Tag Archives: restaining

Restemming a GBD International London Made – 508 Bent Billiard

Blog by Steve Laug

Quite a while ago now my brother Jeff picked up a handful of pipes from an antique shop in Montana. There were quite a few GBD pipes in the lot. One of them was this GBD International bent billiard. It came with a gnawed off stem that was irreparable. The bowl was caked and dirty and the rusticated/plateau top was filled with grime to the point that it was almost smooth. The bowl looked good under the grime and the finish looked salvageable. The pipe was stamped GBD in an oval over International over London Made on the left side of the shank. On the right side it was stamped with London England over the shape number 508. I failed to take photos of the bowl before I cleaned it up as I was on a roll with about four bowls going at the same time. Here is what it looked like after I had wiped it down with alcohol. I scrubbed the plateau top with a brass bristle brush and some Murphy’s Oil Soap. I rinsed it down with cool water and dried it off. It is in very good shape. I had reamed the bowl with a PipNet reamer and cleaned out the shank and the bowl. I went through my stem can and had several potential stems there. I chose one that was slightly larger in diameter than the shank. I had to shorten the tenon as it was too long to sit correctly in the shank. With the tenon shortened the stem fit nicely in the mortise. The diameter was close and I would adjust it to fit.The stem was a used one that I recycled and it had one deep bit mark on the top side near the button. I sanded it smooth and cleaned it before I filled it in with black super glue. Once the glue cured I sanded the repair with 220 grit sandpaper to smooth it out. I used the Dremel and sanding drum to reduce the diameter of the stem. I sanded it with 220 grit sandpaper until the transition was smooth. I wiped down the bowl with acetone on cotton pads to clean off the remaining grime before restaining the rim with a Black Sharpie. I heated the stem over a heat gun until it was pliable and bent it to the proper angle. I set the bend with cold water. I sanded the stem with 220 grit sandpaper to remove the scratches left behind by the Dremel and smooth out the flow of the stem. I sanded the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads. I rubbed the stem down with Obsidian Oil and then dry sanded it with 3200-4000 grit pads. I gave it another coat of oil and then finished sanding it with 6000-12000 grit pads. I gave it a final coat of oil and let it dry. I buffed the bowl and stem with Blue Diamond on the buffing wheel and then gave the pipe multiple coats of carnauba wax. I buffed it with a clean buffing pad and then hand buffed it with a microfibre cloth. The finished pipe is shown in the photos below. The grain on this pipe is spectacular – great birdseye on the sides and cross grain on the front, back and bottom. The plateau or rustication on the rim that I stained black gives it a unique look. I think it is a beauty! Thanks for looking.

A Ruined Stanwell Handmade 80R Bent Billiard – another ugly duckling

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Blog by Steve Laug

Out of the three pipes from the “hackster” – the cut off Rhodesian, the coffee grounds Dublin and this Stanwell 80R Bent Billiard I have to say that the work he did on this one was by far the worst abomination. This pipe is stamped Stanwell Hand Made 80R Made in Denmark on the underside of the shank. It was a sandblast brown contrast bent billiard that would have been beautiful when it was made. The “hackster” decided to improve upon the finish and believe it or not he desecrated the pipe. He used a Dremel or sander to remove the majority of the sandblast finish leaving a dab of it on the back of the bowl at the joint of the shank and the bowl and a dab on the front side about 1 inch long from the rim. In removing the blast he completely ruined the shank leaving a thick band near the stem and the two thick sandblasted dabs. He sanded off the blast on the shank leaving it looking anemic and awful. He ruined the shape of the bowl and left it totally out of round on the outside. He also over reamed the bowl with what looked like a Dremel and sanding drum and took the bottom of the bowl almost ¼ inch below the entrance of the airway.

He did not leave the stem safe either he reshaped the button by removing the majority of the sharp edge. Then to add insult to injury he left the stamping intact on the bottom of the shank giving credit to Stanwell for the ruination of this fine briar pipe. It went from handmade to hand ruined. Over the entire bowl and slopping onto the stem was a thick coat of shellac. Runs and drips had hardened. The file and Dremel marks were held in perpetuity under a thick coat of shellac. That is where I started with this abomination. The question was could I do anything to redeem this mess. I took some photos of the stem and the left over sandblast sections. There is also a photo of the rim shows the out of round condition of the outer edge of the rim. I sanded off the remaining sandblast sections on the bowl and shank and rounded the bowl with a Dremel and sanding drum. I used the Dremel to reshape the shank and the bowl and shank. The damage done to the shank made it necessary to shape the stem into an oval instead of a round. With the rough shaping work done there was a lot of fine tuning to be done to the shape of the bowl. I topped the bowl with a topping board and 220 grit sandpaper to remove the deep saw and file marks and to flatten the surface. I sanded the areas on the bowl where I left the shellac and existing finish until they were smooth as well. I left the band on the bottom of the shank where the faint stampings that the “hackster” had left behind remained. I had still not decided whether to remove them as the pipe was certainly not a Stanwell any longer and when I was finished reclaiming it the pipe would be two times removed from the pipe that came out of the Stanwell factory. I hand sanded the bowl and shank with 220 grit sandpaper to further shape it. I sanded the stem as well to remove the damage that had been done to it and also to reshape it to the oval shank. I worked on the outer edge of the rim and shaped the bowl with 220 grit sandpaper. Fortunately, the inner beveled rim was undamaged. The bottom of the bowl was a mess that I would need to fill with pipe mud to restore the depth of the bowl to the bottom of entry of the airway into the bowl.I sanded the bowl and shank with a coarse grit sanding block to smooth out more of the curves. The larger surface of the block ensures and evenness to the contours of the bowl and shank. I used the heat gun to bend the end of the stem to the angle that would have originally been present when the pipe left Denmark. I sanded the stem and bowl further with sandpaper and gradually the pipe was taking shape. The swan was beginning to appear. During the sanding process I found that there were several flaws in the briar and at least one fill. During the course of the sanding these may well disappear. Overall this is a nice piece of briar with enough meat on it that I can still end up with a nice pipe.I cleaned out the shank and the airway to the bowl and in the stem with alcohol, pipe cleaners and cotton swabs. It was amazingly dirty for a pipe that had been “refurbished”. The “hackster” had left the inside absolutely filthy while destroying the outside of the bowl and stem. I continued to sand the bowl and stem with a coarse grit sanding block to remove the remaining scratches left behind by the Dremel and sanding drum. Gradually the swan was beginning to emerge. I was getting excited about what this one was going to look like when it was finished. There was some nice grain emerging as I sanded. I sanded the bowl with micromesh sanding pads to further remove the scratches. I wet sanded the bowl with 1500-2400 grit pads and sanded until the grain began to shine. I dry sanded with 3200-12000 grit pads and then rubbed on a coat of Danish Oil Cherry stain. I gave the bowl several coats of the finish and then set it on a cork stand to dry over night. I cleaned up the sharp edge of the button with needle files to redefine it as the shape was blurred into the body of the stem. I shaped the button with 220 grit sandpaper at the same time to give it definition. I sanded the file marks out with 220 grit sandpaper to blend the edge of the cut into the surface of the stem. I wet sanded the stem with 1500-2400 grit micromesh sanding pads and then gave the stem a coat of Obsidian Oil. I dry sanded with 3200-4000 grit pads and gave it another coat of oil. I finished by sanding with 6000-12000 grit pads and giving it a final coat of oil. I set the stem and pipe aside for the night. In the morning I buffed the bowl and stem with Blue Diamond on the wheel to bring out the shine and then gave the pipe several coats of carnauba wax. I buffed it with a clean buffing pad and then by hand with a microfibre cloth. The finished pipe is shown in the photos below. To me it looks far better than the mess I started with but what is your verdict? Did a swan emerge? The pipe certainly has some nice grain and the flaws are small in comparison to the overall look of the pipe. Thanks for looking.

