Tag Archives: restemming a pipe

Restoring and Restemming a Made in Ireland Peterson’s System 0 Bent

Blog by Steve Laug

Jeff and I often purchase pipe bowl/stummels of brands that we like and want to restore. These have included a lot of different bowls. If you have followed us for long you know that some of these have included Peterson’s, Dunhill’s, and a wide range of Danish and English pipes. Awhile ago Jeff and I were sorting through the bowls in our collection and pulled out eight Peterson’s bowls that were dirty and stemless. A friend referred us to a contact named Silas Walls, of Walls Pipe Repair in Wallace, Idaho, USA as he seems to have a good supply of original Peterson’s stems. Our friend has had him fit stems for some of his Petes and was very happy with the work. We made contact with him and sent him eight bowls for restemming.

In the photo above I show the 8 restemmed pipes. I have marked the 4 I have worked on already with a red X). This fifth one that we cleaned up before mailing them out was a bowl that we purchased on 08/31/2019 from an auction Nyack, New York, USA. It is stamped on the left side of the shank and reads Peterson’s [arched over] System [over] 0. On the right side of the shank there is a number 308 stamped next to the bowl shank junction followed. On the underside of the shank it is stamped Made In Ireland in two lines. The ferrule is stamped K&P [over] faux hallmarks (a clover leaf, an Irish wolfhound laying down and a tower. Under that it reads Peterson [over] Dublin. The bowl was dirty with lava on the rim top and a moderate cake in the bowl. The nickel ferrule was quite dirty and worn with some small dents in the surface. Jeff took photos of the bowl before he did his cleanup work in preparation for sending them to Walls Pipe Repair for their new stem. Jeff took photos of the stamping on the sides of the shank. It is clear and readable as noted above. There is also some great grain around the bowl and shank.I turned to Pipedia (https://pipedia.org/wiki/Peterson) and read through the article there. I found an interesting note in the middle of the page. I quote the pertinent section below and have highlights some important information in red below.

As usual when trying to get accurate facts in regard to Peterson history, something will jump up and get in the way. They are missing many of their records. The following is the best that we can do for a guide to the myriad markings during the period 1922 – 1949. Prior to 1920 it was rare for a country of origin to be stamped on the pipe, just Peterson’s Dublin on the band. After 1921/22, if it is stamped “MADE IN IRELAND” and the “Made in” is stacked over “Ireland” or “MADE IN EIRE” or several other forms, it was made between 1922 and 1938. A considerable number of Peterson pipes were stamped “Irish Free State”. From about 1930 to 1949, most of the pipes (those which were stamped) were stamped “Made in Ireland”.” If the stamp reads “MADE IN IRELAND” in a circle, the pipe was made between 1939 and 1948. These are all “pre-republic” pipes. I can tell you that the mark “Irish Free State” was adopted in 1922;and replaced by “Eire” in 1937 and then by “Republic of Ireland” in 1949.

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s System 0 Made in Ireland stamp. On page 126 it had the following information.

The stamp reads IRISH over FREE STATE, in small letters, usually perpendicular to the line of the shank, very close to and parallel to the seam where the shank meets the mouth piece. On banded pipe, this often hidden under the band itself. At the same time, they issued a smaller number of pipes stamped MADE IN over IRELAND. Today’s collector may encounter specimens of these with mountings hallmarked for every year from 1922-1937.

On page 301 of the above book I found a listing on System pipes that referred to the 0 stamp. I quote:

System Pipes (1937-59) The 1937 catalog only slightly changed the grading hierarchy for System pipes. The De Luxe model, described as “the finished possible quality obtainable” would be assigned no grading subscript, but neither would the First Quality. Below these were 0 Grade, 2^nd Grade and 3^rd Grade, all stamped with numbers and PETERSON’S over SYSTEM or PETERSON’S over DUBLIN. Grades 0 and 2^nd were fitted with sterling mounts, 3^rd grade with nickel. Each of these grades were sometimes stamped below and sometimes to the right of the model name. Sometimes these numbers were circled, sometimes not. The location of the number and whether it was circled or not was rather random from the onset of its use until discontinued in 1959, and by itself only indicates that a given pipe was made between ’37 and ’59.

On page 302 there was a listing on the nickel mounted markings. I quote:

Nickel-Mount Markings. Often called faux hallmarks or faux marks by Peterson collectors, this set of three little images of a shamrock, an Irish wolfhound and a round tower appear within rectangular shapes as decorations on nickel mountings. Very early nickel mounts (1891-c. 1920) had no such decorations, only the same stamps used on sterling but without the hallmarks. As a stamp, the set of decorations began to appear at the beginning of the Irish Free State era, sometimes alone but often under K&P and over block lettered PETERSON over DUBLIN, although the three emblems appeared on K&P’s Irish Carving Shamrocks pipes since 1896. The stamp was used until about 1963, when hand soldered nickel bands and ferrules were replaced by pressed ferrules and premade bands…The shamrock is the emblem of Ireland; the Irish wolfhound has long been used for both hunting and protection, and is an emblem of strength; the round tower a symbol of Ireland’s early religious power. These decorations were stamped at the factory on non-sterling mounts only, and the assay office has nothing to do with…

The information was very helpful. I have highlighted the pertinent reference to regarding the stamping, the shape 0 number and the faux hallmarks above. I knew that I was dealing with a Pre-Republic period pipes stamped Made in Ireland made between 1922-1938.

