, oxidized and had light tooth marks, chatter and scratches on both sides ahead of the button. There is an inlaid brass crown S logo stamped on the top side of the taper stem. Jeff took photos of the pipe before he started his clean up work on it. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the lava coat on the rim top and the cake in the bowl. The inner edge looks to be okay. He also took some of the stem to show the condition of both sides. The photos of the sides and heel of the bowl show the uniquely stained grain around the bowl and shank. The mixture of brown stains adds depth to the finish on the pipe. Even under the grime it is a real beauty. The stamping on this one was on the underside of the shank and is shown in the photo below. It is clear and readable as noted above. You can also see the brass inlaid crown S on the top of the saddle stem.Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the line. I turned to Pipephil to see if there was any listing on the Brass Band Line (http://pipephil.eu/logos/en/logo-stanwell.html). There was nothing listed.

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand. There was also a catalogue page courtesy of Doug Valitchka that showed the line. I have included that below.There was also a link to a shape article by Bas Stevens that I originally published on rebornpipes. I looked up the 179 shape number to see who had designed that shape (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). I quote that below and the connection between the 178 and the 179. The difference is in the bend of the stem. It is fascinating to see that design (at least of the mouthpiece) was by S. Bang.

  1. Billiard, conical bowl, oval stem with panels, full mouthpiece by Bang.
  2. Same as shape 178 but slightly bent by Bang.

Though it is listed as a Billiard I believe that is a wrong designation and should be noted as an Apple.

Now it was time to work on the pipe. Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here in Vancouver. I took close up photos of the bowl, rim and the stem. The rim top cleaned up very well. There is some slight darkening on the back right side. The stem looks clean but still has light tooth marks and some chatter as noted above.I took photo of the stamping on the underside of the shank. It is faint on the left portion of the stamping but it is still readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. The briar is quite beautiful and the reddish-brown stain really make it stand out.I started my work on the pipe by polishing the bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks on the vulcanite stem surface near the button with a piece of 220 grit sandpaper. I was able to remove them all. I started polishing the stem with 600 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set it aside to dry.This Stanwell Brass Band 179 Apple with a rectangular shank and a vulcanite taper stem is a great looking pipe and really looks like an S. Bang shape. The mix of stains once cleaned up really highlights the grain and the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Brass Band Apple 179 fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 48 grams /1.69 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us. 

Restoring a Stanwell Buffalo Made in Denmark 146 Scoop/Horn


Blog by Steve Laug

It is a cold and dreary day here in Vancouver so I decided to work on another one that was purchased on 01/26/2023 in a lot of pipes that came to us from Copenhagen, Denmark. This is a classic Danish scoop with a smooth finish and a variegated yellow/gold acrylic shank extension. It is another Made in Denmark Stanwell. The smooth finish on this pipe, around the bowl and shank has a mix of grain highlighted by the reddish brown stain. The pipe is stamped on the underside of the shank near the shank extension junction and reads STANWELL [over] Made in Denmark [over] Buffalo. Above that higher on the shank shank it has the shape number 146 stamped. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish. The mixture of brown stains highlights some beautiful grain under the dirt. The bowl was moderately caked and there was a heavy overflow of lava on the smooth rim top. The inner edge looked quite good. The stem is vulcanite and was dirty, oxidized and had light tooth marks, chatter and scratches on both sides ahead of the button. There is a faint white crown S logo stamped on the top side of the saddle stem. Jeff took photos of the pipe before he started his clean up work on it. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the thick lava coat on the rim top and the cake in the bowl. It is hard to know the condition of the inner edge because of the lava but it looks to be okay. He also took some of the stem to show the condition of both sides. The photos of the sides and heel of the bowl show the uniquely stained grain around the bowl and shank. The mixture of brown stains adds depth to the finish on the pipe. Even under the grime it is a real beauty. You can also see the swirls in the acrylic shank extension. The stamping on this one was around the shank horizontally and is shown in the photo below. It is clear and readable as noted above. The third photo shows the white stamped crown S on the top of the saddle stem. Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the line. I turned to Pipephil to see if there was any listing on the Buffalo Line (http://pipephil.eu/logos/en/logo-stanwell.html). There was nothing listed.