Bringing New Life to a Yello-Bole Metal

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Blog by Steve Laug

My brother found this older Yello-Bole metal pipe. It is a lot like the older Grabow Vikings but the bottom of the bowl is different from the Grabow. Between the bowl and the metal base there is a flat perforated screen or disk that the tobacco sits on. It acts as the bottom of the bowl. The wooden bowl itself is a threaded tube that screws into the base. There are two pin holes on the sides of the base (one on each side about mid base below the bowl). These serve as openings to draw air into the bowl. This one was in decent shape and would take a little work to clean up. The photos below were provided by the eBay seller and show the state of the pipe. From the first two photos below you can see the wear on the stem and the white calcification that generally builds up under a rubber softee bit. The finish on the bowl is shot. There is nothing but bare briar showing. The outer edge of the rim looks good. The next two photos give a top and underside view of the pipe. You can see the ring of cake in the bowl around the middle and lighter on the top and bottom edges. You can see the metal disk in the bottom of the bowl. I have purchased a few of these over the years and almost all of them were missing the metal disk that sat in the base between the bowl and base. The stem shows some tooth marks on the top and underside. The final photo included by the seller showed the stamping on the underside of the base. It read Yello-Bole horizontally along the bottom of the shank. It also gave the patent number on the bottom of the base. It read PAT. over 2467002 over PAT. PEND. That was enough data to do a patent search on the US Patent Information site. http://www.uspto.gov/patents-application-process/search-patents. From there I copied the patent drawing and included it below.The diagram and the accompanying documents show the conceptual and descriptive narrative of what the pipe was about and what its maker hoped to achieve with his design. The inventor was a Samuel Laurence Atkins of New York. He filed his patent application on July 14, 1945. The patent was granted April 12, 1949. The pipe that I have is stamped Patent Pending thus it is easy to extrapolate that it was made between the dates July 14, 1945 and April 11, 1949 which are the dates before the patent was granted. That makes this pipe between 67-71 years old. It is in pretty decent shape for a pipe of that age. I took the following photos when the pipe arrived. The seller’s photos were pretty good at showing the issues with the pipe. All the things noted above were correct. The pipe was quite easy to take apart. I unscrewed the bowl and tapped out the disk in the base. The stem came out of the shank with little effort. I took the photo below to show the parts. The second photo shows the cake in the bowl. I started the clean up with reaming the bowl. I used the PipNet reamer and the largest cutting head to ream from the top of the bowl. I used the second head to ream the bowl from the bottom. I reamed it back to bare briar. There was still some of the signature Yello-Bole bowl coating showing near the top just below the rim. I scrubbed the bowl base with a brass bristle brush to loosen up the dried tars and oils in the base. I used a dental pick to clean out the threads. I also scrubbed the disk with the brush. I used pipe cleaners, cotton swabs and alcohol to clean the surface of the disk and the inside of the base and airway.

I scrubbed the interior and exterior of the stem with alcohol and pipe cleaners to remove the build up on the outside and the oils on the inside.With the cleanup finished I set the parts on the table and took a few photos of the cleaned up pipe. Now it was time to restore it. I wiped down the bowl with cotton pads and acetone to remove the grime and the remaining finish on the bowl.

I stained the bowl with a dark brown stain pen. I buffed the bowl with red Tripoli to spread and polish the stain. I buffed it with Blue Diamond and rubbed the bowl down with a light coat of olive oil. At this point in the process the bowl and the metal base was complete. I took the following photos to show the state of the progress thus far. I cleaned the stem and used a clear super glue to repair the deep tooth marks in the top and underside of the stem near the button. I sanded the repairs with 220 grit sandpaper to blend it into the surface of the stem. I worked on the stem with micromesh sanding pads. I wet sanded with 1500-2400 grit sanding pads and then rubbed the stem down with Obsidian Oil. I wet sanded with 3200-4000 grit pads and gave it another coat of oil. I finished by dry sanding with 6000-12000 grit pads. I gave it a final coat of oil and let it dry. I buffed the bowl and stem with Blue Diamond on the wheel and then gave both multiple coats of carnauba wax. I buffed it with a clean buffing pad and then by hand with a microfiber cloth. The finished pipe is shown in the photos below. Thanks for looking.