Now it was time to work on the pipe. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. When the pipes came back to Jeff with their new stems they looked great. When the pipe arrived here this week I took photos of it with its stem so you can see what I see. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top had some scratches and marks on the top and some darkening and nicks around the inner edge. It should clean up really well. I also took close up photos of the new stem to show how well it is made! Thanks to Walls Pipe Repair!! I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable. I removed the stem and took a photo of the pipe to have a look at the parts and overall look. The new stem looked really good with the bowl. Since the stem was in perfect condition and would not need work I set it aside and turned to work on the bowl. I decided to address the damage to the inner edge of the bowl and the rim top first. I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to minimize the darkening and damage and blend it into the surrounding briar.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. The polishing of the rim top brought the rim top colour to match the rest of the bowl. I did not need to stain the rim at all. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I polished the nickel domed ferrule with a jeweler’s cloth to raise the shine and give it some pop. It looked much better after the polishing. Since the stem was in such new condition the pipe was basically finished. I am excited to put the final touches on this newly restemmed Pre-Republic, Made in Ireland Peterson’s System 0 Bent. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem combined with the bowl and made a stunning pipe. This smooth Classic Older Peterson’s System 0 Bent is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 68 grams/2.40 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Irish Pipe Makers section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring and Restemming a Republic Era Peterson’s Mark Twain Bent

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Blog by Steve Laug

This fourth of them that we cleaned up before mailing them out was a bowl that we purchased on 09/04/2020 from Gonzales, Louisiana, USA. It is stamped on the left side of the shank and reads Peterson’s [over] Mark Twain. On the right side of the shank it is stamped Made in the Republic of Ireland (three lines). It has a tarnished silver ferrule on the shank that is stamped Peterson’s [over] Dublin. Further down the ferrule it is stamped Sterling [over] Silver. Below that are three silver hallmarks – a Hibernia symbol, a harp, and the letter P. This gives the information that it is Irish made, the harp is sign of the quality of silver and the P is the date code. (I will explore that more below). The bowl was dirty with lava on the rim top, darkening on the edge and a moderate cake in the bowl. The finish had a lot of grime ground into the surface of the finish but some nice grain peeked through. The silver ferrule was heavily oxidized. Jeff took photos of the bowl before he did his cleanup work in preparation for sending them to Walls Pipe Repair for their new stem. The photos of the thick cake in the bowl and the lava build up and nicks/scratches in the surface and edges of the rim top. It showed a lot of promise.Jeff took photos of the stamping on the sides of the shank. It is clear and readable as noted above. There is also some great grain around the bowl and shank. As is my habit I turned to Pipephil (http://pipephil.eu/logos/en/logo-peterson-ser.html) to get a quick overview of the Mark Twain pipe.When I clicked on the photo of the second pipe above it took me to a photo of the hallmarks that looked identical to the ones on the pipe I am working on. It made me question the date mark and dig further. The note below the photo said, “Peterson Mark Twain (not from the two numbered editions). That photo has a red arrow pointing to the P date stamp. Now to dig a little deeper.I turned to Pipedia and there was nothing specific about that stamping. I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned then to the definitive pipe book, The Peterson Pipe by Mark Irwin and Gary Malmberg to find more information on the pipe and the stamping on it. I turned first to the short entries and on page 308 found the following information.

Mark Twain (1981-) System pipe design copied from a photograph of Samuel L. Clemens’s pipe held at the Mark Twain Boyhood Home and Museum in Hannibal, Missouri. Arguably Peterson’s most famous and widely known commemorative, it was first introduced as a limited edition 400 numbered pipes in 1981 and offered in smooth and rusticated finishes to this day. Based on shape 14 from 1906 catalog…

There was also a note to turn to another chapter for further information. There is a section in the book on page 174-176 on the Mark Twain variations. There on page 176 in a paragraph entitled, “The Mark Twain System” I found some helpful information which I quote below.

The Mark Twain System. Usually known as the De Luxe, 2400 unnumbered pipes were originally released in 1981 with the hallmark P, and available in smooth as well as rusticated finishes. It is stamped PETERSON’S in script over Mark Twain on the obverse of the shank. The front side of the mouthpiece is stamped with a white P. The pipe retailed for $75 in a red oversized gift box and sometimes included a reproduction of the John Adams etching. De Luxe Quality models were released several times over the years, with later documented examples bearing hallmarks from 1982, 1984-1987, `990-1991, 1994 and 1997.

This section was extremely helpful in that it described the pipe I was working on to a T. So I knew that the pipe was a Mark Twain System known as the De Luxe. It was one of 2400 pipes that were released in 1981 with the hallmark on the silver ferrule – exactly like the one I was working on. I had no need to go further with the hallmarks in terms of dating the pipe.

Now it was time to work on the pipe. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. It looked much better. The silver ferrule had a tarnish that I would need to deal with. When the pipes came back to Jeff with their new stems they looked great. When the pipe arrived here this week I took photos of it with its stem so you can see what I see. It is a great looking pipe and the replacement stem works well. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top looked quite good but there was some damage and darkening around the inner edge. It should clean up really well. I also took close up photos of the new stem to show how well it is made! Thanks to Walls Pipe Repair!! I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable. I removed the stem and took a photo of the pipe to have a look at the parts and overall look. The new stem looked really good with the bowl.Since the stem was in perfect condition and would not need work I set it aside and turned to work on the bowl. I decided to address the damage to the inner edge of the bowl and the rim top first. I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to minimize the darkening and damage and blend it into the surrounding briar.I polished the silver ferrule with a jeweler’s cloth to remove the tarnish and slow down the tarnishing process. I steamed out the dents and road rash on the left side of the bowl and on the heel with a flat butter knife heated on my gas stove top and a wet cloth. Once finished they were gone and the pipe looked very good.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. The polishing of the rim top and inner edge brought the rim top colour to match the rest of the bowl. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. Since the stem was new condition the pipe was basically finished. I am excited to put the final touches on this newly restemmed Made in the Republic of Ireland Peterson’s Mark Twain System Pipe. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem combined with the bowl and made a stunning pipe. This smooth Classic Peterson’s Mark Twain System is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 66 grams/2.33 ounces. I will be holding on to this one while I decide if I am going to sell it or smoke it. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring and Restemming a Made in Ireland Peterson’s Dublin & London 36 Liverpool

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Blog by Steve Laug

This third of those pipes that we cleaned up before mailing them out was a Petite, Pencil Shank Liverpool shaped bowl that we purchased on 05/22/21 from Facebook Marketplace. It came from Fruitland, Idaho. It is stamped on the left side of the shank and reads Peterson’s [over] Dublin & London. On the right side of the shank there is a number 36 stamped next to the bowl/shank junction followed by (faint stamp) Made in [over] Ireland stamp in two lines mid shank. The bowl was dirty with lava on the rim top and a thick cake in the bowl. There was some damage to the inner edge and top with the bowl slightly out of round. The finish had a lot of grime ground into the surface of the finish but some nice grain peeked through. Jeff took photos of the bowl before he did his cleanup work in preparation for sending them to Walls Pipe Repair for their new stem. The images were corrupted on Jeff’s camera so we have no photos of the pipe before his clean up work.