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand. There were also links to a shape article by Bas Stevens that I originally published on rebornpipes. I looked up the 146 shape number to see who had designed that shape (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). I quote that below.

  1. Freehand, oval stem saddle mouthpiece by Jess Chonowitsch.

I found a listing on Smokingpipes.com that had a description of the Buffalo line of pipes (https://www.smokingpipes.com/pipes/estate/denmark/moreinfo.cfm?product_id=229371). I am including part of the description below.

A rather easy to spot Stanwell series, the pipes of the Buffalo line were distinguished by swirled pattern acrylic ferrules in colors reminiscent of water buffalo horn.

Now it was time to work on the pipe.

Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here in Vancouver. I took close up photos of the bowl, rim and the stem. You can see the darkening on the rim top and inner edge. The bowl is quite clean inside with marks from a previous reaming on the bottom of the bowl. The acrylic shank extension is in good condition. The stem looks clean but still has light tooth marks and some chatter as noted above.I took photo of the stamping on the underside and right side of the shank. It is clear and readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. The briar is quite beautiful and the dark and medium stains really make the grain stand out.I started my work on the pipe by polishing the bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks on the vulcanite stem surface near the button with a piece of 220 grit sandpaper. I was able to remove them all. I started polishing the stem with 600 grit wet dry sandpaper.I touched up the white Crown S stamp on the top of the saddle stem using white acrylic fingernail polish. I let it dry and scraped off the excess and sanded it with a 1500 grit micromesh sanding pad. It looks much better.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad.I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. I set it aside to dry. This Stanwell Buffalo 146 Scoop/Horn with a vulcanite saddle stem is a great looking pipe now that it has been restored. The mix of stains once cleaned up really highlights the grain and the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Buffalo 146 Scoop/Horn fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 43 grams /1.52 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email to slaug@uniserve.com . Thanks for reading this blog and my reflections on the pipe while I worked on it.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us. 

Restoring a Very Recognizable Stanwell Golden Contrast 124


Blog by Steve Laug

I have always been intrigued by the Stanwell Golden Contrast finish regardless of the pipes it has been applied to. The contrast of dark and light playing across the grain is beautiful. To me the lines and the elegance of the pipe are stunning and the contrast stain makes the lay of pipe with the grain gorgeous. The stain highlights the birdseye and the flame grain and makes them pop from the surface of the bowl and shank. The slight flare of the shank and the saddle on the stem to the pinch of the blade behind the saddle all pointed to a hand that I had seen before. I did a little digging because I wanted to confirm my guess/my suspicions about the designer. What I found out confirmed the direction I was thinking. This Freehand shape with a long conical shank, short saddle mouthpiece was designed by Sixten Ivarsson. For a list of various Stanwell Shape numbers and who they are attributed to you can read this list compiled by leading Stanwell Collector, the late Bas Stevens on rebornpipes at: https://rebornpipes.com/2013/09/03/stanwell-shapes-compiled-by-bas-stevens/

This particular pipe was another of the interesting pipes in the recent shipment of estate pipes we purchased from a fellow in Copenhagen, Denmark on 01/26/2023. We have gotten some amazing Stanwell pipes from him. This Golden Contrast was in pretty decent shape. The finish was dirty but in great shape. The rim showed some darkening and a build-up of tars and oils. There was a thick cake in the bowl with tobacco debris on the walls. The internals were dirty with tars and oils. The stem had some light oxidation and calcification on the top and bottom of the stem from the button forward. There was some tooth chatter as well but no deep tooth marks. The brass crown S on the left side of the saddle appeared to be lightly oxidized as well but would take little to make it shine. The various photos that follow are ones that my brother took before he cleaned the pipe. They show the amazing grain on this beauty. The next photos of the rim and the shank show the condition of the pipe at arrival in Idaho. The grain around the rim top is quite stunning to me. You can see the cake in the bowl and the grime on the top. It was a mess but the contrast stain makes the grain even show through the lava on the rim top. Jeff took photos of the grain on the sides and heel of the bowl. It really is a stunning piece of briar. The contrast stain really makes it stand out clearly. The next photos show the various stamping on the shank sides and bottom. The left side of the shank reads Stanwell over Golden Contrast in script. The right side of the shank is stamped with the shape number 124. The underside of the shank is stamped Made in Denmark. All the stamping is sharp and clear. He also captured the golden Crown “S” Stanwell logo on the left side of the saddle stem. I turned to Pipedia to see if I could find specific information on the Golden Contrast line of pipes (https://pipedia.org/wiki/Stanwell). There was a short note there that I have included in full below.