Replacing a Tenon and Doing a Restoration on a Sorrentino Manager 0704

6 Replies

Blog by Steve Laug

I received this one from a fellow who wanted the tenon replaced but being the way I am I could not just replace the tenon and leave the pipe looking tired and worn so I wrote and offered to clean it up for him. It took more work than I had originally thought it would but the added effort made for a beautiful looking pipe. It is stamped on the left side of the shank MANAGER over SORRENTINO. On the right side it says 0704 which is the shape number and Italy. The briar was really in need of some work. The left side was stained with a dark patch that ran from the top to the bottom of the bowl. The finish was also rough to the touch over that section. On the bottom, front and right side of the bowl there was a lot of dents and dings like the pipe had been dropped. The rim had a coat of lava and the bowl had a very uneven cake with more on the left side of the bowl than the right. The finish was basically shot. The stem came with lots of tooth chatter and a broken tenon. The tenon snapped right at the shank and was stuck in the shank. The brass band on the shank was loose. The pipe was tired and needed some TLC. Here is what it looked like when I started. In the photos above I had already turned the wood screw into the broken tenon. I use that to pull a broken tenon and it never disappoints in effectiveness. Note the state of the bowl in the photos.I used a Dremel and sanding drum to flatten out the remnant of the broken tenon on the stem. Once it was flat it was time to drill the stem to take the new tenon. I started with a bit slightly larger than the airway to center the drilling and turned the stem onto the bit by hand. I find that though it is harder to do it by hand, turning it by hand and not drilling it gives me more control of the stem. I worked my way up to a ¼ inch bit and then cleaned it out with a needle file. I had a Delrin tenon I purchased from Tim at JH Lowe and I roughed up the surface of the portion that would go into the stem and gave it a coat of two part slow drying epoxy to hold it in place. I lined up the stem in the shank and then set it aside to let the epoxy cure over night. While it dried I worked on the bowl. I stripped off the remaining finish with acetone and cotton pads. I sanded the dark stain mark on the left side of the bowl with 220 grit sandpaper to remove the damaged briar and smooth things out. I scrubbed that side with acetone to finish. I reamed the bowl with a PipNet reamer to even out the cake that had been there. I decided to strip it back to bare wood. I wanted to check out the inside of the bowl walls. The interior was sound and there was no damage on the bowl walls. I sanded the bowl with 1500-2400 grit micromesh sanding pads to clean up the scratches left behind on the briar by the sand paper and by the wear and tear of age. The stripped and sanded bowl was looking pretty good. I sanded the inner bevel of the rim to clean it up and prepare the bowl for staining. I wiped it down a final time with isopropyl alcohol. I stained the bowl with a dark brown aniline stain. I flamed it and restained it with a second coat of the stain. I flamed it again. Before setting the bowl aside to dry I wiped it down with alcohol on a cotton pad to smooth out the stain and lighten it slightly. I wanted the grain to show through.I buffed the bowl with Blue Diamond on the buffing wheel and gave it several coats of carnauba wax to seal and preserve the finish. I buffed it with a clean buffing pad to raise the shine. (Forgive the poor focus on the first photo below. It is blurry but still gives you an idea of how the dark area had been reduced.) With the bowl finished I set it aside and worked on the stem. I sanded the tooth marks and chatter on the stem with 220 grit sandpaper until they were smoothed out. I was able to easily remove most of the tooth damage to the stem. There was one small tooth dent on the top of the stem that I left as it is minimal and I did not want to thin the stem. I wet sanded the stem with 1500-2400 grit micromesh sanding pads. I dry sanded it with 3200-4000 grit pads. I finished with 6000-12000 grit pads. I buffed the stem with Blue Diamond on the wheel. I put the pipe together and lightly buffed it with some more carnauba wax to finish it. I hand buffed it with a microfibre cloth for the final buffing. The photos below show the finished pipe. Hopefully when it is returned to the pipeman who owns it he will be pleased with the finished pipe. Thanks for looking.

A Restoration Project – A Small Bent Billiard from a Past Era

16 Replies

Blog by Steve Laug

When I saw this pipe on Ebay I decided I wanted to have it in the collection. The seller said the stem was amber and it may be though I am thinking it is more of an Amberoid. The bowl had a fill on the back left side at the shank bowl junction. The band on the shank was rotated to the right and a little loose. The finish was worn and dirty. The rim was covered in tars and lava and the bowl was caked and half filled with the last unfinished bowl of tobacco. There was no information from the seller as to stampings or markings on the bowl or shank. It appeared to be a no name pipe. The seller thought the stem was horn or amber but it did not look like that to me. The stem looked to be in decent shape though it had tooth marks on the top and the underside near the button. The stem was very dull in appearance and the airway was black. The case was in decent shape with a lot of ash and detritus from the years. All in all the pipe was tired but it looked to be easily restorable. The photos below came from the seller. The next two photos show the stem damage. It does not appear to be extensive more chatter than any deep bite marks. The way the marks look on the stem it looks to me that the stem is amberoid or Bakelite not amber or horn. The pipe is diminutive – a small one all the way around. It is well proportioned but is 4 inches long with a bowl height of 1 ½ inches. The inside diameter of the bowl is 5/8 inches.The seller also included several close up photos – one of a large fill on the back left side of the bowl. It appeared to be tight and smooth but I would know more once I cleaned up the bowl. The other photo was of the metal band. It was stamped with faux hallmarks and an EP in a diamond that signified that the band was electroplated. The case was in decent shape for a pipe this age.When the pipe arrived I unpacked it and took it out of the case and took a few photos of my own to confirm my assessment from the seller’s photos. The pipe was solid and clean. The finish was worn and tired – dirty but would clean up nicely. The lava on the rim and the damage to the rim edges would need some work. The stem was not amber or horn but amberoid or Bakelite. It had some interesting swirls and would clean up nicely. The material on the inside of the case had a lot of ash and was dirty but intact. I removed the stem from the shank and was surprised that I was able to unscrew the bone tenon from the stem. It was a little sticky but with a bit of wiggling it came free.With the stem out I worked on the inside of the stem. The airway was almost black with tars and oils. I wanted to clean out the stem as much as possible and bring it back to a clean airway that blended with the stem material. I used alcohol, pipe cleaners and cotton swabs. The photo below shows the first stage of the cleaning. Following the scrubbing I also used Barkeepers Companion with pipe cleaners dipped in it and using that to scrub out the airways. I was able to clean out the majority of the stains. I reamed the bowl with a PipNet reamer and took the cake back to bare briar. To clean up the rim I topped it with 220 grit sandpaper. I was able to take off all of the lava and cleaned up the edges of the rim. I sanded the inside edge of the rim with a folded piece of sandpaper. I cleaned up the rough edges and the inside of the bowl. I scrubbed the exterior of the bowl with acetone on cotton pads. It removed the finish and the grime from the bowl. I removed the loose band and cleaned the outside of the shank. I reglued the band with Wellbond white all purpose glue.I cleaned out the inside of the mortise and airway with cotton swabs, pipe cleaners and alcohol.I used a black Sharpie to hide the fill on the back of the bowl and then stained the pipe with Dark Brown aniline stain. I flamed it and restained and reflamed it. I sanded the tooth chatter with 220 grit sandpaper to remove it. I wet sanded the stem with 1500-2400 grit micromesh sanding pads to begin the process of polishing the stem. I rubbed it down with Obsidian Oil and then dry sanded it with 3200-4000 grit pads. I gave it another coat of oil and then sanded it with 6000-12000 grit pads. I gave it a final coat of oil and let it dry. I lightly buffed the stem and bowl with Blue Diamond and then gave the pipe several coats of carnauba wax. I buffed it with a clean flannel buffing pad and then with a microfibre cloth. I brushed out the inside of the case with the shoe brush to remove the dust and ash. The finished pipe is shown in the photos below. This is a great old pipe and one that will hold a spot in my collection. I will keep it in trust, using it and caring for it until I pass it into the hands of the next pipe man. Thanks for looking.