The next photos I have included below are of the pipe when it arrived in Vancouver with its new stem. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. When the pipes came back to Jeff with their new stems they looked great. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top had some darkening and damage on the top. The inner edge was out of round and had some damage on the front and the back of the bowl. It appears that the shank is slightly tapered toward the stem end. I don’t know if this is original or from a previous repair. It should clean up really well. I also took close up photos of the new stem to show how well it was fit to the shank. It is a tiny looking stem and thin shank! Thanks to Walls Pipe Repair!! I took photos of the stamping on the sides of the shank. It is faint but readable with a light and lens you can see that it is stamped as noted above. I removed the stem and took a photo of the pipe to have a look at the parts and overall look. The new stem looked really good with the bowl. I am impressed by how the stem was shaped to fit the stem. I have restored a few Peterson’s Dublin & London in the past so I turned to my blog to have a look at the background information that I included in those blogs. I found the following link to a one of those pipes (https://rebornpipes.com/2021/02/24/restoring-a-made-in-ireland-petersons-dublin-london-999-rhodesian/). I also am including the background information I had gathered on the line from the previous blog. I quote:

I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Dublin & London Pipe. On page 298 it had the following information.

Dublin & London (c1940-97, 2016-) First mentioned in a 1940 brochure, but probably not widely distributed until ’45, Dublin & London was the highest quality line (aside from the Supreme, introduced in ’53) until about ’86. P-lip or fishtail mouthpiece, polished finish, although sandblast described in ’70 Iwan Ries & Co. catalog. COMs include MADE IN over IRELAND (1940-80) and MADE IN THE over REPUBLIC over OF IRELAND (c1980-97).

Judging from the description above, the pipe I am working on is stamped with the stamp noted in red above. It reads Made in Ireland which narrows the date to between approximately 1940-1980. It was also one of the highest quality lines available by Peterson when it was made. Now it was time to work on the pipe.

Before I started working on the pipe I took the little Dunhill Shell Briar Lovat for its inaugural smoke on the porch. I took a cup of fresh ground Honduran Medium Roast Coffee and a tin of Hearth and Home Louisiana Red with me. I loaded the bowl and sat watching the “world” walk by while I enjoyed the smoke. I finished the bowl and enjoyed a visit with Alex before getting back to the pipe. It is a great pipe and it was a great smoke.When I finally started to work on the pipe again I set the stem aside as it was in perfect condition and turned to work on the bowl. I decided to address the damage to the inner edge of the bowl and the rim top first. I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to minimize the darkening and damage and blend it into the surrounding briar.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. There was a dark spot on the top of the shank toward the bowl that appears to be a deep stain rather than a burn mark. It is solid and makes me wonder if the was just a spot on the briar that took the dark understain more deeply than the rest. The polishing of the rim top and inner edge brought the rim top colour to match the rest of the bowl. I did not need to stain the rim at all. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. Since the stem was new condition the pipe was basically finished. I am excited to put the final touches on this newly restemmed Made in Ireland Peterson’s Dublin & London 36 Liverpool. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem combined with the bowl and made a stunning pipe. This smooth Classic Older Peterson’s Liverpool 36 is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 39 grams/1.38 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Irish Pipe Makers section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring and Restemming a Made in Ireland Peterson’s “Sports” 6 Pot

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Blog by Steve Laug

This second of them that we cleaned up before mailing them out was a bowl that we purchased on 05/22/21 from Facebook Marketplace. It came from Fruitland, Idaho. It is stamped on the left side of the shank and reads Peterson’s [over] “SPORTS”. On the right side of the shank there is a number 6 stamped next to the bowl shank junction followed by a circular Made in Ireland stamp with the “in” in the center of the circle mid shank. The bowl was dirty with lava on the rim top and a thick cake in the bowl. The finish had a lot of grime ground into the surface of the finish but some nice grain peeked through. Jeff took photos of the bowl before he did his cleanup work in preparation for sending them to Walls Pipe Repair for their new stem. The photos of the thick cake in the bowl and the lava build up and nicks/scratches in the surface and edges of the rim top. It showed a lot of promise.Jeff took photos of the stamping on the sides of the shank. It is clear and readable as noted above. There is also some great grain around the bowl and shank. I have restored a few Peterson’s “SPORTS” in the past so I turned to my blog to have a look at the background information that I included in those blogs. I found the following link to a “SPORTS” pipe (https://rebornpipes.com/2021/01/08/restoring-a-republic-era-petersons-sports-4-apple/). I also am including the background information I had gathered on the “SPORTS” line from the previous blog. I quote:

I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Sports. On page 313-314 it had the following information.

“SPORTS” (1947-) A “Sport” is traditionally a compact pipe made for smokers engaged in athletic pursuits, most notably equestrian riders who do not want the bowl to bounce up and down. Six shapes described in 1947 shape chart. Occasional later catalogs show as many as 11 shapes. Last appeared in shape chart in ’98, but still made in small numbers. Recorded specimens are stamped MADE IN IRELAND (forming a circle) or MADE IN THE over REPUBLIC over OF IRELAND. See Outdoor and Outdoor Sportsman.

The information was very helpful. I have highlighted the pertinent reference to the circular Made in Ireland stamp in the paragraph above. I also knew that my memory of it being a shorter “pocket” pipe was correct.