Golden Contrast:  An old series. The blocks are cut on the cross grain. The pipes from this series exhibit Birds Eye grain only. Brass band and brass S in the stem. The pipes have a two-tone staining which really shows the beautiful bird’s eye grain. However, this staining simply takes too much work so the series is discontinued.

With that information I now knew about the discontinued Golden Contrast line. The pipe I was working on did not have a brass band but it did have the kind of staining and colour on the grain on the pipe. It was definitely a two tone stain on the pipe. Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took photos of the bowl and rim top as well as the stem to show how clean they were. You can see that rim top and edges look very good. The stem is clean and the tooth and chatter on both sides ahead of the button is very light.I took photos of the stamping on the sides of the shank. The stamping is readable as noted above. The Gold colored Stanwell Crown S is on the left side of the saddle stem.I took the stem off the shank and took a photo to give a sense of the flow and proportion of the pipe. It is a beautiful looking pipe.I started my work on the pipe by polishing the briar with micromesh because it was in such good condition. I polished it with 1500-12000 grit micromesh sanding pads. I wiped the bowl down after each sanding pad with a damp cloth. I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil.I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. This Sixten Ivarsson designed Stanwell Golden Contrast 124 Freehand with a short saddle vulcanite stem turned out very nice. The mix of brown stains highlights the grain around the bowl sides and bottom. The rim top and edges look very good. The finish on the pipe is in `excellent condition. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Golden Contrast 124 is very nice and feels great in the hand. Give the finished pipe a look in the photos below. It is a nice pipe whose dimensions are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 50 grams/1.76 ounces. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will be going on the rebornpipes store, in the Danish Pipe Makers Section shortly. If you are interested in adding it to your collection let me know by message or by email to slaug@uniserve.com. Thanks for your time.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Repairing a Cracked Shank and Restoring a Stanwell Regd. No. 969-48 Royal Guard 22


Blog by Steve Laug

The next pipe I am working on was purchased on 01/26/18 from an eBay seller in Akron, Ohio, USA. It is stamped on the left side of the shank and reads Stanwell [over] Regd. No. 969-48 [over] Royal Guard. It is stamped on the left side with the shape number 22. On the flattened underside of the shank it is stamped Made in Denmark. There was a thick cake in the bowl, debris in the bottom and on the bowl walls and some remnants of tobacco. The airway was dirty and tarry and there was a hairline crack in the thin underside of the shank. There was a light lava overflow on the back of the crowned rim top. The crowned and inwardly beveled rim top looked to be in good condition. The outer edge actually looked quite good with no visible damage. The finish was dirty and dusty and with grime ground into the sides and heel of the bowl. The stem looked fairly good but underneath the calcification and oxidation the tooth marks and chatter looked minimal. There was a gold Stanwell S Crown on the left side of the half saddle. When the stem was removed it was clear that it was a filter pipe. Jeff took photos of the pipe before he started his cleanup work on it. Jeff took close-up photos of the bowl and rim top to show the cake in the bowl. The rim top shows some thin lava spots on the smooth finish. The inner edge of the bowl also had some lava buildup. The outer edges of the bowl look very good. He took photos of the top and underside of the stem surface and button to show its general condition. It looked very good under the spotty oxidation. Jeff took a photo of the heel of the bowl and the shank to give a sense of the grain around the bowl sides. It is gorgeous looking pipe that has grain that chases the shape of the bowl. It should clean up very well.He took photos of the stamping on the shank sides. They are clear and readable as noted above. There was no photo included of the right side of the shank and the shape number there. The Crown Stanwell Logo was clear on the left side of the half saddle stem. It was interesting that the Royal Guard had that stem logo rather than the typical RG logo. Jeff took a closer photo of the hairline crack on the shank. It started on the thin bottom side of the shank end and curved upward through the Made in Denmark stamping before it disappears. I turned to Pipedia to see if there was any clear information on the Royal Guard line of pipes (https://pipedia.org/wiki/Stanwell). I found the Royal Guard listed under the second lines of Stanwell pipes listed there.