This one was a labour of love – A Custombilt Bullmoose

3 Replies

Blog by Steve Laug

My brother sent me a pipe that is a shape I have had two previous times and always sold or gifted. It is a Bullmoose or a Scoop shape. Tracy Mincer did a great job with this shape and it is one I have never seen repeated as chunky as he did them. This one was stamped on the right side of the shank with the words Custombilt over Imported Briar. The pipe was solid but dirty. The stem would not push into the shank and the grooves and trails in the briar were dusty. The bowl had a thin, uneven cake in it and the lava overflowed slightly onto the rim leaving a thin coat of tars and oils. There were some dings and dents in the smooth parts of the pipe and the finish was worn. There were some fills in the grooves that showed through the worn finish. Overall it was in good shape. The stem had tooth chatter on the top and bottom sides with a few deeper tooth marks near the button. The photos below show what the pipe looked like when I started working on it. I took a few close-up photos of the bowl rim, front and back views and the stem to show what I had to deal with in the restoration of this one. The stamping gave me a bit of information on the date of the pipe. The one word Custombilt stamping rather than the Custom-Bilt stamping would help to pin down the date a bit. I decided to pause a few moments and do a bit of reading to help narrow down the date. I looked on one of my go to resources – Pipedia.org. I also have Bill Unger’s book but it is packed away at the moment and this article on pipedia quotes extensively from the book. Here is the link to the article: https://pipedia.org/wiki/Custom-Bilt

Under the heading, Custom-Bilt History is the following information.

“The book (Bill Unger’s Book, my comment) opens up with an intriguing statement that unfortunately is never fully followed up: Before beginning this history, I need to emphasize an important fact and to ask the reader to keep it firmly. Spelling-Custom-Bilt, Custombilt, and other variations-is extremely important to the various aspects of the following discussions. It was not, however, important to many people in the company’s early days. [Emphasis mine] {Page 9}.”

“Tracy Mincer started the original Custom-Bilt pipes it appears in 1934. Bill meticulously details the start of the Company, how it was financed, the changes in the original ownership, how the company distributed its product, the manufacturing process, certain patented items, and other interesting stuff… In 1946, the name was changed to Custombilt after Mincer began an association with Eugene J. Rich, Inc. (my emphasis). There were some big changes in advertising and distribution. The slogan “AS INDIVIDUAL AS A THUMBPRINT” began at this time as well.”

“In the early 1950’s, Tracy Mincer developed severe financial problems that caused him to stop making the Custombilt, and he lost the name. In 1953, Leonard Rodgers bought the company and emphasized tobacco pouches and butane lighters. (However, it appears Mincer was working on his new pipe, the Doodler.) In 1968, Rodgers sold the Company to Consolidated Cigars. In the early 1970s, Wally Frank Co. bought the Custombilt trademark and began to produce their version of the pipe in 1974 or 1975. Hollco Rohr owned the Weber pipe factory, located in New Jersey, and produced the Custombilt pipes there. In 1987, the pipes were made out of the Butz-Choquin factory (France) and then Mexico until the late 1990s. Currently, the Custombilt name is owned by Tobacalera of Spain.”

From this information I am pretty sure my pipe is made after the change in 1946 and before Tracy Mincer lost the name in the early 1950s. It has the characteristic Mincer like rustication patterns and shape. It could very well be from the Rich era of the brand.

I went to work cleaning up this old timer. I scrubbed the bowl with a toothbrush and Murphy’s Oil Soap. I was able to clean out the rustication and the grooves with this method. I rinsed the bowl under warm water to remove the soap and the grime. The first picture shows the soap on the bowl and the second through the fifth picture that follows show the cleaned and dried bowl. You can see the putty fills in the grooves. Fortunately all of them were in the grooves and not in the smooth portion of the bowl. I scrubbed out the airway in the shank, mortise and stem with alcohol, pipe cleaners and cotton swabs until they came out clean. I thought about using the retort but chose not to on this pipe as it smells sweet and clean. To clean up the scratches and lava on the rim of the bowl I used a medium grit sanding sponge and “topped” the bowl on it. I find that this sponge removes the grime and leaves the rim intact with no briar removed. I worked it on the sponge until it was clean and then used a cotton swab and alcohol to clean up what remained. I sanded the stem with 220 grit sandpaper to remove the tooth chatter and deeper tooth marks as well as the small gouges and oxidation on the vulcanite. With the internals of the shank and mortise cleaned I was able to put the stem back in place. I reamed the bowl with a PipNet pipe reamer and took the cake back to briar. I used a Black Sharpie Permanent Marker to stain the rustication patterns on the bowl and shank. Once I finished with that I wiped the bowl down with alcohol to soften the black and prepare the surface for the contrast stain. I warmed the briar with a blow dryer and then stained it with Feibings Dark Brown that I had thinned with alcohol 1:1. I applied the stain and then flamed it with a lighter to set it. I repeated the process until I got good coverage. I buffed the pipe with Blue Diamond on the wheel to give it a shine and even out the stain coat. The next photos show the bowl at this point in the process. The contrast of the dark in the grooves with the brown really gives the briar a bit of pop. I was careful with buffing around the stamping as I did not want to damage the pristine stamping on this pipe.With the bowl done I turned my attention to the stem. I wet sanded with 1500-2400 grit micromesh sanding pads until the majority of the scratches left behind by the sandpaper were gone. I rubbed the stem down with Obsidian Oil. I dry sanded it with 3200-4000 grit micromesh pads and gave it another coat of oil. I finished by sanding it with the 6000-12000 grit micromesh pads and giving it a final coat of oil. I set it aside to dry while I worked on another pipe. I buffed the pipe with Blue Diamond to raise the shine and then gave the stem multiple coats of carnauba wax. I gave the bowl several coats of Conservator’s Wax and then buffed both the bowl and stem with a clean flannel buff. I hand buffed the pipe with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. I love the finished look of this old timer and the feel of the hefty bowl in the hand. In my opinion it turned out to be a beautiful pipe. Thanks for looking.