Now it was time to work on the pipe. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. When the pipes came back to Jeff with their new stems they looked great. When the pipe arrived here this week I took photos of it with its stem so you can see what I see. The stem is a little longer than the 5 inches on the above SPORTS pipe. This stem is 5 ½ inches but it looks good on this little Pot. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top had some scratches and marks on the top and some darkening around the inner edge. It should clean up really well. I also took close up photos of the new stem to show how well it is made! Thanks to Walls Pipe Repair!! I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable. I removed the stem and took a photo of the pipe to have a look at the parts and overall look. The new stem looked really good with the bowl.Since the stem was in perfect condition and would not need work I set it aside and turned to work on the bowl. I decided to address the damage to the inner edge of the bowl and the rim top first. I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to minimize the darkening and damage and blend it into the surrounding briar.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. The polishing of the rim top and inner edge brought the rim top colour to match the rest of the bowl. I did not need to stain the rim at all. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. Since the stem was new condition the pipe was basically finished. I am excited to put the final touches on this newly restemmed Made in Ireland Peterson’s “Sports” 6 Pot. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem combined with the bowl and made a stunning pipe. This smooth Classic Older Peterson’s “Sports” 6 Pot is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 39 grams/1.38 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Irish Pipe Makers section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring and Restemming a Made in Ireland Peterson’s “Sports” 4 Prince

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Blog by Steve Laug

This first of them that we cleaned up before mailing them out was a bowl that we purchased on 05/22/21 from Facebook Marketplace. It came from Fruitland, Idaho. It is stamped on the left side of the shank and reads Peterson’s [over] “SPORTS”. On the right side of the shank there is a number 4 stamped next to the bowl shank junction followed by a circular Made in Ireland stamp with the “in” in the center of the circle mid shank. The bowl was dirty with lava on the rim top and a light cake in the bowl. It had been reamed quite recently and interestingly the bottom half of the bowl showed some raw briar. Jeff took photos of the bowl before he did his cleanup work in preparation for sending them to Walls Pipe Repair for their new stem.The photos of the bowl and rim top show the lava build up and nicks/scratches in the surface and edges. They also show the bowl with the reaming job that had been down before the pipe came to us. It showed a lot of promise.Jeff took photos of the stamping on the sides of the shank. It is clear and readable as noted above. There is also some great grain around the bowl and shank. I have restored a few Peterson’s “SPORTS” in the past so I turned to my blog to have a look at the background information that I included in those blogs. I found the following link to a similar pipe (https://rebornpipes.com/2021/01/08/restoring-a-republic-era-petersons-sports-4-apple/). It was a bit more round than the one I was working on but stamped similarly. I am including two photos of the finished pipe below for comparison.I remembered that the pipe was generally a “pocket” pipe so it was shorter than normal so I copied the dimensions from the above pipe for comparison of our restemmed one. The dimensions are Length: 5 inches, Height: 1 ¼ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 33grams/1.16oz. It is a pretty compact pipe with some great shape and balance.

I also am including the background information I had gathered on the line from the previous blog below. I quote:

I am including the link to the Pipedia’s article on Peterson pipes. It is a great read in terms of the history of the brand (https://pipedia.org/wiki/Peterson).

I turned to “The Peterson Pipe” by Mark Irwin and Gary Malmberg to get some background on the Peterson’s Sports. On page 313-314 it had the following information.

Now it was time to work on the pipe. Jeff had done a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. When the pipes came back to Jeff with their new stems they looked great. When the pipe arrived here this week I took photos of it with its stem so you can see what I see. The stem is a little longer than the 5 inches on the above SPORTS pipe. This stem is 5 ½ inches but it looks good on this little Prince. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top had some scratches and marks on the top and some darkening around the inner edge. It should clean up really well. I also took close up photos of the new stem to show how well it is made! Thanks to Walls Pipe Repair!! I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable. I removed the stem and took a photo of the pipe to have a look at the parts and overall look. The new stem looked really good with the bowl.Since the stem was in perfect condition and would not need work I set it aside and turned to work on the bowl. I decided to address the damage to the inner edge of the bowl and the rim top first. I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel to minimize the darkening and damage and blend it into the surrounding briar.I steamed out the dents on the rim top with a damp cloth and a knife heated over the flame of my stove. I applied the wet cloth to the dents and touched the cloth with the hot knife. The steam generated caused the dents to raise. I used a small folded piece of 220 grit sandpaper to smooth them out further. I started polishing the top with 400 grit wet dry sandpaper. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. The polishing of the rim top brought the rim top colour to match the rest of the bowl. I did not need to stain the rim at all. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. Since the stem was in such new condition the pipe was basically finished. I am excited to put the final touches on this newly restemmed Made in Ireland Peterson’s “Sports” 4 Prince. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. Added to that the polished black vulcanite stem combined with the bowl and made a stunning pipe. This smooth Classic Older Peterson’s “Sports” 4 Apple is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 39 grams/1.38 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Irish Pipe Makers section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restoring and Restemming a Bari Pearl 7075 with a Bamboo Shank

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Blog by Steve Laug

Jeff and I went through all the bowls that we had in boxes at his place recently. We wanted to consolidate them into one place and clean them all up. We sorted them as we went through them all. Many ended up being junk while a large number went into a box to be sent to me for restemming. One of those which caught my attention was an interesting bowl with a well coloured bamboo shank. It had a vulcanite spacer between the briar and the one knuckle piece of bamboo and another one at the shank end. It was a nice Brandy shape pipe with some great grain around the sides and shank. The bowl had been smoked and the top had some darkening and slight damage on the flat top and inner edge. The bamboo had a nice patina to it that showed that it had been someone’s favourite and had been well smoked. The shank end was smooth so a tight fit would be easy to do. It was stamped on the underside of the shank and read BARI [over] Pearl [over] Made In [over] Denmark [over] 7075 which is the shape number. Jeff had reamed and cleaned it before he sent it to me so it was in good shape when it arrived today. When I unpacked the box of bowls this one caught my eye. I wanted to restem it so I pulled it out to work on next. I took a photo of the rim top and edges to show the condition. You can see that it is damaged on the top and both edges. There is some darkening on the top and edges and there are some rough spots around the bowl top and edges. I took a photo of the stamping on the underside of the shank. It reads as noted above. It is clear and readable though faint in spots.I turned to Pipephil to see if I could find information on the Pearl model but there was nothing there on the model (http://pipephil.eu/logos/en/logo-b1.html). I quote from the sidebar below and also have included a screen capture of the information.