I then followed a link there (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). It took me to an article on Shape numbers and Designers. I quote from that below.

22. Two versions of this shape number:

a) Straight billiard with an oval shank and a tapered stem (early 1950s – see catalog).

b) Bent apple-horn hybrid with a half-saddle stem.

From that information I knew that I was working a 22 B – a bent apple-horn hybrid with a half-saddle stem. There was list of designers below that included the 22 in pipes designed by Sixten Ivarsson. The problem was that I did not know if it was referring to the a) or the b) design. Now it was time to work on the pipe.

Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Briarville’s Pipe Stem Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took photos of the bowl and rim top as well as the stem to show how clean they were. You can see that rim top and edges look very good. The stem is clean and the tooth and chatter on both sides ahead of the button is very light.I took photos of the stamping on the sides of the shank. The stamping is readable as noted above. Royal Guard was a Stanwell second and generally was not stamped Stanwell. This one was! The stem on the Royal Guard was also stamped RG and this one bears the Stanwell Crown S.I took a photo of the pipe with the stem removed to show that the tenon was drilled for a filter. I tried to fit a 9mm filter but it did not work. My guess is that it takes Vauen Dr Perl Junior 6mm size filter. I tried a Dr. Grabow 6mm filter it fit well but was too long. I would trim a Grabow filter to fit the proper length and whoever adds it to their collection will be able to use it until they are able to get some of the ones in the photo below. I also took a photo of the bowl and stem to get an overall look of stem, tenon and profile of the pipe. It really is a beautifully shaped pipe. I decided to start my work on the pipe by dealing with the cracked shank. I chose not to drill the crack end so as not to damage the stamping. Instead I put some glue on the cracked shank and held it in place until the CA glue set. I hand fit a band to the shank end. It sounds simple but it was an interesting challenge. The bottom edge of the shank was very thin which I think is why it cracked. There was no extra briar to work with. The other piece of the puzzled was that the bottom of the shank was flattened and the shape was not round any more. I went through my bands and found the one that had the proper diameter. It also had a curved edge that covered the shank end and would provide some extra thickness to the thin bottom of the shank. I gave the band a rough shaping by hand then put it on the shank and used a small furniture hammer to fit it smoothly to the shank shape. It fit nicely and it firmly held things in place.  I used a folded pipe cleaner to paint the shank end with all purpose glue and then pressed the band in place on the glue. I took photos of the newly fitted band. It looked very good at this point and the crack was pressed together tightly. I polished the briar with micromesh because it was in such good condition. I polished it with 1500-12000 grit micromesh sanding pads. I wiped the bowl down after each sanding pad with a damp cloth. I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I set the bowl aside and turned my attention to the stem. I have a box of Dr. Grabow 6mm filters so I took one out of the box, shortened it to fit and inserted it in the tenon. The fit is perfect and fills in the tenon. I then used some White Acrylic Fingernail Polish to touch up the white that remained in the Crown S stamp on the top of the stem. The S and part of the crown looked much better. There were some light spots on the top of the crown but otherwise it looked good. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a coat of Obsidian Pipe Stem Oil. It works to protect the stem from oxidizing. I set it aside to dry. This Sixten Ivarsson designed Stanwell Royal Guard 22 Bent Apple/Scoop with a half saddle vulcanite stem turned out very nice. The mix of brown stains highlights the grain around the bowl sides and bottom. The rim top and edges look very good. The finish on the pipe is in excellent condition. The thin brass band on the shank end looks good and adds strength to the shank stem fit. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Royal Guard 22 is very nice and feels great in the hand and can be used as a sitter with the wide base. Give the finished pipe a look in the photos below. It is a nice pipe whose dimensions are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 57 grams/2.10 ounces. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will be going on the rebornpipes store, in the Danish Pipe Makers Section shortly. If you are interested in adding it to your collection let me know by message or by email to slaug@uniserve.com. Thanks for your time.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.