Easy Restoration of a 3-Star Pipes by Lee Rhodesian

14 Replies

Blog by Aaron Henson – 2/20/16

I have found that writing up my pipe restorations is handicapped by my in-ability to remember to take pictures as I am working. On this Pipes by Lee Rhodesian I did a little better job at taking pictures. Although this was a simple restoration I thought I would take the opportunity to share my experience.

I found this 3-star Lee with two other pipes (a Mastercraft and a Grabow) in a lot at a local antique shop. I wanted to know more about the Lee brand but I found there is not much out there. But here is what I found:

The Pipes by Lee brand was distributed by Stewart-Allen Co, Inc., NY. The pipes were graded by stars: 1 to 5 stars (5 being the high end). Early pipes have seven pointed stars; the middle run have five pointed stars and later pipes are stamped with colored gold stars. (the preceding content from the “Pipes: Logos & Markings” website and the 1947 Ad, courtesy Doug Valitchka).

This pipe has three 7-point gold/brass stars set in a line in the top of the stem. I could not find the dates of the different runs/eras mention above but based on the ad I would have to guess my pipe dates to the late 1940’s to 1950’s.

The Pipe
The outside of the pipe was in very good condition. The briar was clean and the stem was moderately oxidized. The stamps on the shank were very clear: left side read ‘Pipe by Lee’ over ‘Limited Edition’. The right side of the shank is stamped ‘An Authentic’ over ‘Imported Briar’. The stem was slightly over-clocked and the previous owner had placed a couple of sheets of paper between the stem and shank to act as a spacer. There was one divot in the bottom stem near the button but otherwise was free from tooth chatter.

The internals were a different story; the chamber had a healthy cake buildup and good amount of tar on the rim. The shank was full of tar and the stinger was coated in dried tar. The internals of the stem itself were not as bad as the shank and I will attribute this to the removable filter/stinger. I began the restoration by cleaning the rim. I moistened a little powdered Oxyclean and placed it on a damp green-pad. I laid the pad on a flat surface and worked the bowl much like I was topping it. I don’t have a picture of the result but this worked very well.

The cake was very hard and resisted my attempts with the reamer so set the bowl to soak in alcohol overnight. I also set the stem to soak in an Oxyclean bath using a pipe cleaner to hold the stinger out of the solution.With the cake nice and soft, I reamed the bowl back to bare wood with little difficulty. An inspection of the inside of the chamber showed that the briar to be sound and without burnouts or cracks. The airway was clear and located precisely at the bottom center of the chamber. The alcohol soak also removed much of the stain and revealed three small pink fills that would have to be addressed.I finished up the internals by cleaning the shank with cotton swabs and pipe cleaners until they came out as clean as they went in.

I neglected the pictures during this next part but in summary I used a dental pick to remove fills and packed the voids with briar dust. A dab of clear CA (cyanoacrylate) glue set the dust in place. After drying, the fills were sanded smooth. I also sanded the entire bowl (except around the stamps) with 1500-3200 micromesh pads.

Returning to the stem, I removed the aluminum ‘filter’ and cleaned it and the threads with 0000 steel wool and alcohol. Then I tried to raise the divot out of the stem with flame from a lighter. I didn’t expect to completely eliminate the divot but wanted to reduce it as much as possible before filling it. The fill was made with black CA glue and charcoal powder then sanded smooth when cured.

I polished the stem by wet sanding with 1500-4000 micromesh pads, rubbing down with mineral oil after each group of the three pads. A plastic washer was placed between the stem and the stummel at this stage to prevent damaging the wood and to keep from rounding the shoulder of the stem. At this point I set up the alcohol retort. It took three test tubes until the alcohol was clean; note that I left the filter off during the retort. I won’t describe the retort process because that can be found in other posts but I do want to comment on one point. I have found that heating the alcohol often time lead to an explosive boiling – not a very controlled process. The smooth surface of the test tube and purity of the alcohol does not provide a surface for bubble to form on. However, if I add a small foreign object to the bottom of the tube the boil is much more controlled. I small piece of cake or charred candle wick gives the bubbles a place to form and eliminate the possibility of super-heating the alcohol.Now that the pipe was cleaned and sanitized I finished the stummel by applying two coats of Feibing’s light brown aniline stain. I flamed the stain to set it and then wiped off the excess with a cotton pad and alcohol. While reassembling the pipe I heated the threaded tenon and re-align the stem. Then I coated the entire pipe with mineral oil and set it aside to soak in before applying three coats of carnauba wax.

Thanks for reading and please let me know what you think.

Dunhill Bulldog Gets a Facelift

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Blog by Dutch Holland

I had been looking for a small Dunhill Bulldog and recently found this one. It’s a 1962, style 148, Bruyere, Group 3 in need of some TLC. It’s quite petite, almost delicate compared to the GBD Rhodies I’m usually drawn to but the price was right so I pulled the trigger and several days later it arrived. Although not in really bad shape, it had some issues that would need attention. The bowl top hadn’t seen a cleaning in some time, carbon build-up had migrated onto the upper outside of the bowl and the tobacco chamber had a significant build-up of cake. At some point the pipe had apparently been dropped because there was a nasty crease and some dents surrounding it on the front. The shank had several tones of color, the cause is uncertain. After cleaning the rim area I discovered a number of edge scars and some charring on one side that made the inner edge look out of round. There would be no saving the finish, a stripping would be necessary. The nomenclature was clear and strong so attention to method would be important to preserve it. Dave G’s stripping formula worked out exceptionally well but who would expect anything less? I slightly topped the rim after beveling the inner edge to minimize the amount that needed removal. Topping was done with 1000 grit sandpaper on a flat surface following the application of some steam. The steam had all but eliminated the edge scars and a little softening of the outer edge did the rest. Treating the inner edge with a slight bevel took out the majority of the scorch so almost nothing needed to be removed. Preserving that classic profile was important. That came at the expense of giving the top a somewhat different look. One that seems to better compliment the delicate style of this pipe but that’s just a personal opinion.