Brand founded by Viggo Nielsen in 1950 and sold to Van Eicken Tobaccos in 1978. At this time Age Bogelund managed Bari’s production. The company has been bought in 1993 by Helmer Thomsen. Bari’s second: Don, Proctus. I then turned to Pipedia for some history of the brand and also to see if there as information on the Pearl model (https://pipedia.org/wiki/Bari). I have included the history below. There was also a photo that was done by Smoking Pipes.com and had a copy right so I did not include it. It did help me determine the kind of stem to use on the pipe.

Bari Piber was founded by Viggo Nielsen in Kolding around the turn of 1950/51. Viggo’s sons Kai Nielsen and Jørgen Nielsen both grew into their father’s business from a very young age and worked there till 1975.

Bari had very successfully adapted the new Danish Design that had been started mainly by Stanwell for it’s own models. When Viggo Nielsen sold Bari in 1978 to Joh. Wilh. von Eicken GmbH in Hamburg Bari counted 33 employees.

From 1978 to 1993 Åge Bogelund and Helmer Thomsen headed Bari’s pipe production. Thomson bought the company in 1993 re-naming it to Bari Piber Helmer Thomsen. The workshop moved to more convenient buildings in Vejen. Bogelund, who created very respectable freehands of his own during the time at Bari got lost somehow after 1993.

Bari’s basic conception fundamentally stayed the same for decades: series pipes pre-worked by machines and carefully finished by hand. Thus no spectacular highgrades but solid, reliable every day’s companions.

The most famous series are the smooth “Classic Diamond” and the blasted “Wiking”.

I did a quick Google search for the Bari Pearl pipe and found that Smokingpipes.com had quite a few different shapes of the model. It was interesting that all of them had a single knuckle like the one that I was working on and that the bamboo had been shaped and tapered on the front toward the bowl and toward the shank end. All of them had a vulcanite space on both ends of the bamboo. They were pretty pipes.

I then turned to Pipedia for some history of the brand and also to see if there as information on the Pearl model (https://pipedia.org/wiki/Bari). I have included the history below. There was also a photo that was done by Smoking Pipes.com and had a copy right so I did not include it. It did help me determine the kind of stem to use on the pipe.

The most famous series are the smooth “Classic Diamond” and the blasted “Wiking”.

With that it was time to work on the pipe. I went through my cans of stems and found three possibilities. Two of them were short saddle stems and one was a longer taper stem. I tried all three of them and my daughters and I decided to use the tapered longer one. It is similar in shape to several of the ones I saw in the photos of the Pearl on Google. I lightly sanded the shank end of the stem and the tenon and fit it in the shank of the pipe. I took photos of it to give a sense of the look. The fit against the shank is very good. I reshaped the shank end to make the transition between the shank space and the stem smooth with my Dremel and a sanding drum. I need to fine tune the fit but the look is very good.I filled in some pits on the shank end and on the top of the stem surface ahead of the button using black super glue. I also filled in some damaged spots on the shank end of the stem with the glue. I flattened the repaired areas with a flat file to smooth them out and blend them into the surface. I started sanding the surface smooth with 220 grit sandpaper. I heated some water in a coffee mug and dipped the stem into the boiling water to soften it. Once it was pliable I gave it a slight bend to adjust the look of the shank and stem.I had some more sanding to do at the stem shank transition and the repaired area on the topside of the stem near the button but the fit and shape of the pipe and stem was starting to look very nice. I took photos of the pipe at this point in the process. I set the stem aside for awhile and turned my attention to the bowl. I worked over the rim top and edges of the bowl with 220 grit sandpaper. I smoothed out the nicks on the top and edges and reshaped the inner edge. The rim top and edges looked much better at this point.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. After each pad I wiped the bowl down with a damp cloth to remove the sanding debris. It really took on a shine by the last three sanding pads. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the surface of the briar where it works to clean, restore and preserve the briar. I let it do its magic for 15 minutes then buffed it off with a cotton cloth. The pipe looks incredibly good at this point in the process. With that the bowl had come a long way from when I started working on it. I set it aside and turned my attention to the stem. I sanded the stem surface with a folded piece of 220 grit sandpaper to finish removing the scratch a marks. I started the polishing with 400 grit wet dry sandpaper.I continued to polish the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine and wiped it down with Obsidian Oil one more time. I am excited to finish the restemming and restoration of this Bari Pearl 7075 Bamboo Shank Brandy. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful mixed grain all around it. The polished grain on the pipe looks great with the black vulcanite stem. This smooth Bari Pearl Bamboo Shank Brandy is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 7 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 46 grams/ 1.62 ounces. It turned out to be a beautiful pipe. I will be putting it on the rebornpipes store in the Danish Pipemakers Section soon. If you would like to add it to your collection let me know by email or message. Thanks for your time reading this blog and as Paresh says each time – Stay Safe.