The crease and dents on the front were steamed out and the entire pipe stripped of wax and stain. I really wanted something darker than the original stain so I mixed 2 parts of medium brown with 1 part oxblood and applied it. After the color set I buffed it to a rich dark mahogany and then applied four coats of carnauba wax, giving each a chance to harden in between. The stem was worked with Micro-Mesh and then a final buff with white diamond to bring up the gloss. There are some who would consider changing the color of a Dunhill to be heretical but I’m not so constrained. This one’s for my pleasure, the next guy can restore it for authenticity. I really like the color and overall the pipe looks better than it did at the start so I don’t feel the slightest bit guilty. Burn me at the stake if you like, I’m unrepentant.

Putting the Rusticated Rim back on a Savinelli Capri 121 Pot

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Blog by Steve Laug

One of the gift pipes received from a friend when I repaired his pipe was a beautiful little Savinelli Capri 121 Pot. I love the finish on the Capris. There is something about the rusticated finish that adds a tactile dimension to the pipe that I thoroughly appreciate. This pipe was no exception. The finish on the bowl was in excellent condition though at some point in its life it had been topped. The typical rustication on the rim surface had been sanded smooth and the rim had been stained with a reddish brown stain. The internals of the pipe were very clean. The bowl had been reamed and the airway in the mortise was spotless. The stamping on the bottom of the shank was sharp and legible – it reads Savinelli Capri over Root Briar and the Savinelli shield and next to that the shape #121 over Italy.

The stem had seen better days but it was still repairable. It was oxidized and the gold stamping was faint on top of the saddle. There were tooth marks on the top and the bottom of the stem. The ones on top had been repaired and filled with a white looking epoxy. It was hard and smooth but it was white and it looked really bad with the brown oxidation on the stem. These would need to be removed and repaired when I worked on the stem. The tooth marks on the underside of the stem were not as deep and could easily be remedied by sanding the stem. The inside of the stem was also very clean. I took the following photos when I brought the pipe to the work table.

I took some close-up photos of the rim and the stem to show the condition of both. The topping job on the rim actually was very well done. The refinish on it was impeccable – no scratches or grooves, just a clean smooth surface. The stem shows the story I mentioned above. The top side view shows the repairs and the underside view shows the dents.

Taking care of the dents on the underside of the stem was an easy matter. They were not too deep so I sanded the stem with 220 grit sandpaper and they disappeared. The top of the stem was another matter. I wanted to remove the white repairs. I sanded the stem until they were four distinct repairs. Then I used the dental pick to pick away at the white epoxy repair until it was pitted and gave me a new divot to work with. I used some black super glue to refill the divots and cover the white that had been present before.

I sprayed the glue with an accelerator and then sanded the repair with 220 grit sandpaper to blend it into the surface of the stem. In the next photo you can see that the white no longer was visible. The trick would be to keep it that way!

Now it was time to address the rim. I was not sure about rusticating it because it actually looked quite fine the way it was. I went online and found a photo of a Capri that was the same shape and the rim was rusticated. I liked the look of the rim blending into the finish of the bowl. The decision was made. Now I had to work to get a similar look. took out my Dremel and my assortment of burrs. I was pretty certain that I would use them all in the process of rusticating the rim with a deep and pebbled look. I started with a simple cylindrical burr to carve some random swirls across the rim. I did this lightly at first and then deepened them. At this point I kept to the middle of the rim as I had ideas about rusticating the edges a little differently. I followed that by using the ball burr to deepen the swirls and work on the inner and outer edges of the rim. At this point the surface was beginning to look good. But too me it was not rustic enough for the Capri finish on the bowl – it was too tame looking. I used cone burr next with a cross hatch pattern to randomize the pattern even more and deepen the grooves in the surface and edges. I next moved onto another cone burr with a spiral pattern and continued to work on the rim pattern. It was getting close to the point I was aiming for. I used the last cone burr that had a swirl pattern in the opposite direction and went over the rim again to further accent the roughness. I used the cylindrical burr to cut some of the lines between the divots and edges of the bowl and make it more craggy looking. At this point in the process I was finished with the burrs and I put a coat of medium brown stain on the high points in the rustication using a stain pen. I followed that up with using a black Sharpie pen to fill in the divots and low spots on the rustication.

I scrubbed the newly stained rim with a brass bristle brush to knock off some of the high spots and get a more burnished look like the bowl sides. I still was not happy with the stain so I used the sharpie again to darken the low spots and grooves. I then restained the rim with the dark brown stain pen. The colour was very close to the sides of the bowl.

I could have probably stopped there but I did not. I studied the photo of the rim above and noted that there were some striations or cuts in the surface of the rim that connected all the rustication and gave it a distressed look. I have a serrated edge letter opener here that I thought might work to give me more of that look. I cut the surface from every direction with the edge of the letter opener and carved and hacked it to distress it. I used the brass brush once again and then recut the rim with the opener. I restained the rim with the black Sharpie and the dark brown pen. And then gave it a light buff on the wheel with Blue Diamond. I say light because if I had pressed any harder the polishing material would have gone into the grooves and made a mess. The rim looked good to me. The finish was done and all that remained was to wax it with some Conservator’s Wax. I gave the bowl and rim several coats of Conservator’s Wax (works like Halcyon II on rusticated finishes) and buffed it with a shoe brush to polish and give a shine. I wet sanded the stem with 1500-2400 grit micromesh pads to begin the polishing process. It was tricky around the stamp on the shank so I had to work carefully with the pad to get as much of the oxidation as possible.

I buffed the stem with White Diamond to further polish it and then sanded it with 4000 grit wet dry sandpaper to really work on the oxidation at the shank. It is a finicky part of the process because of the weak stamping. I rubbed the stem down with Obsidian Oil and then progressed to 3200-4000 grit micromesh pads. Another coat of oil preceded the final sanding with 6000-12000 grit pads. I gave the stem a final coat of oil and set it aside to dry.

I buffed the pipe with a shoe brush and then with a microfibre cloth. I gave it several more coats of the Conservator’s Wax and polished it to a shine. I buffed the stem with Blue Diamond and gave it several coats of carnauba to protect it and then buffed the stem with a clean buff to raise the shine. I hand buffed the entirety one final time with a shoe brush and then took the finished photos below. This was a fun project. You can see that the white stem repairs have disappeared and the rustication on the rim fits the overall look of the pipe far better than the smooth finish that was there before. Thanks for looking.

Mission Impossible: Operation Long Shot

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Blog by Charles Lemon and Steve Laug

Charles posted this on his Dadspipes blog this morning and I reblogged it here on rebornpipes. I was thinking about it this evening and thought it was worth saving in total on both blogs so not only have I reblogged it but I also have put it here in the archives of this blog. That way it is easily accessible on both blogs. This was a fun project for both of us to do. We spoke this afternoon and already are working on another collaboration… Keep an eye out for it on both blogs.

The door opened and a man walked into the bar, pausing briefly in the doorway to allow his eyes to adapt to the dim light inside. The place was what optimists would euphemistically call a dive. The establishment was empty except for a few drunks and a large, bored-looking man behind the counter wiping glasses with a rag that was presumably once white but was now an indeterminate shade of grey.

The man walked through the room, turned in at a doorway marked “Gents” and scanned the room – two stalls, a urinal and a grimy sink – before spotting what he sought. Moving across the room, he fed a handful of coins into a coin-operated machine advertising cheap cologne. There was a rattle and then a small rectangular device dropped into a waiting hand. The man pushed his thumb against a small pad on the otherwise blank rectangle. A laser washed briefly up and down the pad and then a voice was heard.

“Good morning, Agent. You have been selected to join a small, two-man strike force for a delicate and potentially disastrous assignment. Your mission, should you choose to accept it…..”

A while back, Steve Laug of Reborn Pipes and I had a conversation about the limits of pipe restorations. Was a pipe ever truly beyond repair? We responded in the negative, and decided to put our theory to the test with this mission, code-named Operation Long Shot. We wanted a pipe that was so far gone that most people would immediately write it off as firewood or worse, the sort of thing barely recognizable as a pipe.

We selected as our test subject this Brigham 3-Dot Prince. As you can see in the photos below, it was in terrible condition when I came across it in a jumble of estate pipes I picked up about six months ago. I had been holding onto it with some vague notion of using it for spare parts.

The pipe was filthy, crusted with dirt and debris. The old finish was long gone, and the nomenclature was almost entirely worn away. Wiping the shank with a bit of water, however, revealed the thin, flowing script of the early Brigham logo stamped over “Can Pat 372982”. That stamp places the production date of this old warrior in the 1938-1955 range.

The pipe stem carried the three brass dots of Brigham’s mid-grade 300 series, but was deeply oxidized a gruesome yellow/green colour. It had been brutally chopped off at the bit and a crude button cut into the raw end. To add insult to injury, the bowl had suffered a burnout through the bottom, which had been “repaired” as delicately as the stem with a large clod of epoxy which spread over most of the bottom bowl surface. The interior of the bowl was in no better shape – the epoxy fill had been roughly wiped around the chamber floor, and the draft hole had been worn or burnt open to about double its original diameter. All in, this pipe was a train wreck, though evidently much prized by its previous owner who had refused to give up on it.

Mission Log: Agent Lemon. Phase I – Cleanup and Salvage

This restoration would be a great challenge, but Steve and I were up for it. We agreed to tag-team the job: I would clean up the stummel and salvage what I could from the hacked up stem, and then mail the briar across the country to Steve in Vancouver, BC. He would plug the burnout and tidy up the stummel and then send the pipe home to me in Kitchener, ON for re-stemming and the final fit and finish.

Wanting to get the pipe off to Steve as quickly as possible, I got going on the reaming and cleaning work. I used my Castleford reamer to remove as much carbon from the bowl as I could. I reamed very carefully, expecting the bowl to crumble in my hands, but the old girl held together. I think most of what came out was actually more dirt than cake, but at least the chamber walls looked ok except for the enlarged draft hole. I scrubbed the exterior of the stummel with Murphy’s Oil Soap and a soft toothbrush, and then dropped the briar into an isopropyl alcohol bath to soak overnight.

While the stummel soaked, I had a good look at the stem. I have another Prince shape in my Brigham collection, and a quick comparison showed that the stem for this old pipe was missing about an inch of length. I decided that I would need to work up a new stem to replace the old one. A vulcanite stem would be relatively easy to get hold of, but an aluminum Brigham tenon was quite another matter. As the tenon on the junk stem was still in good shape (or would be after a good cleaning), I decided to salvage it to implant in the replacement stem. I heated the tenon and the end of the stem over a lighter flame until the vulcanite softened, then gently twisted the aluminum tenon out of the stem. One of the brass dots decided to come with it, demonstrating how Brigham used the first brass pin to help hold the tenon/filter holder in the stem.

The next morning, I pulled the stummel out of the alcohol bath and scrubbed it down with an old towel. This is when I ran into the first bit of luck on this project – the alcohol soak had softened the wide but thin patch of epoxy spread across the bottom of the bowl. I quickly grabbed a dental pick and scraped as much of the old adhesive from the briar as I could. I managed to remove most of the softened epoxy, revealing a central core of harder fill about 5/8″ in diameter. This then, was the original burnout.

I drilled out the core epoxy and used a tapered reamer to trip the opening to an even circle with fresh briar all around. This would be the hole Steve would need to plug.

My first stage of the mission was complete, so I packed the stummel securely and entrusted it to Canada Post for shipment to Steve in Vancouver.