Replacing a tenon and restoring a House of Robertson Rusticated Dublin

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Blog by Steve Laug

The next pipe on the table is a House of Robertson Rusticated Dublin with a tapered, vulcanite Bite Through stem. The rustication on the briar is very tactile and deep. There are grooves around the bowl and shank and those have been deeply rusticated. The pipe is stamped on the left side of the diamond shank and reads House of [over] Robertson. It really is a beautiful pipe and the rustic finish works very well with the diamond twin bore saddle stem. The fellow who sent it to me is a previous customer and in his box were two pipes with a snapped tenon – the Radice (which I have repaired already) and this House of Robertson. This one was quite dirty with a thick cake in the bowl and overflowing onto the rim top. There was some burn damage on the inner edge of the rim around the bowl and the pipe was dull and dusty. The tenon had snapped off cleanly at the shank end with no damage to the briar. The stem had tooth marks on both the top and underside ahead of the button and was also dirty. I took some photos of the pipe before I started my work on it. I took a close up photo of the rim top to show the condition of the bowl and inner edge. You can see the damage on the inner edge of the rim. It will become more evident once the bowl has been reamed and cleaned. The photos of the stem show the tooth marks and chatter on both sides near the button.I took photos of the stamping on the left side of the diamond shank to capture how the classic House of Robertson signature looked.House of Robertson pipes were made by Thayne Robertson in Boise, Idaho. He did some beautiful work and all had the etched stamp on them. I have worked on many of these pipes over the years and done the research on the brand previously. Here is a link to one of the pipes where I have included background information (https://rebornpipes.wordpress.com/wp-admin/post.php?post=60954&action=edit&classic-editor).

“House of Robertson” was in business for many years, but alas, closed their doors in 1999. They were located in Boise, Idaho. They are noted for making rather large and interesting pipes. Thayne Robertson was a Master Mason, AF & AM, and started the shop about 1947 and his son Jon started working there in 1970 when he finished college, along with Thayne’s daughter. Thayne and his son started making the big pipes at that time, and made them together until 1987 when Thayne passed away. Jon kept the store and his sister moved on to other things. The House of Robertson appears to have closed around 1999. https://pipedia.org/wiki/Robertson

I began my work on this pipe by pulling the broken tenon from the shank. I generally use a dry wall screw and twist it into the airway of the broken tenon and wiggle it free. This one was stuck. I put it in the freezer while I had lunch and afterward it came out quite easily. I went through my replacement tenons and found one that would work on this stem. I sanded the broken end of the tenon remaining on the stem with a sanding drum on my Dremel. I also sanded the diameter of the new tenon at the same time to get a good fit in the shank. I took photos of the tenon in the shank at this point to show the fit. I drilled out the airway on the stem with successively larger drill bits to accommodate the tenon. The last bit was ¼ inch which is perfect for the tenon. I slipped the stem over the tenon and took photos of the pipe at this point. It looks very good. With that done I turned my attention to the bowl. I reamed it with a PipNet reamer and took the cake back to briar. I cleaned up the remnants with a Savinelli Fitsall pipe knife. I sanded the bowl walls with a piece of dowel wrapped with 220 grit sandpaper. I cleaned up the rim top with a brass bristle wire brush to remove the lava in the sandblast and a bit of the burn damage on the inner edge of the bowl.I cleaned out the internals on the stem and shank with pipe cleaners, cotton swabs and alcohol until they were clean.I rubbed down the bowl with Before & After Restoration Balm to clean, enliven and protect the briar. I worked it into the blast with a horsehair shoe brush. I let it sit and do its magic for 10 minutes and then buffed it off with a soft cloth.I set the bowl aside and turned my attention to the vulcanite stem. I glued the new tenon in the shank with black super glue. While it cured, I “painted” the surface of the vulcanite stem with the flame of a lighter to lift the tooth chatter and marks. Many of them lifted significantly with the heat. Those that remained I filled in with black super glue and set the stem aside to cure. Once it had cured I flattened out the repairs with a small flat file. I sanded them with 220 grit sandpaper to further flatten them out and blend them into the surrounding area. I started polishing the stem with 400 grit wet dry sandpaper. I polished the vulcanite bite through stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with Obsidian Oil. I finished the polishing with Before & After Stem Polishes – both Fine and Extra Fine. I wiped the stem down with a cloth impregnated with Obsidian Oil to protect and give the deep shine to the stem. I was happy to be finished with this beautiful House of Robertson Rusticated Diamond Shank Dublin. The vulcanite stem fit well and looked good with the rich finish of the rusticated bowl and shank. I lightly buffed the pipe with Blue Diamond on the buffing wheel and gave the bowl and shank multiple coats of Conservator’s Wax. I buffed it with a clean buffing wheel to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The House of Robertson’s Dublin is a great looking pipe that has an amazing looking rustication. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outer Diameter of the bowl: 1 ½ inches, Diameter of the chamber: ¾ of and inch. The weight of the pipe is 42 grams/1.48 ounces. I will be packing it up to send back to my friend in Idaho along with the first pipe – the Radice Silk Cut Billiard. Thanks for reading the blog.

Replacing a tenon and restoring a Radice Silk Cut Billiard

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Blog by Steve Laug

The next pipe on the table is a Radice Sandblast Billiard with a faux Bamboo shank. The briar has been carved to look like a piece of Bamboo but is actually briar. The pipe is stamped on the heel and reads Radice [over] Silk Cut and on the underside of the shank end it reads Hand [over] Made in Italy. It really is a beautiful pipe and the combination of “Bamboo” and the sandblast works really well the tapered acrylic stem. The fellow who sent it to me is a previous customer and in his box were two pipes with a snapped tenon – the Radice and a House of Robertson. This one was quite dirty with a thick cake in the bowl and overflowing onto the rim top. There was some burn damage on the inner edge of the rim at the back of the bowl and the pipe was dull and dusty. The tenon had snapped off cleanly at the shank end with no damage to the briar. The stem had tooth marks on both the top and underside ahead of the button and was also dirty. I took some photos of the pipe before I started my work on it. I took a close up photo of the rim top to show the condition of the bowl and inner edge. You can see the damage on the back inner edge of the rim. It will become more evident once the bowl has been reamed and cleaned. The photos of the stem show the tooth marks and chatter on both sides near the button.I took photos of the stamping on the heel of the bowl and the shank end to capture how it looked.I began my work on this pipe by pulling the broken tenon from the shank. I generally use a dry wall screw and twist it into the airway of the broken tenon and wiggle it free. This one came out quite easily. I went through my replacement tenons and found one that would work on this stem.I sanded the broken end of the tenon remaining on the stem with a sanding drum on my Dremel. I also sanded the diameter of the new tenon at the same time to get a good fit in the shank. I took photos of the tenon in the shank at this point to show the fit. I drilled out the airway on the stem with successively larger drill bits to accommodate the threaded end of the tenon. The last bit was ¼ inch which is perfect for the tenon. I slipped the stem over the tenon and took photos of the pipe at this point. It looks very good. With that done I turned my attention to the bowl. I reamed it with a PipNet reamer and took the cake back to briar. I cleaned up the remnants with a Savinelli Fitsall pipe knife. I sanded the bowl walls with a piece of dowel wrapped with 220 grit sandpaper. I cleaned up the rim top with a brass bristle wire brush to remove the lava in the sandblast and a bit of the burn damage on the back inner edge of the bowl.I cleaned out the internals on the stem and shank with pipe cleaners, cotton swabs and alcohol until they were clean.I rubbed down the bowl with Before & After Restoration Balm to clean, enliven and protect the briar. I worked it into the blast with a horsehair shoe brush. I let it sit and do its magic for 10 minutes and then buffed it off with a soft cloth. I set the bowl aside and turned my attention to the acrylic stem. I glued the tenon in the stem with Black Super Glue. While it cured I worked on the tooth marks in the stem.I cleaned up the tooth marks with alcohol and a cotton swab. I filled them in with black super glue and set it aside to cure.Once it had cured I flattened out the repairs with a small flat file. I sanded them with 220 grit sandpaper to further flatten them out and blend them into the surrounding area. I started polishing the stem with 400 grit wet dry sandpaper. I polished the acrylic stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with a damp cloth. I finished the polishing with Before & After Stem Polishes – both Fine and Extra Fine. I wiped the stem down with a cloth impregnated with Obsidian Oil to protect and give the deep shine to the stem. I was happy to be finished with this beautiful Radice Silk Cut Billiard. The stem fit well and looked good with the rich finish of the sandblast bowl and faux bamboo shank. I buffed the pipe with Blue Diamond on the buffing wheel and gave the bowl and shank multiple coats of Conservator’s Wax. I buffed it with a clean buffing wheel to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The Radice is a great looking pipe that ticks all of my boxes. The dimensions of the pipe are Length: 5 inches, Height: 2 inches, Outer Diameter of the bowl: 1 ½ inches, Diameter of the chamber: 7/8 of and inch. The weight of the pipe is 48 grams/1.69 ounces. I will be packing it up to send back to my friend in Idaho once I finish the second pipe he sent. Thanks for reading the blog.

Restemming & Restoring a Stanhope Genuine Imported Briar Smooth Bullmoose

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Blog by Steve Laug

I continue on a restemming binge with stummels (bowls) that I periodically go through and see if I have a potential stem that would fit. This is the final bowl of the three stummels that took out to restem last week. The first one was the Malaga Second, the second was a Yorkshire Bullmoose. (https://rebornpipes.com/2022/01/20/restemming-restoring-a-malaga-second-long-shank-billiard/; https://rebornpipes.com/2022/01/21/restemming-restoring-a-yorkshire-imported-briar-bullmoose/). This particular bowl is a smooth Bullmoose style pipe. The grain on the bowl was quite nice with a mix of straight and birdseye. The rim top had some darkening but the inner and outer edges were in good condition. The interior of the bowl was clean and there were not any chips, cracks or checking on the walls. The mortise was clean and well drilled with no issues. The finish was clean and the grain stood out against the light background. It is worn and tired looking. The stamping was clear and readable. On the left side it read Stanhope [over] Genuine [over] Imported Briar. I took photos of the bowl before I started to work on it. I took a photo of the stamping on the side of the shank. It reads as noted above and is clear and though the Stanhope stamp is faint it is still readable.I went through some of stems and found this nice looking saddle stem blank that would work with the bowl. It had already been turned with a tenon tool so that portion of the work was finished. I would need to reduce the tenon diameter slightly for a snug fit. The stem was significantly larger in diameter than the shank. I decided to see what Pipephil’s site had on the brand (http://pipephil.eu/logos/en/logo-s11.html). I found that the pipe was made by LHS (L.H. Stern). I did a screen capture of the particular brand. I have included it below. Now it was time to work on the stem and fit it to the shank of the pipe. The diameter of the tenon was close. I used a flat file that I have here that works well for me to do the fine tuning of the fit. I used it to straighten out the sides of the tenon next to the surface that face the shank. It worked well and fit the shank. I used a Dremel and sanding drum to reduce the diameter of the stem as much as possible before I proceeded. I ran the sanding drum around the diameter of the saddle portion and stem sides to reduce it the also worked it lengthwise to remove more of material. The photos below show the fit at this point. Looking better but still a long ways to go. I continued to reduce the diameter of the stem with a flat file. It was taking quite a bit of time to finish the fit but it was getting there. I think that the stem would look very good once it was properly fit. The fit against the shank was better. There were spots where the stem diameter and the shank diameter did not match were greatly reduced. I used a folded piece of 220 grit sandpaper to smooth out the transition even more between the two. I left a slight Danish style flare to the flow of the saddle. I started polishing it with 400 grit wet dry sandpaper. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with a cloth and Obsidian Oil. I finished the polishing with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil. I set the stem aside and turned my attention to the bowl. I started by cleaning up the rim top and edges with a folded piece of 220 grit sandpaper. I was able to remove the darkening on the rim top and the inner edge of the bowl.I polished the briar with micromesh sanding pads – dry sanding with 1500-120000 grit pads. I wiped the bowl down after each pad with a damp cloth. The grain began to stand out and the briar took on a shine. I worked some Before & After Restoration Balm into the surface of the smooth briar with my finger tips and a horsehair shoe brush. The product is amazing and works to clean, enliven and protect the briar. I let it sit on the briar for 10 or more minutes and then buff it off with a soft cloth. It really makes the grain sing. Now it was time to bent the stem to fit the flow of the pipe. I heated the stem with a heat gun on the low setting until the vulcanite was pliable. I bent it to proper angle and then set it with cool water. I put the pipe back together – the bowl with its new stem. This smooth finished Stanhope Genuine Imported Briar Bullmoose is a real beauty and the chosen stem works well with it. It is an American made pipe with connections to L.H. Stern. The grain on the bowl is quite beautiful and came alive with the buffing. I used Blue Diamond on the buffing wheel on both the bowl and stem. I gave both multiple coats of carnauba wax on the wheel then buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfibre cloth to deepen the shine. The Stanhope Bullmoose feels great in the hand. It is lightweight and the contrast in the browns of the briar and the polished vulcanite stem is quite amazing. The dimensions of the pipe are Length: 5 inches, Height: 1 ½ inches, Outer diameter of the bowl: 1 ¾ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 1.69 ounces/48 grams. It really is a beauty. I will be putting it on the rebornpipes store in the American (US) Pipe Makers section shortly if you are interested in adding it to your collection. Thanks for walking through the restemming and the restoration with me. Cheers.