Mission Log: Agent Laug. Phase II – Bowl Repair & Refinish

Charles Lemon of DadsPipes and I decided to collaborate on a refurbish that captured some of the essence of our conversation that we shared on our blogs regarding restoration. This old Brigham had major issues with the stem and the bowl. Charles tackled the stem and did the cleanup work on the bowl and then sent the stummel to me to work on. When it arrived I took it out of the small box and had a look at what he had sent to me. He had cleaned out the bowl which had been plugged with JB Weld and opened up the burn out in the bottom of the bowl. He drilled out the plug and when I got it the bowl had pretty much most of the bottom missing. I cut the side out of an old briar bowl I cannibalized for parts and shaped it for the plug. It was thick enough and big enough for me to cut the plug. I cut it and shaped it with a Dremel and sanding drum. The next two photos below shows the plug after the initial shaping. It is still too large in diameter and also needs to be flattened on the inside.

I continued to shape and fine tune the plug until it fit into the hole in the bottom of the bowl. I flattened the inside surface to match the angles of the bowl bottom. The next two photos show that the plug is just about ready to press into place. Just a little more material needs to be sanded off the edges before it is a fit.

I sanded the edges with the Dremel and sanding drum until I had a good fit and then pressed it into the bottom of the bowl. I sanded the outer surface of the plug with the Dremel and sanding drum until it was flush with the surface of the bowl. I used a black sharpie to draw a cross on the bottom of the bowl so that I could align the plug once I put the glue on and pressed it into place. I then coated the edges of the plug with slow drying super glue and pressed it into the hole in the bowl. The next two photos show how the plug looked in place from the outside and the inside of the bowl.

I used a dental pick to clean out the edges of the plug and bowl on the outside and then filled them with super glue and briar dust to take care of the chips and damage to the bowl bottom. Once it dried I sanded the bottom of the bowl with 220 grit sandpaper to blend in the plug.

The next two photos show the state of the bowl repair at this point in the process. The plug has been set in the bowl and the crevices around the plug have been filled and repaired. The inside of the bowl is smooth and the plug sits nicely in place.

At this point in the process others may use JB Weld or Pipe Mud to finish up the bottom but I have found that a thin coat of Plaster of Paris gives a little bit of added protection to the bowl and also levels out the bowl bottom. In this case the bowl had a low spot in front of the entrance to the airway. I mixed a batch of Plaster, put a pipe cleaner in the airway and put it in the bottom of the bowl to level it out.

When the Plaster dried I applied a coat of pipe mud to the bowl bottom and sides, filling in some of the crevices in the bowl sides and smoothing out the surface. I used a dental spatula to press the pipe mud in place on the bowl sides and a pipe nail to press it into the bottom of the bowl.

I set the bowl aside at this point to cure for two days and then worked on the rustication of the bowl. I used a dental burr to follow the pattern on the bowl sides and deepen them. I cut a similar pattern on the bottom of the bowl with the burr. I used the burr to clean up the rustication on the shank as well – carefully avoiding the area where the faint Brigham stamping remained.

I used a black Sharpie permanent marker to stain the grooves in the bowl. I wanted a dark under tone to the bowl after I stained it. I like the way the stain looks with this underneath in the grooves.

I stained the bowl with a dark brown aniline stain and flamed it.

I wiped it down with alcohol on cotton pads to give it some more transparency and create the contrast with the black in the grooves of the rustication. I sanded the rim with a 1500-2400 grit micromesh sanding pad to smooth it out and to add to the contrast of the smooth rim.

I hand rubbed in several coats of Conservators Wax and then buffed the bowl with a shoe brush.

I mixed up a bowl coating of charcoal powder and sour cream and painted it on the inside walls of the bowl to give it further protection. When the bowl coating dried, it was time to pack the stummel back up for its return trip to Ontario.

Mission Log: Agent Lemon. Phase III – Stem Work

Recreating a Patent Era Brigham stem requires only a few items – a vulcanite stem of appropriate length and sufficient diameter to hold a Brigham rock maple filter, an aluminum Brigham tenon/filter holder, a few drill bits and some epoxy.

I found a suitable stem in my box of stems, using a Brigham Prince pipe from my collection as a reference. I used a hacksaw to remove the vulcanite tenon, and then clamped the stem into a simple drilling jig in my drill press. The stem must be perfectly aligned in the press or you risk drilling through the side of the stem instead of down the airway. The goal is to enlarge the airway to make room for the filter, and then drill out a mortise in the face of the stem to accept the aluminum tenon/filter holder. A quick test fit verified my drilling, so I glued the original tenon into the new stem with a bit of JB Weld and let the assembly cure.

When the repaired stummel arrived from Vancouver, I could fit the replacement stem. As I was working with the original tenon, it wasn’t a great surprise when the stem fit nicely into the shank. A little bit of filing and sanding to remove the stem’s molding marks and reduce the diameter to match the shank, and I was ready to install the Brigham dots.

The dots are made by inserting 1/16″ brass rod into holes drilled in the side of the stem. The first pin is located approximately 5/16″ from the end of the stem at the centre line, and the other pins in the 2, 3, and 4-dot patterns are built off the first dot. As this was a 300-level pipe, I’d be installing three pins in a triangle pattern. The first pin is the bottom left dot of the triangle.

I marked out the pinning pattern with a Sharpie and then drilled the holes, being careful not to drill through into the stem’s airway. Short segments of brass rod were then glued into the holes with clear CA glue. When the glue had cured, I used a combination of files and sandpapers to bring the dots flush with the surface of the stem. A final polishing with micromesh pads to remove any remaining scratches prepped the stem for buffing. Just before doing so, I gave the stem a 1/8th bend by holding it over the heat gun until pliable and shaping it over a round form. A dip in cool water set the bend in place.

Mission Log: Impossible Accomplished

The restored pipe sits on the desk in front of me. I hardly recognize it as being even remotely related to the broken-down shell of a pipe Steve and I started with only a few short weeks ago. Shipping the patient back and forth took a lot of time, but the results of this cross-country collaboration speak for themselves. This Patent Era Brigham 313 looks ready for another 60 years of smoking pleasure. Steve did a truly magnificent job on the stummel, and the new stem looks like it’s been there all along. I think we both learned something new during this restoration, and we proved our theory (in grand fashion) as we did it – every pipe, no matter the condition, can be restored to useful service with the right combination of skill and will.

I hope this project inspires other pipe refurbishers to take a second look at that written-off pipe you’ve held onto for some reason. I’m willing to bet there’s still a great smoke hiding in that old briar somewhere. It’s up to you to find it.

Here’s the finished pipe.