Restemming & Restoring a Yorkshire Imported Briar Bullmoose

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Blog by Steve Laug

I continue on a restemming binge. I have a box of stummels (bowls) here that I periodically go through and see if I have a potential stem that would fit them. This is the second of the three stummels that took out to restem. The first one was the Malaga Second (https://rebornpipes.com/2022/01/20/restemming-restoring-a-malaga-second-long-shank-billiard/). This particular bowl was a bit of a mystery to me. I honestly don’t remember where or when we picked it up but we had reamed and cleaned it before boxing it. It has a mix of smooth and Custom-Bilt style rustication on the bowl and shank. There were some deep groves and valleys around the bowl and rim. The grain on the smooth portions was quite nice worked well with the deep worm trail style rustication and craters. The rim top and edges were in good condition. The interior of the bowl was clean and there were not any chips, cracks or checking on the walls. The mortise was clean and well drilled with no issues. The finish was clean and the fills in the rustication stood out clearly in contrast to the dark stain. The stamping was clear and readable. On the left side it read Yorkshire (in old English Script) [over] Imported Briar. I took photos of the bowl before I started to work on it. I took a photo of the stamping on the side of the shank. It reads as noted above and is clear and though the Yorkshire stamp is faint it is still readable. I took some photos of the putty fills around various parts of the bowl and shank. Interestingly they were in the rusticated portions of the bowl – probably by design. They would need to be stained to blend them into the surrounding briar.I went through some of stems and found this nice looking taper stem blank that would work with the bowl. It had already been turned with a tenon tool so that portion of the work was finished. I would need to strip back the casting materials on the button and sides of the stem and reduce the tenon diameter slightly but the diameter of the stem itself was very close to that of the shank.I decided to see what Pipephil’s site had on the brand (http://pipephil.eu/logos/en/logo-y.html) and interestingly found two different Yorkshire Brands. The first had a plain stamp on the side of the shank that did not match the one I was working on. The second on had the same Old English Style stamp over Imported Briar. The difference of course was the one in the photo below was an all briar pipe. The one I had was a Custom-Bilt style that would have had a vulcanite stem.I followed the clue on the above screen capture and turned to the section on Barnaby Briars (http://pipephil.eu/logos/en/logo-b1.html#barnaby). There I found out that the company was a Smoking Pipe Retailer located at 28 Powell Str., Brooklyn (NY). They must have had the pipes made by someone else but they carried both the Barnaby Briar and the Yorkshire Imported Briar.Now it was time to work on the stem and fit it to the shank of the pipe. The diameter of the tenon was close. I used a flat file that I have here that works well for me to do the fine tuning of the fit. I used it to straighten out the sides of the tenon next to the surface that face the shank. It worked well and looked much better.I cleaned up the file marks with 220 grit sandpaper and the tenon fit well in the mortise. The fit against the shank was clean but there were spots where the stem diameter was slightly larger than the shank diameter. I worked these over with the file to clean up the transition. The photos below show the fit at this point. Looking better but still a long ways to go. The fit against the shank was better. There were spots where the stem diameter and the shank diameter did not match were greatly reduced. I used a folded piece of 220 grit sandpaper to smooth out the transition even more between the two. I started polishing it with 400 grit wet dry sandpaper. With the fit against the shank and diameter corrected and the stem sanded with 220 and 400 grit sandpaper it was now time to bent the stem to fit the flow of the pipe. I heated the stem with a heat gun on the low setting until the vulcanite was pliable. I bent it to proper angle and then set it with cool water. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with a cloth and Obsidian Oil. I finished the polishing with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil. I set the stem aside and turned my attention to the bowl. I started by touching up the visible fills. I used a Walnut Stain Pen to fill them in to match the other worm trail rustication around the shank and bowl sides. Once it dried the match was perfect. I worked some Before & After Restoration Balm into the surface of the smooth briar with my finger tips and a horsehair shoe brush. The product is amazing and works to clean, enliven and protect the briar. I let it sit on the briar for 10 or more minutes and then buff it off with a soft cloth. It really makes the grain sing. I put the pipe back together – the bowl with its new stem. This restored Partially Rusticated Yorkshire Bullmoose is a real beauty and the chosen stem works well with it. I don’t have a lot of information on the maker other than it is American made. The grain on the smooth portions of the bowl is quite beautiful and the deep worm trails and rugged crevices came alive with the buffing. I used Blue Diamond on the buffing wheel on both the bowl and stem. I gave both multiple coats of carnauba wax on the wheel then buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfibre cloth to deepen the shine. The Yorkshire Bullmoose feels great in the hand. It is lightweight and the contrast in the browns of the briar and the polished vulcanite stem is quite amazing. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outer diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 2.19 ounces/63 grams. It really is a beauty. I will be putting it on the rebornpipes store in the American (US) Pipe Makers section shortly if you are interested in adding it to your collection. Thanks for walking through the restemming and the restoration with me. Cheers.